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George Tooker papers, circa 1851-2010

Creator:
Tooker, George  Search this
Subject:
Bachinski, Walter  Search this
Bishop, Isabel  Search this
Cadmus, Paul  Search this
Christopher, William R  Search this
Kirstein, Lincoln  Search this
Dix, Otto  Search this
Peterson, Joan  Search this
Gonzalez, Xavier  Search this
Kirstein, Fidelma  Search this
Lynes, George Platt  Search this
Laning, Edward  Search this
Isaacson, Robert  Search this
Ginzburg, Ralph  Search this
Stamos, Theodoros  Search this
French, Margaret  Search this
Nordness, Lee  Search this
French, Jared  Search this
Wheeler, Monroe  Search this
Wescott, Glenway  Search this
Perlin, Bernard  Search this
Type:
Sketchbooks
Drawings
Scrapbooks
Record number:
(DSI-AAA_CollID)9251
(DSI-AAA_SIRISBib)211446
AAA_collcode_tookgeor
Theme:
Sketches & Sketchbooks
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211446
Online Media:

George Tooker interview, 1966

Creator:
Tooker, George  Search this
Alexander, Grace George  Search this
Type:
Sound recordings
Interviews
Topic:
Art, American  Search this
Painters -- New York (State) -- Interviews  Search this
Printmakers -- New York (State) -- New York -- Interviews  Search this
Record number:
(DSI-AAA_CollID)10665
(DSI-AAA_SIRISBib)214259
AAA_collcode_tookgeor2
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_214259

Oral history interview with Paul Cadmus, 1988 March 22-May 5

Interviewee:
Cadmus, Paul, 1904-1999  Search this
Interviewer:
Tully, Judd  Search this
Subject:
Auden, W. H. (Wystan Hugh)  Search this
Forster, E. M. (Edward Morgan)  Search this
French, Jared  Search this
Kirstein, Lincoln  Search this
Tooker, George  Search this
Type:
Sound recordings
Interviews
Topic:
Painters -- Interviews  Search this
Art -- Study and teaching -- New York (State) -- New York  Search this
Painting -- Technique  Search this
Record number:
(DSI-AAA_CollID)12619
(DSI-AAA_SIRISBib)216617
AAA_collcode_cadmus88
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_216617
Online Media:

Honoré Sharrer papers, circa 1920-2007

Creator:
Sharrer, Honoré Desmond, 1920-2009  Search this
Subject:
Kirstein, Lincoln  Search this
Miller, Dorothy Canning  Search this
Blume, Peter  Search this
Zagorin, Perez  Search this
Poland, Reginald  Search this
Bridaham, Lester Burbank  Search this
Caiserman-Roth, Ghitta  Search this
Carpenter, Mary  Search this
Calderwood, Kathy  Search this
Tooker, George  Search this
Crutchfield, Mary  Search this
Zagorin, Adam  Search this
Goodwin, Betty  Search this
Sachs, Honoré  Search this
Sharrer, Madeleine  Search this
Oda, Mayumi  Search this
American Academy of Arts and Letters  Search this
Terry Dintenfass, Inc.  Search this
Handmacher-Vogel, Inc.  Search this
Forum Gallery (New York, N.Y.)  Search this
Women's Caucus for Art  Search this
Type:
Sketchbooks
Photographs
Topic:
Painting -- Equipment and supplies  Search this
Realism in art  Search this
Record number:
(DSI-AAA_CollID)13391
(DSI-AAA_SIRISBib)259742
AAA_collcode_sharhono
Theme:
Women
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_259742
Online Media:

Robert Isaacson gallery records, 1952-1967

Creator:
Isaacson, Robert  Search this
Robert Isaacson Gallery  Search this
Subject:
Ross, Alvin  Search this
Schmidt, Katherine  Search this
Friedensohn, Elias  Search this
Dewing, Thomas Wilmer  Search this
Mayhew, Richard  Search this
Tooker, George  Search this
Nadelman, Elie  Search this
Wilde, John  Search this
Regensburg, Sophy  Search this
Record number:
(DSI-AAA_CollID)6873
(DSI-AAA_SIRISBib)209001
AAA_collcode_isaarobe
Theme:
The Art Market
Art Gallery Records
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209001

Jack Levine papers, 1923-1999

Creator:
Levine, Jack, 1915-2010  Search this
Subject:
Updike, John  Search this
Tooker, George  Search this
Sorini, Emiliano  Search this
Soyer, Raphael  Search this
Saint-Gaudens, Homer  Search this
Simon, Sidney  Search this
Yevtushenko, Yevgeny Aleksandrovich  Search this
Halpert, Edith Gregor  Search this
Goodrich, Lloyd  Search this
Gikow, Ruth  Search this
Friedan, Betty  Search this
Fleischman, Lawrence A. (Lawrence Arthur)  Search this
Dobkin, Alexander  Search this
Paul VI, Pope  Search this
D'Harnoncourt, Rene  Search this
Probst, Joachim  Search this
Levine, David  Search this
Lee, Gypsy Rose  Search this
Lawrence, Jacob  Search this
Lasansky, Mauricio  Search this
Bocour, Leonard  Search this
Cadmus, Paul  Search this
Close, Chuck  Search this
Coen, Eleanor  Search this
Arms, John Taylor  Search this
Barnet, Will  Search this
Bloom, Hyman  Search this
Weber, Max  Search this
Peterdi, Gabor  Search this
Terkel, Studs  Search this
Hirsch, Joseph  Search this
American Academy and Institute of Arts and Letters  Search this
Jewish Museum (New York, N.Y.)  Search this
Type:
Student drawings
Photographs
Scrapbooks
Drawings
Topic:
Painting, American  Search this
Social realism  Search this
Painters -- Massachusetts -- Boston  Search this
Jewish artists  Search this
Painters -- New York (State) -- New York  Search this
Painting, Modern -- 20th century -- United States  Search this
Printmakers -- New York (State) -- New York  Search this
Record number:
(DSI-AAA_CollID)9139
(DSI-AAA_SIRISBib)211333
AAA_collcode_levijack
Theme:
Art Movements and Schools
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211333
Online Media:

George Platt Lynes photographs, 1926-1950

Creator:
Lynes, George Platt, 1907-1955  Search this
Subject:
Lynes, George Platt  Search this
Bacon, Peggy  Search this
Berman, Eugene  Search this
Biddle, George  Search this
Billings, Henry  Search this
Brook, Alexander  Search this
Cadmus, Paul  Search this
Chagall, Marc  Search this
Chaliapin, Boris  Search this
Dunoyer de Segonzac, André  Search this
French, Jared  Search this
Hartley, Marsden  Search this
Hopper, Edward  Search this
Kokoschka, Oskar  Search this
Lachaise, Gaston  Search this
Lurçat, Jean  Search this
Noguchi, Isamu  Search this
Perlin, Bernard  Search this
Roy, Pierre  Search this
Saint-Gaudens, Homer  Search this
Tanguy, Yves  Search this
Tchelitchew, Pavel  Search this
Tooker, George  Search this
Zadkine, Ossip  Search this
Zorach, William  Search this
Pène Du Bois, Guy  Search this
Topic:
Photography, Modern -- 20th century -- New York (State) -- New York  Search this
Artists -- Photographs  Search this
Portrait photography  Search this
Record number:
(DSI-AAA_CollID)9189
(DSI-AAA_SIRISBib)211384
AAA_collcode_lynegeor
Theme:
Photography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211384

