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Brocade, silk. A temple cover. In four pieces of sewed together and lined with asa

Medium:
Silk
Dimensions:
H x W: 150 x 128 cm (59 1/16 x 50 3/8 in)
Type:
Costume and Textile
Origin:
Japan
Date:
1615-1868
Period:
Edo period
Topic:
Edo period (1615 - 1868)  Search this
temple  Search this
Japan  Search this
Japanese Art  Search this
Credit Line:
Gift of Charles Lang Freer
Accession Number:
F1915.269
Restrictions & Rights:
CC0
Related Online Resources:
Google Cultural Institute
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye359749c04-8f1b-4797-9c4a-8c6933294f57
EDAN-URL:
edanmdm:fsg_F1915.269

Three-panel cloth for temple use (happi)

Medium:
Silk
Dimensions:
H x W: 185 x 190 cm (72 13/16 x 74 13/16 in)
Type:
Costume and Textile
Origin:
Japan
Date:
18th century
Period:
Edo period
Topic:
Edo period (1615 - 1868)  Search this
Japan  Search this
Japanese Art  Search this
Credit Line:
Gift of Charles Lang Freer
Accession Number:
F1916.645
Restrictions & Rights:
CC0
Related Online Resources:
Google Cultural Institute
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye3d616c9d6-f778-496f-94f7-bbaa1e0975f9
EDAN-URL:
edanmdm:fsg_F1916.645

Visiting Lafcadio Hearns Japan

Creator:
Smithsonian Magazine  Search this
Type:
YouTube Videos
Uploaded:
2010-02-23T20:23:08.000Z
YouTube Category:
Education  Search this
See more by:
SmithsonianMagazine
Data Source:
Smithsonian Magazine
YouTube Channel:
SmithsonianMagazine
EDAN-URL:
edanmdm:yt_Y8poHFM6adA

The Morse Historic Design Lecture | Japan, the West, and the Emergence of Japonism in Design

Creator:
Cooper Hewitt, Smithsonian Design Museum  Search this
Type:
Lectures
YouTube Videos
Uploaded:
2018-03-29T00:07:23.000Z
YouTube Category:
Education  Search this
Topic:
Design  Search this
See more by:
cooperhewitt
Data Source:
Cooper Hewitt, Smithsonian Design Museum
YouTube Channel:
cooperhewitt
EDAN-URL:
edanmdm:yt_HEOtMzhBrF8

1905 Hulda and Ellen Larson's Pan-American Exposition Quilt

Maker:
Larson, Hulda Fredricka  Search this
Larson, Ellen Sophia Cecilia  Search this
Physical Description:
fabric, cotton (overall material)
thread, cotton (overall material)
filling, cotton (overall material)
Measurements:
overall: 66 in x 59 in; 167 cm x 149 cm
Object Name:
quilt
Date made:
1905
Subject:
Expositions and Fairs  Search this
Quilting  Search this
Credit Line:
Gift of Dr. Judith Anderson Weise
ID Number:
1986.0032.01
Catalog number:
1986.0032.01
Accession number:
1986.0032
See more items in:
Home and Community Life: Textiles
Popular Entertainment
Family & Social Life
Textiles
Domestic Furnishings
Quilts
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746b3-862f-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_556203
Online Media:

