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Dale-Patterson Family collection

Creator:
Dale, Dianne  Search this
Polk, P. H., 1898-1985  Search this
Names:
Barry, Marion, 1936-2014  Search this
Dale, Almore M., 1911-1984  Search this
Dale, Dianne  Search this
Dale, John Henry, Jr., 1888-1973  Search this
Dale, Lucille Emma Patterson, 1889-1973  Search this
Dale, Marie Howard, 1914-2011  Search this
Dale, Norman Edward, 1908-1991  Search this
Garner, Araminta Dale, 1913-1987  Search this
Patterson, Frederick D. (Frederick Douglass), 1901-1988  Search this
Patterson, Wilhelmina Bessie, 1888-1962  Search this
Extent:
6 Linear feet (9 boxes)
Type:
Collection descriptions
Archival materials
Photographs
Programs
Clippings
Correspondence
Ephemera
Postcards
Place:
Anacostia (Washington, D.C.)
Date:
1866 - 1990.
Summary:
The Dale-Patterson family papers, which date from 1866 to 2010 and measure 6 linear feet, document the personal and professional lives of the Dale-Patterson family who came to live in Hillsdale, Anacostia, area of Washington, D.C., in 1892.
Scope and Contents note:
The Dale-Patterson family papers, which date from 1866 to 1990 and measure 6 linear feet, document the personal and professional lives of the Dale-Patterson family who came to live in Hillsdale, Anacostia, area of Washington, D.C., in 1892. The collection is comprised of correspondence, photographs, clippings, and ephemera.
Arrangement note:
The collection is arranged in four series:

Series 1: Dale-Patterson Family papers Series 2: Charles Qualls papers Series 3: Community Organizations Series 4: Subject Files
Biographical/Historical note:
The Dale family came to Washington, DC in 1886 when John Henry Dale, Sr., a gifted self-taught man, obtained a position as clerk in the newly contracted Pension Bureau building at 5th and G Streets, NW. First they lived near 13th Street and Florida Avenue, NW, then moved to Howard Road in Anacostia. Dale built a house at 2619 Nichols Avenue, now Martin Luther King, Jr. Avenue, drawing the plans and supervising the construction. The Dales and only one other family lived in this solidly built house for 100 years before it was sold to a church group and demolished.
General Note:
Finding Aid Note: This finding aid is associated with a MARC collection-level record.361883
Provenance:
The Dale-Patterson Family collection was donated to the Anacostia Community Museum on April 07, 2013.
Restrictions:
Use of the materials requires an appointment. Please contact the archivist at acmarchives@si.edu.
Rights:
The Dale-Patterson Family collection is the physical property of the Anacostia Community Museum. Literary and copyright belong to the author/creator or their legal heirs and assigns. Rights to work produced during the normal course of Museum business resides with the Anacostia Community Museum. For further information, and to obtain permission to publish or reproduce, contact the Museum Archives.
Topic:
African Americans  Search this
African American families  Search this
Genre/Form:
Photographs
Programs
Clippings
Correspondence
Ephemera
Postcards
Citation:
Dale-Patterson Family collection, Anacostia Community Museum Archives, Smithsonian Institution, gift of Dianne Dale.
Identifier:
ACMA.06-074
See more items in:
Dale-Patterson Family collection
Archival Repository:
Anacostia Community Museum Archives
GUID:
https://n2t.net/ark:/65665/qa7c29572e9-2bd6-4b2a-8982-b527693b7885
EDAN-URL:
ead_collection:sova-acma-06-074
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Philip G. Freelon Architectural Archive

