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Lee Hays papers

Creator:
Hays, Lee, 1914-1981  Search this
Names:
Almanac Singers  Search this
Baby Sitters (Musical group)  Search this
United States. Congress  Search this
Weavers (Musical group)  Search this
Gilbert, Ronnie  Search this
Guthrie, Woody, 1912-1967  Search this
Hays, Lee, 1914-1981  Search this
Houston, Cisco  Search this
Lampell, Millard, 1919-1997  Search this
Leventhal, Harold  Search this
Seeger, Pete, 1919-2014  Search this
Extent:
6.95 Cubic feet (Papers)
0.9 Cubic feet (Audiorecordings)
Type:
Collection descriptions
Archival materials
Interviews
Sheet music
Notes
Photographic prints
Business records
Audiotapes
Correspondence
Scripts (documents)
Date:
1923-1981
Summary:
The Lee Hays papers measures 7.85 cubic feet and dates from 1923 to 1981. The collection includes original writings, correspondence, and miscellaneous projects by Lee Hays; business records, interviews and features related to Lee Hays, including photographs; clippings saved by Lee Hays; and audiorecordings made by Lee Hays.
Scope and Contents:
The Lee Hays papers, which date from 1923-1981, contain personal and business correspondence; typescripts of Lee Hays' fiction, non-fiction, scripts and poetry; miscellaneous project and idea materials; business documents; and audiorecordings made by Lee Hays. The collection measures 7.85 cubic feet.
Arrangement:
The Lee Hays papers, are divided into seven series: 1) Correspondence, 2) Business, 3) Projects and Writings, 4) Collected Texts, 5) Interviews, 6) Features on Lee Hays and 7) Audio Recordings.

The Correspondence Series is divided into two subseries: 1) Personal, and 2) Business. The Projects and Writings series is divided into six subseries: 1) Songs, 2) Non-Fiction, 3) Fiction, 4) Musical Productions, 5) Radio Scripts, and 6) Cisco Houston Project.

When possible, folders are arranged within series and subseries in alphabetical order by file title, and within folders in chronological order with undated items at the top.
Biographical / Historical:
Lee Hays (1914-1981) was an influential American singer, songwriter, author, and activist. His legacy, both literary and musical, emphasizes the dynamic relationship between traditional culture and contemporary events and issues. As is clear from his essay "The Folk Song Bridge", Hays conceived of "folk music" as a living, breathing "process". Born in Arkansas in 1914 to a Methodist preacher, Hays' first experiences with music revolved around the church. His political awakening came later, when he returned to Arkansas from Ohio in 1934. Under the wing of mentors such as Claude Williams and Zilphia Horton (maiden name: Zilphia Johnson), Hays began to fight for the cause of sharecroppers and union workers. His musical ability and passion for social justice came together as he used music to represent the voice of labor, replacing the religious motifs of traditional and gospel songs with pro-union themes.

Upon moving to the North in 1940, Hays met Pete Seeger, another musician of the Folk Revival. Hays and Seeger shared the common goal of spreading political topical songs, and their collaborations with Woody Guthrie and Millard Lampell led to the creation of the Almanac Singers the same year. Later, the four band members, along with other musicians such as Burl Ives and Sis Cunningham, established the People's Songs organization and publication to create and distribute labor songs. However, interpersonal conflicts with members, including Pete Seeger, led to Hays' pressured resignation from both of these endeavors. He moved in with his mentor, Walter Lowenfels, and began to focus more on his writing. Though Hays was a prolific writer whose work spanned articles, essays, short stories, poetry, and songs, he is rarely recognized for his literary achievement. His writing often centered on the social and political themes for which he is best known—labor rights, racism, poverty and inequality—and used vernacular culture and narrative to address those problems.

Seeger and Hays eventually made amends, and in 1948 they formed The Weavers with Fred Hellerman and Ronnie Gilbert, bringing music of the Folk Revival to a national audience. However, as the Red Scare impacted the American political climate into the 1950s, the Weavers were blacklisted and ultimately had to disband. Though he was under investigation by the House Un-American Activities Committee (HUAC) and had no steady income, Hays continued to write both fiction and non-fiction during the three year blacklisting. In 1955, the Weavers finally reunited for a highly successful revival under manager Harold C. Leventhal, but as years passed, the group split up again, and Hays began to focus on other projects. It was at this time that he produced the bulk of his memoirs, began a project on Cisco Houston, and recorded folk music for children with his group The Baby Sitters. In 1980, the Weavers reunited for a concert in Carnegie Hall and Hays' last performance with them was in 1981. Hays died in 1981 as a result of diabetic cardiovascular disease.
Provenance:
The Ralph Rinzler Folklife Archives and Collections at the Center for Folklife and Cultural Heritage acquired the "Lee Hays Archives" in 1992 as a donation from Harold C. Leventhal and Doris Kaplan, who acquired the collection upon Lee Hays' death in 1981. The donation included materials produced by Lee Hays, as well as materials of interest to him that were found in his possession.
Restrictions:
Access by appointment only. Contact the Ralph Rinzler Folklife Archives and Collections at (202) 633-7322 or rinzlerarchives@si.edu for additional information.

This collection has been digitized and a majority of its content has been made available online for research and educational purposes. Online access to select materials is not available due to privacy or rights concerns.
Rights:
Copyright restrictions apply. Contact archives staff for additional information.

Restrictions may apply concerning the use, duplication, or publication of items in these collections. Consult the archivists for additional information.
Topic:
Political ballads and songs -- United States  Search this
Folk music -- United States  Search this
Topical songs -- United States  Search this
Popular music -- 20th century -- United States  Search this
Genre/Form:
Interviews
Sheet music
Notes
Photographic prints
Business records
Audiotapes
Correspondence
Scripts (documents)
Citation:
Lee Hays papers, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.HAYS
See more items in:
Lee Hays papers
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5abb332ce-caf9-48ac-aaeb-040d84ba4379
EDAN-URL:
ead_collection:sova-cfch-hays
Online Media:

Sam DeVincent Collection of Illustrated American Sheet Music, Series 4: Songwriters Volumes I and II

Creator:
DeVincent, Sam, 1918-1997  Search this
Extent:
251 Boxes
Type:
Collection descriptions
Archival materials
Date:
1847-1975
Summary:
Sam DeVincent loved music and art and began collecting sheet music with lithographs at an early age.

Series 4: Songwriters: A "songwriter" for this series is defined as a composer, a lyricist, or both.

An overview to the entire DeVincent collection is available here: Sam DeVincent Collection of Illustrated American Sheet Music.
Scope and Contents note:
A "songwriter" for this series is defined as a composer, a lyricist, or both. The songwriters included in this online finding aid are arranged alphabetically in the Biography of Songwriters section and alphabetically in the Name and Select Title Index.

The song sheets associated with each songwriter in this series are generally arranged in the following order: General Songs; Ethnic Songs; Armed Conflict Songs or other Topical Headings; Ragtime; Instrumental; Musical Theater Production Songs; Motion Picture Production Songs; Specialized Song Sheets/Editions; Professional/Artist Copy Song Sheets; and Folios/Volumes. Songs of four or more editions (multiple editions) are usually placed in individual folders and listed separately under the appropriate category, i.e., General Songs, Topical songs, etc. Copyright dates listed in the Container List represent the latest date on any given song sheet, i.e., a song originally published in 1906, but copyrighted in 1946, will show the date 1946.

In the Container List the word "Contains" in a descriptive entry identifies a folder that contains only the song sheet titles specified. For example, Subseries 4.1, folder B "contains" three song sheets and only those three are contained in that folder. The word "Includes" in a descriptive entry identifies a folder that holds not only the song sheet title(s) named but also other song sheet title(s) not specified in the Container List. For example, folder E of subseries 4.1 "includes" (or specifies) three song sheets ("Magic Moments," "Sad Sack," and "Warm and Tender"), but, in addition, folder E contains fourteen other song sheets that are not specified.

Variations in the size of the sheet music in this series may indicate its publication date. Large song sheets-approximately 11" x 13"- were superseded in April 1919, when publishers adopted a new "standard" or "regular" size for song sheets-9 1/4" x 12 1/4"-as recommended by the National Association of Sheet Music Dealers. The probable motivation was that smaller song sheets were cheaper to produce--a conservation effort prompted by World War I.

Titles of Musical Theater Production Songs and Motion Picture Production Songs are in capital letters. Individual song titles are within quotation marks. Portraits of the artist or artists that contributed to a song's success are featured on many song sheets. Songs are filed alphabetically, by title, within each folder.

Dates after the songwriter's name in the Biography of Songwriters section of this Register refer to the songwriter's birth and death dates. Dates after a songwriter's name in the Container List of this Register refer to the dates of the song sheets in this collection for that songwriter. Where two or more songwriters were a notable team over an extended period of time, their collaboration is noted in the Biography of Songwriters and included in the Container List.

The dates in the Container List represent the latest copyright year on the song sheets. The dates are not necessarily the same as the year of the productions. Copyright dates in the Container List represent the latest date on any given piece of sheet music, i.e., a song originally published in 1906, but re-copyrighted in 1946, will show the date 1946.
Arrangement note:
Arranged alphabetically

4.1 - 4.217

4.218: Ephemera
Biographies of Song Writers:
4.42 ADAMS, STANLEY -- (8/14/1907-1/27/1994). Lyricist. Former President of ASCAP; was a leader in the successful effort for Congressional revision of copyright law. Best known song is "What a Diff'rence a Day Made."

4.43 AGER, MILTON -- (10/6/1893-5/6/1979). Composer, publishers, pianist, arranger, vaudeville accompanist, stage entertainer for silent movies. First hit was "Everything is Peaches Down in Georgia," sung by Al Jolson.

4.44 AHLERT, FRED E. -- (9/19/1892-10/20/1953). Composer, publisher. Arranger for Fred Waring. One of first songwriters to quit Tin Pan Alley for Hollywood. First hit was "I'll Get By."

4.45 AKST, HARRY -- (8/15/1894-3/31/1963). Composer. Professional pianist as a teenager. Met Berlin at Camp Upton, worked for him as staff pianist. Hits include: and "Baby Face" and "A Smile Will Go a Long, Long Way."

4.46 ALLEN, STEVE -- (12/26/1921- ). Composer, author, pianist, comedian. Toured with parents in vaudeville; worked in radio; founder and first host of NBC-TV's Tonight Show. Composed the theme from PICNIC.

4.47 ARLEN, HAROLD -- (2/15/1905-4/23/1986). Composer, author, pianist, vocalist. Played professionally at age 15. Signed by The Cotton Club to write with Ted Koehler, producing many hits. Also teamed with Yip Harburg. Write "Get Happy," "Stormy Weather," and the score for THE WIZARD OF OZ.

4.48 ARMSTRONG, HARRY W. -- (7/22/1879-2/28/1951). Composer, vocalist, pianist, producer, prize fighter. Hits include "I Love My Wife, But Oh You Kid" and "Sweet Adeline."

4.49 ASH, PAUL -- (2/11/1891-7/13/1958). Composer, author, conductor, pianist. Led his first band in 1910; became very successful bandleader. Wrote "I'm Knee Deep in Daisies."

4.50 AUSTIN, GENE -- (6/24/1900-1/24/1971). Composer, author. Sang in vaudeville, radio, films, and TV. Established as a recording star with "My Blue Heaven." Wrote "When My Sugar Walks Down the Street."

4.1 BACHARACH, BURT F. -- (5/12/1928- ). Composer and pianist. Collaborated with lyricist Hal David on a number of film scores (e.g., BUTCH CASSIDY AND THE SUNDANCE KID) and popular songs, many of which were recorded by Dionne Warwick.

4.51 BALL, ERNEST R. -- (7/21/1878-5/3/1927). Composer, pianist. Began as pianist in vaudeville, performing with his wife Maude Lambert; then worked as a song demonstrator. Successful songs include "Let the Rest of the World Go By"and "Mother Machree."

4.52 BARGY, ROY -- (7/31/1894-1/15/1974). Composer, pianist. Arranger for Paul Whiteman; led several radio show bands. Edited, played, arranged, and composed piano rolls; composed rags. From 1943-1963 was music director for Jimmy Durante.

4.53 BAXTER, PHIL -- (9/5/1896-11/21/1972). Composer, pianist, lyricist, vocalist. Bandleader in 20's and 30's. Wrote "Have a Little Dream on Me" and "I'm a Ding Dong Daddy from Dumas."

4.54 BAYES, NORA -- (1880-3/19/1928). Vocalist, composer, lyricist. Was a top performing star; known as "The Wurzberger Girl" after her first hit. The first edition of Cohan's "Over There" featured Bayes on the cover. Bayes and husband Jack Norworth wrote "Shine on Harvest Moon."

4.55 BERLE, MILTON -- (7/12/1908- ). Comedian, vocalist, lyricist, composer. Began performing in silent movies at age 5; worked in vaudeville; was a MC in clubs and theaters. Was the first big TV star. Wrote "Sam, You Made the Pants Too Long."

4.2 BERLIN, IRVING -- (5/11/1888-9/22/1989). Composer and lyricist. One of the most versatile and popular songwriters of the 20th century. Wrote songs for some of the most successful Broadway musicals and Hollywood films. Best songs were sentimental ballads performed in unique ragtime or popular styles.

4.56 BERNIE, BEN -- (5/30/1891-10/20/1943). Bandleader, composer. Was a monologist in vaudeville; played violin until he formed his own dance band in early 20's. Known as The Old Maestro. Wrote "Sweet Georgia Brown."

4.57 BRAHAM, DAVID -- (1834-4/11/1905). Composer. Born in London; moved to New York at age 18. Was orchestral leader and composer for minstrel shows, Tony Pastor's, Theatre Comique. THE MULLIGAN GUARD was the first of many collaborations with Ned Harrigan.

4.58 BREUER, ERNEST -- (12/6/1886-4/3/1981). Composer, pianist. Born in Germany, moved to US in youth. Vaudeville pianist. WWII interpreter and entertainer. Wrote "Does the Spearmint Lose Its Flavor on the Bedpost Overnight?"

4.59 BROOKS, SHELTON -- (5/4/1886-9/6/1975). Composer. Parents American Indian/African American. Pianist in Detroit cafes; moved to Chicago. Composed rages; worked as a mimic in vaudeville. Wrote "Darktown Strutters' Ball" and "Some of These Days."

4.60 BROWN, A. SEYMOUR -- (5/28/1885-12/22/1947). Author, composer, actor. Worked in vaudeville. Composed "Oh You Beautiful Doll."

4.61 BROWN, GEORGE -- ...

4.3 BROWN, LEW -- (12/10/1893-2/5/1958). Lyricist. Achieved success with a number of songs in collaboration with composer Albert Von Tilzer, and later as member of the Ray Henderson and Buddy DeSylva songwriting team on Broadway.

4.62 BROWN, NACIO HERB -- (2/22/1896-9/28/1964). Composer. First toured as piano accompanist; worked as a tailor and realtor before first successes in early 20's. One of the movies most important composers during early sound years and many years thereafter. Wrote "Singin in the Rain" and "You Are My Lucky Star."

