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Love on the Range: Portraying American Cowboy Nat Love

Creator:
National Museum of American History  Search this
Type:
YouTube Videos
Uploaded:
2014-04-02T18:02:13.000Z
YouTube Category:
Education  Search this
Topic:
American History  Search this
See more by:
SmithsonianAmHistory
Data Source:
National Museum of American History
YouTube Channel:
SmithsonianAmHistory
EDAN-URL:
edanmdm:yt_t3N8V5_idt0

Time Trial of Benedict Arnold

Creator:
National Museum of American History  Search this
Type:
YouTube Videos
Uploaded:
2011-01-19T18:17:06.000Z
YouTube Category:
Education  Search this
Topic:
American History  Search this
See more by:
SmithsonianAmHistory
Data Source:
National Museum of American History
YouTube Channel:
SmithsonianAmHistory
EDAN-URL:
edanmdm:yt_isI6wcAPhg0

Sewing for a Cause

Creator:
National Museum of American History  Search this
Type:
YouTube Videos
Uploaded:
2020-05-17T17:08:00.000Z
YouTube Category:
Education  Search this
Topic:
American History  Search this
See more by:
SmithsonianAmHistory
Data Source:
National Museum of American History
YouTube Channel:
SmithsonianAmHistory
EDAN-URL:
edanmdm:yt_Tvxy_4ohSM8

Theatre program for The Blacks

Created by:
Unidentified  Search this
Subject of:
Brunetta Barnett  Search this
Cynthia Belgrave, American, died 1997  Search this
Louis Gossett Jr., American, born 1936  Search this
Lex Monson  Search this
Kenneth Manigault, American  Search this
Roxie Roker, American, 1929 - 1995  Search this
Raymond St. Jacques, American, 1930 - 1990  Search this
Mel Scott  Search this
James Spruill  Search this
Louise Stubbs, American, 1930 - 2001  Search this
Douglas Turner Ward, born 1930  Search this
Marlene Warfield, American, born 1940  Search this
Duke Williams, American  Search this
Medium:
ink on paper
Dimensions:
H x W: 9 3/8 x 6 3/8 in. (23.8 x 16.2 cm)
Type:
theater programs
Place used:
New York City, New York, United States, North and Central America
Date:
1961
Topic:
African American  Search this
Drama (Theatre)  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Kayla Deigh Owens
Object number:
2011.45.8
Restrictions & Rights:
Showbill used by permission. All rights reserved, Playbill Inc.
See more items in:
National Museum of African American History and Culture Collection
Classification:
Memorabilia and Ephemera
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd52b8783f8-c0af-4f94-b241-b96c062c1e09
EDAN-URL:
edanmdm:nmaahc_2011.45.8
Online Media:

Warshaw Collection of Business Americana Subject Categories: Schools

Creator:
Warshaw, Isadore, 1900-1969  Search this
Extent:
11.39 Cubic feet (consisting of 25 boxes, 2 folders, 4 oversize folders, 1 map case folder, plus digital images of some collection material.)
Type:
Collection descriptions
Archival materials
Examinations (documents)
Speeches
Catalogs
Trade catalogs
Reports
Sales records
Trade literature
Print advertising
Business cards
Programs
Training manuals
Invoices
Publications
Business records
Advertising cards
Advertising mail
Certificates
Business ephemera
Manuals
Sales letters
Awards
Dance cards
Business letters
Commercial correspondence
Ephemera
Illustrations
Photographs
Sermons
Letterheads
Advertising
Printed ephemera
Catalogues
Theater programs
Report cards
Receipts
Advertising fliers
Legal documents
Scrapbooks
Correspondence
Lesson books
Periodicals
School records
Date:
1745-1973
bulk 1840-1930
Summary:
A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Accounting and Bookkeeping forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana
Scope and Contents note:
Most materials present are records and information related to specific schools and institutions and their operations. There are no complete records for any single organization. K-12 public, private schools are represented, as well as colleges, universities, vocational training, plus home study, correspondence courses, Sunday Schools and some religious instruction. HBCUs are not represented, though there may be a general item or two related to one or more of the HBCU schools. There is a sampling of teaching and learning tools such as workbooks, textbooks, and curriculum guides, plus publications for educators. A portion of the material focuses on administration and the profession of education. Student Services and Engagement covers the social aspects of higher education.
Arrangement note:
Schools is arranged in two subseries.

Institutions

By Name

Administration and Records

Genre

Advertisements

Images

Instruction and Learning: Tools and Resources

Post Family Education Records

Serial Publications for Educators and Administrators
Forms Part Of:
Forms part of the Warshaw Collection of Business Americana.

Missing Title

Series 1: Business Ephemera

Series 2: Other Collection Divisions

Series 3: Isadore Warshaw Personal Papers

Series 4: Photographic Reference Material
Provenance:
Schools is a portion of the Business Ephemera Series of the Warshaw Collection of Business Americana, Accession AC0060 purchased from Isadore Warshaw in 1967. Warshaw continued to accumulate similar material until his death, which was donated in 1971 by his widow, Augusta. For a period after acquisition, related materials from other sources (of mixed provenance) were added to the collection so there may be content produced or published after Warshaw's death in 1969. This practice has since ceased.
Restrictions:
Some items may be restricted due to fragile condition.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Occupation:
College administrators  Search this
Educators  Search this
Art teachers  Search this
Topic:
Student activities  Search this
Education, Higher  Search this
Colleges  Search this
College teachers  Search this
Teachers -- 1940-1950  Search this
Fraternal organizations  Search this
Musical productions  Search this
Students  Search this
Education  Search this
Home economics -- Study and teaching  Search this
Dance  Search this
College graduates -- 1840-1860  Search this
Education, Elementary  Search this
High schools -- Alumni and alumnae  Search this
College students -- 1900-1910  Search this
Art  Search this
Music  Search this
Primers  Search this
Vocational education  Search this
Schools  Search this
Teachers  Search this
Mathematics  Search this
Education -- 19th century  Search this
Kindergarten  Search this
Dances  Search this
Classrooms  Search this
Theater  Search this
High school student activities  Search this
Women -- Education  Search this
Universities and colleges  Search this
Lesson plans  Search this
Students -- 1940-1950  Search this
Universities and colleges -- Administration  Search this
Musical performances  Search this
Education -- school buildings  Search this
State universities and colleges  Search this
Students -- 19th century  Search this
Medical colleges -- Faculty  Search this
Commencement ceremonies  Search this
High school athletes  Search this
Cooking  Search this
Medical colleges  Search this
Musicals  Search this
Elementary schools  Search this
Art -- Study and teaching  Search this
Genre/Form:
Examinations (documents)
Speeches
Catalogs
Trade catalogs
Reports
Sales records
Trade literature
Print advertising
Business cards
Programs -- Graduation ceremonies -- 1930-1940
Training manuals -- 20th century
Invoices
Publications
Business records
Advertising cards
Advertising mail
Certificates
Business ephemera
Manuals
Sales letters
Awards
Dance cards
Business letters
Commercial correspondence
Certificates -- School attendance -- 1930-1940 -- Illinois
Ephemera
Illustrations
Photographs
Sermons
Letterheads
Publications -- Business
Advertising
Printed ephemera
Catalogues
Theater programs
Report cards
Receipts
Advertising fliers
Legal documents
Scrapbooks
Correspondence
Lesson books
Periodicals
School records
Citation:
Warshaw Collection of Business Americana Subject Categories: Schools, Archives Center, National Museum of American History, Smithsonian Institution
Identifier:
NMAH.AC.0060.S01.01.Schools
See more items in:
Warshaw Collection of Business Americana Subject Categories: Schools
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8680d9cf8-955e-43fd-b70a-d3dd90a3f340
EDAN-URL:
ead_collection:sova-nmah-ac-0060-s01-01-schools
Online Media:

Ricki Covette Burlesque Collection

Creator:
Covette, Ricki  Search this
Donor:
Jewell, Irene  Search this
Extent:
2 Cubic feet (6 boxes, 2 map folders)
Type:
Collection descriptions
Archival materials
Advertisements
Brochures
Certificates
Clippings
Decals
Letters (correspondence)
Photographs
Scrapbooks
Theater programs
Date:
1940–2002
bulk 1950s–1970s
Summary:
This collection consists of eight scrapbooks and five posters documenting the burlesque career of Irene Jewell (stage name Ricki Covette), who at 6'8" was billed as "The World's Tallest Exotic Dancer." The albums contain clippings; letters; certificates; photographs, including photographs of her act; ephemera, such as postcards, travel brochures, postcards, and decals, from her travels; advertisements; and theater programs.
Scope and Contents:
Scrapbooks and posters documenting the burlesque career of Irene Jewell (stage name Ricki Covette), who at 6'8" was billed as "The World's Tallest Exotic Dancer."
Arrangement:
Collection is arranged into two series.

Series 1: Scrapbooks

Series 2: Posters
Biographical / Historical:
Born in 1925 in rural Alberta, Canada, Irene Jewell aspired to become a singer and dancer. Moving to the United States in the 1950s, Jewell began a thirty-year career in show business, including theater, small parts in television and film, but especially burlesque, under her stage name "Ricki Covette." Billed as "The World's Tallest Exotic Dancer" at 6'8" and the "Glamazon," Covette's career spanned the peak of burlesque's popularity; her career highlights included headlining at clubs, including an 82-week stint at the ShoBar in New Orleans, Louisiana, and a solo act world tour in Japan, the United Kingdom, and the Americans. Besides her burlesque career, Covette also had parts in theater, including playing the role of Gymnasia in the 1963-1964 tour of A Funny Thing Happened on the Way to the Forum, and appearing in the 1966 film The Swinger. After she left show business, she started a successful second career as a real estate broker in the Los Angeles area and travelled with her husband, cinematographer Stuart Jewell, shooting footage of nature and culture. In 2010 she appeared in Leslie Zemeckis's documentary, Behind the Burly! Covette died in February 2016.
Provenance:
Donated to the Archives Center in 2014 by Irene Jewell (stage name Ricki Covette).
Restrictions:
Collection is open for research. Social Security numbers are present and have been rendered unreadable and redacted. Researchers may use the photocopies in the collection. The remainder of the collection has no restrictions.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Burlesque (Theater) -- 1920-1970  Search this
Burlesque shows -- 1920-1970  Search this
Postcards -- 20th century  Search this
Striptease -- 1920-1970  Search this
Stripteasers -- 1920-1970  Search this
Genre/Form:
Advertisements -- 20th century
Brochures -- 20th century
Certificates -- 20th century
Clippings -- 20th century
Decals
Letters (correspondence) -- 20th century.
Photographs -- 1950-2000
Scrapbooks -- 20th century
Theater programs -- 1950-2000
Citation:
Ricki Covette Burlesque Collection, 1940–2022, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.1335
See more items in:
Ricki Covette Burlesque Collection
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8447243f0-1217-4a84-81b0-d5612eaf8621
EDAN-URL:
ead_collection:sova-nmah-ac-1335
Online Media:

Scrapbook 1 "Boots & Saddle"

Collection Creator:
Covette, Ricki  Search this
Collection Donor:
Jewell, Irene  Search this
Container:
Box 1
Type:
Archival materials
Date:
1951–1964
Scope and Contents:
This scrapbook (1951–1964) contains the following: clippings; correspondence; photographs, including photographs of her act; ephemera, such as travel brochures, postcards, and decals, from her travels; advertisements; and theater programs. This scrapbook also contains some material relating to Barbara Walters (as her father Lou Walters hired Ricki as an exotic dancer for his Latin Quarter Club), and several examples of Covette's AGVA Standard Form of Artistic Engagement Contract for Exotic Dancing.
Collection Restrictions:
Collection is open for research. Social Security numbers are present and have been rendered unreadable and redacted. Researchers may use the photocopies in the collection. The remainder of the collection has no restrictions.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Ricki Covette Burlesque Collection, 1940–2022, Archives Center, National Museum of American History.
See more items in:
Ricki Covette Burlesque Collection
Ricki Covette Burlesque Collection / Scrapbooks
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8e1317f2d-bf41-421c-83e8-a5699f58c5ad
EDAN-URL:
ead_component:sova-nmah-ac-1335-ref516

Scrapbook 3

Collection Creator:
Covette, Ricki  Search this
Collection Donor:
Jewell, Irene  Search this
Container:
Box 3
Type:
Archival materials
Date:
1970s–2000s
Scope and Contents:
This album (1970s–2000s) contains the following: clippings; correspondence; photographs, including photographs of Covette's burlesque act; ephemera, such as travel brochures, postcards, and decals, from her travels; advertisements; and theater programs.
Collection Restrictions:
Collection is open for research. Social Security numbers are present and have been rendered unreadable and redacted. Researchers may use the photocopies in the collection. The remainder of the collection has no restrictions.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Ricki Covette Burlesque Collection, 1940–2022, Archives Center, National Museum of American History.
See more items in:
Ricki Covette Burlesque Collection
Ricki Covette Burlesque Collection / Scrapbooks
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8b352580c-36dd-4e8c-80cb-1fe8611a9f47
EDAN-URL:
ead_component:sova-nmah-ac-1335-ref518

