This subseries of the Notes and writings on special linguistic studies series contains material that supplement Harrington's Northeast/Southeast field notes.
The file on Algonquian includes three slips of Fox, Cree, Ojibwa, and Massachusett (labeled "Natick") vocabulary in the hand of Truman Michelson; typed copies of the above; notes on Cree and Ojibwa from secondary sources; information on the growing of wild rice by the Menominee; and miscellaneous notes on placenames and tribenames regarding the Cree, Ojibwa, Conoy, Nanticoke, and Narraganset.
The Shawnee/Peoria section consists of six pages of notes on Shawnee tribal divisions.
Among the miscellaneous material on the Abnaki languages is a page of Penobscot vocabulary obtained from Frank Siebert in April 1940. The remaining material was compiled during fieldwork on Western Abnaki at St. Francis in 1949. There are four pages on possible informants from Charles Nolet and a page of vocabulary from "Am"; bibliographic references; and lexical and grammatical notes excerpted from the works of Joseph Laurent and Masta.
For Massachusett there are three pages of miscellaneous notes with references to Trumbull's Natick Dictionary.
The bulk of the file on Iroquoian consists of a typed copy of an unidentified historical text from the 1880s. It discusses the relations of the Iroquois with the Spanish, French, and English settlers in the New World. Special mention is made of Gy-ant-va-chia (Cornplanter), chief of the Seneca. The spacing of the lines of text suggests that Harrington was planning to add a translation or annotations of some kind. There are also three pages of miscellaneous notes in his hand.
Most of the file on Delaware consists of information on placenames and tribenames obtained from Frank Siebert, Carl F. Voegelin, and a number of Oklahoma residents in 1940. Siebert gave both Delaware and Penobscot terms, and Unami words were given by Roy Longbone, Salley Fallleaf, and Jake Parks. Munsee forms were obtained from Josiah Montour and Jane Pattice of the Six-Nations Reserve in Ontario, Canada. Also included are a carbon copy of a typed list of possible informants and several pages of miscellaneous notes from the works of Brinton, Strachey, and Zeisberger.
The section on Creek/Seminole/Alabama/Koasati/Choctaw contains twenty-one pages of vocabulary (mostly on tribenames) which Harrington obtained in an interview with James Feagin Sylestine, a speaker of the Alabama language, on April 25, 1940. The informant's home was in Livingston, Texas, although he was at the Shawnee Sanatorium at the time Harrington worked with him. The remaining miscellaneous notes were excerpted from various published and manuscript sources. They include references to Creek, Cherokee, Seminole, Alabama, and Choctaw.
Miscellaneous material relating to the East consists of brief notes which Harrington copied from a number of secondary sources. There are mentions of the Huron, Wyandot, Powhatan, and Cherokee tribes, among others. Three of the pages consist of a partial typed list (alphabetically arranged K to M) of "Carolina and Virginia Algonquian" words. This list is based on that given in the commentary on the map of Raleigh's Virginia, pages 852 to 872 of The Roanoke Voyages, which was published by the Hakluyt Society in 1955.
Local Numbers:
Accession #1976-95
Restrictions:
No restrictions on access.
Rights:
Contact the repository for terms of use.
Topic:
Language and languages -- Documentation Search this
John Peabody Harrington papers, National Anthropological Archives, Smithsonian Institution
The preferred citation for the Harrington Papers will reference the actual location within the collection, i.e. Box 172, Alaska/Northwest Coast, Papers of John Peabody Harrington, National Anthropological Archives, Smithsonian Institution.
However, as the NAA understands the need to cite phrases or vocabulary on specific pages, a citation referencing the microfilmed papers is acceptable. Please note that the page numbering of the PDF version of the Harrington microfilm does not directly correlate to the analog microfilm frame numbers. If it is necessary to cite the microfilmed papers, please refer to the specific page number of the PDF version, as in: Papers of John Peabody Harrington, Microfilm: MF 7, R34 page 42.