Thomas H. Garver research material on Bruce Conner and George Tooker, 1973-1974

Creator:
Garver, Thomas H.  Search this
Subject:
Conner, Bruce  Search this
Tooker, George  Search this
Type:
Interviews
Sound recordings
Topic:
Artists -- California -- Interviews  Search this
Art, American -- California  Search this
Record number:
(DSI-AAA_CollID)9386
(DSI-AAA_SIRISBib)211583
AAA_collcode_garvthom
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211583

William Christopher papers, circa 1920s-circa 1973

Creator:
Christopher, William R, 1924-1973  Search this
Subject:
Tooker, George  Search this
Archer, Osceola  Search this
Von Mohrenschildt, Dimitri Sergius  Search this
Perlin, Bernard  Search this
French, Margaret  Search this
Crapo, Henry H.  Search this
King, Martin Luther, Jr.  Search this
Howard, Charles  Search this
Selma to Montgomery Rights March  Search this
Type:
Drawings
Diaries
Motion pictures (visual works)
Sketches
Sketchbooks
Photographs
Topic:
Civil rights demonstrations -- Alabama -- Selma  Search this
Civil rights -- United States  Search this
African Americans -- Civil rights  Search this
Record number:
(DSI-AAA_CollID)7418
(DSI-AAA_SIRISBib)209576
AAA_collcode_chriwill
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209576
Online Media:

American Federation of Arts records, 1895-1993, bulk bulk 1909-1969

Creator:
American Federation of Arts  Search this
Subject:
Albers, Anni  Search this
Albers, Josef  Search this
Albert, Calvin  Search this
Day, Worden  Search this
De Diego, Julio  Search this
Daumier, Honoré  Search this
Coen, Eleanor  Search this
Conover, Robert F. (Robert Fremont)  Search this
Citron, Minna Wright  Search this
Clements, Geoffrey  Search this
Chase, William Merritt  Search this
Chesney, Lee  Search this
Casarella, Edmond  Search this
Chagall, Marc  Search this
Breuer, Marcel  Search this
Brooks, James  Search this
Braque, Georges  Search this
Blume, Peter  Search this
Bishop, Isabel  Search this
Bingham, George Caleb  Search this
Bertoia, Harry  Search this
Berman, Eugene  Search this
Bellows, George  Search this
Baziotes, William  Search this
Avery, Milton  Search this
Arp, Jean  Search this
Knaths, Karl  Search this
Antreasian, Garo Z.  Search this
Altman, Harold  Search this
Yunkers, Adja  Search this
Xceron, Jean  Search this
Wyeth, Andrew  Search this
Wines, James  Search this
Zorach, Marguerite  Search this
Zoellner, Richard  Search this
Zerbe, Karl  Search this
Zao, Wou-ki  Search this
Weber, Max  Search this
Sheeler, Charles  Search this
Watkins, Franklin Chenault  Search this
Walkowitz, Abraham  Search this
Wald, Sylvia  Search this
Whiting, Frederic Allen  Search this
Weir, Julian Alden  Search this
Reinhardt, Ad  Search this
Zorach, William  Search this
Gonzalez, Xavier  Search this
O'Keeffe, Georgia  Search this
Demuth, Charles  Search this
Picasso, Pablo  Search this
Nevelson, Louise  Search this
Santomaso, Giuseppe  Search this
Saetti, Bruno  Search this
Sato, Tadashi  Search this
Sargent, John Singer  Search this
Lipchitz, Jacques  Search this
Roszak, Theodore  Search this
Rivers, Larry  Search this
Ryder, Albert Pinkham  Search this
Prendergast, Maurice Brazil  Search this
Rouault, Georges  Search this
Seligmann, Kurt  Search this
Schramm, James S.  Search this
Shahn, Ben  Search this
Whittredge  Search this
Schanker, Louis  Search this
Savelli, Angelo  Search this
Schrag, Karl  Search this
Schongauer, Martin  Search this
Peterdi, Gabor  Search this
Pollock, Jackson  Search this
Porter, Fairfield  Search this
Oliveira, Nathan  Search this
Parks, Gordon  Search this
Feininger, Lyonel  Search this
Perlmutter, Jack  Search this
Rauschenberg, Robert  Search this
Callahan, Kenneth  Search this
Rembrandt Harmenszoon van Rijn  Search this
Renoir, Auguste  Search this
Pozzatti, Rudy  Search this
Sloan, John  Search this
Ratkai, George  Search this
Rattner, Abraham  Search this
Tomlin, Bradley Walker  Search this
Tobey, Mark  Search this
Tiepolo, Giovanni Domenico  Search this
Tiepolo, Giovanni Battista  Search this
Thrall, Arthur  Search this
Thon, William  Search this
Pereira, I. Rice (Irene Rice)  Search this
Tchelitchew, Pavel  Search this
Tamayo, Rufino  Search this
Von Wiegand, Charmion  Search this
Von Wicht, John  Search this
Vespignani, Renzo  Search this
Luks, George Benjamin  Search this
Tworkov, Jack  Search this
Turner, J. M. W. (Joseph Mallord William)  Search this
Treiman, Joyce  Search this
Tooker, George  Search this
Steg, J. L.  Search this
Steichen, Edward  Search this
Spruance, Benton  Search this
Soyer, Raphael  Search this
Spaeth, Eloise  Search this
Smith, David  Search this
Suzuki, James  Search this
Takal, Peter  Search this
Stone, Edward Durell  Search this
Summers, Carol  Search this
Sterne, Maurice  Search this
Stieglitz, Alfred  Search this
Stella, Joseph  Search this
Sterne, Hedda  Search this
Burchfield, Charles Ephraim  Search this
George, Thomas  Search this
Gatch, Lee  Search this
Adams, Ansel  Search this
Goodnough, Robert  Search this
Goya, Francisco  Search this
Gottlieb, Adolph  Search this
Gwathmey, Robert  Search this
Graves, Morris  Search this
Hartley, Marsden  Search this
Hartigan, Grace  Search this
Hayter, Stanley William  Search this
Hassam, Childe  Search this
Henri, Robert  Search this
Heliker, John Edward  Search this
Baskin, Leonard  Search this
Hopper, Edward  Search this
Hofmann, Hans  Search this
De Kooning, Willem  Search this
De Rivera, José Ruiz  Search this
Degas, Edgar  Search this
Diebenkorn, Richard  Search this
Dove, Arthur Garfield  Search this
Levine, Jack  Search this
Dubuffet, Jean  Search this
Eakins, Thomas  Search this
Eilshemius, Louis M. (Louis Michel)  Search this
Ernst, Jimmy  Search this
Fine, Perle  Search this
Force, Juliana  Search this
Francis, Sam  Search this
Frasconi, Antonio  Search this
Meeker, Dean  Search this
Mechlin, Leila  Search this
Marsh, Reginald  Search this
Marin, John  Search this
Moore, Henry  Search this
Moller, Hans  Search this
Miró, Joan  Search this
Frankenthaler, Helen  Search this
Neuberger, Roy R.  Search this
Murch, Walter  Search this
Stamos, Theodoros  Search this
Moy, Seong  Search this
Morris, George L. K.  Search this
Okada, Kenzo  Search this
Barnet, Will  Search this
Nicholson, Ben  Search this
Kahn, Max  Search this
Kelly, Ellsworth  Search this
Jones, John Paul  Search this
Jorn, Asger  Search this
Kohn, Misch  Search this
Kienbusch, William  Search this
Klee, Paul  Search this
Crawford, Ralston  Search this
Kuniyoshi, Yasuo  Search this
Lawrence, Jacob  Search this
MacIver, Loren  Search this
James McNeill Whistler  Search this
Margo, Boris  Search this
Léger, Fernand  Search this
Architectural League of New York  Search this
Metropolitan Museum of Art (New York, N.Y.)  Search this
Virginia Museum of Fine Arts  Search this
Type:
Sound recordings
Exhibition catalogs
Photographs
Lantern slides
Administrative records
Topic:
Traveling exhibitions  Search this
Art -- Exhibitions  Search this
Art, American  Search this
Record number:
(DSI-AAA_CollID)5411
(DSI-AAA_SIRISBib)209113
AAA_collcode_amerfeda
Theme:
The Art Market
Lives of American Artists
American Art and Artists in a Global Context
Communities, Organizations, Museums
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209113
Online Media:

Isabel Bishop papers, 1914-1983

Creator:
Bishop, Isabel, 1902-1988  Search this
Subject:
Delevante, Sidney  Search this
Deutsch, Babette  Search this
Ciardi, John  Search this
Cunningham, Merce  Search this
Ferber, Edna  Search this
Folinsbee, John Fulton  Search this
Canaday, John  Search this
Dickinson, Edwin Walter  Search this
Evergood, Philip  Search this
Arms, John Taylor  Search this
Chappell, Warren  Search this
Blume, Peter  Search this
Brooks, Van Wyck  Search this
Zorach, William  Search this
Watkins, Franklin Chenault  Search this
Westcott, Glenway  Search this
Soyer, Raphael  Search this
Moore, Marianne  Search this
Tooker, George  Search this
Van Veen, Stuyvesant  Search this
Hopper, Jo N. (Josephine Nivison)  Search this
Vonnegut, Kurt  Search this
Porter, Fairfield  Search this
Rattner, Abraham  Search this
Bacon, Peggy  Search this
Schmidt, Katherine  Search this
Mumford, Lewis  Search this
Neel, Alice  Search this
Pittman, Hobson Lafayette  Search this
Leighton, Clare  Search this
Schnakenberg, H. E. (Henry Ernest)  Search this
Lattimore, Richmond Alexander  Search this
Marsh, Reginald  Search this
Kitaj, R. B.  Search this
Kearns, James  Search this
Laning, Edward  Search this
Kroll, Leon  Search this
Hoffman, Malvina  Search this
Force, Juliana  Search this
Johnson, Una E.  Search this
American Society of Painters, Sculptors and Gravers  Search this
New Society of Artists (New York, N.Y.)  Search this
Type:
Watercolors
Sketches
Photographs
Prints
Sketchbooks
Illustrated letters
Topic:
Painters -- New York (State) -- New York  Search this
Realism in art  Search this
Record number:
(DSI-AAA_CollID)9195
(DSI-AAA_SIRISBib)211390
AAA_collcode_bishisab
Theme:
Sketches & Sketchbooks
Women
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211390
Online Media:

Isabel Bishop papers

Creator:
Bishop, Isabel, 1902-1988  Search this
Names:
American Society of Painters, Sculptors and Gravers  Search this
New Society of Artists (New York, N.Y.)  Search this
Arms, John Taylor, 1887-1953  Search this
Bacon, Peggy, 1895-1987  Search this
Blume, Peter, 1906-1992  Search this
Brooks, Van Wyck, 1886-1963  Search this
Canaday, John, 1907-1985  Search this
Chappell, Warren, 1904-  Search this
Ciardi, John, 1916-  Search this
Cunningham, Merce  Search this
Delevante, Sidney, 1894-  Search this
Deutsch, Babette, 1895-1982  Search this
Dickinson, Edwin Walter, 1891-  Search this
Evergood, Philip, 1901-1973  Search this
Ferber, Edna, 1887-1968  Search this
Folinsbee, John Fulton, 1892-1972  Search this
Force, Juliana, 1876-1948  Search this
Hoffman, Malvina  Search this
Hopper, Jo N. (Josephine Nivison), 1883-1968  Search this
Johnson, Una E.  Search this
Kearns, James  Search this
Kitaj, R. B.  Search this
Kroll, Leon, 1884-1974  Search this
Laning, Edward, 1906-  Search this
Lattimore, Richmond Alexander, 1906-1984  Search this
Leighton, Clare, 1899-  Search this
Marsh, Reginald, 1898-1954  Search this
Moore, Marianne, 1887-1972  Search this
Mumford, Lewis, 1895-1990  Search this
Neel, Alice, 1900-1984  Search this
Pittman, Hobson Lafayette, 1899 or 1900-1972  Search this
Porter, Fairfield  Search this
Rattner, Abraham  Search this
Schmidt, Katherine, 1898-1978  Search this
Schnakenberg, H. E. (Henry Ernest), 1892-1970  Search this
Soyer, Raphael, 1899-1987  Search this
Tooker, George  Search this
Van Veen, Stuyvesant  Search this
Vonnegut, Kurt  Search this
Watkins, Franklin Chenault, 1894-1972  Search this
Westcott, Glenway  Search this
Zorach, William, 1887-1966  Search this
Extent:
2.6 Linear feet
Type:
Collection descriptions
Archival materials
Watercolors
Sketches
Photographs
Prints
Sketchbooks
Illustrated letters
Date:
1914-1983
Summary:
The papers of realist painter Isabel Bishop date from 1914 to 1983 and measure 2.6 linear feet. The collection documents Bishop's painting career, her friendship with other artists, and her participation in several arts organizations. There are scattered biographical documents, correspondence with fellow artists such as Peggy Bacon, Warren Chappell, Edward Laning, and R. B. Kitaj, and with writers, curators, museums, galleries, arts organizations, and others. Also found are arts organization files, Bishop's writings about Warren Chappell and friend Reginald Marsh, notes, exhibition catalogs, news clippings, and other printed material, photographs of Bishop and her artwork, and photographs of Reginald and Felicia Marsh. Original artwork includes 8 sketchbooks, loose sketches, prints, and watercolor figure studies.
Scope and Content Note:
The papers of realist painter Isabel Bishop date from 1914 to 1983 and measure 2.6 linear feet. The collection documents Bishop's painting career, her friendship with other artists, and her participation in several arts organizations. Scattered biographical documents include awards and a file on her participation in art juries.

Bishop was friends with many artists and cultural figures and her correspondence includes letters to and from artists such as John Taylor Arms, Peggy Bacon, Peter Blume, Warren Chappell (many letters from Chappell are illustrated), Sidney Delevante, Edwin Dickinson, Philip Evergood, John Folinsbee, Malvina Hoffman, Jo Hopper, James Kearns, Leon Kroll, Clare Leighton, Jack Levine, Alice Neel, Hobson Pittman, Fairfield Porter, Abraham Rattner, Katherine Schmidt, Henry Schnakenberg, Raphael Soyer, George Tooker, Stuyvesant Van Veen, Franklin Watkins, Mahonri Young, and William Zorach. Bishop not only corresponded with artists but also many poets, authors, historians, and dancers, such as Van Wyck Brooks, John Canaday, John Ciardi, Merce Cunningham, Babette Deutsch, Edna Ferber, Richmond Lattimore, Marianne Moore, Lewis Mumford, Kurt Vonnegut, and Glenway Westcott. Also found are letters from many galleries, museums, and schools which exhibited or purchased her work, including curators Juliana Force and Una Johnson.

Bishop kept files from her affiliations with the American Society of Painters, Sculptors, and Gravers and the New Society of Artists, containing mostly membership and financial records, and a file on a UNESCO conference. Unfortunately, files documenting her membership and vice presidency of the National Institute of Arts & Letters are not found here.