Elizabeth Gordon Papers

Creator:
Gordon, Elizabeth, 1906-2000  Search this
Names:
Claiborne, Craig  Search this
Gordon, Elizabeth, 1906-2000  Search this
Leach, Bernard, 1887-1979  Search this
Extent:
3 Linear feet
Type:
Collection descriptions
Archival materials
Periodicals
Photographs
Correspondence
Personal papers
Place:
Japan
Date:
1958-1987
Summary:
Papers, 1959-1987, of Elizabeth Gordon, editor of the periodical, House Beautiful from 1941-1964, mostly related to her research for the August and September 1960 issues of House Beautiful regarding the Japanese aesthetic concept of "shibui", and the subsequent travelling "shibui exhibition" from 1961-1964. Included are correspondence, some photocopies, 1959-1963; notes; drafts for articles and lectures; printed material including magazine and newspaper clippings, 1959-1987; 2 books, and exhibition announcements; drawings of paper and foil art; a photo album containing photos of exhibition installations; and photographs, slides, color transparencies, and lantern slides depicting people, sites, and objects reflecting the "shibui" aesthetic.
Scope and Contents:
The Elizabeth Gordon Papers measure 4.5 linear feet and span the years 1959-1987. The collection mainly documents Ms. Gordon's research for the August and September 1960 issues of House Beautiful regarding the Japanese aesthetic concept of "shibui", and the subsequent travelling "shibui exhibition" from 1961-1964. Included are correspondence, some photocopies, 1959-1963; research notes and materials; articles; lectures; printed material including magazine and newspaper clippings, 1959-1987; 2 books, and exhibition announcements; article materials; a photo album containing photos of exhibition installations; and photographs, slides, color transparencies, and lantern slides depicting people, sites, and objects reflecting the "shibui" aesthetic.
Arrangement note:
This collection is organized into eight series. 1. Biographical data, 2. Shibui research, 3. Shibui issues of, House Beautiful, 4. Correspondence, 5. Shibui promotion, 6. Exhibition files, 7. Printed materials, and 8. Photographs.
Biographical Information:
Born in Logansport, Indiana in 1906, Elizabeth Gordon served as editor of House Beautiful magazine 1941 to 1964. Ms. Gordon first became interested in Japanese aesthetics during the mid-1950s. As a result she began to read and study Japanese art, history and culture. In 1959, Gordon travelled to Japan with three staff people from, House Beautiful. In Kyoto she met Eiko Yuasa, a young woman then employed by the City of Kyoto to handle foreign V.I.P.s, who was assigned to assist Gordon during her stay there. It was Ms. Yuasa who, in the course of discussions of Japanese aesthetics, introduced the term "shibui." Around that term and its related concepts ("iki", "jimi", "hade") the theme for the issue began to crystallize. In August and September, 1960, House Beautiful, under the editorial control of Ms. Gordon, published two extremely popular issues devoted to the subject of "shibui". Due to the popularity of the issues, museum exhibits devoted to the concept of "shibui" travelled around the United States. Ms. Gordon died in Adamstown, Maryland in 2000.

Biographical Overview

1906 -- Born in Logansport, Indiana

1920s -- Attended the University of Chicago

1930s -- Moved to New York to work as a promotional copywriter for several newspapers

1930s -- Syndicated columnist on home maintenance for The New York Herald Tribune

1930s -- Editor at Good Housekeeping (here for 8 years)

1937 -- More House for your Money by Elizabeth Gordon and Dorothy Ducas published by W. Morrow and Company: New York.

1937 -- Married Carl Hafey Norcross

1939 -- Appointed editor of House Beautiful

1964 -- Left the magazine world

1972 -- Published a special issue on Scandinavian design and awarded the insignia of a knight, first class, in the Finnish Order of the Lion

1987 -- American Institute of Architects made her an honorary member

1988 -- Carl Hafey Norcross died

September 3, 2000 -- Died in Adamstown, MD

(The following biography of Elizabeth Gordon comes courtesy of curator Louise Cort. Written in consultation with Elizabeth Gordon, October 23, 1987)

The research papers, memoranda, magazines, books, photographs and color transparencies and other materials in this archives are related to the publication by Elizabeth Gordon (Mrs. Carl Norcross), editor of House Beautiful from 1941 to 1964 and creator of the August, 1960 issue of the magazine on the special theme of the Japanese aesthetic concept of "shibui". The "shibui issue" was followed by the September, 1960, issue of the same publication on the theme, "How to be shibui with American things." As a by-product of the issues, a "Shibui Exhibition" travelled to eleven museums in the United States during 1961-1964. Each exhibition was opened with a slide lecture by Elizabeth Gordon.

