Search Results

Creator:

Gray, Cleve, 1918-2004  Search this

Subject:

Richter, Hans  Search this

Marin, John  Search this

Lipchitz, Jacques  Search this

Pollock, Jackson  Search this

Grace, Louise N.  Search this

Gray, Francine du Plessix  Search this

Duchamp, Marcel  Search this

Dillenberger, Jane  Search this

Gabo, Naum  Search this

Ernst, Jimmy  Search this

Davis, Jim  Search this

Calder, Alexander  Search this

Barzun, Jacques  Search this

Weber, Nicholas Fox  Search this

Smith, David  Search this

Villon, Jacques  Search this

Pratt Institute  Search this

Rhode Island School of Design  Search this

Neuberger Museum of Art  Search this

Jacques Seligmann & Co  Search this

Betty Parsons Gallery  Search this

Connecticut. Commission on Arts, Tourism, Culture, History and Film  Search this

Princeton University  Search this

Berry-Hill Galleries  Search this

Type:

Poems

Articles

Photographs

Reviews (documents)

Notes

Illustrations

Notebooks

Sketches

Drafts (documents)

Video recordings

Sound recordings

Interviews

Manuscripts

Paintings

Prints

Watercolors

Drawings

Lectures

Citation:

Cleve Gray papers, 1933-2005. Archives of American Art, Smithsonian Institution.

Topic:

Art, Modern -- 20th century -- United States  Search this

Vietnam War, 1961-1975 -- Protest Movements -- United States  Search this

Designers  Search this

Women artists  Search this

Women painters  Search this

Women sculptors  Search this

Theme:

Lives of artists  Search this

Record number:

(DSI-AAA_CollID)9567

(DSI-AAA_SIRISBib)211768

AAA_collcode_grayclev

Theme:

Lives of artists

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_211768

Creator:

National Museum of the American Indian  Search this

Type:

Conversations and talks

YouTube Videos

Uploaded:

2018-07-29T21:17:22.000Z

YouTube Category:

Education  Search this

Topic:

Native Americans;American Indians  Search this

See more by:

SmithsonianNMAI

Data Source:

National Museum of the American Indian

YouTube Channel:

SmithsonianNMAI

EDAN-URL:

edanmdm:yt_2z9L1BuzzAQ

Creator:

National Museum of the American Indian  Search this

Type:

YouTube Videos

Uploaded:

2018-07-29T21:17:22.000Z

YouTube Category:

Education  Search this

Topic:

Native Americans;American Indians  Search this

See more by:

SmithsonianNMAI

Data Source:

National Museum of the American Indian

YouTube Channel:

SmithsonianNMAI

EDAN-URL:

edanmdm:yt_F5L8qLu97ic

Creator:

National Museum of the American Indian  Search this

Type:

Conversations and talks

YouTube Videos

Uploaded:

2018-07-29T21:17:21.000Z

YouTube Category:

Education  Search this

Topic:

Native Americans;American Indians  Search this

See more by:

SmithsonianNMAI

Data Source:

National Museum of the American Indian

YouTube Channel:

SmithsonianNMAI

EDAN-URL:

edanmdm:yt_dugq-2XvQr8

Creator:

National Museum of the American Indian  Search this

Type:

Conversations and talks

YouTube Videos

Uploaded:

2023-04-23T21:31:28.000Z

YouTube Category:

Education  Search this

Topic:

Native Americans;American Indians  Search this

See more by:

SmithsonianNMAI

Data Source:

National Museum of the American Indian

YouTube Channel:

SmithsonianNMAI

EDAN-URL:

edanmdm:yt_qcL13HTEnnw

Creator:

Freer Gallery of Art and Arthur M. Sackler Gallery  Search this

Type:

YouTube Videos

Uploaded:

2022-09-02T19:29:12.000Z

YouTube Category:

Education  Search this

Topic:

Art, Asian  Search this

See more by:

FreerSackler

Data Source:

Freer Gallery of Art and Arthur M. Sackler Gallery

YouTube Channel:

FreerSackler

EDAN-URL:

edanmdm:yt_SyC6p8RgsiQ

Creator:

Smithsonian American Art Museum  Search this

Type:

YouTube Videos

Uploaded:

2021-10-08T12:00:31.000Z

YouTube Category:

Education  Search this

Topic:

Art, American  Search this

See more by:

americanartmuseum

Data Source:

Smithsonian American Art Museum

YouTube Channel:

americanartmuseum

EDAN-URL:

edanmdm:yt_fYxdL4y35-M

Creator:

Smithsonian Channel  Search this

Type:

YouTube Videos

Uploaded:

2019-02-01T16:30:00.000Z

YouTube Category:

Entertainment  Search this

See more by:

smithsonianchannel

Data Source:

Smithsonian Channel

YouTube Channel:

smithsonianchannel

EDAN-URL:

edanmdm:yt_8SQNzfnywSo

Creator:

Smithsonian Channel  Search this

Type:

YouTube Videos

Uploaded:

2017-03-31T11:00:01.000Z

YouTube Category:

Entertainment  Search this

See more by:

smithsonianchannel

Data Source:

Smithsonian Channel

YouTube Channel:

smithsonianchannel

EDAN-URL:

edanmdm:yt_FghT80tVFKo

Creator:

Smithsonian Channel  Search this

Type:

YouTube Videos

Uploaded:

2014-04-18T13:43:13.000Z

YouTube Category:

Entertainment  Search this

See more by:

smithsonianchannel

Data Source:

Smithsonian Channel

YouTube Channel:

smithsonianchannel

EDAN-URL:

edanmdm:yt_LZsnKmXDLPo

Creator:

Smithsonian Channel  Search this

Type:

YouTube Videos

Uploaded:

2015-05-01T04:00:01.000Z

YouTube Category:

Entertainment  Search this

See more by:

smithsonianchannel

Data Source:

Smithsonian Channel

YouTube Channel:

smithsonianchannel

EDAN-URL:

edanmdm:yt__sKCxJaMowg

Creator:

Smithsonian Channel  Search this

Type:

YouTube Videos

Uploaded:

2018-03-13T15:30:01.000Z

YouTube Category:

Entertainment  Search this

See more by:

smithsonianchannel

Data Source:

Smithsonian Channel

YouTube Channel:

smithsonianchannel

EDAN-URL:

edanmdm:yt_kPd56OY2ED8

Creator:

Smithsonian Channel  Search this

Type:

YouTube Videos

Uploaded:

2019-04-10T15:30:02.000Z

YouTube Category:

Entertainment  Search this

See more by:

smithsonianchannel

Data Source:

Smithsonian Channel

YouTube Channel:

smithsonianchannel

EDAN-URL:

edanmdm:yt_thYIywSZOWQ

Creator:

Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this

Names:

Smithsonian Folklife Festival  Search this

Extent:

1 Cubic foot (approximate)

Type:

Collection descriptions

Archival materials

Memorandums

Videotapes

Negatives

Business records

Digital images

Sound recordings

Video recordings

Correspondence

Slides (photographs)

Contracts

Audiocassettes

Notes

Audiotapes

Photographic prints

Plans (drawings)

Date:

June 24-July 5, 1982

Summary:

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

Scope and Contents note:

This collection documents the planning, production, and execution of the 1982 Festival of American Folklife. Materials may include photographs, audio recordings, motion picture film and video recordings, notes, production drawings, contracts, memoranda, correspondence, informational materials, publications, and ephemera. Such materials were created during the Festival on the National Mall in Washington, D.C., as well as in the featured communities, before or after the Festival itself.

