Skip to main content Smithsonian Institution

Search Results

Collections Search Center
14 documents - page 1 of 1

Oral history interview with Ruth Adler Schnee, 2002 November 24-30

Interviewee:
Schnee, Ruth Adler, 1923-  Search this
Schnee, Ruth Adler, 1923-  Search this
Interviewer:
Schnee, Anita  Search this
Subject:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Type:
Sound recordings
Interviews
Topic:
Textile crafts -- Michigan -- Detroit  Search this
Voyages and travels  Search this
Textile designers -- Michigan -- Detroit -- Interviews  Search this
Design -- Study and teaching  Search this
Art -- Economic aspects  Search this
Nazis -- Germany  Search this
Women artists  Search this
Decorative arts  Search this
Theme:
Craft  Search this
Women  Search this
Record number:
(DSI-AAA_CollID)12111
(DSI-AAA_SIRISBib)238676
AAA_collcode_schnee02
Theme:
Craft
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_238676
Online Media:

Oral history interview with Sheila Hicks, 2004 March 18

Interviewee:
Hicks, Sheila, 1934-  Search this
Hicks, Sheila, 1934-  Search this
Interviewer:
Zanartu, Cristobal  Search this
Subject:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Type:
Sound recordings
Interviews
Topic:
Textile crafts -- Study and teaching  Search this
Fiber artists -- France -- Paris -- Interviews  Search this
Art -- Economic aspects  Search this
Women artists  Search this
Decorative arts  Search this
Theme:
Craft  Search this
Women  Search this
Record number:
(DSI-AAA_CollID)12269
(DSI-AAA_SIRISBib)248649
AAA_collcode_hicks04mar
Theme:
Craft
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_248649
Online Media:

Oral history interview with Gerhardt Knodel, 2004 August 3

Interviewee:
Knodel, Gerhardt, 1940-  Search this
Knodel, Gerhardt, 1940-  Search this
Interviewer:
Adamson, Glenn, 1972-  Search this
Subject:
Abakanowicz, Magdalena  Search this
Albers, Anni  Search this
Al-Hilali, Neda  Search this
Andreson, Laura  Search this
Christo  Search this
Hicks, Sheila  Search this
Kester, Bernard  Search this
Larsen, Jack Lenor  Search this
Leland, Mary Jane  Search this
Smith, Kiki  Search this
Tawney, Lenore  Search this
Zeisler, Claire  Search this
Cranbrook Academy of Art  Search this
Los Angeles City College  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
University of California, Los Angeles  Search this
Type:
Interviews
Sound recordings
Place:
California -- Los Angeles -- Description and travel
Michigan -- Description and travel
Topic:
Abstract expressionism  Search this
Decorative arts  Search this
Textile crafts -- Study and teaching  Search this
Theme:
Craft  Search this
Record number:
(DSI-AAA_CollID)12740
(DSI-AAA_SIRISBib)249179
AAA_collcode_knodel04
Theme:
Craft
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_249179
Online Media:

Oral history interview with Joyce Marquess Carey, 2002 June 16

Interviewee:
Carey, Joyce Marquess, 1936-  Search this
Carey, Joyce Marquess, 1936-  Search this
Interviewer:
Adamson, Glenn, 1972-  Search this
Subject:
University of Wisconsin--Madison  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Type:
Sound recordings
Interviews
Topic:
Fiberwork  Search this
Quilting -- Design  Search this
Quilting -- Technique  Search this
Quilting -- Equipment and supplies  Search this
Textile crafts  Search this
Weaving -- Study and teaching  Search this
Weaving -- Equipment and supplies  Search this
Weaving -- Technique  Search this
Women artists  Search this
Decorative arts  Search this
Theme:
Craft  Search this
Women  Search this
Record number:
(DSI-AAA_CollID)12329
(DSI-AAA_SIRISBib)237986
AAA_collcode_carey02
Theme:
Craft
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_237986
Online Media:

Oral history interview with Dominic Di Mare, 2002 June 4-10

Interviewee:
Di Mare, Dominic, 1932-  Search this
Di Mare, Dominic, 1932-  Search this
Interviewer:
Mayfield, Signe  Search this
Subject:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Type:
Sound recordings
Interviews
Topic:
Fiberwork  Search this
Textile crafts  Search this
Weaving -- California  Search this
Art -- Study and teaching -- California  Search this
Fishing  Search this
Decorative arts  Search this
Theme:
Craft  Search this
Record number:
(DSI-AAA_CollID)12551
(DSI-AAA_SIRISBib)237988
AAA_collcode_dimare02
Theme:
Craft
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_237988

Bob Stocksdale and Kay Sekimachi papers, circa 1900-2015

Creator:
Stocksdale, Bob, 1913-2003  Search this
Stocksdale, Kay Sekimachi, 1926-  Search this
Stocksdale, Bob, 1913-2003  Search this
Subject:
Stocksdale, Bob  Search this
Collingwood, Peter  Search this
Anderson, Norman  Search this
Stocksdale, Kay Sekimachi  Search this
Turner, Tran  Search this
Larsen, Jack Lenor  Search this
Maloof, Alfreda Ward  Search this
Maloof, Sam  Search this
Okubo, Miné  Search this
Merrill, Forrest L.  Search this
Shawcroft, Barbara  Search this
Uchida, Yoshiko  Search this
Central Utah Relocation Center  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
War Relocation Authority  Search this
Tanforan Assembly Center (San Bruno, Calif.)  Search this
Type:
Interviews
Sound recordings
Sketches
Scrapbooks
Watercolors
Photographs
Topic:
Concentration camps -- United States  Search this
Textile design  Search this
Decorative arts  Search this
Women artists  Search this
Fiberwork -- Technique  Search this
Woodwork -- Study and teaching  Search this
Japanese Americans -- Evacuation and relocation, 1942-1945  Search this
Textile crafts -- Study and teaching  Search this
Asian American art  Search this
Asian American artists  Search this
Asian American women artists  Search this
Japanese American art  Search this
Japanese American artists  Search this
Japanese American women artists  Search this
Asian American fiber artists  Search this
Asian American educators  Search this
Theme:
Craft  Search this
Lives of American Artists  Search this
Asian American  Search this
Record number:
(DSI-AAA_CollID)11112
(DSI-AAA_SIRISBib)246683
AAA_collcode_stockbob
Theme:
Craft
Lives of American Artists
Asian American
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_246683
Online Media:

Bob Stocksdale and Kay Sekimachi papers

Source:
Stocksdale, Kay Sekimachi  Search this
Creator:
Stocksdale, Bob, 1913-2003  Search this
Names:
Central Utah Relocation Center  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Tanforan Assembly Center (San Bruno, Calif.)  Search this
War Relocation Authority  Search this
Anderson, Norman  Search this
Collingwood, Peter, 1922-2008  Search this
Larsen, Jack Lenor, 1927-2020  Search this
Maloof, Alfreda Ward  Search this
Maloof, Sam  Search this
Merrill, Forrest L.  Search this
Okubo, Miné, 1912-2001  Search this
Shawcroft, Barbara  Search this
Stocksdale, Bob, 1913-2003  Search this
Stocksdale, Kay Sekimachi  Search this
Turner, Tran  Search this
Uchida, Yoshiko  Search this
Former owner:
Stocksdale, Kay Sekimachi  Search this
Extent:
19.5 Linear feet
0.125 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Interviews
Sound recordings
Sketches
Scrapbooks
Watercolors
Photographs
Date:
circa 1900-2015
Summary:
The papers of woodturner Bob Stocksdale and fiber artist Kay Sekimachi measure 19.5 linear feet and 0.125 GB and date from circa 1900 to 2015. Found are biographical materials, correspondence, writings, professional files, exhibition files, project files, personal business records, printed and digital material, scrapbooks, photographic material, and artwork. Of note are records from Sekimachi's forced internment during World War II at Tanforan Assembly Center and Topaz War Relocation Center from 1942 to 1944.
Scope and Contents:
The papers of woodturner Bob Stocksdale and fiber artist Kay Sekimachi measure 19.5 linear feet and 0.125 GB and date from circa 1900 to 2015. Found are biographical materials, correspondence, writings, professional files, exhibition files, project files, personal business records, printed and digital material, scrapbooks, photographic material, and artwork. Of note are records from Sekimachi's forced internment during World War II at Tanforan Assembly Center and Topaz War Relocation Center from 1942 to 1944.

