The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Carnegie Institute, Museum of Art records, 1883-1962, bulk 1885-1940. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Brown Foundation. Funding for the digitization of this collection was provided by the Terra Foundation for American Art.
Letters are primarily written to Mosler with scattered letters written by him. Of particular note is a letter to his parents written from 3 miles outside Corinth, Mississippi on 22 May 1862 in which he describes the scene during the Siege of Corinth following the Battle of Shiloh.
Calling/congratulation cards were sent in response to Mosler's winning the gold medal at the Paris Salon in 1888 and being awarded the Ordre National Légion d'Honneur in 1892.
Correspondents include members of the military regarding his service in 1861-1863 and can be found in several places. A folder of Civil War letters includes Brigadier General R. W. Johnson's request for Mosler to serve as aide-de-camp, and a March 1863 letter from a friend (Bradley?) encamped at Murfreesboro and referring to the building of fortifications there following the Second Battle of Murfreesboro. Letters from Harper's Weekly include a summary of Mosler's military service from 1861-1863 and a handwritten account of his experiences in September 1861 in and around Louisville, Kentucky. Also found are letters from the United States Army and the Department of the Interior in 1885 introducing Mosler as a "distinguished artist" visiting the West. Included are 3 letters from General Philip Sheridan in which he refers to the "indians, in their uncivilized state," and Mosler's desire "to be able to depict them in a correct light."
Other letters are from museums and art associations, Mosler family members, including Mosler's children, artist Gustave Henry Mosler and Edith Mosler, friends and colleagues including artists James Henry Beard, Julien Dupré, Gabriel Ferrier, François Flameng, Ernest Hébert, William Henry Howe, Heinrich Mücke (history painter and Mosler's Düsseldorf professor), J. Francis Murphy, William Ordway Partridge, and Leon Germain Pelouse, among others. Letters from the Ministere de l'Instruction Publique et des Beaux-Arts include the 1879 purchase certificate for Mosler's painting Le Retour, and a letter assigning the painting to the Luxembourg Museum.
Letters from the Military Order of the Loyal Legion of the United States confirm Mosler's election as a Member-at-Large to the order in 1896. Also found is a list of autographs of Cincinnati Artists representing a petition to suggest that the Cincinnati Museum purchase Mosler's painting The Last Moments.
Many of the letters are in French and German.
See Appendix for an extened list of correspondents in Series 2.
Arrangement note:
The bulk of the series is arranged alphabetically by correspondent in general files or in named files if there are 5 or more letters from an individual correspondent. A group of files arranged by subject can be found at the beginning of the series.
Appendix: Extended List of Correspondents from Series 2:
This appendix is taken from an existing list compiled at some point after the collection was accessioned and is intended to assist in identifying correspondents, as many signatures are difficult to decipher or illegible. Completeness and accuracy of the list cannot be guaranteed.
Abraham, Victor Emmanuel
Adan, Emile
Aldine, Publishing Co.
Allis, Edward Phelps
Avery, Samuel P.
Bail, Joseph
Bailly-Blanchard, Col.
Barria, J. (?)
Bartlett, Paul
Bartell, Prof. V.
Bassier, Cabinet du Ministre
Bates, Harry, Godey Co.
Bauerle, Carl
Beard, Dan
Beard, James Henry
Beau, Alfred
Beer, F.
Benedite, Leonce
Bigelow, C. B., American Art Association
Bodkin, Charlotte
Boulanger, Gen.
Bournand, François
Bourne, George
Bradley, L. P.
Breton, Jules
Bridgman, F. A.
Brispot, Henri
Brozik, Vacslav
Buhler, F. Zuber
Burgers, H. J.
Butler, E., Cincinnatti Art Club
Cabanel, Alexandre
Cabinet du Ministre
Carl-Rosa, Mario
Cauffman, Sig. J.
Chamberlin, W. H., Loyal Legion
Chambre des Deputes
Champney, J. Wells
Church
Cincinnatti Commercial Office
Ckenbracher (?), T.
Cleveland, Lucy
Collins, M.
Constant, Benjamin
Corrington (?), John
Cortissoz, Royal
Courtois, Gustave
Crefeu, Etienne
Cramer, Mary (letter of introduduction to President Ulysses S. Grant)
Crawrford, Emily
Cummings, Dorothy
Dagnan, P.A.J.
Dal-, Leon
Dameron, E.
Danzinger, Rosa
Davis, Charles (?)
Davis, Margaret S.
de Campan, P.
De Chavannes, P.
de Czachorski, Ladislas
de Lambert, Marguerite
de Luce, Percival
de Mun, Albert
d'Almeida, W. B.
D'Ozouville, A.
deJean, A.
Delabbe (?), A.
Dennis, W. J.
Dessar, Louis
Dix, M. (?), miniature painter
Dodge, Harrison H.
Doubouchet, G.
Dougan, D. H.
Drapeau, Le
Du Nimes (?), Renee
Dubouchet, M./Mme.
Dupain, Edmund
Dupre, Julien
Dustin, Silas S. (?)
Dyer, Charles Gifford
Ech-, A.