Scrapbook 4

Collection Creator:
Covette, Ricki  Search this
Collection Donor:
Jewell, Irene  Search this
Container:
Box 4
Type:
Archival materials
Date:
bulk 1950–2002
Scope and Contents:
This scrapbook (1950–2002) contains the following: newspaper clippings about Covette's career and her husband's (Stuart Jewell) obituaries; correspondence and cards; photographs, both black and white photographs of her burlesque act, as well as snapshots of her and Stuart during their travels filming; ephemera; advertisements for her burlesque performances; "The Golden Days of Burlesque Historical Society Newsletter" issues; issues of magazines such as Bare, People Today, and Potpourri; and theater programs for A Funny Thing Happened on the Way to the Forum. –
Collection Restrictions:
Collection is open for research. Social Security numbers are present and have been rendered unreadable and redacted. Researchers may use the photocopies in the collection. The remainder of the collection has no restrictions.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Ricki Covette Burlesque Collection, 1940–2022, Archives Center, National Museum of American History.
See more items in:
Ricki Covette Burlesque Collection
Ricki Covette Burlesque Collection / Scrapbooks
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8400c7dce-4f26-482b-9b3b-46ebfc71041b
EDAN-URL:
ead_component:sova-nmah-ac-1335-ref519

Warshaw Collection of Business Americana Subject Categories: Theater

Creator:
Warshaw, Isadore, 1900-1969  Search this
Extent:
9.54 Cubic feet (consisting of 19.5 boxes, 4 folders, 26 oversize folders, 8 map case folders, plus digital images of some collection material.)
Type:
Collection descriptions
Archival materials
Ephemera
Business ephemera
Date:
1863-1966
Summary:
A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Theater forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana
Scope and Contents:
This material consists primarily of theater programs (leaflets and pamphlets), images of performers and theaters, photographs, advertising cards, postcards, correspondence on letterhead stationary, theater tickets, newspaper clippings, articles, periodicals, pamphlets, catalogs and books. These materials are divided into eight series: American theaters, Foreign theaters, Performers, Managers/Agents/Agencies, Associations/Clubs, Theater productions, General works and Related publications.
Materials in the Archives Center:
Archives Center Collection of Business Americana (AC0404)
Forms Part Of:
Forms part of the Warshaw Collection of Business Americana.

Missing Title

Series 1: Business Ephemera

Series 2: Other Collection Divisions

Series 3: Isadore Warshaw Personal Papers

Series 4: Photographic Reference Material
Provenance:
Theater is a portion of the Business Ephemera Series of the Warshaw Collection of Business Americana, Accession AC0060 purchased from Isadore Warshaw in 1967. Warshaw continued to accumulate similar material until his death, which was donated in 1971 by his widow, Augusta. For a period after acquisition, related materials from other sources (of mixed provenance) were added to the collection so there may be content produced or published after Warshaw's death in 1969. This practice has since ceased.
Restrictions:
Collection is open for research. Some items may be restricted due to fragile condition.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Occupation:
Actors  Search this
Topic:
Theaters  Search this
Theatrical stages  Search this
Genre/Form:
Ephemera
Business ephemera
Citation:
Warshaw Collection of Business Americana Subject Categories: Theater, Archives Center, National Museum of American History, Smithsonian Institution
Identifier:
NMAH.AC.0060.S01.01.Theater
See more items in:
Warshaw Collection of Business Americana Subject Categories: Theater
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep836d4873f-afa3-4cc4-91dd-e021057bec70
EDAN-URL:
ead_collection:sova-nmah-ac-0060-s01-01-theater
Online Media:

Warshaw Collection of Business Americana Subject Categories: Steamboats [Ships, Boats, and Vessels]

Creator:
Warshaw, Isadore, 1900-1969  Search this
Extent:
10.22 Cubic feet (consisting of 20 boxes, 2 folders, 9 oversize folders, 3 map case folders, 3 flat boxes (2 full, 1 partial.))
Type:
Collection descriptions
Archival materials
Menus
Bills
Ships' passenger lists
Patents
Legislative documents
Photographs
Advertisements
Advertising mail
Advertising
Illustrations
Contracts
Trademarks
Inspections
Programs
Advertising cards
Advertising fliers
Print advertising
Legal documents
Travelogs
Souvenir programs
Business cards
Concert programs
Publications
Commercial correspondence
Correspondence
Receipts
Theater programs
Business records
Legal records
Business ephemera
Invoices
Bills of sale
Ships' logs
Technical reports
Reports
Letterheads
Ephemera
Design patents
Travel brochures
Legislation (legal concepts)
Business letters
Timetables
Travel diaries
Printed ephemera
Place:
New York (N.Y.) -- Transportation
Hudson River
Date:
1777-1965
Summary:
A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Accounting and Bookkeeping forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana
Scope and Contents:
Minimally covers the terminus of the wind-powered (sail) era and more fully documents the peak of the engine (steam) era of commercial cargo and passenger vesselsk, including freight and dockage services, maintenance and provisioning, ferry service, navigation (tug and tow) assistance, plus leisure cruising and touring. There is not a significant amount of material on battle or war ships. Includes both short distance routes such as lakes, rivers, and islets, and longer trans-oceanic crossings.

Documents within the collection consist of handbills, broadsides, leaflets, books, business cards, advertisements, insurance forms, wreck reports, passenger lists, baggage tags, freight manifests, rate cards, correspondence on letterhead stationery, booklets, newspaper clippings, postcards, menus, periodicals, manuals, photographs, engravings, woodcuts, sketches, bills of lading, receipts, catalogues, ledgers, journals, purchase orders, broadsides, brochures, custom forms, schedules, shipping and receiving documents, early steam guides, timetables, lithographs, announcements, etc. There are no navigational nautical maps. There is very little in the way of international import/export records. However, domestic and North American freight services are well-covered through invoices, bills of lading, manifests, and receipts for goods and services.

Some materials cover the history and development of steamships, particularly in the latter half of the nineteenth century with the iron screw replacing the wooden paddle steamer in the 1850s. The late 1860s brought the compound engine, which led to the steamship, previously used for the conveyance of mails and passengers, to compete with the sailing vessel in the carriage of cargo for long voyages. The 1870s brought improvements in accommodation for the passenger, with the midship saloon, conveniences in state-rooms, and covered access to smoke rooms and ladies cabins.

Ownership of specific lines and vessels was very fluid throughout shipping history, including the renaming of vessels. Mergers, dissolution, and absorption of fleets were frequent. Thus, researchers should independently seek out a more detailed history for any entity of particular interest.

The general maritime business series focuses on good and services related to maritime operations such as repair, shipbuilding, parts, ticket agents, chandlers, groceries, coal supply, dockage, wharfs/marinas, etc.

Operation records of named vessels contains primarily bills of lading and similar receipts for the movement of material goods or in-water services such as tow and tug assistance.

The largest series covering shipping lines and conglomerates offers a wide assortment of miscellaneous, nonexhaustive operation records for cargo and passenger lines and corporations, typically those with multiple holdings. These documents may include receipts, bills of lading, correspondence, and financial ledgers, plus promotional material for services and routes offered. Passenger sailings and luxury cruise documentation may contain menus, passenger lists, itineraries, shore excursion information, souveniers such as luggage tags, ticket stubs, and postcards. See also the subject category Menus, for additional examples of passenger and cruise ship menus.

When not associated with any of the above, general examples of materials related to the industry have been by arranged by their material type such as images, reports, and serial publications. More formal documentation, especially legal and reports, can be found here.

