Search Results

Subject of:

Boeing Corporation, American, founded 1916  Search this

Tuskegee Airmen, 1941 - 1946  Search this

Maycie Herrington, American, 1918 - 2016  Search this

Paul Adams, American, 1920 - 2013  Search this

Charles E. McGee, American, 1919 - 2022  Search this

Nancy Leftenant-Colon, American, born 1920  Search this

Wilbur Mason, American, 1924 - 2016  Search this

Samuel Wesley Henderson, American, 1921 - 2016  Search this

Cyril O. Bryon, American, 1920 - 2015  Search this

George M. Boyd, American, 1926 - 2018  Search this

William J. Childs, American, 1923 - 2013  Search this

Alexander Jefferson, American, 1921 - 2022  Search this

Leroy Eley, American, 1927 - 2012  Search this

O. Oliver Goodall, American, 1922 - 2010  Search this

Charles A. Lane, American, 1925 - 2013  Search this

Thurston L. Gaines Jr., American, 1922 - 2016  Search this

Lee A. Archer Jr., American, 1919 - 2010  Search this

Earl Martin, American, 1924 - 2019  Search this

Franklin J. Macon, American, 1923 - 2020  Search this

Rusty Burns, American, 1925 - 2022  Search this

Asa D. Herring Jr., American, 1926 - 2022  Search this

James E. Randall, American, 1926 - 2019  Search this

William H. Holloman III, American, 1924 - 2010  Search this

Robert Holts, American, 1924 - 2021  Search this

Leonard Hall, American, 1926 - 2013  Search this

James Harvey, American, born 1923  Search this

Dr. Roscoe C. Brown, American, 1922 - 2016  Search this

Samuel C. Hunter Jr., American, 1919 - 2013  Search this

Leo R. Gray, American, 1924 - 2016  Search this

Quentin Smith, American, 1918 - 2013  Search this

Oscar C. Gadson Jr., American, 1919 - 2021  Search this

James C. Warren, American, 1923 - 2014  Search this

Robert Ashby, American, 1926 - 2021  Search this

Claude R. Platte Jr., American, 1921 - 2013  Search this

Milton Williams Jr., American, 1922 - 2017  Search this

Used by:

Tuskegee Institute, American, founded 1881  Search this

Medium:

steel, aluminum, copper alloy, wood, polyester, rubber, plastic

Dimensions:

H x W x D (2011.82.1): 114 × 386 × 300 in. (289.6 × 980.4 × 762 cm)

H x W x D (2011.82.2 baggage claim door): 21 1/2 × 30 3/4 × 2 3/4 in. (54.6 × 78.1 × 7 cm)

Type:

training aircraft

Date:

ca. 1944

Topic:

African American  Search this

Aeronautics  Search this

HBCUs (Historically Black Colleges and Universities)  Search this

Military  Search this

Tuskegee Airmen  Search this

World War II  Search this

Credit Line:

Collection of the Smithsonian National Museum of African American History and Culture

Object number:

2011.82.1-.2

Restrictions & Rights:

No Known Copyright Restrictions

See more items in:

National Museum of African American History and Culture Collection

Classification:

Transportation Vehicles

Exhibition:

Defending Freedom, Defining Freedom: The Era of Segregation, 1876-1968

On View:

NMAAHC (1400 Constitution Ave NW), National Mall Location, Concourse 2, C 2053

Data Source:

National Museum of African American History and Culture

GUID:

http://n2t.net/ark:/65665/fd5e994f4e9-bef9-41b4-86d9-a2b0ce43f9fc

EDAN-URL:

edanmdm:nmaahc_2011.82.1-.2

Created by:

Delta Air Lines, American, founded 1925  Search this

Owned by:

Patricia Grace Murphy, American  Search this

Medium:

metal with ink on plastic

Dimensions:

H x W x D: 11 7/16 × 10 1/8 × 1 3/4 in. (29 × 25.7 × 4.5 cm)

Type:

ring binders

Place used:

United States, North and Central America

Date:

1971

Topic:

African American  Search this

Aeronautics  Search this

Business  Search this

Education  Search this

Labor  Search this

Transportation  Search this

Travel  Search this

Women  Search this

Credit Line:

Collection of the Smithsonian National Museum of African American History and Culture, Gift of Casey Grant in honor of Patricia Banks Edmiston, Patricia Grace Murphy and Eugene Harmond

Object number:

2018.50.20

Restrictions & Rights:

Unknown – Restrictions Possible

See more items in:

National Museum of African American History and Culture Collection

Classification:

Documents and Published Materials-Business and Legal Documents

Data Source:

National Museum of African American History and Culture

GUID:

http://n2t.net/ark:/65665/fd50ee91039-57eb-47e4-88a6-b802cc679ae4

EDAN-URL:

edanmdm:nmaahc_2018.50.20

Published by:

State of New York, American, founded 1788  Search this

Subject of:

Patricia Banks Edmiston, American, born 1937  Search this

Capital Airlines, American, 1936 - 1961  Search this

Medium:

ink on paper (fiber product) with metal

Dimensions:

H x W (each page): 14 × 8 9/16 in. (35.5 × 21.7 cm)

Type:

legal files

Place depicted:

New York City, New York, United States, North and Central America

Date:

February 29, 1960

Topic:

African American  Search this

Aeronautics  Search this

Business  Search this

Civil Rights  Search this

Labor  Search this

Law  Search this

Race discrimination  Search this

Transportation  Search this

Travel  Search this

U.S. History, 1953-1961  Search this

Women  Search this

Credit Line:

Collection of the Smithsonian National Museum of African American History and Culture, Gift of Casey Grant in honor of Patricia Banks Edmiston, Patricia Grace Murphy and Eugene Harmond

Object number:

2018.50.23a-d

Restrictions & Rights:

No known copyright restrictions

See more items in:

National Museum of African American History and Culture Collection

Classification:

Documents and Published Materials-Business and Legal Documents

Data Source:

National Museum of African American History and Culture

GUID:

http://n2t.net/ark:/65665/fd56a1905ec-7eb7-480e-93cb-24befbdb5380

EDAN-URL:

edanmdm:nmaahc_2018.50.23a-d

Photograph by:

Delta Air Lines, American, founded 1925  Search this

Subject of:

Casey Grant, American  Search this

Medium:

ink on photographic paper

Dimensions:

H x W (image): 9 15/16 × 7 5/8 in. (25.3 × 19.3 cm)

H x W (sheet): 10 1/8 × 8 1/16 in. (25.7 × 20.4 cm)

Type:

photographs

portraits

Place captured:

United States, North and Central America

Place used:

United States, North and Central America

Date:

February 1, 1971

Topic:

African American  Search this

Aeronautics  Search this

Education  Search this

Labor  Search this

Transportation  Search this

Travel  Search this

Women  Search this

Credit Line:

Collection of the Smithsonian National Museum of African American History and Culture, Gift of Casey Grant in honor of Patricia Banks Edmiston, Patricia Grace Murphy and Eugene Harmond

Object number:

2018.50.24.1

Restrictions & Rights:

Unknown – Restrictions Possible

See more items in:

National Museum of African American History and Culture Collection

Classification:

Media Arts-Photography

Data Source:

National Museum of African American History and Culture

GUID:

http://n2t.net/ark:/65665/fd5918317e9-a3d5-42ac-a33f-2ea64fe68ad7

EDAN-URL:

edanmdm:nmaahc_2018.50.24.1

Photograph by:

Delta Air Lines, American, founded 1925  Search this

Subject of:

Patricia Grace Murphy, American  Search this

Medium:

ink on photographic paper

Dimensions:

H x W: 9 15/16 × 8 in. (25.2 × 20.3 cm)

Type:

portraits

inkjet prints

Place captured:

United States, North and Central America

Place used:

United States, North and Central America

Date:

1966; printed 2014

Topic:

African American  Search this

Aeronautics  Search this

Education  Search this

Labor  Search this

Transportation  Search this

Travel  Search this

Women  Search this

Credit Line:

Collection of the Smithsonian National Museum of African American History and Culture, Gift of Casey Grant in honor of Patricia Banks Edmiston, Patricia Grace Murphy and Eugene Harmond

Object number:

2018.50.24.2

Restrictions & Rights:

Unknown – Restrictions Possible

See more items in:

National Museum of African American History and Culture Collection

Classification:

Media Arts-Photography

Data Source:

National Museum of African American History and Culture

GUID:

http://n2t.net/ark:/65665/fd5ce1562e4-9ce9-4d91-a622-5bc6676f0a81

EDAN-URL:

edanmdm:nmaahc_2018.50.24.2

Photograph by:

Delta Air Lines, American, founded 1925  Search this

Subject of:

Patricia Grace Murphy, American  Search this

Medium:

ink on photographic paper

Dimensions:

H x W (image): 6 9/16 × 4 9/16 in. (16.6 × 11.6 cm)

H x W (sheet): 6 15/16 × 5 in. (17.7 × 12.7 cm)

Type:

black-and-white photographs

photographs

portraits

Place captured:

United States, North and Central America

Place used:

United States, North and Central America

Date:

August 1966

Topic:

African American  Search this

Aeronautics  Search this

Labor  Search this

Transportation  Search this

Travel  Search this

Women  Search this

Credit Line:

Collection of the Smithsonian National Museum of African American History and Culture, Gift of Casey Grant in honor of Patricia Banks Edmiston, Patricia Grace Murphy and Eugene Harmond

Object number:

2018.50.24.3

Restrictions & Rights:

Unknown – Restrictions Possible

See more items in:

National Museum of African American History and Culture Collection

Classification:

Media Arts-Photography

Data Source:

National Museum of African American History and Culture

GUID:

http://n2t.net/ark:/65665/fd5de9dcf59-6849-490a-ba76-53a94883cceb

EDAN-URL:

edanmdm:nmaahc_2018.50.24.3

Creator:

Dale, Dianne  Search this

Polk, P. H., 1898-1985  Search this

Names:

Barry, Marion, 1936-2014  Search this

Dale, Almore M., 1911-1984  Search this

Dale, Dianne  Search this

Dale, John Henry, Jr., 1888-1973  Search this

Dale, Lucille Emma Patterson, 1889-1973  Search this

Dale, Marie Howard, 1914-2011  Search this

Dale, Norman Edward, 1908-1991  Search this

Garner, Araminta Dale, 1913-1987  Search this

Patterson, Frederick D. (Frederick Douglass), 1901-1988  Search this

Patterson, Wilhelmina Bessie, 1888-1962  Search this

Extent:

6 Linear feet (9 boxes)

Type:

Collection descriptions

Archival materials

Photographs

Programs

Clippings

Correspondence

Ephemera

Postcards

Place:

Anacostia (Washington, D.C.)

Date:

1866 - 1990.

Summary:

The Dale-Patterson family papers, which date from 1866 to 2010 and measure 6 linear feet, document the personal and professional lives of the Dale-Patterson family who came to live in Hillsdale, Anacostia, area of Washington, D.C., in 1892.

Scope and Contents note:

The Dale-Patterson family papers, which date from 1866 to 1990 and measure 6 linear feet, document the personal and professional lives of the Dale-Patterson family who came to live in Hillsdale, Anacostia, area of Washington, D.C., in 1892. The collection is comprised of correspondence, photographs, clippings, and ephemera.

Arrangement note:

The collection is arranged in four series:

Series 1: Dale-Patterson Family papers Series 2: Charles Qualls papers Series 3: Community Organizations Series 4: Subject Files

Biographical/Historical note:

The Dale family came to Washington, DC in 1886 when John Henry Dale, Sr., a gifted self-taught man, obtained a position as clerk in the newly contracted Pension Bureau building at 5th and G Streets, NW. First they lived near 13th Street and Florida Avenue, NW, then moved to Howard Road in Anacostia. Dale built a house at 2619 Nichols Avenue, now Martin Luther King, Jr. Avenue, drawing the plans and supervising the construction. The Dales and only one other family lived in this solidly built house for 100 years before it was sold to a church group and demolished.

