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William Henry Jackson photograph albums based on his Descriptive Catalogue of Photographs of North American Indians

Creator:
Jackson, William Henry, 1843-1942  Search this
Photographer:
Geological Survey (U.S.)  Search this
J. Gurney & Son  Search this
Savage & Ottinger  Search this
Bell, C. M. (Charles Milton), approximately 1849-1893  Search this
Carter, C. W., 1832-1918  Search this
Chamberlain, W. G. (William Gunnison)  Search this
Easterly, Thomas M. (Thomas Martin), 1809-1882  Search this
Gardner, Alexander, 1821-1882  Search this
Hillers, John K., 1843-1925  Search this
M'Clees, Jas. E. (James E.)  Search this
Shindler, A. Zeno (Antonio Zeno), 1823-1899  Search this
Ulke, Henry, 1821-1910  Search this
Vannerson, Julian, 1827-  Search this
Westmann, Orloff R.  Search this
Whitney, Joel E. (Joel Emmons), 1822-1886  Search this
Names:
Hayden Survey  Search this
Powell-Thompson Survey  Search this
Extent:
9 Albums (circa 4000 prints, albumen (some copies))
Culture:
White Mountain Apache  Search this
Warm Springs Chiricahua Apache (New Mexico)  Search this
Wahpetonwan Dakota (Wahpeton Sioux)  Search this
Waco Indians  Search this
White River Ute (Yampa)  Search this
Wyandot  Search this
Ho-Chunk (Winnebago)  Search this
Wichita  Search this
Indians of North America -- Northeast  Search this
Tewa Pueblos  Search this
Taos Indians  Search this
Stockbridge Indians  Search this
Sisitonwan Dakota (Sisseton Sioux)  Search this
Ute  Search this
Uintah Ute  Search this
Tonkawa  Search this
Pueblo Indians  Search this
Tohono O'odham (Papago)  Search this
Akimel O'odham (Pima)  Search this
A:shiwi (Zuni)  Search this
Yanktonnai Nakota (Yankton Sioux)  Search this
Montauk  Search this
Bannock  Search this
Diné (Navajo)  Search this
Brotherton Indians  Search this
Modoc  Search this
Inunaina (Arapaho)  Search this
Mojave (Mohave)  Search this
Sahnish (Arikara)  Search this
Minneconjou Lakota (Minniconjou Sioux)  Search this
Missouria (Missouri)  Search this
Apache  Search this
Numakiki (Mandan)  Search this
Chiricahua Apache  Search this
Miami  Search this
Oto  Search this
Kitchai Wichita  Search this
Chaticks Si Chaticks (Pawnee)  Search this
Kiowa  Search this
Osage  Search this
Chickasaw  Search this
Odawa (Ottawa)  Search this
Jicarilla Apache  Search this
Anishinaabe (Chippewa/Ojibwa)  Search this
Cherokee  Search this
Omaha  Search this
Tsitsistas/Suhtai (Cheyenne)  Search this
Niimíipuu (Nez Perce)  Search this
Sicangu Lakota (Brulé Sioux)  Search this
Oglala Lakota (Oglala Sioux)  Search this
Caddo  Search this
Hunkpapa Lakota (Hunkpapa Sioux)  Search this
Iowa  Search this
Sauk  Search this
Seminole  Search this
Dakota (Eastern Sioux)  Search this
Shawnee  Search this
Potawatomi  Search this
Shoshone  Search this
Indians of North America -- Southwest, New  Search this
Sihasapa Lakota (Blackfoot Sioux)  Search this
Choctaw  Search this
Cochiti Pueblo  Search this
Niuam (Comanche)  Search this
Muskogee (Creek)  Search this
Apsáalooke (Crow/Absaroke)  Search this
Sioux  Search this
Lenape (Delaware)  Search this
Fox Indians  Search this
Hopi Pueblo  Search this
Indians of North America -- Southern States  Search this
Seneca  Search this
Indians of North America -- Great Plains  Search this
Indians of North America -- Plateau  Search this
Indians of North America -- Great Basin  Search this
Type:
Collection descriptions
Archival materials
Albums
Photographs
Date:
circa 1877
Scope and Contents note:
Albums probably assembled by William Henry Jackson, mostly containing portraits of Native American delegates in Washington, D.C. and photographs made on US Geological Surveys (including the Hayden and Powell surveys). Photographs from the field include John K. Hillers' photographs of the Southwest, photographs of Fort Laramie (possibly by Alexander Gardner), Orloff R. Westmann's photographs of Taos Pueblo, and Jackson's photographs of Crow, Shoshoni, Pawnee, and Nez Perce Tribes and related sites. Most of the photographs were made circa 1860s-1870s.

The albums were probably by Jackson while working under Ferdinand V. Hayden for the United States Geological Survey of the Territories. The reason for their creation is uncertain, though it may have been a project set up by Hayden or a continuation of William Henry Blackmore's tradition of publishing albums. Some of the albums include captions pasted from Jackson's Descriptive Catalogue of Photographs of North American Indians (1877) while others have handwritten captions.
Biographical/Historical note:
William Henry Jackson (1843-1942) was an American painter, photographer and explorer. Born in New York, he sold drawings and retouched photographs from an early age. After serving in the Civil War, he opened a photography studio in Omaha, Nebraska, with his brother Edward. As photographer for the US Geological and Geographical Surveys (1870-1878), he documented the American west and published the first photographs of Yellowstone. When the surveys lost funding in 1879, Jackson opened a studio in Denver, Colorado, and also worked for various railroad companies. Many of Jackson's photographs were displayed at the World's Columbian Exhibition in Chicago (1893), for which he was the official photographer.
Local Call Number(s):
NAA Photo Lot 4420
Location of Other Archival Materials:
Original negatives for many of the photographs in this collection can be found in the National Anthropological Archives in the BAE historical negatives.
The National Museum of the American Indian Archives holds William Henry Jackson photographs and negatives.
Additional Jackson photographs held in National Anthropological Archives Photo Lot 4605, MS 4801, Photo Lot 14, Photo Lot 24, Photo Lot 29, Photo Lot 37, Photo Lot 40, Photo Lot 60, Photo Lot 93, Photo lot 143, Photo Lot 87-2P, Photo Lot 87-20, and Photo Lot 90-1.
Correspondence from Jackson held in the National Anthropological Archives in MS 4517, MS 4881, MS 4821, and collections of personal papers.
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Topic:
Pueblos  Search this
Genre/Form:
Photographs
Citation:
Photo Lot 4420, William Henry Jackson photograph albums based on his Descriptive Catalogue of Photographs of North American Indians, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.4420
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-4420

Bureau of American Ethnology collection of stereographs relating to Native Americans

Collector:
Smithsonian Institution. Bureau of American Ethnology  Search this
Photographer:
Bennett & Brown  Search this
Caswell & Davy  Search this
Continent Stereoscopic Company  Search this
E. & H.T. Anthony (Firm)  Search this
J. Gurney & Son  Search this
Whitney & Zimmerman  Search this
Barker, George, 1844-1894  Search this
Bennett, H. H. (Henry Hamilton), 1843-1908  Search this
Brown, William Henry, 1844-1886  Search this
Childs, B. F. (Brainard F.), ca. 1841-1921  Search this
Cross, W. R. (William R.)  Search this
Doerr, H. A. (Henry A.), 1826-1885  Search this
Haynes, F. Jay (Frank Jay), 1853-1921  Search this
Heister, H. T., (Henry T.), -1895  Search this
Hillers, John K., 1843-1925  Search this
Jackson, William Henry, 1843-1942  Search this
Jarvis, J. F. (John F.), b. 1850  Search this
Morrow, Stanley J.  Search this
Payne, H. T.  Search this
Robinson, H. N.  Search this
Savage, C. R. (Charles Roscoe), 1832-1909  Search this
Singley, B. L. (Benjamin Lloyd)  Search this
Soule, John P.  Search this
Whitney, Joel E. (Joel Emmons), 1822-1886  Search this
Wittick, Ben, 1845-1903  Search this
Publisher:
Florida Club (Cooperative)  Search this
Keystone View Company  Search this
Underwood & Underwood  Search this
Brubaker, C. B.  Search this
Names:
Curly, approximately 1856-1923  Search this
Red Cloud, 1822-1909  Search this
Sitting Bull, 1831-1890  Search this
Extent:
70 Stereographs (circa, albumen)
Culture:
Arctic peoples  Search this
Indians of North America -- Great Plains  Search this
Indians of North America -- Great Basin  Search this
Anishinaabe (Chippewa/Ojibwa)  Search this
Seneca  Search this
Numakiki (Mandan)  Search this
Oglala Lakota (Oglala Sioux)  Search this
Nuwuvi (Southern Paiute)  Search this
Tewa Pueblos  Search this
Shoshone  Search this
Sisitonwan Dakota (Sisseton Sioux)  Search this
Ho-Chunk (Winnebago)  Search this
Tuscarora  Search this
Ute  Search this
Eskimos  Search this
Hopi Pueblo  Search this
Isleta Pueblo  Search this
Indians of North America -- Northeast  Search this
Kiowa  Search this
Laguna Pueblo  Search this
Sahnish (Arikara)  Search this
Tsitsistas/Suhtai (Cheyenne)  Search this
Sioux  Search this
Minitari (Hidatsa)  Search this
Indians of North America -- Southwest, New  Search this
Type:
Collection descriptions
Archival materials
Stereographs
Photographs
Date:
late 19th century-early 20th century
Scope and Contents note:
Stereographs documenting Native North Americans, including studio portraits, camps and dwellings, graves, infants in cradleboards, and pottery. Specific images portray Sitting Bull's camp at Fort Randall, Curly at the Custer monument, and a Southern Plains delegation at the White House Conservatory. Tribes represented include Winnebago, Tuscarora, Tesuque, Seneca, San Juan, Pecos, Ojibwa, Oglala, Ute, Kaibab, Sisseton, Arikara, Mandan, Hopi, Shoshoni, Isleta, and Laguna, as well as Native peoples of Alaska and Labrador.