Narrative type materials related to lore, history, and building and design specifications have been sorted by subject. A scarce amount of material covers ships used for military service. Likewise, there are a few examples of maritime related material from the art world, mostly in the form of catalogues for exhibits or auction of paintings and scale models.

A note on vessel names: those used as contract carriers of mail and when in service, were entitled to unique prefix designations such as Royal Mail Ship (RMS.), otherwise, the ship name may be preceded by the more generic S.S. for single-screw steamer or steamship, SV for sailing vessel, PS for paddle steamer, RV for research vessel or similar type prefix. USS is the standard for the United States Navy commissioned ships while in commission, with HMS used for His/Her Majesty's Ship of the British Royal Navy.

Some of the major lines/companies represented in the collection include: American Line, American Steamship Company, Anchor Line, Compagnie Générale Transatlantique, Cunard-Anchor Line, Cunard Line, Cunard Steam Ship Company, Limited, Cunard White Star Line, Eastern Steamship Lines, Furness, Withy & Company, Hamburg American Line (HAPAG) / Hamburg Amerika Linie, Holland America Line (N.A.S.M. / HAL), Inman Line, International Mercantile Marine Company (IMM), International Navigation Company, North German Lloyd (Norddeutscher Lloyd Bremen), Panama Pacific Line, Peninsular and Oriental, Red Star Line, Royal Mail Steam Packet, U.S. Mail Steamship Company, United States Lines, White Star Line.
Arrangement:
Ships, Boats, and Vessels is arranged in three subseries.

Business Records and Marketing Material

General Maritime Businesses



Operation Records of Named Vessels



Shipping Lines/Conglomerates

Miscellaneous Business Records and Marketing Material

Genre

Keepsakes

Images

Ledger

Legal

News Clippings

Regulatory

Reports

Serial Publications

Stamps/Cigarette Cards

Associations and Societies

Images, Artwork, Racing, Technical Literature

Subject

Battleships, Warships

Destination Guides

Employment and Licensing

Insurance

Maritime History

Maritime Models and Art

Revue Generale Des Sciences

Warshaw Administrative Records
Related Materials:
Several other Warshaw Subject Categories may have closely related material such as Submarines and Transportation. For casual and recreational boating see Boats and Boating Equipment and Yachts. Other subject categories that may have related materials include: Canals, Dredging, Engines, Menus, Railroads (point of common transportation transfer), and Tours. .
Forms Part Of:
Forms part of the Warshaw Collection of Business Americana.

Missing Title

Series 1: Business Ephemera

Series 2: Other Collection Divisions

Series 3: Isadore Warshaw Personal Papers

Series 4: Photographic Reference Material
Provenance:
Steamboats [Ships, Boats, and Vessels] is a portion of the Business Ephemera Series of the Warshaw Collection of Business Americana, Accession AC0060 purchased from Isadore Warshaw in 1967. Warshaw continued to accumulate similar material until his death, which was donated in 1971 by his widow, Augusta. For a period after acquisition, related materials from other sources (of mixed provenance) were added to the collection so there may be content produced or published after Warshaw's death in 1969. This practice has since ceased.
Restrictions:
Collection is open for research. Some items may be restricted due to fragile condition.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Passenger ships  Search this
Marine machinery  Search this
Ships  Search this
Shipbuilding industry  Search this
Ferries  Search this
Transportation -- Japan  Search this
River boats  Search this
Marine engines  Search this
Boats  Search this
Transportation -- Far Eastern  Search this
Ships -- Equipment and supplies  Search this
Merchant Marine -- Manning of vessels -- United States  Search this
Docks  Search this
Health  Search this
Ocean liners  Search this
Merchant Marine -- United States  Search this
Ships -- Far Eastern  Search this
Rivers  Search this
Transportation -- river boat  Search this
World War, 1939-1945 -- Merchant Marine  Search this
Harbors  Search this
Trade associations  Search this
Transportation -- 1900-1910  Search this
Boats and boating  Search this
Water transport -- 18th century  Search this
Boats -- Southeast Asia  Search this
Cargo  Search this
Local transit -- New York (N.Y.)  Search this
Sailboats  Search this
Waterways  Search this
Sailing  Search this
Transportation -- New York (N.Y.)  Search this
Local transit  Search this
Scientific expeditions  Search this
Water transfer  Search this
Transportation -- History  Search this
Wharves  Search this
Steamboats  Search this
Boats -- New York (N.Y.)  Search this
Transportation  Search this
Public health  Search this
Marine engineers  Search this
Ocean travel  Search this
Seamen -- 1910-1920  Search this
Musical performances  Search this
Transportation -- Law and legislation -- United States  Search this
Merchant seamen  Search this
Marine engineering  Search this
Models and modelmaking  Search this
Navigation  Search this
Seamen -- 1940-1950  Search this
Travel  Search this
Importers  Search this
Shipping  Search this
Cruise ships  Search this
Ships -- New York (N.Y.)  Search this
Flags  Search this
Exports -- 19th century  Search this
Genre/Form:
Menus -- Ships -- 1940-1950
Menus
Bills
Ships' passenger lists
Patents
Legislative documents
Photographs
Advertisements
Advertising mail
Advertising
Illustrations
Contracts
Trademarks
Inspections
Programs
Advertising cards
Advertising fliers
Print advertising
Legal documents
Travelogs
Souvenir programs
Business cards
Concert programs
Publications
Commercial correspondence
Correspondence
Receipts
Theater programs
Publications -- Business
Business records
Legal records
Business ephemera
Invoices
Bills of sale
Ships' logs
Technical reports
Reports
Letterheads
Ephemera
Design patents
Travel brochures
Legislation (legal concepts)
Business letters
Timetables
Travel diaries
Printed ephemera
Citation:
Warshaw Collection of Business Americana Subject Categories: Ships, Boats, and Vessels, Archives Center, National Museum of American History, Smithsonian Institution
Identifier:
NMAH.AC.0060.S01.01.Steamboats
See more items in:
Warshaw Collection of Business Americana Subject Categories: Steamboats [Ships, Boats, and Vessels]
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8cc542278-2f59-4b3b-9008-a8b7679a46b5
EDAN-URL:
ead_collection:sova-nmah-ac-0060-s01-01-steamboats

Warshaw Collection of Business Americana Subject Categories: Motion Pictures

Creator:
Warshaw, Isadore, 1900-1969  Search this
Extent:
2.96 Cubic feet (consisting of 5.5 boxes, 1 folder, 7 oversize folders, 8 map case folders, 1 flat box (partial), plus digital images of some collection material. )
Type:
Collection descriptions
Archival materials
Theater programs
Ephemera
Business ephemera
Date:
1893-1969
Summary:
A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Motion Pictures forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana
Scope and Contents note:
Motion pictures were first publicly exhibited in the United States at the World's Columbian Exposition in Chicago, Illinois in 1893. While the films exhibited there were technically crude with little to no plot or story and far from the polished product of today, they immediately caught the public's attention.

