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Textile Design

Designer:
Dorothy Cole Ruddick, American, 1925 - 2010  Search this
Medium:
Pen and black ink, brush and wash, collage on board
Dimensions:
H x W: 18.8 x 23.8 cm (7 3/8 x 9 3/8 in.)
Type:
textile designs
Drawing
Object Name:
Drawing
Designed in:
USA
Date:
ca. 1950
Credit Line:
Gift of Abby, Lisa and Margie Ruddick
Accession Number:
2021-43-10
Restrictions & Rights:
Usage conditions apply
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq4ab17264b-b510-4549-afcf-25ac2f5efc3a
EDAN-URL:
edanmdm:chndm_2021-43-10
Online Media:

Textile Design

Designer:
Dorothy Cole Ruddick, American, 1925 - 2010  Search this
Medium:
Pen and black ink, graphite on paper
Dimensions:
H x W: 22.6 x 28.9 cm (8 7/8 x 11 3/8 in.)
Type:
textile designs
Drawing
Object Name:
Drawing
Designed in:
USA
Date:
ca. 1950
Credit Line:
Gift of Abby, Lisa and Margie Ruddick
Accession Number:
2021-43-11
Restrictions & Rights:
Usage conditions apply
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq4ad34d776-d639-4f96-9e7c-3beaa11cc71e
EDAN-URL:
edanmdm:chndm_2021-43-11
Online Media:

Sketchbook

Designer:
Dorothy Cole Ruddick, American, 1925 - 2010  Search this
Medium:
Pen and black ink on paper
Dimensions:
H x W: 31.6 x 24 cm (12 7/16 x 9 7/16 in.)
Type:
textile designs
Sketchbook
Object Name:
Sketchbook
Designed in:
USA
Date:
ca. 1950
Credit Line:
Gift of Abby, Lisa and Margie Ruddick
Accession Number:
2021-43-12
Restrictions & Rights:
Usage conditions apply
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq4b4d12198-7312-4c3c-83e6-8663d96ec596
EDAN-URL:
edanmdm:chndm_2021-43-12
Online Media:

Textile Design

Designer:
Dorothy Cole Ruddick, American, 1925 - 2010  Search this
Medium:
Pen and black ink, brush and gouache, graphite on paper
Dimensions:
H x W: 36 x 28.3 cm (14 3/16 x 11 1/8 in.)
Type:
textile designs
Drawing
Object Name:
Drawing
Designed in:
USA
Date:
ca. 1950
Credit Line:
Gift of Abby, Lisa and Margie Ruddick
Accession Number:
2021-43-2
Restrictions & Rights:
Usage conditions apply
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq4e76c0649-11fd-4a19-9f6a-bfdf939e2bd4
EDAN-URL:
edanmdm:chndm_2021-43-2
Online Media:

Textile Design

Designer:
Dorothy Cole Ruddick, American, 1925 - 2010  Search this
Medium:
Pen and black ink, brush and gouache on board
Dimensions:
H x W: 17 x 17.7 cm (6 11/16 x 6 15/16 in.)
Type:
textile designs
Drawing
Object Name:
Drawing
Designed in:
USA
Date:
ca. 1950
Credit Line:
Gift of Abby, Lisa and Margie Ruddick
Accession Number:
2021-43-3
Restrictions & Rights:
Usage conditions apply
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq4d18d24fd-492a-459b-9868-ef24a2aad8a4
EDAN-URL:
edanmdm:chndm_2021-43-3
Online Media:

Textile Design

Designer:
Dorothy Cole Ruddick, American, 1925 - 2010  Search this
Medium:
Pen and black ink, brush and gouache on board
Dimensions:
H x W: 23.9 x 17.5 cm (9 7/16 x 6 7/8 in.)
Type:
textile designs
Drawing
Object Name:
Drawing
Designed in:
USA
Date:
ca. 1950
Credit Line:
Gift of Abby, Lisa and Margie Ruddick
Accession Number:
2021-43-4
Restrictions & Rights:
Usage conditions apply
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq4d8c537f1-88fa-4932-ba45-9be6d9031e99
EDAN-URL:
edanmdm:chndm_2021-43-4
Online Media:

Textile Design

Designer:
Dorothy Cole Ruddick, American, 1925 - 2010  Search this
Medium:
Photographic reproduction on board
Dimensions:
H x W: 17.7 x 18.4 cm (6 15/16 x 7 1/4 in.)
Type:
textile designs
Drawing
Object Name:
Drawing
Designed in:
USA
Date:
ca. 1950
Credit Line:
Gift of Abby, Lisa and Margie Ruddick
Accession Number:
2021-43-5
Restrictions & Rights:
Usage conditions apply
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq43685eb90-c53b-4b24-95ee-663ff896612f
EDAN-URL:
edanmdm:chndm_2021-43-5
Online Media:

Textile Design

Designer:
Dorothy Cole Ruddick, American, 1925 - 2010  Search this
Medium:
Brush and black gouache, graphite on paper
Dimensions:
H x W: 13.3 x 13.7 cm (5 1/4 x 5 3/8 in.)
Type:
textile designs
Drawing
Object Name:
Drawing
Designed in:
USA
Date:
ca. 1950
Credit Line:
Gift of Abby, Lisa and Margie Ruddick
Accession Number:
2021-43-6
Restrictions & Rights:
Usage conditions apply
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq41bc128d3-b138-4b31-ab01-cf60f98cae3d
EDAN-URL:
edanmdm:chndm_2021-43-6
Online Media:

Textile Design

Designer:
Dorothy Cole Ruddick, American, 1925 - 2010  Search this
Medium:
Photographic reproduction with gouache on paper
Dimensions:
H x W: 18.3 x 18.9 cm (7 3/16 x 7 7/16 in.)
Type:
textile designs
Drawing
Object Name:
Drawing
Designed in:
USA
Date:
ca. 1950
Credit Line:
Gift of Abby, Lisa and Margie Ruddick
Accession Number:
2021-43-7
Restrictions & Rights:
Usage conditions apply
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq4201e19a0-ba38-4e6c-9d70-a723b7ae270b
EDAN-URL:
edanmdm:chndm_2021-43-7
Online Media:

Textile Design

Designer:
Dorothy Cole Ruddick, American, 1925 - 2010  Search this
Medium:
Pen and black ink, brush and gouache on board
Dimensions:
H x W: 19 x 26.3 cm (7 1/2 x 10 3/8 in.)
Type:
textile designs
Drawing
Object Name:
Drawing
Designed in:
USA
Date:
ca. 1950
Credit Line:
Gift of Abby, Lisa and Margie Ruddick
Accession Number:
2021-43-8
Restrictions & Rights:
Usage conditions apply
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq4df73b26a-39a8-4417-964b-18b4a952a4f5
EDAN-URL:
edanmdm:chndm_2021-43-8
Online Media:

Textile Design

Designer:
Dorothy Cole Ruddick, American, 1925 - 2010  Search this
Medium:
Pen and black ink, graphite on board
Dimensions:
H x W: 18.6 x 17.8 cm (7 5/16 in. x 7 in.)
Type:
textile designs
Drawing
Object Name:
Drawing
Designed in:
USA
Date:
ca. 1950
Credit Line:
Gift of Abby, Lisa and Margie Ruddick
Accession Number:
2021-43-9
Restrictions & Rights:
Usage conditions apply
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq458f4c27e-b617-4b62-b6c4-522db5a9de78
EDAN-URL:
edanmdm:chndm_2021-43-9
Online Media:

Oral history interview with Chunghi Choo

Interviewee:
Choo, Chunghi  Search this
Interviewer:
Milosch, Jane  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Cranbrook Academy of Art -- Students  Search this
Haystack Mountain School of Crafts -- Faculty  Search this
Ihwa Yŏja Taehakkyo  Search this
Museum für Kunsthandwerk Frankfurt am Main  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Penland School of Handicrafts -- Students  Search this
University of Iowa -- Faculty  Search this
University of Northern Iowa  Search this
Victoria and Albert Museum  Search this
Bush, Cody  Search this
Chateauvert, Jocelyn  Search this
Fujio, Yuho  Search this
Grotell, Maija  Search this
Kao, Ruth  Search this
Kaufman, Glen  Search this
Larsen, Jack Lenor  Search this
Lechtzin, Stanley, 1936-  Search this
Lee, Sang-Bong  Search this
Mayer-VanderMey, Sandra  Search this
McFadden, David Revere  Search this
Merkel-Hess, Mary  Search this
Park, No Soo  Search this
Raab, Rosanne  Search this
Saarinen, Loja  Search this
Smith, Paul J.  Search this
Thomas, Richard C., 1917-1988  Search this
Yeun, Kee-ho  Search this
Extent:
75 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Place:
Korea (South) -- History -- April Revolution, 1960
Date:
2007 July 30-2008 July 26
Scope and Contents:
An interview of Chunghi Choo conducted 2007 July 30-2008 July 26, by Jane Milosch, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at the artist's home, in Iowa City, Iowa.
Choo speaks of establishing the Metalsmithing and Jewelry program at the University of Iowa in Iowa City; the elaborate equipment, tools, and safety protection used in the studio; her experience teaching silent metalforming at Haystack Mountain School of Crafts in Deer Isle, Maine; participating in international workshops and seminars in Korea; the extensive world traveling she does with her husband, Dr. Charles Read, including destinations in Scandinavia, Thailand, Austria, Italy, and South Africa, among others; the house she designed in Iowa City; her love of the city and being surrounded by treasured friends, a supportive university, and beautiful environments; an interest in creative cooking and appreciation for diverse dishes from all around the world; her childhood and young adulthood in Inchon, Korea; growing up with an appreciation for beautiful art objects and classical music; an early interest and talent in drawing; attending Ewha Women's University as generations of women in her family had previously; experiences during the Korean War and April 19 Revolution in 1961; coming to the United States in 1961 as a student; studying English, ceramics, enameling, and stone cutting for one semester at Penland School of Crafts in Penland, N.C.; attending Cranbrook Art Academy in Bloomfield Hills, Michigan and studying metalsmithing with Richard Thomas, ceramics with Maija Grotell, and weaving with Glen Kaufman; living with Mrs. Loja Saarinen during her three and a half years at Cranbrook; teaching general craft at the University of Northern Iowa in Cedar Rapids from 1965-1968; pioneering the mixed-media studies with her students at UNI; accepting the challenge to build a metalsmithing and jewelry program at the University of Iowa in Iowa City in 1968; learning and teaching electroforming; the development of the electro-appliqué technique; extensive donor support and fundraising for the Metalsmithing and Jewelry program and its students; finding inspiration in nature, East Asian calligraphy, classical music, and travel; her long friendship with Jack Lenor Larsen and the great influence he has had on her work; being represented in major art museums and institutions world-wide, including the Museum of Modern Art in New York City, Victoria and Albert Museum in London, Museum fur Kunsthandwerk in Frankfurt, Germany, and many others; the joy she has when her students succeed and surpass her; and plans for future work, writing projects, and travel. Choo also speaks of the 2008 flooding of Iowa City and the state of Iowa during which her studio was severely damaged and many things were lost. Choo also recalls Park, No Soo; Lee, Sang Bong; Ruth Kao; Stanley Lechtzin; Yuho Fujio; David McFadden; Paul J. Smith; Rosanne Raab; Cody Bush; Jocelyn Chateauvert; Mary Merkel Hess; Sandra Mayer-VanderMey; Kee-ho Yeun, and others.
Biographical / Historical:
Chunghi Choo (1938- ) is a Korean American educator, metalsmith, jeweler, and textile and mixed media artist based in Iowa City, Iowa. Interviewer Jane Milosch is a curator from Silver Spring, Maryland.
General:
Originally recorded 5 sound discs. Reformatted in 2010 as 27 digital wav files. Duration is 5 hr., 22 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
This transcript is open for research. Access to the entire recording is restricted. Contact Reference Services for more information.
Occupation:
Metal-workers -- Iowa -- Iowa City  Search this
Jewelers -- Iowa -- Iowa City  Search this
Textile designers -- Iowa -- Iowa City  Search this
Mixed-media artists -- Iowa -- Iowa City  Search this
Topic:
Decorative arts  Search this
Metal-work  Search this
Jewelers -- Interviews  Search this
Jewelry making -- Equipment and supplies  Search this
Jewelry making -- Technique  Search this
Jewelry making -- Study and teaching  Search this
Asian American art  Search this
Asian American artists  Search this
Korean War, 1950-1953  Search this
Korean American art  Search this
Korean American Artists  Search this
Asian American jewelers  Search this
Asian American metal-workers  Search this
Women artists  Search this
Women textile artists  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.choo07
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw91d0f3d3d-e648-47b2-9282-e395b73f635f
EDAN-URL:
ead_collection:sova-aaa-choo07
Online Media:

Maija Grotell papers

Creator:
Grotell, Maija  Search this
Names:
Cranbrook Academy of Art  Search this
Eames, Charles  Search this
Extent:
2 Linear feet ((on 2 microfilm reels))
Type:
Collection descriptions
Archival materials
Date:
1923-1973
Scope and Contents:
Biographical materials, correspondence, awards, photographs, and printed materials relating to the career of the noted ceramist and teacher who devoted the last quarter century of her life to the Cranbrook Academy of Art in Bloomfield Hills, Michigan.
Correspondence consists chiefly of letters received from museums, colleagues (including Charles Eames), friends and former students. Other materials include biographical sketches, resumes, exhibition catalogs and announcements, clippings, scrapbook fragments, a file relating to students and colleagues, a register of funeral visitors, numerous personal and family photographs and five photo albums of Grotell and her work.
Biographical / Historical:
Ceramist and educator. Born 1899. Died 1973. After several years as a textile designer in her native Finland, Grotell immigrated to the United States in 1927. For a short time she studied with Charles Fergus Binns and from 1938 to 1966 she headed the ceramics department at the Cranbrook Academy of Art. During this period, the height of her career, she became one of the leaders in the development of ceramics as a medium of artistic expression. In addition, her research on glazes for Eero Saarinen made possible the widespread architectural use of colored glazed bricks.
Related Materials:
Slides of Grotell's work located at the George Arents Research Library for Special Collections, Syracuse University.
Provenance:
Order and arrangement is that of the George Arents Research Library for Special Collections, Syracuse University.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Occupation:
Ceramicists -- Michigan  Search this
Sculptors -- Michigan  Search this
Educators -- Michigan  Search this
Topic:
Pottery -- 20th century -- United States  Search this
Women artists  Search this
Women ceramicists  Search this
Women sculptors  Search this
Women educators  Search this
Identifier:
AAA.grotmaij
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw90299c4ae-6b2b-49cf-8e90-de977f6e6863
EDAN-URL:
ead_collection:sova-aaa-grotmaij

Oral history interview with Marianne Strengell

Ive:
Strengell, Marianne, 1909-1998  Search this
Ivr:
Brown, Robert F.  Search this
Names:
Cranbrook Academy of Art  Search this
Bertoia, Harry  Search this
Eames, Charles  Search this
Knoll, Florence, 1917-2019  Search this
Saarinen, Eliel, 1873-1950  Search this
Saarinen, Loja  Search this
Extent:
86 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1982 January 8-December 16
Scope and Contents:
An interview of Marianne Strengell conducted 1982 January 8-1982 December 16, by Robert F. Brown, for the Archives of American Art.
Strengell speaks of colleagues and students at the Cranbrook Academy of Art, including Eliel and Loja Saarinen, Charles Eames, Florence Knoll, and Harry Bertoia. She also speaks of her training in hand weaving in Helsinki; her interest in texture and new materials; the rejection of vogue in Scandinavia in the 1930s for folk art motifs; her close association with the Saarinen family at Cranbrook and in Finland; and her work with industry, 1940s-1970s.
Biographical / Historical:
Marianne Strengell (1909-1998) was a weaver, textile designer, and educator.
General:
Originally recorded on 4 sound cassettes. Reformatted in 2010 as 7 digital wav files. Duration is 4 hr., 5 min.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript available on-line at the Archives of American Art's website.
Occupation:
Weavers -- Massachusetts -- Interviews  Search this
Weavers  Search this
Topic:
Textile fabrics  Search this
Educators -- Massachusetts -- Interviews  Search this
Textile designers -- Massachusetts -- Interviews  Search this
Women artists  Search this
Decorative arts  Search this
Women textile designers  Search this
Women educators  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.streng82
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw97cea013e-276d-4383-b0e0-9a88c1ed6daf
EDAN-URL:
ead_collection:sova-aaa-streng82
Online Media:

Marianne Strengell papers

Creator:
Strengell, Marianne, 1909-1998  Search this
Names:
Cranbrook Academy of Art  Search this
Hammarstrom, Olav, 1906-2002  Search this
Extent:
1.5 Linear feet
Type:
Collection descriptions
Archival materials
Scrapbooks
Drawings
Date:
1904-1980s
Summary:
The papers of weaver, fiber artist and educator Marianne Strengell date from 1904 to the 1980s and measure 1.5 linear feet. The scattered papers focus on Strengell's career as an artist and include biographical materials, correspondence, writings, six scrapbooks, printed material, photographs, and artwork.
Scope and Contents:
The papers of weaver, fiber artist and educator Marianne Strengell date from 1904 to the 1980s and measure 1.5 linear feet. The scattered papers focus on Strengell's career as an artist and include biographical materials, correspondence, writings, six scrapbooks, printed material, photographs, and artwork.
Biographical / Historical:
Finnish-American textile artist Marianne Strengell (1909-1998) was known for the use of synthetic fibers in her work. She was an educator and was at the Cranbrook Academy of Art from 1937 to 1962.