The photographs were published by a variety of firms including E. & H. T. Anthony & Company, George Barker, H. H. Bennett, Bennett & Brown, W. Henry Brown, Caswell & Davy, Childs Art Gallery, B. B. Brubaker, Continent Stereo Company, W. R. Cross, H. A. Doerr, J. Gurney & Son, Haynes, H. T. Hiester, John K. Hillers, William H. Jackson, J. F. Jarvis, Keystone View Company, B. L. Singley, S. J. Morrow, H. T. Payne, H. N. Robinson, C. R. Savage, John P. Soule, Underwood & Underwood, Whitney's Gallery, Whitney & Zimmerman, and Ben Wittick.
Local Call Number(s):
NAA Photo Lot 140
Location of Other Archival Materials:
Additional photographs by these photographers can be found in the National Anthropological Archives in additional collections of stereographs relating to Native Americans (MS 4551 and Photo Lot 90-1)
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Topic:
Dwellings  Search this
Cradleboards  Search this
Pottery  Search this
Genre/Form:
Photographs
Citation:
Photo lot 140, Bureau of American Ethnology collection of stereographs relating to Native Americans, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.140
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-140

Buffalo Dance

Culture/People:
San Ildefonso Pueblo  Search this
Artist/Maker:
Tonita Peña (Tonita Vigil Peña/Quah Ah), San Ildefonso Pueblo, 1893-1949  Search this
Previous owner:
Indian Arts and Crafts Board, Department of the Interior (IACB), 1935-  Search this
Title:
Buffalo Dance
Object Name:
Painting
Media/Materials:
Paper, tempera, watercolor
Techniques:
Painted
Dimensions:
52.0 x 76.5 cm
Object Type:
Painting/Drawing/Print
Place:
Cochiti Pueblo, Cochiti Reservation; Sandoval County; New Mexico; USA (inferred)
Date created:
circa 1939
Catalog Number:
26/2456
Barcode:
262456.000
See related items:
San Ildefonso Pueblo
Painting/Drawing/Print
On View:
NMAI, New York, NY: Stretching the Canvas, Training Ground
Data Source:
National Museum of the American Indian
GUID:
http://n2t.net/ark:/65665/ws6a7c0f0d3-3528-4ab9-9c4a-955ba0f245bf
EDAN-URL:
edanmdm:NMAI_278566

Casey collection of lantern slides of the southwestern United States

Publisher:
Detroit Publishing Co.  Search this
National Geographic Society (U.S.)  Search this
United States. Bureau of Reclamation  Search this
Bond, George W.  Search this
Collector:
Casey  Search this
Cooper, John M. (John Montgomery), 1881-1949  Search this
Donor:
Cooper, John M. (John Montgomery), 1881-1949  Search this
Names:
Judd, Neil Merton, 1887-1976  Search this
Extent:
81 Lantern slides
Culture:
Indians of North America -- Southwest, New  Search this
A:shiwi (Zuni)  Search this
Apache  Search this
Akimel O'odham (Pima)  Search this
Diné (Navajo)  Search this
White Mountain Apache  Search this
Acoma Pueblo  Search this
Tewa Pueblos  Search this
Hopi Pueblo  Search this
Laguna Indians  Search this
Jemez Pueblo  Search this
Taos Indians  Search this
Type:
Collection descriptions
Archival materials
Lantern slides
Place:
Carlsbad Caverns (N.M.)
Santa Fe (N.M.)
Date:
circa 1920s
Scope and Contents note:
Lantern slides depicting the people and landscape of the American Southwest. Images include those of Puebloan people, dwellings, churches, dances and ceremonies, archaeological excavations (including Pueblo Bonito and Neil M. Judd with his excavation party), pictographs, and landscapes. Tribes represented include Acoma, White Mountain Apache, Hopi (Mishongnovi), Laguna, Navajo, Taos, and Santa Clara. The slides were largely commercially distributed by the George W. Bond, Chicago Slide Company, Chicago Transparency Company (for the Santa Fe Railroad), Detroit Slide Company, Edward H. Kemp, National Geographic Society, and United States Bureau of Reclamation. The collection was listed as the "Casey collection" by Father John Montgomery Cooper when it was brought to the museum.
Local Call Number(s):
NAA Photo Lot 32, USNM ACC 211312
Location of Other Archival Materials:
Artifacts donated by the Department of Anthropology, Catholic University of America in accession 211312 held in the anthropology collections of the National Museum of Natural History. Additional photographs donated by Catholic University of America can be found in Photo Lot 20 in the National Anthropological Archives.
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Topic:
Excavations (Archaeology)  Search this
Pueblos  Search this
Dwellings  Search this
Citation:
Photo lot 32, Casey collection of lantern slides of the southwestern United States, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.32
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-32
Online Media:

Albertype Company photograph collection relating to Native Americans

Collector:
Albertype Co.  Search this
Witteman, Hermann L., -1952  Search this
Photographer:
Fred Harvey (Firm)  Search this
Kiser Photo Co. (Portland, Or.)  Search this
N.W. Halsey & Co.  Search this
Bell, C. M. (Charles Milton), approximately 1849-1893  Search this
Clarke, H. H.  Search this
Cornish, Geo. B. (George Bancroft)  Search this
Fiske, Frank Bennett, 1883-1952  Search this
Flood, H. Lee  Search this
Hazeltine, H. R.  Search this
Martin, W. H. (William H.), 1865-1940  Search this
Mathers, C. W.  Search this
Matsura, Frank, 1873-1913  Search this
Reed, Roland, 1864-1934  Search this
Stimson, Joseph Elam, 1870-1952  Search this
Watkins, H. H.  Search this
Names:
Wittemann, A. (Adolph), 1845-1938 (collector and photographer)  Search this
Extent:
318 Negatives (circa, nitrate (includes copy negatives))
Culture:
Pueblo Indians  Search this
Indians of North America -- Subarctic  Search this
Niuam (Comanche)  Search this
Cree  Search this
Indians of North America -- Northeast  Search this
Coast Salish  Search this
Colville  Search this
Eskimos  Search this
Fox Indians  Search this
Sioux  Search this
Tli Cho (Dogrib/Thlingchadinne)  Search this
Indians of North America -- Great Plains  Search this
Tsitsistas/Suhtai (Cheyenne)  Search this
Caddo  Search this
Nuxalk (Bellacoola)  Search this
Acoma Pueblo  Search this
Apache  Search this
Inunaina (Arapaho)  Search this
Assiniboine (Stoney)  Search this
Indians of North America -- Southwest, New  Search this
Laguna Indians  Search this
Kiowa  Search this
Isleta Pueblo  Search this
Piipaash (Maricopa)  Search this
Havasupai (Coconino)  Search this
Haida  Search this
A'aninin (Gros Ventre)  Search this
Ponca  Search this
Chaticks Si Chaticks (Pawnee)  Search this
Osage  Search this
Anishinaabe (Chippewa/Ojibwa)  Search this
Niimíipuu (Nez Perce)  Search this
Diné (Navajo)  Search this
Mojave (Mohave)  Search this
Tewa Pueblos  Search this
A:shiwi (Zuni)  Search this
Shoshone  Search this
Taos Indians  Search this
Seminole  Search this
Shawnee  Search this
Northwest Coast  Search this
Sarsi Indians  Search this
Indians of North America -- Northwest Coast of North America  Search this
Hopi Pueblo  Search this
Indians of North America -- Southern States  Search this
Indians of North America -- Plateau  Search this
Indians of North America -- Great Basin  Search this
Hawaiians  Search this
Arctic peoples  Search this
Japanese  Search this
Type:
Collection descriptions
Archival materials
Negatives
Photographs
Place:
Maine
Kansas City (Mo.)
British Columbia
Virgin Islands
Vancouver (British Columbia)
Date:
circa 1890-1910
Scope and Contents note:
The collection consists of photographs collected by the Albertype Company for their postcards and viewbooks, including portraits, scenery, camps, Native Americans schools, and some paintings and composites for postcard printing. Additional subjects include rock drawings in Maine; a statue in Kansas City, Missouri; Standing Rock Monument in North Dakota; people in Atlin, British Columbia; Carib rock drawings in the Virgin Islands; and totem poles in Vancouver.