The bulk of biographical materials are from Kay Sekimachi with some originating from her time spent in forced internment at Topaz and Tanforan camps. These records include identification cards, War Relocation Authority printed materials, and school records. Also found are awards, resumes, and blank stationery. Some materials are from Stocksdale's 85th birthday and memorial service.

Letters and extensive greeting cards are from friends, family, and professional acquaintances. Correspondents include Norman Anderson, Peter Collingwood, Jack Lenor Larsen, Sam and Alfreda Maloof, Forrest L. Merrill, Miné Okubo, Barbara Shawcroft, and others.

Writings and notes are scattered and include two interviews with Kay Sekimachi, hanging instructions, and notes. Writings by others are by Jack Lenor Larsen, Tran Turner, and Yoshiko Uchida.

Sekimachi's and Stocksdale's professional activities are documented through files relating to their participation at conferences, awards ceremonies, and lectures. Also found are fiber samples, order forms for materials and equipment, and notes on techniques and design by Kay Sekimachi. Exhibition records include extensive documentation on Marriage in Form, In the Realm of Nature, and Loom and Lathe as well as files for various solo and group exhibitions for both Sekimachi and Stocksdale. Gallery and institution files include material on multiple or unnamed exhibitions. Exhibiton documentation may include correspondence, writings, proposals, printed material, financial and loan records, condition reports, and photographs. Project files contain material for proposed book projects, a retrospective, and portfolio, by and about Sekimachi and Stocksdale. Also found are three commissions files for works by Sekimachi. A proposed retrospective on the work of Bob Stocksdale by Kay Sekimachi includes a digital sound recording of recollections.

Personal business records include sales books, purchase records for works of art by others, appraisals, contracts, consignment receipts, and insurance records.

Published books, clippings, exhibition announcements and catalogs, magazines, and newsletters are found within printed materials. Of note is a publication by the San Francisco Chronicle entitled "This World" which features illustrations by Miné Okubo.

Four scrapbooks compiled by Kay Sekimachi date from 1937 to 1944. Most of the scrapbooks contain printed material from magazines and other sources with images such as children, valentines, food, birds, clothing, and may include scattered sketches and notes by Sekimachi. One scrapbook dates from the end of Sekimachi's internment at Topaz and relocation to Cincinnati, Ohio. This scrapbook includes sketches and printed materials concerning local and global events. Loose material found in this series was likely meant to be pasted into a new or the forth scrapbook. These materials include relocation information, Japanese-American publications, maps, clippings, sketches, and printed programs.

The bulk of photographic materials consist of slides of various vacation locations and homes and date from the 1960s to the 1980s. Also found are scattered portraits of Kay Sekimachi and Bob Stocksdale, as well as a photo of Miné Okubo with Roy Leeper and Cecil Thompson. Artworks are largely by Kay Sekimachi and include watercolor and pencil sketches as well as designs for fabrics and a weaving portfolio. Watercolor and pencil sketches are of Tanforan Assembly Center and date from circa 1942.
Arrangement:
The collection is arranged as 11 series.