Arrangement note:

Arranged in 5 series.

Series 1: Program Books, Festival Publications, and Ephemera

Series 2: Children's Program

Series 3: Korea

Series 4: National Heritage Fellowships Program

Series 5: Oklahoma

Historical note:

The Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998.

The 1982 Festival of American Folklife was produced by the Smithsonian Office of Folklife Programs and cosponsored by the National Park Service.

For more information, see Smithsonian Folklife Festival records.

Introduction:

Having returned to the summer with the 1981 Festival, in 1982 the Festival of American Folklife returned to its original plot on the National Mall among Smithsonian Museum buildings. It took place for two five-day weeks (June 24-28 and July 1-5) between Madison Drive and Jefferson Drive and between 10th Street and 14th Street, south of the National Museum of American History and the National Museum of Natural History (see site plan). As noted by Secretary S. Dillon Ripley, "We celebrate the return to a quieter, more easily accessible, and larger site, and also to one that makes more clearly visible the strong, complimentary relationship between museum collections and the presenters of living traditions."

The 1982 Program Book provides information on each of the four programs.

The 1982 Festival was co-presented by the Smithsonian Institution and National Park Service, with support from the Diamond Jubilee Commission of the State of Oklahoma, Oklahoma Department of Tourism and Recreation, International Cultural Society of Korea, and Music Performance Trust Funds, and with cooperation of the National Endowment for the Arts. It was organized by the Office of Folklife Programs.

Folklife Advisory Council

Wilcomb E. Washburn, Chairman, Roger Abrahams, Richard Ahlborn, William Fitzhugh, Lloyd Herman, Robert Laughlin, Scott Odell, Ralph Rinzler, Peter Seitel, Richard Sorenson, Thomas Vennum

Office of Folklife Programs

Ralph Rinzler, Director; Richard Derbyshire, Archivist; Susan Kalcik, Folklorist; Jeffrey LaRiche, Program Coordinator; Diana Parker, Festival Program Coordinator; Jack Santino, Folklorist; Robert Sayers, Anthropologist; Peter Seitel, Senior Folklorist; Thomas Vennum, Ethnomusicologist; Kazadi wa Mukuna, Ethnomusicologist

National Park Service

Russell E. Dickenson, Director; Manus J. Fish, Jr., Regional Director, National Capital Region

Fieldworkers and presenters:

Hannah Atkins, Jay Bailey, George Carney, Rodger Harris, Alan Heyman, Geraldine Johnson, Susan Kalcik, Doug Kim, Kim Yong Pil, Paul Lehman, Guy Logsdon, Lucy Long, Clydia Nahwoosky, Fred Nahwooksy, Michael Saso, Robert Sayers, Daniel Sheehy, Bob Teske, Peggy Yocom, Yoon Yeol Soo, Zozayong

Shared Stewardship of Collections:

The Center for Folklife and Cultural Heritage acknowledges and respects the right of artists, performers, Folklife Festival participants, community-based scholars, and knowledge-keepers to collaboratively steward representations of themselves and their intangible cultural heritage in media produced, curated, and distributed by the Center. Making this collection accessible to the public is an ongoing process grounded in the Center's commitment to connecting living people and cultures to the materials this collection represents. To view the Center's full shared stewardship policy, which defines our protocols for addressing collections-related inquiries and concerns, please visit https://doi.org/10.25573/data.21771155.

Forms Part Of:

Smithsonian Folklife Festival records: 1982 Festival of American Folklife forms part of the Smithsonian Folklife Festival records .

Smithsonian Folklife Festival records

Smithsonian Folklife Festival records: Papers

1967 Festival of American Folklife records - [Ongoing]

Related Archival Materials note:

Within the Rinzler Archives, related materials may be found in various collections such as the Ralph Rinzler papers and recordings, the Lily Spandorf drawings, the Diana Davies photographs, the Robert Yellin photographs, and the Curatorial Research, Programs, and Projects collection. Additional relevant materials may also be found in the Smithsonian Institution Archives concerning the Division of Performing Arts (1966-1983), Folklife Program (1977-1980), Office of Folklife Programs (1980-1991), Center for Folklife Programs and Cultural Studies (1991-1999), Center for Folklife and Cultural Heritage (1999-present), and collaborating Smithsonian units, as well as in the administrative papers of key figures such as the Secretary and respective deputies. Users are encouraged to consult relevant finding aids and to contact Archives staff for further information.

Restrictions:

Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.

Rights:

Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.

Topic:

arts and crafts  Search this

Folk art  Search this

World music  Search this

Folk music  Search this

Folklore  Search this

Folk festivals  Search this

Food habits  Search this

Genre/Form:

Memorandums

Videotapes

Negatives

Business records

Digital images

Sound recordings

Video recordings

Correspondence

Slides (photographs)

Contracts

Audiocassettes

Notes

Audiotapes

Photographic prints

Plans (drawings)

Citation:

Smithsonian Folklife Festival records: 1982 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.