Included are works of Charles Milton Bell, E. A. Benson, C. R. Bourne, H. E. Brown, William Bull, H. H. Clarke, George B. Cornish, Frank Bennett Fiske, H. Lee Flood, N. W. Halsey, Fred Harvey, H. R. Hazeltine, Kiser Photograph Company, W. H. Martin, C. W. Mathers, Frank Matsura, W. H. Matthewson, Charles E. Morris, Ernest Moses, J. S. Myers, M. OʹConnor, G. W. Parsons, Roland W. Reed, C. B. Robinson , J. E. Stimson, W. M. Stoltz, and H. H. Watkins. Clarke and Fiske, however, are the only photographers with more than a few images.
Biographical/Historical note:
The Albertype Company, headquartered in Brooklyn, New York, published viewbooks and postcards for national distribution. Founded by Adolph and Herman Witteman, the company began publishing souvenier photographic albums as early as 1867. The Wittemans established Witteman Brothers in 1885, and then the Albertype Company in 1890. From 1890 to 1950, the firm published collotypes made from the photographs of its agents (including Adolph Witteman), other companies, and independent photographers. The firm was purchased in 1952 by Art Vue Post Card Company.
Local Call Number(s):
NAA Photo Lot 25
Reproduction Note:
Modern copy negatives and prints made by Smithsonian Institution, circa 1972.
Location of Other Archival Materials:
The Library of Congress, Wisconsin Historical Society, and Historical Society of Pennsylvania also hold original Albertype Company prints and negatives.
Albertype Company views are also held in National Anthropological Archives Photo Lot 88-37, Photo Lot 92-37, and Photo Lot 92-3.
Restrictions:
Original nitrate negatives are in cold storage and require advanced notice for viewing. Modern copy prints and copy negatives for nearly all images are available.
Rights:
Contact the repository for terms of use.
Topic:
Rock paintings  Search this
Totem poles  Search this
Catawba Indians  Search this
Genre/Form:
Photographs
Citation:
Photo lot 25, Albertype Company photograph collection relating to Native Americans, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.25
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-25

Eugene O. Leonard photograph collection relating to Pocatello and Fort Hall, Idaho

Collector:
Leonard, Eugene O.  Search this
Publisher:
Albertype Co.  Search this
Cardinell-Vincent Co.  Search this
Detroit Photographic Co.  Search this
Detroit Publishing Co.  Search this
H.G. Zimmerman & Co.  Search this
J.L. Robbins Co.  Search this
Newman Postcard Co.  Search this
The Rotograph Co.  Search this
Union Pacific Railroad Company  Search this
Van Ornum Colorprint Co.  Search this
Andrews, Wesley  Search this
Mitchell, Edward H.  Search this
Tammen, Harry Heye, 1856-1924  Search this
Thayer, Frank S.  Search this
Photographer:
Bennett's Lightning Portraits  Search this
Eastman Kodak Company  Search this
Hedum and Bishop  Search this
Newcomb Bros.  Search this
Rodgers and Newing  Search this
Todd Photograhic Co.  Search this
William L. Koehne Studio  Search this
Ahuja, D. A.  Search this
Cobb, George N.  Search this
Gifford, Benjamin A.  Search this
Haynes, F. Jay (Frank Jay), 1853-1921  Search this
Jackson, William Henry, 1843-1942  Search this
McEvoy, J. J.  Search this
Rise, Carl H., 1888-1939  Search this
Rothrock, George H.  Search this
Savage, C. R. (Charles Roscoe), 1832-1909  Search this
Vroman, A. C. (Adam Clark), 1856-1916  Search this
Weitfle, Charles, 1836-1921  Search this
Wrensted, Benedicte, 1859-1949  Search this
Names:
United States. Bureau of Indian Affairs. Fort Hall Agency  Search this
Leonard, Robert M. (photo album compiler and donor)  Search this
Extent:
4 Glass positives
6 Prints and postcards (photogravure)
1 Tintype
100 Negatives (circa, glass)
220 Copy prints (circa)
9 Prints and postcards (cyanotype)
99 Items (99 photomechanical prints and postcards, halftone, color halftone, collotype, photgravure)
1,000 Negatives (circa, nitrate)
734 Photographic prints (circa, silver gelatin, albumen, and platinum (including photographic postcards and cabinet cards))
Culture:
Indians of North America -- Southwest, New  Search this
Indians of North America -- Great Basin  Search this
Hopi Pueblo  Search this
Bannock  Search this
Shoshone  Search this
Niimíipuu (Nez Perce)  Search this
Diné (Navajo)  Search this
Tewa Pueblos  Search this
Indians of North America -- Plateau  Search this
Type:
Collection descriptions
Archival materials
Glass positives
Prints and postcards
Tintypes
Negatives
Copy prints
Photographic prints
Postcards
Photographs
Place:
Soda Springs (Idaho)
Yellowstone National Park
Fort Hall Indian Reservation (Idaho)
Pocatello (Idaho)
Shoshone Falls (Idaho)
Date:
circa 1880-1920
Scope and Contents note:
Unbound album pages (labeled A through Q) with photographs documenting the people and culture of the Pocatello-Fort Hall area, including Native Americanss (particularly Shoshone-Bannock tribes), agency employees, and missionaries. Included are images of encampments, Sun Dance ceremonies, the Fort Hall Agency, Indian schools and churches, the Run for Fort Hall Lands on June 17, 1902, the War Bonnett Roundup at Idaho Falls, Shoshone Falls and other natural features and landscapes, a large number of street and aerial views of Pocatello, A. L. Cook's drug store in Pocatello, and members of the Cook family. In addition, there are photographs of Nez Perce, Hopi, San Juan, and Navaho Indians, and one image of the Lapps Indians at Port Townsend, Washington. A large number of the photographs were made by Benedicte Wrensted.

The albums were compiled by Robert Leonard, Eugene O. Leonard's son, who also made copy prints of many of the photographs and negatives. They include flyers, newspapers, envelopes, and other scraps collected by Leonard.
Biographical/Historical note:
Eugene O. Leonard (1884-1964) moved to Pocatello, Idaho, in 1893 to live with his aunt, the widow of A. L. Cook and owner of the Cook building and drugstore. Leonard attended Weiser College and Academy (now College of Idaho), Whitman College, and Northwestern University. He acquired degrees in phamacy and pharmaceutical chemistry from Northwestern University, and a degree in assaying studies from the Chicago College of Chemistry. After graduation from the College in 1908, Leonard returned to Pocatello to manage the Cook Drug Store until 1918. He worked as Pocatello City Chemist and set up the College of Pharmacy at Idaho State College, where he also taught and served as dean (1918-1954). In the 1930s, Leonard obtained a MS and PhD from Utah State University. Possibly encouraged by his collector aunt, Leonard established a collection of Native material culture objects and documentations, including artifacts and these photograhs, based on his interest in the Shoshoni and Bannock tribes at nearby Fort Hall.
Local Call Number(s):
NAA Photo Lot 92-3
Location of Other Archival Materials:
The Idaho Museum of Natural History at Idaho State University holds artifacts collected by Eugene O. Leonard.
The Bannock County Historical Museum in Pocatello holds the Leonard Family Papers, 1893-1917.
Restrictions:
Original nitrate negatives are in cold storage and require advanced notice for viewing. Many have associated prints.
Rights:
Contact the repository for terms of use.
Topic:
Pharmacy  Search this
Sun Dance  Search this
Schools  Search this
Camps  Search this
Dance  Search this
Genre/Form:
Postcards
Photographs
Citation:
Photo Lot 92-3, Eugene O. Leonard photograph collection relating to Pocatello and Fort Hall, Idaho, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.92-3
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-92-3
Online Media:

Photographs of Jose Encarnacion Peña murals and Patricia Peña dolls

Artist:
Peña, Jose Encarnacion, San Ildefonso  Search this
Names:
Peña, Patricia (artist and possible photographer)  Search this
Extent:
5 Color slides
3 Color prints
Culture:
Tewa Pueblos  Search this
Indians of North America -- Southwest, New  Search this
Type:
Collection descriptions
Archival materials
Color slides
Color prints
Photographs
Date:
circa 1976-1980
Scope and Contents note:
Photographs probably made by Patricia Peña depicting artwork created by her and her husband, including Encarnacion Peña murals and Patricia Peña dolls. The collection also includes one image of Encarnacion Peña painting a mural at the Indian Pueblo Cultural Center in Albuquerque, New Mexico.
Biographical/Historical note:
José Encarnacion Peña (1902-1979, also known as Soqween) was a painter and potter from San Ildefonso Pueblo and the nephew of potter Maria Martinez. He studied painting under Dorothy Dunn at "The Studio" of the Santa Fe Indian School in the early 1930s. Peña was known for his watercolor and mural paintings of dances, as well as pottery figurines and fetishes. His wife Patricia Peña made dolls, including "Maria the Potter," which won Best Doll and Judges Choice in the Annual American Indian Show in Phoenix, 1981.
Local Call Number(s):
NAA Photo Lot 98-24
Location of Other Archival Materials:
An original painting by Encarnacion Peña held in National Anthropological Archives MS 7429.
The National Museum of the American Indian also holds Encarnacion Peña paintings.
Photographs of Encarnacion Peña, including one by Patricia Peña, held in National Anthropological Archives Photo Lot 79-30 and Photo Lot 80-37.
An original mural by Encarnacion Peña, which is depicted in this collection, can be found at the Indian Pueblo Cultural Center.
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Topic:
Dolls  Search this
Mural painting and decoration  Search this
Genre/Form:
Photographs
Citation:
Photo Lot 98-24, Photographs of Jose Encarnacion Peña murals and dolls, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.98-24
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-98-24