Series 1: Biographical Material, circa 1920-2003 (1.5 linear feet; Box 1-2)

Series 2: Correspondence, 1943-2014 (7.6 linear feet; Box 2-10)

Series 3: Writings and Notes, 1960s-2008 (0.2 linear feet; Box 10)

Series 4: Professional Files, 1950s-2011 (1.1 linear feet; Box 10-11, 22)

Series 5: Exhibition Files, 1951-2015 (2.9 linear feet; Box 11-14, ER01; 0.125 GB)

Series 6: Project Files, circa 1900-2004 (0.3 linear feet; Box 14)

Series 7: Personal Business Records, 1970s-2010 (0.7 linear feet; Box 14-15)

Series 8: Printed Material, 1943-2011 (2.3 linear feet; Box 15-17, 22)

Series 9: Scrapbooks, 1937-1946 (0.9 linear feet; Box 17, 21)

Series 10: Photographic Material, circa 1950-2001 (0.9 linear feet; Box 18)

Series 11: Artwork, 1942-circa 1970 (1.1 linear feet; Box 18-20, 22-23)
Biographical / Historical:
Bob Stocksdale (1913-2003) was a woodturner active in California. He was known for bowls he formed from rare types of wood. Kay Sekimachi (1926- ) is a Japanese-American fiber artist and educator also active in California. She began her career in weaving on and off the loom and was part of the New Basketry movement.

Born in Indiana, Bob Stocksdale began his interest in carving by whittling with a pocket knife. Later, he created his own lathe with a washing machine motor and turned items such as baseball bats. During World War II, he was a conscientious objector and worked at various camps performing forestry work. It was in one of the camps that he turned his first bowl on a lathe.

After the war, Stocksdale settled in the Bay Area of California where he established his own woodturning shop in his basement. He concentrated on making bowls out of rare woods. His work has been recognized throughout the world and in 1998, he received the American Association of Woodturners Lifetime Achievement Award. In 2003, he received the James Renwick Alliance Masters of the Medium Award.

Kay Sekimachi was born in San Francisco, California in 1926. As a high school student, she was forcibly interned through Executive Order 9066 issued by President Franklin D. Roosevelt which incarcerated approximately 120,000 Japanese and Japanese-American citizens during World War II. Along with her mother and siblings, Kay lived at Tanforan Assembly Center and later moved to Topaz War Relocation Center in Utah. She continued her schooling at Topaz and after 1944, was resettled in Cincinnati, Ohio.

After graduating from high school, Kay Sekimachi enrolled at the California College of Arts and Crafts and the Haystack Mountain School of Crafts where she learned the craft of weaving under Trude Guermonprez and Jack Lenor Larsen. Her early works were tapestries and garments. She later used her weaving techniques as part of the New Basketry movement to create baskets and boxes out of fibers. Also an educator, Kay taught weaving at San Francisco Community College. She received the American Craft Council Gold Medal for Consummate Craftsmanship in 2002.

After the dissolution of his first marriage through which he had two children, son Kim and daughter Joy Stocksdale, Bob married Kay Sekimachi in 1972. The two had been acquainted for many years as they were both craft artists living in the Bay Area. Although they married later in life, Kay and Bob travelled the world and exhibited their art together in many exhibitions including Marriage in Form and Loom and Lathe.

Bob Stocksdale died in Oakland, California in 2003. Kay Sekimachi continues to exhibit her work and lives in Berkeley, California.
Related Materials:
Also found in the Archives of American Art are an oral history interview of Bob Stocksdale conducted February 16-March 21, 2001, by Signe Mayfield and an oral history interview of Kay Sekimachi [Stocksdale] conducted July 26-August 6, 2001, by Suzanne Baizerman. Both interviews were conducted in Berkeley, California, during the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America.
Provenance:
The Bob Stocksdale and Kay Sekimachi papers were donated in 2003, 2004, and 2015 by Kay Sekimachi Stocksdale as part of the Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of original audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Fiber artists -- California  Search this
Topic:
Concentration camps -- United States  Search this
Textile design  Search this
Decorative arts  Search this
Women artists  Search this
Fiberwork -- Technique  Search this
Woodwork -- Study and teaching  Search this
Japanese Americans -- Evacuation and relocation, 1942-1945  Search this
Textile crafts -- Study and teaching  Search this
Asian American art  Search this
Asian American artists  Search this
Asian American women artists  Search this
Japanese American art  Search this
Japanese American artists  Search this
Japanese American women artists  Search this
Asian American fiber artists  Search this
Asian American educators  Search this
Genre/Form:
Interviews
Sound recordings
Sketches
Scrapbooks
Watercolors
Photographs
Citation:
Bob Stocksdale and Kay Sekimachi papers, circa 1900-2015. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.stockbob
See more items in:
Bob Stocksdale and Kay Sekimachi papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-stockbob