Identifier:

CFCH.SFF.1982

See more items in:

Smithsonian Folklife Festival records: 1982 Festival of American Folklife

Archival Repository:

Ralph Rinzler Folklife Archives and Collections

GUID:

https://n2t.net/ark:/65665/bk55a61d26c-8d47-4deb-99dc-9d22ab1d4471

EDAN-URL:

ead_collection:sova-cfch-sff-1982

Creator:

Gray, Cleve  Search this

Names:

Berry-Hill Galleries  Search this

Betty Parsons Gallery  Search this

Connecticut. Commission on Arts, Tourism, Culture, History and Film  Search this

Jacques Seligmann & Co  Search this

Neuberger Museum of Art  Search this

Pratt Institute  Search this

Princeton University  Search this

Rhode Island School of Design  Search this

Barzun, Jacques, 1907-  Search this

Calder, Alexander, 1898-1976  Search this

Davis, Jim, 1901-1974  Search this

Dillenberger, Jane  Search this

Duchamp, Marcel, 1887-1968  Search this

Ernst, Jimmy, 1920-1984  Search this

Gabo, Naum, 1890-1977  Search this

Grace, Louise N.  Search this

Gray, Francine du Plessix  Search this

Lipchitz, Jacques, 1891-1973  Search this

Marin, John, 1870-1953  Search this

Pollock, Jackson, 1912-1956  Search this

Richter, Hans, 1888-1976  Search this

Smith, David, 1906-1965  Search this

Villon, Jacques, 1875-1963  Search this

Weber, Nicholas Fox, 1947-  Search this

Extent:

9.2 Linear feet

Type:

Collection descriptions

Archival materials

Poems

Articles

Photographs

Reviews (documents)

Notes

Illustrations

Notebooks

Sketches

Drafts (documents)

Video recordings

Sound recordings

Interviews

Manuscripts

Paintings

Prints

Watercolors

Drawings

Lectures

Date:

1933-2005

Summary:

The Cleve Gray papers, 1933-2005, measure 9.2 linear feet. Papers include biographical material, alphabetical files, writings, artwork, audio/visual records, artifacts, printed material, and photographs. Extensive alphabetical files contain personal and professional correspondence as well as subject files relating to projects and interests. Especially well-documented are: Gray's involvement with the Vietnam protest movement; and Threnody, his best-known work composed of fourteen large panels lamenting the dead of both sides sides in Vietnam, commissioned by the Neuberger Museum of Art.

Scope and Content Note:

The Cleve Gray papers, 1933-2005, measure 9.2 linear feet. Papers include biographical material, alphabetical files, writings, artwork, audio/visual records, artifacts, printed material, and photographs. Extensive alphabetical files contain personal and professional correspondence as well as subject files relating to projects and interests. Especially well-documented are: Gray's involvement with the Vietnam movement; and Threnody, his best-known work composed of fourteen large panels lamenting the dead of both sides sides in Vietnam, commissioned by the Neuberger Museum of Art.

Among the biographical material are award and membership certificates, biographical notes, and personal documentation.

The alphabetical files contain Cleve Gray's personal and professional correspondence, as well as subject files relating to projects and interests. Correspondence is with friends and family, colleagues, publishers, museum curators and directors, art dealers, collectors, and fans. Among the correspondents of note are: Jacques Barzun, James E. Davis, Naum Gabo, Louise N. Grace, Hans and Fridel Richter, and Jacques and Gaby Villon. Other substantial correspondence includes: Berry-Hill Galleries, Betty Parsons Gallery, Connecticut Commission on the Arts, Jacques Seligmann and Co., Neuberger Museum of Art, Pratt Institute, Princeton University, and Rhode Island School of Design. Subject files mostly consist of correspondence, but include printed material and some photographs. Among the subject files are: Art Collection of Cleve and Francine Gray, Artist-Dealer Consignments and Visual Artists' Rights Act of 1989, Artists' Tax Equity Act of 1979, Promised Gifts to Museums, Threnody, Vestments, and Vietnam Protest. Of particular interest are files relating to the Estate of Hans Richter (Cleve Gray, executor), and Gray's research correspondence and illustrations for his Cosmopolitan article "Women-Leaders of Modern Art."

Writings are manuscripts and drafts, research materials, notes, and miscellaneous writings by Cleve Gray and other authors. Those by Gray include articles and catalog introductions on a wide range of art-related topics, as well as book and exhibition reviews. Also found are a book proposal, texts and notes for lectures and talks, miscellaneous notes, poems, political statements, and student papers. Of particular interest are autobiographical notes in the form of a chronology that his biographer, Nicholas Fox Weber, cited as an "autochronology."

Among the writings by other authors are pieces about Cleve Gray including Nicholas Fox Weber's manuscript Cleve Gray. A significant amount of material relates to three books edited by Gray: David Smith by David Smith: Sculpture and Writings, Hans Richter, and John Marin. Research material survives for an unpublished volume, Naum Gabo. Also included are notes relating to his translation of A l'Infinitif by Marcel Duchamp. Jane Daggett Dillenberger is represented by a lecture, "The Resurrection in Art." The remaining items by other authors are unsigned; of particular interest is a small notebook of reminiscences and notes about Jackson Pollock.

Artwork by Cleve Gray consists mostly drawings and sketches, and a small number of paintings, prints, and watercolors. Works by other artists consist are an unsigned mobile of paper cut-outs, possibly by Alexander Calder, and a pencil drawing signed Dick (probably Richard Avedon).

Audio recordings are a radio broadcast featuring Cleve Gray, several lectures by Gray on John Marin, and a lecture titled "Meaning in the Visual Arts." Other recordings are of Hans Richter and an interview with Jimmy Ernst conducted by Francine du Plessix Gray. Also found is a videocassette of "Glenville School Students at SUNY (Lincoln Center Activity)."

Artifacts are a Chinese scroll representative of those that hung in Cleve Gray's studio, two of his paintbrushes, Aberdeen-Angus Breeders' Association blue ribbon, and Neuberger Museum of Art Lifetime Achievement Award.

The vast majority of printed material - articles, clippings, exhibition catalogs and announcements, reproductions of art work, etc. - are about or by Cleve Gray. Miscellaneous items and publications mentioning Gray consist of annual reports, brochures, calendars, newsletters, programs, etc. Clippings about Vietnam and Vietnam protest memorabilia reflect his passionate involvement in the anti-war movement; a small number of these items mention Gray or were written by him.

Photographs are of artwork, events, people, places, and miscellaneous subjects. Most of the art work appearing in the photographs is by Cleve Gray and includes images of destroyed paintings. Also found is an original print of Photo Abstraction by Gray, circa 1934. Of particular note are photographs of Threnody, among them preparatory drawings and views of the work in progress. Photographs of artwork by other artists include Louise N. Grace, Jacques Lipchitz, John Marin, Hans Richter, and Jacques Villon.

Photographs of people are mainly portraits of Gray, and views of him with his wife and sons. Other individuals appearing in photographs are Hans Richter and some of Richter's descendants. Pictures of places consist of Gray's studio.

Events are an unidentified exhibition opening. Miscellaneous subjects are mostly exhibition installations. Illustrations consist of photographs published in David Smith by David Smith: Sculpture and Writings. Also found are small number of negatives and color transparencies.

Arrangement:

The collection is organized into 8 series:

Missing Title

Series 1: Biographical Material, 1943-circa 2001 (Box 1; 0.1 linear ft.)