Miss Gordon first became curious about Japanese aesthetics in the mid-1950s when she began to see Japanese objects being displayed and used in the homes of Americans who had spent time in Japan during the Occupation and Japanese influence began to appear in wholesale showrooms of home furnishings manufacturers. It was clear that the time had come: she HAD to go to Japan!

She read for five years before going to Japan - history, social mores, art history. (Many of the books on Japan that she collected during this time have been presented to the library at the University of Maryland, College Park.)

An important bit of advice came from Alice Spaulding Bowen, owner of Pacifica, the highest quality shop of Asian antiquities in Honolulu, who told her, "Be sure to read, The Tale of Genji - then you'll understand everything."

She made her first trip to Japan in April, 1959, accompanied by three staff people from, House Beautiful. In Kyoto she met Eiko Yuasa, a young woman then employed by the City of Kyoto to handle foreign V.I.P.s, who was assigned to assist Miss Gordon during her stay there. It was Ms. Yuasa who, in the course of discussions of Japanese aesthetics, introduced the term "shibui." Around that term and its related concepts ("iki", "jimi", "hade") the theme for the issue began to crystallize.

Miss Gordon came home, planning to spend the summer researching "shibui" with the aid of the Japan Society. But she found virtually nothing written in English on the concept. So she returned to Japan in December, 1959 together with staff member Marion Gough, to dig deeper and to work out details and get better educated with Eiko Yuasa. One of their devices was to walk through department stores and discuss with sales personnel whether objects for sale were "shibui", or were "jimi" or "hade", and why. Between themselves, they did the same for the costumes of women they saw on the streets.

Lacking printed sources for information on "shibui", Miss Gordon sought out and interviewed experts, including Douglas Overton, head of the Japan Society in New York. In Japan in December, 1959, she met Yanagi Soetsu, founder of Japan's Folk Craft Movement and head of the Craft Museum in Tokyo (with an introduction from Tonomura Kichinosuke, head of the Craft Museum in Kurashiki). She met the chef Tsuji Kaichi, who was commissioned to write an article on "kaiseki" (that could not be used because of an inadequate English translation) and Frances Blakemore. She met several times with Bernard Leach and attended his lecture at Bonnier's while he was in New York in March, 1960. (He would later write a "fan letter" for the issue)

As the concept of "the shibui issue" began to take shape, a third trip in the spring of 1960 focused on photography - to produce the shooting script decided on the preceding December. This was executed by the noted photographer Ezra Stoller of Rye, New York, and John DeKoven Hill, House Beautiful's Editorial Director. (Mr. Hill worked with Frank Lloyd Wright except for the ten years that he was a member of the House Beautiful editorial staff)

Miss Gordon was back in Japan in Mid-August 1960 as the "shibui issue" was causing a sensation. Altogether she spent sixteen months in Japan.

As one of the experiences that influenced her strong interest in Japanese costumes and textiles, Miss Gordon remembers a spectacularly thorough exhibition at the Tokyo National Museum in Ueno on, 1200 Years of Japanese Costume. She saw it on the last day of its exhibition (possibly 1964).

The August 1960 issue sold out quickly. Copies of the magazine, which sold for fifty cents, were sold on the "black market" for ten dollars.

The publication of the August 1960 issue was followed by an unprecedented avalanche of "fan mail". Many department heads in colleges and universities, including the Harvard-Yenching Institute and the Oriental Institute of the University of Chicago (where Miss Gordon had worked as an undergraduate) wrote to comment on the issue. Many people in other fields of endeavor wrote: heads of firms concerned with interior design, landscape architecture, and related areas expressed their interest in the concept of "shibui" Other writers include Bernard Leach, Gertrude Natzler, Laura Gilpin, Mainbocher, the architect Yoshimura Junzo, the textile artist Marianne Strengell, Walter Kerr, Craig Claiborne, and Oliver Statler.