Oral history interview with Ruth Adler Schnee

Interviewee:
Schnee, Ruth Adler, 1923-  Search this
Interviewer:
Schnee, Anita  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Extent:
159 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2002 November 24-30
Scope and Contents:
An interview of Ruth Adler Schnee conducted 2002 November 24-30, by Anita Schnee, at the artist's home in Southfield, Michigan, for the Archives of American Art as part of the Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America.
Schnee talks about her early childhood in Germany, living in Nazi Germany and her family's emigration to the U.S. in 1939; her family's beginnings in the U.S. and her education; working in the display department at Winkleman's Department store; her scholarship to Rhode Island School of Design; experiencing New York City at the close of WWII; attending Cranbrook Academy of Art; her friendship with Eliel and Loja Saarinen; meeting and marrying Edward Charles Schnee; their first silk screening studio in Detroit; early designs; a fire that destroyed the first Adler Schnee shop in 1955; the new Adler Schnee store on Livernois; buying trips to Norway, Sweden, and Finland; difficulties and strategies for selling fabric designs; teaching herself the silk-screening process; designing for the airline industry; her love of color; and the labor intensive process of making the perfect design.
Schnee also discusses her sources of inspiration and how they have changed over the years; good design as "problem solving"; participating in tradeshows and finding clients; the shop paper, "The Bugle;" the Detroit Artists Market; significant commissions including Braniff Airlines, Ford Rotunda Auditorium, the Feld-Weisberg Clinic, and the Jewish Home for the Aged; and a research trip to Williamsburg, Virginia, to learn early American design techniques. Schnee comments on her travels to Mexico, Germany, South America, Israel, and in the U.S. She concludes the sessions by reviewing the recording and providing additional information. Schnee recalls Paul Klee, Albert Kahn, Minoru Yamasaki, Maija Grotell, Richard Savage, Al Taubman, Louis Redstone, Hans Knoll, Victor Gruen, Edward Wormley, Edgar Kaufman, Susanne Dotson, Harley Melzian, Selma Fraiberg, Hedie and Helmut Goedeckemeyer, Roberto Lago, and others.
Biographical / Historical:
Ruth Adler Schnee (1923- ) is a textile artist from Southfield, Michigan.
The interviewer, Anita Schnee, is her daughter and is from Fayetteville, Arkansas.
General:
Originally recorded on 9 sound discs. Reformatted in 2010 as 70 digital wav files. Duration is 11 hr., 9 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Textile crafts -- Michigan -- Detroit  Search this
Voyages and travels  Search this
Textile designers -- Michigan -- Detroit -- Interviews  Search this
Design -- Study and teaching  Search this
Art -- Economic aspects  Search this
Nazis -- Germany  Search this
Women artists  Search this
Decorative arts  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.schnee02
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-schnee02