A small amount of Bishop's writings and notes include essays about friends and artists Reginald Marsh and Warren Chappell. Printed material consists of exhibition catalogs and announcements, news clippings, magazines, and a design by G. Alan Chidsey for a book about Bishop. Photographs depict Bishop with her husband and in her studio, her artwork, and also include three photographs of her friend, Reginald Marsh.

Original artwork includes eight small sketchbooks, loose pen and ink sketches, intaglio prints, watercolor figure studies, and a drawing of Bishop by Aaron Bohrod.
Arrangement:
The collection is arranged into 7 series:

Series 1: Biographical Material, 1943-1975 (Box 1; 4 folders)

Series 2: Correspondence, 1939-1983 (Box 1; 0.6 linear feet)

Series 3: Organization Files, 1924-1937, 1951-1952 (Box 1; 0.2 linear feet)

Series 4: Writings & Notes, 1937-1960s (Box 1; 4 folders)

Series 5: Printed Material, 1930-1979 (Box 2; 0.6 linear feet)

Series 6: Photographs, 1914, circa 1920s-1975 (Box 2, OV 5; 0.2 linear feet)

Series 7: Artwork, circa 1940s-1970s (Box 2-4, OV 5; 0.4 linear feet)
Biographical Note:
Isabel Bishop (1902-1988) was born in Cincinnati, Ohio to John Remsen Bishop and Anna Bartram Newbold Bishop. Shortly after her birth the family moved to Detroit, Michigan. As a child Bishop took art classes and had a growing interest in drawing. In 1918 at the age of 16 she left home and moved to New York City where she enrolled in the School of Applied Design for Women to be an illustrator. However, her real interest was in painting, not the graphic arts, and she enrolled in the Art Students League in 1920. There she studied with Kenneth Hayes Miller and Guy Pene du Bois and met many young artists, including Reginald Marsh and Edwin Dickinson, both of whom became close friends. She took classes until 1924 and rented a studio and living space on 14th Street in a neighborhood where many artists maintained studios at the time.

Bishop began exhibiting her work and participated in artist groups, including the Whitney Studio Club and the New Society of Artists. During the 1920s and 1930s she developed a realist style of painting, primarily depicting women in their daily routine on the streets of Manhattan. Her work was greatly influenced by Peter Paul Rubens and other Dutch and Flemish painters that she had discovered during trips to Europe. In 1932 Bishop began showing her work frequently at the newly opened Midtown Galleries, where her work would be represented throughout her career.

In 1934 she married Harold Wolff, a neurologist, and moved with him to Riverdale, New York. Bishop kept her studio in Manhattan, moving from 14th Street to Union Square. She remained in her Union Square studio for fifty years (1934-1984). From 1936 to 1937 she taught at the Art Students League and in 1940 her son Remsen was born. In 1941 she was named a member of the National Academy of Design and from 1944 to 1946 she was the Vice President of the National Institute of Arts & Letters, the first woman to hold an executive position with that organization. She wrote articles and joined other artists in speaking out in support of realist painting and against the abstract style that was dominating the New York art scene.

During her long career which lasted into the 1980s, Bishop exhibited in numerous group and solo exhibitions, traveled throughout the U. S. as an exhibition juror, and won many awards for her work, including the award for Outstanding Achievement in the Arts presented by President Jimmy Carter in 1979.
Related Material:
Also found at the Archives of American Art are three oral history interviews with Isabel Bishop, April 15, 1959, May 29, 1959, and November 12-December 11, 1987.

The Whitney Museum of American Art and Midtown Galleries loaned additional Bishop papers to the Archives for microfilming on reels NY59-4 and NY59-5. These items were returned to the lenders after microfilming and are not described in the container listing of this finding aid.
Provenance:
The collection was donated in several installments by Isabel Bishop from 1959 to 1983.
Restrictions:
The collection has been digitized and is available online via AAA's website.
Rights:
The Isabel Bishop papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Painters -- New York (State) -- New York  Search this
Realism in art  Search this
Genre/Form:
Watercolors
Sketches
Photographs
Prints
Sketchbooks
Illustrated letters
Citation:
Isabel Bishop papers, 1914-1983. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.bishisab
See more items in:
Isabel Bishop papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-bishisab
Online Media:

Jack Levine papers

Creator:
Levine, Jack, 1915-2010  Search this
Names:
American Academy and Institute of Arts and Letters  Search this
Jewish Museum (New York, N.Y.)  Search this
Arms, John Taylor, 1887-1953  Search this
Barnet, Will, 1911-2012  Search this
Bloom, Hyman, 1913-  Search this
Bocour, Leonard, 1910-1993  Search this
Cadmus, Paul, 1904-1999  Search this
Close, Chuck, 1940-  Search this
Coen, Eleanor, 1916-  Search this
D'Harnoncourt, Rene, 1901-1968  Search this
Dobkin, Alexander, 1908-  Search this
Fleischman, Lawrence A. (Lawrence Arthur), 1925-1997  Search this
Friedan, Betty  Search this
Gikow, Ruth, 1915-1982  Search this
Goodrich, Lloyd, 1897-1987  Search this
Halpert, Edith Gregor, 1900-1970  Search this
Hirsch, Joseph, 1910-1981  Search this
Lasansky, Mauricio, 1914-  Search this
Lawrence, Jacob, 1917-2000  Search this
Lee, Gypsy Rose, 1914-1970  Search this
Levine, David, 1926-2009  Search this
Paul VI, Pope, 1897-1978  Search this
Peterdi, Gabor  Search this
Probst, Joachim  Search this
Saint-Gaudens, Homer, b. 1880  Search this
Simon, Sidney, 1917-  Search this
Sorini, Emiliano  Search this
Soyer, Raphael, 1899-1987  Search this
Terkel, Studs, 1912-2008  Search this
Tooker, George  Search this
Updike, John  Search this
Weber, Max, 1881-1961  Search this
Yevtushenko, Yevgeny Aleksandrovich, 1933-  Search this
Extent:
3.2 Linear feet
Type:
Collection descriptions
Archival materials
Student drawings
Photographs
Scrapbooks
Drawings
Date:
1923-1999
Summary:
The papers of New York social realist painter and printmaker Jack Levine date from 1923-1999, and measure 3.2 linear feet. Levine's career is documented through biographical material, scattered letters, notes and a speech, writings, student drawings, three scrapbooks, printed material and nearly one linear foot of photographs of Levine, his family, and his colleagues.
Scope and Contents:
The papers of New York social realist painter and printmaker Jack Levine date from 1923-1999, and measure 3.2 linear feet. Levine's career is documented through biographical material, scattered letters, notes and a speech, writings, student drawings, three scrapbooks, printed material and nearly one linear foot of photographs of Levine, his family, and his colleagues.

Found within the papers are two driver's licenses and several biographical accounts, and scattered letters from colleagues including one each from John Taylor Arms, Hyman Bloom, Leonard Bocour, René d'Harnoncourt, Lloyd Goodrich, Jacob Lawrence, and Homer Saint-Gaudens discussing various art-related events. There is only one carbon copy of a letter written by Levine. The correspondence includes oversized photographs of the members of the American Academy of Arts and Letters. Additional photographs of the members are found in the Photograph series.

Notes and writings are primarily typescripts about Jack Levine written by others. There is also a transcript of one speech, "Jack Levine Speaks Regarding the Donation of 108 of his Drawings to the Archives" delivered by Levine at the Fogg Art Museum.

Artwork consists entirely of Levine's student drawings including anatomical studies, neighborhood genre scenes, copies of Old Masters, and a series of images of symphony musicians. Some of the drawings display themes that are reflected in his later paintings.