The "shibui issue" was followed immediately by the September issue dealing with the use of non-Japanese objects to express the concept of "shibui." (Miss Gordon convinced her advertisers, who had been skeptical about the potential success of the August issue, by promising the September issue dealing with American products.) Four American firms were involved in the production of an integrated line of paints, wallpaper, furniture and carpets expressive of the concept. Products were designed by the firms' designers following the clues offered by objects and fabrics purchased by Miss Gordon in Japan in December 1959 and spring 1960. Miss Gordon has expressed her dissatisfaction with the September issue, although public opinion was positive. She feels that some of the firms failed in the "shibui" project, though some "caught" the message: namely the paint company and the fabric/wallpaper company.

In response to strong public interest, the House Beautiful staff prepared a travelling exhibition to introduce the concept of "shibui" through a series of vignettes, mixing fabrics and objects, colors and textures. The museum installation was designed by John Hill of House Beautiful. Japan Air Lines underwrote shipping costs.

The exhibition began in Philadelphia in late 1961. Ezra Stoller was sent to photograph the installation in considerable detail at the Dallas Museum of Fine Arts in January, 1962, so that his photographs cold serve as guidelines for installations at the other museums, which included the San Francisco Museum of Art (April 1962), the Newark Pubic Library, and the Honolulu Academy of Art. Miss Gordon presented a lecture on "shibui" at each of the museum installations.

In appreciation of her work to introduce Americans to the concept of "shibui", the city of Kyoto presented a bolt of especially "shibui" kimono fabric executed by a Living National Treasure textile artist. Miss Gordon eventually tailored the fabric into a dress and jacket. She received the 1961 Trail Blazer Award from the New York Chapter of the National Home Fashions League, Inc. In June, 1987, Miss Gordon was named an honorary member of the American Institute of Architects, with her introduction of the concept of "shibui" and her promotion of an understanding of other culture cited as her major contributions to American architecture.
Provenance:
Elizabeth Gordon donated her papers to the Freer Gallery of Art and Arthur M. Sackler Gallery Archives in 1988.
Elizabeth Gordon donated her papers to the Freer Gallery of Art and Arthur M. Sackler Gallery Archives in 1988.
Restrictions:
Collection is open for research.
Rights:
No restrictions on use.
Topic:
Interior decoration -- Periodicals  Search this
Landscape gardening  Search this
Art, Japanese  Search this
Aesthetics, Japanese  Search this
House funishings  Search this
Interior decoration  Search this
Museum exhibits  Search this
Interior decorators  Search this
Gardens -- Japan  Search this
Genre/Form:
Periodicals -- 1940-1970
Photographs
Correspondence
Personal papers -- 1950-2000
Citation:
The Elizabeth Gordon Papers. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C. Gift of Elizabeth Gordon, 1988
Identifier:
FSA.A1988.03
See more items in:
Elizabeth Gordon Papers
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
GUID:
https://n2t.net/ark:/65665/dc3bd5683e5-f956-4a04-9d0c-4565a6b761b7
EDAN-URL:
ead_collection:sova-fsa-a1988-03
Online Media:

Tao Yuanming Visiting Huiyuan’s Temple in Mt. Lu

Artist:
Tomioka Tessai 富岡鉄斎 (1836-1924)  Search this
Medium:
Hanging scroll; ink and color on silk
Dimensions:
H x W (image): 139.7 × 50.7 cm (55 × 19 15/16 in)
H x W (overall): 213.2 × 72.5 cm (83 15/16 × 28 9/16 in)
Type:
Painting
Origin:
Japan
Date:
1914
Period:
Taisho era
Topic:
Taisho era (1912 - 1926)  Search this
Japan  Search this
Japanese Art  Search this
Mary and Cheney Cowles Collection  Search this
Credit Line:
The Mary and Cheney Cowles Collection, Gift of Mary and Cheney Cowles
Accession Number:
F2020.5.50a-f
Restrictions & Rights:
Usage conditions apply
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye33577cbad-f665-4b7a-88d8-e172f6ef58f3
EDAN-URL:
edanmdm:fsg_F2020.5.50a-f
Online Media:

Gates of an Old Temple

Artist:
Kitaoka Fumio 北岡文雄 (Japan, 1918-2007)  Search this
Medium:
Woodblock print; ink and color on paper
Dimensions:
H x W (Image): 39.4 × 54.9 cm (15 1/2 × 21 5/8 in)
Type:
Print
Origin:
Japan
Date:
1970
Period:
Showa era
Topic:
Showa era (1926 - 1989)  Search this
Japan  Search this
Japanese Art  Search this
The Kenneth and Kiyo Hitch Collection of Modern and Contemporary Japanese Prints  Search this
Credit Line:
Purchase and partial gift of the Kenneth and Kiyo Hitch Collection from Kiyo Hitch with funds from the Mary Griggs Burke Endowment
Accession Number:
S2019.3.1015
Restrictions & Rights:
Usage conditions apply
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye39fe3bb9e-8a2a-4b9d-a46d-d263c1b3fb1c
EDAN-URL:
edanmdm:fsg_S2019.3.1015

Temple Gate

Artist:
Mori Yoshitoshi 森義利 (1898-1992)  Search this
Medium:
Stencil print
Dimensions:
H x W (Overall): 34.6 × 28.9 cm (13 5/8 × 11 3/8 in)
Type:
Print
Origin:
Japan
Date:
1950?
Period:
Showa era
Topic:
Showa era (1926 - 1989)  Search this
Japan  Search this
Japanese Art  Search this
The Kenneth and Kiyo Hitch Collection of Modern and Contemporary Japanese Prints  Search this
Credit Line:
Purchase and partial gift of the Kenneth and Kiyo Hitch Collection from Kiyo Hitch with funds from the Mary Griggs Burke Endowment
Accession Number:
S2019.3.1229
Restrictions & Rights:
Usage conditions apply
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye31ec04f7a-5213-4ac3-bf98-2606ae9c29d6
EDAN-URL:
edanmdm:fsg_S2019.3.1229

Golden Temple in Kyoto

Artist:
Ito Nisaburo 伊藤仁三郎 (1910-1988)  Search this
Medium:
Woodblock print
Dimensions:
H x W (Image): 40.3 × 27.1 cm (15 7/8 × 10 11/16 in)
Type:
Print
Origin:
Japan
Period:
Showa era
Topic:
Showa era (1926 - 1989)  Search this
Japan  Search this
Japanese Art  Search this
The Kenneth and Kiyo Hitch Collection of Modern and Contemporary Japanese Prints  Search this
Credit Line:
Purchase and partial gift of the Kenneth and Kiyo Hitch Collection from Kiyo Hitch with funds from the Mary Griggs Burke Endowment
Accession Number:
S2019.3.803
Restrictions & Rights:
Usage conditions apply
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye3246d8c80-0aee-480d-b286-49b09c72ef7d
EDAN-URL:
edanmdm:fsg_S2019.3.803

Ninnaji Temple in the Snow

Artist:
Ito Nisaburo 伊藤仁三郎 (1910-1988)  Search this
Medium:
Woodblock print
Dimensions:
H x W (Image): 40.1 × 26.7 cm (15 13/16 × 10 1/2 in)
Type:
Print
Origin:
Japan
Period:
Showa era
Topic:
Showa era (1926 - 1989)  Search this
Japan  Search this
Japanese Art  Search this
The Kenneth and Kiyo Hitch Collection of Modern and Contemporary Japanese Prints  Search this
Credit Line:
Purchase and partial gift of the Kenneth and Kiyo Hitch Collection from Kiyo Hitch with funds from the Mary Griggs Burke Endowment
Accession Number:
S2019.3.804
Restrictions & Rights:
Usage conditions apply
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye38290ed18-9cbf-4040-be5a-3f6f33b0a4c1
EDAN-URL:
edanmdm:fsg_S2019.3.804