William Donald "Don" Eastman, Jr. (b. 1932) was the first pilot to demonstrate the feasibility of air-to-air refueling of helicopters as well as the first to actually perform aerial refueling of a helicopter during his time as a pilot with the United States Air Force. This collection consists of approximately 0.39 cubic feet of material relating to Lieutenant Colonel William Donald "Don" Eastman Jr.'s career as Test Director and Project Pilot for helicopter aerial refueling tests with the United States Air Force including photographs, news clippings, and publications.
Scope and Contents:
This collection consists of approximately 0.39 cubic feet of material relating to Lieutenant Colonel William Donald "Don" Eastman Jr.'s career as Test Director and Project Pilot for helicopter aerial refueling tests with the United States Air Force. There is a folder of photographs and news clippings regarding aerial refueling and other flight tests. The photographs are 8 by 10 inch prints and are a mixture of black and white and color photography. Many have been captioned by Eastman. Aircraft pictured in this folder include the Lockheed KC-130 Hercules; Sikorsky (S-61R) CH-3C Jolly Green Giant; Lockheed HC-130P (MC-130P) Combat Shadow; Sikorsky (S-61R) HH-3E Jolly Green Giant; and the Sikorsky (S-65A) HH-53B Super Jolly. There is also a folder of photographs entitled, "Helicopter History" which shows a variety of aircraft models including the Kellett XR-3 Autogiro; McCulloch MC-4; Sikorsky (VS-316B) XR-6A; Seibel YH-24 Sky Hawk; Kellett XR-10 (XH-10); Kellett XR-8; Sikorsky (VS-316A, S-48) R-4B (H-4B); Rotor-Craft XR-11 Dragonfly; Piasecki H-25A Army Mule; Hiller YH-32 (Hiller HJ-1) Hornet; McDonnell XV-1 Convertiplane (XL-25, XH-35); Sikorsky (S-52-2) YH-18A; American Helicopter XH-26 Jet Jeep; Kaman HH-43B (H-43B) Huskie; Sikorsky (VS-317, S-51) XR-5; Piasecki YH-16 Transporter; Hughes XH-17 Flying Crane; Sikorsky (S-55) YH-19 Chickasaw; Cessna (CH-1B) YH-41 Seneca; Bell XUH-1 (XH-40) Iroquois (Huey); McDonnell XH-20 Little Henry; Hughes TH-55A; Bell XV-3; Hiller X-18 Propelloplane (model); Bell T/UH-1F (H-48) Iroquois (Huey); Sikorsky (S-65A) YCH-53A Sea Stallion; Bell XH-15; Sikorsky VS-300, 1st Configuration; Fokker T-2 (F.IV); Doman YH-31 (LZ-5); Platt-Lepage XR-1; Bell 47; Hiller H-23 Raven; Bell XH-12 (XR-12); Piasecki H-21 Workhorse; Sikorsky (S-58) H-34A (CH-34A) Choctaw; and the Sikorsky (S-56) H-37A (CH-37A) Mojave. This folder also includes aerial photographs of McCook Field and Wright Field and an image of the Sikorsky VS-300 Rotor Test Stand. Also in the collection are three flight test reports, authored by Eastman. They are entitled, "CH-3C Helicopter Aerial Retrieval System" (Test date June 9, 1965); "Aerial Refueling Tests on the HH-3E and HC-130P" (Test date April 29, 1966); and "HH-53B Aerial Refueling Flight Test" (Test date March 2, 1967). The collection also includes a copy of Eastman's master's thesis paper, entitled, "Helicopter Power Reduction in an Aerial Refueling Mode of Flight" (1969); a copy of the June 2003 issue of National Aviation Hall of Fame's Heroes & Legends magazine which features a profile on Eastman; and a copy of a certificate of nomination for Eastman as a candidate for enshrinement in the National Aviation Hall of Fame.
Arrangement:
Collection is arranged by type of material.