Nellie Mae Whitted photographs of Acomita and Native peoples of the American Southwest

Creator:
Whitted, Nellie Mae  Search this
Extent:
22 Items (22 prints, postcards and greeting cards, color halftone)
36 Prints (silver gelatin (some on postcard stock))
Culture:
San Ildefonso Pueblo  Search this
Acoma Pueblo  Search this
Diné (Navajo)  Search this
Laguna Indians  Search this
Indians of North America -- Southwest, New  Search this
Taos Indians  Search this
Tewa Pueblos  Search this
Type:
Collection descriptions
Archival materials
Prints
Photographs
Place:
Acoma (N.M.)
Taos Pueblo (N.M.)
Pueblo of Laguna (N.M.)
Date:
circa 1938-1941
Scope and Contents note:
Photographs made by Nellie Mae Whitted in Paguote (1939) and Acomita, New Mexico. They include images of Acomita day school and its students and teachers, as well as houses and Eagle dancers. The collection also includes postcards and commercial prints relating to Navajo, Santo Domingo Pueblo, Santa Clara Pueblo, Ildefonso Pueblo, Taos Pueblo, and Laguna Pueblo. There are also Christmas cards with reproductions of paintings by Joni Falk and other artists and some correspondence to Whitted.
Biographical/Historical note:
Nellie Mae Whitted taught at the Acomita Day School set up by the Bureau of Indian Affairs in Pueblo of Acoma, New Mexico, circa 1938-1941.
Local Call Number(s):
NAA Photo Lot 98-75
Location of Other Archival Materials:
Pottery, dolls, baskets, and other artifacts given to Whitted by students in Acomita held in the Department of Anthropology collections in accession 390889.
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Topic:
Schools  Search this
Handicraft  Search this
Indian dance -- North America  Search this
Genre/Form:
Photographs
Citation:
Photo Lot 98-75, Nellie Mae Whitted photographs of Acomita and Native peoples of the American Southwest, National Anthropological Archives, Smithsonian Institution.
Identifier:
NAA.PhotoLot.98-75
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-98-75

Native American Public Programs photograph collection relating to Native American artists and art

Collector:
National Museum of Natural History (U.S.). Native American Public Programs  Search this
Ringlero, Aleta Pima  Search this
Photographer:
Smithsonian Institution. Office of Printing and Photographic Services  Search this
Clark, Chip, 1947-2010  Search this
Hansen, Carl C.  Search this
Hart, Alan  Search this
Long, Eric  Search this
Minor-Penland, Laurie  Search this
Penland, Dane  Search this
Strauss, Richard  Search this
Taccone, Christina  Search this
Vargas, Rick  Search this
Names:
Lewis, Lucy M.  Search this
Extent:
5,750 Prints (circa, silver gelatin (including contact prints))
12 Color transparencies
10 Color negatives
3,500 Color slides (circa)
67 Color prints
4 Negatives (acetate)
Culture:
Indians of North America -- California  Search this
Paiute  Search this
Jemez Pueblo  Search this
Mewuk (Miwok)  Search this
Yurok  Search this
Cherokee  Search this
Tewa Pueblos  Search this
Indians of North America -- Southern States  Search this
Tlingit  Search this
A:shiwi (Zuni)  Search this
Assiniboine (Stoney)  Search this
Oglala Lakota (Oglala Sioux)  Search this
Kwakwaka'wakw (Kwakiutl)  Search this
Lenape (Delaware)  Search this
Indians of North America -- Great Plains  Search this
Tohono O'odham (Papago)  Search this
Tsitsistas/Suhtai (Cheyenne)  Search this
Indians of North America -- Great Basin  Search this
Akimel O'odham (Pima)  Search this
Hopi Pueblo  Search this
Indians of North America -- Southwest, New  Search this
Onondaga  Search this
Muskogee (Creek)  Search this
Kutzadika'a (Mono Paiute)  Search this
Pomo  Search this
Laguna Indians  Search this
Makah  Search this
White Mountain Apache  Search this
Seneca  Search this
Minneconjou Lakota (Minniconjou Sioux)  Search this
Sioux  Search this
Numakiki (Mandan)  Search this
Pueblo Indians  Search this
Indians of North America -- Northwest Coast of North America  Search this
Minitari (Hidatsa)  Search this
Diné (Navajo)  Search this
Kiowa  Search this
Apsáalooke (Crow/Absaroke)  Search this
Indians of North America -- Plateau  Search this
Niimíipuu (Nez Perce)  Search this
Cayuse  Search this
Acoma Pueblo  Search this
Payómkawichum (Luiseño)  Search this
Indians of North America -- Northeast  Search this
Hunkpapa Lakota (Hunkpapa Sioux)  Search this
Mohawk  Search this
Type:
Collection descriptions
Archival materials
Prints
Color transparencies
Color negatives
Color slides
Color prints
Negatives
Date:
1989-1993
Scope and Contents note:
Photographs documenting Native American Public Programs events, including images of Native American artists and examples of their work during demonstrations and lectures at the National Museum of Natural History. Photographs were mostly made by Smithsonian photographers, including Carl C. Hansen, Richard Strauss, Chip Clark, Laurie Minor-Penland, Eric Long, Alan Hart, Rick Vargas, Dane Penland, and Christina Taccone. Included are a large number of photographs of Don Tenoso (Hunkpapa), an artist-in-residence at the National Museum of Natural History, and performances by James Luna (Luiseno/Digueno), Guillermo Gomez-Pena (Chicano), and Coco Fusco. Crafts and arts depicted include beadwork, basket weaving, dollmaking, peyote fanmaking, weaving, hand games, quilting, clothing making, leatherwork, woodcarving, saddlemaking, sculpture, painting, story-telling, and performance art. There are also images of Dolores Lewis Garcia and Emma Lewis Garcia (daughters of Acoma potter Lucy M. Lewis) and their pottery, Joallyn Archambault with artists, and the 1990 American Indian Theater Company reception.

Other depicted artists include Maynard White Owl Lavadour (Cayuse/Nez Perce), Evangeline Talshaftewa (Hopi), Lisa Fritzler (Crow), Marian Hanssen, Vanessa Morgan (Kiowa/Pima), Marty Good Bear (Mandan/Hidatsa), Katie Henio and Sarah Adeky (Navajo), Geneva Lofton and Lee Dixon (Luiseno), Chris Devers (Luiseno), Mary Good Bear (Mandan), Robert and Alice Little Man (Kiowa), Lisa Watt (Seneca), Jay McGirt (Creek), Bill Crouse (Seneca), Kevin Johnny-John (Onondaga), Rose Anderson (Pomo), Francys Sherman and Margaret Hill (Mono), Thelene Albert and Annie Bourke (White Mountain Apache), Bob Tenequer (Laguna), Jimmy Abeyeta (Navajo), Lou Ann Reed (Acoma), Melissa Peterson (Makah), Jennifer and Kallie Keams Musial (Navajo), Joyce Growing Thunder-Fogarty and Juanita Fogarty (Assiniboine/Sioux), David Neel (Kwakiutal), Mervin Ringlero (Pima), Jhon Goes-In-Center (Oglala), D. Montour (Delaware/Mohawk), Rikki Francisco (Pima), Annie Antone (Papago), Angie Reano-Owen (Santo Domingo Pueblo), Carol Vigil (Jemez), Gregg Baurland (Miniconjou), Greg Colfax (Makah), Lydia Whirlwind-Soldier (Sicangu Dakota), Martin Red Bear (Oglala), Michael Rogers (Paiute), Alta Rogers (Yurok/Paiute), Dorothy Stanley (Miwok), Lisa Little Chief (Dakota), Tom Haukaas (Sicangu Dakota), Nora Navanjo-Morsie (Santa Clara Tewa), Seneca Women's Singing Society, Molly Blankenship and Martha Ross (Eastern Cherokee), Julia Parker (Miwok/Pomo), Candy and Claudia Cellicion (Zuni), Sally and Lorraine Black (Navajo), Carmen Quinto-Plunkett (Tlingit), Ina McNeil (Hunkpapa), and Ellen and Faye Quandelancy (Zuni), and Rikki Francisco (Pima).
Biographical/Historical note:
Native American Public Programs was founded in 1989 as a part of the Department of Education in the National Museum of Natural History. Under the directorship of Aleta Ringlero, its main activity was the arranging of demonstrations by Native American artists and craftsmen in the exhibition areas of the museum.
Local Call Number(s):
NAA Photo Lot 91-26
Location of Other Archival Materials:
Audio of James Luna's lecture for the Native American Public Programs office held in National Anthropological Archives in MS 7514.
Dolls made by Don Tenoso for the Native American Public Programs office held in Department of Anthropology collections in accession 390905.
Additional photographs of Tenoso held in the Smithsonian Institution Archives in SIA2009-2222 and 90-13726.
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Topic:
Art  Search this
Handicraft  Search this
Citation:
Photo Lot 91-26, Native American Public Programs photograph collection relating to Native American artists and art, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.91-26
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-91-26