4.63 BROWN, NACIO HERB, JR. -- (2/27/1921- ). Composer, author, publisher. Son of Nacio Herb Brown. Professional manager of publishing firms; manager of music catalogs. Songs include "Who Put That Dream in Your Eyes."

4.64 BUCK, GENE -- (8/8/1885-2/25/1957). Lyricist. Chief aide to Ziegfeld; wrote book for some of his shows. Pioneer designer of sheet music covers. Songs include "Hello Frisco" and "Tulip Time."

4.65 BULLOCK, WALTER -- (5/6/1907-8/19/1953). Lyricist. Wrote screenplays and songs for movies. Hits include "This Is Where I Came In" and "When Did You Leave Heaven?"

4.66 CAESAR, IRVING -- (4/4/1895-12/17/1996). Lyricist, composer. Wrote mostly for New York stage but began working for films in 30's. Wrote message-bearing songs for children. Wrote "Count Your Blessings" and "Tea for Two."

4.4 CAHN, SAMMY -- (6/18/1913- ). Lyricist. Wrote many successful songs for Hollywood films, notably for Frank Sinatra, and in collaboration with Charlie Chaplin, Jimmy Van Heusen, and Jule Styne.

4.67 CALLAHAN, J. WILL -- (3/17/1874-11/15/1946). Vocalist, lyricist. Started as an accountant, then singer of illustrated songs. Wrote "Smiles."

4.5 CARMICHAEL, HOAGY -- (11/22/1899-12/27/1981). Composer, lyricist, bandleader, pianist, and singer. Abandoned law profession to pursue career in songwriting. Contributed songs to a number of very popular motion pictures.

4.68 CARROLL, EARL -- (9/16/1893-6/17/1948). Composer. Produced and directed many revues. Built two theaters in New York and had a restaurant in Hollywood. Produced movies. Hits include "Give Me All of You" and "So Long Letty."

4.69 CARROLL, HARRY -- (11/28/1892-12/26/1962). Composer. Pianist in movie theaters, cafes and vaudeville. Wrote for Winter Garden productions; wrote several Broadway stage scores. Hits include "I'm Always Chasing Rainbows" and "Trail of the Lonesome Pine."

4.70 CHAMINADE, MME. CECILE -- (born in Paris. Pianist, composer. Toured the US in 1908.

4.71 CLARIBEL (CHARLOTTE ALLINGTON BARNARD) -- (1830-1869) Composer, lyricist. English. Enormously popular in her time. Her "Come Back to Erin" is often regarded as an Irish folk song.

4.72 COBB, GEORGE L. -- (8/31/1886-12/25/1942). Composer. Began as composer of rags. Wrote for Melody magazine. First hit was "All Aboard for Dixieland."

4.6 COHAN, GEORGE M. -- (7/4/1878-11/5/1942). Composer, lyricist, actor, playwright, and producer. Best remembered for elaborately choreographed dance music, flag-waving songs, and songs for musical comedies and vaudeville. Best known for his patriotic songs, "Over There" and "Yankee Doodle Dandy."

4.73 COLUMBO, RUSS -- (1908-9/2/1934). Composer; primarily a singer, featured in Gus Arnheims band. Theme song for own band was "You Call It Madness." Also wrote "Too Beautiful for Words."

4.74 CONFREY, ZEZ -- (4/3/1895-11/22/1971). Pianist, bandleader, composer. Cut many piano rolls. Solo piano pieces have become standards: "Dizzy Fingers" and "Kitten on the Keys."

4.75 CONN, CHESTER -- (4/14/1896- 4/4/1973). Composer. Manager of publishing companies before owning own firm of Bregman, Vocco & Conn. Hits include "Don't Mind the Rain."

4.76 CONRAD, CON -- (6/18/1891-9/28/1938). Composer, pianist. Worked as theater pianist and in vaudeville; wrote for stage and movies. Had publishing firm. Wrote "The Continental," first film song awarded an Oscar; also wrote "Ma" and "Margie."

4.77 CONVERSE, CHARLES CROZAT -- (10/7/1832-4/8/1918). Composer. Studied in Europe; practiced law upon return. Composed partriotic overtures and cantatas, vocal quartettes. Wrote on philosophical and philological subjects under pen name Karl Redan. Wrote "What a Friend We Have in Jesus."

4.78 COOTS, J. FRED -- (5/2/1897-4/8/1985). Composer, pianist. Accompanied vaudeville acts; worked as song plugger; composed for Schuberts shows but returned to club dates in composing independently. Wrote "Love Letters in the Sand" and "You Go to My Head."

4.79 COSLOW, SAM -- (12/27/1902). Composer, lyricist, vocalist. Wrote for Broadway and movies; co-partner in music publishing; co-founded Soundies, song-movie shorts for coin machines. Hits include "Cocktails for Two" and "Was It a Dream?"

4.80 COWAN, LYNN -- (6/8/1888- ). Composer, actor, director, vocalist, pianist. Worked in vaudeville and as a film actor. Composed background scores for early sound film, and songs for LADIES MUST LOVE. Manager of Castle Terrace Club in Okinawa. Wrote "Kisses."

4.80 COWAN, RUBEY -- (2/27/1891-7/28/1957). Composer. Pianist in film theaters at age 13. Co-founded publishing company; wrote first show for Paramount Theater in New York; headed NBCs radio talent dept. then Paramounts radio dept. Wrote "You Can Expect Kisses from Me."

4.80 COWAN, STANLEY -- (2/3/1918- 12/13/1991). Composer, author, director, publicist. Wrote special material for orchestras, musicals, films; Produced shows for USAF during WWII. Joined father's (Rubey Cowan) firm, Rogers and Cowan. Wrote "Do I Worry."

4.81 COWARD, NOEL -- (12/16/1899-3/26/1973). Composer, lyricist, actor, playwright, producer. Born in England; began professional career at age 11. Best known of many popular songs are "I'll Follow My Secret Heart" and "I'll See You Again."

4.82 CRUMIT, FRANK -- (9/26/1889-9/7/1943). Composer, author, singer, actor. Vaudeville and stage performer. Had radio series with Julia Sanderson. Known for novelty numbers such as "Abdul Abulbul Amir."

4.83 CUGAT, XAVIER -- (1/1/1900- 10/27/1990). Bandleader, composer. Born in Spain; moved to Cuba when young; studied in Berlin; gave concert tours. Worked as a caricaturist for the LA Times. Led orchestra specializing in Spanish and Latin American music. Wrote "My Shawl," his theme song.

4.84 DANIELS, CHARLES N. -- (4/12/1878-1/21/1943). Composer, publisher. Pseudonym: Neil Moret. One of most significant ragtime entrepreneurs. Wrote first motion picture title song: "Mickey." Other songs include "You Tell Me Your Dream," "Moonlight and Roses," and "Chloe."

4.85 DANKS, HART PEASE -- (4/16/1834-11/20/1903). Composer. Singer and conductor in New York churches and concert stages. Published sacred and choral works; collaborated on three operettas. Best known for popular songs such as "Silver Threads Among the Gold."

4.86 DAVIS, BENNY -- (8/21/1895- 12/20/1979). Lyricist, vocalist. Performed in vaudeville as a child. Toured with Benny Fields as accompanist to Blossom Seeley. Hits include "Baby Face" and "Margie."

4.87 DEKOVEN, REGINALD -- (4/3/1859-1/16/1920). Composer, conductor, music critic. America's first significant composer of operetta: ROBIN HOOD the first American operetta to be performed in London. Founded the Philharmonic Orchestra in Washington, D.C. in 1902. Best known song is "Oh Promise Me."

4.88 DELEATH, VAUGHN -- (9/26/1896-5/28/1943). Vocalist, pianist, composer, lyricist. Reportedly the first woman on radio, sometimes credited with originating crooning. Played vaudeville, performed on Broadway, and recorded frequently. Hits include "At Eventide" and "Ducklings on Parade."

4.89 DEMING, MRS. L. L. -- (may be wife of Legrand L. Deming, born in Connecticut 10/29/1812.

4.7 DeROSE, PETER -- (3/10/1900-4/24/1953). Composer. Formed a radio team, The Sweethearts of the Air, with May Singhi Breen, whom he subsequently married. His most famous piece, "Deep Purple," became a commercial hit when lyrics were added.

4.3 DeSYLVA, BUDDY -- (1/27/1895-7/11/1950). Lyricist. Produced a number of hit songs with George Gershwin and particularly for the singer, Al Jolson. Also worked with Jerome Kern, Victor Herbert, and later as member of the Ray Henderson-Lew Brown songwriting partnership.

4.90 DILLON, HARRY -- (1866- 2/5/1916). Brother of John and Will. Started performing career on minstrel shows.

4.90 DILLON, JOHN -- (12/5/1882-9/2/1953). Brother of Will and Harry. Followed brother Harry into ministrel shows; first vaudeville engagement was at Tony Pastor's; toured. Operated grocery store in hometown, Cortland, NY, after retirement.

4.90 DILLON, WILLIAM AUSTIN -- (11/6/1877-2/10/1966). Composer, author, actor, businessman. Worked in vaudeville, medicine and minstrel shows; toured with Harry Lauder. Successes include "All Alone" and "I Want a Girl Just Like the Girl That Married Dear Old Dad."

4.91 DIXON, HAROLD -- ...

4.8 DONALDSON, WALTER -- (2/15/1893-7/15/1947). Composer. Hired in 1919 as staff writer for Irving Berlin Inc. Wrote songs throughout the 1920s that made him one of the most popular composers of the decade. Had many collaborations, the most successful with Gus Kahn.

4.9 DRESSER, PAUL -- (4/22/1858-1/30/1906). Composer, lyricist, performer and publisher. One of the first American performers to enter the music publishing trade. Wrote songs for burlesque and vaudeville stage shows. Considered the leading American writer of sentimental ballads of the late 19th century. Best-known song: "My Gal Sal."

4.92 DUBIN, AL -- (6/10/1891-2/11/1945). Lyricist. Served overseas in entertainment unit in WWI. Biggest song successes when teamed with Harry Warren. Hits include "I Only Have Eyes for You" and "Tiptoe Through the Tulips."

4.10 EDWARDS, GUS -- (8/18/1879-11/7/1945). Composer, lyricist, impresario, and singer. Collaborated with lyricist Will D. Cobb producing several hit songs introduced in Broadway reviews, notably Ziegfeld's Follies of 1907 and 1910. Best-known songs include "School Days" and "By The Light Of The Silvery Moon."

4.93 EDWARDS, LEO -- (2/22/1886-7/12/1978). Composer, author, producer. Brother of Gus Edwards. Worked in vaudeville; was staff writer for music publishing firms; cabaret producer. Hit songs include "Isle d'Amour," "Inspiration," and the official Boy Scout song "Tomorrow's America."

4.94 EMMET, JOSEPH KLINE -- (3/13/1841-1892). Actor, composer. Performed in a minstrel company using a broken German dialect that made him famous. Several plays starring his 'Fritz' character were written for him. Successful songs were "Emmet's Lullaby" and "Sweet Violets."

4.95 ERDMAN, ERNIE -- (10/23/1879-11/1/1946). Composer. Was pianist in the Original New Orleans Jazz Band. Worked on professional staff of Chicago music publishers. Songs hits include "Nobody's Sweetheart" and "Toot, Toot, Tootsie, Goodbye."

4.96 FAIN, SAMMY -- (6/17/1902- 12/6/1989). Composer, vocalist, pianist. Was a self-taught pianist; began composing songs while in grammar school. Very successful partnership with Irving Kahal writing songs for movies. Hits include "Dear Hearts and Gentle People," "I'll Be Seeing You," and "That Old Feeling." Nominated for the Oscar 10 times; won twice.

4.97 FEIST, FELIX -- (Wrote "Can't You See Im Lonely."

4.97 FEIST, LEO -- (1/3/1869-6/1/1930). Publisher, lyricist. When early songs didnt sell well Feist partnered with Joe Frankenthaler to start what became one of the leading publishing firms. His successes include "Those Lost Happy Days" and "Smokey Mokes."

4.98 FIELD, EUGENE -- (9/3/1950-11/4/1895). Author. Newspaper columnist for Chicago Morning News. His poems were set to music.

4.99 FIELDS, DOROTHY -- (7/15/1905-3/28/1974). Author, lyricist. At age 15 sang in an amateur show by Rodgers and Hart; worked with brother Herbert as co-librettist on several Broadway shows. Most successful collaboration was with Jimmy McHugh. Wrote "I Can't Give You Anything But Love" and "I'm in the Mood for Love." Won an Oscar with Jerome Kern for "The Way You Look Tonight."

4.100 FIORITO, TED -- (12/20/1900-7/22/1971). Composer, conductor, pianist. Began as a song demonstrator. First hit song was "Toot, Toot, Tootsie, Goodbye." Formed band in early 20's and continued to lead an orchestra in the 60's. Other hits include "Alone at Last" and "Charley, My Boy."

4.101 FISHER, FRED -- (9/30/1875-1/14/1942). Composer, lyricist. Immigrated from Germany at age 25 but soon assimilated popular music idioms. Early success was "Come, Josephine, in My Flying Machine." Started composing for films in late 20's. Hits include "Dardanella" and "Your Feets Too Big."

4.11 FOSTER, STEPHEN -- (7/4/1826-1/13/1864). Composer and lyricist of popular household, plantation, and minstrel songs of the 19th century. Produced over 200 songs of two main types: sentimental ballads of hearth and home, and songs for the famous Christy's Minstrels.

4.102 FRANKLIN, DAVE -- (9/28/1895-2/3/1970). Composer, lyricist, pianist. Pianist in publishing house at age 13; vaudeville accompanist; played nightclubs in New York and European cities. Hits include "The Anniversary Waltz" and "When My Dream Boat Comes Home."

4.62 FREED, ARTHUR -- (9/9/1894-4/12/1973). Lyricist, producer. Wrote for vaudeville; managed theater in Los Angeles; produced shows. Began writing for movie musicals in 1929. Many hits include "After Sundown," "All I Do Is Dream of You," and "Singin' in the Rain."

4.103 FRIEDMAN, LEO -- (7/16/1869-3/7/1927). Composer. Studied in Chicago and Berlin. Two biggest hits were "Let Me Call You Sweetheart" and "Meet Me Tonight in Dreamland."

4.104 FRIEND, CLIFF -- (10/1/1893-6/27/74). Composer, lyricist, pianist. Wrote for Broadway and movies; was a pianist for vaudeville performers in US and England. Also worked as a test pilot. Hits include "Give Me a Night in June" and "The Merry-Go-Round Broke Down."

4.12 FRIML, RUDOLF -- (12/7/1879-11/12/1972). Composer and pianist. One of the principal exponents of traditional operetta and early musical comedy in the United States. Collaborated with Oscar Hammerstein II and others to produce the most popular American musicals of the 1920s.