Creator:
Freelon, Philip G., 1953-2019  Search this
Names:
American Institute of Architects  Search this
Freelon Adjaye Bond/SmithGroup  Search this
Freelon Bond Architects  Search this
Freelon Group  Search this
Hampton University (Va.)  Search this
Harvard University  Search this
Massachusetts Institute of Technology  Search this
Massachusetts Institute of Technology. School of Architecture  Search this
National Museum of African American History and Culture  Search this
National Organization of Minority Architects (U.S.)  Search this
North Carolina Board of Architecture  Search this
NorthStar Church of the Arts  Search this
PPG Industries, Inc.  Search this
Perkins & Will  Search this
Adjaye, David, 1966-  Search this
Bond, J. Max, Jr.  Search this
Freelon, Allan Randall, 1895-1960  Search this
Extent:
5.1 Cubic feet
Type:
Collection descriptions
Archival materials
Correspondence
Place:
North Carolina -- United States
United States of America -- North Carolina -- Durham County -- Durham
United States of America -- Massachusetts -- Suffolk County -- Boston
United States of America -- Pennsylvania -- Philadelphia County -- Philadelphia
United States of America -- New York -- New York
Date:
bulk 1939-2017
Scope and Contents:
The Philip G. Freelon Architectural Archival Collection documents the life and career of architect, educator, cultural heritage preservation advocate and artist Philip G. Freelon. The collection highlights his distinguished career from its inception to his role as the "architect of record" for the National Museum of African American History and Culture. Freelon was one of the leading African American architects of his generation and he created a focus designing and constructing buildings that paid reverence to African Americans and other underrepresented communities. This collection is comprised of business records, photographic materials, ephemera, correspondence, architectural drawings, and clippings.
Arrangement:
The materials in this collection have been separated into seven series. The materials have been ordered and organized based on the content and chronology. Within each series and sub-series, the folders are organized as close to the collection's original order as when it was acquired.
Biographical / Historical:
Philip Goodwin Freelon was born March 26, 1953, in Philadelphia, Pennsylvania to Allan Freelon, Jr. and Elizabeth Neal Freelon. Freelon was greatly influenced by his grandfather, Allan Freelon Sr., a notable Harlem Renaissance visual artist, educator, and civil rights activist. His grandfather's values and artistry inspired him to create a career that focused on creating historical and cultural spaces in African American communities. Freelon attended high school at the former predominantly white elite all-boys school, Central High School located in upper North Philadelphia from 1967 to 1971. His attendance at this school during of the Civil Rights Movement afforded him the unique experience that inspired him to attend a historically Black college (HBCU). Freelon selected Hampton Institute (Hampton University) to develop his veneration of the composition and design of the buildings that held cultural and artistic treasures. Located in the Tidewater area of Virginia, Hampton was renowned among HBCUs for its architecture program. His professor and mentor at Hampton, John Spencer, pushed Freelon academically as he moved easily through the school's curriculum. After two years at Hampton, Spencer helped Freelon transition to a more challenging program at North Carolina State University (NCSU) in Raleigh, North Carolina. Freelon graduated in 1975 with a bachelor's in environmental design in architecture.

Later in the fall of 1975, Freelon enrolled at Massachusetts Institute of Technology (MIT) to pursue a master's in architecture. During the summers, Freelon worked with one of former his NC State professors at the architectural firm of John D. Latimer and Associates. After graduating from MIT in 1977, Freelon returned to North Carolina to take his Architecture Registration Examination (ARE), becoming the firm's youngest person to receive licensure. He also began teaching classes at his alma mater, NC State. It was there that Freelon met his future wife, Nnenna Pierce. Pierce, a Massachusetts native was attending Simmons College in Boston at the time. The connection was immediate, and the pair was married in 1979 and welcomed their first son, Deen in 1980. After a brief employment for a large Texas firm 3/D International, Freelon returned to Durham to join O'Brien Atkins Associates. He was the firm's youngest partner, eventually serving as principal and vice president of architecture. Freelon worked on a wide variety of projects throughout the state including learning centers, university buildings, churches, and parking garages. Along with Freelon's budding career, his family was expanding as well. Phil and Nnenna welcomed their daughter Maya in 1982 and their son, Pierce in 1983. During this time, Freelon was being highly recognized for his work. The American of Institute of Architects (AIA) awarded him the Honor Award for his design of Terminal 2 of the Raleigh-Durham International Airport, which has since been rebuilt.

By the end of the decade, Freelon and his wife Nnenna needed a change of pace. Nnenna pursued a professional career in music while Phil took a break from his career to expand his skillset and reinforce his intellectual approach to design. In 1989, Freelon was granted the Loeb Fellowship for one year of independent study at the Harvard University Graduate School of Design. He also pursued a longtime hobby of furniture design, calling the practice "small architecture". He received industry awards like first prize in the PPG Industries, Inc. Furniture Design Competition as well as AIA Honor Award for conference table designs. With a year away from the field to clarify his vision, Freelon opened his own firm, simply titled, the Freelon Group in 1990. Beginning as a one-man operation, the Freelon Group grew to become one of the largest African American owned architectural firms in the country with over 50 employees, forty percent of which were women, and thirty percent were people of color. With freedom within his own firm, Freelon focused on designing learning centers, libraries and museums and vowed to never build anything that did not bring cultural and intellectual value to a community.

Over the next twenty years, Freelon would assert himself as a force in designing notable cultural institutions and community-driven projects in and around the country including the Sonja Haynes Stone Center at University of North Carolina Chapel Hill (Chapel Hill, NC), Reginald F. Lewis Museum of Maryland African American History & Culture (Baltimore, MD), Museum of African Diaspora (San Francisco, CA), Harvey B. Gantt for African American Arts and Culture (Charlotte, NC), the Anacostia and Tenley-Friendship branches of the District of Columbia Public Library , National Center for Civil Rights and Human Rights (Atlanta, GA), Mississippi Civil Rights Museum (Jackson, MS) and Emancipation Park (Houston, TX). Alongside his architectural career, Freelon served as a lecturer and adjunct professor at several colleges and universities including North Carolina State University, Harvard University, Massachusetts Institute of Technology (MIT), University of Maryland College Park, New Jersey Institute of Technology, Syracuse University, and the Florence, Italy program at Kent State University. Freelon was awarded a full-time appointment as professor of Professional Practice at MIT in 2008. The Professional Practice (4.222) course was a requirement for the master's in architecture and he used examples from his extensive career and personal experience to illustrate legal, ethical, and management concepts. Nnenna's music career was also thriving. She would go on to record twelve albums and be nominated for six Grammys. This fusion of education, the arts, and music inspired another generation of Freelons: their son, Pierce Freelon is a hip-hop artist, educator, and political activist; daughter Maya Freelon is a visual artist; and son Deen Freelon is a professor.