Whitney Halstead collection of photographs of indigenous art

Creator:
Halstead, Whitney (collector and photographer)  Search this
Names:
British Museum  Search this
Field Museum of Natural History  Search this
Laboratory of Anthropology (Museum of New Mexico)  Search this
Nampeyo, ca. 1856-1942  Search this
Pushruk, Anthony Eskimo  Search this
Extent:
27 Negatives (acetate)
140 Prints (silver gelatin (including proof sheets of contact prints))
1 Print (albumen)
11 Copy prints
Culture:
Peruvians  Search this
Diné (Navajo)  Search this
Eskimos  Search this
Wichita  Search this
Seneca  Search this
Indians of North America -- Southwest, New  Search this
Indians of North America -- Northeast  Search this
Inunaina (Arapaho)  Search this
Indians of North America -- Great Plains  Search this
Tewa Pueblos  Search this
Indians of North America -- Subarctic  Search this
Pueblo Indians  Search this
Arctic peoples  Search this
Type:
Collection descriptions
Archival materials
Negatives
Prints
Copy prints
Place:
Benin (Kingdom)
Date:
undated
Scope and Contents note:
Photographs documenting pottery and pottery designs from historic Pueblo groups and archeological sites, including pottery by Hopi potter Nampeyo and an image of Maria Martinez of San Ildefonso and examples of her pottery. There are also some photographs that depict a pueblo, Southwest landscapes, cliff dwellings, rock art, craftspeople, and dwellings, mostly relating to Southwest peoples, Peruvians, and Australian aborigines. The collection includes images of artifacts in the collections of the Chicago Natural History Museum, Field Museum, British Museum, University of Illinois, Santa Fe Laboratory of Anthropology, and Paul Pearson collection. Notes and notices relating to publication are also available with the collection.
Biographical/Historical note:
Whitney Halstead (1926-1979) was an art historian and artist. He acquired his BFA and MFA from the School of the Art Institute of Chicago, where he became Chairman of the Division of Fine Arts in 1967. He also worked as an assistant in the Field Museum's anthropology department and wrote art history publications.
Local Call Number(s):
NAA Photo Lot 89-43
Location of Other Archival Materials:
The Archives of American Art holds Whitney Halstead's papers.
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
Copy prints of photographs or photographs of objects held by Chicago Natural History Museum, Field Museum of Natural History, British Museum, University of Illinois, and Santa Fe Laboratory of Anthropology cannot be copied. Copies or permission must be obtained from these repositories.
Topic:
Pottery  Search this
Kachinas  Search this
Camps  Search this
Australian Aborigines  Search this
Cliff-dwellings  Search this
Sculpture  Search this
Baskets  Search this
Masks  Search this
Spinning  Search this
Dwellings  Search this
Citation:
Photo Lot 89-43, Whitney Halstead collection of photographs of indigenous art, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.89-43
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-89-43

Bureau of American Ethnology photograph collection relating to Native Americans

Creator:
Smithsonian Institution. Bureau of American Ethnology  Search this
Names:
Smithsonian Institution  Search this
Photographer:
Gardner, Alexander, 1821-1882  Search this
Hillers, John K., 1843-1925  Search this
Jackson, William Henry, 1843-1942  Search this
Michelson, Truman, 1879-1938  Search this
Smillie, T. W. (Thomas William), 1843-1917  Search this
Extent:
2 Prints (etching or engraving)
13 Prints (albumen)
230 Copy prints (circa)
1 Chromolithograph
179 Cyanotypes
200 Prints (circa, silver gelatin)
Culture:
Indians of North America -- Great Basin  Search this
Indians of North America -- Southern States  Search this
Hopi Pueblo  Search this
Sisitonwan Dakota (Sisseton Sioux)  Search this
Sihasapa Lakota (Blackfoot Sioux)  Search this
Tewa Pueblos  Search this
Taos Indians  Search this
Wenatchi Indians  Search this
Indians of North America -- Plateau  Search this
Tuscarora  Search this
Yanktonnai Nakota (Yankton Sioux)  Search this
Yakama (Yakima)  Search this
Iowa  Search this
Ponca  Search this
Dakota (Eastern Sioux)  Search this
Sauk  Search this
Akimel O'odham (Pima)  Search this
Shoshone  Search this
Cayuga  Search this
Cherokee  Search this
Oneida  Search this
Choctaw  Search this
Indians of North America -- Northeast  Search this
Muskogee (Creek)  Search this
Cochiti Pueblo  Search this
Sioux  Search this
Fox Indians  Search this
Sicangu Lakota (Brulé Sioux)  Search this
Apache  Search this
Isleta Pueblo  Search this
Jicarilla Apache  Search this
Klamath  Search this
Laguna Indians  Search this
Menominee (Menomini)  Search this
Diné (Navajo)  Search this
Oglala Lakota (Oglala Sioux)  Search this
Seneca  Search this
Omaha  Search this
Onondaga  Search this
Osage  Search this
Chaticks Si Chaticks (Pawnee)  Search this
Indians of North America -- Southwest, New  Search this
Indians of North America -- Great Plains  Search this
Pueblo Indians  Search this
Type:
Collection descriptions
Archival materials
Prints
Copy prints
Chromolithographs
Cyanotypes
Date:
undated
Scope and Contents note:
Photographs mostly commissioned and collected by personnel in the Bureau of American Ethnology. Most of the photographs are studio portraits of Native Americans made by the Bureau of American Ethnology and Smithsonian Institution, possibly for physical anthropologist Ales Hrdlicka. There are also photographs made by Truman Michelson among the Catawba tribe, copies of illustrations and drawings, and various images of archeological sites and artifacts.
Local Call Number(s):
NAA Photo Lot 87-2M, USNM ACC 42191
Location of Other Archival Materials:
Original negatives for many photographs in this collection held in the National Anthropological Archives in the BAE historical negatives.
Additional Michelson photographs held in National Anthropological Archives Photo Lot 13, Photo Lot 24, MS 2139, and MS 4365-c.
Additional Hillers photographs held in National Anthropological Archives Photo Lot 14, Photo Lot 24, Photo Lot 28, Photo Lot 40, Photo Lot 143, Photo Lot 83-18, Photo Lot 87-2N, Photo Lot 90-1, Photo Lot 92-46, and the BAE historical negatives.
Additional Jackson photographs held in National Anthropological Archives Photo Lot 24, Photo Lot 37, Photo Lot 40, Photo Lot 60, Photo Lot 93, Photo Lot 143, Photo Lot R82-10, Photo Lot 87-2P, Photo Lot 90-1, Photo Lot 92-3, the records of the Department of Anthropology, and the BAE historical negatives.
Additional Smillie photographs held in the National Museum of American History Archives Center in the Frances Benjamin Johnston and Thomas W. Smillie Glass Plate Negatives and in Smithsonian Institution Archives SIA Acc. 05-123.
Additional Gardner photographs held in National Anthropological Archives Photo Lot 24, Photo Lot 80-18, Photo Lot 87-2P, Photo Lot 90-1, and the BAE historical negatives.
Associated busts and molds held in the Department of Anthropology collections in accession 42191.
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Topic:
Catawba Indians  Search this
Citation:
Photo lot 87-2M, Bureau of American Ethnology photograph collection relating to Native Americans, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.87-2M
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-87-2m

Ed Brady collection of photographs of Native Americans

Collector:
Brady, Ed  Search this
Publisher:
Keystone View Company  Search this
Pacific Photo Company (Salem, Or.)  Search this
Names:
Atkinson, James  Search this
Photographer:
Johnston  Search this
Moorhouse, Lee, 1850-1926  Search this
Potts, E.  Search this
Williams, G.F.  Search this
Extent:
1 Pamphlet
1 Stereograph (silver gelatin)
2 Color postcards
2 Color prints
3 Copy negatives
5 Copy prints
42 Prints (silver gelatin (some on postcard stock))
Culture:
Arctic peoples  Search this
Palouse  Search this
Pueblo Indians  Search this
Umatilla  Search this
Tewa Pueblos  Search this
Indians of North America -- Plateau  Search this
Eskimos  Search this
Sioux  Search this
Wishram  Search this
Taos Indians  Search this
Assiniboine (Stoney)  Search this
American Indians -- Southwest  Search this
Niimíipuu (Nez Perce)  Search this
Omaha  Search this
Indians of North America -- Great Plains  Search this
Type:
Collection descriptions
Archival materials
Pamphlets
Stereographs
Color postcards
Color prints
Copy negatives
Copy prints
Prints
Place:
Tesuque Pueblo (N.M.)
Date:
circa 1880-1950
Scope and Contents note:
Ed Brady's collection of photographs and postcards of Native American camps, people, crafts, schools, and dances, as well as agency personnel at various reservations. A majority of the original prints are photographs by Lee Moorhouse, including images of American Indian dwellings, camps, Kate Drexel School, children in cradleboards, and formal and informal portraits. Additionally, there are photographs made by E. Potts at Tesuque Pueblo on November 12, 1924 during the feast day; images are mostly of Tewa people dancing the Buffalo-Deer Dance.