4.105 FROST, JACK -- (11/25/1893-10/21/1959). Composer, lyricist. Writer with Chicago music company; wrote special material for Eva Tanguay and Trixie Friganza; worked in advertising. Hits include "When You and I Were Young Maggie Blues."

4.106 GARBER, JAN -- (11/5/1897-10/4/1977). Violinist, bandleader, composer. Played violin in Philadelphia Symphony Orchestra; formed dance band in early 20's; still conducting into the 60's. Wrote his theme song, "My Dear."

4.107 GAY, BYRON -- (8/28/1886-12/23/1945). Composer, author, explorer. Educated at US Navel Academy and was on 1933 Byrd Expedition. Successful songs include "The Little Ford Rambled Right Along" and "The Vamp."

4.108 GILBERT, L. WOLFE -- (8/31/1886-7/12/1970). Lyricist. Started as a singer in New York clubs, writing parodies of popular songs for entertainers such as Al Jolson. Moved to Hollywood where he wrote for films and the Eddie Cantor radio show. Had his own publishing firm. Hits include "Lucky Lindy" and "Waiting for the Robert E. Lee."

4.13 GERSHWIN, IRA -- (12/6/1896-8/17/1983). Lyricist. Collaborated with various composers throughout his life, at times using pseudonym, Arthur Francis. He collaborated with brother George from 1924 until the latter's death in 1937. Their first musical comedy together was LADY, BE GOOD.

4.13 GERSHWIN, GEORGE -- (9/26/1898-7/11/1937). Composer, conductor, and pianist. Composer of Broadway shows and one of America's most famous composers of popular concert music. Brought jazz and classical styles together in concert pieces, African American folk music and opera, e.g. PORGY AND BESS.

4.109 GILLESPIE, HAVEN -- (2/6/1888-3/14/1975). Lyricist. Left job as journeyman printer and began writing songs in the mid-20's. Wrote for film, theater and radio. Awarded Freedoms Foundation Award for "God's Country." Hits include "Santa Claus Is Comin' to Town" and "You Go to My Head."

4.110 GLOVER, CHARLES W -- (1806-3/23/1863). Composer. English. Violinist in orchestras of Drury Lane and Covent Garden; musical director of Queen's Theatre. "Do They Think of Me at Home" was one of his greatest successes in the USA.

4.111 GLOVER, STEPHEN -- (mid 1812-1870). Composer. English. One of his most popular songs was "What Are the Wild Waves Saying?"

4.112 GOETZ, E. RAY -- (6/12/1886-6/12/1954). Composer, lyricist, producer. Contributed to many Broadway musicals. Hits include "For Me and My Gal" and "Yaaka Hula Hickey Dula."

4.113 GOODHART, AL -- (1/26/1905-11/30/1955). Composer, pianist. Early career as radio announcer, vaudeville pianist, special material writer. With USO during WWII. Hits include "Auf Wiedersehen, My Dear," "I Apologize," and "Who Walks in When I Walk Out?"

4.114 GORDON, MACK -- (6/21/1904-3/1/1959). Lyricist, vocalist. Boy soprano in minstrel shows; comedian and singer in vaudeville. Hits include "Chatanooga Choo-Choo," "Time on My Hands," and "You'll Never Know" which won an Academy Award.

4.115 GREEN, JOHN W. -- (10/10/1908- 5/15/1989 ). Composer, arranger, pianist, ` bandleader. Accompanied various singers; formed own band. On many radio shows in New York then moved to Hollywood. MGM musical director for many years. Scored and conducted three Academy Award films. Hits include "Body and Soul" and "I Cover the Waterfront."

4.116 GUEST, EDGAR -- ( 8/20/1881-8/5/1959). Poet, Newspaperman for Detroit Free Press. Poems Syndicated in nearly 300 papers; 17 volumes of poetry published. Apeared on national radio for many years.

4.117 GUMBLE, ALBERT -- (9/10/1883-11/30/1946). Composer, pianist for publishers. Entertained troops during WWII. Hits include "Are You Sincere?" and "How's Every Little Thing in Dixie?"

4.118 HALL, WENDELL WOODS -- (8/23/1896-4/2/1969). Composer, author, singer, ukelele player. Known as "The Red-Headed Music Maker." Played the ukelele on radio and in vaudeville; made world radio tour in 20's. Worked as advertizing executive. Successful songs include "Underneath the Mellow Moon" and "Whispering Trees."

4.14 HAMMERSTEIN, OSCAR, II -- (7/12/1895-8/23/1960). Lyricist, librettist, producer, and publisher. Produced and wrote some of the most successful Broadway musicals in collaboration with composer Richard Rodgers and Jerome Kern. Many of his works later appeared in Hollywood films.

4.14 HAMMERSTEIN, OSCAR, I -- (5/8/1846-8/1/1919). Composer. An impresario who wrote several works, including orchestral pieces for use before or as intermezzi in his productions, a ballet, MARGUERITE (1896), and the operettas, SANTA MARIA (1896) and THE KOHINOOR (1893).

4.119 HANLEY, JAMES F. -- (2/17/1892-2/8/1942). Composer, pianist. Accompanist in vaudeville. Produced WWI army show TOOT SWEET. Wrote for early sound movie shorts. Hits include "Second Hand Rose" and "Zing! Went the Strings of My Heart."

4.57 HARRIGAN, EDWARD -- ...

4.15 HARRIS, CHARLES K. -- (5/1/1865-12/22/1930). Composer, lyricist, and music publisher. Known principally as a successful publisher of popular music. First publisher to use an illustration of a performer on a song sheet cover. Most successful song: "After the Ball." Cofounder of ASCAP.

4.120 HARRISON, ANNIE FORTESQUE -- (Lady Arthur Hill)(1851-1944). Composer. Best known songs include "In the Gloaming."

4.14 HART, LORENZ -- (5/2/1845-11/22/1913). Lyricist and librettist. Collaborated with composer Richard Rodgers on the scores of several successful Broadway musicals and Hollywood productions.

4.121 HAYS, WILLIAM SHAKESPEARE. -- (7/19/1837-7/22/1907). Began writing songs at age 19. Very popular because of charming melodies, easy execution of music, and lyrics that projected authentic feelings.

4.122 HEMANS, MRS FELICIA DOROTHEA -- (1794-1835). Very prolific and popular English poet. Composer for some of the songs was her younger sister Harriet Mary Browne.

4.3 HENDERSON, RAY -- (12/1/1896-12/31/1970). Composer. Collaborated extensively with lyricists Lew Brown and Buddy DeSylva. Wrote many of the hit tunes of the 1920s and 1930s. Produced music of wide popular appeal performed by Al Jolson and others on stage and in films.

4.16 HERBERT, VICTOR -- (2/1/1859-5/26/1924). Composer, cellist, and conductor. Successful particularly as composer of American operettas, of which forty (40) were written between 1894 and 1924, mostly romantic and having happy endings.

4.123 HILL, DEDETTE LEE -- (11/2/1900-6/5/1950). Collaborated with her husband, Billy Hill, and later with Johnny Marks.

4.123 HILL, BILLY -- (7/14/1899-12/24/1940). Also used nom de plume George Brown. Composer, author, pianist, violinist, conductor. Worked as a cowboy and surveyors assistant in the west. Led first jazz band in Salt Lake City. Best known songs include "In the Chapel in the Moonlight" and "The Last Roundup."

4.124 HILLIARD, BOB -- (1/28/1918-2/1/1971). Lyricist. Wrote scores for Broadway. Successes include "Our Day Will Come" and "They've Got an Awful Lot of Coffee in Brazil."

4.113 HOFFMAN, AL -- (9/25/1902-7/21/1960). Composer, lyricist, drummer. Bandleader in hometown, Seattle; drummer in NY night clubs; songwriter early 30's through 50's. Hits include "Black Coffee" and "Mairzy Doats."

4.125 HOWARD, JOSEPH E. -- (2/12/1878-5/19/1961). Composer, author, actor, singer, producer, director. Boy soprano in vaudeville; wrote Broadway stage scores; also produced and directed on Broadway. Entertainer in night clubs, radio, TV. Hits include "Goodbye, My Lady Love" and "I Wonder Who's Kissing Her Now."

4.126 INGRAHAM, HERBERT -- (7/7/1883-8/24/1910) Music Director of touring theater companies. Led own orchestra. Staff composer for Shapiro Bernstein Publishing Co. Brother of Roy.

4.126 INGRAHAM, ROY -- (12/6/1893-?) Composer, author, singer. First song published at age 17. Had own orchestra; toured in vaudeville. Wrote for several motion pictures; radio broadcaster. Wrote special material for Sophie Tucher and others. Brother of Herbert.

4.17 JACOBS-BOND, CARRIE -- (8/1861-12/1946). Composer, lyricist, and music publisher. Called "the Riley of the Music World," her songs, such as "A Perfect Day," and "I Love You Truly," are beloved by many.

4.127 JENKINS, GORDON -- (5/12/1910-5/1/1984). Composer, author, conductor, arranger. Played organ in movie theater at age 10; quit high school to play piano in speakeasy. Pianist, arranger for leading bands; Broadway radio conductor. Grammy Award for arrangement of "It Was a Very Good Year" as recorded by Frank Sinatra. Hits include "P.S. I Love You" and "When a Woman Loves a Man."

4.128 JENTES, HARRY -- (8/28/1897-1/19/1958). Composer, pianist. Successes include "He May Be Old But He Has Young Ideas" and "Put Me to Sleep with an Old-Fashioned Melody."

4.18 JOHNSON, CHARLES L. -- (12/3/1876-12/28/1950). Composer and ragtime pianist. Known for his most popular ragtime piece, "Dill Pickles" (1906); also, piano pieces that evoked American Indian culture.

4.129 JONES, ISHAM -- (1/31/1894-10/19/1956). Composer, bandleader, pianist. Formed and led outstanding dance band, touring U.S. and Europe. Many radio appearances and recordings. Equally well known as composer. Two standards are "It Had to Be You" and "I'll See You in My Dreams."

4.19 KAHN, GUS -- (11/6/1886-10/8/1941). Lyricist. Writer of lyrical material for vaudeville performances and Hollywood film musicals. Collaborated with such leading composers as Donaldson, Gershwin, Romberg, Whiting, and Van Alstyne.

4.130 KALMAR, BERT -- (2/16/1884-9/18/1947). Lyricist, publisher. Worked in tent shows and vaudeville as a child. Wrote scores for Broadway and songs for movies; wrote screenplays. Hits include "I Wanna Be Loved by You," "Three Little Words," and "Who's Sorry Now?"

4.131 KASSEL, ART -- (1/18/1896-2/3/1965). Composer, author, vocalist, saxophonist, lyricist and bandleader. Early radio and TV appearances as bandleader after service in World War I. Composed his two theme songs, "Doodle Doo Doo" and "Hells Bells."

4.132 KENNEDY, HARRY -- (circa 1800-1894). Minstrel; ventriloquist who used two dummies simultaneously. Brother William H. Kennedy was his publisher and occassional collaborator.

4.133 KENNY, NICK -- (2/3/1895- ? ). Lyricist, newspaper reporter, produced early amateur radio show; radio editor of New York Daily Mirror. Successes include "Love Letters in the Sand" and "Gone Fishin'."

4.133 KENNY, CHARLES -- (6/23/1898- ? ). Composer, violinist, author. Collaborated with brother Nick.

4.20 KERN, JEROME -- (1/27/1885-11/11/1945). Composer. Considered the most prolific composer of Broadway musicals. He extended the popularity of the musical play form by introducing songs and themes, avoiding operatic styles, and using jazz rhythms and chords instead to characterize the dramatic demands of plot.

4.134 KING, ROBERT A. -- (9/20/1862-4/14/1932). Composer. Wrote under several noms de plume including Mary Earl ("Beautiful Ohio"), R. A. Wilson, and Mrs. Ravenhall. Staff composer for music publishers. Appeared in vaudeville. Hits include "I Scream, You Scream, We All Scream for Ice Cream."

4.135 KIPLING, RUDYARD -- (12/30/1865-1/18/1936). Author, poet. Best remembered for his celebrations of British imperialism, his tales and poems of British soldiers in India and Burma, and his children's stories. He won the Nobel Prize for Literature in 1907.

4.136 KLICKMANN, F. HENRI -- (2/4/1885- ? ). Composer, pianist, violinist; arranger for Broadway musicals, music publishers, dance bands, and performers. Professional violinist, pianist, and accordianist. Successes include "Sing Me the Rosary" and "Sweet Hawaiian Moonlight."

4.137 KOEHLER, TED -- (7/14/1894-1/17/1973). Lyricist. Began music career as pianist for nickelodeon, silent film theaters. Wrote for Cotton Club, other stage shows, and films. Most successful collaboration with Harold Arlen ("Stormy Weather"). Also wrote "I Love a Parade" and "I've Got the World on a String."

4.138 KRAMER, ALEX -- (9/13/1893-8/25/1955). Composer, arranger; cellist in theater orchestras; arranger for vaudeville and muscial comedy singers. Compiled and arranged many music folios. Collaborated with wife, Joan Whitney. Hits include "High on a Windy Hill" and "Candy."

4.139 KUMMER, CLARE (Clare Rodman Beecher) -- (1/9/1888-4/21/1958). Composer, playwright. Wrote scores and librettos for Broadway. Successes include "Bluebird."

4.140 LAWNHURST, VEE -- (11/24/1905- 5/16/1992). Pianist, singer, composer. Arranged piano rolls. Original member of Roxy's Radio Gang. Successful songs include "Sunday Go to Meetin' Time."

4.141 LAWRENCE, JACK -- (4/7/1912- ? ). Composer, lyricist. Organized bands for the armed services. Wrote "Tenderly," and English Lyrics for "Ay, Ay, Ay" and "Cielito Lindo."

4.142 LEONARD, EDDIE, -- (10/18/1875-7/29/1941). Composer, author, singer, actor; professional baseball player. Performed in minstrel shows, sang in variety shows. Fought in the Spanish American War. Wrote "Ida, Sweet as Apple Cider."

4.143 LESLIE, EDGAR -- (12/31/1885-1/20/1976). Lyricist, author, publisher. Wrote special material for performers and films. Hits include "For Me and My Gal" and "Moon over Miami."

4.144 LEWIS, AL -- (4/18/1901-4/4/1967). Composer, lyricist; became a music publisher later in career. Hits include "Now's the Time to Fall in Love."

4.145 LEWIS, SAM M. -- (10/25/1885-11/22/1959). Lyricist. Started as runner in a brokerage house. Sang in cafes; wrote material for self and other performers, also for stage and movies. Hits include "Dinah," "Five Foot Two, Eyes of Blue," and "How Ya Gonna Keep' Em Down on the Farm?"

4.146 LIEBER, JERRY -- (4/25/1933- ). Lyricist. Grew up in Baltimore hearing R&B. Struggled with acting in Hollywood when met and teamed with Mike Stoller to write many hits, including "Searching."

4.147 LITTLE, JACK -- (5/28/1900-4/9/1956). Pianist, composer, lyricist, vocalist, bandleader. Had a popular radio porgram in 20's. Led a band in the 30's. Successes include "In a Shanty in Old Shanty Town."