Byōdō'in temple

Artist:
Kawada Kan 川田幹 (1927-1999)  Search this
Medium:
Stencil
Dimensions:
H x W (Image): 25.4 × 35.2 cm (10 × 13 7/8 in)
Type:
Print
Origin:
Japan
Date:
1963
Period:
Showa era
Topic:
Showa era (1926 - 1989)  Search this
Japan  Search this
Japanese Art  Search this
The Kenneth and Kiyo Hitch Collection of Modern and Contemporary Japanese Prints  Search this
Credit Line:
Purchase and partial gift of the Kenneth and Kiyo Hitch Collection from Kiyo Hitch with funds from the Mary Griggs Burke Endowment
Accession Number:
S2019.3.915
Restrictions & Rights:
Usage conditions apply
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye3776beaca-6aab-44a4-8137-9c50cb6ea3f9
EDAN-URL:
edanmdm:fsg_S2019.3.915

Hakodate shinkei [A true view of Hakodate]

Artist:
Asano, Fumiteru  Search this
Extent:
1 Print (color woodblock, 27.5 x 14 inches mounted on 28.75 x 15.75)
Container:
Map-folder 8, Item 1
Type:
Archival materials
Graphic Materials
Prints
Date:
1882
Scope and Contents:
A bird's-eye view of a seaport in Hokkaido. It includes a harbour view showing craft in the water, topographic features, and the layout of the city. Stree names, shrines, temples, and other points of interest are labeled.
Local Numbers:
NAA INV 10000040

USNM Ethnology Catalog 398571
Variant Title:
Hakodate City Japan in 1882
Collection Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
MS 7144 Lispenard Seabury Crocker collection of Japanese maps, National Anthropological Archives, Smithsonian Institution
See more items in:
MS 7144 Lispenard Seabury Crocker collection of Japanese maps
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw35adf7806-2bd5-4d4b-9a72-655fb275c762
EDAN-URL:
ead_component:sova-naa-ms7144-ref24

Golden Temple in Amritsar

Artist:
Yoshida Hiroshi 吉田博 (1876-1950)  Search this
Medium:
Woodblock print; ink and color on paper
Dimensions:
H x W: 24.4 x 36.8 cm (9 5/8 x 14 1/2 in)
Type:
Print
Origin:
Japan
Date:
1931
Period:
Showa era
Topic:
Showa era (1926 - 1989)  Search this
temple  Search this
Sikhism  Search this
travel  Search this
Japan  Search this
Japanese Art  Search this
Robert O. Muller collection  Search this
Credit Line:
Robert O. Muller Collection
Accession Number:
S2003.8.3564
Restrictions & Rights:
Usage conditions apply
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye3239a64ab-c7bb-4819-b51a-0cb887653ee1
EDAN-URL:
edanmdm:fsg_S2003.8.3564