General Note:

Finding Aid Note: This finding aid is associated with a MARC collection-level record.361883

Provenance:

The Dale-Patterson Family collection was donated to the Anacostia Community Museum on April 07, 2013.

Restrictions:

Use of the materials requires an appointment. Please contact the archivist at acmarchives@si.edu.

Rights:

The Dale-Patterson Family collection is the physical property of the Anacostia Community Museum. Literary and copyright belong to the author/creator or their legal heirs and assigns. Rights to work produced during the normal course of Museum business resides with the Anacostia Community Museum. For further information, and to obtain permission to publish or reproduce, contact the Museum Archives.

Topic:

African Americans  Search this

African American families  Search this

Genre/Form:

Photographs

Programs

Clippings

Correspondence

Ephemera

Postcards

Citation:

Dale-Patterson Family collection, Anacostia Community Museum Archives, Smithsonian Institution, gift of Dianne Dale.

Identifier:

ACMA.06-074

See more items in:

Dale-Patterson Family collection

Archival Repository:

Anacostia Community Museum Archives

GUID:

https://n2t.net/ark:/65665/qa7c29572e9-2bd6-4b2a-8982-b527693b7885

EDAN-URL:

ead_collection:sova-acma-06-074

Extent:

0.05 Cubic feet (1 folder, Printed invitation with hand-lettered name., 4.25 x 5.4 inches)

Type:

Collection descriptions

Archival materials

Invitations

Date:

October 10, 1923

Summary:

This single-item collection consists of an invitation to the christening of the US Navy airship ZR-1 USS Shenandoah at NAS Lakehurst, New Jersey, on October 10, 1923.

Scope and Contents:

This single-item collection consists of an invitation to the christening of the US Navy airship ZR-1 USS Shenandoah at Naval Air Station Lakehurst, New Jersey, on October 10, 1923: "The Secretary of the Navy requests the pleasure of the company of Mr. Benjamin Postman at the Christening of the U. S. S. Shenandoah on Wednesday afternoon, October the tenth at two o'clock at the United States Naval Air Station, Lakehurst, New Jersey."

Arrangement:

No arrangement.

Biographical / Historical:

Plans for the construction of the US Navy airship ZR-1 USS Shenandoah, the first rigid airship to be built in the United States, were begun in September 1919; her parts were manufactured at the Naval Aircraft Factory and then shipped to NAS Lakehurst for final assembly. The assembly began on February 11, 1922, and the Shenandoah was christened on October 10, 1923. Despite her relatively short life of two years, the Shenandoah achieved many firsts during her operational career. She was the first rigid airship to be inflated with helium; the first to use water recovery apparatus for the continuous recovery of ballast from the exhaust gas of fuel burned; and she completed the most extended operation accomplished by an airship up to that time, completing 57 flights, logging 740 hours in the air, and covering about 28,000 miles on flights designed to train crewmen in the science of handling large airships in naval missions. Sadly, the airship was to meet a tragic end. Before dawn on the morning of September 3, 1925, over eastern Ohio, the Shenandoah encountered a severe storm. She broke in two; the control car separated and fell to the ground while the forward section of the ship rose to a great height and remained in the air for the greater part of an hour before making a free balloon landing at Sharon, Ohio, with the bulk of the airship crashing near Ava, Ohio. Fourteen of the 43-person crew were killed.

Provenance:

Alan S. Postman, gift, 1988, NASM. 1988.0054.

Restrictions:

No restrictions on access

Rights:

Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.

Topic:

Aeronautics  Search this

Airships  Search this

Naval aviation  Search this

ZR-1 Shenandoah  Search this

Genre/Form:

Invitations

Citation:

ZR-1 Shenandoah Christening Invitation, Acc. NASM.1988.0054, National Air and Space Museum, Smithsonian Institution.

Identifier:

NASM.1988.0054

Archival Repository:

National Air and Space Museum Archives

GUID:

https://n2t.net/ark:/65665/pg2806e3536-f695-4e57-bdad-8a77608408b6

EDAN-URL:

ead_collection:sova-nasm-1988-0054

Names:

Andrade-Watkins, Claire  Search this

Bambara, Toni Cade  Search this

Dash, Julie  Search this

Gerima, Haile  Search this

Greaves, William, 1953-2005  Search this

Gunn, Bill, 1934-1989  Search this

Jafa, Arthur  Search this

Jones, Robert Earl, 1904-2006  Search this

Massiah, Louis  Search this

Micheaux, Oscar, 1884-1951  Search this

Moses, Ethel  Search this

Robeson, Paul, 1898-1976  Search this

Sanchez, Sonia, 1934- (poet, reader)  Search this

Snead, James A., 1953-1989  Search this

Spence, Louise, 1945-  Search this

Tucker, Lorenzo  Search this

Donor:

Bowser, Pearl, 1931-  Search this

Extent:

approximately 100 Motion picture films

213 Sound cassettes (7 boxes)

Type:

Collection descriptions

Archival materials

Motion picture films

Sound cassettes

Sound cassette

Oral histories (document genres)

16mm motion picture film

Vhs (videotape format)

Place:

England

Harlem (New York, N.Y.)

Roanoke (Va.)

Memphis (Tenn.)

Date:

bulk 1920-2001

Biographical / Historical:

Pearl Bowser is a filmmaker, producer, author, lecturer, and highly acclaimed scholar of African American film who is recognized as an authority on the works of Oscar Micheaux, a noted writer, director, and producer of race films from 1919 to 1948.

Born Pearl Johnson on June 25, 1931, in Sugar Hill, Harlem, New York, she was named after her mother (also Pearl Johnson), a domestic worker who had been raised in a Catholic nunnery. On occasional Saturdays, the younger Pearl would accompany her mother to work in apartments in lower Manhattan, where she would assist her by folding handkerchiefs for a small allowance. After moving to a lower part of Harlem when she was about four years old, she met Harlem entrepreneur "Bumpy" Johnson, for whom she and other children in the neighborhood did odd jobs such as counting coins or attending to his ice-cream stand. Johnson, who would sometimes give the children joy rides in his Cadillac, occasionally allowed Pearl and the other children to borrow books from his extensive library, provided that they read them and submitted to a quiz.