Three scrapbooks contain clippings that document Levine's career and reflect his political interests. Additional printed material consists of a comprehensive collection of clippings and exhibition announcements and catalogs. There is also an announcement for a lecture by Levine, press releases, calendars of events, reproductions of artwork, programs, brochures including one for Facing East, a portfolio of Levine's prints, and three books.

Photographs include numerous photographs of Levine throughout his artistic career, including images of his wife, painter Ruth Gikow, their daughter Susanna, and colleagues including Hyman Bloom, Leonard Bocour, Alexander Dobkin, Joachim Probst, and Russian poet Yevgeny Yevtushenko. Especially notable is a series of photographs of Levine printmaking with Emiliano Sorini and Ruth Gikow.

There are photographs of Levine serving on art juries and panels with Eleanor Coen, Joseph Hirsch, Gabor Peterdi, Studs Terkel, and Max Weber, and attending events with Lawrence Fleischman, Betty Friedan, Edith Halpert, Mauricio Lasansky, Gypsy Rose Lee, Pope Paul VI, and Raphael Soyer. A small album contains photographs of Levine and various buildings in Boston. There are also photographs of miscellaneous exhibition installations including Levine's retrospective at the Jewish Museum, and of artwork by Levine and others.

Group photographs of the members of the American Academy of Arts and Letters are found here, and include Will Barnet, Paul Cadmus, Chuck Close, David Levine, George Tooker, and John Updike. Additional group photographs of the members that were originally enclosed with letters are found in the correspondence series.
Arrangement:
The collection is arranged as 7 series:

Series 1: Biographical Material, 1953-1955 (Box 1; 1 folder)

Series 2: Letters, 1946-1996 (Boxes 1, 5; 12 folders)

Series 3: Notes and Writings, 1961-1974 (Box 1; 6 folders)

Series 4: Artwork, 1923-1931 (Boxes 1, 5, OV 6; 11 folders)

Series 5: Scrapbooks, 1936-1962 (Boxes 1, 5; 16 folders)

Series 6: Printed Material, 1938-1999 (Boxes 1-3, 5, OV 6; 1.9 linear feet)

Series 7: Photographs, 1940-1998 (Boxes 3-5, OV 6; 52 folders)
Biographical / Historical:
Jack Levine (1915-2010) was born in Boston, Massachusetts and worked as painter and printmaker primarily in New York City. Levine was one of the leading painters and advocates of the Social Realism School of the late 1930s.

Jack Levine was the youngest of the eight children of Lithuanian Jewish parents, Mary Grinker and Samuel Levine. After the family moved from the South End of Boston to Roxbury in 1923, Levine began to study drawing under Harold Zimmerman at the School of the Boston Museum of Fine Arts. By 1929, Levine was studying painting under Denman Ross of the Fogg Art Museum.

From 1935-1940, Levine received U.S. government support from the federal Works Progress Administration. His first exhibition of paintings in New York City was at the Museum of Modern Art. In 1937, he painted The Feast of Pure Reason, a satire of Boston political power. Together with Ben Shahn, Levine became a leading exponent of the Social Realism School of the late 1930s. His first one-man show was held at the Downtown Gallery in New York City in 1938.

After serving in the U.S. Army during World War II, Levine was awarded a Guggenheim Fellowship in 1945, and a grant from the American Academy of Arts and Letters the following year. Also in 1946, Levine married painter Ruth Gikow and moved to New York City. Between 1950 and 1951, he was a Fulbright Fellow working in Rome where he was inspired by Old Master paintings. In the 1960s Levine's interest in printmaking intensified and he was instructed in creating intaglio prints by Emiliano Sorini, and was introduced to Abe Lublin who was associated with the New York Graphic Society.

Levine taught at the Art Institute of Chicago, the Pennsylvania Academy of the Fine Arts, the American Art School in New York, and the Skowhegan School of Painting and Sculpture. His work is in the collections of the Metropolitan Museum, the Museum of Modern Art, the Whitney Museum of American Art, Boston Museum of Fine Arts, and the Fogg Art Museum. He was a member of the American Academy of Arts and Letters from 1956 on.

The D.C. Moore Gallery in New York City currently represents the Estate of Jack Levine.
Provenance:
Jack Levine donated his papers to the Archives in 1962, 1978, and 1999.
Restrictions:
Use of original papers requires an appointment and limited to the Washington, D.C. Reference Center.
Rights:
The Jack Levine papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Painting, American  Search this
Social realism  Search this
Painters -- Massachusetts -- Boston  Search this
Jewish artists  Search this
Painters -- New York (State) -- New York  Search this
Painting, Modern -- 20th century -- United States  Search this
Printmakers -- New York (State) -- New York  Search this
Genre/Form:
Student drawings
Photographs
Scrapbooks
Drawings
Citation:
Jack Levine papers, 1923-1999. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.levijack
See more items in:
Jack Levine papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-levijack
Online Media:

Oral history interview with Paul Cadmus

Interviewee:
Cadmus, Paul, 1904-1999  Search this
Interviewer:
Tully, Judd  Search this
Names:
Auden, W. H. (Wystan Hugh), 1907-1973  Search this
Forster, E. M. (Edward Morgan), 1879-1970  Search this
French, Jared, 1905-1988  Search this
Kirstein, Lincoln, 1907-  Search this
Tooker, George  Search this
Extent:
183 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1988 March 22-May 5
Scope and Contents:
An interview of Paul Cadmus conducted 1988 March 22-May 5, by Judd Tully, for the Archives of American Art. Cadmus speaks of his childhood and family background; his early interest in art; studying at the National Academy of Design; his early career; traveling to Europe in the 1930s; getting on the WPA Federal Art Project; controversies involving some of his paintings; changes in technique; his inspirations; his affiliation with Midtown Galleries. He recalls Jared French, Lincoln Kirstein, George Tooker, E.M. Forster, and W.H. Auden.
Biographical / Historical:
Paul Cadmus (1904-1999) was a painter from Weston, Connecticut.
General:
Originally recorded on 5 sound cassettes. Reformatted in 2010 as 9 digital wav files. Duration is 5 hr., 59 min.
Provenance:
This interview is part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Topic:
Painters -- Interviews  Search this
Art -- Study and teaching -- New York (State) -- New York  Search this
Painting -- Technique  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.cadmus88
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-cadmus88

George Tooker interview

Creator:
Tooker, George  Search this
Interviewer:
Alexander, Grace George  Search this
Extent:
1 sound tape ; (8 p. transcript) (5 in.)
Type:
Collection descriptions
Archival materials
Sound recordings
Interviews
Date:
1966
Scope and Contents:
Interview of George Tooker conducted by Grace G. Alexander for radio station WNYC, New York City.
Biographical / Historical:
Painter, printmaker; New York, N.Y.
Provenance:
Donor unspecified.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Topic:
Art, American  Search this
Painters -- New York (State) -- Interviews  Search this
Printmakers -- New York (State) -- New York -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.tookgeor2
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-tookgeor2

George Tooker papers

Creator:
Tooker, George, 1920-2011  Search this
Names:
Bachinski, Walter  Search this
Bishop, Isabel, 1902-1988  Search this
Cadmus, Paul, 1904-1999  Search this
Christopher, William R, 1924-1973  Search this
Dix, Otto, 1891-1969  Search this
French, Jared, 1905-1988  Search this
French, Margaret  Search this
Ginzburg, Ralph  Search this
Gonzalez, Xavier, 1898-1993  Search this
Isaacson, Robert  Search this
Kirstein, Fidelma  Search this
Kirstein, Lincoln, 1907-  Search this
Laning, Edward, 1906-  Search this
Lynes, George Platt, 1907-1955  Search this
Nordness, Lee  Search this
Perlin, Bernard, 1918-  Search this
Peterson, Joan, 1933-  Search this
Stamos, Theodoros, 1922-1997  Search this
Wescott, Glenway, 1901-  Search this
Wheeler, Monroe, 1899-  Search this
Extent:
5.1 Linear feet
Type:
Collection descriptions
Archival materials
Sketchbooks
Drawings
Scrapbooks
Date:
circa 1851-2010
Summary:
The papers of painter George Tooker measure 5.1 linear feet and date from circa 1851 to 2010. The papers document Tooker's personal and professional life through biographical material, correspondence, project files, gallery files, exhibition files, printed material, artwork and one sketchbook, and numerous photographs, including some taken by noted photographer George Platt Lynes.
Scope and Contents:
The papers of painter George Tooker measure 5.1 linear feet and date from circa 1851 to 2010. The papers document Tooker's personal and professional life through biographical material, correspondence, project files, gallery files, exhibition files, printed material, artwork and one sketchbook, and numerous photographs, including some taken by noted photographer George Platt Lynes.

