Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow.
Do not use original materials when available on reference video or audio tapes.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Archives Center Lesbian, Gay, Bisexual, and Transgender (LGBT) Collection, Archives Center, National Museum of American History, Smithsonian Institution
Text on yellow paper. Advertises SALGA benefit at the Cooler, with "star studded drag performances."
Local Numbers:
AC1146-0000073.tif (AC Scan No.)
Collection Restrictions:
The collection is open for research use.
Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow.
Do not use original materials when available on reference video or audio tapes.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Archives Center Lesbian, Gay, Bisexual, and Transgender (LGBT) Collection, Archives Center, National Museum of American History, Smithsonian Institution
Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow.
Do not use original materials when available on reference video or audio tapes.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Archives Center Lesbian, Gay, Bisexual, and Transgender (LGBT) Collection, Archives Center, National Museum of American History, Smithsonian Institution
Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow.
Do not use original materials when available on reference video or audio tapes.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Archives Center Lesbian, Gay, Bisexual, and Transgender (LGBT) Collection, Archives Center, National Museum of American History, Smithsonian Institution
Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow.
Do not use original materials when available on reference video or audio tapes.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Archives Center Lesbian, Gay, Bisexual, and Transgender (LGBT) Collection, Archives Center, National Museum of American History, Smithsonian Institution
National Portrait Gallery, Smithsonian Institution; acquisition made possible through the Smithsonian Latino Initiatives Pool, administered by the Smithsonian Latino Center
Gloria Katz and Willard M. Huyck Jr. collection Search this
Credit Line:
Purchase and partial gift from the Gloria Katz and Willard Huyck Collection — Acquisition fund in honor of Julian Raby, director emeritus of the Freer Gallery of Art and the Arthur M. Sackler Gallery
The Gelede masked dance and Ketu society : the role of the transvestite masquerade in placating powerful women while maintaining the patrilineal ideology
The collection documents a working class "gay" bar, the Shamrock Bar, Bluefield, West Virginia, 1997-2000, through photographs and oral history interviews.
Scope and Contents:
The collection consists of Carol Burch-Brown's photographs (200 photoprints, mostly silver gelatin on fiber-base paper, but including more than a dozen digital prints), copies of tape-recorded interviews (on 26 compact discs), and transcripts of interviews (3 volumes plus a compact disc containing Word files) made at the Shamrock Bar, Bluefield, West Virginia, 1997-2002, documenting a working-class gay bar. The photographs include "drag" performances, pageants, and other activities at the bar. Many show performers applying makeup and donning costumes, including the use of prosthetic breasts. Pictures taken in the bar are often in a soft-focus, slightly blurred, high-contrast, impressionistic style. There are a number of sharp-focus portraits, however, and exterior views of the building, its neighborhood, and the town are sharply focused, detailed documentary images.
Names (usually pseudonyms or stage names) which turn up in the interviews include: Natasha Michaels, Nikki Eaves, Shea West, Cortney Collins, Taylor Made, India Dream, Clinton, Tiffany Aver, Terba Devero, Roxie Morehead, and Dorothy. The performer "Bunny" is actually the photographer's friend and colleague, Ann Kilkelly. Many of these persons are also shown in the photographs, as is Helen Compton.
Note: The audio compact disks are not original recordings, and may be played by researchers directly.
Arrangement:
The collection is divided into three series.
Series 1: Photoprints
Series 2: Text (including transcripts of interviews)
Series 3: Compact discs
Biography:
Carol Burch-Brown is Professor of Art and Humanities at Virginia Tech, Blacksburg, Virginia, and is a photographer, painter, and musician. Photographer and co-author with David Rigsbee, Trailers, University Press of Virginia, 1996.
Historical:
During its heyday, the Shamrock Bar in Bluefield, West Virginia was a gathering place for gays and lesbians. The photographer reported in March 2003, before donating this collection, that Miss Helen Compton, proprietor of the Shamrock, had died and the establishment had been closed.
Other Title:
It's Reigning Queens in Appalachia
Provenance:
Colection donated by Carol Burch-Brown, December 2003.
Restrictions:
Collection open for research on site by appointment. Unprotected photographs must be handled with gloves.
Rights:
Reproduction restricted due to copyright. Requests will be referred to the photographer.
The Shamrock Bar: Photographs and Interviews by Carol Burch-Brown, 1997-2003, Archives Center, National Museum of American History. Gift of the artist.
The Shamrock Bar: Photographs and Interviews by Carol Burch-Brown, 1997-2003, Archives Center, National Museum of American History. Gift of the artist.
The Shamrock Bar: Photographs and Interviews by Carol Burch-Brown, 1997-2003, Archives Center, National Museum of American History. Gift of the artist.
The Shamrock Bar: Photographs and Interviews by Carol Burch-Brown, 1997-2003, Archives Center, National Museum of American History. Gift of the artist.
The Shamrock Bar: Photographs and Interviews by Carol Burch-Brown, 1997-2003, Archives Center, National Museum of American History. Gift of the artist.
The Shamrock Bar: Photographs and Interviews by Carol Burch-Brown, 1997-2003, Archives Center, National Museum of American History. Gift of the artist.
The Shamrock Bar: Photographs and Interviews by Carol Burch-Brown, 1997-2003, Archives Center, National Museum of American History. Gift of the artist.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Alice Neel papers, 1933-1983. Archives of American Art, Smithsonian Institution.