As a child, Bowser had several racist encounters. For example, one of her white kindergarten teachers at her elementary school wore gloves in the classroom as to not touch Black pupils. She was also occasionally teased for having a gap between her teeth but felt insulated from sustained bullying because she had several older brothers who sometimes protected her. On a separate occasion, when she was about nine years old, her mother sent her on a trip from New York to the South to visit relatives. Although her mother had purchased tickets for her to be in a Pullman car, when she changed trains in Washington, DC., she was forced to ride in the car behind the engine, which left her covered in soot.

An avid reader, Pearl excelled in elementary and high school and received a scholarship to attend Brooklyn College, where she majored in biology. She supplemented her income by recording the numbers in one of Bumpy Johnson's shops. Disappointed with the quality of the education she was receiving, Bowser withdrew from Brooklyn College, eventually landing a job at CBS where she worked on a team that analyzed Nielsen ratings.

In 1955, Pearl married fellow New Yorker LeRoy Bowser. By the mid-1960s, although Pearl and LeRoy Bowser had separate interests, they both were working simultaneously in the civil rights movement. While LeRoy was active in Brooklyn CORE (Congress of Racial Equality) and went to the South in the summer to teach for what was the beginning of HeadStart, Pearl, along with other production activists, took to the streets documenting African American culture and issues—working to bring these films to schools. Additionally, Bowser wanted to write a cookbook to earn funds for Brooklyn's CORE organization. She was approached by David Davis, the editor of Tuesday Magazine. Tuesday had distribution in the Herald Tribune across the country as a Sunday supplement. As the urban-world magazine exploded in Black communities, "Joan" Bowser's two-page pictorials on Southern cooking with a set of recipes became very popular in the five years she wrote them. Bowser retained copyrights to the articles, and easily completed her cookbook a short time later.

Bowser's colleague at ABC, Charles Hobson, found a used book written by Peter Noble about Black films and Oscar Micheaux. The volume was slim and contained what little information contained in the Museum of Modern Art (MoMA) files. Hobson and his colleagues wanted to write a book about the topic, and they assigned Bowser to begin the research. As part of the project, Bowser went to California to interview actors who may have been in early Black films or may have worked with Micheaux. What she learned began her intensive scholarship into Micheaux and his fellow filmmakers.

In 1971, she organized her first film festival, the Black Film History Series. In 1979, she organized the nation's first American women's film festival in New York City. She also presented a major retrospective, Independent Black American Cinema 1920-1980, which toured the country during 1981 and 1982. She also directed the Journey Across Three Continents film and lecture series, which toured the country from 1983-1985. Bowser also served as president of the prestigious Flaherty Film Seminar in 1987. In 1989, she, alongside Grant Munro, programmed the 35th Flaherty Film Seminar, which featured films such as Finzan, Zajota and the Boogie Spirit, Daughters of the Dust, and many more. She has also been a judge at the world-renown Pan-African Film and Television Festival of Ouagadougou (FESCPACO) in Burkina Faso (formerly known as Upper Volta).

In the 1980s Bowser was awarded an independent artists grant by the Ford Foundation to travel west and collect oral histories from individuals in Oscar Micheaux's orbit, loosely following the route he would have travelled decades earlier. Stopping in cities such as Roanoke, Virginia; Memphis, Tennessee; and Jackson, Mississippi, she collected dozens of oral histories from actors, actresses etc. that knew Oscar Micheaux. Through this research she became an eminent figure in the Black independent film industry. Working as a programmer, she travelled around the United States and the world showing films by domestic and Black filmmakers within the Diaspora.

Despite her wealth of experience working as a programmer, it wasn't until the 1990s that Bowser made her directorial debut with the documentary film Midnight Ramble. Funded by American Experience, the film looks at African Americans and Hollywood movies from 1910 through the 1950s. In 2000, she, along with Louise Spence, co-authored Writing Himself into History: Oscar Micheaux, His Silent Films and His Audiences, a book about the pioneering filmmaker. Additionally, she is founder and director of Chamba Educational Film Services, a film distribution company that specialized in distributing films by African American filmmakers. In the early 1980s, she renamed her company/collection as African Diaspora Images, a collection of historical and contemporary films documenting Black film history. She subsequently joined Third World Newsreel, where she was director of their theater department.

In 2012, Pearl Bowser donated her extensive collection of books, sound cassettes, films, film memorabilia, and papers to the Smithsonian National Museum of African American History and Culture.

Sources:

1940 United States Federal Census; New York, New York, New York, population schedule, p. 61B, house number 1486, family 195, Pearl Bowser; Ancestry.com. 1940 United States Federal Census [database on-line]. Provo, UT, USA: Ancestry.com Operations, Inc., 2012 accessed: 10 Sept 2022); citing National Archives and Records Administration microfilm: m-t0627-02665

Bowser, Pearl. Pearl Bowser Oral History. Interview by Tuliza Fleming and Jennifer Lyon, July 21, 2011.

Provenance:

Acquired as a donation from Pearl Bowser in 2012.

Restrictions:

Collection is open for research. Access to collection materials requires an appointment.

Occupation:

Filmmakers  Search this

Actors -- Interviews  Search this

Topic:

Documentary films  Search this

Film festivals  Search this

African American actors  Search this

African American actresses  Search this

African diaspora  Search this

Race films  Search this

African American motion picture producers and directors  Search this

African American women authors  Search this

Meetings  Search this

Conferences  Search this

Lectures and lecturing  Search this

Amateur films  Search this

Motion picture soundtracks  Search this

Oral history  Search this

Radio broadcasts  Search this

Genre/Form:

Sound cassette

Oral histories (document genres)

16mm motion picture film

VHS (videotape format)

Citation:

Pearl Bowser Collection, National Museum of African American History and Culture

Identifier:

NMAAHC.A2012.79.AV

See more items in:

Pearl Bowser Audiovisual Collection

Archival Repository:

National Museum of African American History and Culture

GUID:

https://n2t.net/ark:/65665/io3209e9c6d-3045-4a0a-941e-6519385b18d5

EDAN-URL:

ead_collection:sova-nmaahc-a2012-79-av

Collection Creator:

Archives Center, National Museum of American History  Search this

Container:

Box 49

Type:

Archival materials

Date:

1899-1906

Scope and Contents:

Includes newspaper clippings about train robberies, train wrecks, and henry Bradley plant's death. Plant developed the Plant System of railways, Steamships and Hotels and was President of Southern Express Company.