4.148 LOESSER, FRANK -- (6/29/1910-7/28/1969). Composer, lyricist, publisher. Wrote songs for college shows and later for Army shows. Worked as newspaper reporter and caricaturist in vaudeville. Became leading writer for Broadway and Hollywood musicals. Founded own publishing company. Won Oscar and Tony Awards and the Pulitzer Prize. Among many hits are "Two Sleepy People" and "On a Slow Boat to China."

4.149 LOGAN, FREDERICK KNIGHT -- (10/15/1871-6/11/1928). Composer. Wrote sentimental ballads in collaboration with his mother, Viginia. Wrote "Missouri Waltz."

4.149 LOGAN, VIRGINIA K. -- (1800's). Mother of Frederick Knight Logan.

4.150 LOMBARDO, CARMEN -- (7/16/1903-4/17/71). Arranger and composer in brother Guy Lombardo's dance band for forty years. Played sax with heavy vibrato and sang most vocals.

4.151 LYMAN, ABE -- (8/4/1897-10/23/1957). Composer, author, singer. Led own dance orchestra, The Californians.

4.69 MacDONALD, BALLARD -- (10/15/1882-11/17/1935). Lyricist. Began writing material for vaudeville after attending Princeton. Lyricist, librettist for Broadway musicals.

4.152 MANCINI, HENRY -- (4/16/1924-). Composer. Very popular composer of songs and themes for film ("Moon River" and "The Days of Wine and Roses") and TV ("Peter Gunn" and "Mr Lucky"). Began career in Pittsburgh dance bands pre-WWII.

4.153 MARKS, EDWARD B. -- (11/28/1865-12/17/1945). Publisher. Started company with focus on popular music but added the more serious composers. Bought the Cohan Publishing Company; and was the agent for Polish and English companies. His own early song success was "The Little Lost Child."

4.154 MASTERS, FRANKIE -- (4/12/1904- ). Composer, bandleader. Led hotel and ballroom bands in New York and Chicago; on the West Coast circuit in 30's and 40's; TV shows in the 50's. Active in the midwest into the 70's.

4.155 McGLENNON, FELIX -- ...

4.156 McHUGH, JIMMY -- (7/10/1894-5/23/69 ). Composer. Early fame with score for BLACKBIRDS OF 1928. Popular composer for movies during 30's-40's. Important collaboration with many songwriters, especially Dorothy Fields. Hits include "I'm in the Mood for Love" and "When My Sugar Walks Down the Street."

4.157 McKINLEY, MABEL -- (1879?-6/7/1937) Pseudonym: Vivian Grey. Daughter of President McKinley's youngest brother, Abner. Married Dr. Hermanus Baer of Reading, PA.

4.21 MERCER, JOHNNY -- (11/18/1909-6/25/1976). Composer and lyricist with a gift for incorporating southern vernacular speech and images of country settings into songs. Wrote lyrics for Broadway musicals and words and music to many popular songs.

4.158 MERRILL, BLANCHE -- (7/23/1895-10/5/1966). Author, lyricist. Wrote special material for Eva Tanguay, Fanny Brice, and other prominent singers; also wrote for musicals. Successes include "Jazz Baby."

4.159 MERRILL, BOB -- (5/17/1921- 2/17/1998). Composer, lyricist. Leading writer of novelty songs in the 50's, including "How Much Is That Doggie in the Window" and "If I Knew You Were Comin' Id've Baked a Cake."

4.145 MEYER, GEORGE W. -- (1/1/1884-8/28/1959). Composer of many popular songs during the first half of the 20th Century, including "For Me and My Gal," "Tuck Me to Sleep in My Old Tucky Home," and "Sittin in the Corner."

4.160 MILLARD, HARRISON -- (11/27/1829-9/10/1895). Composer. Singer early in career, studied in Italy and toured England and the Continent. Returned to U.S.; wounded in the Civil War. Wrote about 350 songs and many church works. Set UNCLE TOM'S CABIN to music.

4.161 MILLARD, MRS. P. -- ...

4.73 MILLER, NED -- (8/2/1899-1/26/1990)

4.22 MILLS, KERRY -- (2/1/1869-12/5/1948). Composer and music publisher. Specialized in ragtime songs and instrumental pieces. His ragtime cakewalks and the non-ragtime piece, "Meet Me in St. Louis," popularized by Judy Garland, were particularly successful.

4.162 MOHR, HALSEY -- ...

4.163 MOORE, THOMAS -- (6/28/1779-2/26/1852). Irish poet, composer, lyricist, musician.Provided words and music to a selection of Irish songs and did much to kindle an interest in little known Irish tunes. As poet, he appealed to a wide range of tastes.

4.23 MONACO, JAMES V. -- (1/13/1885-12/17/1945). Composer. Earned reputation as a Tin Pan Alley composer playing rag music in cabarets and nightclubs. Contributed several song hits to Broadway and Hollywood musical productions, among which is the song, "You Made Me Love You," made famous by Judy Garland in 1937.

4.164 MORGAN, CAREY -- (12/25/1885-1/6/1960). Composer. Wrote special material for vaudeville and scores for Broadway. Hits include "Rain" and "My Own Iona."

4.165 MORGAN, RUSS -- (4/19/1904-8/8/1969). Bandleader, composer. Arranger for Victor Herbert, Fletcher Henderson, Louis Armstrong, Chick Webb, among many others. Developed muted wha-wha trombone style with Freddy Martin. Wrote songs for Cotton Club Revues. Musical driector for Brunswick Records.

4.166 MORSE, THEODORA -- (7/11/1890-11/10/1953). Lyricist. Wrote under pseudonyms D. A. Esrom, Dorothy Terriss, and Dolly Morse. Most famous songs written in collaboration with husband Theodore Morse: "Three O'Clock in the Morning" and "My Wonderful One."

4.167 MORSE, THEODORE -- (4/13/1873-5/24/1924). Composer. Collaborated with several lyricists including his wife, Theodora. Successes include "M-O-T-H-E-R" and "Blue Bell."

4.168 MUIR, LEWIS F. -- (1884-1/19/1950). Composer. Ragtime pianist. Hits include "Take Me to That Swanee Shore" and "Waiting for the Robert E. Lee."

4.169 NELSON, STEVE -- ( ? ). Hits include "Frosty the Snowman."

4.169 NELSON, EDWARD G. -- (3/18/1885-3/30/1969). Composer, conductor; pianist in nightclubs and cabarets; orchestra leader. Wrote material for vaudeville and songs for movies. Successes include "Peggy O'Neil."

4.169 NELSON, EDWARD G., JR. -- (3/26/1916-). Composer, author. Served with Special Services during WWII.

4.24 NEVIN, ETHELBERT -- (11/25/1862-2/17/1901). Composer. Wrote songs and short piano pieces, sometimes overly sentimental but expressive of gentler and amorous moods.

4.170 NOBLE, RAY -- (12/17/1903- ). Composer, pianist, bandleader. Established as outstanding leader of dance bands in England and then in USA after emigrating. Radio work including Burns & Allen show. Successes include "Good Night Sweetheart" and "The Very Thought of You."

4.54 NORWORTH, JACK -- (1/5/1879-9/1/1959). Vocalist, Composer, lyricist. Entertainer in vaudeville and Broadway; blackface comedian in minstrel shows. Performed and collaborated with wife Nora Bayes. Their most famous song "Shine on Harvest Moon." Wrote lyrics to "Take Me Out to the Ball Game."

4.171 OLMAN, ABE -- (12/20/1888-1/4/1984). Composer, publisher. Started as a song demonstrator; established LaSalle Music Company. Wrote for early movie musicals. Hits include "Oh, Johnny Oh" and "Down Among the Sheltering Palms."

4.172 PALEY, HERMAN -- (5/5/1879-11/4/1955). Composer, publisher, radio executive. Studied music professionally. Worked as staff composer, then executive with music publishing companies. Director of New York Stage Door Canteen shows; talent scout and composer for Fox Films.

4.173 PARISH, MITCHELL -- (7/10/1900-4/2/1993). Lyricist. Attended Columbia and NYU. Staff writer for music publisher; began writing lyrics in 20's. Among the most famous songs are "Deep Purple," "Moonlight Serenade," and "Star Dust."

4.174 PETRIE, H. W. -- (3/4/1857-5/25/1925). Composer, vocalist. Performed in minstrel shows. Successes include "Asleep in the Deep" and "I Dont Want to Play in Your Yard."

4.175 PIANTADOSI, AL -- (7/18/1884-4/8/1955). Composer, pianist; accompanist in vaudeville. Popularized ragtime when touring US, Europe, and Australia. Worked for NY publishing house. Hits include "Pal of My Cradle Days."

4.25 PORTER, COLE A. -- (6/9/1891-10/15/1964). Composer and lyricist. One of the most thoroughly trained popular songwriters, whose theatrically elegant, sophisticated, and musically complex songs contributed to America's most popular music of the 20th century.

4.176 POWELL, W. C. -- (Pseudonym: Polla)

4.114 REVEL, HARRY -- (12/21/1905-11/3/1958). Composer and pianist. Born in London, had early classical piano training. Moved to USA and accompanied Mack Gordon in vaudeville. They started writing for Ziegfeld but were in Hollywood by 1933. The team broke up in 1939. He founded Realm Music Co., a publishing house, in 1949. Successes include "Did You Ever See a Dream Walking?"

4.177 ROBERTS, LEE S. -- (11/12/1884-9/10/1949). Composer, pianist. Worked in piano manufacturing business. Developed QRS artist-recorded music rolls and catalogs. Pianist on radio. Hits include "A Little Birch Canoe and You" and "Patches."

4.178 ROBINSON, J. RUSSEL -- (7/8/1892-9/30/1963). Composer, lyricist, pianist. Began performing and composing as a teenager. Played with Original Dixieland Band; wrote songs for London revues; made piano rolls; accompanied singers. Pianist and vocal coach for radio show CHILDRENS HOUR. Hits include "Margie."

4.179 ROBISON, WILLARD -- (9/18/1894-6/24/1968). Composer, lyricist, pianist, vocalist, bandleader. Radio performer most active in 20's and 30's. Formed Deep River Orchestra; often featured African American folk music and spirituals. Radio shows "Deep River Music" and "Plantation Echoes." Hits include "Cottage for Sale."

4.14 RODGERS, RICHARD -- (6/26/1902-12/30/1979). Composer. Collaborated with Lorenz Hart and Oscar Hammerstein II, whose partnership led to a series of musicals that enjoyed unprecedented artistic, critical, and financial success in both Hollywood and Broadway in the 1930's and 1940's.

4.26 ROMBERG, SIGMUND -- (7/29/1887-11/9/1951). Composer and conductor. Composed musical scores in the traditional style of the operetta of the 1920s. Proved to be more flexible than rival Rudolph Friml in adapting to the new tastes and musical styles emerging in American music of the 1930's.

4.180 ROONEY, PAT -- (7/4/1880-9/9/1962). Composer, vocalist. Dancer-singer in vaudeville and on Broadway, first with sister, then with wife Marion Brent. Successes include "You Be My Ootsie, I'll Be Your Tootsie."

4.27 ROOT, FREDERICK W. -- (6/13/1846-?). Composer and music teacher. He was the son of George Frederick Root. One of the country's most active and successful singing teachers, F. W. Root's School of Singing describes the first of his many singing methods.

4.27 ROOT, GEORGE F. -- (8/30/1820-8/6/1895). Composer and music educator. Pseudonym: G. Friedrich Wurzel. Best known for his songs of sentiment and patriotism published during the Civil War era. Also composed over 30 hymns and gospel songs rivaling Stephen Foster in number and popular success.

4.28 ROSE, BILLY -- (9/6/1899-2/10/1966). Lyricist and producer. Provided the lyrics to some of the most successful popular songs of the 1930's and 1940's. Also produced several Broadway musicals and perhaps known more for his editing, polishing, and promoting of songs than as a lyricist.

4.181 ROSE, VINCENT -- (6/13/1880-5/20/1944). Composer, pianist, vocalist, bandleader. Early training in Italy. Formed orchestra 1904. Successes include "Whispering."

4.182 ROSENFELD, MONROE H. -- (1861-12/13/1918). Pseudonyms: F. Heiser and F. Belasco. Composer, journalist. Credited with coining the term 'Tin Pan Alley.' Wrote more than 1,000 songs.

4.183 ROSSITER, WILL -- (3/15/1867-6/10/1954). Composer, publisher. Pseudonyms: Cleve Williams and W. R. Williams. Immigrated to USA from England in 1881. Appeared at Tony Pastor's. Very successful publisher of popular music; initiated innovative marketing techniques for sheet music. Wrote "I'd Love to Live in Loveland with a Girl Like You."

4.130 RUBY, HARRY -- (1/27/1895-2/23/1974). Composer. Professional pianist at age 16; song plugger for Tin Pan Alley publishers; vaudeville performer. Had many collaborators; partnership with Bert Kalmar produced many hits including score for Marx Brothers' ANIMAL CRACKERS; wrote theme for TV series THE REAL McCOYS.

4.130 RUBY, HERMAN -- (3/15/1891-7/31/1959). Composer. Older brother of Harry Ruby. Hits include "My Sunny Tennessee" and "Cecelia."

4.184 RUSSELL, HENRY -- (12/24/1812-12/8/1900). English. Composer, pianist; sang with children's opera troupe; studied composition in Italy. Came to US, worked as organist and choirmaster, then toured as one of the few major singers of his time to present unassisted entertainment. Wrote "The Old Arm Chair" and "Woodman! Spare That Tree!"

4.185 SANDERS, JOE -- (10/15/1896-5/15/1965). Composer, pianist, vocalist, arranger, bandleader. Co-leader of the Coon-Sanders Orchestra in 20's and 30's. Known as The Old Lefthander from early days as amateur baseball pitcher. Hits include "Got a Great Big Date with a Little Bitta Girl."

4.186 SCHWARTZ, JEAN -- (11/4/1878-11/30/1956). Composer, pianist. Prolific leading composer from turn of century. Pianist in cafes, publishing houses. Teamed with William Jerome on Broadway shows and performed with him in vaudeville. Successes include "Hello Central, Give Me No Man's Land."

4.140 SEYMOUR, TOT -- ( 10/23/1889-8/31/1966). Lyricist of the 30's. Worked for New York publishing house. Wrote special material for Fanny Brice, Belle Baker, Sophie Tucker, Mae West; also songs and scripts for raido shows.

4.187 SHAND, TERRY -- (10/1/1904- 11/11/1988). Composer, lyricist. Pianist in silent movie theaters early in career. Pianist/vocalist in 30's; later had own band. Hits include "Dance with a Dolly."

4.188 SHAY, LARRY -- (10/10/1897- 2/22/1988). Composer, arranger, pianist. WWI military service. Musical director for MGM; program director for NBC radio in New York. Hits include "Get Out and Get Under the Moon."