The Robert I. Levy papers document his field work, research and professional activities from 1949-2001 and primarily deal with his work studying social organization, culture, and their psychological effects in Tahiti and Nepal. The collection consists of correspondence, field notes, sound recordings of interviews with informants in Tahiti and Nepal, interview transcripts and analyses, language and culture research materials, maps, and color slides. Also included are files about his books, articles, essays, and lectures; course materials from his time as a professor at the University of California, San Diego (UCSD); and conference files.
Scope and Contents:
The Robert I. Levy papers document his field work, research and professional activities from 1949-2001 and primarily deal with his work studying social organization, culture and their psychological effects in Tahiti and Nepal. The collection consists of correspondence, field notes, sound recordings of interviews with informants in Tahiti and Nepal, interview transcripts and analyses, language and culture research materials, maps, and color slides.
The correspondence includes Levy's thoughts on his first field work experience in Tahiti from 1961-1964 along with extensive correspondence with Levy's cousin, anthropologist Roy Rappaport, in the same time period. Interview transcripts from Tahiti are written in Tahitian with Levy's notes in English. Transcripts from Nepal are in Newar (Devanagari script) with English translations. Full transcripts in both languages are not always present. Research materials comprise documents Levy gathered before and after his periods of field work and include extensive analyses of psychological terms in Tahitian and Newar. The color slides depict adults, children, daily activities, rituals, and some landscapes in Tahiti and Nepal.
Also included in this collection are files about his books, articles, essays, and lectures; course materials from his time as a professor at the University of California, San Diego (UCSD); and conference files.
Arrangement:
This collection is arranged in 4 series: Series 1. Tahiti, 1959-1964, 1970, undated; Series 2. Nepal, 1959-1990, undated; Series 3. Professional activities, 1949-2001, undated; Series 4. Slides, 1961, 1973-1978, undated.
Biographical note:
1924 -- Robert I. Levy was born on June 1st in New York, New York.
1947 -- M.D. Degree, New York University, College of Medicine.
1953-1956 -- Army Medical Corps, Neuropsychiatric and Psychiatric Services, Germany.
1954 -- Specialty certification in psychiatry. American Board of Psychiatry and Neurology.
1956-1962 -- Private psychiatry practice. Associate Clinical Professor of Psychiatry, University of California, School of Medicine. Attending Psychiatrist, Langley Porter Neuropsychiatric Institute, San Francisco, California. Adjunct in psychiatry, Mount Zion Hospital, San Francisco, California.
1961 -- Fellow, American Psychiatric Association.
1961-1964 -- From July-August 1961 and July 1962-June 1964, field work in French Polynesia. Grants from the National Institute for Mental Health and the National Science Foundation.
1964-1966 -- Research Associate, Anthropology, Bishop Museum, Honolulu. Senior Scholar, Institute of Advanced Projects, East-West Center;
1966-1967 -- Visiting Associate Professor of Public Health, University of Hawaii.
1967-1969 -- Research Professor, Social Science Research Institute of Hawaii; Lecturer, Department of Anthropology, University of Hawaii.
1969-1991 -- Professor of Anthropology, University of California, San Diego.
1973-1976 -- Field work in Nepal. National Science Foundation grant.
1990-1991 -- Fellow, National Humanities Center, Research Triangle Park, NC.
1991-2003 -- Research Professor of Anthropology, Duke University. Research Professor of Anthropology, University of North Carolina, Chapel Hill; Emeritus Professor of Anthropology, University of California, San Diego;
1996 -- Fellow, American Academy of Arts and Sciences.
2003 -- Died August 29th in Asolo, Italy.
Robert I. Levy was a professor in the Anthropology Department at the University of California, San Diego (UCSD) from 1969 until his retirement in 1991 who was known for his ground breaking work in psychological anthropology. Born in 1924 in New York, New York, he originally trained in medicine and psychiatry (M.D. Degree, New York University, 1947). Levy was lured into anthropology in the early 1960s by Douglas Oliver to work on a field project in Tahiti. Levy spent a total of 26 months from 1961-1964 conducting research in Tahiti focused on aspects of Tahitian culture and psychological organization. The resulting book Tahitians: Mind and Experience in the Society Islands (1973) was selected as a finalist for the National Book Award. Levy went on to complete field work in Nepal in the traditional Hindu city of Bhaktapur, from 1973-1976 conducting research on social organization, culture, and their psychological correlates. The culmination of his research, Mesocosm: Hinduism and the Organization of a Traditional Newar City in Nepal, was published in 1990.
Prior to joining the faculty at UCSD, Levy was a senior scholar at the East-West Center, a research associate at the Bishop Museum, and a professor at the University of Hawaii, all in Honolulu. He was also the associate editor of ETHOS from 1971-1979 and received fellowships at the Center for Advanced Study in Behavioral Sciences in Palo Alto, CA (1985-1986) and the National Humanities Center in Research Triangle Park, NC (1990-1991). After his retirement from UCSD in 1991 Levy was appointed a Research Professor of Anthropology at both the University of North Carolina, Chapel Hill and Duke University. He died in 2003 in Asolo, Italy.
Source consulted:
Hollan, Douglas 2005 "Mind and Experience in Tahiti, Nepal, and Beyond." ETHOS. Vol. 33, No. 4, Special Section in Honor of Robert I. Levy (Dec., 2005), pp. 430-432.
Provenance:
These papers were donated to the National Anthropological Archives by Robert Levy's wife,
Nerys Levy, in 2014.
Restrictions:
Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
The Robert I. Levy papers are open for research.
Access to the Robert I. Levy papers requires an appointment.