Edgar, Oscar
Ehrich, Louis R.
Erefey (?)
Ezekiel, Moses-Jakob
Faber, L. E.
Ferrier, Gabriel
Fertiault, François
Field, painter
Flameng, François
Fleury, J. (?) Robert
Fleury, Jean
Ford, Sheridan
Frebauly (?)
Fuster, Charles
Ga-, Jules
Galland, Bertha
Gardner, Elisabeth
Garnier, Edouard
Garvier (?), Edward
Gatineu
Goshorn, A. S. (Director Cincinnati Museum Association)
Gross, P. A.
Guay, Gabriel
Guillaumet, P.
Guygellion, Louise (?)
H-, Edumnd
Halsted, W.
Hardeman, Elizabeth
Haquette, Georges
Harper & Bros.
Harper's Weekly
Hartmann, Sad-
Hassaurek, Frederick
Haven, Daisy
Haymes, H.
Healy, G.P.A.
Hébert, Ernest
Henger, Thomas E. (?)
Henry, Edward L.
Hoebel, Arthur, -- New York Times
Homer, W. H.
Hooper, Lucy
Howe, W. H.
Hustin, M./Mme.
Ingalls, M. E.
Iwill
Jacob, Stephen
James, Maj. F. B. (Military Order of the Loyal Legion of the United States)
Jansen, P.
Joergens
Johnson, Brigadier General R. W.
Jordan, D. M.
Kaplan, A. O.
Kauffmann, S. H. (?), Corcoran
Knight, Ridgway
Knoedler, R. F.
Kroyer (?), F.
Kuhn
L-ington, W.P.L.
Lamar, L.Q.C., Secretary of the Interior (letter of introduction)
Lasoniere
Lassaille, M.
Lau-, Frederick S.
Laugee, Georges
Le E-, L. M.
Le Leusche, L. M. (?)
Le Roux, Hector
Lee
Lefebvre, Jules
Leighton, Frederic
Leipziger, H. M.
Leisten (or Leister), Jacobus
Leunier (?)
Lhermitte, Leon
Loyal Legion of the United States
Miles, Roger
Mabel-Trevor, Helen (?)
MacPherson, G. G.
Madden, Thomas
Maignan, Albert
Marks, Montague
Masson, Charles, Ministere de l'Instruction Publique
Mayer, Henry
Mayers, Nathan
Mayers, C.
Mehaus, C. H. (?)
Meikie (?), H.
Melchers, Gari
Merson, Luc Olivier
Mielziner, Leo
Mieuer, D. J.
Miller, Juanita
Miller, L. W., Art Club of Philadelphia
Ministere de l'Instruction Publique et des Beaux-Arts
Ministere des Affaires Etrangeres
Moch, M. E.
Mocker, Melchior
Moeselagen, F.
Moeselagen, J.
Moffat, W. D.
Morris, A. K., YMCA
Morton, Levi Parsons
Moses, Otto A.
Moses-Jacob, Ezekiel
Mosler, Agnes
Mosler, Edith
Mosler, Gustave
Mourges, Robert
Moyes
Mücke, Heinrich
Mullin, Alex J.
Murphy, J. Francis
Neal, David
New York Herald
Nicoll, J. C., National Academy of Design
Niehaus, Charles H.
Noble, S.
Noble, T. S.
Nontet, D.
Ollendorf, Gustave
Paine, H. G., -- Harper's Weekly
Palmer, Ray
Panhauts, C. M. (?)
Partridge, William Ordway
Pearce, Charles Sprague
Pelouse, Leon Germain
Pengelly, W. G.
Petitjean, E.
Peixotto
Picknell, William L.
Pleinpent (?), F. B.
Plimpton, C. A.
Porral, Jules
Profesional Photographer's Society of New York
Race, G. F.
Rae, Alison
Rea, John S.
Read, Thomas Buchanan
Reid, J. (?)
Rettig, John
Richards, Renée
Reid, Robert S.
Rongier, Jeanne
Rosenberg, H.
Rosenthal, Albert
Rosenthal, Toby E.
Roth, Th. (?)
Royal Academy (invitation)
Ruze, Adolphe
Sherard, Robert (?)
Saile, Fernand
Saint-, G.
Sardey, V.
Sayler, Nelson (letter of introduction)
Schatz, Joseph L.
Schaus, W (?)
Scribe, Fernand
Seissen, F. (?)
Sh-, R. M.
Shearard, Robert M.
Simmons, Sallie M.
Skinnner, Otis
Smillie, George
Smith, Rufus H.
Stanhope
Stanton, Theodore
Surand, Gustave
Thierot, J. H.
Thompson, Harry
Thouron, Henry
Townsend, George Alfred
Trebaulz, T.
Trioche, Gen.
Turner, C. Y.
Turner, Henry
Turquel, Edmund: see Ministere de l'Instruction Publique et des Beaux-Arts
Turquet, Henry
Turquet, M.
Turquet, Octavie
United States Army, Sheridan, Lt. General Philip Henry (letters introducing Mosler)
United States Department of the Interior (letters introducing Mosler)
Vanderstraeyen, L.