Biographical material consists of membership and travel documents, writings on and by Tooker on his circle, an address book, resume, and papers regarding Tooker's education. Also included are biographical material related to Tooker's partner William Christopher who passed in 1973. A 1978 interview with Vermont Public radio on two sound reels is also featured.

Correspondence is with friends, colleagues, and organizations. Correspondents include Isabel Bishop, Paul Cadmus, Walter Bachinski, William Christopher, Otto Dix, Jared and Margaret French, Ralph Ginzburg, Xavier Gonzalez, Robert Isaacson, Edward Laning, Lincoln Kirstein, Lee Nordness, Bernard Perlin, Joan Peterson, Theodore Stamos, Bridget Tichenor, and others. Also included are family correspondence and correspondence regarding the Estate of William Christopher.

Project files document Tooker's commissions including the set and costume design for Gian-Carlo Menotti's opera The Saint of Bleecker Street and Tooker's participation in the selection of candidates for the Vestris Prize for Choreography. Files contain correspondence, business documents, printed ephemera, sketches, photographs, three volumes of vocal scores, and textile samples.

Gallery records include business correspondence and consignments with various key galleries in Tooker's career spanning the 1960s to the end of his career including D.C. Moore Gallery, Marisa Del Re Gallery, and Durlacher Bros..

Exhibition records include documents regarding the organization of several select exhibitions in Tooker's career incuding an early retrospective at the Fine Arts Museums of San Francisco (1974) and a later traveling retrospective from 2008-2009.

Printed material consists of invitations, press releases, news clippings and exhibition catalogs documenting the careers of both George Tooker and William Christopher.

Artwork includes numerous sketchbooks, loose drawings, and sketches from Tooker's studies at the Art Students' League in the mid 1940s, in addition to an early ex-libris print created by Tooker in his youth. Also included is a sketchbook by William Christopher, as well as a study for the work The Subway, in the collection of the Whitney Museum of American Art.

Photographic materials depict Tooker's family life as well as his early artistic collaborations depicted in a number of black and white photographs taken by George Platt Lynes and PaJaMa in the mid to late 1940s. A majority of the photographs depict artists and friends, among them: George Tooker and his companion William Christopher, Paul Cadmus, Jared and Margaret French, Lincoln and Fidelma Kirstein, Glenway Wescott, Monroe Wheeler, and Bridget Tichenor. Other photographs are of Tooker building his home, gardening, and working in his studio in Hartland, Vermont. Also included are installation views from the exhibition Painting in the United States (1949) at the Carnegie Institute in Pennsylvania. There are also a fair amount of photographs, transparencies, slides and negatives documenting artwork from both the studios of George Tooker and his late partner William Christopher.
Arrangement:
The collection is arranged as 8 series.

Series 1: Biographical Material, circa 1920-2005 (0.7 linear feet; Boxes 1, 5)

Series 2: Correspondence, circa 1932-2010 (1.2 linear feet; Boxes 1-2, Oversize 7)

Series 3: Project Files, circa 1935-1968 (0.3 linear feet; Boxes 2-3, 6)

Series 4: Gallery Records, circa 1960-2009 (0.3 linear feet; Box 3)

Series 5: Exhibition Files, circa 1967-2009 (0.3 linear feet; Boxes 1, 3)

Series 6: Printed Material, circa 1851-2010 (0.5 linear feet; Boxes 3, 5)

Series 7: Artwork and Sketchbook, circa 1932-2009 (0.7 linear feet; Boxes 3, 5, 8)

Series 8: Photographs, circa 1900-2010 (1.1 linear feet; Boxes 4-5, 8)
Biographical / Historical:
George Tooker (1920-2011) was a painter based in Hartland, Vermont and New York, New York. Tooker was born in Brooklyn, New York on August 5, 1920 to George Clair Tooker and Angela Montejo Roura. He graduated from preparatory school at Phillips Academy, Andover in 1938 and received a Bachelor of Arts in English from Harvard University in 1942. Tooker studied drawing and painting under Reginald Marsh, Kenneth Hayes Miller, and Harry Sternberg at the Art Students' League from circa 1944 to 1945.

Tooker became acquainted with American painter Paul Cadmus while studying at the Art Students' League. Cadmus introduced Tooker to a circle of artists and writers living and working in New York and Europe in the mid to late 1940s that included George Platt Lynes, Jared and Margaret French, Monroe Wheeler, Glenway Westcott, and Lincoln and Fidelma Kirstein. He lived and worked with his partner and fellow artist William Christopher in New York City and later Hartland, VT.

In 1953, Tooker was commissioned by writer and philanthropist Lincoln Kirstein to design the sets and costumes for The Saint of Bleecker Street, an opera by Gian-Carlo Menotti. In 1966, the Wasemquia Charitable Trust sponsored the Vestris Prize for Choreography in cooperation with the Boston Ballet Company and Tooker was invited by trustee Henry H. Crapo to participate on the Committee of Judges for the Vestris Prize. In 1968, NASA commissioned Tooker to produce drawings and one painting documenting the development of spacecraft at the Goddard Space Flight Center located in Greenbelt, Maryland.

Tooker's paintings are found in numerous art museums and galleries including the Whitney Museum of Art, Metropolitan Museum of Art, Museum of Modern Art, DC Moore Gallery, Robert Isaacson Gallery, and the Venice Biennale. In 1968, Tooker's paintings were featured in the art magazine, Avant-Garde.
Related Materials:
Available in the Archives of American Art is an oral history interview with George Tooker conducted in 1966 by Grace G. Alexander for radio station WNYC, New York City.