Collection Restrictions:

Collection is open for research.

Collection Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Collection Citation:

Archives Center Scrapbook Collection, Archives Center, National Museum of American History.

See more items in:

Archives Center Scrapbook Collection

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep828d0eb28-b4cb-48d3-a43e-89965e6a5468

EDAN-URL:

ead_component:sova-nmah-ac-0468-ref511

Collection Creator:

Archives Center, National Museum of American History  Search this

Extent:

1 Motion picture film (16mm color composite optical track print)

Container:

Reel AC0358-OF0009

Type:

Archival materials

Moving Images

Motion picture films

Scope and Contents:

Dartnell training film starring Vince Lombardi.

Collection Restrictions:

Collection is open for research. Only reference copies may be used.

Collection Rights:

Reproduction may be restricted due to copyright or trademark. Contact Archives Center staff for more information.

Collection Citation:

Archives Center Miscellaneous Film and Videotape Collection, 1930-1978, Archives Center, National Museum of American History.

See more items in:

Archives Center Miscellaneous Film and Videotape Collection

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep83a6b02dc-7ded-42b1-a433-f1c83b450180

EDAN-URL:

ead_component:sova-nmah-ac-0358-ref30

Creator:

Barrie, Dennis  Search this

Names:

Archives of American Art  Search this

New Organization for the Visual Arts (Ohio)  Search this

Clague, John, 1928-  Search this

Nevadomi, Ken, 1939-  Search this

Parker, Patricia Zinsmeister, 1934-  Search this

Roby, George  Search this

Von Weise, Wenda, 1941-  Search this

Extent:

2 Linear feet

Type:

Collection descriptions

Archival materials

Video recordings

Interviews

Date:

circa 1984

Summary:

The Dennis Barrie interviews of Ohio artists measures 2.0 linear feet and date from circa 1984. Video recordings with five Ohio artists, originally titled the "Artists in Residence Series," were produced by the New Organization for the Visual Arts in conjunction with the Archives of American Art. Dennis Barrie, Midwest Director of the Archives of American Art, interviews painters Patricia Zinsmeister Parker and Ken Nevadomi, sculptor John Clague, fiber artist Wenda Von Weise, and ceramicist George Roby. Each discusses their background, training, lifestyle, and problems they've faced as artists. The videocassette recordings are dated 1984, but the interviews may have occurred in 1980.

Scope and Contents:

The Dennis Barrie interviews of Ohio artists measures 2.0 linear feet and date from circa 1984. Video recordings with five Ohio artists, originally titled the "Artists in Residence Series," were produced by the New Organization for the Visual Arts in conjunction with the Archives of American Art. Dennis Barrie, Midwest Director of the Archives of American Art, interviews painters Patricia Zinsmeister Parker and Ken Nevadomi, sculptor John Clague, fiber artist Wenda Von Weise, and ceramicist George Roby. Each discusses their background, training, lifestyle, and problems they've faced as artists. The videocassette recordings are dated 1984, but the interviews may have occurred in 1980.

Arrangement:

The collection is arranged as one series.

Biographical / Historical:

Dennis Barrie was the Director for the Midwest Office of the Archives of American Art in the 1970s and 1980s.

Provenance:

A project of the New Organization of the Visual Arts and Archives of American Art, Smithsonian Institution. The interviews were conducted by Dennis Barrie, Director of the Midwest Office of the Archives of American Art.

Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Painters -- Ohio -- Interviews  Search this

Topic:

Artists -- Ohio -- Interviews  Search this

Sculptors -- Ohio -- Interviews  Search this

Ceramicists -- Ohio -- Interviews  Search this

Fiber artists -- Ohio -- Interviews  Search this

Genre/Form:

Video recordings

Interviews

Citation:

Dennis Barrie interviews with Ohio artists, circa 1984. Archives of American Art, Smithsonian Institution.

Sponsor:

The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.

Identifier:

AAA.barrdenn

See more items in:

Dennis Barrie Interviews of Ohio Artists

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw939eaf39b-f37e-48e3-abd7-c959f3123c64

EDAN-URL:

ead_collection:sova-aaa-barrdenn

Collection Creator:

Archives Center, National Museum of American History  Search this

Container:

Box 1, Item 54

Type:

Archival materials

Slides

Collection Restrictions:

Collection is open for research and access on site by appointment. Unprotected photographs must be handled with gloves.

Collection Rights:

Probably public domain, copyrights expired. Fees for commercial reproduction.

Collection Citation:

Archives Center Lantern Slide Collection, ca. 1890-1920, Archives Center, National Museum of American History.

See more items in:

Archives Center Lantern Slide Collection

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8465b90b0-04dc-463e-8743-dfdf72596b2c

EDAN-URL:

ead_component:sova-nmah-ac-0686-ref563

Collection Creator:

Archives Center, National Museum of American History  Search this

Container:

Box 2, Item 30

Type:

Archival materials

Slides

Collection Restrictions:

Collection is open for research and access on site by appointment. Unprotected photographs must be handled with gloves.

Collection Rights:

Probably public domain, copyrights expired. Fees for commercial reproduction.

Collection Citation:

Archives Center Lantern Slide Collection, ca. 1890-1920, Archives Center, National Museum of American History.

See more items in:

Archives Center Lantern Slide Collection

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep898c9505f-27f2-44cd-b841-080c8c8a34da

EDAN-URL:

ead_component:sova-nmah-ac-0686-ref601

Photographer:

Skinner, G. Gage  Search this

Extent:

0.25 Linear feet

265 Slides (photographs)

1 Sound cassette

Culture:

Ika (Ica/Arhuaco)  Search this

Kogi (Kagaba)  Search this

Mapuche  Search this

Type:

Collection descriptions

Archival materials

Slides (photographs)

Sound cassettes

Audiocassettes

Place:

Santa Marta Range (Colombia)

Chile

Colombia

Date:

1964-1966

1972

Summary:

This collection consists of 265 photographic slides and 1 audio cassette recording made by former Peace Corps volunteer G. Gage Skinner while living and traveling in Chile and Colombia in the 1960s-1970s. Images include portraits, landscapes, ceremonies, and daily village life. Audio recording includes songs, chants, and musical instruments.

