Cover illustration, in red ink, shows the stars of the television program: Walter Brennan, Richard Crenna, and Kathleen Nolan. In Series 11, subseries 15 (entertainment: television).
Local Numbers:
AC0300-0000014 (AC Scan No., Front)
General:
Original number 301.252384.
Series Restrictions:
Collection is open for research.
Series Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
0.74 Cubic feet (consisting of 1.5 boxes, 2 oversize folders, 1 map case folder.)
Type:
Collection descriptions
Archival materials
Ephemera
Publications
Printed ephemera
Advertising mail
Manuals
Print advertising
Posters
Business ephemera
Advertising
Advertisements
Technical manuals
Technical literature
Advertising cards
Advertising fliers
Date:
1938-1966
Summary:
A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Television forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana
Scope and Contents:
Contains promotional material, advertisements, and publications related to both the manufacture and use of television equipment, parts, and program. Includes major brands and well-known broadcasters. The Technology folder has several B&W photos depicting towers and manufacturing. A few books are present covering general "age of television" to more technical and engineering aspects. No extensive runs or complete records exist for any single company, brand, and no particular depth is present for any singular subtopic though some publications may provide general and historical overviews of a person, company, or facet of industry.
Arrangement:
Television is arranged in two subseries.
Genre
Subject
Forms Part Of:
Forms part of the Warshaw Collection of Business Americana
Series 1: Business Ephemera
Series 2: Other Collection Divisions
Series 3: Isadore Warshaw Personal Papers
Series 4: Photographic Reference Material
Provenance:
Television is a portion of the Business Ephemera Series of the Warshaw Collection of Business Americana, Accession AC0060 purchased from Isadore Warshaw in 1967. Warshaw continued to accumulate similar material until his death, which was donated in 1971 by his widow, Augusta. For a period after acquisition, related materials from other sources (of mixed provenance) were added to the collection so there may be content produced or published after Warshaw's death in 1969. This practice has since ceased.
Restrictions:
Collection is open for research. Some items may be restricted due to fragile condition.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Television broadcasting -- Special effects Search this
Warshaw Collection of Business Americana Subject Categories: Television, Archives Center, National Museum of American History, Smithsonian Institution
Sponsor:
Funding for partial processing of the collection was supported by a grant from the Smithsonian Institution's Collections Care and Preservation Fund (CCPF).
Haultcoeur, Phillip (Hippolyte Arthur), 1908-1967 (Chef) Search this
Extent:
1 Cubic foot (3 boxes)
Type:
Collection descriptions
Archival materials
Color slides
Correspondence
Menus
Newsclippings
Date:
1932-1967
Summary:
Collection documents the NBC television show "Home" (1954-1957) particularly, the activities of on-air chef Phillip Haultcoeur.
Content Description:
The collection consists of correspondence, recipes, menus, photographs, news clippings, and program notes relating to the NBC television show "Home" (1954-1957) and, particularly, to the activities of on-air chef Phillip Haultcoeur.
Arrangement:
The collection is arranged into three series.
Series 1: Personal Materials, 1932-1967
Series 2: "Home" (NBC TV) Program, 1954-1957
Seroies 3: Photographs and Slides, 1950s-1960s
Biographical / Historical:
Hippolyte Arthur Phillip Haultcouer, was born on May 3, 1908 in London, England. He came to the United States in 1929 aboard the SS President Roosevelt and opened the kitchen at New York City's Savoy-Plaza Hotel, which operated from 1927-1965. He was familiarly known as "Chef Phillip." He became a United States citizen on July 24, 1940. From March 1942 to November 1945, Haultcouer served as a Tec-5 in the United States Army. In October 1948 he married Margaret M. Mulcahy (1926-1981) in Manhattan and the couple had two children, Phillip (b. 1949) and Douglas (b. 1951).
In 1953 Haultcouer founded the culinary arts program at the State University of New York at the New York City Community College to train chefs. Haultcouer also appeared on the "Home" television program of the National Broadcasting Company with Arlene Francis and Hugh Downs from 1954 to 1957.
Sources
"Chef Phillip of the Voisin Dead; Set Up State Culinary Program," New York Times, February 15, 1967, page 40.
Gould, Jack. "Television in Review: 'Home' Daytime Show for Women on N.B.C., Starts Ambitiously," New York Times March 5, 1954, page 26
The National Archives at Philadelphia; Philadelphia, Pennsylvania; NAI Title: Declarations of Intention for Citizenship, 1/19/1842 - 10/29/1959; NAI Number: 4713410; Record Group Title: Records of District Courts of the United States, 1685-2009; Record Group Number: 21
National Archives at College Park; College Park, Maryland, USA; Electronic Army Serial Number Merged File, 1938-1946; NAID: 1263923; Record Group Title: Records of the National Archives and Records Administration, 1789-circa 2007; Record Group: 64; Box Number: 04882; Reel: 152
New York City Municipal-Archives; New York, New York; Borough: Manhattan; Volume Number: 46
Provenance:
Collection donated by Phillip A. Haultcoeur (son of chef Phillip Haultcoeur) in 2020.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Haultcoeur, Phillip (Hippolyte Arthur), 1908-1967 (Chef) Search this
Container:
Box 3, Folder 8
Type:
Archival materials
Date:
1950s-1960s
Collection Restrictions:
Collection is open for research.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Phillip Haultcoeur Papers, Archives Center, National Museum of American History
Archives Center, National Museum of American History Search this
Extent:
1 Item (film)
Type:
Archival materials
Commercials
Motion pictures (visual works)
Date:
1951
Scope and Contents:
Duplicate of print in AFI collection: black-and-white 16mm film of the television show "Ghost Town" featuring Edgar Bergen with Charlie McCarthy and other guests. Sponsored by Coca Cola and featuring some Coca Cola commercials.