Born in Helsinki, Finland in 1909, Marianne Strengell studied industrial arts at a Helsinki university. She spent her early career designing textiles and rugs throughout Scandinavia but came to the United States in 1936. Strengell was invited to teach at the Cranbrook Academy of Art by Eliel Saarinen, a family friend. She began as a professor but became the head of the Department of Weaving and Textile Design after the retirement of Loja Saarinen. Strengell focused on texture in her weavings and often used synthetic fibers. She took many commissions during her career, including many for automotive companies in Detroit. Also, she exhibited her works at institutions and in print.

Under the United States government in 1951, Strengell travelled to the Philippines to establish weaving as a cottage industry. In the mid-1960s she acted as a consultant on textile production to the United Nations Technical Assistance Administration with her husband, Olav Hammarstrom.

Marianne Strengell married fellow Cranbrook artist Charles Yerkes Dusenbury in 1940. They had two children but divorced in 1949. Later, she married architect Olav Hammarstorm.
Related Materials:
Additional papers are held at the Cranbrook Archives, Bloomfield Hills, Michigan.
Provenance:
Along with her husband Olav Hammarstrom, Marianne Strengell donated her papers to the Archives of American Art in 1982-1983 and 1989.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Fiber artists -- Michigan -- Bloomfield Hills  Search this
Weavers -- Michigan -- Bloomfield Hills  Search this
Educators -- Michigan -- Bloomfield Hills  Search this
Topic:
Women artists  Search this
Textile crafts  Search this
Weaving  Search this
Finnish Americans  Search this
Women educators  Search this
Women textile designers  Search this
Genre/Form:
Scrapbooks
Drawings
Citation:
Marianne Strengell papers, 1904-1980s. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.stremari
See more items in:
Marianne Strengell papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw94c2885ac-24ef-4010-b726-5ea49bc144d7
EDAN-URL:
ead_collection:sova-aaa-stremari

Oral history interview with Julia Santos Solomon

Interviewee:
Santos Solomon, Julia, 1956-  Search this
Interviewer:
Espinosa, Fernanda  Search this
Extent:
7 Items (sound files (8 hrs., 1 min), digital, m4a)
86 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Video recordings
Interviews
Date:
2021 March 9 - 2021 April 15
Scope and Contents:
An interview with Julia Santos Solomon conducted 2021 March 9 - 2021 April 15, by Fernanda Espinosa, for the Latino Initiatives Pool 2019, at Santos Solomon's studio in Woodstock, New York.­
Biographical / Historical:
Julia Santos Solomon (1956- ) is an educator, painter, sculptor, digital artist, and textile and fashion designer in the Dominican Republic and Woodstock, New York.
Related Materials:
The Archives also holds the Julia Santos Solomon papers and an oral history interview with Santos Solomon conducted 2020 August 26 as a part of the Archives of American Art's Pandemic Oral History Project.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
This interview is open for research. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its Oral History Program interviews available for non-commercial, educational and personal use unless restricted by donor restrictions, including but not limited to access and publication restrictions. Quotation, reproduction and publication of the recording is governed by restrictions. If an interview has been transcribed, researchers must quote from the transcript. If an interview has not been transcribed, researchers must quote from the recording. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art teachers -- Dominican Republic  Search this
Art teachers -- New York (State) -- New York  Search this
Fashion designers -- Dominican Republic  Search this
Fashion designers -- New York (State)  Search this
Textile designers -- Dominican Republic  Search this
Textile designers -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Painters -- Dominican Republic  Search this
Topic:
Women artists  Search this
Latino and Latin American artists  Search this
Women educators  Search this
Women painters  Search this
Women textile designers  Search this
Emigration and immigration in art  Search this
Genre/Form:
Video recordings
Interviews
Identifier:
AAA.santos21
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw99d5b8984-f521-4ded-a5bd-78d47aebe5af
EDAN-URL:
ead_collection:sova-aaa-santos21
Online Media:

Julia Santos Solomon papers, 1977-2008

Creator:
Santos Solomon, Julia, 1956-  Search this
Santos Solomon, Julia, 1956-  Search this
Subject:
Calamari, Barbara  Search this
Dye, Alice  Search this
Dye, Pete  Search this
Parsons School of Design  Search this
Type:
Drawings
Scrapbooks
Sketchbooks
Video recordings
Place:
Altos de Chavón (Dominican Republic)
Topic:
Golf courses  Search this
Latino and Latin American artists  Search this
Theme:
Latino and Latin American  Search this
Diaries  Search this
Record number:
(DSI-AAA_CollID)16297
(DSI-AAA_SIRISBib)373772
AAA_collcode_santjuli
Theme:
Latino and Latin American
Diaries
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_373772

Oral history interview with Julia Santos Solomon, 2020 August 26

Interviewee:
Santos Solomon, Julia, 1956-  Search this
Santos Solomon, Julia, 1956-  Search this
Interviewer:
Espinosa, Fernanda, 1985-  Search this
Subject:
Pandemic Oral History Project  Search this
Type:
Interviews
Video recordings
Topic:
Women artists  Search this
Pandemics  Search this
COVID-19 (Disease)  Search this
Latino and Latin American artists  Search this
Women educators  Search this
Women painters  Search this
Women textile designers  Search this
Theme:
Latino and Latin American  Search this
Women  Search this
Record number:
(DSI-AAA_CollID)21976
AAA_collcode_santos20
Theme:
Latino and Latin American
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_21976

Oral history interview with Julia Santos Solomon, 2021 March 9 - 2021 April 15

Interviewee:
Santos Solomon, Julia, 1956-  Search this
Santos Solomon, Julia, 1956-  Search this
Interviewer:
Espinosa, Fernanda, 1985-  Search this
Type:
Video recordings
Interviews
Topic:
Women artists  Search this
Latino and Latin American artists  Search this
Women educators  Search this
Women painters  Search this
Women textile designers  Search this
Emigration and immigration in art  Search this
Theme:
Latino and Latin American  Search this
Women  Search this
Record number:
(DSI-AAA_CollID)22062
AAA_collcode_santos21
Theme:
Latino and Latin American
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_22062

Oral history interview with Julia Santos Solomon

Interviewee:
Santos Solomon, Julia, 1956-  Search this
Interviewer:
Espinosa, Fernanda  Search this
Names:
Pandemic Oral History Project  Search this
Extent:
1 Item ((23 min.), digital, mp4)
Type:
Collection descriptions
Archival materials
Interviews
Video recordings
Date:
2020 August 26
Scope and Contents:
An interview with Julia Santos Solomon conducted 2020 August 26, by Fernanda Espinosa, for the Archives of American Art's Pandemic Oral History Project at Santos Solomon's home in Woodstock, New York.
Biographical / Historical:
Julia Santos Solomon (1956- ) is an educator, painter, sculptor, digital artist, and textile and fashion designer in the Dominican Republic and Woodstock, New York.
Related Materials:
The Archives of American Art also holds the Julia Santos Solomon papers.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
This interview is open for research.
Rights:
The Archives of American Art makes its Oral History Program interviews available for non-commercial, educational and personal use unless restricted by donor restrictions, including but not limited to access and publication restrictions. Quotation, reproduction and publication of the audio is governed by restrictions. If an interview has been transcribed, researchers must quote from the transcript. If an interview has not been transcribed, researchers must quote from the audio recording. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art teachers -- New York (State) -- Woodstock  Search this
Art teachers -- Dominican Republic  Search this
Painters -- Dominican Republic  Search this
Painters -- New York (State) -- Woodstock  Search this
Textile designers -- Dominican Republic  Search this
Textile designers -- New York (State) -- Woodstock  Search this
Topic:
Women artists  Search this
Pandemics  Search this
COVID-19 (Disease)  Search this
Latino and Latin American artists  Search this
Women educators  Search this
Women painters  Search this
Women textile designers  Search this
Genre/Form:
Interviews
Video recordings
Identifier:
AAA.santos20
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9ebacb49d-14fe-494d-a634-9f3cfabffeea
EDAN-URL:
ead_collection:sova-aaa-santos20
Online Media:

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