Within a short time the motion picture industry (creation, distribution, and marketing) had grown into a lucrative business. Those first motion pictures were often short serial films run in a series to keep customers coming back to follow the story's plot line to its conclusion. Gradually, films became longer and a number of performers developed legions of fans guaranteeing a certain amount of box office business from name recognition of the star alone.

Initially, the film industry consisted of many small companies, but competition cleared the field and fewer, larger corporations cornered the market in both production and distribution. Independent theatre owners, who were at first almost wholly independent of the production companies, also became rare as the major theatre chains developed their own movie studios to ensure a steady stream of films to be shown at their theaters. The film industry, at first based in New York City and on the East Coast, moved to the famed Hollywood, California, in the late 1910s early 1920s.

The Motion Pictures section of the Warshaw Collection consists of various types of materials relating to motion pictures. The collection is especially strong for the silent movie era, 1893-1927. This portion of the collection is divided into seven series.
Materials in the Archives Center:
Archives Center Collection of Business Americana (AC0404)
Forms Part Of:
Forms part of the Warshaw Collection of Business Americana.

Missing Title

Series 1: Business Ephemera

Series 2: Other Collection Divisions

Series 3: Isadore Warshaw Personal Papers

Series 4: Photographic Reference Material
Provenance:
Motion Pictures is a portion of the Business Ephemera Series of the Warshaw Collection of Business Americana, Accession AC0060 purchased from Isadore Warshaw in 1967. Warshaw continued to accumulate similar material until his death, which was donated in 1971 by his widow, Augusta. For a period after acquisition, related materials from other sources (of mixed provenance) were added to the collection so there may be content produced or published after Warshaw's death in 1969. This practice has since ceased.
Restrictions:
Collection is open for research. Some items may be restricted due to fragile condition.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Occupation:
Motion picture actors and actresses  Search this
Actors  Search this
Topic:
Dance in motion pictures, television, etc.  Search this
Actresses  Search this
Motion picture industry  Search this
Motion pictures  Search this
Theater  Search this
Motion pictures -- History  Search this
Motion pictures, American  Search this
Filmmakers  Search this
Silent films  Search this
Sound film  Search this
Entertainment  Search this
Actresses -- United States  Search this
advertising -- Motion pictures  Search this
Genre/Form:
Theater programs
Ephemera
Business ephemera
Citation:
Warshaw Collection of Business Americana Subject Categories: Motion Pictures, Archives Center, National Museum of American History, Smithsonian Institution
Identifier:
NMAH.AC.0060.S01.01.Motion
See more items in:
Warshaw Collection of Business Americana Subject Categories: Motion Pictures
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8d7ad748a-7b70-4e46-90ec-f606ade06bd4
EDAN-URL:
ead_collection:sova-nmah-ac-0060-s01-01-motion
Online Media:

Henry P. Whitehead collection

Collector:
Whitehead, Henry P. (Prenton), 1917-2002  Search this
Extent:
156.91 Linear feet (178 boxes)
Type:
Collection descriptions
Archival materials
Pamphlets
Sound recordings
Clippings
Memorabilia
Newspapers
Photographs
Books
Brochures
Date:
1843-2010
bulk 1940-1986
Summary:
The papers of historian Henry P. Whitehead measure 156.91 linear feet and date from 1843 to 2010 (bulk 1945-1986). The collection documents Whitehead's careers, as well as his family and personal life. The collection also includes the personal papers of Tomlinson D. Todd, Elizabeth B. Delaney and the Howard Theatre Foundation. The combined collection is comprised of black theatrical memorabilia; materials relating to civil rights activities in the District of Columbia; and the African American experience in general. Included are playbills, sheet music, admission tickets, newspapers, magazines, books, photographs, clippings, flyers, brochures, pamphlets, sound recordings, research files, and other material.
Scope and Contents note:
The papers of historian Henry P. Whitehead measure 156.91 linear feet and date from 1843 to 2010 (bulk 1945-1986). The collection includes the personal papers of Henry P. Whitehead, Tomlinson D. Todd, Elizabeth B. Delaney and the Howard Theatre Foundation. The collection is divided into four series.

Series I focuses on Whitehead and includes papers dating from 1843 to his death in 2011. This series includes biographical material including a large amount of appointment books, identification and membership cards, resumes, certificates, and personal and family material. There is a limited amount of correspondence, which focuses on his personal relationships with family, friends, and general correspondence relating primarily to his work as a local historian.

Also found within Whitehead's papers are countless records from his time employed by the Washington DC government. Materials include memoranda, notes, research material, handbooks, guides, manuals, affirmative action info and records, affirmative action plans, promotion recommendations, recruitment plans and summaries, personnel files (complaints), civil actions and reports related too Whitehead's 37 years of government employment. It reflects the activities of numerous departments, primarily in regards to employment and affirmative action.

There are also a number of files that document Whitehead's involvement in numerous community organizations. Among the organizations in which Whitehead was involved include U Street Festival, Lincoln Corporation, and the U Street Theater Foundation. The papers of the U Street Foundation document the production and establishment of the annual U Street Festival. The Lincoln Theater Foundation and the U Street Theater Foundation papers document the efforts to reopen the Lincoln Theater. Also included are Whitehead's research on the Lincoln as well as old Lincoln Theatre programs. Additionally found within this series are documents and clippings on the economic development within Washington DC particularly in the Shaw/U Street location.

The majority of this series consists of printed material. Printed material in this series includes books, clippings, magazines, newsletters, newspapers, press releases, sheet music, programs as well as promotional material for several Washington DC theaters and organizations. There is a large quantity of theater programs dating from 1900-1986. The majority of the clippings and magazines are theater related topics, coupled with a miscellaneous selection of clippings on topics that presumably captured Whitehead's attention.

Research, notes and writings include a large amount of scrapbooks compiled by Whitehead of mostly photocopied clippings documenting Washington DC history, African American theater history, and general African American history. Five scrapbooks were compiled by an unknown source and were previously housed in the New York Public Library collection. Two scrapbooks are about general theater history one about Frances Starr and one about Margaret Anglin. There is also one scrapbook pertaiing to Mae Hall. Also included are a large amount of research notes and notebooks along with general miscellaneous notes.

There are several photographs of African Americans in the performing arts as well as images of Washington DC and several unidentified men, women, and children.

Audio recordings include 23 cassette from the Alexandria Church of God.

The remainder of the collection consists of the papers of Tomlinson D. Todd, Elizabeth B. Delaney, and those about the Howard Theatre.

The Howard Theatre papers are arranged in Series II and include documents relating to the Washington DC historic Howard Theatre and date from 1910 to 1986. The papers in this series predominantly document the Howard Theatre Foundation's efforts to reestablish and run the Howard Theatre in which Whitehead was the vice president. Records include business correspondence, founding documents, photographs, memoranda, press releases, member lists, financial records, clippings, and scrapbooks of clippings pertaining to the organization and theatre.