Scope and Contents:

The G. Gage Skinner collection consists of 265 photographic slides and 1 audio cassette recording made by former Peace Corps volunteer G. Gage Skinner while living and traveling in Chile and Colombia in the 1960s-1970s. Series 1: Chile, 1964-1966, includes images of individual portraits, landscapes, ceremonies, and daily village life of the Mapuche peoples of what is now the Araucanía Region of Chile. Also part of Series 1 is an audio recording of songs, chants, and musical instruments from a 1965 Nguillatún fertility ceremony near Lumaco, Chile. Series 2: Colombia, 1972, includes images of landscapes and daily village life of the Ika (Ica/Arhuaco) and Kogi (Kagaba) peoples of the area near Donachui in the Sierra Nevada de Santa Marta mountain range of Colombia. Images include a particular focus on Ika (Ica/Arhuaco) dwellings and architecture, weaving, trade goods, and agriculture.

Arrangement:

This collection is arranged in two series. Series 1: Chile, 1964-1966 and Series 2: Colombia, 1972.

Biographical / Historical:

G. Gage Skinner is a former Peace Corps volunteer, having served in Chile, 1964-1966, and later in Colombia, 1969-1972. A student of cultural anthropology and a graduate of San Diego State University, Skinner has taught at the college level, and has published on a wide range of topics, including beekeeping, the fur trade, and the history of the American West.

Related Materials:

The Peace Corps Community Archives at American University in Washington, DC maintains a collection of manuscript materials donated by G. Gage Skinner documenting his Peace Corps service in Chile and Colombia. These materials include diaries, biographical information, training materials, and publications. In addition to material culture objects in the NMAI Object Collections donated by Skinner, there are also a large number of objects documenting Mapuche culture which he donated to the San Diego Museum of Man's ethnographic collections.

Separated Materials:

G. Gage Skinner also donated a number of material culture objects to the NMAI Object Collections, documenting the Mapuche, Ika (Ica/Arhuaco), and Kamsá (Sebondoy) peoples of Chile and Colombia. The object numbers are 27/0087 - 27/0089 and 27/0102 - 27/0108.

Provenance:

This collection was donated by G. Gage Skinner in 2017 and 2018.

Restrictions:

Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).

Rights:

Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.

Topic:

Peace Corps (U.S.)  Search this

Indians of South America -- Chile  Search this

Indians of South America -- Colombia  Search this

Genre/Form:

Slides (photographs)

Audiocassettes

Citation:

Identification of specific item; Date (if known); G. Gage Skinner collection, Box and Folder Number; National Museum of the American Indian Archive Center, Smithsonian Institution.

Identifier:

NMAI.AC.116

See more items in:

G. Gage Skinner collection

Archival Repository:

National Museum of the American Indian

GUID:

https://n2t.net/ark:/65665/sv47fd8ff0c-b133-438a-9a96-0bf38fd0b978

EDAN-URL:

ead_collection:sova-nmai-ac-116

Collection Creator:

National Anthropological Film Center (U.S.)  Search this

Maradol, Mathias  Search this

Collection Cinematographer:

Dorjee, Ragpa  Search this

Collection Filmmaker:

Maloney, M. Michael  Search this

Extent:

Film reels (color sound; 25,200 feet, 16mm)

Type:

Archival materials

Film reels

Date:

1982

Scope and Contents:

Full film record created for the National Anthropological Film Center, Smithsonian Institution. Research film project includes ceremonies, daily life activities, and tantric training filmed at the Tibetan Buddhist monasteries of Zonkar Choede and Gyumed in Hunsur, India.

Local Number:

HSFA 1986.13.12

Collection Restrictions:

The collection is open for research. Please contact the archives for information on availability of access copies of audiovisual recordings. Original audiovisual material in the Human Studies Film Archives may not be played.

Collection Rights:

Contact the repository for terms of use.

Collection Citation:

National Anthropological Film Center films of Tibetan Buddhists in South India, Human Studies Film Archives, Smithsonian Institution

Sponsor:

Cataloging supported by Smithsonian Institution Women's Committee

See more items in:

National Anthropological Film Center films of Tibetan Buddhists in South India

Archival Repository:

Human Studies Film Archives

GUID:

https://n2t.net/ark:/65665/pc9a5cf510c-a1d0-45cd-9ba8-dde3268204a0

EDAN-URL:

ead_component:sova-hsfa-1986-13sind-ref6

Collection Creator:

National Anthropological Film Center (U.S.)  Search this

Maradol, Mathias  Search this

Collection Cinematographer:

Dorjee, Ragpa  Search this

Collection Filmmaker:

Maloney, M. Michael  Search this

Extent:

1 Film reel (color sound; 400 feet, 16mm)

Type:

Archival materials

Film reels

Date:

1981

Scope and Contents:

Edited film was shot in Mundgod, India. The film documents young Buddhist students from Gaden Monastery studying, practicing dialectics, playing, and resting during their visit to Drepung Monastery, where they have gone to join the Molam Festival. The students are also shown practicing movement training at their own monastery. Film was made from the film project: Film Studies of Traditional Tibetan Life and Culture: Mundgod, South India, 1979.

Legacy Keywords: Language and culture ; Ritual monasteries India ; Play as religious training India ; Festivals Molan India

Local Number:

HSFA 1986.13.14

Collection Restrictions:

The collection is open for research. Please contact the archives for information on availability of access copies of audiovisual recordings. Original audiovisual material in the Human Studies Film Archives may not be played.

Collection Rights:

Contact the repository for terms of use.