In 2001, George W. Bush established a commission to create a new museum on the National Mall. Freelon wanted to enter his firm to participate in the international design competition. Freelon would partner with famed African American New York City architect, J. Max Bond, Jr. and by 2006 the two officially formed the Freelon Bond Architects.The Freelon Bond group submitted their proposal and soon after were elected to create programming and pre-design work for the museum. When the official design competition for the museum was announced in 2008, UK-based architect David Adjaye joined the team as the lead designer, and along with the partnering firm SmithGroup, the new architectural team became Freelon Adjaye Bond/SmithGroup. The three black architects combined a variety of distinctive elements from Africa and the Americas to create the building's unique, historically significant design. The Freelon Group served as the "architect of record" and were responsible for ensuring that key design ideas were upheld. Freelon and key firm members such as Zena Howard were active as on-site project managers during the museum's construction process to certify that the building would be developed according to plan. Freelon, Adjaye, and Bond were tasked with taking the collective history of the African American experience-- generations of pain, triumph, and perseverance-- and forming it into a structure. The team looked to African sources, such as Yoruban architecture, for inspiration. They sought to connect the building's design to the geographic and cultural roots of African Americans. Their design choices also reference the contributions of enslaved and free black metalworkers made to the landscape of the American South. Their goal was to make the museum an extension of its contents, and an expression of the stories told inside. By the groundbreaking for NMAAHC in 2012, Freelon had been appointed to the U.S. Commission of the Fine Arts by President Barack Obama. In an effort to broaden his resources and expand his firm, The Freelon Group merged with Perkins & Will, a firm originating in Chicago that grew to have offices across the United States. Freelon was appointed the managing director and later lead design director at the firm's North Carolina offices in Charlotte and Durham in 2014. By the next year, Freelon understood that his work in architecture and education was a necessary voice to preserve, which he did through donation of the bulk of his personal papers to his alma mater, NC State University. The year 2016 proved to be a year of triumph for Freelon as NMAAHC opened its doors on September 24th to much jubilation and celebration. That same year, Freelon's legacy was further cemented as the Phil Freelon Fellowship Fund was established at Harvard University Graduate School of Design, a fellowship designed to broaden opportunities for African Americans and other underrepresented communities in architecture and design.

Unfortunately, this triumphant year was met with difficulty as Freelon was diagnosed with amyotrophic lateral sclerosis (ALS), a progressive disease that affects the nervous system. He would continue to work and lecture for the next two years until it became too challenging. One of those projects was the renovation and opening of The NorthStar Church of the Arts in early 2019. A passion project with his wife and son, Pierce, a former church was renovated and repurposed as an arts and cultural space for all. This space was created in an effort to support the Durham cultural community as it began to feel the effects of gentrification. When Freelon lost his battle with ALS on July 9, 2019, in his home in Durham, North Carolina, the family requested that in lieu of flowers that donations be sent to the NorthStar Church to continue the center's mission and Phil's dream to give back to the Durham community.

Historical Timeline

1953 -- Philip Goodwin Freelon was born in Philadelphia, Pennsylvania to Allan Freelon Jr. and Elizabeth Neal Freelon.

1971 -- Freelon graduated from Central High School in Philadelphia, Pennsylvania and entered School of Architecture, Hampton University in Hampton, Virginia as a design student.

1973 -- Freelon transferred to College of Design at the North Carolina State University in Raleigh.

1975 -- Graduated with a Bachelor's in Environmental Design in Architecture from NC State University. He received the American Institute of Architects (AIA) Book Award for Outstanding Work in Architectural Design. In the fall, he began his master's program in architecture at MIT.

1976 -- Began working as aide for architectural firm, John D. Latimer and Associates.

1977 -- Graduated with a Master's in Architecture and Design from Massachusetts Institute of Technology (MIT.)

1978 -- Freelon became youngest architect to pass the North Carolina Architecture Registration Exam. Freelon started teaching at North Carolina State University.

1979 -- Married Chinyere "Nnenna" Pierce. Freelon began working for, 3/D International in Houston, Texas.

1980 -- Son Deen Freelon was born.

1981 -- Freelon returned to Durham, NC to join O'Brien Atkins Associates as the firm's youngest partner.

1982 -- Daughter Maya Freelon was born.

1983 -- Son Pierce Freelon was born.

1989-1990 -- Received Loeb Fellowship for independent study at Harvard University. Freelon received AIA Honor Award for American Airlines Terminal 2 at Raleigh-Durham Airport, NC (RDU).

1990 -- Freelon left O'Brien Atkins Associates to open his own firm The Freelon Group.

1991 -- Won first prize in the PPG Furniture Design Competition.

1992 -- Won the AIA Honor Award for Conference Table Designs.

2001 -- Won the AIA Firm Award for The Freelon Group and the AIA Design Award for Parking Structure, RDU Airport. Began attending meetings of President George W. Bush's commission on new National Mall museum dedicated to African American history and culture.