Series 2: Alphabetical Files, 1936-2005 (Boxes 1-5, 9; 4.3 linear ft.)

Series 3: Writings, 1935-2000 (Boxes 5-6; 0.85 linear ft.)

Series 4: Artwork, circa 1933-1987 (Boxes 6, 9, OV 12; 0.45 linear ft.)

Series 5: Audio/Visual Records, 1971-1989 (Box 6; 0.25 linear ft.)

Series 6: Artifacts, 1957-1999 (Box 6, RD 11; 0.45 linear ft.)

Series 7: Printed Material, 1933-2005 (Boxes 7-8; 1.25 linear ft.)

Series 8: Photographs, circa 1934-2002 (Boxes 8-10; 1.15 linear ft.)

Biographical Note:

Abstract Expressionist painter, sculptor, and writer Cleve Gray (1918-2004) lived and worked in Connecticut where he was politically active in the Vietnam protest movement and other liberal causes.

Born Cleve Ginsberg in New York City (the family changed its name to Gray in 1936), he attended the Ethical Culture School and at a young age developed a fascination with color and paint. At the urging of friends, Cleve's parents allowed him to accompany a school friend for lessons with George Bellows' student Antonia Nell. She encouraged and inspired the young artist, and a still life he painted in her class was shown at the National Academy of Design's 1932 annual exhibition. Miss Nell also introduced him to Louise N. Grace, an artist who became a good friend and had a lasting influence on him. While a student at Phillips Academy, Cleve studied painting with Bartlett Hayes and aspired to paint in France. Upon his graduation in 1936, he was awarded the Samuel F. B. Morse Prize for most promising art student.

Gray's mother was always supportive of his career choice. His businessman father, who didn't understand his son's desire to be an artist, insisted on a college education. Cleve chose Princeton, where he majored in art and archaeology, and studied painting with James E. Davis. His senior thesis was on Chinese landscape painting; both Eastern philosophy and art were long-term influences on Gray's work and outlook. He graduated summa cum laude in 1940, and then spent several months painting while living at the farm of a family friend in Mendham, New Jersey.

When a doctor suggeted that a dry climate might relieve sinus and asthma problems, Gray moved to Tucson, Arizona. Once settled in the desert, he contacted Louise N. Grace, whom he had met as a young teenager through his art instructor. Miss Grace, an artist and daughter of the founder of W. R. Grace and Co., was a highly cultured and independent woman older than his parents. The summer before Gray entered Phillips Academy, she had hired him to brush ground color onto canvases for murals she was painting for "Eleven Arches," her home in Tuscon then under construction. Miss Grace invited Gray to visit "Eleven Arches" to see the completed murals, and despite the substantial age difference, their friendship deepened; Gray found in her intellectual and spiritual guidance that was lacking in his own family. He remained in Tucson until enlisting in the U. S. Army in 1942, and they corresponded frequently during the the war. When a stroke in 1948 prevented Miss Grace from participating in the extensive tour of Europe she was arranging for a small group of friends, including Gray, she provided sufficient funds and insisted he make the trip on his own. Another stroke, suffered while Gray was traveling, left her in a coma; he was not permitted to see her again. Upon her death in 1954, Gray inherited "Eleven Arches."

Between 1943 and 1946, Gray was stationed in England, France, and Germany, serving in Army Signal Intelligence. Most of his work was performed at night, and he spent his free time drawing. While in London, Gray produced many colored pencil drawings of buildings that had been bombed. In France, a Red Cross volunteered to introduce him to Jacques Villon; although unfamiliar with the artist, Gray knew of Villon's brother, Marcel Duchamp, and accepted the invitation. Jacques and Gaby Villon lived near Gray's billet and he became a frequent visitor. Their friendship was important to his development as an artist. After being discharged from the Army in 1946, Gray remained in France to work with Villon who introduced him to the study of color and the concept of intellectual quality in painting. Gray also studied informally with André Lhote, Villon's former teacher. "American Painters in Paris," an exhibition presented in 1946 at Galerie Durand-Ruel, included work by Cleve Gray.

He returned to New York City in 1946. In the tight post-war rental market Gray managed to find a small room upstairs from a grocery store on East 106th Street for use as a studio. He commenced painting the London Ruins series based on drawings he had made during the war, and began thinking about exhibiting in New York. Gray secured introductions to Pierre Matisse, Curt Valentin, and Dorothy Miller. They encouraged him, but no opportunities came his way until Germain Seligmann, whose gallery was expanding its scope to include contemporary art, followed the advice of Curt Valentin and looked at Gray's work. Gary's first solo exhibition, held at Jacques Seligmann and Co., included selections from the London Ruins series, paintings done in Maine and Arizona, and a few portraits. The New York Times called it "an auspicious first," and one of the London Ruins series was selected by Edward Alden Jewell for the "Critic's Exhibition" at Grand Central Gallery.

Gray found New York City too frenetic. In 1949 he bought a large, old house in Warren, Connecticut, and lived and worked at "Graystones" for the remainder of his life. Half of a 6-car garage was converted to a studio; many years later, his studio moved to a barn, its renovation and design planned by sculptor and architect Tony Smith.

He married Francine du Plessix in 1957. Always interested in literature and philosophy, in the 1960s Francine du Plessix Gray began contributing articles to The New Yorker and is still affiliated with the magazine. Her reviews and articles appeared in prominent publications, and she wrote several award-winning novels and biographies. Their sons, Thaddeus and Luke (now a painter), were born in 1959 and 1961. Francine's mother, Tatiana du Plessix (the hat designer Tatiana of Saks), and step-father, the sculptor Alexander Liberman (also former art director of Vogue and later editorial director of Condé Nast publications) became Cleve Gray's closest friends.

The paintings and drawings of Cleve Gray - first consisting of figures and portraits, and then abstract compositions - were often produced in series. The earliest series, London Ruins, grew from the colored pencil drawings made while stationed in London during World War II. Travels to France, Italy, Greece, Morocco, Hawaii, Spain, Egypt, Japan, and Czechoslovakia, inspired many series, among them: Etruscan, Augury, Ceres, Demeter Landscape, Hera, Morocco, Hawaii, Ramses, Perne, Hatshepsut, Roman Walls, Zen, and Prague. His hometown, the Holocaust, and musicians inspired other series: Warren, Sleepers Awake!, Bela Bartok, and Four Heads of Anton Bruckner. Some series were works on paper, others were collage canvases, and a few series later spawned prints. Gray began using acrylics in the 1940s. Although the medium offered many benefits, he did not always like its appearance and frequently returned to oils. Around 1966 Gray was painting almost exclusively with acrylic, and eventually developed a technique of thinning the paint and applying successive layers of color (sometimes by pouring or with a sponge) on cotton duck rather than traditional canvas.