Collection Citation:

National Anthropological Film Center films of Tibetan Buddhists in South India, Human Studies Film Archives, Smithsonian Institution

Sponsor:

Cataloging supported by Smithsonian Institution Women's Committee

See more items in:

National Anthropological Film Center films of Tibetan Buddhists in South India

Archival Repository:

Human Studies Film Archives

GUID:

https://n2t.net/ark:/65665/pc90b3c312c-c8db-48dd-9127-26ea60bf4c39

EDAN-URL:

ead_component:sova-hsfa-1986-13sind-ref8

Interviewee:

Murphy, W.B.  Search this

Norris, Alice  Search this

Norris, E. E.  Search this

Prior, Joseph  Search this

Meehan, Vincenta  Search this

Mercer, Richard  Search this

Meyers, Peter H.  Search this

Mulcahy, Paul  Search this

Welsh, Dick  Search this

White, Richard  Search this

Rindlaub, Jean  Search this

Rombach, Scott  Search this

Shaub, Harold  Search this

Weir, Chris  Search this

Coulson, Zoe  Search this

Gearon, Dan  Search this

Cronin, Betty  Search this

Conill, Alicia  Search this

Conlon, Robert  Search this

Conill, Rafael  Search this

Jordan, James  Search this

McNutt, James  Search this

McGovern, R. Gordon  Search this

Goerke, Donald E.  Search this

Holmes, Martha  Search this

Haber, Bernie  Search this

Jones, Caroline Robinson, 1942-2001 (advertising executive)  Search this

Adams, Anthony  Search this

Baum, Herbert M.  Search this

Bergin, John F.  Search this

Bair, Dean  Search this

Interviewer:

Griffith, Barbara S., Dr.  Search this

Creator:

Archives Center, National Museum of American History  Search this

Campbell Soup Company  Search this

Names:

Batten, Barton, Durstine & Osborn, Inc  Search this

Connill Advertising  Search this

Extent:

12 Cubic feet (25 boxes)

Type:

Collection descriptions

Archival materials

Clippings

Audiotapes

Interviews

Commercials

Ephemera

Videotapes

Oral history

Tear sheets

Date:

1904-2015

bulk 1904-1989

Summary:

This collection is the result of a year-long study of Campbell's "Red and White" Soups advertising and marketing, supported in part by a grant from the Campbell Soup Company. Thirty-one oral history interviews were conducted by Dr. Barbara Griffith for the project, and a variety of related materials were gathered by the Center for Advertising History staff. The objective of the project was to create a collection that provides documentation, in print and media, of the history and development of advertising for Campbell's Red and White Soups in the decades following World War II.

Scope and Contents:

This collection is the result of a year-long study of Campbell's "Red and White" Soups advertising and marketing campaigns. Oral histories conducted by Smithsonian Institution staff with individuals involved with the Campbell's Soup Corporation and its advertising campaigns form the core of the collection. Also included are clippings and background research files, abstracts of the oral history interviews, television and radio commercials, company publications, and promotional items and packaging.

A 2015 addition to the collection was born digital and consists of materials from the groundbreaking "Real Life Campaign" which featured inter-racial couples as well as a gay couple. These materials include storyboards, scripts, consumer feedback both postive and negative, focus group material, labels, commercials, supporting documentation on the development and implementation of the campaign. These materials are available in the Smithsonian Institution DIgital Asset Management System (DAMS).

Arrangement:

Collection is organized into nine series.

Series 1, Research Files, 1939-1989

Series 2, Interviewee Files, 1989-1990

Series 3, Oral Histories, 1989-1990

Series 4, Television Commercials, 1957-1990

Series 5, Radio Commercials, 1966-1975

Series 6, Print Advertisements, 1905-1989

Series 7, Promotional Items and Packaging, 1968-1991

Series 8, Company Publications, 1983-1988

Series 9, Real Life Campaign, 2015

Biographical / Historical:

The Campbell Soup Company's "Red and White" advertising campaigns are remarkable not only for their longevity, but for the consistency of the advertising message. Since 1898, when the red and white label was incorporated, the packaging and the message have changed only marginally. When Andy Warhol painted his pop art Campbell Soup cans in the early 1960s, he presented an immediately recognizable image with which all of America could identify.

Campbell's condensed soups, first marketed in 1897, have become a staple of the 20th century American household. The Joseph Campbell Preserve Company, a canning concern which grew out of an 1869 business partnership between a fruit merchant and an ice box manufacturer, was well established by the time Arthur Dorrance succeeded Joseph Campbell as president. When Dorrance's nephew, John T. Dorrance, a chemical engineer and organic chemist trained at MIT, developed a process for making condensed soup, the company was faced with the task of successfully marketing the revolutionary new convenience food. The soup won a gold medallion for excellence at the 1900 Paris Exposition, and the company incorporated the image on its labels and in its advertising.

In the developing consumer culture which began to grow during and after the industrial revolution, women were identified as the primary consumers of household goods and services. Homemakers have been the target of Campbell' s Red & White advertising since its inception, and this focus is reflected both in the content and the placement of the advertising. The identification of a predominately female consumer market was also influential in the creation of a widely recognized and long-lived symbol, the Campbell Kids, created in 1904 by Grace Gebbie Drayton. The Kids were meant to convey a sense of wholesomeness and physical well-being associated with eating Campbell Soups.

The advertising of the early teens and twenties most often consisted of black and white or two-color depictions of the can and the product, often accompanied by images of the rosy-cheeked Kids. A large portion of the ad was devoted to narrative description of the soups' healthful properties, suggesting that"Campbell Soups Give Vigor and Strength", "I Couldn't Keep House Without Campbell's Tomato Soup", and "If Every Woman Realized How Much Her Husband Likes Soup - She Would Serve It Everyday".

The advertising of the 1930s tended towards idealized illustrations of women and children; the Kids were less visible during the 1930s and 1940s, deemed too "chucklesome" for the Depression years, and too old-fashioned during World War II. Ad copy continued its appeal to women's sense of responsibility for the well-being of husbands and children, with slogans suggesting "It Takes a Bright and Sparkling Flavor to Attract Children", "When a Man Says It's Good, It's Good", and "Wouldn 't I Be Silly to make It Myself?"