4.144 SHERMAN, AL -- (9/7/1897-9/15/1973). Composer, lyricst. As pianist provided mood music for silent movies; pianist for publishing house. Successes include "On a Dew-Dew-Dewy Day."

4.144 SILVER, ABNER -- (12/28/1899- 11/24/1966). Composer, lyricist, pianist. Dance band pianist; worked for publishing house. Song publisher. Composed many popular songs from 1920 into 60's, including songs for Elvis Presley movies JAILHOUSE ROCK, KING CREOLE, and G.I. BLUES.

4.189 SIMONS, SEYMOUR B. -- (1/14/1896-2/12/1949). Composer, lyricist, bandleader. Wrote Michigan Union operas while attending the University. In AAF during WWI, and with USO in WWII. Wrote material for revues in London and Paris early 20's, then led dance band in US. Later record company executive. Hits include "Breezin Along with the Breeze" and "All of Me."

4.190 SKYLAR, SUNNY -- (11/11/1913- ). Composer, lyricist, author; band singer with Abe Lyman, Paul Whiteman, and others; also worked as a single act. Wrote band material for Betty Hutton and others. Hits include "Besame Mucho."

4.191 SMITH, HARRY B. -- (12/28/1860-1/2/1936). Lyricist. Librettist-lyricist of Broadway musicals 1887-1932, one of most prolific. Brother of Robert B. Smith. Collaborated with DeKoven on first American comic opera. Music and drama critic for Chicago newspapers. Adaptations of French and German operettas. Successes include "The Sheik of Araby."

4.192 SMITH, LEE OREAN -- (1874-?)

4.191 SMITH, ROBERT B. -- (6/4/1875-11/6/1951). Lyricist. Reporter for Brooklyn Eagle. Publicity for Casino Theater, wrote material for shows there. Collaborated with brother Robert B. Smith in Broadway shows. Adapted some stage shows to musicals. Successes include "All the World Loves a Lover."

4.193 SNYDER, TED -- (8/15/1881-7/16/1965). Composer, lyricst, pianist. Early career pianist in cafes and publishing houses. Hired Irving Berlin as staff pianist for his publishing company; collaborated in early songs; Berlin later became partner. Successes include "Whos Sorry Now?"

4.194 SOLMAN, ALFRED -- (5/6/1868-11/15/1937)

4.29 SOUSA, JOHN PHILIP -- (11/6/1854-3/6/1932). Composer, bandleader, and writer. Known as the "March King" and as the most important figure in the history of American bands and band music. His contributions to band brass instrumentation includes the sousaphone and a bass tuba with bells, built in the 1890's.

4.195 SPENCER, HERBERT -- (5/27/1878-8/26/1944). Composer, arranger, singer. Studied voice with Enrico Caruso. In vaudeville for 12 years. Accompanist and arranger for prominent singers. Successes include "There's Egypt in Your Dreamy Eyes."

4.196 SPINA, HAROLD -- (6/21/1906-7/18/1997). Composer, lyricist. Pianist, arranger for publishing house; wrote special material. Founder-President of Telefilm. Director and producer for record companies. Hits include "Annie Doesnt Live Here Anymore."

4.197 STEPT, SAM -- (9/18/1897-12/1/1964). Composer, lyricist, bandleader. Pianist for publishing house. Vaudevile accompanist for Mae West and Jack Norworth among others. Led dance band in early 20's. Songwriting mainly in 30's and 40's. Hits include "Don't Sit Under the Apple Tree" and "That's My Weakness Now."

4.30 STERLING, ANDREW B. -- (1874-1955). Composer and lyricist. Collaborated extensively with the popular Tin Pan Alley songwriter, Harry Von Tilzer, providing the lyrics to some of the most popular songs, including so-called coon songs of the early 1900's as "One Sunday Afternoon" and "Down Where The Cotton Blossoms Grow."

4.153 STERN, JOSEPH W. -- (1/11/1870-3/31/1934)

4.146 STOLLER, MIKE -- (3/13/1933-). Composer. Early piano lessons in New York. Moved to Los Angeles and met Jerry Lieber. First hits were "Kansas City" and "Hound Dog."

4.198 STRAIGHT, CHARLEY -- (1/16/1891-9/21/ or 10/17/1940). Composer, lyricist, pianist, bandleader. Early career in vaudeville. Leader of band in 30's. Musical director of company producing player-piano rolls. Hits include "Funny, Dear, What Love Can Do."

4.31 STYNE, JULE K. -- (12/31/1905- ). Composer. Collaborated with Sammy Cahn on several Broadway musicals. Became one of the most prolific theatrical composers of the post-WWII era, creating scores for over 20 musicals performed by such artists as Carol Channing, Mary Martin, Ethel Merman, and Barbra Streisand.

4.32 SULLIVAN, SIR ARTHUR S. -- (5/13/1842-11/22/1900). English composer and conductor. Composed comic operas whose music, written to librettos by W.S. Gilbert, represents a peculiarly English style of operetta that achieved exceptional renown in both England and the United States. One of the most widely popular of all British composers.

4.199 TAYLOR, TELL -- ...

4.200 THORNTON, JAMES -- (12/5/1861-7/27/1938). Composer, performer. Worked as a singing waiter, then toured in vaudeville, often performing with wife, Bonnie. Successes include "When You Were Sweet Sixteen."

4.201 TIERNEY, HARRY -- (5/21/1890-3/22/1965). Composer, pianist. Toured US and abroad as concert pianist. Worked for Remick publishing house. Wrote scores for several Broadway shows. Hits include "Alice Blue Gown."

4.202 TOBIAS, CHARLES -- (8/15/1898-7/7/1970). Lyricist, composer, vocalist. Prolific songwriter mid-20's into 50's. Collaborated with brothers Harry and Henry. Early career sang in vaudeville, for publishing houses, and on radio. Formed publishing company in 1923. Hits include "Those Lazy Hazy Crazy Days of Summer."

4.202 TOBIAS, FRED -- (3/25/1928-). Lyricist. Son of Charles Tobias. Wrote special material for Carol Burnett and Julius Monk, among others. Made Broadway debut as co-lyricist of Ellington's POUSSE CAFE. Wrote lyrics for TV specials THE GIFT OF THE MAGI and QUINCY. Songs recorded by Patti Page, Tony Bennett, Steve Lawrence, Elvis Presley and others.

4.202 TOBIAS, HARRY -- (9/11/1895-12/15/1994). Lyricist. Brother Charles among several collaborators; most songwriting in 30's and 40's. Wrote special material for movies. Hits include "It's a Lonesome Old Town."

2.202 TOBIAS, HENRY -- (4/23/1905 - 12/5/1997). Lyricist, composer pianist, vocalist. Wrote for vaudeville and night club performers and for radio. Pianist, singer and disc jockey; TV producer for CBS. Collaborated with brothers Charles and Harry. Directed and produced shows for summer stock and resort hotels. Hits include "What Are You Doing the Rest of Your Life?"

4.33 VAN ALSTYNE, EGBERT -- (3/5/1878-7/9/1951). Composer and lyricist. Best known for his collaboration with lyricist Harry H. Williams, with whom he wrote songs exploiting Indian themes and the popular "In The Shade of the Old Apple Tree." Later joined forces with lyricist Gus Kahn.

4.203 VINCENT, NAT -- (11/6/1889-6/6/1979). Pianist on vaudeville circuit. One of radio's "Happy Chappies." Remained active in later years despite total blindness. Wrote "I'm Forever Blowing Bubbles."

4.34 VON TILZER, ALBERT -- (3/29/1878-10/1/1956). Composer, lyricist, and publisher. Wrote some of the most popular songs of the early 20th century, and contributed songs to a number of films and Broadway productions. Like brother Harry, Albert's songs incorporate dance rhythms and slang idioms typical of Tin Pan Alley that have since become standards.

4.35 VON TILZER, HARRY -- (7/8/1872-1/10/1946). Composer, lyricist, performer, and publisher. Wrote and published over 2,000 of his own songs and other sentimental and moralistic ballads. Also wrote so-called coon songs for blackfaced minstrels and vaudeville acts of the period. Plugged and published many of the Gershwin and Berlin songs that later became famous.

4.204 WALLACE, WILLIAM VINCENT -- (3/11/1812-10/12/1865). Irish composer, pianist, violinist. Debuted as composer at age 22. Moved to Australia, then various North and South American cities; finally settled in London where he had his great success with MARITANA.

4.36 WARREN, HARRY -- (12/24/1893-9/22/1951). Composer, lyricist. Wrote songs for Broadway reviews, including several co-authored and produced with Billy Rose. Considered one of the most successful composers of American films. The wide dissemination of his music through the film medium made him one of the most influential of all 20th-century songwriters.

4.205 WASHINGTON, NED -- (8/15/1901- 12/20/1996). Lyricist. Early career in vaudeville as M.C. and agent, and writing special material. Popular lyricist from late 20's into 60's; wrote for Broadway shows and movies, including title songs. Hits include "High Noo n" and "When You Wish Upon a Star."

4.206 WAYNE, BERNIE -- ( ? ). Composed "There She Is," the Miss America Pageant Theme Song.

4.207 WAYNE, SID -- (1/26/1923-). Composer, author. Wrote songs and comedy material for TV. Popular songs include "Nintey- nine Years" and "Two Different Worlds."

4.208 WEBSTER, JOSEPH PHILBRICK -- (2/18/1819-1/18/1875). Composer and performer. Toured in concerts of popular music. Managed a Connecticut troupe, The Euphonians, and composed many of their successful songs. Public opposition to slavery forced several moves. Published over 400 songs, ballads, patriotic songs and hymns.

4.209 WEBSTER, PAUL FRANCIS -- (12/20/1907- 3/22/1984). Lyricist. After college became seaman, dancing instructor. To Hollywood mid-30's for movie work. In 50's and 60's wrote many movie and title songs; had several Academy Award nominations and awards. Hits include "Giant" and "Love Is a Many Splendored Thing."

4.210 WEIL, KURT -- (3/2/1900-4/3/1950). German. Composer, arranger, pianist. Very successful career in Germany; left in 1933 with wife Lotte Lenya, first to Paris then to US in 1935. Composed many Broadway musicals in the 40's including KNICKERBOCKER HOLIDAY ("September Song") and THE THREEPENNY OPERA, first produced in Germany.

4.37 WENDLING, PETER -- (6/6/1888-4/8/1974). Composer, lyricist, and pianist. Wrote several hit songs of the post-WWII era in partnership with Bert Kalman and Edgar Leslie. Most popular song: "Oh, What a Pal Was Mary."

4.38 WENRICK, PERCY -- (1/23/1887-3/17/1952). Composer, lyricist, pianist, and singer. Best known for his pre-WWII popular songs such as "Put On Your Old Grey Bonnet," "Moonlight Bay," and others, that became favorites of barbershop quartets and sing-alongs. Known in Tin Pan Alley as "The Joplin Kid".

4.39 WHITING, RICHARD A. -- (11/12/1892-2/10/1938). Composer and lyricist. Among the most successful Tin Pan Alley songwriters of the 1920s and 1930s. He was one of the first important Hollywood composers to began writing music for silent film and later for sound productions such as the very successful movie, HOLLYWOOD HOTEL.

4.138 WHITNEY, JOAN -- (6/26/1914-7/12/1990). Composer, lyricist, vocalist. Own radio show; sang in clubs and hotels. Formed publishing firm with husband Alex Kramer. Hits include "Candy" and "High on a Windy Hill."

4.211 WILLIAMS, GUS -- (7/19/1847-1/16/1915). Composer, actor, singer. Performed at Tony Pastor's before playing legitimate leading roles. Toured in vaudeville.

4.212 WOOODBURY, ISAAC BAKER -- (10/23/1819-10/26/1858). Composer. Studied in London, Paris. Taught music; was conductor, editor, writer. Compiled music collections. Popular songs include "Be Kind to the Loved Ones at Home."

4.213 WOODS, HARRY -- (11/4/1896-1/14/1970). Composer, lyricist. Pianist and singer while student at Harvard. Wrote for English movies mid-30's. Hits include "When the Red, Red Red Robin Comes Bob-Bob-Bobbin' Along" and "Side by Side."

4.214 WRUBEL, ALLIE -- (1/15/1905-12/13/1973). Coposer, lyricist, bandleader. Saxman in bands; led own band; theater manager. Wrote for Warner Brothers, then Disney. Hits include "Gone with the Wind" and "Zip-a Dee-Doo-Dah."

4.40 YELLEN, JACK -- (7/6/1892-4/17/1991 ). Lyricist. Permanent lyricist for Tin Pan Alley songwriter, Milton Ager. Also wrote special material for entertainer Sophie Tucker for over 20 years. A famous song by the Yellen/Ager combination was "I Wonder What's Become of Sally." "Happy Days Are Here Again" was another great hit.

4.41 YOUMANS, VINCENT M. -- (9/27/1898-4/5/1946). Composer. Wrote and produced three successful Broadway musicals. Published fewer than 100 songs, but 18 of these were considered standards by ASCAP, including "Tea For Two," "Take A Chance," and "I Want To Be Happy."

4.145 YOUNG, JOE -- ...

4.215 YOUNG, VICTOR -- (b. Chicago, 8/8/1900-11/11/1956). Composer, violinist, conductor. Worked in radio and theater as violinist, arranger, conductor. Wrote over 200 scores for movies, including SHANE. Song hits include "Stella by Starlight" and "Sweet Sue."

4.216 YOUNG, VICTOR -- (b. Bristol, Tennessee, 4/9/1889-9/2/1968). Pianist and composer. Studied and toured in Europe. Accompanist to prominent singers. Music director in Thomas A. Edison's Experimental Laboratory. Composed for about 300 movies including some of the earliest sound productions.

4.217 ZAMECNIK, JOHN S. -- (5/14/1872-6/13/1953). Composer. Classical training included time under Antonin Dvorak. Violinist in Pittsburgh Orchestra under Victor Herbert. Wrote operettas.
Materials in Other Organizations:
Sam DeVincent Collection of American Sheet Music, Lilly Library, Indiana University, Bloomington, Indiana

This collection contains duplicates of materials in the Smithsonian collection, as well as materials acquired by Mr. DeVincent after the donation to the Smithsonian. The phonograph records described above were transferred to the University of Missouri at Kansas City.
Materials in the Archives Center, National Museum of American History:
Donald J. Stubblebine Collection of Musical Theater and Motion Picture Sheet Music and Reference Material, 1843-2010 (AC1211)
Forms Part Of:
Series 4: Songwriters forms part of the Sam DeVincent Collection of Illustrated American Sheet Music .