Materials related to the George Tooker papers can be found the William Christopher papers at the Archives of American Art.
Provenance:
George Tooker donated his papers to the Archives of American Art in 1973. A subsequent addition was donated in 2018 by Aaron Watkins, the executor to George Tooker's estate.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Rights:
The George Tooker papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Painters -- Vermont  Search this
Printmakers -- Vermont  Search this
Genre/Form:
Sketchbooks
Drawings
Scrapbooks
Citation:
George Tooker papers, circa 1851-2010. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.tookgeor
See more items in:
George Tooker papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-tookgeor

Honoré Sharrer papers

Creator:
Sharrer, Honoré, 1920-2009  Search this
Names:
American Academy of Arts and Letters  Search this
Forum Gallery (New York, N.Y.)  Search this
Handmacher-Vogel, Inc.  Search this
Terry Dintenfass, Inc.  Search this
Women's Caucus for Art  Search this
Blume, Peter, 1906-1992  Search this
Bridaham, Lester Burbank  Search this
Caiserman-Roth, Ghitta, 1923-  Search this
Calderwood, Kathy, 1945-  Search this
Carpenter, Mary  Search this
Crutchfield, Mary  Search this
Goodwin, Betty  Search this
Kirstein, Lincoln, 1907-  Search this
Miller, Dorothy Canning, 1904-2003  Search this
Oda, Mayumi, 1941-  Search this
Poland, Reginald  Search this
Sachs, Honoré  Search this
Sharrer, Madeleine  Search this
Tooker, George  Search this
Zagorin, Adam  Search this
Zagorin, Perez  Search this
Extent:
9.45 Linear feet
1.12 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Sketchbooks
Photographs
Date:
circa 1920-2007
Summary:
The papers of realist painter, Honoré Sharrer, measure 9.45 linear feet and 1.12 GB and date from circa 1920-2007. The collection documents Sharrer's career through biographical material, personal and professional correspondence, writings and notes, research and source files, printed and digital material, artwork, sketchbooks, and photographs of Sharrer, her family, friends, colleagues, and artwork.
Scope and Contents:
The papers of realist painter, Honoré Sharrer, measure 9.45 linear feet and 1.12 GB and date from circa 1920-2007. The collection documents Sharrer's career through biographical material, personal and professional correspondence, writings and notes, research and source files, printed and digital material, artwork, sketchbooks, and photographs of Sharrer, her family, friends, colleagues, and artwork.

Biographical material includes biographical notes and resumés, awards, paintbrushes used by Sharrer, and sales records, as well as comprehensive documentation, compiled 2004-2007 by her husband, Perez Zagorin, and her son, Adam Zagorin, of Sharrer's artwork in their possession. Included are digital images of Sharrer's artwork.

Correspondence is with family members including Sharrer's mother, Madeleine Sharrer, and her second husband, Reginald Poland; husband Perez Zagorin; son Adam Zagorin; and daughter-in-law, Mary Carpenter Also found is correspondence with artists including Peter Blume, Lester Burbank Bridaham, Gitta Caiserman-Roth, Kathy Calderwood, Mary Crutchfield, Betty Goodwin, Lincoln Kirstein, Mayumi Oda, and George Tooker. Other professional correspondents include galleries, museums, and other art institutions such as American Academy of Arts and Letters, Terry Dintenfass, Forum Gallery, Handmacher-Vogel, Inc., M. Knoedler & Co., Dorothy Miller relating to the 1946 Fourteen Americans exhibition at the Museum of Modern Art, and the Women's Caucus for Art.

Writings and notes comprise drafts of several essays on art by Sharrer, preliminary notes for Tribute to the American Working People, and a mock-up for an unpublished book, "One White Christmas," written by Sharrer's grandmother, Honoré Sachs, and illustrated by Sharrer.

Research and source files consist of source material used throughout the course of Sharrer's career, including printed and photographic material used in the creation of Tribute to the American Working People, and later work dating up to, and including, the last decade of her life.

Printed material comprises announcements and catalogs for exhibitions and events featuring Sharrer, including a catalog for Fourteen Americans, as well as clippings about her and others, such as the Life Magazine cover story "Nineteen Young Americans."

Artwork and sketchbooks include studies for paintings and illustrations, and other preliminary sketches, as well as 14 sketchbooks of pencil and ink sketches dating from circa 1960s t0 2003.

Photographic material consists of photos of Sharrer, her family, friends, colleagues, exhibition installations, and houses. Also found are photos, negatives, and transparencies of Sharrer's artwork, as well as photos of artwork by Madeleine Sharrer and Lester Burbank Bridaham.
Arrangement:
The collection is arranged as 8 series.

Series 1: Biographical Material, 1941-2007 (0.44 linear feet; Boxes 1, 10, 1.12 GB; ER01-ER10)

Series 2: Correspondence, 1938-2006 (1.84 linear feet; Boxes 1-3, 10)

Series 3: Writings and Notes, circa 1940s-circa 1990s (5 folders; Boxes 3, 10)

Series 4: Research and Source Files, circa 1920s-2005 (3.43 linear feet; Boxes 3-6, 10-11)

Series 5: Printed Material, circa 1930s-2005 (0.85 linear feet; Boxes 6-7, 11, OV 13, OV 17)

Series 6: Artwork, 1941-circa 1990s (0.8 linear feet; Boxes 7, 11-12, OV 13

Series 7: Sketchbooks, 1960s-2003 (0.55 linear feet; Boxes 7, 12)

Series 8: Photographic Material, circa 1930s-circa 2000 (1.83 linear feet; Boxes 8-9, 12, OVs 13-16)
Biographical / Historical:
Realist painter Honoré Sharrer (1920-2009) lived and worked in New York, Massachusetts, London, Montreal and Charlottesville, Virginia. She was best known for her five-panel painting, Tribute to the American Working People, completed in 1951 and first shown at M. Knoedler & Co. in New York to wide critical acclaim.

Sharrer was born in 1920 in West Point, New York, where her father was an Army officer, and grew up in the United States, the Philippines, Paris, and La Jolla, California. She studied at the Yale University School of Art and the San Francisco Art Institute, and worked as a welder in shipyards in California and New Jersey during World War II. She moved to New York in the 1940s and lived subsequently in Amherst, Massachusetts, London, and Montreal.

Sharrer's Workers and Paintings (1943) was included in the landmark Museum of Modern Art exhibition, Fourteen Americans, in 1946, and her painting, Man at Fountain, was featured in the 1950 Life Magazine cover story, "Nineteen Young American Artists." Tribute to the American Working People, which depicted a factory worker surrounded by smaller scenes of ordinary life, was considered her masterwork, but in the years that followed it's unveiling at M. Knoedler & Co., Sharrer was noticeably absent from the art scene; between 1951 and 1969 she did not have a single solo exhibition. While many of her contemporaries immersed themselves in Abstract Expressionism, Sharrer continued to paint, in meticulous detail, the daily experiences of ordinary working people, and her later work often dealt with female perspectives and was imbued with humor and elements of magical realism.

In 2007 the Smithsonian American Art Museum held an exhibition titled Anatomy of a Painting: Honoré Sharrer's 'Tribute to the American Working People,' which was devoted exclusively to her most famous work, now in the Smithsonian's permanent collection, and the source material she used when painting it. Sharrer's works can also be found in the Metroplitan Museum of Art, the Museum of Modern Art, and the Pennsylvania Academy of Fine Arts.