Campbell broadened the scope of its advertising by sponsoring radio programming, beginning in 1931 with the "Hollywood Hotel" program on CBS. Later radio sponsorships included the George Burns and Gracie Allen show, "Campbell Playhouse", "Amos and Andy", the "Jack Carson Show", "Hildegarde", and "Edward R. Murrow with the News", among others . The jingle "M'm M'm Good" was first aired during the radio broadcasts of this period, and was reinforced in the print advertising. Beginning in 1950, Campbell began to sponsor television shows, continuing its focus on women and children as primary purchasers and consumers of suop. Most notable among these sponsorships were "The Donna Reed Show" and "Lassie" . Print ads of the 1950s featuring Johnny Carson, Donna Reed, and the cast of the Lassie Show helped to reinforce the Company's sponsorship of these popular shows.

In 1954, Campbell moved its $10 million dollar condensed soup account from Ward Wheelock Company, the Philadelphia firm which had handled the account since 1910, to Batten, Barton, Durstine & Osborn (BBDO) of New York. By 1966, BBDO account executives urged "selective but not major" use of the Kids and the slogan "M'm M'm Good", choosing instead to employ advertising that stressed health claims and fitness issues rather than the wholesome, comforting associations of hot soup. The Kids became more athletic and less rotund.

Reflecting changes in American social and family structures Campbell' s advertising, began to depict the working wife and the busy schedules of a family "on the go". A 1960 ad declares "Good Things Begin to Happen When Working Girls Have Soup and Crackers" or "Somethings Happened to Supper". In light of the women 's movement, which was gaining momentum during this period, Campbell advertising remained decidedly traditional. In the 1970s, "Give Me the Campbell Life" recognized women 's expanded roles as working mothers, but "They Always Eat Better When You Remember the Soup" and "Get Your Campbells Worth" reveal a more conservative pitch to homemakers responsibilities. Other societal changes are suggested in the advertising, for instance, the "Soup is Good Food" and "Health Insurance" campaigns of the 1980s reflected a new emphasis on health and fitness.

In 1981 the company transferred the soup account to another New York firm, Backer Spielvogel and Bates . The 1980s saw a renewed emphasis on network primetime, strategic radio advertising (where ads for hot soup are tagged to reports of rain or snow, or are aired just before the noon lunch hour), and regional marketing of specialized products or packaging designed to appeal to local tastes and changing nutritional standards. These new products have engendered some changes in Campbell' s time-honored red and white label to emphasize the "new and improved" characteristics of the products

In 2015, Campbells developed the "Real Life" campaign. This campaign was groundbreaking in many ways. The commercials portrayed not only inter-racial couples but also a gay couple, two fathers and their son. This campaign had a product tie in with the 2015 release of the new installment in the motion picture franchise, Star Wars. The campaign received commentary from the public both pro and con. Campbells continued the campaign without revising or pulling any of its commercials. While running in selected markets, the campaign made nationwide headlines and pointed up the continuing change in the make-up of the American family.

Provenance:

Paul N. Mulcahy, V.P. Marketing Services, Campbell Soup Company,1990. Made for the National Museum of American History, Smithsonian Institution by the Center for Advertising History, 1989-1990.

Restrictions:

Collection is open for research.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Broadcast advertising  Search this

advertising -- Food  Search this

Soups -- advertising  Search this

Advertising agencies  Search this

Advertising departments  Search this

Advertising campaigns  Search this

Sex role in advertising  Search this

Radio advertising  Search this

Women in advertising  Search this

Television advertising  Search this

Art directors  Search this

Advertising executives  Search this

Genre/Form:

Clippings

Audiotapes -- 1980-1990

Interviews -- 1980-1990

Commercials

Ephemera -- 20th century

Videotapes

Oral history

Tear sheets

Citation:

Campbell Soup Advertising Oral History and Documentation Project, Archives Center, National Museum of American History, Smithsonian Institution.

Identifier:

NMAH.AC.0367

See more items in:

The Campbell Soup Advertising Collection

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8b769193b-0861-4b41-89d1-8b6c8328534b

EDAN-URL:

ead_collection:sova-nmah-ac-0367

Series Collector:

Archives Center, National Museum of American History  Search this

Series Donor:

Becker, John M.  Search this

Gay Officers Action League. GOAL  Search this

Heritage of Pride (HOP)  Search this

Rohrbaugh, Richard  Search this

Series Creator:

Hirsch, Leonard  Search this

Guest, Barbara  Search this

Barna, Joseph T.  Search this

Guest, Michael E.  Search this

Cruse, Howard, 1944-2019  Search this

Container:

Box 115, Folder 5

Type:

Archival materials

Date:

2001

Series Restrictions:

The collection is open for research use.

Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow.

Do not use original materials when available on reference video or audio tapes.

Series Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Series Citation:

Archives Center Lesbian, Gay, Bisexual, and Transgender (LGBT) Collection, Archives Center, National Museum of American History, Smithsonian Institution

See more items in:

Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection

Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection / Series 20: Pride at Work

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep808fd4997-ab65-4832-9d53-0c1e75aa02cc

EDAN-URL:

ead_component:sova-nmah-ac-1146-ref1575

Series Collector:

Archives Center, National Museum of American History  Search this

Series Donor:

Becker, John M.  Search this

Gay Officers Action League. GOAL  Search this

Heritage of Pride (HOP)  Search this

Rohrbaugh, Richard  Search this

Series Creator:

Hirsch, Leonard  Search this

Guest, Barbara  Search this

Barna, Joseph T.  Search this

Guest, Michael E.  Search this

Cruse, Howard, 1944-2019  Search this

Container:

Box 115, Folder 15

Type:

Archival materials

Date:

2014

Series Restrictions:

The collection is open for research use.

Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow.

Do not use original materials when available on reference video or audio tapes.

Series Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Series Citation:

Archives Center Lesbian, Gay, Bisexual, and Transgender (LGBT) Collection, Archives Center, National Museum of American History, Smithsonian Institution

See more items in:

Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection

Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection / Series 20: Pride at Work

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep821e36b4b-4ed4-455d-b856-d5efcdb9f5bd

EDAN-URL:

ead_component:sova-nmah-ac-1146-ref1585