An ongoing, updated list of DeVincent topical series is available via the Smithsonian finding aid portal.
Provenance:
This collection was purchased by the Smithsonian Institution in 1988 from Sam and Nancy Lee DeVincent.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Citation:
The Sam DeVincent Collection of Illustrated American Sheet Music, Archives Center, National Museum of American History, Smithsonian Institution
Identifier:
NMAH.AC.0300.S04
See more items in:
Sam DeVincent Collection of Illustrated American Sheet Music, Series 4: Songwriters Volumes I and II
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep870561ae6-a75d-451e-94f2-f77a29336206
EDAN-URL:
ead_collection:sova-nmah-ac-0300-s04
Online Media:

Sit-In Songs: Songs of the Freedom Riders

Collection Creator:
Rinzler, Ralph  Search this
Extent:
1 Phonograph record (analog, 33 1/3 rpm, 12 in.)
Culture:
Americans  Search this
African American  Search this
Type:
Archival materials
Phonograph records
Track Information:
101 Certainly, Lord.

102 Which Side are You On?

103 Hallelujah, I'm a Traveling.

104 Hold On.

105 I Woke Up This Morning.

106 Do You Want Your Freedom?

201 Get Your Rights, Jack.

202 I Know We'll Meet Again.

203 We Went Down to Mississippi.

204 How Did You Feel?

205 Michael, Row the Boat Ashore.

206 We Shall Overcome.
Local Numbers:
FP-RINZ-LP-0793

Audio Fidelity.4301
Publication, Distribution, Etc. (Imprint):
Audio Fidelity
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Copyright restrictions apply. Contact archives staff for information.
Topic:
Folk songs -- United States  Search this
Topical songs  Search this
Civil rights  Search this
Collection Citation:
Ralph Rinzler papers and audio recordings, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.RINZ, Item FP-RINZ-LP-0793
See more items in:
Ralph Rinzler papers and audio recordings
Ralph Rinzler papers and audio recordings / Series 9: Audio / Commercial / LPs
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk541f67d98-1d4d-4949-95d1-b77071c0b971
EDAN-URL:
ead_component:sova-cfch-rinz-ref5541

All the News Thats Fit to Sing

Performer:
Ochs, Phil  Search this
Kalb, Danny  Search this
Collection Creator:
Rinzler, Ralph  Search this
Extent:
1 Phonograph record (analog, 33 1/3 rpm, 12 in.)
Culture:
Americans  Search this
Anglo-American  Search this
Type:
Archival materials
Phonograph records
Place:
United States
New York
Contents:
One more parade --The Thresher --Talking Vietnam --Lou Marsh --Power and the glory --Celia --The bells --Automation song --Ballad of William Worthy --Knock on the door --Talking Cuban crisis --Bound for glory --Too many martyrs -- What's that I hear
Track Information:
101 One More Parade / Danny Kalb, Phil Ochs. Guitar.

102 The Thresher / Danny Kalb, Phil Ochs. Guitar.

103 Talking Vietnam / Danny Kalb, Phil Ochs. Guitar.

104 The Ballad of Lou Marsh / Danny Kalb, Phil Ochs. Guitar.

105 Power and the Glory / Danny Kalb, Phil Ochs. Guitar.

106 Celia / Danny Kalb, Phil Ochs. Guitar.

107 The Bells / Danny Kalb, Phil Ochs. Guitar.

201 Automation Song / Danny Kalb, Phil Ochs. Guitar.

202 Ballad of William Worthy / Danny Kalb, Phil Ochs. Guitar.

203 Knock on the Door / Danny Kalb, Phil Ochs. Guitar.

204 Talking Cuban Crisis / Danny Kalb, Phil Ochs. Guitar.

205 Bound for Glory / Danny Kalb, Phil Ochs. Guitar.

206 Too Many Martyrs / Danny Kalb, Phil Ochs. Guitar.

207 That's What I Hear / Danny Kalb, Phil Ochs. Guitar.
Local Numbers:
FP-RINZ-LP-0328

Elektra.269
Publication, Distribution, Etc. (Imprint):
New York Elektra
General:
Lyrics and biographical notes by Gordon Friesen and Agnes (Sis) Cunningham on insert. Performer(s): Protest and folk songs; Phil Ochs, principal composer, vocals, and guitar ; Danny Kalb, second guitar. Production notes: Recorded at Mastertone Recording Studios, New York City, 1964?
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Copyright restrictions apply. Contact archives staff for information.
Topic:
Topical songs  Search this
Protest songs  Search this
Folksong revival  Search this
Guitar  Search this
Collection Citation:
Ralph Rinzler papers and audio recordings, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.RINZ, Item FP-RINZ-LP-0328
See more items in:
Ralph Rinzler papers and audio recordings
Ralph Rinzler papers and audio recordings / Series 9: Audio / Commercial / LPs
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk51a4dcc0f-753a-42e2-98eb-0a5ef5858dd1
EDAN-URL:
ead_component:sova-cfch-rinz-ref5732

Ernest V. Stoneman and his Dixie Mountaineers, 1927-1928

Performer:
Stoneman, Ernest V.  Search this
Dixie Mountaineers (Musical group)  Search this
Artist:
Dixie Mountaineers (Musical group)  Search this
Collection Creator:
Rinzler, Ralph  Search this
Extent:
1 Phonograph record (analog, 33 1/3 rpm, 12 in.)
Culture:
Americans  Search this
Anglo-American  Search this
Type:
Archival materials
Phonograph records
Place:
United States
Virginia
Date:
1970
Contents:
Once I had a fortune --Kitty Wells --Hop light ladies --Unlucky road to Washington --East bound train --Old maid and the burglar --There'll come a time --Careless love --It's sinful to flirt --Sally Goodin.
Track Information:
101 Once I Had a Fortune / Dixie Mountaineers (Musical group), Ernest V. Stoneman. Guitar,Harmonica,Fiddle,Banjo.

102 Kitty Wells / Dixie Mountaineers (Musical group), Ernest V. Stoneman. Guitar,Harmonica,Fiddle,Banjo.

103 Hop Light Ladies / Dixie Mountaineers (Musical group), Ernest V. Stoneman. Guitar,Harmonica,Fiddle,Banjo.

104 Unlucky Road to Washington / Dixie Mountaineers (Musical group), Ernest V. Stoneman. Guitar,Harmonica,Fiddle,Banjo.

105 East Bound Train / Dixie Mountaineers (Musical group), Ernest V. Stoneman. Guitar,Harmonica,Fiddle,Banjo.

201 Old Maid and the Burglar / Dixie Mountaineers (Musical group), Ernest V. Stoneman. Guitar,Harmonica,Fiddle,Banjo.

202 There'll Come a Time / Dixie Mountaineers (Musical group), Ernest V. Stoneman. Guitar,Harmonica,Fiddle,Banjo.

203 Careless Love / Dixie Mountaineers (Musical group), Ernest V. Stoneman. Guitar,Harmonica,Fiddle,Banjo.

204 It's Sinful to Flirt / Dixie Mountaineers (Musical group), Ernest V. Stoneman. Guitar,Harmonica,Fiddle,Banjo.

205 Sally Goodin' / Dixie Mountaineers (Musical group), Ernest V. Stoneman. Guitar,Harmonica,Fiddle,Banjo.
Local Numbers:
FP-RINZ-LP-0212

Historical.8004
Publication, Distribution, Etc. (Imprint):
Historical 1970
General:
All records originally Hill and Dale vertical cuts. Program notes by Richard Nevins on container. Performer(s): Folk music; sung and played by Ernest V. Stoneman and his Dixie Mountaineers. Production notes: Recorded between Jan. 14, 1927 and April 25, 1928.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Copyright restrictions apply. Contact archives staff for information.
Topic:
Topical songs  Search this
Old-time music  Search this
Guitar  Search this
Harmonica  Search this
Violin  Search this
Banjo  Search this
Collection Citation:
Ralph Rinzler papers and audio recordings, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.RINZ, Item FP-RINZ-LP-0212
See more items in:
Ralph Rinzler papers and audio recordings
Ralph Rinzler papers and audio recordings / Series 9: Audio / Commercial / LPs
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk553c8520c-ce4f-44de-bbad-f8b19f8c25e8
EDAN-URL:
ead_component:sova-cfch-rinz-ref5830

New Wood

Performer:
Kahn, Si  Search this
Collection Creator:
Rinzler, Ralph  Search this
Extent:
1 Phonograph record (analog, 33 1/3 rpm, 12 in.)
Culture:
Americans  Search this
Type:
Archival materials
Phonograph records
Place:
United States
North Carolina
Track Information:
101 Gone Gonna Rise Again / Guitar.

102 Backroom Lady / Guitar.

103 Like Butter Loves Bread / Guitar.

104 Brookside Strike / Guitar.

105 Better Half of You / Guitar.

106 Talkin' Politician / Guitar.

107 New Year's Eve / Guitar.

108 Mervin Barr / Guitar.

201 Truck Drivin' Woman / Guitar.

202 Blue Ribbon for the Boys at the Bar / Guitar.

203 Lawrence Jones / Guitar.

204 First Time at a War / Guitar.

205 Moonshine Man / Guitar.

206 Aragon Mill / Guitar.

207 Rack 'Em Up Eddie / Guitar.

208 Curtains of Old Joe's House / Guitar.

209 Sunrise / Guitar.
Local Numbers:
FP-RINZ-LP-0781

June Appal.0002
Publication, Distribution, Etc. (Imprint):
Whitesburg, KY June Appal
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Copyright restrictions apply. Contact archives staff for information.
Topic:
Folksong revival  Search this
Topical songs  Search this
Guitar  Search this
Collection Citation:
Ralph Rinzler papers and audio recordings, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.RINZ, Item FP-RINZ-LP-0781
See more items in:
Ralph Rinzler papers and audio recordings
Ralph Rinzler papers and audio recordings / Series 9: Audio / Commercial / LPs
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk58200f7aa-c671-407b-bd2c-40d179b0c60f
EDAN-URL:
ead_component:sova-cfch-rinz-ref5846

Songs and Ballads of the Anthracite Miners

Creator:
Korson, George Gershon, 1899-1967  Search this
Performer:
Keating, William E.  Search this
Quinn, John J.  Search this
Byrne, Jerry  Search this
Muldowney, James  Search this
Walsh, Daniel  Search this
Rada, Andrew  Search this
Morgan, Albert  Search this
Jones, Morgan  Search this
Collection Creator:
Rinzler, Ralph  Search this
Extent:
1 Phonograph record (analog, 33 1/3 rpm, 12 in.)
Culture:
Americans  Search this
Anglo-American  Search this
Type:
Archival materials
Phonograph records
Place:
Pennsylvania
United States
Pottsville (Pa.)
Wilkes-Barre (Pa.)
Buck Run (Pa.)
Tamaqua (Pa.)
Centralia (Pa.)
Shenandoah (Pa.)
Track Information:
101 Down, Down, Down / William E. Keating.

102 The Avandale Mine Disaster / John J. Quinn.

103 Me Johnny Mitchell Man / Jerry Byrne.

104 Boys on the Hill / James Muldowney.

105 On Johnny Mitchell's Train / Jerry Byrne.

106 Rolling on the Rye Grass / James Muldowney.

107 The Old Miner's Refrain / Daniel Walsh.

201 John J. Curtis / Andrew Rada.

202 A Celebrated Workman / Daniel Walsh.

203 When the Breaker Starts Up Full Time / Jerry Byrne.

204 Union Man / Albert Morgan.

205 The Miner's Doom / Daniel Walsh.

206 Down in a Coal Mine / Morgan Jones.

207 The Shoofly / Daniel Walsh.
Local Numbers:
FP-RINZ-LP-0956

Library of Congress.AAFS L16
Publication, Distribution, Etc. (Imprint):
Washington, D.C. Library of Congress
Date/Time and Place of an Event Note:
Recorded in: Shenandoah (Pa.), Centralia (Pa.), Tamaqua (Pa.), Buck Run (Pa.), Wilkes-Barre (Pa.), Pottsville (Pa.), United States, Pennsylvania.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Copyright restrictions apply. Contact archives staff for information.
Topic:
Folk songs -- United States  Search this
Topical songs  Search this
Coal  Search this
Anthracite coal  Search this
Mines and mineral resources  Search this
Function:
Labor unions
Labor unions
Collection Citation:
Ralph Rinzler papers and audio recordings, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.RINZ, Item FP-RINZ-LP-0956
See more items in:
Ralph Rinzler papers and audio recordings
Ralph Rinzler papers and audio recordings / Series 9: Audio / Commercial / LPs
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk518e618a2-42d8-4b59-9f5e-c2af11e5a47e
EDAN-URL:
ead_component:sova-cfch-rinz-ref5872

Anglo-American Shanties, Lyric Songs, Dance Tunes and Spirituals

Producer:
Lomax, Alan, 1915-2002  Search this
Recorder:
Lyttleton, Elizabeth  Search this
Field worker:
Halpert, Herbert  Search this
Performer:
Hunt, J. M  Search this
Steele, Pete, 1891-1985  Search this
Jackson, Aunt Molly  Search this
Pike, Russ  Search this
Ball, E.C. (Estil Cortez), 1913-1978  Search this
Ball, Orna, 1907-2000  Search this
King, Henry  Search this
Willinghan, Thadeus C.  Search this
Strong, Luther  Search this
Claunch, Earnest, 1893-1958  Search this
Ward, Wade  Search this
Smoke, Herbert  Search this
Swann, Wallace  Search this
Parham, Chub  Search this
Collection Creator:
Rinzler, Ralph  Search this
Extent:
1 Phonograph record (analog, 33 1/3 rpm, 12 in.)
Culture:
Cherokee  Search this
Americans  Search this
Anglo-American  Search this
Type:
Archival materials
Phonograph records
Place:
Appalachian Region, Southern -- Songs and music
United States
Washington (D.C.)
Ohio
Hamilton (Ohio)
New York
New York (N.Y.)
California
Visalia (Calif.)
Virginia
Rugby (Va.)
Mississippi
Gulfport (Miss.)
Kentucky
Dalesburg (Ky.)
Guntown (Miss.)
Galax (Va.)
Winchester (Va.)
North Carolina
Asheville (N.C.)
Marion (Va.)
Clay County (Ky.)
Date:
1978
Contents:
Sally Brown -- Haul away, my Rosy -- Pay day at Coal Creek -- The little dove -- Ten thousand miles -- Soldier, won't you marry me? -- Jennie Jenkins -- Fod -- Roll on the ground -- The last of Callahan -- The ways of the world -- Glory in the meeting house -- Grub Springs -- The eighth of January -- Sally Goodin -- Cindy -- Old Joe Clark -- Chilly winds -- Cripple Creek -- Coal Creek march -- John Henry -- The train.
Track Information:
101 Sally Brown / J.M. Hunt. Vocals.