2003 -- Freelon merged his firm with New York architect Max Bond to create Freelon Bond Architects.

2004 -- Sonja Haynes Stone Center at University of North Carolina Chapel Hill (Chapel Hill, NC) was completed.

2005 -- Reginald F. Lewis Museum of Maryland African American History & Culture (Baltimore, MD) and Museum of African Diaspora (San Francisco, CA) were both completed.

2008 -- UK-based architect David Adjaye and Washington, DC based architecture firm, Smithgroup joined the team, creating the Freelon Adjaye Bond Group/SmithGroup Freelon began teaching at MIT's school of Architecture and Design.

2009 -- Freelon Adjaye Bond/Smithgroup won the official design for the Smithsonian National Museum of African American History and Culture (NMAAHC). Harvey B. Gantt for African American Arts and Culture (Charlotte, NC) was completed.

2010 -- Anacostia branch of the District of Columbia Public Library (Washington, DC) was completed.

2011 -- Tenley-Friendship branch of the District of Columbia Public Library (Washington, DC) was completed.

2012 -- Construction began on NMAAHC.

2014 -- The Freelon Group merged with Perkins & Will, a much larger architectural firm. Freelon became managing director and lead design director of the North Carolina branches in Durham and Charlotte. National Center for Civil Rights and Human Rights (Atlanta, GA) was completed.

2016 -- Freelon was diagnosed with amyotrophic lateral sclerosis (ALS).

2017 -- Mississippi Civil Rights Museum (Jackson, MS) and Emancipation Park (Houston, TX) were completed.

2019 -- Freelon died in his home in Durham, North Carolina at age 66 on July 9.
Related Materials:
Phil Freelon Papers, 1975-2019 at North Carolina State University Libraries.
Provenance:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Philip G. Freelon.
Restrictions:
Collection is open for research. Access to collection materials requires an appointment.
Rights:
The NMAAHC Archives can provide reproductions of some materials for research and educational use. Copyright and right to publicity restrictions apply and limit reproduction for other purposes.
Topic:
Architecture  Search this
Business  Search this
Construction  Search this
Entrepreneurship  Search this
Local and Regional  Search this
Design  Search this
Education  Search this
Photographs  Search this
Museums  Search this
Genre/Form:
Correspondence
Citation:
Philip G. Freelon Archival Collection, 1939-2017. National Museum of African American History and Culture, Smithsonian Institution.
Identifier:
NMAAHC.A2017.51
See more items in:
Philip G. Freelon Architectural Archive
Archival Repository:
National Museum of African American History and Culture
GUID:
https://n2t.net/ark:/65665/io3ba3ca2a2-5495-45cf-801c-f3d66a7002fd
EDAN-URL:
ead_collection:sova-nmaahc-a2017-51

Portrait of the late Charles H. Taylor (died 1941-08), treasurer, Boston Globe

Collection Creator:
Archives of American Art  Search this
Weissinger (Harry) Tobacco Co.  Search this
King, Marian  Search this
Container:
Box 6, Folder 5
Type:
Archival materials
Date:
undated
Collection Restrictions:
Collection open for research on site by appointment. Unprotected photographs must be handled with gloves.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Archives of American Art Miscellany, ca. 1933-1945, Archives Center, National Museum of American History.
See more items in:
Archives of American Art Miscellany
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep89fabb0e3-a052-4e2e-a30c-1d812692ba16
EDAN-URL:
ead_component:sova-nmah-ac-0850-ref526

Treasure Cave Bleu Cheese

Collection Creator:
Broussard-Simmons, Vanessa  Search this
Kraft General Foods, Inc.  Search this
Archives Center, National Museum of American History  Search this
Container:
Box 6
Type:
Archival materials
Collection Restrictions:
Collection is open for research.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Archives Center Cookbook Collection, Archives Center, National Museum of American History.
See more items in:
Archives Center Cookbook Collection
Archives Center Cookbook Collection / Series 2: Unbound Materials
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep807cec1b2-5306-44c9-8f90-5a6a5e58e426
EDAN-URL:
ead_component:sova-nmah-ac-0510-ref1021

Oral history interview with William E. Woolfenden and Irving Burton

Interviewee:
Burton, Irving F. (Irving Frederick), 1918-  Search this
Woolfenden, William E. (William Edward), 1918-1995  Search this
Interviewer:
McCoy, Garnett  Search this
Names:
Archives of American Art  Search this
Richardson, Edgar Preston, 1902-1985  Search this
Extent:
33 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
1992 December 12
Scope and Contents:
An interview of William E. Woolfenden and Irving Burton conducted 1992 December 12, by Garnett McCoy for the Archives of American Art, concerning the development of the Archives of American Art.
Woolfenden speaks about E.P. Richardson and his intent in founding of the Archives of American Art; the earliest development and collecting activities; his role as assistant director and Richardson's role as director; receiving a Ford foundation grant and other early financial support; fundraising events; auctions; trustees; the founding of regional offices; early employees; forming an alliance with the Smithsonian Institution; and the impact of the AAA on American art history. Irving Burton discusses his involvement.
Biographical / Historical:
William E. Woolfenden (1918- 1995) was the director of the Archives of American Art from 1963-1983.
General:
Originally recorded on 1 sound cassette. Reformatted in 2010 as 2 digital wav files. Duration is 1 hr., 35 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics, and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Arts administrators -- Michigan -- Detroit -- Interviews  Search this
Topic:
Arts -- Management  Search this
Art, American -- History -- Sources  Search this
Arts administrators -- New York (State) -- New York -- Interviews  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.woolfe92
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9df35d1c8-45e5-46b1-be94-c3e6de491832
EDAN-URL:
ead_collection:sova-aaa-woolfe92
Online Media:

Oral History interview with Lawrence A. Fleischman

Interviewee:
Fleischman, Lawrence A. (Lawrence Arthur), 1925-1997  Search this
Interviewer:
Stavitsky, Gail, 1954-  Search this
Names:
Archives of American Art  Search this
Extent:
2 Sound cassettes (Sound recording (90 min. each), analog)
40 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound cassettes
Pages
Sound recordings
Interviews
Date:
1994 Apr. 18
Scope and Contents:
An interview of Lawrence A. Fleischman conducted 1994 Apr. 18, by Gail Stavitsky, for the Archives of American Art.
Fleischman discusses his involvement with the British Museum, his personal collection of ancient art, his co-founding of the Archives of American Art and the American Art Journal, and his decision to become an art dealer. He gives his assessment of changes in the American art world since the early seventies, noting the rise of prices for American art, the entry of greater numbers of women artists and scholars into the art world, and changes to the structure of major museums. He reminisces about E. P. Richardson, Ben Shahn, and Stuart Davis, as well as other dealers and artists.
Biographical / Historical:
Lawrence A. Fleischman (1925-1997) was a gallery owner, art dealer, collector, and publisher from New York, N.Y.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators. Funding for this interview was provided by the Art Dealers Association of America.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Gallery owners -- New York (State) -- New York  Search this
Art dealers -- New York (State) -- New York  Search this
Publishers -- New York (State) -- New York  Search this
Topic:
Art, American  Search this
Art -- Collectors and collecting -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.fleisc94
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9fdee0a0b-7f06-4b3e-81d4-f9b154eebe6e
EDAN-URL:
ead_collection:sova-aaa-fleisc94
Online Media:

Correspondence to treasurers

Series Collector:
Archives Center, National Museum of American History  Search this
Series Donor:
Becker, John M.  Search this
Gay Officers Action League. GOAL  Search this
Heritage of Pride (HOP)  Search this
Rohrbaugh, Richard  Search this
Series Creator:
Hirsch, Leonard  Search this
Guest, Barbara  Search this
Barna, Joseph T.  Search this
Guest, Michael E.  Search this
Cruse, Howard, 1944-2019  Search this
Container:
Box 37, Folder 3
Type:
Archival materials
Date:
1953
Series Restrictions:
The collection is open for research use.

Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow.

Do not use original materials when available on reference video or audio tapes.
Series Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Series Citation:
Archives Center Lesbian, Gay, Bisexual, and Transgender (LGBT) Collection, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection
Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection / Series 7: Mattachine Society / 7.1: Correspondence
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8af8ae63d-578d-4d80-92e6-ad25054a223d
EDAN-URL:
ead_component:sova-nmah-ac-1146-ref767

Treasure Traders

Collection Creator:
Archives Center, National Museum of American History  Search this
Container:
Box 6, Folder 1
Type:
Archival materials
Date:
2001
Collection Restrictions:
Collection open for research.
Collection Rights:
Fees for commercial reproduction. However, there are copyright and trademark restrictions.
Collection Citation:
Archives Center Shopping Bag Collection, Archives Center, National Museum of American History.
See more items in:
Archives Center Shopping Bag Collection
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep81bce2ced-2888-4c6d-af1d-747a55b9e767
EDAN-URL:
ead_component:sova-nmah-ac-0570-ref959

Archives of American Art sound recordings

Creator:
Archives of American Art  Search this
Extent:
18 Items
Type:
Collection descriptions
Archival materials
Sound recordings
Interviews
Date:
1957-2007
Scope and Contents:
Recordings of meetings, lectures, symposia, and other events sponsored by or documenting organizational activities of the Archives of American ArtAAA) events .
General:
Originally recorded on analog sound tape reels or cassette. Reformatted in 2010 as digital .wav files.
Provenance:
Recorded for the Archives of American Art.
Restrictions:
Use requires an appointment.
Topic:
Art, American  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.archiv57
See more items in:
Archives of American Art sound recordings
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw95c98aa0a-e869-4d77-af36-e5e2ec52f862
EDAN-URL:
ead_collection:sova-aaa-archiv57
Online Media:

The visual arts and the myth of Southern California, 1900-1950 : panel discussion