Biographical / Historical:
William Donald "Don" Eastman, Jr. (b. 1932) was the first pilot to demonstrate the feasibility of air-to-air refueling of helicopters as well as the first to actually perform aerial refueling of a helicopter during his time as a pilot with the United States Air Force. Eastman served as Test Director and Project Pilot for all helicopter aerial refueling tests and the first practicability demonstrations, using the probe and drogue system, were conducted on December 15, 1965. The first successful transfer of fuel using this system occurred on December 14, 1966. For this work, Eastman received the US Air Force Systems Command Primus Award. Eastman was also a combat pilot in Vietnam, flying 77 missions and performing 13 aircrew rescues, receiving the Distinguished Flying Cross for his contributions. Eastman served as the project test pilot for numerous programs and was also involved in acquisition of various aircraft and equipment for the Air Force. Upon his retirement as a lieutenant colonel in 1973, Eastman had flown over 8000 hours and qualified in 52 different aircraft, including 23 helicopters. After retiring from the military, Eastman entered the Civil Service as an engineer manager and supervisor until retiring in 1995.
Provenance:
Lt. Col. William Donald "Don" Eastman, Jr., Gift, 2015, NASM.2015.0032
Restrictions:
No restrictions on access.
Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests
The Frank Kenjockety and Louis B. Newell Native American Entertainers collection includes ephemera, documents and photographs from two prominent Native American [entertainers] Frank Kenjockety (Cayuga), also known as "Chief Strong Fox" and Louis Belmont Newell, also known as "Rolling Thunder". Kenjockety's collection contains photographs, ephemera and a small amount of personal records from his career as a circus troupe leader and lecturer from 1909-1940. Newell's collection contains ephemera from his career as a traveling Medicine Man and entertainer including remedy and ointment packaging as well as broadsides and flyers.
Scope and Contents:
The Native American Entertainers collection includes ephemera, documents and photographs from two prominent Native American entertainers, Frank Kenjockety, also known as "Chief Strong Fox" and Louis Belmont Newell, also known as "Rolling Thunder". Kenjockety's collection contains photographs, ephemera and a small amount of personal records from his career as a circus troupe leader and lecturer from 1909-1940. Newell's collection contains ephemera from his career as a traveling Medicine Man and entertainer from the 1880's until the 1930's. This includes remedy and ointment packaging as well as broadsides and flyers.
Arrangement:
This collection is arranged in two series; Series 1: Frank Kenjockety "Chief Strong Fox", and Series 2: Louis Belmont Newell "Chief Rolling Thunder". Series 1 contains three subseries by material type and is arranged alphabetically.
Biographical / Historical:
This collection of Native American Entertainers materials was put together by Crown Collectibles, a privately held historical research company based out of Richmond Virginia.
Frank Kenjockety was born in 1871 to Jesse and Sarah Kenjockety on Cattaraugus Territory, Seneca Nation and made his home in Salamanca, New York. He was head of the Cayuga Tribe of the Iroquois Federation. In the early 1900's he formed a vaudeville troupe called "Kenjockety' s Hippodrome and Wild West Show". They traveled by train and played at state fairs, carnivals and with other traveling circuses. In the late 1920's Frank Kenjockety took the name "Chief Strong Fox". He became nationally known as an "Indian Chief Lecturer" and his troupe was billed as "Real American Indians in Costume- Direct from the U.S. Government Indian Reservation". Their performances included "Ceremonial Rites, Singing, War Dance, Medicine Dance, Feather Dance, Prayer Song, Famous Adoption Form and lectures on the part the American Indian had played in the history of the United States". Kenjockety's wife, Leona, and daughter, Mabel, also traveled as performers with the troupe. Mabel first appeared on horseback as a child and went on to become a trick rider. While on tour in December 1915, the train on which they were traveling ran head-on into another train that was mistakenly switched on the same track. Mr. Kenjockety survived, but many in his company perished. Undaunted by the tragedy, he rebuilt his company and continued to perform. He and his troupe continued to play fairs, school assemblies and circuses and went on at least two world tours. In 1937, they traveled on the steamer ship "Bremen". Correspondence in 1941 reveals that their popularity had waned and apparently the troupe disbanded around that time. Chief Strong Fox was also well known for the "lectures" he gave on Native American History. He became popular with school and other groups (Rotary Club, etc.) throughout New York, Pennsylvania, and Maryland, and often "adopted" some of his Caucasian audience as members of his tribe. He received many letters from school officials praising his talks on Indian history and customs to be of"educational value". Kenjockety passed away in 1944.