Vaul, Eugene
Vauthier, Pierre
Vele-, Gustave
Vey-, J.
Vezin, Charles
Vidal, E.
Vignaud, Henry
Volksblatt, Cincinnati
von Catharin, D. (from Henry Mosler)
von Piloty, Carl
Vonnoh, Robert W.
Voruz, E.
Vower, J.
Wameron, Peter
Watrous, H. W.
Wattson, A. Francis
Webber, C. T.
Weeks, E. L.
Whistler, J. McNeill (1 calling card)
Wight, Moses
William, Moses
Wismile, William
Worms, Henry
Worms, Ida
Wright, M.
Y-, Edmond
Zein
Zuber-Buhler
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Henry Mosler papers, 1856-1929. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing and digitization of this collection was provided by the Joseph F. McCrindle Foundation and the Terra Foundation for American Art.
The papers of landscape painter Mary Butler date from 1853-1946, bulk 1884-1946, and measure 1.6 linear feet. Found within the papers are biographical material, correspondence, and records relating to Butler's long participation in the Fellowship of the Pennsylvania Academy of the Fine Arts. Also found are notes and writings, a scrapbook, printed material, and photographs of Butler, her friends, her studio in Ogunquit, Maine, her landscape paintings, and exhibition installations.
Scope and Content Note:
The papers of landscape painter Mary Butler date from 1853-1946, bulk 1884-1946, and measure 1.6 linear feet. Found within the papers are biographical material, correspondence, and records relating to Butler's long participation in the Fellowship of the Pennsylvania Academy of the Fine Arts. Also found are notes and writings, a scrapbook, printed material, and photographs of Butler, her friends, her studio in Ogunquit, Maine, her landscape paintings, and exhibition installations.
Biographical material includes genealogical notes on Butler's early family history, biographical accounts, teaching certificates, and letters of recommendation from Butler's instructors including William Merritt Chase, Robert Henri, and William Sartain.
Found within the papers are correspondence with family members, including letters to her cousin Edgar Butler letters from her friend Mrs. Thomas Eakins; and miscellaneous scattered letters from various colleagues including George Biddle, Dorothy Grafly, Thornton Oakley, and Alice Kent Stoddard concerning various topics. Correspondence regarding exhibitions is with arts organizations and colleagues including Henry Thouron and S. Walter Norris.
There are files documenting Butler's long participation in the Fellowship of the Pennsylvania Academy of the Fine Arts, including a letter from Joseph Pennell, notes, writings, and printed material. Additional printed material includes a scrapbook of clippings, and exhibition announcements and catalogs. Photographs are of Butler, her friends, her studio in Ogunquit, Maine, views of the Maine coast and of Cathedral Crag in Washington State, Butler's landscape paintings, and miscellaneous exhibition installations.
Arrangement:
The papers are arranged into seven series. Each series is arranged chronologically.
Missing Title
Series 1: Biographical Material, 1884-1945 (Box 1; 10 folders)
Series 2: Correspondence, 1853-1944 (Box 1; 0.5 linear feet)
Series 3: File for the Fellowship of the Pennsylvania Academy of the Fine Arts, 1917-1946 (Box 1; 14 folders)
Series 4: Notes and Writings, 1905-1938 (Box 1; 10 folders)
Series 5: Scrapbook, 1908-1942 (Box 1; 5 folders)
Series 6: Printed Material, 1894-1944 (Box 2; 0.4 linear feet)
Series 7: Photographs, circa 1870-1945 (Box 3; 0.2 linear feet)
Biographical Note:
Mary Butler was born on October 27, 1865 in Uwachlan, Pennsylvania, the daughter of James and Rachel M. (James) Butler.
Butler began her education at the Darlington Seminary. She studied painting at the Philadelphia School of Design for Women (now the Moore College of Art) under William Sartain and Robert Henri, graduating in 1894. Between 1896 and 1902, she studied at the Pennsylvania Academy of the Fine Arts under William Merritt Chase and Celia Beaux. From 1897 to 1898, she studied at the Académie Colarossi in Paris with Gustave Courtois, René François Xavier Prinet, and Jean-Antoine Injalbert.
She attended a summer school conducted by William Merritt Chase at Shinnacock Hills, and later studied under Robert Henri and Edward W. Redfield. With Redfield, she spent a season at Centre Bridge, Pennsylvania. Butler was primarily a landscape painter and traveled widely in the United States and Europe to find unusual and inspiring views. She also spent summers in Ogunquit and on Monhegan Island, Maine.
In 1909, Butler joined the Fellowship of the Pennsylvania Academy of the Fine Arts and served as President of that organization from 1921 to 1937. During her tenure, she inaugurated traveling exhibitions, a picture purchasing fund and, in 1915, the Thouron Fund for aid of needy artists.
Throughout her career Butler exhibited extensively and promoted the arts in Philadelphia.
Mary Butler died on March 16, 1946.
Provenance:
The Mary Butler papers were donated in 2005 by Rachel F. Armstrong, the artist's niece.
Restrictions:
The collection is open for research. Use requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Landscape painters -- Pennsylvania -- Philadelphia Search this