The correspondence in the collection include a handful of letters from the Washington DC government along with individuals and organizations. Also included is a large amount of interoffice memoradums.

Administrative records include lawsuits, resolutions, meeting minutes, grant proposals, press releases, memoranda, member lists, studies and reports.

Financial records include check stubs, receipts, invoices, bank statements, expenses, and contribution lists. Printed material includes original and photocopied clippings relating to the history and coverage of the foundation activities. Mostly promotional material as flyers, brochures, and press releases along with programs. In particular two 1920 Howard Theatre programs.

The scrapbooks of original and photocopied clippings compiled by Whitehead chronicle the history of the theatre and coverage of the foundation activities.

There are three VHS cassette featuring Whitehead discussing the Howard Theatre. Also found in series 2 are numerous stock investment record books belonging to A.E. Lichtman one of the early managers of the Howard Theatre. In addition early correspondence between Lichtman and the Rex Amusement Company concerning operational management issues of the Howard Theatre.

The Tomlinson D. Todd papers are arranged in Series III and date from 1902-1986 they include organization files, collected printed materials, subject files, and personal papers.

The collection includes materials relating to organizations in which there was a relationship to Todd's work and in which he had an interest primarily during the 1940s and 1950s, organizations include the National Negro Congress (ca, 1946-1947); the Congress for Industrial Organizations (1943-1947); National Council of Negro Women (1947-1949); Committee for Racial Democracy in the Nation's Capital (1947-1948).

The subject files include documents from three of Todd's organizations; Institute on Race Relation, Club Internationale, and his radio program "Americans All". As well as printed material from Todd's alma mater Lincoln University.

The largest subject file is "Americans All" which includes radio scripts as well as audio recording of a few programs and public service announcements. Also found are several black and white photographs of Todd at the radio studio. Printed materials include newspapers, leaflets, convention proceedings, and flyers, There are a large amount of programs ranging from church worship to convention as well as performance. Also present is a small amount of personal papers, including resumes, certificates, admission tickets, family documents, and travel ephemera from his all expense paid trip to Nigeria.

There are a few photographs of Todd at functions and with notable individuals as well as some family, friends and travel.

Elizabeth's B. Delaney papers are arranged in Series IV and date from 1874-1973.

The papers primarily document her involvement in four organizations, the Grand Oder of Odd Fellow of Kentucky, the Order Eastern Star Kentucky, the State Federation of Colored Women's Clubs of Kentucky and the National Association of Colored Women. There is a small amount of printed material belonging to her son primarily the Alpha Phi Alpha material and Gospel Choral Sheet Music, and books.

The Scrapbook was complied by Whitehead consisting of photocopied clipping documenting the life of Elizabeth B. Delaney.
Arrangement note:
This collection is arranged into four series:

Series 1: Henry P. Whitehead papers Series 2: Howard Theatre Series 3: Tomlinson D. Todd Series 4. Elizabeth B. Delaney
Biographical/Historical note:
Henry Preston Whitehead Jr., was a native of Columbus Ohio. A graduate of Ohio State University, where he also attended law school and was a member of the Omega Psi Phi fraternity. Mr. Whitehead discovered Washington's "Black Broadway" in 1940, when he was a soldier in town on a weekend furlough. As he served in the Army in the South Pacific during World War II. Prior to moving to Washington DC Henry P. Whitehead worked for five years as a liquor inspector. Mr. Whitehead moved to Washington D.C. in 1949 and worked for the Post Office before working for the District of Columbia government where he stayed 21 years. He led several equal employment initiatives during the 1960s and 1970s, and was last employed as associate director of the District's Office of Human Rights. In 1980 after putting in 37 years of government service Mr. Whitehead retired. Mr. Whitehead was an historian who led efforts to restore Washington's U Street cultural corridor and achieved recognition as an authority on and collector of black theatrical memorabilia. Mr. Whitehead worked to promote and preserve the city's rich African American cultural heritage.

Mr. Whitehead, served as the chairman and president for 10 years of the Howard Theater Foundation Inc., which he helped establish. There he led the effort to include Howard Theatre in the National Register of Historic Places.

Similarly he was an active member of the U Street Festival Foundation. He was an adviser to the Kennedy Center, Anacostia Museum, and other Smithsonian Institution units and contributed materials to their exhibitions. He was also a consultant to historical documentaries broadcast on public television and radio, including PBS's "Duke Ellington's Washington." His writings included "Remembering U Street," a book used for annual festivals in the historic area.

Mr. Whitehead was also the founder and board member of the Lincoln Theatre Foundation.

Henry P. Whitehead Jr. died on January 8th 2002 at the age of 84.
Provenance:
The collection was donated to the Anacostia Community Museum on September 1, 2005 by Michael A. Watkins.
Restrictions:
Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Rights:
The Henry P. Whitehead collection is the physical property of the Anacostia Community Museum. Literary and copyright belong to the author/creator or their legal heirs and assigns. Rights to work produced during the normal course of Museum business resides with the Anacostia Community Museum. For further information, and to obtain permission to publish or reproduce, contact the Museum Archives.
Topic:
Howard Theatre (Washington, D.C.)  Search this
African Americans  Search this
National Negro Congress (U.S.)  Search this
National Council of Negro Women  Search this
Radio broadcasting  Search this
African American neighborhoods  Search this
African American musicians  Search this
Genre/Form:
Pamphlets
Sound recordings
Clippings
Memorabilia -- 20th century
Newspapers
Photographs
Books
Brochures
Citation:
Henry P. Whitehead collection, Anacostia Community Museum Archives, Smithsonian Institution, gift of Michael A. Watkins.
Identifier:
ACMA.06-042
See more items in:
Henry P. Whitehead collection
Archival Repository:
Anacostia Community Museum Archives
GUID:
https://n2t.net/ark:/65665/qa751389911-f3d5-474b-82b4-126047b9cc46
EDAN-URL:
ead_collection:sova-acma-06-042
Online Media:

Interview with Aja Graydon

Creator:
Anacostia Community Museum  Search this
Names:
Anacostia Community Museum  Search this
Extent:
1 Video recording (MiniDV)
Type:
Archival materials
Video recordings
Interviews
Place:
Anacostia (Washington, D.C.)
Washington (D.C.)
United States
Date:
2011
Scope and Contents:
Singer Aja Graydon from 'Kindred The Family Soul' talks about her earliest memories singing and performing, including her participation in a DC youth theater program called CUE (Children Urban Ensemble). Early in her life, she thought she would pursue theater arts and then Broadway; she did not realize she would be a R & B singer. She talks about the creativity generated when she played outside in her neighborhood growing up. Graydon states 'Kindred The Family Soul,' created with husband Fatin Dantzler, brings together the styles of Philadelphia and DC music. She describes the duos music, which is about family and togetherness. She talks about coming up with the title for 'Kindred The Family Soul.' Graydon describes her musical style and creative process, and what creativity means to her. As a mother of six, Graydon explains how she balances motherhood and the creation of music, and gives advice for other creative mothers who say they do not have time to pursue their creativity. She talks about how she fosters individual creativity in her family and provides the opportunity for her children to learn and discover on their own. Graydon also states she is a person who craves interaction of all kinds, talks about her musical inspirations, and sings one of her songs.
Interview. Dated 20110510.
Restrictions:
Use of the materials requires an appointment. Some items are not accessible due to obsolete format and playback machinery restrictions. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Collection Rights:
Collection items available for reproduction, but the Archives makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives cost-recovery and use fees may apply when requesting reproductions.
Topic:
African Americans  Search this
African American musicians  Search this
Musicians  Search this
Civic leaders  Search this
Communities  Search this
Genre/Form:
Video recordings
Interviews
Citation:
Interview with Aja Graydon, Anacostia Community Museum Archives, Smithsonian Institution.
Identifier:
ACMA.01-007.16, Item ACMA AV005213
See more items in:
Community and Creativity Project Records
Community and Creativity Project Records / Series 2: Oral History Interviews
Archival Repository:
Anacostia Community Museum Archives
GUID:
https://n2t.net/ark:/65665/qa7013b82c8-54a6-4a39-99ca-e2323bf589ec
EDAN-URL:
ead_component:sova-acma-01-007-16-ref89

Luther Davis Papers

Creator:
Davis, Luther  Search this
Davis, Joan Bassie  Search this
Extent:
14 Cubic feet (40 boxes, 3 map folders)
Type:
Collection descriptions
Archival materials
Videotapes
Audiotapes
Awards
Programs
Screenplays
Scripts (documents)
Theater programs
Date:
1916-2007, undated
bulk 1936-2007
Summary:
Luther Davis (1916-2008) was an awarding winning writer, playwright and screenwriter. He won a Antoinette Perry (Tony) Award in 1954 for the musical Kismet. He was the playwright for Lady in a Cage, and Grand Hotel and many other productions.
Scope and Contents:
This collection contains scripts, screenplays, and teleplays written by Luther Davis for the stage, screen, and television with related documents. Also included are writings for publications, business papers, and personal papers and photographs.

Series 1, Articles and Fiction, 1936-1946, 2003. This series consists of articles and stories written for magazines, published and unpublished. This series is divided into two subseries:

Subseries 1, Articles and Non-Fiction, 1936-1946 and 2003. Articles published in magazines or other publications and unpublished manuscripts.

Subseries 2, Fiction, 1936-1940s and undated. Stories published in magazines and unpublished manuscripts.

Series 2, Works for Film, 1946-2003. This series consists of treatments, scripts and screenplays for films, produced and unproduced. This series is divided into two subseries:

Subseries 1, Screenplays, Produced, 1946-1972. Drafts and scripts for films produced and materials relating to their production such as advertising and reviews. Photographs for several films are also included and copies of novels used as sources.

Subseries 2, Screenplays, Unproduced, 1940s-2003. Drafts and scripts developed but unproduced and research materials for these projects.

Series 3, Works for the Theater, 1944-2007. This series consists of scripts for stage plays and musicals, produced and unproduced. This series is divided into two subseries:

Subseries 1, Theatrical Productions, 1944-2004. Scripts and other materials related to those productions. These include documents relating to adapting, financing, and promotion of the productions, as well as source materials, photographs, and reviews. Some materials relate to productions in foreign countries.

Subseries 2, Theatrical Works, Unproduced, 1937-2007. Scripts and partial scripts, ideas, outlines and research materials for these projects.

Series 4, Works for Television, 1956-1997. This series consists of scripts for television programs, produced and unproduced. This series is divided into two subseries:

Subseries 1, Television Productions, 1960-1971. Scripts and other materials related to these productions. Subseries 2, Works for Television, Unproduced, 1956-1997. Scripts and partial scripts, ideas, outlines and research materials.

Series 5, Business and Personal Records, 1916-2007. This series consists of two subseries:

Subseries 1, Business Records, 1941-2006. Correspondence, news clippings, awards, general casting research and story research materials.

Subseries 2, Personal Records, 1916-2007. Documents, scrapbook pages, military records, news clippings, photographs, correspondence, miscellaneous personal items.

Series 6, Works by Others, 1939-1979. This series consists of stories and scripts written by others.

Series 7, Audio-Visual Materials, 1976-1991, undated. This series consists of two subseries:

Subseries 1, Audio Materials, 1976-1991, undated. Audio cassettes for Timbuktu! and Grand Hotel stage productions. Radio interviews with Davis and others.

Subseries 2, Video Materials, 1979-1990, undated. Video cassettes for Timbuktu!, 1990 Tony Awards, and film Daughter of the Mind.
Arrangement:
The collection is arranged into seven series.

Series 1, Articles and Fiction, 1936-2003, undated

Subseries 1.1, Articles and Non-Fiction, 1936-2003

Subseries 1.2, Fiction, 1936-1940s, undated

Series 2, Works for Film, 1946-2003

Subseries 2.1, Screenplays, Produced, 1946-1972

Subseries 2.2, Screenplays, Unproduced, 1940s-2003

Series 3, Works for the Theater, 1944-2007

Subseries 3.1, Theatrical Productions, 1944-2004

Subseries 3.2, Theatrical Works, Unproduced, 1937-2007

Series 4, Works for Television, 1956-1997

Subseries 4.1, Television Productions, 1960-1971

Subseries 4.2, Works for Television, Unproduced, 1956-1997

Series 5, Business and Personal Records, 1916-2007

Subseries 5.1, Business Records, 1941-2006

Subseries 5.2, Personal Records, 1916-2007

Series 6, Works by Others, 1939-1979

Series 7, Audio-Visual Materials, 1976-1991, undated

Subseries 7.1, Audio Materials, 1976-1991, undated

Subseries 7.2, Video Materials, 1979-1990, undated
Biographical / Historical:
Luther Berryhill Davis was born in Brooklyn, New York on August 29, 1916. He attended Culver Military Academy, graduating in 1934. At Yale University he was a member of the Yale Literary Society and contributed stories and essays to the Yale Literary Magazine. While at Yale, he began writing plays and musicals and his work in these fields would define his long and successful career. Following his graduation he wrote articles on entertainment figures for Colliers and other publications until his enlistment as captain in the Army Air Corps. While serving, he wrote a breezy column for the service publication C.B.I. Roundup and covered aviation subjects for Air Force magazine for the duration of the war. He was promoted to the rank of major before his demobilization in 1945.

Returning to civilian life, Davis embarked upon a career as a writer for the stage, screen, and television that would continue for more than six decades. In the autumn of 1945, Davis's play Kiss Them for Me, adapted from a Frederic Wakeman novel, opened on Broadway and was adapted for film in 1955. In 1947 he wrote the screenplay for The Hucksters (also by Wakeman), starring Clark Gable. He worked as a screenwriter well into the 1980s.