Known to his family as Belmont and to the public as Chief Rolling Thunder, Louis Belmont Newell was born around 1858 to Thomas Newell and Marie Parsons of Indian Island, Old Town, Maine. Newell appears to have married several times and his first daughter Blanche was born to Victoria Tahamont around 1886. It is around this time that Newell is first referred to as Chief Rolling Thunder and that his company, the Kiowa Medicine Company, begins touring. The show was comprised of "moral" entertainment and lectures given on the customs, habits, manners and religion of tribes. Newell would also sell "traditional Kiowa" medicines and give out health guides. It is uncertain when the company was actually formed and though Newell claimed that he was a descendent of the First Chief Medicine Man of the Kiowa Nation, Teet-Toot-Sah, this was most likely just for his public image. It is much more likely that his parents were Penobscots from Maine. Newell married Louisa Stump of Iroquois descent in 1891. Louisa was an expert shot and travelled with the Kiowa Medicine Company for some time. In 1894, Newell married his fourth wife Jeanne "Jennie" Congleton who served as business manager for the Kiowa Medicine and Vaudeville Company for many years. Newell died December 1, 1933 and was buried in Randolph, NY. More information on L.B. Newell has been compiled by descendants of Newell and can be found on Ne-Do-Ba, a geneological website for the Wabanaki people.
Separated Materials:
Along with the archival materials, five additional objects were purchased and are a part of the NMAI Ethnology collection. They have catalog numbers 26/5414 through 26/5418 and include outfits supposedly worn by Frank Kenjockety "Chief Strong Fox" and his wife Leona Kenjockety.
All of the photographs in this collection are located in cool storage and arranged in folders by their catalog numbers.
Provenance:
This collection was purchased in 2005.
Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Rights:
Single photocopies may be made for research purposes. Permission to publish or broadbast materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiarchives@si.edu.
Traveling theater -- United States -- 20th century Search this
Genre/Form:
Ephemera
Scrapbooks
Broadsides
Photographs
Citation:
Identification of specific item; Date (if known); Frank Kenjockety and Louis B. Newell Native American Entertainers collection, Box and Folder Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
Buffalo head dance 1 ; Buffalo head dance 2 ; Bear claw or Grizzly bear dance ; Pipe of peace or Calumet dance ; Soldier or Victory round dance ; Love song for flute (6:15) -- Fish dance ; Pipe dance ; Powwow or Horse dance ; Forty-nine dance ; Oh Mary (5:11) --Deer song ; Catholic Ojibwa hymn (2:08) --War rally song ; Bear dance ; Eagle dance ; Maple sugar song ; Hoot owl song 1 (3:35) --Hoot owl song 2 ; Coon song ; Rabbit song ; Medicine song (4:48) --Grass dance song ; Drinking song (1:38) --Bear dance (2:18) -- Eagle dance (2:49) --Wasase rain dance or War dance (2:40) --Scalp dance (:56) --Corn dance (2:10) --Women's dance (3:34) --Fishing dance (3:45) --Stomp dance (3:12) -- Two future projects (1:12).