The collection also includes a stereograph depicting Taos people in front of Taos Pueblo, as well as photographic postcards of Omaha men in Walthill, Nebraska, American Indians at a camp in Idaho, Indians at a camp near International Falls, Minnesota, a Navajo camp in Arizona, an elevated view of a camp with numerous tipis, possibly for a rodeo, two Alaskan Eskimo girls, and a reenactment of the Battle of Little Bighorn aftermath. There is also a pamphlet entitled "Old Travois Trails," from 1941, which was possibly originally collected by Dr. W. A. Russell, a doctor for the Fort Peck Agency.
Local Call Number(s):
NAA Photo Lot 90-8, NAA Photo Lot 81-39, NAA Photo Lot 89-28
Location of Other Archival Materials:
Photo Lot 81-39 has been relocated and merged with Photo Lot 90-8. These photographs were also collected by Ed Brady and form part of this collection.
Brady also donated Indian police badges to the Department of Anthropology in accessions 343151 and 378681.
Additional photographs by Moorhouse can be found in the National Anthropological Archives in Photo Lot 78 and the BAE historical negatives.
The University of Oregon Special Collections holds a large collection of Lee Moorhouse photographs, 1888-1925 (PH036).
Additional photographs published by the Keystone View Company can be found in the National Anthropological Archives in MS 4551, Photo Lot 140 and Photo Lot 90-1.
The University of Washington holds Ed Brady photographs of the Mount St. Helens Eruption (PH Coll 889).
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Topic:
Schools  Search this
Dance  Search this
Infant carriers  Search this
Pottery  Search this
Sweatbaths  Search this
Dwellings  Search this
Citation:
Photo Lot 90-8, Ed Brady collection of photographs of Native Americans, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.90-8
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-90-8

H. S. Poley photographs of Southwest archeology and pueblos

Creator:
Poley, H. S. (Horace Swartley)  Search this
Extent:
52 Prints (silver gelatin)
Culture:
Cochiti Pueblo  Search this
Indians of North America -- Southwest, New  Search this
Tewa Pueblos  Search this
Type:
Collection descriptions
Archival materials
Prints
Place:
Yellow Jacket (Colo.)
Frijoles Canyon (N.M.)
Aneth (Utah)
Puye (N.M.)
Date:
circa 1910-1915
Scope and Contents note:
Photographs made by H. S. Poley in the American Southwest. There are depictions of archeological sites in New Mexico, Utah, and Colorado, as well as images of Tewa people at San Juan Pueblo and Cochiti people at Cochiti. Descriptions of the photographs are also available with the collection.
Biographical/Historical note:
Horace Swartley Poley was a professional photographer based in Colorado Springs, Colorado.
Local Call Number(s):
NAA Photo Lot 87-2J, NAA Photo Lot 87-2I
Location of Other Archival Materials:
Photo Lot 87-2I has been relocated and merged with Photo Lot 87-2J. These photographs were incorrectly identified as having been made by H. L. Standley. These photographs were made by H. S. Poley and form part of this collection.
Additional Poley photographs held in National Anthropological Archives MS 4251, MS 4570, and Photo Lot 24.
Correspondence from Poley held in the National Anthropological Archives in the Bureau of American Ethnology records.
Contained in:
Smithsonian Institution Bureau of American Ethnology photograph collections, undated
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Topic:
Cooking  Search this
Cliff-dwellings  Search this
Citation:
Photo lot 87-2J, H. S. Poley photographs of Southwest archeology and pueblos, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.87-2J
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-87-2j

Stephen Gambaro photographs of Native American artists and public figures

Creator:
Gambaro, Stephen  Search this
Names:
Billedeaux, Dwight  Search this
Biss, Earl, 1947-1998  Search this
Deer, Ada Elizabeth  Search this
DesJarlais, Larry J.  Search this
Echohawk, Brummett T., 1922-2006  Search this
Harris, LaDonna  Search this
McCarty Hessing, Valjean, 1934-  Search this
Peña, Jose Encarnacion, San Ildefonso  Search this
Runnels, Vic  Search this
Seabourn, Bert D., 1931-  Search this
West, W. Richard (Walter Richard), 1912-1996  Search this
Extent:
4 Prints (halftone)
41 Prints (silver gelatin)
Culture:
Indians of North America -- Northeast  Search this
Chaticks Si Chaticks (Pawnee)  Search this
Kiowa  Search this
Diné (Navajo)  Search this
Kickapoo  Search this
Seneca  Search this
Muskogee (Creek)  Search this
Indians of North America -- Southwest, New  Search this
Onondaga  Search this
Indians of North America -- Great Plains  Search this
Cherokee  Search this
Tsitsistas/Suhtai (Cheyenne)  Search this
Menominee (Menomini)  Search this
Niuam (Comanche)  Search this
Anishinaabe (Chippewa/Ojibwa)  Search this
Apsáalooke (Crow/Absaroke)  Search this
Choctaw  Search this
Tewa Pueblos  Search this
Indians of North America -- Southern States  Search this
Oglala Lakota (Oglala Sioux)  Search this
Apache  Search this
Type:
Collection descriptions
Archival materials
Prints
Photographs
Date:
circa 1976-1984
Scope and Contents note:
Portraits of Native American artists, craftspeople, activists, and leaders from Stephen Gambaro's photography exhibits: "The Indian, the Animal, and the Land," 1976; "Indian Artists," 1977; and "Shadows Caught: Images of Native Americans," 1984.

Individuals pictured include: Brummett Echohawk, Pawnee; Archie Blackowl, Cheyenne; Bert Seabourn, Cherokee; LaDonna Harris, Comanche; W. Richard West, Sr., Southern Cheyenne; Ada Deer, Menominee; George Watchetaker, Comanche; King Kuka, Blackfeet; Earl Biss, Crow; Larry J. DesJarlais Jr., Turtle Mountain Chippewa; Encarnacion Pena, San Ildefonso; Valjean McCarty Hessing, Choctaw; Allan Hauser, Apache; Victor H. Runnels, Oglala; Sarah McCray, Navajo; Marian Wolf, Kiowa; Dwight Billedeaux, Blackfeet; Elsie Peshlakai, Navajo; Johnny Tiger Jr., Muscogee; John Kaskaske, Kickapoo; Linda Russell, Apache-Pawnee; Stephen Gonyea, Onondaga Iroquois; Naomi and Kathy Gonyea, Seneca Iroquois; and John, Eric, and Tanya Parker, Choctaw.
Biographical/Historical note:
Stephen Gambaro is a professional photographer and former Chief of Rehabilitation Services for the Washington, DC, government. He and his wife, a Cherokee sculptor, operate an Native American art gallery in DC. Gambaro's photographs largely depict Native friends, artists, and craftsmen whom his gallery represents, as well as his travels to Native communities around the United States.
Local Call Number(s):
NAA Photo Lot 80-37, NAA ACC 84-19
Location of Other Archival Materials:
The exhibition catalog for "Indian Artists" in 1977 was donated with parts of this collection in 1980. It has been relocated to the National Anthropological Archives Reference Files.
Additional photographs by Stephen Gambaro can be found in the National Anthropological Archives in Photo Lot R80-33.
Jose Encarnacion Pena's painting entitled "Spotted Pumpkin Dance," collected by Gambaro for the "Shadows Caught" exhibit, can be found in the National Anthropological Archives in MS 7429.
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Genre/Form:
Photographs
Citation:
Photo lot 80-37, Stephen Gambaro photographs of Native American artists and public figures, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.80-37
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-80-37

Photographs of Maria Martinez

Names:
Martínez, María Montoya  Search this
Extent:
1 Postcard (1 color photographic postcard)
1 Print (silver gelatin)
Culture:
San Ildefonso Pueblo  Search this
Tewa Pueblos  Search this
Indians of North America -- Southwest, New  Search this
Type:
Collection descriptions
Archival materials
Postcards
Prints
Photographs
Date:
undated
Scope and Contents note:
Photographs depicting Maria Martinez of San Ildefonso holding examples of her pottery, probably at San Ildefonso Pueblo.
Biographical/Historical note:
Maria Martinez (1887-1980) was an internationally-known potter from San Ildefonso Pueblo. With her husband Julian and the rest of her family, she created contemporary pottery inspired by traditional Pueblo styles and techniques. The family demonstrated their craft at expositions, world's fairs, and the Renwick Gallery in Washington, DC.
Local Call Number(s):
NAA Photo Lot 81-14, USNM ACC 339407
Location of Other Archival Materials:
Additional photographs of Maria Martinez and her pottery can be found in the National Anthropological Archives in Photo Lot 79-18, Photo Lot 80-4, and Photo Lot 89-43.
Pottery by Martinez can be found in the Department of Anthropology in accession 339407.
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Topic:
Pottery craft  Search this
Genre/Form:
Photographs
Citation:
Photo lot 81-14, Photographs of Maria Martinez, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.81-14
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-81-14