Gray was attracted to sculpture, too, working in that medium at different points in his career. His first sculpture, in plaster, was completed in 1959. In the early 1960s he visited a commercial sand-casting foundry and became excited about learning to cast in bronze. He made about a dozen sculptures to cast in sand, but due to too much undercutting, their casting became too difficult a problem. Lava flows seen while in Hawaii during 1970 and 1971 inspired a return to sculpture. This time, he used wood, papier maché, and metal. Gray then decided these pieces should be cast in bronze, and he was determined to do it himself. Friends taught him the lost wax process and he began working at the Tallix Foundry in Peekskill, New York where, over the next year, he cast about forty bronzes.

Gray's best known work is Threnody, a lament for the dead of both sides in Vietnam. In 1972, Gray received a commission to fill a very large gallery of the soon-to-open Neuberger Museum of Art (State University of New York, College at Purchase) designed by Philip Johnson. Friends of the Neuberger Museum paid his expenses and Gray, who was enormously excited about the project he considered a once-in-a-lifetime opportunity, donated his time. Developing plans for the execution of Threnody consumed most of his time during 1972 and 1973. Composed of a series of fourteen panels, each approximately twenty feet square, the piece presented a number of technical challenges. It was constructed and painted in situ during the summer and early fall of 1973. Since then, Threnody has been reinstalled at the Neuberger Museum of Art on several occasions.

Gray was commissioned to design liturgical vestments for two Episcopal churches in Connecticut in the 1970s. A chasuble, stoles, and a mitre were commissioned by the Episcopal Diocese of Connecticut in 1984.

He won the "Outdoor Art at the Station Competition," for Union Station, Hartford, Connecticut. His very large porcelain enamel tile mural, Movement in Space, was installed on the façade of the transportation center in 1988.

Gray began writing occasional articles and exhibition reviews in the late 1940s. His concern with rational structure in art led him to question Abstract Expressionism and write "Narcissus in Chaos." This article, published in 1959 by The American Scholar, drew considerable attention. In 1960, Cosmopolitan published "Women - Leaders of Modern Art" that featured Nell Blaine, Joan Brown, Elaine de Kooning, Helen Frankenthaler, Sonia Gretchoff, Grace Hartigan, Ethel Magafan, Louise Nevelson, and Georgia O'Keeffe. Between 1960 and 1970, Gray was a contributing editor of Art In America, producing numerous articles (a few co-authored with Francine) and reviews for the periodical. He edited three books, David Smith by David Smith: Scupture and Writings, Hans Richter, and John Marin, all published by Holt, Rinehart, and Winston, and translated Marcel Duchamp's A l'Infinitif.

During the early 1960s, Gray became intensely focused on the situation in Vietnam. His first artistic response came in 1963 with Reverend Quan Duc, painted to commemorate a Buddhist monk who had immolated himself. Francine, too, felt strongly about the issue and over time the couple became increasingly active in the anti-war movement. They joined a number of organizations and helped to found a local chapter of Clergy and Laymen Concerned about Vietnam. The years 1968 and 1969 were an especially intense and active period for the Grays. They protested, wrote and spoke out against the war, raised funds to support anti-war political candidates, and on a few occasions were arrested and jailed. Writing for Art in America, editing the book series, and anti-war activities left little time for his art. In 1970 Gray refocused his attention on painting.

Beginning in 1947, Gray was always represented by a New York Gallery: Jacques Seligmann and Co. (1947-1959), Staempfli Gallery (1960-1965), Saidenberg Gallery (1965-1968), Betty Parsons Gallery (1968-1983), Armstrong Gallery (1984-1987), and Berry-Hill Galleries (1988-2003). He was represented by galleries in other cities, as well, but not as consistently or for such long periods.

He exhibited extensively in group and solo exhibitions throughout the United States and internationally. In addition to numerous solo exhibitions presented by the dealers who represented Gray, there were retrospective exhibitions at: Albright-Knox Art Gallery, Brooklyn Museum, Columbus Museum of Art, Krannert Art Museum (University of Illinois, Champaign), Princeton University Art Museum, Rhode Island School of Design, and Wadsworth Atheneum.

Many museums' permanent collections include the work of Cleve Gray, among them: Albright-Knox Art Gallery, Butler Institute of American Art, Columbus Museum of Art, Neuberger Museum of Art (SUNY, College at Purchase), the Museum of Modern Art (New York), Newark Museum, Oklahoma City Museum of Art, Phillips Collection, Sheldon Memorial Art Gallery (University of Nebraska, Lincoln), Smithsonian Institution, Solomon R. Guggenheim Museum, Whitney Museum of American Art, and Yale University Art Gallery.

Cleve Gray served as artist-in-residence at the Oklahoma City Museum of Art in 1963 and at the Honolulu Academy of Arts in 1970, both sponsored by Ford Foundation programs. In 1980, he was appointed an artist-in-residence at the American Academy in Rome, where Francine concurrently served as a writer-in-residence; they returned for shorter periods during each of the subsequent seven years. Cleve Gray was presented the Connecticut Arts Award in 1987, and the Neuberger Museum of Art Lifetime Achievement Award in 1999. He was awarded an honorary degree by the University of Hartford in 1992, and was elected a member of The American Academy of Arts and Letters in 1998. In addition, he was a trustee of the Neuberger Museum of Art, New York Studio School, Rhode Island School of Design, and Wadsworth Atheneum.

Cleve Gray hit his head and suffered a massive subdural hematoma after falling on ice outside of his home. He died the following day, December 8, 2004.

Separated Material:

Exhibition catalogs and announcements and two scrapbooks donated to the Archives in 1967 and 1968 were microfilmed on reels D314-D315. Items on reel D315, transferred to the Smithsonian American Art Museum Library in 1975, are not described in this finding aid.

Provenance:

The Cleve Gray papers were donated to the Archives of American Art by Mr. Gray in 1967 and 1968. The bulk of the collection was given by his widow, Francine du Plessix Gray, in 2007 and 2008.

Restrictions:

Use of original material requires an appointment. Use of archival audiovisual recordigs with no duplicate access copy requires advance notice.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Sculptors -- Connecticut  Search this

Painters -- Connecticut  Search this

Topic:

Art, Modern -- 20th century -- United States  Search this

Vietnam War, 1961-1975 -- Protest Movements -- United States  Search this

Designers  Search this

Women artists  Search this

Women painters  Search this

Women sculptors  Search this

Genre/Form:

Poems

Articles

Photographs

Reviews (documents)

Notes

Illustrations

Notebooks

Sketches

Drafts (documents)

Video recordings

Sound recordings

Interviews

Manuscripts

Paintings

Prints

Watercolors

Drawings

Lectures

Citation:

Cleve Gray papers, 1933-2005. Archives of American Art, Smithsonian Institution.