Track Information:
101 Buffalo Head Dance / Wilson, Wapanuetak Roberts. Drum,Water-drum. Fox language.
102 Fish Dance / Fred Lacasse. Drum. Ojibwa language.
103 Deer Song / Thomas Shalifoe. Ojibwa language.
103 Jesus Wegwissian / Thomas Shalifoe. Ojibwa language.
104 War Rally Song / Susan Shagonaby. Ottawa language.
209 Owa bagish kichi ingodwok nijinishinabek (O for a thousand tongues) / Betty Pamptopee.
Local Numbers:
Folkways.4003; Folkways.1003
FW-COMM-LP-04003
Publication, Distribution, Etc. (Imprint):
New York Folkways 1956
Date/Time and Place of an Event Note:
Recorded in: Six Nations Indian Reserve No. 40 (Ont.), Canada, Ontario, Onondaga Indian Reservation (N.Y.), New York, Beartown (Mich.), United States, Michigan.
General:
Commercial
Track 102 Personnel: Fred Lacasse, George W. Brown, Sam Link, John Martin. Performed by members of native Indian tribes, principally with percussion acc. Production notes: Recorded in the United States and Canada by Gertrude Prokosch Kurath circa 1956.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Copyright restrictions apply. Contact archives staff for additional information.
Festival Recordings: Narrative Stage: Balladry continued: Conserving American Indian Culture
Creator:
Smithsonian Institution. Festival of American Folklife. Cultural Conservation Program 1985 Washington, D.C. Search this
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage Search this
Extent:
sound tape reel
1 Item (sound-tape reel, analog, 7 in.)
Type:
Archival materials
Place:
United States
Washington (D.C.)
Date:
1985 June 26
Local Numbers:
FP-1985-7RR-0397
Publication, Distribution, Etc. (Imprint):
United States Cultural Conservation Program 1985
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 26, 1985.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Festival Recordings: Narrative Stage: Conserving American Indian Culture: Various
Creator:
Smithsonian Institution. Festival of American Folklife. Cultural Conservation Program 1985 Washington, D.C. Search this
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage Search this
Extent:
sound tape reel
1 Item (sound-tape reel, analog, 7 in.)
Type:
Archival materials
Place:
United States
Washington (D.C.)
Date:
1985 July 3
Local Numbers:
FP-1985-7RR-0413
Publication, Distribution, Etc. (Imprint):
United States Cultural Conservation Program 1985
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 3, 1985.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Recorded in: Washington (D.C.), United States, 1992.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Smithsonian Institution. Center for Folklife and Cultural Heritage Search this
Type:
Archival materials
Introduction:
The United States is blessed with a diversity of community dance traditions and new dance forms that have developed from interactions between communities. This exciting American mix has had a profound impact on the popular cultures of nations across the world. The dance program at the 1993 Festival explored social dancing traditions in five communities - an Appalachian community in southwest Virginia, Iroquois communities in upstate New York, and African American, Bolivian, and Cambodian American communities of Washington, D.C.
Tradition-bearers taught dances to Festival visitors in workshops, participated in conversations on a variety of themes, and demonstrated skills, repertoires, and performance styles from their communities. In each of these communities, dance is centrally important in the expression of cultural identity. Dancing brings members of a community together and strengthens cohesiveness by emphasizing shared ethical and aesthetic values. Performing a common vocabulary of movement, in time to a shared repertoire of music, one participates in a culture; Festival audiences became active participants during this program and had the opportunity in so doing to experience others' cultures.
Vivien Ta-Ying Chen was Curator and Marianne Hicks and Arlene Reiniger were Program Coordinators. Program Advisors included LeeEllen Friedland, Joan Frosch-Schroder, Robert Frye, Gonzalo Gutierrez, Glenn Hinson, Anthony Hovington, Adrienne Kaeppler, Martin Koenig, Ethel Raim, Denise Richards, Sally Sommer, Jane Woodside, and Vicki Risner Wulff.
American Social Dance was made possible with the support of the recording industries Music Performance Trust Funds.
Robert "Captain Fly" Frye, 1949-, deejay, Lanham, Maryland
Leroy Green, 1945-, Capitol Heights, Maryland
Cynthia Jefferson, 1963-, Capitol Heights, Maryland
Addie Robinson, 1947-, Washington, D.C.