102 Haul Away My Rosy / J.M. Hunt.

103 Pay Day at Coal Creek / Pete Steele. Banjo.

104 The Little Dove / Aunt Molly Jackson. Banjo. English language.

105 Ten Thousand Miles / Aunt Molly Jackson. English language.

106 Soldier, Won't You Marry Me? / Russ Pike. Guitar.

107 Jennie Jenkins / E.C. Ball, Orna Ball. Guitar,Mandolin.

108 Fod / Henry King. Guitar,Mandolin.

109 Roll on the Ground / Thadeus C. Willinghan. Guitar,Mandolin.

201 The Last of Callahan / Luther Strong. Fiddle.

202 The Ways of the World / Luther Strong. Fiddle.

203 Glory in the Meeting House / Luther Strong. Fiddle.

204 Grub Springs / Earnest Claunch. Guitar,Fiddle.

205 The Eighth of January / Earnest Claunch. Guitar,Fiddle.

206 Sally Goodin / Earnest Claunch. Guitar,Fiddle.

207 Cindy / Earnest Claunch. Guitar,Fiddle.

208 Old Joe Clark / Wade Ward. Banjo.

209 Chilly Winds / Wade Ward. Banjo.

210 Cripple Creek / Herbert Smoke. Banjo.

211 Coal Creek March / Pete Steele. Banjo.

212 John Henry / Wallace Swann.

213 The Train / Chub Parham. Harmonica.
Local Numbers:
FP-RINZ-LP-0961

Library of Congress.AAFS L2
Publication, Distribution, Etc. (Imprint):
Washington, D.C. Library of Congress 1978
Date/Time and Place of an Event Note:
Recorded in: Asheville (N.C.), North Carolina, Winchester (Va.), Galax (Va.), Guntown (Miss.), Dalesburg (Ky.), Kentucky, Gulfport (Miss.), Mississippi, Rugby (Va.), Virginia, Visalia (Calif.), California, New York (N.Y.), New York, Hamilton (Ohio), Ohio, Washington (D.C.), United States.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Copyright restrictions apply. Contact archives staff for information.
Topic:
Sea songs  Search this
Ballads  Search this
United States -- History  Search this
Spirituals (Songs)  Search this
Folk songs -- United States  Search this
Folk songs -- Kentucky  Search this
Topical songs  Search this
love songs  Search this
Wit and humor  Search this
Courtship  Search this
Nonsense literature  Search this
Opera  Search this
Square dance music  Search this
Clog dancing  Search this
Vocals  Search this
Banjo  Search this
Guitar  Search this
Mandolin  Search this
Violin  Search this
Harmonica  Search this
occupational folklore  Search this
Sea songs  Search this
Mines and mineral resources  Search this
Laments  Search this
Disasters  Search this
Appalachian Region  Search this
Dialogue  Search this
Love  Search this
Function:
Festivals
Collection Citation:
Ralph Rinzler papers and audio recordings, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.RINZ, Item FP-RINZ-LP-0961
See more items in:
Ralph Rinzler papers and audio recordings
Ralph Rinzler papers and audio recordings / Series 9: Audio / Commercial / LPs
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5ed33ddb4-e749-4946-a253-8a141edc9282
EDAN-URL:
ead_component:sova-cfch-rinz-ref5873

Come Josephine in My Flying Machine: Inventions and Topics in Popular Song, 1910-1929

Producer:
Scheele, Carl H.  Search this
Performer:
Morton, Ed  Search this
Morris, Elida  Search this
Ash, Samuel  Search this
Macdonough, Harry, 1871-1931  Search this
Halley, Will  Search this
Ring, Blanche  Search this
Murray, Billy  Search this
Williams, Bert, 1874-1922  Search this
Bayes, Nora, 1880-1928  Search this
Jolson, Al, 1886-1950  Search this
Jones, Isham, 1894-1956  Search this
Seeley, Blossom, 1891-1974.  Search this
James, Lewis  Search this
Harris, Frank  Search this
Lanin, Howard  Search this
Kaufman, Irving, 1890-1976  Search this
Dalhart, Vernon, 1883-1948  Search this
Baker, Belle  Search this
American Quartet  Search this
Happiness Boys (Musical group)  Search this
Collection Creator:
Rinzler, Ralph  Search this
Extent:
1 Phonograph record (analog, 33 1/3 rpm, 12 in.)
Culture:
Americans  Search this
Anglo-American  Search this
Type:
Archival materials
Phonograph records
Place:
New York
United States
New York (N.Y.)
California
Los Angeles (Calif.)
Date:
1977
Track Information:
101 Oceana Roll / Ed Morton. Strings,Brass,Drum.

102 Hello, Frisco / Elida Morris, Samuel Ash. Strings,Brass,Drum.

103 The Girl on the Magazine Cover / Harry Macdonough. Strings,Brass,Drum.

104 On the 5:15 / American Quartet. Strings,Brass,Drum.

105 He'd Have to Get Under, Get Out and Get Under (to Fix Up His Automobile) / Will Halley. Strings,Brass,Drum.

106 Come, Josephine, in My Flying Machine / Blanche Ring. Strings,Brass,Drum.

107 Take Your Girlie to the Movies / Billy Murray. Strings,Brass,Drum.

108 Everybody Wants a Key to My Cellar / Bert Williams. Strings,Brass,Drum.

201 The Argentines, the Portuguese and the Greeks / Nora Bayes. Strings,Brass,Drum.

202 Mr. Radio Man (Tell My Mammy to Come Back Home) / Al Jolson, Isham Jones. Strings,Brass,Drum.

203 Alabamy Bound (Alabama Bound) / Blossom Seeley. Strings,Brass,Drum.

204 All Alone / Lewis James. Strings,Brass,Drum.

205 Little White House (at the End of Honeymoon Lane) / Frank Harris, Howard Lanin, Irving Kaufman. Strings,Brass,Drum.

206 Lindbergh (the Eagle of the U.S.A.) / Vernon Dalhart. Strings,Brass,Drum.

207 Henry's Made a Lady out of Lizzie / Happiness Boys (Musical group). Strings,Brass,Drum.

208 If I Had a Talking Picture of You / Belle Baker. Strings,Brass,Drum.
Local Numbers:
FP-RINZ-LP-0297

New World.233
Publication, Distribution, Etc. (Imprint):
New York New World 1977
Date/Time and Place of an Event Note:
Recorded in: Los Angeles (Calif.), California, New York (N.Y.), United States, New York.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Copyright restrictions apply. Contact archives staff for information.
Topic:
Topical songs  Search this
United States -- History  Search this
Popular music -- United States  Search this
Strings  Search this
Brass  Search this
Drum  Search this
Collection Citation:
Ralph Rinzler papers and audio recordings, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.RINZ, Item FP-RINZ-LP-0297
See more items in:
Ralph Rinzler papers and audio recordings
Ralph Rinzler papers and audio recordings / Series 9: Audio / Commercial / LPs
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk52ce32973-0e40-4b7b-b470-36dfef6f54ee
EDAN-URL:
ead_component:sova-cfch-rinz-ref5979

Rinzler Fieldwork: Newport Folk Festival- Topical Work Songs

Field worker:
Rinzler, Ralph  Search this
Collection Creator:
Rinzler, Ralph  Search this
Extent:
1 Sound recording (sound-tape reel, analog, 7 in.)
Culture:
Americans  Search this
Type:
Archival materials
Sound recordings
Place:
United States
Rhode Island
Local Numbers:
FP-RINZ-7RR-0435
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright restrictions apply. Contact archives staff for information.
Topic:
Folksong revival  Search this
Topical songs  Search this
Collection Citation:
Ralph Rinzler papers and audio recordings, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.RINZ, Item FP-RINZ-7RR-0435
See more items in:
Ralph Rinzler papers and audio recordings
Ralph Rinzler papers and audio recordings / Series 9: Audio / Non-Commercial / Fieldwork / Open Reel Tapes (RR)
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk55ca56be3-e077-4752-818c-4691552a450f
EDAN-URL:
ead_component:sova-cfch-rinz-ref7159

Rinzler Fieldwork: Resurrection City Festival

Field worker:
Rinzler, Ralph  Search this
Performer:
Johnson, Tyrone  Search this
Kirkpatrick, Frederick Douglass  Search this
Seeger, Pete, 1919-2014  Search this
Collier, Jimmy  Search this
Collection Creator:
Rinzler, Ralph  Search this
Extent:
1 Sound recording (sound-tape reel, analog, 7 in.)
Culture:
Americans  Search this
African American  Search this
Anglo-American  Search this
Type:
Archival materials
Sound recordings
Place:
United States
Washington (D.C.)
New York
Track Information:
101 I'm on My Way / Tyrone Johnson.

102 Sitting on the Dock of the Bay / Tyrone Johnson.

102 Precious Love / Tyrone Johnson.

103 Message / Frederick Douglass Kirkpatrick.

104 Guantanamera / Pete Seeger. Guitar.

105 Coyote, My Little Brother / Pete Seeger. Guitar.

106 Wimoweh / Pete Seeger. Banjo.

107 Everybody's Got a Right to Live (frag.) / Frederick Douglass Kirkpatrick, Jimmy Collier. Guitar.
Local Numbers:
FP-RINZ-7RR-0554
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, May 29, 1968.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright restrictions apply. Contact archives staff for information.
Topic:
Rhythm and blues music  Search this
Folksong revival  Search this
Topical songs  Search this
Guitar  Search this
Banjo  Search this
Civil rights  Search this
Collection Citation:
Ralph Rinzler papers and audio recordings, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.RINZ, Item FP-RINZ-7RR-0554
See more items in:
Ralph Rinzler papers and audio recordings
Ralph Rinzler papers and audio recordings / Series 9: Audio / Non-Commercial / Fieldwork / Open Reel Tapes (RR)
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5bf6d5859-c4e1-49e3-8bfe-5b384fd49005
EDAN-URL:
ead_component:sova-cfch-rinz-ref7268

Rinzler Fieldwork: Resurrection City Festival

Field worker:
Rinzler, Ralph  Search this
Performer:
Kirkpatrick, Frederick Douglass  Search this
Collier, Jimmy  Search this
Ross, Mark  Search this
Sinclair, Robert  Search this
Gail  Search this
Group  Search this
Collection Creator:
Rinzler, Ralph  Search this
Extent:
1 Sound recording (sound-tape reel, analog, 7 in.)
Culture:
Americans  Search this
African American  Search this
Anglo-American  Search this
Type:
Archival materials
Sound recordings
Place:
United States
Washington (D.C.)
New York
Track Information:
101 Everybodys Got a Right to Live (frag.) / Frederick Douglass Kirkpatrick, Jimmy Collier. Guitar.

102 You're Just a Laughing Fool / Frederick Douglass Kirkpatrick, Jimmy Collier. Guitar.

103 We'll Look Back at Tomorrow / Mark Ross. Guitar.

104 Get Together / Mark Ross. Guitar.

105 John Henry / Gail. Guitar.

106 Last Mile of the Way / Robert Sinclair. Harmonica.

107 We Shall Overcome / Group.
Local Numbers:
FP-RINZ-7RR-0555
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, May 29, 1968.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright restrictions apply. Contact archives staff for information.
Topic:
Folksong revival  Search this
Topical songs  Search this
Folk songs -- United States  Search this
Guitar  Search this
Harmonica  Search this
Civil rights  Search this
Collection Citation:
Ralph Rinzler papers and audio recordings, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.RINZ, Item FP-RINZ-7RR-0555
See more items in:
Ralph Rinzler papers and audio recordings
Ralph Rinzler papers and audio recordings / Series 9: Audio / Non-Commercial / Fieldwork / Open Reel Tapes (RR)
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5c97a1390-0361-488c-ae52-d474cc0a2fb6
EDAN-URL:
ead_component:sova-cfch-rinz-ref7269

The Force of Life

Performer:
Red Star Singers  Search this
Lockhart, Bonnie  Search this
Lapow, Gary  Search this
Collection Creator:
Paredon Records  Search this
Silber, Irwin, 1925-2010  Search this
Dane, Barbara  Search this
Extent:
1 Phonograph record (analog, 33 1/3 rpm, 12 in.)
Culture:
Americans  Search this
Type:
Archival materials
Phonograph records
Place:
Vietnam
Date:
1974
Track Information:
101. Still Ain't Satisfied / Red Star Singers, Bonnie Lockhart, Gary Lapow.

102. Sunshine Silver Mine / Red Star Singers, Bonnie Lockhart, Gary Lapow.

103. I Won't Go / Red Star Singers, Bonnie Lockhart, Gary Lapow.

104. Can't Be Free Till Everybody Else Is / Red Star Singers, Bonnie Lockhart, Gary Lapow.

105. Vietnam Will Win! / Red Star Singers, Bonnie Lockhart, Gary Lapow.

201. Belly of the Monster / Red Star Singers, Bonnie Lockhart, Gary Lapow.

202. A Women's Health Song / Red Star Singers, Bonnie Lockhart, Gary Lapow.

203. Pig Nixon / Red Star Singers, Bonnie Lockhart, Gary Lapow.

204. The Force of Life / Red Star Singers, Bonnie Lockhart, Gary Lapow.
Local Numbers:
Paredon.1023
Publication, Distribution, Etc. (Imprint):
Brooklyn, N.Y., Paredon Records 1974
Creation/Production Credits:
Cover art and design by Jane Norling.
Restrictions:
Access by appointment.
Collection Rights:
Copyright restrictions apply. Contact archives staff for additional information.
Topic:
Political ballads and songs  Search this
Popular music -- United States -- 1951-1960  Search this
Protest songs  Search this
Topical songs  Search this
Genre/Form:
Phonograph records
Collection Citation:
Paredon Records audiorecordings, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.PARE, Item Paredon.1023
See more items in:
Paredon Records audio recordings
Paredon Records audio recordings / Audio / Commercial Audio Recordings / Phonograph records
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk55658eb27-ba12-4a8e-a378-ebda18cb9120
EDAN-URL:
ead_component:sova-cfch-pare-ref1150

Give Your Hands to Struggle: The Evolution of a Freedom Fighter

Artist:
Reagon, Bernice Johnson, 1942-  Search this
Producer:
Dane, Barbara  Search this
Collection Creator:
Paredon Records  Search this
Silber, Irwin, 1925-2010  Search this
Dane, Barbara  Search this
Extent:
1 Phonograph record (analog, 33 1/3 rpm, 12 in.)
Culture:
African Americans  Search this
Americans  Search this
Type:
Archival materials
Phonograph records
Place:
Washington (D.C.)
Date:
1975
Track Information:
101. Give Your Hands to Struggle / Bernice Reagon. Mississippi,Alabama.

102. The Old Ship of Zion / Bernice Reagon. Mississippi,Alabama.

103. Freedom in the Air / Bernice Reagon. Mississippi,Alabama.

104. Room in the Circle / Bernice Reagon. Mississippi,Alabama.

105. In My Hands / Bernice Reagon. Mississippi,Alabama.

106. Had, Took, and Misled / Bernice Reagon. Mississippi,Alabama.

201. The Ballad of Featherstone and Che / Bernice Reagon. Mississippi,Alabama.

202. They are Falling Around Me / Bernice Reagon. Mississippi,Alabama.

203. I Won't Crumble With You if You Fall / Bernice Reagon. Mississippi,Alabama.

204. Why Did They Take Us Away? / Bernice Reagon. Mississippi,Alabama.

205. JoAnn Little / Bernice Reagon. Mississippi,Alabama.

206. There's a New World Coming / Bernice Reagon. Mississippi,Alabama.
Local Numbers:
Paredon.1028
Publication, Distribution, Etc. (Imprint):
New York, Paredon 1975
Restrictions:
Restrictions on access.
Collection Rights:
Copyright restrictions apply. Contact archives staff for additional information.
Topic:
Civil rights movements -- United States  Search this
Political ballads and songs  Search this
Protest songs  Search this
Popular music -- United States -- 1951-1960  Search this
Topical songs  Search this
Genre/Form:
Phonograph records
Collection Citation:
Paredon Records audiorecordings, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.PARE, Item Paredon.1028
See more items in:
Paredon Records audio recordings
Paredon Records audio recordings / Audio / Commercial Audio Recordings / Phonograph records
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk57816d187-d3be-4055-95c5-c8e5de74e887
EDAN-URL:
ead_component:sova-cfch-pare-ref1164

...And Ain't I a Woman?