Smithsonian Institution Office of Printing and Photographic Services photographs of Maria Martinez at Renwick Gallery demonstration

Creator:
Smithsonian Institution. Office of Printing and Photographic Services  Search this
Names:
Renwick Gallery  Search this
Martínez, María Montoya  Search this
Extent:
8 Color slides
Culture:
Indians of North America -- Southwest, New  Search this
Tewa Pueblos  Search this
Type:
Collection descriptions
Archival materials
Color slides
Photographs
Date:
1978
Scope and Contents note:
Photographs depicting Maria Martinez of San Ildefonso Pueblo and her family demonstrating their pottery-making techniques at the Smithsonianʹs Renwick Gallery in Washington, DC. The demonstration was held on March 31, 1978 as part of an exhibit on Pueblo pottery.
Local Call Number(s):
NAA Photo Lot 80-4
Location of Other Archival Materials:
Additional photographs of Maria Martinez's pottery-making demonstration can be found in the National Anthropological Archives in Photo Lot 79-18.
The Human Studies Film Archives holds videotapes and motion picture film relating to the demonstration.
Additional photographs of Maria Martinez can be found in the National Anthropological Archives in Photo Lot 81-14 and Photo Lot 89-43.
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Topic:
Pottery craft  Search this
Genre/Form:
Photographs
Citation:
Photo lot 80-4, Smithsonian Institution Office of Printing and Photographic Services photographs of Maria Martinez at Renwick Gallery demonstration, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.80-4
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-80-4

Herman J. Viola photograph collection relating to Star Hawk Pow Wow, American Indian Cultural Resources Training Program, and acquisition trips for NAA

Creator:
Viola, Herman J. (Herman Joseph), 1938-  Search this
Names:
American Indian Cultural Resources Training Program  Search this
Smithsonian Institution, Department of Anthropology, National Anthropological Archives, Native American Cultural Resources Training Program  Search this
Hunt, Wolf Robe, 1905-1977  Search this
Photographer:
Genete, Rev. Salvatore  Search this
Krantz, Victor  Search this
Neufeld, Harry B.  Search this
Warren, Dave.  Search this
Extent:
120 Negatives (circa, 35 mm)
31 Color slides
300 Prints (circa, silver gelatin)
310 Negatives (circa, acetate)
Culture:
Indians of North America -- Southwest, New  Search this
Indians of North America -- Great Plains  Search this
Oneida  Search this
Indians of North America -- Northeast  Search this
Akimel O'odham (Pima)  Search this
Paiute  Search this
Cree  Search this
Spokan  Search this
Makah  Search this
Indians of North America -- Northwest Coast of North America  Search this
Hupa  Search this
Yakama (Yakima)  Search this
Yavapai  Search this
Tewa Pueblos  Search this
Sihasapa Lakota (Blackfoot Sioux)  Search this
Diné (Navajo)  Search this
Oto  Search this
Chaticks Si Chaticks (Pawnee)  Search this
Coos (Kusan)  Search this
A:shiwi (Zuni)  Search this
Northwest Coast  Search this
Acoma Pueblo  Search this
Choctaw  Search this
Wyandot  Search this
Klallam (Clallam)  Search this
Plains Apache (Kiowa Apache)  Search this
Niimíipuu (Nez Perce)  Search this
Wintu  Search this
Missouria (Missouri)  Search this
Shawnee  Search this
Indians of North America -- Great Basin  Search this
Osage  Search this
Nisqually  Search this
Menominee (Menomini)  Search this
Minitari (Hidatsa)  Search this
Nuwuvi (Southern Paiute)  Search this
Puyallup  Search this
Chickasaw  Search this
Indians of North America -- California  Search this
Fox Indians  Search this
Sauk  Search this
Seneca  Search this
Indians of North America -- Southern States  Search this
Inunaina (Arapaho)  Search this
Indians of North America -- Plateau  Search this
Tsitsistas/Suhtai (Cheyenne)  Search this
Ute  Search this
Klamath  Search this
Biloxi Indians  Search this
Tunica  Search this
A'aninin (Gros Ventre)  Search this
White Mountain Apache  Search this
Kiowa  Search this
Anishinaabe (Chippewa/Ojibwa)  Search this
Wampanoag  Search this
Oglala Lakota (Oglala Sioux)  Search this
Tlingit  Search this
Cayuga  Search this
Tulalip  Search this
Type:
Collection descriptions
Archival materials
Negatives
Color slides
Prints
Photographs
Date:
1970-1991
Scope and Contents note:
Photographs made by Herman J. Viola, depicting the 1973 Institute of American Indian Art meeting, Wolf Robe Hunt and his Acoma pottery, the transfer of Blue Eagle collection from Mae Abbott home to National Anthropological archives, and the 1974 Star Hawk Pow Wow in Watonga, Oklahoma. Additionally, there are photographs of NAA staff and the 1974 Acee Blue Eagle reception at NAA, possibly made by Viola. The collection also contains some photographs of Wounded Knee taken by Rev. Salvatore Genete, and copies of official portraits of Governor Aquillar of San Ildefonso Pueblo made by Harry B. Neufeld. There are also National Archives photographs of Chinese Boxer Rebellion prints, and Young watercolors and Alden sketches of American landscapes.

Much of the collection consists of portraits of participants in the NAA's American Indian Cultural Resources Training Program made by Smithsonian photographers, including Victor Krantz. These individuals include: Harry Walters, Navajo; Anna Walters, Otoe-Pawnee; George Sutton, Southern Arapaho; Sarah Yazzie, Navajo; Rubie Sootkis, Norther Cheyenne; David Fanman, Cheyenne; Augustine Smith, Navajo; Lorraine Bigman, Navajo; Jim Jefferson, Southern Ute; Rose Marie Pierite Gallardo, Tunica-Biloxi; George Horse Capture, Gros Ventre; Violet Zospah, White Mountain Apache; Gloria Anderson, Mille Lacs; Wenonah Silva, Wampanoag; Claire Lamont, Oglala; George Wasson, Coos-Coquille; Virginia Martin, Yakama; Gary Roybal, San Ildefonso; Richard Ground, Sihasapa; Almeda Baker, Hidatsa; June Finley, Hidatsa; Lida Young Wolf, Hidatsa; Christine Webster, Menominee; Rose Marie Roybal, Puyallup; Vivienne Jake, Kaibab-Paiute; Kim Yerton, Hupa; Dean Jacobs, Ojibwa; Lois Nowlin, Shawnee; Bonita McCloud, Nisqually; Gloria Maude Blackbird Cheswalla, Osage; Emily Peake, Ojibwa; Gordon McLester, Oneida; Mary Seth, Nez Perce; Bill Tohee, Oto-Missouria; Frank LaPena, Wintu; Juanita McQuistion, Wyandot; Carson Waterman, Seneca; Elton Stumbling Bear, Kiowa Apache; Patrick Chief Stick, Chippewa-Cree; Lynne Walks-on-Top, Spokane; Ethelyn Garfield, Paiute; Nora Dauenhauer, Tlingit; Caroline B. Jones, Tulalip; Grace F. Thorpe, Sauk and Fox; Dixie Lee Davis, Yavapai; Lynn D. Pauahty, Kiowa; David Lee Harding, Ojibwa; Robert V. Bojorcas, Klamath; Patty Leah Harjo, Seneca-Cayuga; Steven DeCoteau, Clallam; Robert Van Gunten, Ojibwa; Danny K. Marshall, Steilacoom; Meredith P. Flinn, Makah; Rhonda Hulsey, Chickasaw; Betty J. Brown, Choctaw; Vernon Calavaza, Zuni; Jack Bowen Jr., Upper Skagit; and Harry William Jr., Pima.
Biographical/Historical note:
Herman Joseph Viola is a historian of Native Americans who was director of the National Anthropological Archives from 1972-1989 and founding editor of Prologue: The Journal of the National Archives. In 1973, he launched the American Indian Cultural Resources Training Program, designed to encourage Native Americans to become professional archivists, librarians, curators, and historians through research and internships at the NAA.
Local Call Number(s):
NAA Photo Lot 74-17
Location of Other Archival Materials:
The National Anthropological Archives holds Viola's papers from 1980-1981.
Records relating to the American Indian Cultural Resources Training Program can be found in the National Anthropological Archives in the Records of the National Anthropological Archives.
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Topic:
Archives -- Acquisitions  Search this
Powwows  Search this
Genre/Form:
Photographs
Citation:
Photo lot 74-17, Herman J. Viola photograph collection relate to Star Hawk Pow Wow, American Indian Cultural Resources Training Program, and acquisition trips for NAA, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.74-17
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-74-17