Cynthia Shelton, 1949-, Hyattsville, Maryland
Luvenia Shelton, 1950-, Washington D.C.
Howard Watkins, 1938-, Fort Washington, Maryland
Hip-Hop
Anthony Hovington, Silver Spring, Maryland
John "Super Cool" Mackey, 1961-, deejay, Morningside, Maryland
Denise Richards, 1957-, Washington, D.C.
The Nasty Boys
Rosetta Fultz-Mackey, Hyattsville, Maryland
Brian Robinson, 1967-, Temple Hills, Maryland
Chuck Sanders, Washington, D.C.
Kimberly Monique Simpson, 1968-, District Heights, Maryland
Michael Smith, Washington, D.C.
Tyrone Thornton, Washington, D.C.
Collection Restrictions:
Access by appointment only. Where a listening copy or viewing copy has been created, this is indicated in the respective inventory; additional materials may be accessible with sufficient advance notice and, in some cases, payment of a processing fee. Older papers are housed at a remote location and may require a minimum of three weeks' advance notice and payment of a retrieval fee. Certain formats such as multi-track audio recordings and EIAJ-1 videoreels (1/2 inch) may not be accessible. Contact the Ralph Rinzler Folklife Archives and Collections at 202-633-7322 or rinzlerarchives@si.edu for additional information.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Collection Citation:
Smithsonian Folklife Festival records: 1993 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
101 Hand Dancing: Memories from the 50s and 60s / Addie Robinson, Florence Barber, William Eley.
102 Dance and Community / Kirby Smith, Linley Logan, Sherri L. Waterman-Hopper.
Local Numbers:
FP-1993-CT-0128
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 1, 1993.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
101 Tradition and Innovation in Iroquois Dance / Helen Shenandoah, Linley Logan, Mike McDonald.
102 Cultural Contact in Dance / Sareth Sokhon, LuAnn Jamieson, Phillip Rithy Sok, Soum Sokhon.
Local Numbers:
FP-1993-CT-0137
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 3, 1993.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
101 Cultural Contact in Dance / Daniella Soria, Carlos Ballesteros, Marco Castellon, Nancy Ballesteros, Paola Castellon.
102 Strutting Your Stuff / Denise Richards, Mike Smith, Nancy Hayworth.
103 Ceremonial and Social Dance / Mike McDonald, Linley Logan, Sherri L. Waterman-Hopper, Scott Logan.
Local Numbers:
FP-1993-CT-0142
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 4, 1993.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
101 Ceremonial and Social Dance / Keith Shenandoah, Linley Logan.
101 Dancing Who We Are: Dance and Identity / Daniella Soria, Luis Fuentes, Marco Castellon.
Local Numbers:
FP-1993-CT-0143
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 4, 1993.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
101 Cultural Contact in Dance / Angel Quinteros, Juan Leonardo Alanes, Paola Castellon, Lillian Quinteros.
102 Male and Female Identities in Dance / Addie Robinson, Brad Bonaparte, Lawrence Bradford.
103 D.J. Callers and Singers: Inspiring the Dance / Richard Buchanan, Robert Frye, Sadie Buck.
Local Numbers:
FP-1993-CT-0145
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 5, 1993.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
101 D.J.s, Callers and Singers: Inspiring the Dance / Richard Buchanan, Robert Frye, Robert Shenandoah.
102 Dancing Who We Are: Dance and Identity / Carl Farris, Mike McDonald, Phavann Chhuan, Virginia Farris.
103 Bolivian Carnival.
Local Numbers:
FP-1993-CT-0146
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 5, 1993.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
101 Camodian-American Dances / Cambodian American Heritage Dancers.
102 Iroquois Dances / Iroquois Dancers. Drum.
Local Numbers:
FP-1993-CT-0151
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 1, 1993.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