Oral history interview with Gerhardt Knodel

Interviewee:
Knodel, Gerhardt  Search this
Interviewer:
Adamson, Glenn  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Cranbrook Academy of Art -- Faculty  Search this
Los Angeles City College -- Students  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
University of California, Los Angeles -- Students  Search this
Abakanowicz, Magdalena  Search this
Al-Hilali, Neda, 1938-  Search this
Albers, Anni  Search this
Andreson, Laura  Search this
Christo, 1935-  Search this
Hicks, Sheila, 1934-  Search this
Kester, Bernard  Search this
Larsen, Jack Lenor, 1927-2020  Search this
Leland, Mary Jane  Search this
Smith, Kiki, 1954-  Search this
Tawney, Lenore  Search this
Zeisler, Claire, 1903-1991  Search this
Extent:
7 Items (Sound recording: 7 sound files (5 hr., 23 min.), digital, wav)
77 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Place:
California -- Los Angeles -- Description and Travel
Michigan -- Description and Travel
Date:
2004 August 3
Scope and Contents:
An interview of Gerhardt Knodel conducted 2004 August 3, by Glenn Adamson, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in Bloomfield Hills, Michigan.
Knodel speaks of his German heritage; his parents each immigrating to Los Angeles; growing up in Los Angeles and being part of the German community; his father building houses; the influence of his childhood environment on his artwork; taking art classes in school; participating in theater and set design; studying art at Los Angeles City College; collecting textiles; transferring to UCLA; teaching high school art; the influence of Abstract Expressionism on his early work; quitting teaching and studying fiber arts at University of California, Long Beach; traveling to numerous countries, and their influence on his artwork; researching and lecturing on fabric as environment; how the fiber art movement has evolved and changed; early exhibitions and the need for more venues; the fiber art community in the 1960s and 70s; the importance of University art programs; moving to Michigan and teaching at Cranbrook; the importance of scale and context in his work; making large scale pieces to fit within an architectural space; working on commission for public projects; working with the community in Pontiac, Michigan on a commissioned piece; the influence of the history of textiles; being director of the Cranbrook Academy of Art; putting figures on to textiles; the decline of the fiber art movement; and the benefits of schools such as Cranbrook. Knodel also recalls Bernard Kester, Mary Jane Leland, Laura Andreson, Anni Albers, Sheila Hicks, Neda Al-Hilali, Lenore Tawney, Claire Zeisler, Magdalena Abakanowicz, Jack Lenor Larsen, Christo, Kiki Smith, and others.
Biographical / Historical:
Gerhardt Knodel (1940-) is a fiber artist from Bloomfield Hills, Michigan. Glenn Adamson is a curator and, art historian from Wisconsin.
General:
Originally recorded on 4 sound discs. Reformatted in 2010 as 7 digital wav files. Duration is 5 hr., 23 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Fiber artists -- California  Search this
Topic:
Abstract expressionism  Search this
Decorative arts  Search this
Textile crafts -- Study and teaching  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.knodel04
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-knodel04