Joseph C. Farber photographs of Native American life

Creator:
Farber, Joseph C., 1903-  Search this
Names:
National Museum of Natural History (U.S.) -- Exhibitions.  Search this
National Museum of Natural History (U.S.). Department of Anthropology  Search this
Gorman, R. C. (Rudolph Carl), 1932-  Search this
Extent:
6,000 Contact prints (circa 6000 contact prints (proof sheets))
6,000 Acetate negatives (circa)
8 Color transparencies
1,000 Items (circa 1000 enlarged prints: silver gelatin (some mounted for exhibition))
Culture:
Arctic peoples  Search this
Pikuni Blackfeet (Piegan)  Search this
Onondaga  Search this
Taos Indians  Search this
Quinault  Search this
Tlingit  Search this
Akimel O'odham (Pima)  Search this
Tewa Pueblos  Search this
Indians of North America -- Great Plains  Search this
Indians of North America -- Southwest, New  Search this
Anishinaabe (Chippewa/Ojibwa)  Search this
Diné (Navajo)  Search this
Eskimos  Search this
Sioux  Search this
Lummi  Search this
Haida  Search this
Indians of North America -- Plateau  Search this
Kootenai (Kutenai)  Search this
Kiowa  Search this
Mojave (Mohave)  Search this
Miccosukee Seminole (Mikasuki)  Search this
Indians of North America -- Northwest Coast of North America  Search this
Indians of North America -- Northeast  Search this
Niitsitapii (Blackfoot/Blackfeet)  Search this
Chehalis  Search this
Apache  Search this
Athapascan Indians  Search this
Cocopa  Search this
Niuam (Comanche)  Search this
Cherokee  Search this
Indians of North America -- Southern States  Search this
Tsitsistas/Suhtai (Cheyenne)  Search this
Pueblo Indians  Search this
Acoma Pueblo  Search this
Type:
Collection descriptions
Archival materials
Contact prints
Acetate negatives
Color transparencies
Photographs
Place:
North Carolina
New York
New Mexico
Montana
South Dakota
Oklahoma
Arizona
California
Florida
Minnesota
Alaska
Alberta
Washington (State)
Barrow, Point (Alaska)
Yuma County (Ariz.)
Taos (N.M.)
Date:
circa 1970-1975
Scope and Contents note:
Photographs made as part of Joseph C. Farber's project to document modern NAtive American everyday life. Represented tribes include the Acoma, Apache, Blackfoot, Chehalis, Cherokee, Cheyenne, Chippewa, Cocopa, Dakota, Eskimo, Haida, Kiowa, Kutenai, Lummi, Mohave, Mohawk, Navaho, Northern Athabascan, Onandaga, Pima, Pueblo, Quinalt, Seminole, Taos, Tlingit, and Zuni. Subject coverage is broad and varies from tribe to tribe. Included are portraits, as well as totem poles, carving, weaving, pottery, painitng, landscapes, boats and canoes, ceremonial regalia, camps, classes and vocational training, homes and traditional dwellings, construction projects, rodeos and powwows, dances, industries (including lumber), herding and ranching, agriculture, stores and storefronts, cliff dwellings, parades, crab cleaning, fishing, games, health care, legal processes, music, office work, sewing, vending, and a funeral. There are also photographs of R. C. Gorman (and a letter from Gorman to Farber) and Fritz Shoulder (some in color).

Farber's travels included Alaska (Point Barrow, Dead Horse, Glacier Bay, Haines, Hoona, Hydaberg, Ketchikan, Mount McKinley, Prudhoe Bay, Saxman, and Sitka); Alberta (Blackfeet Reservation); Arizona (Canyon de Chelly, Cocopa Reservation, Flagstaff, Kayenta, Monument Valley, Pima Reservation, Quechan Reservation, Mojave Reservation, and Yuma); California (Alcatraz, Oakland, and San Francisco); Florida (Big Cypress Reservation; Miccosukee Reservation); Minnesota (Minneapolis and Nett Lake); Montana (Northern Cheyenne Reservation); New Mexico (Acoma, Gallup, Navajo Forest, Picuris, Puye, San Ildefonso, Santa Clara, Santa Fe, Taos, San Ildefonso, Santa Clara, and Tesuque); New York (New York City and Onandaga Reservation); North Carolina (Cherokee Reservation); Oklahoma (Anadarko, Apache, Lawton, Stilwell, and Tahlequah); South Dakota (Rosebud and Wounded Knee); and Washington (Lummi Reservation, Nisqually River, Puyallup River, and Quinalt Reservation).
Biographical/Historical note:
Joseph C. Farber (1903-1994) was a successful New York businessman and professional photographer. He studied with Edward Steichen at the New York Camera Club in the 1920s. The prints in this collection resulted from a five-year project that involved travelling to Native communities throughout the United States to document modern Native American life. The project resulted in a book, Native Americans: 500 Years After (1975), as well as exhibits, including one in the National Museum of Natural History in 1976-1977.
Local Call Number(s):
NAA Photo Lot 78-1, NAA ACC 95-3
Location of Other Archival Materials:
Farber's photographs, previously located in Photo Lot 95-3 have been relocated and merged with Photo Lot 78-1. These photographs were also made by Joseph C. Farber and form part of this collection.
The National Museum of American History Archives Center holds the Joseph Farber Papers and Photographs, circa 1962-1990.
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
Photographs published in Farber's books still under copyright. Reproduction permission from artist's estate.
Topic:
Dwellings  Search this
Vocational education  Search this
Canoes and canoeing  Search this
Boats and boating  Search this
Dance  Search this
Powwows  Search this
Rodeos  Search this
Building  Search this
handicrafts  Search this
Totem poles  Search this
Agriculture  Search this
Livestock  Search this
Genre/Form:
Photographs
Citation:
Photo Lot 78-1, Joseph C. Farber photographs of Native American life, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.78-1
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-78-1

Patricia Peña photograph of José Encarnacion Peña dressed as koshari

Creator:
Peña, Patricia  Search this
Names:
Peña, Jose Encarnacion, San Ildefonso  Search this
Extent:
1 Color print
Culture:
Indians of North America -- Southwest, New  Search this
Tewa Pueblos  Search this
Type:
Collection descriptions
Archival materials
Color prints
Photographs
Date:
1978
Scope and Contents note:
Photograph depicting José Encarnacion Peña dressed as a koshari for a Corn Dance in August 1978. The photograph was made by Peña's wife, Patricia Peña.
Biographical/Historical note:
José Encarnacion Peña (1902-1979, also known as Soqween) was a painter and potter from San Ildefonso Pueblo and the nephew of potter Maria Martinez. He studied painting under Dorothy Dunn at "The Studio" of the Santa Fe Indian School in the early 1930s. Peña was known for his watercolor and mural paintings of dances, as well as pottery figurines. His wife Patricia Pena was an award-winning dollmaker.
Local Call Number(s):
NAA Photo Lot 79-30
Location of Other Archival Materials:
A painting by José Encarnacion Peña can be found in the National Anthropological Archives in MS 7429.
The National Museum of the American Indian and the Denver Public Library also hold paintings by Peña.
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Topic:
Tewa dance  Search this
Genre/Form:
Photographs
Citation:
Photo lot 79-30, Patricia Peña photograph of José Encarnacion Peña dressed as koshari, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.79-30
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-79-30

Ray Williamson photographs of pottery-making demonstration by Maria Martinez and family

Creator:
Williamson, Ray  Search this
Names:
Renwick Gallery  Search this
Martínez, María Montoya  Search this
Extent:
25 Color negatives (35 mm)
29 Color slides
24 Color prints
Culture:
Indians of North America -- Southwest, New  Search this
Tewa Pueblos  Search this
Type:
Collection descriptions
Archival materials
Color negatives
Color slides
Color prints
Photographs
Date:
1978
Scope and Contents note:
Photographs depicting Maria Martinez of San Ildefonso Pueblo and her family demonstrating their pottery-making techniques at the Smithsonianʹs Renwick Gallery in Washington, DC. The demonstration was held on March 31, 1978 as part of an exhibit on Pueblo pottery.
Biographical/Historical note:
Ray Williamson was a Smithsonian Institution fellow studying archeoastronomy.
Local Call Number(s):
NAA Photo Lot 79-18
Location of Other Archival Materials:
Additional photographs of Maria Martinez's pottery-making demonstration can be found in the National Anthropological Archives in Photo Lot 80-4.
The Human Studies Film Archives holds videotapes and motion picture film relating to the demonstration.
Additional photographs of Maria Martinez can be found in the National Anthropological Archives in Photo Lot 81-14 and Photo Lot 89-43.
Correspondence from Ray Williamson can be found in the National Anthropological Archives in the Waldo Rudolph Wedel and Mildred Mott Wedel Papers, 1930s-1980s.
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Topic:
Pottery craft  Search this
Genre/Form:
Photographs
Citation:
Photo lot 79-18, Ray Williamson photographs of pottery-making demonstration by Maria Martinez and family, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.79-18
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-79-18

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