Delegate

Published by:
MelPat Associates, American, 1965 - 1986  Search this
Created by:
C. Melvin Patrick, American, died 1985  Search this
Subject of:
Universal Network Television, American, founded 1950  Search this
Alex Haley, American, 1921 - 1992  Search this
Percy Ellis Sutton, American, 1920 - 2009  Search this
Columbia Records, American, founded 1888  Search this
Brown & Williamson, American, born 1894  Search this
Lambda Kappa Mu Sorority, Inc., American, founded 1937  Search this
Ancient and Accepted Scottish Rite of Freemasonry  Search this
National Association of Market Developers, American, founded 1953  Search this
National Medical Association, American, founded 1895  Search this
Prince Hall Freemasonry, founded 1784  Search this
Chi Delta Mu Fraternity, Inc., American, founded 1913  Search this
National Newspaper Publishers Association, American, founded 1827  Search this
Roy Wilkins, American, 1901 - 1981  Search this
National Association of Negro Business and Professional Women's Clubs, Inc., American, founded 1935  Search this
National Association of Black Social Workers, American, founded 1968  Search this
National Pan-Hellenic Council, American, founded 1930  Search this
Chi Eta Phi Sorority, Inc., American, founded 1932  Search this
Phi Beta Sigma Fraternity, American, founded 1914  Search this
National Medical Association, American, founded 1895  Search this
Phi Beta Sigma Fraternity, American, founded 1914  Search this
National Sorority of Phi Delta Kappa, Inc., American, founded 1923  Search this
National Urban League, American, founded 1910  Search this
National Dental Association, American, founded 1913  Search this
National United Church Ushers Association of America, Inc., American, founded 1919  Search this
Eta Phi Beta Sorority, Inc., American, founded 1943  Search this
National Medical Association, American, founded 1895  Search this
Delta Sigma Theta Sorority, American, founded 1913  Search this
President Jimmy Carter, American, born 1924  Search this
Shriners International, American, founded 1870  Search this
Daughters of Isis, American, founded 1910  Search this
Opportunities Industrialization Center of America, Inc., American, founded 1964  Search this
Alpha Phi Alpha Fraternity, Inc., American, founded 1906  Search this
National Urban League Guild, American, founded 1946  Search this
Tuskegee Airmen, 1941 - 1946  Search this
Congressional Black Caucus, American, founded 1971  Search this
Improved Benevolent and Protective Order of the Elks of the World, American, founded 1898  Search this
National Council of Negro Women, founded 1935  Search this
Muhammad Ali, American, 1942 - 2016  Search this
369th Veterans Association, American  Search this
Southern Christian Leadership Conference, American, founded 1957  Search this
Prince Hall Freemasonry, founded 1784  Search this
National Association of Negro Business and Professional Women's Clubs, Inc., American, founded 1935  Search this
Northside Center for Child Development, Inc., founded 1946  Search this
Medium:
ink on paper
Dimensions:
H x W x D: 10 13/16 × 8 7/16 × 5/16 in. (27.5 × 21.4 × 0.8 cm)
Type:
magazines (periodicals)
Place made:
Harlem, New York City, New York, United States, North and Central America
Place depicted:
Martha's Vineyard, Oak Bluffs, Dukes County, Massachusetts, United States, North and Central America
Date:
1977
Topic:
African American  Search this
Advertising  Search this
Aeronautics  Search this
Associations and institutions  Search this
Black Press  Search this
Business  Search this
Communities  Search this
Fraternal organizations  Search this
Fraternities  Search this
Government  Search this
HBCUs (Historically Black Colleges and Universities)  Search this
Journalism  Search this
Labor  Search this
Mass media  Search this
Men  Search this
Political organizations  Search this
Politics  Search this
Professional organizations  Search this
Religion  Search this
Social life and customs  Search this
Sororities  Search this
Sports  Search this
Tennis  Search this
U.S. History, 1969-2001  Search this
Urban life  Search this
Women  Search this
Women's organizations  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Anne B. Patrick and the family of Hilda E. Stokely
Object number:
2012.167.11
Restrictions & Rights:
Public domain
See more items in:
National Museum of African American History and Culture Collection
Classification:
Documents and Published Materials-Published Works
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd5a191f832-64ab-4d62-81fe-a2bc53493bea
EDAN-URL:
edanmdm:nmaahc_2012.167.11
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Robert E. Kuntz photographs of Asia, Africa, Oceania, and the Middle East