Sharrer settled in Charlottesville, Virginia, in the early 1990s. She was married to her second husband, historian Perez Zagorin, for 61 years, before her death in 2009. Her mother, Madeleine Sharrer, was also a painter who married Reginald Poland, Director of the Fine Arts Gallery, San Diego, following the death of Sharrer's father, Robert Allen Sharrer.
Related Materials:
Also found in the Archives of American Art is an oral history interview with Perez Zagorin, 2007, January 17-18, and the Madeleine Sharrer papers, 1954-1988.
Provenance:
The Honoré Sharrer papers were donated in 2006 and 2007 by Perez Zagorin, Sharrer's husband. A small addition was donated by Adam Zagorin, Sharrer's son, in 2018.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D. C. Research Center. Contact Reference Services for more information.
Rights:
The Honoré Sharrer papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Women painters -- Virginia -- Charlottesville  Search this
Topic:
Painting -- Equipment and supplies  Search this
Realism in art  Search this
Genre/Form:
Sketchbooks
Photographs
Citation:
Honoré Sharrer papers, circa 1920-2007. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.sharhono
See more items in:
Honoré Sharrer papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-sharhono

George Platt Lynes photographs

Creator:
Lynes, George Platt, 1907-1955  Search this
Names:
Bacon, Peggy, 1895-1987 -- Photographs  Search this
Berman, Eugene, 1899-1972 -- Photographs  Search this
Biddle, George, 1885-1973 -- Photographs  Search this
Billings, Henry, 1901- -- Photographs  Search this
Brook, Alexander, 1898-1980 -- Photographs  Search this
Cadmus, Paul, 1904-1999 -- Photographs  Search this
Chagall, Marc, 1887- -- Photographs  Search this
Chaliapin, Boris, 1904- -- Photographs  Search this
Dunoyer de Segonzac, André, 1884-1974 -- Photographs  Search this
French, Jared, 1905-1988 -- Photographs  Search this
Hartley, Marsden, 1877-1943 -- Photographs  Search this
Hopper, Edward, 1882-1967 -- Photographs  Search this
Kokoschka, Oskar, 1886- -- Photographs  Search this
Lachaise, Gaston, 1882-1935 -- Photographs  Search this
Lurçat, Jean, 1892-1966 -- Photographs  Search this
Lynes, George Platt, 1907-1955 -- Art collections -- Photographs  Search this
Noguchi, Isamu, 1904-1988 -- Photographs  Search this
Perlin, Bernard, 1918- -- Photographs  Search this
Pène Du Bois, Guy , 1884-1958 -- Photographs  Search this
Roy, Pierre -- Photographs  Search this
Saint-Gaudens, Homer, b. 1880 -- Photographs  Search this
Tanguy, Yves, 1900-1955 -- Photographs  Search this
Tchelitchew, Pavel, 1898-1957 -- Photographs  Search this
Tooker, George -- Photographs  Search this
Zadkine, Ossip -- Photographs  Search this
Zorach, William, 1887-1966 -- Photographs  Search this
Extent:
1.4 Linear feet ((microfilmed on 3 reels))
Type:
Collection descriptions
Archival materials
Date:
1926-1950
Scope and Contents:
Photographs of artists and art works taken by Lynes.
REEL 57: A photograph album, 1926-1942, containing photos of paintings and drawings in Lynes's collection. Paul Cadmus, Jared French, Marsden Hartley, Paul Klee, Pierre Roy, Pavel Tchelitchew, and Yves Tanguy are represented.
REEL 153: Photographs of artists, 1932-1950, and others (printed posthumously) including: Peggy Bacon, Eugene Berman, George Biddle, Henry Billings, Alexander Brook, Paul Cadmus, Marc Chagall, Boris Chaliapin, A. Dunoyer De Segonzac, Guy Pène du Bois, Jared French, Edward Hopper, Oskar Kokoschka, Gaston Lachaise, Jean Lurcat, Isamu Noguchi, Bernard Perlin, Pierre Roy, Homer St. Gaudens, Yves Tanguy, Pavel Tchelitchew, George Tooker, Ossip Zadkine, and William Zorach. Also included is a group photograph (numerous shots in varying poses) of a group of artists including Matta, Ossip, Zadkine, Yves Tanguu, Max Ernst, Marc Chagall, Fernand Léger, André Breton, Piet Mondrian, André Masson, Amédée Ozenfant, Jacques Lipcitz, Pavel Tchelitchev, Kurt Seligman and Eugene Berman taken on the occasion of the Exhibition Artists in Exile at the Pierre Matisse Gallery, New York, 1942.
REEL 2077: Fifteen photographs of Marsden Hartley, February 4, 1943, and printed posthumously.
Biographical / Historical:
George Platt Lynes (1907-1955) was a photographer from New York, N.Y. Best known for his portraits of Hollywood stars, ballet dancers, writers, and male nudes.
Provenance:
Material on reel 57 lent for microfilming 1971 by Russell Lynes, brother of George Platt Lynes; material on reels 153 & 2077 donated 1967-1971 by Russell Lynes.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm.
Reel 57: ACCESS RESTRICTED: written permission required.
Rights:
Reels 153 & 2077: Authorization to publish, or reproduce must be obtained from Joshua Lynes. Credit should include Copyright Estate of George Platt Lynes
Occupation:
Photographers -- New York (State) -- New York  Search this
Topic:
Photography, Modern -- 20th century -- New York (State) -- New York  Search this
Artists -- Photographs  Search this
Portrait photography  Search this
Identifier:
AAA.lynegeor
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-lynegeor

Robert Isaacson gallery records

Creator:
Isaacson, Robert  Search this
Robert Isaacson Gallery  Search this
Durlacher Bros. (New York, N.Y.)  Search this
Hewitt Gallery (New York, N.Y.)  Search this
Names:
Dewing, Thomas Wilmer, 1851-1938  Search this
Friedensohn, Elias, 1924-  Search this
Mayhew, Richard, 1934-  Search this
Nadelman, Elie, 1882-1946  Search this
Regensburg, Sophy, 1885-1974  Search this
Ross, Alvin, 1920-1975  Search this
Schmidt, Katherine, 1898-1978  Search this
Tooker, George  Search this
Wilde, John, 1919-2006  Search this
Extent:
1.4 Linear feet ((on 2 microfilm reels))
Type:
Collection descriptions
Archival materials
Date:
1952-1967
Scope and Contents:
Material relating to the three New York City galleries owned by Isaacson: Hewitt Gallery, Robert Isaacson Gallery and Durlacher Bros.
Correspondence with dealers, collectors, museums, and art organizations, 1959-1966; 2 sales ledgers, 1956-1961; statements, 1957-1959; artists' accounts unpaid; 4 subject files, 1955-1967, pertaining to group shows, "Painters of the Beautiful" exhibition, Gerome exhibition, and Vassar exhibition; artists' files containing resumes, correspondence concerning the sale and exhibition of their work, price lists, financial material, clippings, exhibition catalogues, and photographs of 27 artists including Thomas Wilmer Dewing, Elias Friedensohn, Richard Mayhew, Elie Nadelman, Sophy Regensburg, Alvin Ross, Katherine Schmidt, George Tooker, and John Wilde.
Biographical / Historical:
Art galleries; New York City.
Provenance:
Donated 1976 by Robert Isaacson.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Gallery directors  Search this
Function:
Art galleries, Commercial -- New York (State) -- New York
Identifier:
AAA.isaarobe
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-isaarobe

Thomas H. Garver research material on Bruce Conner and George Tooker

Creator:
Garver, Thomas H.  Search this
Names:
Conner, Bruce, 1933-2008  Search this
Tooker, George  Search this
Extent:
0.2 Linear feet
Type:
Collection descriptions
Archival materials
Interviews
Sound recordings
Date:
1973-1974
Scope and Contents:
Five cassettes (60 min. each) of an interview of Connor conducted by Garver, Jan. 10 and April 17, 1974, accompanied by 80 slides of Connor's work (referenced by number during the interview). The Tooker material consists of three cassettes (90 min. each) of an interview conducted with Tooker, Sept. 11, 1973.
Biographical / Historical:
Curator; San Francisco, Calif. Conner is a filmmaker and printmaker; Tooker is a painter and printmaker.
Provenance:
Donated 1974 by Thomas H. Garver, who compiled the material in preparation for exhibitions of paintings by George Tooker, July -Sept. 1974, at the Fine Arts Museums of San Francisco, and of drawings by Bruce Conner, October 1974-January 1975, at the M.H. de Young Memorial Museum, Golden Gate Park, San Francisco.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Topic:
Artists -- California -- Interviews  Search this
Art, American -- California  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.garvthom
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-garvthom

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