Creator:
Archives of American Art  Search this
Paul, Stella  Search this
Schipper, Merle, 1922-2001  Search this
Starr, Kevin  Search this
De Long, David Gilson, 1939-  Search this
Dijkstra, Bram  Search this
Gebhard, David  Search this
Glenn, Constance, 1933-  Search this
Harris, Neil, 1938-  Search this
Larsen, Susan C.  Search this
Möritz, William  Search this
Collection Creator:
Archives of American Art  Search this
Extent:
6 Items (sound cassettes. Sound recording)
Container:
Item IM100RC.072
Item IM100RC.072
Item IM100RC.072
Item IM100RC.072
Item IM100RC.072
Item IM100RC.072
Type:
Archival materials
Audio [31027000061628]
Audio [31027000061636]
Audio [31027000061644]
Audio [31027000061651]
Audio [31027000061669]
Audio [31027000061677]
Sound recordings
Interviews
Date:
1986 October 18-19
Scope and Contents:
A panel discussion sponsored by the Archives of American Art. The participants were Kevin Starr, Neil Harris, Merle Schipper, Constance Glenn, Bram Dijkstra, Susan Larsen, William Moritz, David Gebhard, and David De Long. Stella Paul is moderator.
General:
Originally recorded on 6 sound cassettes. Reformatted in 2010 as 10 digital wav files. Duration is 7 hrs., 10 min.
Funding note:
Funding for the digital preservation of this recording was provided by a grant from the Save America's Treasures Program of the National Park Service.
Collection Restrictions:
Use requires an appointment.
Occupation:
Art critics -- California, Southern  Search this
Art historians -- California, Southern  Search this
Educators -- California, Southern  Search this
Museum directors -- California, Southern  Search this
Topic:
Art, American -- California, Southern  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.archiv57, Item AAA
See more items in:
Archives of American Art sound recordings
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw95c033e6f-c82f-409e-9a10-4292d9275cfe
EDAN-URL:
ead_component:sova-aaa-archiv57-ref1

An Eye Toward Collecting: A Symposium in honor of the Archives of American Art 50th Anniversary

Creator:
Archives of American Art  Search this
Collection Creator:
Archives of American Art  Search this
Extent:
3 Items (sound cassettes)
Container:
Item IM100RC.109
Item IM100RC.109
Item IM100RC.109
Type:
Archival materials
Audio [31027000737797]
Audio [31027000737854]
Audio [31027000737912]
Date:
2005 February 26
Scope and Contents:
A symposium recorded on three cassettes commemorating the 50th anniversary of the Archives of American Art, Smithsonian Institution. lncluded is the list of participants, the program, a postcard and invitation to the event. Participants include Chuck Close, Jim Cohan, Gary Garrels, Thelma Golden, Agnes Gund, Michael Kimmelman, Wynn Kramarsky, Peter Plagens, Robert Rosenblum, Kiki Smith, Gary Tinterow and Karen Wilkin.
Collection Restrictions:
Use requires an appointment.
Topic:
Art -- Collectors and collecting  Search this
Identifier:
AAA.archiv57, Item AAA.archiv05
See more items in:
Archives of American Art sound recordings
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9190711ff-82d1-4a8b-9e1f-88126e8ec0ab
EDAN-URL:
ead_component:sova-aaa-archiv57-ref10

Artists in their studios, a symposium

Creator:
Archives of American Art  Search this
Kirwin, Liza  Search this
Owens, Gwendolyn  Search this
Smith, John W.  Search this
Zukowski, Karen  Search this
Harrison, Helen A. (Helen Amy)  Search this
Taylor, Stephanie L.  Search this
Corn, Wanda M.  Search this
Hack, Brian E.  Search this
Shannon, Joshua A.  Search this
Murphy, Kevin D.  Search this
The City University of New York  Search this
Names:
The City University of New York  Search this
Collection Creator:
Archives of American Art  Search this
Extent:
5 Items (sound discs (4 hrs., 10 min.), digital, 2 5/8 in.)
Container:
Item IM100RC.104
Item IM100RC.104
Item IM100RC.104
Item IM100RC.104
Item IM100RC.104
Type:
Archival materials
Audio [31027000253696]
Audio [31027000253936]
Audio [31027000253878]
Audio [31027000253811]
Audio [31027000253753]
Date:
2007 September 8
Scope and Contents:
"Artists in Their Studios," a symposium, sponsored by the Archives of American Art, Smithsonian Institution and the PhD Program in Art History, the City University of New York (CUNY) Graduate Center, at the Elebash Recital Hall at CUNY in New York City. Speakers include John W. Smith, Wanda M. Corn, Liza Kirwin, Karen Zukowski, Brian E. Hack, Helen A. Harrison, Kevin Murphy, Stephanie L. Taylor, Joshua A. Shannon, and Gwendolyn Owens.
General:
Originally recorded on 5 sound discs. Reformatted in 2010 as 5 digital wav files. Duration is 4 hrs., 10 min.
Funding note:
Funding for the digital preservation of this recording was provided by a grant from the Save America's Treasures Program of the National Park Service.
Provenance:
These recordings are part of the Archives of American Art's Oral History Program.
Collection Restrictions:
Use requires an appointment.
Function:
Artists' studios
Identifier:
AAA.archiv57, Item AAA
See more items in:
Archives of American Art sound recordings
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw972aa6ed7-9c09-40d8-bd99-acd9540be21b
EDAN-URL:
ead_component:sova-aaa-archiv57-ref11