Oral history interview with Dominic Di Mare

Interviewee:
Di Mare, Dominic, 1932-  Search this
Interviewer:
Mayfield, Signe  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Extent:
60 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2002 June 4-10
Scope and Contents:
An interview of Dominic Di Mare conducted 2002 June 4-10, by Signe Mayfield, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at his home and studio, in Tiburon, California.
Di Mare speaks of growing up in Monterey, California, around thread, as his mother crocheted and his fisherman father made lures; drawing as a child; receiving the Junior Scholastic Art Awards in high school; enrolling at Monterey Peninsula College and San Francisco State; acquiring a teacher's degree and taking a craft class; being "enthralled" by setting up a loom; teaching art in junior high schools; getting married and buying a loom; reading Craft Horizon magazine and becoming inspired by the work of Kay Sekimachi; buying yarn from Helen Pope at The Yarn Depot and forming a friendship with her; exhibiting at The Yarn Depot; participating in craft competitions and showing his work to Paul Smith, the director of the Museum of Contemporary Crafts; his first show at the Museum of Contemporary Crafts in 1965; exhibiting at Museum West (the west coast extension of the Museum of Contemporary Crafts); recognizing "self and struggle and passion" in Ferne Jacobs' work; his dealers including Marjorie Annenberg (Annenberg Gallery, San Francisco), Ruth Braunstein (Braunstein/Quay Gallery, San Francisco), Susan Cummins (Susan Cummins Gallery, Mill Valley, Calif.), and Florence Duhl (Florence Duhl Gallery, New York); receiving a grant from the Marin Arts Council; quitting his teaching job, receiving an NEA grant, and becoming a full-time artist; collectors Dan and Hillary Goldstein; the beauty of poet Betty Parks' article, "Dominic Di Mare: Houses for the Sacred," in American Craft (October/November 1982); his "shrine" imagery; his military service during the Korean War and being assigned to a post office in Paris, France; going to the Louvre and encountering the Nike, "winged victory" sculpture; and Jack Lenore Larson's support.
Di Mare considers himself to be "self-taught" although he attended the California College of Arts and Crafts, San Francisco State, and Rudolph Schaefer School of Design. He also talks about autobiographical elements in his work; his "personal, artistic vocabulary"; the repetition of black and white; his use of sticks and feathers; and cross shapes, representing the church and a ship's mast. He comments on making portraits during his summers in Switzerland and making magical wands; and his artistic philosophy. Di Mare also recalls Camille Cook, Helen Drutt, Trude Guermonprez, Sophi Harpe, Gyongy Laky, Marjorie Livingston, Hal Painter, June Schwarcz, Rose Slivka, Millie Tresko, and Dorian Zachai.
Biographical / Historical:
Dominic Di Mare (1932- ) is a fiber artist from Tiburon, California. Signe Mayfield is an art historian.
General:
Originally recorded 3 sound cassettes. Reformatted in 2010 as 6 digital wav files. Duration is 2 hr., 47 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Patrons must use transcript. Transcript available online. Sound recordings (3 cassettes) are ACCESS RESTRICTED; Written permission required.
Occupation:
Weavers -- California -- Interviews  Search this
Topic:
Fiberwork  Search this
Textile crafts  Search this
Weaving -- California  Search this
Art -- Study and teaching -- California  Search this
Fishing  Search this
Decorative arts  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.dimare02
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-dimare02

Oral history interview with Sheila Hicks

Interviewee:
Hicks, Sheila, 1934-  Search this
Interviewer:
Zanartu, Cristobal  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Extent:
2 Items (Sound recording: 2 sound discs (1 hr., 44 min.), digital, 2 5/8 in.)
19 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2004 March 18
Scope and Contents:
An interview of Sheila Hicks conducted 2004 March 18, by Cristobal Zanartu, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in Paris, France.
Hicks speaks of working outside of academia; working within the fiber art tradition; teaching classes and workshops; founding the MADESA design school in Cape Town, South Africa; the function of her works; the fluctuating art market; becoming a leader in the "soft art" movement; the role of textiles in society; how her work has changed during her career; and how she gets ideas for her pieces. Hicks also speaks of a typical day in her studio; her circle of friends in Paris; documenting her artwork through photographs; what she hopes to communicate through her works; maintaining notebooks during her career; and the influence of technology on her work.
Biographical / Historical:
Sheila Hicks, (b. 1934), fiber artist of Paris, France. Interviewer Cristobal Zanartu, artist's son, Paris, France; b.1965.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Textile crafts -- Study and teaching  Search this
Fiber artists -- France -- Paris -- Interviews  Search this
Art -- Economic aspects  Search this
Women artists  Search this
Decorative arts  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.hicks04mar
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-hicks04mar