Creator:
Kuntz, Robert E.  Search this
Extent:
2,168 Negatives (circa, acetate)
548 Modern prints (circa)
78 Color slides
Type:
Collection descriptions
Archival materials
Negatives
Modern prints
Color slides
Photographs
Place:
Taiwan
Egypt
Turkey
Hong Kong (China)
Borneo
Nigeria
Kenya
Libya
Pakistan
Sudan
Baʻlabakk (Lebanon)
India
Thailand
Philippines
Yemen
Vietnam
Korea
Damascus (Syria)
Japan
Date:
circa 1949-1966
Scope and Contents note:
Photographs made by Robert E. Kuntz documenting people and the natural and built environments that he encountered during his world travels. Locations depicted include Asia (Taiwan, India, Korea, Thailand, Hong Kong, Vietnam, and Japan), the Middle East (Pakistan, Turkey, Lebanon, Syria, Egypt, and Yemen), Africa (Sudan, Libya, Kenya, and Nigeria), and Oceania (Borneo and the Philippines). Images of Taiwan include street scenes of Taipei, festivals and ceremonies (including celebrations of 10-10 Day, Buddha's birthday, and Lantern Festival), temples, villages and agriculture, boats and harbors, artwork and shrines, carving, construction, markets, bridges, and a cemetery. The collection also includes images of the Acropolis of Athens, the Taj Mahal and other structures in India, historical structures and the harbor in Istanbul, markets and vendors in west Pakistan, and Wat Benchamabophit and Wat Arun in Thailand, ancient structures in Baʻlabakk (Lebanon), St. Catherine's Monastery (Sinai) and a parade and ceremonies in Egypt.
Biographical/Historical note:
Dr. Robert E. Kuntz (1916-2003) was a parasitologist for the U.S. Navy and the Southwest Research Foundation. After earning his MS in zoology from Oklahoma University and Ph.D. in parasitology from the University of Michigan, he joined the United States Navy in 1943. He was a parasitologist and medical entomologist with the Naval Medical Research Institute and then Chairman of the department of parasitology at the Southwest Foundation for Research and Education, a position that brought him into contact with groups in the Middle East, Africa, and Asia. In 1964, Kuntz retired from the Navy as a captain. He wrote hundreds of publications and his photographs have been reproduced in textbooks, National Geographic Magazine, and other publications.
Local Call Number(s):
NAA Photo Lot 2003-25
Reproduction Note:
Modern prints made from original negatives by Smithsonian Institution, 1987.
Location of Other Archival Materials:
Kuntz's field notes are held in the Smithsonian Institutuion Archives in the Field Book Project, SIA Acc. 12-254.
Taiwanese fish skins collected by Kuntz held in the anthropology collections of the NAtional Museum of Natural History, accession 231999.
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Topic:
Festivals  Search this
Rites and ceremonies  Search this
Agriculture  Search this
Markets  Search this
Art  Search this
Architecture  Search this
Genre/Form:
Color slides
Photographs
Citation:
Photo Lot 2003-25, Robert E. Kuntz photographs of Asia, Africa, Oceania, and the Middle East, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.2003-25
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw3983aeae7-528a-4863-be06-b9f942a82b8c
EDAN-URL:
ead_collection:sova-naa-photolot-2003-25

1976 Okitsu, Japan Part 1

Creator:
Human Studies Film Archives  Search this
Type:
YouTube Videos
Uploaded:
2015-03-06T23:36:01.000Z
YouTube Category:
Education  Search this
Topic:
Anthropology  Search this
See more by:
HSFAFilmClips
Data Source:
Human Studies Film Archives
YouTube Channel:
HSFAFilmClips
EDAN-URL:
edanmdm:yt_Jo-P7sWtaMo

1976 Setoda, Japan

Creator:
Human Studies Film Archives  Search this
Type:
YouTube Videos
Uploaded:
2015-02-24T02:49:21.000Z
YouTube Category:
Education  Search this
Topic:
Anthropology  Search this
See more by:
HSFAFilmClips
Data Source:
Human Studies Film Archives
YouTube Channel:
HSFAFilmClips
EDAN-URL:
edanmdm:yt_Eel91UMELPE

1976 Kyoto, Japan Part 2

Creator:
Human Studies Film Archives  Search this
Type:
YouTube Videos
Uploaded:
2015-03-11T17:16:37.000Z
YouTube Category:
Education  Search this
Topic:
Anthropology  Search this
See more by:
HSFAFilmClips
Data Source:
Human Studies Film Archives
YouTube Channel:
HSFAFilmClips
EDAN-URL:
edanmdm:yt_EwAjFeuzPSE

1976 Kyoto, Japan Part 4

Creator:
Human Studies Film Archives  Search this
Type:
YouTube Videos
Uploaded:
2015-03-13T01:04:40.000Z
YouTube Category:
Education  Search this
Topic:
Anthropology  Search this
See more by:
HSFAFilmClips
Data Source:
Human Studies Film Archives
YouTube Channel:
HSFAFilmClips
EDAN-URL:
edanmdm:yt_OsE3ufAyb9s

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