Davis collaborated with Charles Lederer, Robert Wright, and George Forrest on the book and libretto for Kismet, an adaptation of Edward Knoblock's 1911 play. Kismet featured music based on the works of Alexander Borodin and won the Tony award for Best Musical in 1954. It was made into a film directed by Vincente Minnelli in 1955. In 1978, Davis produced a further adaptation titled Timbuktu! that was notable for its use of African themes and locales. Its cast included Eartha Kitt and Melba Moore, and it was choreographed by Geoffrey Holder. Timbuktu! was nominated for six Tonys, including one for Davis's script.

In 1956, Davis and partners Wright and Forrest purchased the rights to Vicki Baum's novel Menschhen in Hotel. The novel had been the source for Metro-Goldwyn-Mayer's (MGM) 1931 film, Grand Hotel. In 1958, Davis adapted the story for At the Grand, a production of the Los Angeles Civic Light Opera. Thirty-one years, and numerous revisions, later it opened on Broadway in 1989 as Grand Hotel, the Musical. Directed by Tommy Tune, it ran until 1992. In 1990, the show was nominated for twelve Tony awards and won six.

As a producer, Davis and partners brought the World War I drama Not About Heroes to Broadway with stars Edward Hermann and Dylan Baker in 1981. He also co-produced Eden Court off-Broadway with Ellen Barkin and Melanie Griffith in 1985.

Davis continued his work in film as writer and producer, most notably with his controversial film Lady in a Cage, a 1964 study of modern violence starring Olivia de Havilland. Other film scripts, such as A Lion is in the Streets (1953) and Across 110th Street (1972), also explored gritty, contemporary themes. These were a marked contrast to the wry comedy of some of his earlier screenplays.

As a writer for television, Davis's work earned him recognition from the Writer's Guild of America and Mystery Writers of America. Most of his television work was produced in the 1960s, including episodes for the series "Run for Your Life" and "Kraft Suspense Theater." He authored several movies for television, including Arsenic and Old Lace in 1968. His other works for television included comedies, dramas, mysteries and thrillers.

In his lengthy career, Luther Davis earned success because of both his talent and his extraordinary determination and energy. His papers include not only his works produced for film, stage, and television but an equal, if not greater number, of works never seen by audiences.

His tireless efforts with these projects, as well as the many that reached fruition, indicate a willingness to persevere that is essential to success; in 2007, when he was ninety-one years old, he wrote a treatment for a stage musical based on Princess of Mars by Edgar Rice Burroughs. Luther Davis died in 2008.
Provenance:
Donated to the Archives Center in 2009 by Davis's widow, Joan Bassie Davis.
Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Occupation:
Dramatists  Search this
Topic:
Motion pictures  Search this
Screenwriters  Search this
Television  Search this
Television writers  Search this
Genre/Form:
Videotapes
Audiotapes
Awards
Programs
Screenplays
Scripts (documents)
Theater programs
Citation:
Luther Davis Papers, 1916-2007, undated, Archives Center, National Museum of American History
Identifier:
NMAH.AC.1148
See more items in:
Luther Davis Papers
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8c0cc2016-bb7c-4a67-ab70-fe032f6773dd
EDAN-URL:
ead_collection:sova-nmah-ac-1148
Online Media:

Kiss Them for Me, scrapbook, page 55, Equity Library Theater program, Pages 57-66, news clippings and magazine articles

Collection Creator:
Davis, Luther  Search this
Davis, Joan Bassie  Search this
Container:
Box 34, Folder 8
Type:
Archival materials
Date:
1945
Collection Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Luther Davis Papers, 1916-2007, undated, Archives Center, National Museum of American History
See more items in:
Luther Davis Papers
Luther Davis Papers / Series 3: Works for the Theater / 3.1: Theatrical Productions
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep83ba73a60-2c91-468e-8904-4975ab2d88a5
EDAN-URL:
ead_component:sova-nmah-ac-1148-ref185

Theater programs for casting research

Collection Creator:
Davis, Luther  Search this
Davis, Joan Bassie  Search this
Container:
Box 26, Folder 19-21
Type:
Archival materials
Date:
1990s
Collection Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Luther Davis Papers, 1916-2007, undated, Archives Center, National Museum of American History
See more items in:
Luther Davis Papers
Luther Davis Papers / Series 5: Business and Personal Records / 5.1: Business Records
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep88d7091e2-bd10-4834-965b-684d77ca723a
EDAN-URL:
ead_component:sova-nmah-ac-1148-ref499

John Rettig papers, [ca. 1840-1965]

Creator:
Rettig, John, 1858-1932  Search this
Subject:
Rodin, Auguste  Search this
Duveneck, Frank  Search this
Potthast, Edward  Search this
Citation:
John Rettig papers, [ca. 1840-1965]. Archives of American Art, Smithsonian Institution.
Theme:
Architecture & Design  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)5781
(DSI-AAA_SIRISBib)208620
AAA_collcode_rettjohn
Theme:
Architecture & Design
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_208620

Bella Lewitzky scrapbook, 1937-1950

Creator:
Lewitzky, Bella, 1916-2004  Search this
Subject:
Horton, Lester  Search this
Federal Theater Project (Calif.)  Search this
Citation:
Bella Lewitzky scrapbook, 1937-1950. Archives of American Art, Smithsonian Institution.
Topic:
Ballet  Search this
Federal aid to the arts -- United States  Search this
Women artists  Search this
Theme:
New Deal  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)9439
(DSI-AAA_SIRISBib)211637
AAA_collcode_lewibell
Theme:
New Deal
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211637

Cosmos Andrew Sarchiapone papers, circa 1860-2011, bulk 1940-2011

Creator:
Sarchiapone, Cosmos Andrew, 1931-2011  Search this
Subject:
Arbus, Diane  Search this
Cage, John  Search this
Glaser, Milton  Search this
Hay, Alex  Search this
Huebler, Douglas  Search this
Israel, Marvin  Search this
Johnson, Ray  Search this
Kelly, Ellsworth  Search this
Scull, Robert C.  Search this
Sonneman, Eve  Search this
Parsons School of Design  Search this
School of Visual Arts (New York, N.Y.)  Search this
Push Pin Studios  Search this
Type:
Drawings
Ephemera
Illustrations
Music
Photocopies
Photographs
Posters
Prints
Sketchbooks
Sound recordings
Video recordings
Place:
New York (State) -- New York City -- Photographs
Citation:
Cosmos Andrew Sarchiapone papers, circa 1860-2011, bulk 1940-2011. Archives of American Art, Smithsonian Institution.
Topic:
Art -- New York (State) -- New York  Search this
Art -- Study and teaching  Search this
Conceptual art  Search this
Music--New York (State)--New York  Search this
Photographers -- New York (State) -- New York  Search this
Photography -- Study and teaching  Search this
Photography--New York (State)--New York  Search this
Theater--New York (State)--New York  Search this
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)16242
(DSI-AAA_SIRISBib)370445
AAA_collcode_sarccosm
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_370445
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