The museum and its public: scholarship or spectacle : panel discussion

Creator:
Archives of American Art  Search this
Middlekauff, Robert  Search this
Koshalek, Richard  Search this
Powell, Earl A.  Search this
Karlstrom, Paul J.  Search this
Names:
Henry E. Huntington Library and Art Gallery  Search this
Los Angeles County Museum of Art  Search this
Museum of Contemporary Art (Los Angeles, Calif.)  Search this
Collection Creator:
Archives of American Art  Search this
Extent:
1 Sound cassette
Container:
Item aaaoh010
Type:
Archival materials
Audio [31027000729877]
Sound cassettes
Sound recordings
Interviews
Date:
1986 February 13
Scope and Contents:
A panel discussion sponsored by the Archives of American Art at the Founders Luncheon and Museum Panel, held at the Beverly Hills Hotel, 1986 February 13. The participants were Richard Koshalek, director of the Museum of Contemporary Art; Earl A. Powell, Director of the Los Angeles County Museum of Art; Robert Middlekauff, Director of the Henry E. Huntington Library and Art Gallery. Paul Karlstrom is moderator.
Moderator Paul Karlstrom introduces the topic and panelists; identifies differences between the three institutions, the appeal of blockbuster shows, and with references to an article by Mortibello of the Metropolitan Museum of Art, questions whether a museum can successfully balance scholarship and interpretation; the high cost of research and programming; and the shift to temporary exhibitions.
Koshalek discusses how MOCA continues to look for a balance as a new organization and their decision to start with temporary exhibits to build an audience and collection. Middlekauff discusses the Huntington as a research institution and its policy to not loan books and papers and the impact then on hosting only temporary exhibits, and the parallel to problems universities face in funding programming. Powell discusses the benefits of blockbuster exhibits, the need to integrate scholarship, and the problems in corporate sponsorships.
General:
Originally recorded on 1 sound cassette. Reformatted in 2010 as 2 digital wav files. Duration is 1 hrs., 3 min.
Funding note:
Funding for the digital preservation of this recording was provided by a grant from the Save America's Treasures Program of the National Park Service.
Collection Restrictions:
Use requires an appointment.
Occupation:
Art critics -- California, Southern  Search this
Art historians -- California, Southern  Search this
Educators -- California, Southern  Search this
Museum directors -- California, Southern  Search this
Topic:
Art, American -- California, Southern  Search this
Function:
Art museums
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.archiv57, Item AAA
See more items in:
Archives of American Art sound recordings
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw927082d57-467c-4a3b-8304-4a92e78c3e7d
EDAN-URL:
ead_component:sova-aaa-archiv57-ref12

Archives of American Art benefit dinner

Names:
Burton, Irving F. (Irving Frederick), 1918-  Search this
Capp, Al, 1909-1979  Search this
Richardson, Edgar Preston, 1902-1985  Search this
Collection Creator:
Archives of American Art  Search this
Extent:
1 Item
Type:
Archival materials
Date:
1957
Scope and Contents:
Sound recording of a benefit dinner for the Archives of American Art, 1957, with speakers Al Capp, Irving Burton, and E.P. (Edgar Preston) Richardson.
General:
Originally recorded on reel-to-reel tape. Reformatted in 2010.
Funding note:
Funding for the digital preservation of this recording was provided by a grant from the Save America's Treasures Program of the National Park Service.
Collection Restrictions:
Use requires an appointment.
Identifier:
AAA.archiv57, Item AAA
See more items in:
Archives of American Art sound recordings
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw94630c61c-5a8a-416c-a13b-6f1333e4cf28
EDAN-URL:
ead_component:sova-aaa-archiv57-ref13

Archives of American Art steering committee meeting

Collection Creator:
Archives of American Art  Search this
Extent:
1 Item
Container:
Item aaaoh55
Type:
Archival materials
Text [31027000061933]
Date:
1959
Scope and Contents:
A sound recording of a steering committee meeting of the Archives of American Art, May 27 and June 12, 1959 (partially transcribed, 5 pages);
General:
Originally recorded on reel-to-reel tape. Reformatted in 2010.
Collection Restrictions:
Use requires an appointment.
Identifier:
AAA.archiv57, Item AAA
See more items in:
Archives of American Art sound recordings
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw96edf9341-ea8c-4c40-91b9-442f9b4e6343
EDAN-URL:
ead_component:sova-aaa-archiv57-ref14

Archives of American Art conference

Collection Creator:
Archives of American Art  Search this
Extent:
1 Item
Type:
Archival materials
Date:
1961 March
Scope and Contents:
A sound recording of a conference sponsored by the Archives of American Art, March 1961.
General:
Originally recorded on reel-to-reel tape. Reformatted in 2010.
Funding note:
Funding for the digital preservation of this recording was provided by a grant from the Save America's Treasures Program of the National Park Service.
Collection Restrictions:
Use requires an appointment.
Identifier:
AAA.archiv57, Item AAA
See more items in:
Archives of American Art sound recordings
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9b01a542a-4374-4f34-85b5-02f64149ecec
EDAN-URL:
ead_component:sova-aaa-archiv57-ref15