Oral history interview with Joyce Marquess Carey

Interviewee:
Carey, Joyce Marquess  Search this
Interviewer:
Adamson, Glenn  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
University of Wisconsin--Madison -- Faculty  Search this
University of Wisconsin--Madison -- Students  Search this
Extent:
76 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2002 June 16
Scope and Contents:
An interview of Joyce Marquess Carey conducted 2002 June 16, by Glenn Adamson, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Carey's home, in Madison, Wisconsin.
Carey speaks of growing up in Redding, California; her widowed mother working to support Carey and herself; her "lonesome" childhood and her eagerness to leave Redding to attend the University of California at Berkeley; majoring in English; meeting her husband Harlan (Mark) Marquess in her senior year at Berkeley and marrying him; dropping out of college; regretting her marriage; her life as a housewife and mother in the late 1950s and 1960s; moving to Madison, Wisconsin, for her husband's job as a Russian teacher; taking weaving classes with Larry Edman at the University of Wisconsin-Madison; and meeting fiber artist Claire Zeisler on a field trip to Chicago. Carey discusses experimentation in her work and "stretching the limits of the technique" in Edman's class; receiving her undergraduate degree in textile arts in 1971; working with a computer-driven Dobby Loom; studying with Ruth Gao and Jim Peters at the University of Wisconsin-Milwaukee for her MFA in the early 1970s; teaching weaving at the University of Wisconsin-Madison, with a focus on technical and design skills; writing articles on the technical aspects of fiber art for "Fiber Arts," "Weaver's Journal," "Shuttle, Spindle, & Dye Pot," and other periodicals; exhibiting with the Wisconsin Designer Craftsmen in the 1970s; participating in the Quilt National Show in 1979; receiving a five-year development grant from the University of Wisconsin and quitting her teaching job; using "systematic" weaving methods in quilting; her involvement with galleries such as the Connell/Great American Gallery in Atlanta, Georgia; working with art consultants; the difference between private and corporate commissions; her use of bright colors and various fabrics; her use of tools and technology including an industrial sewing machine and computer programs such as Photoshop; her second marriage to Phil Carey in 1980 after her divorce to Marquess in the mid-1970s; and the "ephemeral" qualities in art. She considers herself a "collager," assembling fabrics and "embellishments." She also discusses her involvement with the Studio Art Quilt Associates and in the Art Quilt Network; and her piece, "Blue Ribbon," in the collection of the American Craft Museum. Carey recalls Camille Cook, Lia Cook, Martha Connell, Hillary Fletcher, Ted Hallman, Pat Mansfield, Ursula Ilse-Neuman, Yvonne Porcella, [Laurence] Rathsack, Victor Vasarely, and others.
Biographical / Historical:
Joyce Marquess Carey (1936- ) is a quilt maker from Madison, Wisconsin. Glenn Adamson is an art historian.
General:
Originally recorded on 2 sound discs. Reformatted in 2010 as 4 digital wav files. Duration is 2 hr., 51 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Quiltmakers -- Wisconsin  Search this
Topic:
Fiberwork  Search this
Quilting -- Design  Search this
Quilting -- Technique  Search this
Quilting -- Equipment and supplies  Search this
Textile crafts  Search this
Weaving -- Study and teaching  Search this
Weaving -- Equipment and supplies  Search this
Weaving -- Technique  Search this
Women artists  Search this
Decorative arts  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.carey02
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-carey02

Development of a textile curriculum model for Nigerian higher education institutions / by Betty Arumun Kparevzua

Author:
Kparevzua, Betty Arumun  Search this
Physical description:
vii, 142 p., [9] p. of plates : ill
Type:
Books
Place:
Nigeria
Date:
1986
1983
Topic:
Textile crafts--Study and teaching (Higher)  Search this
Education  Search this
Call number:
LB2365.T35 K88 1983a
LB2365.T35K88 1983a
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_321736

MA textile futures 2010 / [edited by Carole Collet, Kate Goldsworthy and Caroline Till]

Author:
Collet, Carole  Search this
Goldsworthy, Kate  Search this
Till, Caroline  Search this
Central Saint Martins College of Art and Design (London, England)  Search this
Physical description:
77 p. : col. ill., ports. ; 30 cm
Type:
Books
Place:
Great Britain
Date:
2010
Topic:
Textile fabrics  Search this
Textile crafts  Search this
Textile fabrics--Study and teaching  Search this
Call number:
NK8843 .M38 2010
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_976884

Modify Your Search







or


Narrow By