Identifier:

AAA.grayclev

See more items in:

Cleve Gray papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw92d3d47d0-baa3-4085-80f2-9b5d1730c052

EDAN-URL:

ead_collection:sova-aaa-grayclev

Designer:

Scaled Composites  Search this

Manufacturer:

Scaled Composites  Search this

Materials:

Body: Composite (graphite epoxy), metal, plastic

Interior: Fabric, plastic, metals, hydraulic and pneumatic systems

Motor: Composite (graphite epoxy), elastomeric compound, metal, ablative material

Dimensions:

Overall: 8ft 10 5/16in. x 27ft 10 5/8in. x 26ft 10 13/16in., 2408lb. (270 x 850 x 820cm)

Type:

SPACECRAFT-Crewed

Country of Origin:

United States of America

Credit Line:

Gift of Paul G. Allen

Inventory Number:

A20050459000

Restrictions & Rights:

Usage conditions apply

See more items in:

National Air and Space Museum Collection

Data Source:

National Air and Space Museum

GUID:

http://n2t.net/ark:/65665/nv9eb7c8c60-1f1c-41ba-95a6-1572d6cb924b

EDAN-URL:

edanmdm:nasm_A20050459000

Designer:

Scaled Composites  Search this

Manufacturer:

Scaled Composites  Search this

Materials:

Fuel by-product, SpaceShipOne

Propellants: Polybutadiene polymer rubber (fuel) and nitrous oxide (oxidizer)

Interior: fabric, plastic, metals, hydraulic and pneumatic systems

Motor: composite (graphite epoxy), elastomeric compound, metal, ablative material

Dimensions:

3-D (In Bag): 11.4 x 5.7cm (4 1/2 x 2 1/4 in.)

Type:

SPACECRAFT-Crewed-Propulsion

Country of Origin:

United States of America

Credit Line:

Gift of Paul G. Allen

Inventory Number:

A20050459002

Restrictions & Rights:

Usage conditions apply

See more items in:

National Air and Space Museum Collection

Data Source:

National Air and Space Museum

GUID:

http://n2t.net/ark:/65665/nv9d8b0c222-8509-41a7-806f-ad0b5c06b4aa

EDAN-URL:

edanmdm:nasm_A20050459002

Designer:

Scaled Composites  Search this

Manufacturer:

Scaled Composites  Search this

Materials:

Fuel by-product, SpaceShipOne

Propellants: Polybutadiene polymer rubber (fuel) and nitrous oxide (oxidizer)

Interior: fabric, plastic, metals, hydraulic and pneumatic systems

Motor: composite (graphite epoxy), elastomeric compound, metal, ablative material

Dimensions:

Approximate: 1.9 x 6.4cm (3/4 x 2 1/2 in.)

Type:

SPACECRAFT-Crewed-Propulsion

Country of Origin:

United States of America

Credit Line:

Gift of Paul G. Allen

Inventory Number:

A20050459003

Restrictions & Rights:

Usage conditions apply

See more items in:

National Air and Space Museum Collection

Data Source:

National Air and Space Museum

GUID:

http://n2t.net/ark:/65665/nv971c97872-b5ae-4d30-83fc-79f22545f0b6

EDAN-URL:

edanmdm:nasm_A20050459003

Collection Correspondent:

Nash, Philleo, 1909-1987  Search this

Zimmerman, Lorraine May  Search this

Wolfe, Alvin W. (Alvin William), 1928-  Search this

Tax, Sol, 1907-1995  Search this

Wheeler-Voegelin, Erminie, 1903-1988  Search this

Sebeok, Thomas A. (Thomas Albert), 1920-2001  Search this

Schwartz, Douglas W., 1929-  Search this

Silverberg, James Mark  Search this

Sellers, Mary  Search this

Sahlins, Marshall David  Search this

Hart, Charles William Merton  Search this

Schnitt, Ivan  Search this

Schneider, Harold Kenneth, 1925-1987  Search this

Stout, David Bond  Search this

Titterington, P.F.  Search this

Titiev, Mischa  Search this

Spicer, Edward Holland  Search this

Smith, Marian W. (Marian Wesley), 1907-1961  Search this

Spuhler, James Norman  Search this

Spier, Robert Forest Gayton  Search this

Wallis, Wilson D. (Wilson Dallam), 1886-1970  Search this

Warner, William Lloyd  Search this

Watson, James B. (James Bennett), 1918-2009  Search this

Weckler, Joseph E., Jr.  Search this

Useem, John  Search this

Vaughan, James Herbert  Search this

Vaughan, Wilson Herbert  Search this

Wallace, Anthony F. C., 1923-  Search this

White, Leslie A., 1900-1975  Search this

Whiteford, Andrew Hunter  Search this

Whitten, Norman E.  Search this

Wittry, Warren L.  Search this

Wedel, Waldo R. (Waldo Rudolph), 1908-1996  Search this

Weer, Paul  Search this

Weitzner, Bella, 1891?-1988  Search this

Angel, J. Lawrence (John Lawrence)  Search this

Aginsky, Ethel G.  Search this

Aberle, David F. (David Friend), 1918-2004  Search this

Bittle, William Elmer  Search this

Black, Robert A.  Search this

Boggs, Stephen Taylor  Search this

Borhegyi, Stephan F.  Search this

Bourguignon, Erika Eichhorn  Search this

Carlson, Gustav G.  Search this

Casagrande, Joseph B. (Joseph Bartholomew), 1915-1982  Search this

Champe, John L. (John Leland), 1895-  Search this

Christensen, James Boyd  Search this

Cobb, W. Montague  Search this

Cole, Fay-Cooper  Search this

Collier, Donald, 1911-1995  Search this

Henry, William E.  Search this

Field, Henry  Search this

Hoijer, Harry  Search this

Herskovits, Melville J. (Melville Jean), 1895-1963  Search this

Honigsheim, Paul  Search this

Holmes, Lowell Don  Search this

Jantzen, Carl Raymond  Search this

Isaac, Barry Lamont  Search this

Jones, Volney H. (Volney Hurt), 1903-1982  Search this

Johnson, Frederick, 1904-1994  Search this

Kaplan, Bernice Antoville  Search this

Haag, William George  Search this

Harding, Charles  Search this

Hanna, Katherine  Search this

Griffin, James B. (James Bennett), 1905-1997  Search this

Goldschmidt, Walter, 1913-2010  Search this

Guthe, Alfred K. (Alfred Kidder), 1920-1983  Search this

Griswold, Charles H.  Search this

Frantz, Charles  Search this

Fox, George R.  Search this

Godfrey, William S.  Search this

Gallagher, Art  Search this

Estel, Leo  Search this

Eggan, Fred, 1906-1991  Search this

Force, Roland W.  Search this

Deuel, Thorne, 1890-  Search this

Douglas, Frederick Huntington  Search this

Dragoo, Don W.  Search this

Guthe, Carl E. (Carl Eugen), 1893-1974  Search this

Driver, Harold E. (Harold Edson), 1907-1992  Search this

Bennett, John William  Search this

Culver, Dwight W.  Search this

De Pena, Joan Finkle  Search this

Despres, Leo Arthur  Search this

Bates, Marston  Search this

Helm, June, 1924-  Search this

Bauxar, J. Joseph  Search this

Beardsley, Richard K. (Richard King), 1918-1978  Search this

Bee, Robert L.  Search this

Baby, Raymond S.  Search this

Baerreis, David A., 1916-1989  Search this

Barnouw, Victor  Search this

Bascom, William Russell, 1912-1981  Search this

Meggers, Betty Jane  Search this

Melin, Mary  Search this

Neumann, Georg K. (Georg Karl), 1907-1971  Search this

Nesbitt, Paul  Search this

Nash, Manning  Search this

Moss, Leonard Wallace  Search this

Morgan, Richard G.  Search this

Miner, Horace M.  Search this

Merriam, Alan P. (Alan Parkhurst), 1923-1980  Search this

Rowe, Chandler William  Search this

Robinson, J.T.  Search this

Ritzenthaler, Robert E. (Robert Eugene), 1911-1980  Search this

Quimby, George I. (George Irving), 1913-2003  Search this

Pilling, Arnold R.  Search this

Philips, Jane  Search this

Osmundsen, Lita S.  Search this

Noon, John A.  Search this

Collection Creator:

Central States Anthropological Society (U.S.)  Search this

American Anthropological Association. Central States Branch  Search this

Kelley, J. Charles, 1913-1997  Search this

Kneberg, Madeline D.  Search this

Keyes, Charles Fenton  Search this

La Barre, Weston, 1911-1996  Search this

Kurtz, Ronald Joseph  Search this

Lewis, Thomas M. N. (Thomas McDowell Nelson), 1896-  Search this

Lily, Eli  Search this

Lessa, William Armand  Search this

Lewis, Oscar  Search this

Laughlin, William Sceva  Search this

Lehman, Edward J.  Search this

Lange, Charles Henry  Search this

Lasker, Gabriel Ward  Search this

McGregor, Jo  Search this

McKern, W. C. (Will Carleton), 1892-  Search this

Marriott, McKim  Search this

Martin, Paul S. (Paul Sidney), 1899-1974  Search this

Lurie, Nancy Oestreich  Search this

Mandelbaum, David G.  Search this

Container:

Box 15

Type:

Archival materials

Text

Scope and Contents:

Missing Title

Note from Pamela Effrein Sandstrom

Anderson, Myrdene—Women, Pigs, Pumpkins, Cars and Other Protected Species: Some Hows, Whys, and Maybes of Neoteny. 1985

Bourguignon, Erika—Possessed by Possession: Or How One Thing Led to Another, 1993

Mann, Brenda J.—Talking and Drinking: Ethnography of Speech Behavior in a College Bar. 1972

Passariello, Phyllis—Wandering Identities: Tourism and the Creation and the Re-creation of the Mexican Self, n.d.

Quiggins, Patricia A.—Familial Aspects of Glomerulonephritis: An Anthropologist's Perspective

Sandstrom, Alan R.—Sin and The Fate of the Soul Among the Modern Aztecs. 1988

Sandstrom, Alan R.—Protestant Missionaries in Contemporary Mexico. 1989

Sandstrom, Alan R.—Ethnic Identity and Authentic Culture: A Case Study of Contemporary Nahua Indians of Northern Veracruz, Mexico. 1992

Sandstrom, Alan R.—Tradition and Custom as a Response to Domination: The Case of Nahua Indian Ethnic Identity in Rural Mexico. 1993

Sandstrom, Alan R.—The Human Face of Scientific Ethnography. 1997

Abstracts: The Upside and the Downside of Families in the Field, by Alan R. Sandstrom

Creative Ambiguity of Being a Spouse in the Field by Pamela Effrein Sandstrom

Sandstrom, Alan R.—The Upside and the Downside of Families in the Field. 2001

Sandstrom, Alan R.—Cultural Materialism and the Paradox of Ethnography: Marvin Harris and the Struggle for Science in Anthropology. 2002

Sandstrom, Pamela Effrein—Patterns of information use and citation function in core anthropology journals. Presented 1992

Shearer, Dr. Charles L.—Finishing the Century: Technology's Challenge to the Workplace [1999?]

Collection Restrictions:

Materials relating to CSAS award applicants and selected correspondence from 1976-77 are restricted until 10 years after the death of the correspondents. Computer disks are restricted due to preservation concerns.

Access to the Central States Anthropological Society records requires an appointment.

Collection Rights:

Contact the repository for terms of use.

See more items in:

Central States Anthropological Society records

Central States Anthropological Society records / Series 8: Manuscripts

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw38c032de2-8c30-4bf4-8a15-e5be39f3d14e

EDAN-URL:

ead_component:sova-naa-1977-55-ref317

Collection Correspondent:

Nash, Philleo, 1909-1987  Search this

Zimmerman, Lorraine May  Search this

Wolfe, Alvin W. (Alvin William), 1928-  Search this

Tax, Sol, 1907-1995  Search this

Wheeler-Voegelin, Erminie, 1903-1988  Search this

Sebeok, Thomas A. (Thomas Albert), 1920-2001  Search this

Schwartz, Douglas W., 1929-  Search this

Silverberg, James Mark  Search this

Sellers, Mary  Search this

Sahlins, Marshall David  Search this

Hart, Charles William Merton  Search this

Schnitt, Ivan  Search this

Schneider, Harold Kenneth, 1925-1987  Search this

Stout, David Bond  Search this

Titterington, P.F.  Search this

Titiev, Mischa  Search this

Spicer, Edward Holland  Search this

Smith, Marian W. (Marian Wesley), 1907-1961  Search this

Spuhler, James Norman  Search this

Spier, Robert Forest Gayton  Search this

Wallis, Wilson D. (Wilson Dallam), 1886-1970  Search this

Warner, William Lloyd  Search this

Watson, James B. (James Bennett), 1918-2009  Search this

Weckler, Joseph E., Jr.  Search this

Useem, John  Search this

Vaughan, James Herbert  Search this

Vaughan, Wilson Herbert  Search this

Wallace, Anthony F. C., 1923-  Search this

White, Leslie A., 1900-1975  Search this

Whiteford, Andrew Hunter  Search this

Whitten, Norman E.  Search this

Wittry, Warren L.  Search this

Wedel, Waldo R. (Waldo Rudolph), 1908-1996  Search this

Weer, Paul  Search this

Weitzner, Bella, 1891?-1988  Search this

Angel, J. Lawrence (John Lawrence)  Search this

Aginsky, Ethel G.  Search this

Aberle, David F. (David Friend), 1918-2004  Search this

Bittle, William Elmer  Search this

Black, Robert A.  Search this

Boggs, Stephen Taylor  Search this

Borhegyi, Stephan F.  Search this

Bourguignon, Erika Eichhorn  Search this

Carlson, Gustav G.  Search this

Casagrande, Joseph B. (Joseph Bartholomew), 1915-1982  Search this

Champe, John L. (John Leland), 1895-  Search this

Christensen, James Boyd  Search this

Cobb, W. Montague  Search this

Cole, Fay-Cooper  Search this

Collier, Donald, 1911-1995  Search this

Henry, William E.  Search this

Field, Henry  Search this

Hoijer, Harry  Search this

Herskovits, Melville J. (Melville Jean), 1895-1963  Search this

Honigsheim, Paul  Search this

Holmes, Lowell Don  Search this

Jantzen, Carl Raymond  Search this

Isaac, Barry Lamont  Search this

Jones, Volney H. (Volney Hurt), 1903-1982  Search this

Johnson, Frederick, 1904-1994  Search this

Kaplan, Bernice Antoville  Search this

Haag, William George  Search this

Harding, Charles  Search this

Hanna, Katherine  Search this

Griffin, James B. (James Bennett), 1905-1997  Search this

Goldschmidt, Walter, 1913-2010  Search this

Guthe, Alfred K. (Alfred Kidder), 1920-1983  Search this

Griswold, Charles H.  Search this

Frantz, Charles  Search this

Fox, George R.  Search this

Godfrey, William S.  Search this

Gallagher, Art  Search this

Estel, Leo  Search this

Eggan, Fred, 1906-1991  Search this

Force, Roland W.  Search this

Deuel, Thorne, 1890-  Search this

Douglas, Frederick Huntington  Search this

Dragoo, Don W.  Search this

Guthe, Carl E. (Carl Eugen), 1893-1974  Search this

Driver, Harold E. (Harold Edson), 1907-1992  Search this

Bennett, John William  Search this

Culver, Dwight W.  Search this

De Pena, Joan Finkle  Search this

Despres, Leo Arthur  Search this

Bates, Marston  Search this

Helm, June, 1924-  Search this

Bauxar, J. Joseph  Search this

Beardsley, Richard K. (Richard King), 1918-1978  Search this

Bee, Robert L.  Search this

Baby, Raymond S.  Search this

Baerreis, David A., 1916-1989  Search this

Barnouw, Victor  Search this

Bascom, William Russell, 1912-1981  Search this

Meggers, Betty Jane  Search this

Melin, Mary  Search this

Neumann, Georg K. (Georg Karl), 1907-1971  Search this

Nesbitt, Paul  Search this

Nash, Manning  Search this

Moss, Leonard Wallace  Search this

Morgan, Richard G.  Search this

Miner, Horace M.  Search this

Merriam, Alan P. (Alan Parkhurst), 1923-1980  Search this

Rowe, Chandler William  Search this

Robinson, J.T.  Search this

Ritzenthaler, Robert E. (Robert Eugene), 1911-1980  Search this

Quimby, George I. (George Irving), 1913-2003  Search this

Pilling, Arnold R.  Search this

Philips, Jane  Search this

Osmundsen, Lita S.  Search this

Noon, John A.  Search this

Collection Creator:

Central States Anthropological Society (U.S.)  Search this

American Anthropological Association. Central States Branch  Search this

Kelley, J. Charles, 1913-1997  Search this

Kneberg, Madeline D.  Search this

Keyes, Charles Fenton  Search this

La Barre, Weston, 1911-1996  Search this

Kurtz, Ronald Joseph  Search this

Lewis, Thomas M. N. (Thomas McDowell Nelson), 1896-  Search this

Lily, Eli  Search this

Lessa, William Armand  Search this

Lewis, Oscar  Search this

Laughlin, William Sceva  Search this

Lehman, Edward J.  Search this

Lange, Charles Henry  Search this

Lasker, Gabriel Ward  Search this

McGregor, Jo  Search this

McKern, W. C. (Will Carleton), 1892-  Search this

Marriott, McKim  Search this

Martin, Paul S. (Paul Sidney), 1899-1974  Search this

Lurie, Nancy Oestreich  Search this

Mandelbaum, David G.  Search this

Container:

Box 15

Type:

Archival materials

Text

Scope and Contents:

Missing Title

Abstracts from 1964 Symposium: Tourism—A Neglected Area of Culture Change Research and Applied Anthropology

Ashton, Guy—Tourism As Culture Contact: A Bibliographic Survey on the Impact of Tourism

Bodine, James—Symbosis at Taos and its Impact on the Pueblo: A Case of "Unplanned" Economic Development

Boek, Walter S.—Planning and Implementation of Tourism as a Significant Acculturative Force in Economic and Social Development

Nunez, Theron A., Jr.—Authority Versus Anarchy: The Impact of Urban Tourism on the Rural Milieu

Pitt Rivers, Julian—Tourism in South Western France

Silverberg, James—Tourism: A Neglected Area of Culture Change Research and Applied Anthropology

Sticher, John H.—The United States Indian Service Responds to a Felt Need in Tourism Development

Suhm, Lawrence L.—Tourism as a Use of Leisure

Collection Restrictions:

Materials relating to CSAS award applicants and selected correspondence from 1976-77 are restricted until 10 years after the death of the correspondents. Computer disks are restricted due to preservation concerns.

Access to the Central States Anthropological Society records requires an appointment.

Collection Rights:

Contact the repository for terms of use.

See more items in:

Central States Anthropological Society records

Central States Anthropological Society records / Series 8: Manuscripts

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw314335b0d-c362-4a27-9214-927e8053fb37

EDAN-URL:

ead_component:sova-naa-1977-55-ref318