Archives of American Art seminar

Collection Creator:
Archives of American Art  Search this
Extent:
1 Item
Type:
Archival materials
Date:
April 6-7, 1962
Scope and Contents:
A sound recording of a seminar sponsored by the Archives of American Art, April 6-7, 1962.
General:
Originally recorded on reel-to-reel tape. Reformatted in 2010.
Funding note:
Funding for the digital preservation of this recording was provided by a grant from the Save America's Treasures Program of the National Park Service.
Collection Restrictions:
Use requires an appointment.
Identifier:
AAA.archiv57, Item AAA
See more items in:
Archives of American Art sound recordings
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw92c74ebcf-56db-479a-9b99-c1c9ffe96eea
EDAN-URL:
ead_component:sova-aaa-archiv57-ref16

Lecture delivered by E.P. Richardson

Creator:
Richardson, Edgar Preston, 1902-1985  Search this
Collection Creator:
Archives of American Art  Search this
Extent:
1 Item
Container:
Item aaaoh55
Type:
Archival materials
Text [31027000061925]
Date:
1962 February 2
Scope and Contents:
A lecture (7 pages) delivered by E.P. Richardson at the annual meeting of held at the Detroit Institute of Arts, Detroit, Michigan, February 2, 1962.
General:
Originally recorded on reel-to-reel tape. Reformatted in 2010.
Collection Restrictions:
Use requires an appointment.
Identifier:
AAA.archiv57, Item AAA
See more items in:
Archives of American Art sound recordings
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw94fed3f9a-d284-456c-bb47-35e5f16d85ff
EDAN-URL:
ead_component:sova-aaa-archiv57-ref17

Proceedings of the Archives of American Art's twenty-fifth anniversary dinner

Names:
Kinney, Gilbert H.  Search this
Ripley, S. Dillon (Sidney Dillon), 1913-2001  Search this
Spaeth, Eloise  Search this
Woolfenden, William E. (William Edward), 1918-1995  Search this
Collection Creator:
Archives of American Art  Search this
Extent:
1 Item
Type:
Archival materials
Date:
1979 November 8
Scope and Contents:
Proceedings of the Archives of American Art's twenty-fifth anniversary dinner, held in Washington, D.C., November 8, 1979. Speakers include S. Dillon Ripley, Gilbert Kinney, W. E. Woolfenden and Eloise Spaeth.
General:
Originally recorded on reel-to-reel tape. Reformatted in 2010.
Funding note:
Funding for the digital preservation of this recording was provided by a grant from the Save America's Treasures Program of the National Park Service.
Collection Restrictions:
Use requires an appointment.
Identifier:
AAA.archiv57, Item AAA
See more items in:
Archives of American Art sound recordings
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw90c4c3dfd-4b90-4549-8466-4da685a0dc4e
EDAN-URL:
ead_component:sova-aaa-archiv57-ref18

Visionary modernist impresario : a look at Arthur B. Davies and his world, 1900-1928 : panel discussion

Creator:
Archives of American Art  Search this
Institute of Contemporary Art (Boston, Mass.)  Search this
Panelist:
McCoy, Garnett  Search this
Miller, Nancy  Search this
Owens, Gwendolyn  Search this
Sussman, Elisabeth, 1939-  Search this
Brown, Robert F.  Search this
Eldredge, Charles C.  Search this
Johns, Elizabeth, 1937-  Search this
Names:
Institute of Contemporary Art (Boston, Mass.)  Search this
Davies, Arthur B. (Arthur Bowen), 1862-1928  Search this
Collection Creator:
Archives of American Art  Search this
Extent:
3 Items (sound cassettes)
Container:
Item IM100RC.077
Item IM100RC.077
Item IM100RC.077
Type:
Archival materials
Audio [31027000061750]
Audio [31027000061768]
Audio [31027000061743]
Sound recordings
Interviews
Date:
1981 March 27
Scope and Contents:
A panel discussion conducted 1981 March 27, sponsored jointly by the Archives of American Art and the Institute of Contemporary Art, Boston.
The participants are: Robert F. Brown, Charles Eldredge, Elizabeth Johns, Garnett McCoy, Nancy Miller, Gwendolyn Owens, and Elizabeth Sussman.
General:
Originally recorded on 3 sound cassettes. Reformatted in 2010 as 6 digital wav files. Duration is 3 hrs., 54 min.
Funding note:
Funding for the digital preservation of this recording was provided by a grant from the Save America's Treasures Program of the National Park Service.
Collection Restrictions:
Use requires an appointment.
Topic:
Modernism (Art)  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.archiv57, Item AAA
See more items in:
Archives of American Art sound recordings
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw930747aee-fbd3-45d9-912a-bebdc4715252
EDAN-URL:
ead_component:sova-aaa-archiv57-ref2

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