Local Numbers:
2002.3080 (NMAH Acc.)
Collection Restrictions:
Collection is open for research. Only reference copies may be used.
Collection Rights:
Reproduction may be restricted due to copyright or trademark. Contact Archives Center staff for more information.
Haultcoeur, Phillip (Hippolyte Arthur), 1908-1967 (Chef) Search this
Container:
Box 1, Folder 11
Type:
Archival materials
Date:
1950s-1960s
Scope and Contents:
File contains recipes and menus, typescript and handwritten, created and prepared by Haultcoeur. Included are recipes from "Home" (NBC TV) for the bride cooking her first meal; a menu from the Hotel Astor in recognition of the Sommelier Society of America (1959); and a menu for the Brass Rail Restaurant's International Dinner.
Collection Restrictions:
Collection is open for research.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Phillip Haultcoeur Papers, Archives Center, National Museum of American History
Industry on Parade was a television series created by the National Association of Manufacturers (NAM) from 1950-1960. The series consisted of weekly episodes that highlighted American manufacturing and business. Hundreds of companies and products were documented during the programs decade-long run.
Scope and Contents:
The Industry on Parade Film Collection, 1950-1960, is comprised of 428 reels of thirteen and a half minute long 16mm black and white composite optical track (sound) motion picture film prints and one document box of episode descriptions. The films have been organized chronologically in the order they were produced and broadcast by the National Association of Manufacturers. The episode descriptions, which accompanied the film reels as they were sent to stations for broadcast and other venues for screening, are organized in the same manner. It should be noted that each film reel does not have a corresponding episode description and many of the later episodes were not donated to the National Museum of American History.
This collection covers hundreds of topics, providing a comprehensive portrait of American business and manufacturing during the 1950s. The films portray work processes, community life, recreation, and reveal through narration the ideology of American business during this era.
Arrangement:
The collection is organized in one series:
Series 1: Motion Picture Films
Biographical / Historical:
The Industry on Parade Film Collection, 1950-1960, was created by the National Association of Manufacturers (NAM) from 1950-1960. In 1950, Johnny Johnstone, NAM's radio and television director, developed the idea for a television program highlighting American manufacturing and business. Working with Frank McCall, an NBC News Department Manager, Johnstone created and presented a sample reel to NAM's board of directors. Based on this sample, the board supported and financed the production and distribution of an NAM-sponsored series, intended
... to show the marvels of American industrial technology in operation and show how the industrial process results in higher living standards, to show new developments in the fields of science, invention, and research, particularly as they contribute to health, welfare, and national defense, to show the integral part that industry plays in the civic, religious, and social life of American communities as well as the economic, to show people who work in industry and the attention industry pays to their well-being, and to show some of the difficult problems that have been faced and solved by American industry. (From: Industry on Parade Fact Sheet, October 15, 1955)
The series, titled Industry on Parade, was first broadcast during the week of October 15, 1950.
Each Industry on Parade episode was 13.5 minutes long and, for most of the series, contained three to four stories examining some aspect of American manufacturing and business. Towards the end of the 1950s, episodes were arranged thematically, featuring a single type of product, industry, or American consumer. Most episodes also included "public service announcements" placed between story segments or at the end of the episodes to promote capitalism, the American way, and the rewards of a free economy and society. NAM provided the weekly episodes to one television station in each market throughout the country, at no charge, for broadcast, usually in non-prime time slots.
During the first few years, the series was co-produced with NBC, although not necessarily broadcast through NBC affiliates. In 1953, NBC decided to work exclusively on its own productions for broadcast on NBC stations. Arthur Lodge, the NBC producer who had been working on the series, left NBC, formed his own production company, and produced Industry on Parade for NAM from October 1, 1953 until the series ended. In addition to producing the series, Arthur Lodge wrote, directed, and narrated each episode.
By 1957 Industry on Parade was broadcast on 270 stations nationally and on foreign stations in 33 countries. NAM also made each episode available for screening by schools and community and business groups. Industry on Parade won the Peabody Award for National Public Service Programming in 1955. The series ended its run in 1960, although NAM continued to distribute the films for educational screening throughout the early 1960s.
Provenance:
Transferred to the Archives Center from the Division of Work and Industry, National Museum of American History, Smithsonian Instition. Originally donated by the National Association of Manufacturers in 1974.
Restrictions:
Collection is open for research but the films are stored off-site. Special arrangements must be made directly with the Archives Center staff to view episodes for which no reference copy exists. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees will be charged for reproductions.
Clayton Moore as the Lone Ranger and Jay Silverheels as Tonto; photographer unidentified.
Local Numbers:
AC0727-0000001.tif (AC Scan)
General:
In Box 4.
Restrictions:
Unrestricted research use on site by appointment. Photographs must be handled with cotton gloves unless protected by sleeves.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