Performer:
New Harmony Sisterhood Band  Search this
Silverstein, Deborah  Search this
Collection Creator:
Paredon Records  Search this
Silber, Irwin, 1925-2010  Search this
Dane, Barbara  Search this
Extent:
1 Phonograph record (analog, 33 1/3 rpm, 12 in.)
Type:
Archival materials
Phonograph records
Date:
1977
Track Information:
101. Sojourner Truth / New Harmony Sisterhood Band, T, Deborah Silverstein. Liggera, Lanayre

102. Cotton Mill Girls / New Harmony Sisterhood Band, T, Deborah Silverstein.

103. Ballad / New Harmony Sisterhood Band, T, Deborah Silverstein. Silverstein, Deborah

104. Working Class Woman / New Harmony Sisterhood Band, T, Deborah Silverstein. Dane,Felczer,Boyd

105. Ella Ellison / New Harmony Sisterhood Band, T, Deborah Silverstein. Cazden, Joanna

106. Draglines / New Harmony Sisterhood Band, T, Deborah Silverstein. Silverstein, Deborah

201. Union Maid / New Harmony Sisterhood Band, T, Deborah Silverstein. Guthrie, Woody

202. Ballad of Joan Little / New Harmony Sisterhood Band, T, Deborah Silverstein. Hale,Green

203. Two O'Clock Lounge / New Harmony Sisterhood Band, T, Deborah Silverstein. Hale, Kendall

204. Amelia Earhart's Last Flight / New Harmony Sisterhood Band, T, Deborah Silverstein. McEnery, Dave

205. Unfinished Business / New Harmony Sisterhood Band, T, Deborah Silverstein. Silverstein, Deborah

206. All Our Lives / New Harmony Sisterhood Band, T, Deborah Silverstein. Silverstein, Deborah
Local Numbers:
Paredon.1038
Publication, Distribution, Etc. (Imprint):
New York, Paredon 1977
General:
Recorded in Massachusetts.
Restrictions:
Restrictions on access.
Collection Rights:
Copyright restrictions apply. Contact archives staff for additional information.
Topic:
Political ballads and songs  Search this
Protest songs  Search this
Popular music -- United States -- 1951-1960  Search this
Topical songs  Search this
Genre/Form:
Phonograph records
Collection Citation:
Paredon Records audiorecordings, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.PARE, Item Paredon.1038
See more items in:
Paredon Records audio recordings
Paredon Records audio recordings / Audio / Commercial Audio Recordings / Phonograph records
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk57b45e930-7bfb-4ea0-b190-564fb3ffa41a
EDAN-URL:
ead_component:sova-cfch-pare-ref1166

When We Make it Through

Performer:
Dane, Barbara  Search this
Collection Creator:
Paredon Records  Search this
Silber, Irwin, 1925-2010  Search this
Dane, Barbara  Search this
Extent:
1 Phonograph record (analog, 33 1/3 rpm, 12 in.)
Culture:
Anglo-American  Search this
Americans  Search this
Type:
Archival materials
Phonograph records
Place:
California
Date:
1982
Track Information:
101. Working Class Woman / Barbara Dane.

103. Factory Girl / Barbara Dane.

104. Truck-Driving Woman / Barbara Dane.

102. Millworker / Barbara Dane.

203. You Will Be Paid / Barbara Dane.

201. Unemployment Compensation Blues / Barbara Dane.

202. Brother, Can You Spare a Dime? / Barbara Dane.

105. In the Earth, In the Grasses / Barbara Dane. Alfonso, Carlos

204. Song to a Child / Barbara Dane. Iijima, Chris

205. When We Make it Through / Barbara Dane.
Local Numbers:
Paredon.1046
Publication, Distribution, Etc. (Imprint):
New York, Paredon 1982
Restrictions:
Restrictions on access.
Collection Rights:
Copyright restrictions apply. Contact archives staff for additional information.
Topic:
Political ballads and songs  Search this
Protest songs  Search this
Popular music -- United States -- 1951-1960  Search this
Topical songs  Search this
Genre/Form:
Phonograph records
Collection Citation:
Paredon Records audiorecordings, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.PARE, Item Paredon.1046
See more items in:
Paredon Records audio recordings
Paredon Records audio recordings / Audio / Commercial Audio Recordings / Phonograph records
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk56c06f898-9d1d-48e7-b26b-bb8210238d7f
EDAN-URL:
ead_component:sova-cfch-pare-ref1170

FTA! Songs of the GI Resistance

Performer:
GI's (Musical group)  Search this
Dane, Barbara  Search this
Artist:
Dane, Barbara  Search this
Producer:
Dane, Barbara  Search this
Collection Creator:
Paredon Records  Search this
Silber, Irwin, 1925-2010  Search this
Dane, Barbara  Search this
Extent:
1 Phonograph record (analog, 33 1/3 rpm, 12 in.)
Culture:
Americans  Search this
Type:
Archival materials
Phonograph records
Place:
United States
Texas
Georgia
North Carolina
Date:
1970
Contents:
Join the GI movement --Hallelujah I'm a bum --Ballad of Richard Campos --Go tell it on the mountain --Just another day --We shall not be moved --Resistance hymn --Insubordination --Last drink with Don --Bring 'em home.
Track Information:
101 Join the GI Movement / GI's (Musical group), Barbara Dane.

102 Hallelujah, I'm a Bum / GI's (Musical group), Barbara Dane.

103 Ballad of Richard Campos / GI's (Musical group), Barbara Dane.

104 Go Tell it on the Mountain / GI's (Musical group), Barbara Dane.

105 Just Another Day / GI's (Musical group), Barbara Dane.

106 We Shall Not Be Moved / GI's (Musical group), Barbara Dane.

201 Resistance Hymn / GI's (Musical group), Barbara Dane.

202 Insubordination / GI's (Musical group), Barbara Dane.

203 Last Drink with Don / GI's (Musical group), Barbara Dane.

204 Bring 'Em Home / GI's (Musical group), Barbara Dane.
Local Numbers:
PA-COMM-LP-1003

Paredon.1003
Publication, Distribution, Etc. (Imprint):
Paredon 1970
General:
Commercial

These are songs in opposition to the U.S. involvement in the Vietnam War ì performed by active duty military personell. Words of the songs and notes by Irwin Silber and Barbara Dane (16 p.) inserted. Production notes: Recorded at Fort Hood, Texas, Fort Benning, Ga., and Fort Bragg, N.C.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Copyright restrictions apply. Contact archives staff for additional information.
Topic:
Political ballads and songs  Search this
Folksong revival  Search this
Protest songs  Search this
Topical songs  Search this
Vietnamese Conflict, 1961-1975  Search this
Military  Search this
Collection Citation:
Paredon Records audiorecordings, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.PARE, Item Paredon.1003
See more items in:
Paredon Records audio recordings
Paredon Records audio recordings / Audio / Commercial Audio Recordings / Phonograph records
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk54d2235e7-34f7-4c9e-b383-9ace51578ae0
EDAN-URL:
ead_component:sova-cfch-pare-ref1174

Lead Belly's Legacy, Vol. 4: Easy Rider

Creator:
Leadbelly, 1885-1949  Search this
Recordist:
Asch, Moses  Search this
Commentator:
Ramsey, Frederic, 1915-1995  Search this
Collection Creator:
Asch, Moses  Search this
Distler, Marian, 1919-1964  Search this
Folkways Records  Search this
Extent:
1 Phonograph record (analog, 33 1/3 rpm, 12 in.)
Type:
Archival materials
Phonograph records
Date:
1953
Track Information:
101 There's a Man Going Round Taking Names / (1:50)

102 Easy Rider / Guitar. (2:54)

103 Red Bird / Guitar. (2:59)

104 Line 'Em / Guitar. (1:17)

105 T.B. Blues / Guitar. (3:49)

201 Jim Crow Blues / Guitar. (2:30)

202 Bourgeois Blues / Guitar. (2:23)

203 Army Life / Guitar. (1:52)

204 Mr. Hitler (Hitler Song) / Guitar. (3:16)
Local Numbers:
FW02034

Folkways.2034
Publication, Distribution, Etc. (Imprint):
New York Folkways 1953.
Date/Time and Place of an Event Note:
Recorded in: New York, United States.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Copyright restrictions apply. Contact archives staff for additional information.
Topic:
Blues (Music)  Search this
Folk songs -- United States  Search this
Work songs  Search this
Military music  Search this
Topical songs  Search this
Collection Citation:
Moses and Frances Asch Collection, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.ASCH, Item FW02034
See more items in:
Moses and Frances Asch Collection
Moses and Frances Asch Collection / Series 9: Audio Recordings / RR
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk542b6af69-6222-41c9-8597-ea113439767e
EDAN-URL:
ead_component:sova-cfch-asch-ref16047
Online Media:

Sandhog : a folk opera

Performer:
Robinson, Earl, 1910-1991  Search this
Salt, Waldo  Search this
Collection Creator:
Asch, Moses  Search this
Distler, Marian, 1919-1964  Search this
Folkways Records  Search this
Extent:
1 Phonograph record (analog, 33 1/3 rpm, 12 in.)
Culture:
Americans  Search this
Type:
Archival materials
Phonograph records
Place:
United States
New York
Date:
1955
Contents:
Come down ; Johnny's cursing song --Johnny-O --Good old days --Song of the bends --By the glenside --Sandhog song -- Sweat song ; Fugue on a hot afternoon in a small flat -- T-W-I-N-S ; Katie O'Sullivan --Work song ; Death of Tim ; Sing sorrow --Ma, Ma, where's my dad? ; The greathead shield --In the tunnel ; Sam on the stick ; Cursing song -- Johnny-O (reprise) ; Sandhog song (finale).
Track Information:
101 Come Down / Earl Robinson, Waldo Salt.

101 Johnny's Cursing Song / Earl Robinson, Waldo Salt.

102 Johnny-O / Earl Robinson, Waldo Salt.

103 Good Old Days / Earl Robinson, Waldo Salt.

103 Song of the Bends / Earl Robinson, Waldo Salt.

104 By the Glenside / Earl Robinson, Waldo Salt.

105 Sandhog Song / Earl Robinson, Waldo Salt.

201 Sweat Song / Earl Robinson, Waldo Salt.

201 Fugue on a Hot Afternoon in a Small Flat / Earl Robinson, Waldo Salt.

202 Twins / Earl Robinson, Waldo Salt.

202 Katie O'Sullivan / Earl Robinson, Waldo Salt.

202 Work Song / Earl Robinson, Waldo Salt.

202 Death of Tim / Earl Robinson, Waldo Salt.

203 Sing Sorrow / Earl Robinson, Waldo Salt.

204 Ma, Ma Where's My Dad? / Earl Robinson, Waldo Salt.

204 The Greathead Shield / Earl Robinson, Waldo Salt.

204 In the Tunnel / Earl Robinson, Waldo Salt.

204 Sam on the Stick / Earl Robinson, Waldo Salt.

204 Cursing Song / Earl Robinson, Waldo Salt.

204 Johnny-O / Earl Robinson, Waldo Salt.

204 Sandhog Song / Earl Robinson, Waldo Salt.
Local Numbers:
FW-ASCH-LP-0442

Vanguard.9001
Publication, Distribution, Etc. (Imprint):
New York Vanguard 1955
General:
Program notes on container. Performer(s): Earl Robinson, singer and pianist ; Waldo Salt, narrator.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Copyright restrictions apply. Contact archives staff for additional information.
Topic:
Spoken word  Search this
Theater  Search this
Folksong revival  Search this
Topical songs  Search this
Collection Citation:
Moses and Frances Asch Collection, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.ASCH, Item FW-ASCH-LP-0442
See more items in:
Moses and Frances Asch Collection
Moses and Frances Asch Collection / Series 9: Audio Recordings / LP
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk570103948-fbe5-4979-b10e-c38c2ee03fce
EDAN-URL:
ead_component:sova-cfch-asch-ref16271

Ballads for Ballots

Performer:
Glazer, Joe  Search this
Names:
Nixon, Richard M. (Richard Milhous), 1913-1994  Search this
Collection Creator:
Asch, Moses  Search this
Distler, Marian, 1919-1964  Search this
Folkways Records  Search this
Extent:
1 Phonograph record (analog, 33 1/3 rpm, 12 in.)
Culture:
Americans  Search this
Anglo-American  Search this
Type:
Archival materials
Phonograph records
Place:
United States
Maryland
Contents:
Ballad of Richard Nixon (As a very young man I was asked to run) / These lyrics by Joe Glazer -- Dig down deep (First line: Come listen to me if you want to know) / by Ethyl Overby -- Democratic Party march (First line: The Democratic Party) -- A home for Checkers (First line: Do you recall the great election) / by Bob Kingsley and Joe Glazer -- Balance the budget (First line: I went down to Washington one sunny day) / by Joe Glazer -- I'm an old Republican (First line: I'm an old Republican you can bet your life I am) / by Joe Glazer -- Democratic victory train (First line: I've got a vote) -- I like Ike (First line: Now, I like Ike he's a friendly guy) / by Joe Glazer -- Sweet music in Washington (First line: There's gonna be sweet music in Washington).
Track Information:
101 The Democratic Party March / Guitar.

102 I Like Ike / Guitar.

103 A Home for Checkers / Guitar.

104 Balance the Budget / Guitar.

105 Democratic Victory Train / Guitar.

106 Sweet Music in Washington / Guitar.

107 The Ballad of Richard Nixon / Guitar.

108 Dig Down Deep / Guitar.

109 I'm an Old Republican / Guitar.
Local Numbers:
FW-COMM-LP-0879

Sound Studios.012
Publication, Distribution, Etc. (Imprint):
Washington, D.C. Sound Studios
General:
Commercial
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Copyright restrictions apply. Contact archives staff for additional information.
Topic:
Folksong revival  Search this
Topical songs  Search this
Political ballads and songs  Search this
Guitar  Search this
Elections  Search this
Collection Citation:
Moses and Frances Asch Collection, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.ASCH, Item FW-COMM-LP-0879
See more items in:
Moses and Frances Asch Collection
Moses and Frances Asch Collection / Series 9: Audio Recordings / LP
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5cd24f3d0-67ec-40e2-ac4e-5bc254719397
EDAN-URL:
ead_component:sova-cfch-asch-ref16570

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