Search Results

Collection Creator:

Arnold Herstand & Company  Search this

Extent:

0.6 Linear feet (Box 1)

Type:

Archival materials

Date:

1944-1991

Scope and Contents note:

This series contains the personal and professional correspondence of Arnold Herstand and Nancy McDermott Herstand.

Personal correspondence includes letters between Herstand and his friends and family while he was stationed in Europe during World War II; a photocopy of a letter from Fernand Léger certifying the dates that Herstand studied at the Atelier Léger in Paris; and single letters and postcards from friends and artists including Joseph Beuys, Henri Cartier-Bresson, Christo and Jeanne-Claude, Malitte Matta, and Pierre Soulages. Also included are condolence notes sent to Herstand's widow Nancy McDermott Herstand, and congratulatory letters to Nancy Herstand regarding her presidency of Arnold Herstand & Co. gallery.

Professional correspondence contains letters written during the years Herstand served as Director of the Minneapolis School of Art (1963 to 1969) and as President of the Minneapolis College of Art and Design (1969-1974), and includes single letters from artists and writers responding to Herstand's invitation to visit or teach at the school. Correspondents include Josef Albers, Eduardo Chillida, Sam Francis, Hans Hofmann, Robert Indiana, Jacques Lipchitz, Georgia O'Keeffe, Roman Polanski, Niki de Saint-Phalle, Antonio Saura, Charles Schulz, George Segal, Aaron Siskind, and Tom Wolfe. Also included is a letter from Angelica de Siqueiros, on behalf of her husband David Alfaro Siqueiros, citing political reasons for not accepting Herstand's invitation to visit the school. Also found is a letter from Isamu Noguchi to Edmund Pillsbury, Director of the Kimball Art Museum, regarding four sculptures intended for the museum.

Some letters are in French.

Arrangement note:

This series is arranged chronologically. Where dates are unknown, letters have been filed at the end of a folder or group of folders.

Collection Restrictions:

Use of original papers requires an appointment. Use of archival video recordings with no duplicate access copy requires advance notice.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Arnold Herstand & Co. records and Arnold Herstand papers, 1927-1995. Archives of American Art, Smithsonian Institution.

Identifier:

AAA.arnohers, Series 2

See more items in:

Arnold Herstand & Co. records and Arnold Herstand papers

Archival Repository:

Archives of American Art

EDAN-URL:

ead_component:sova-aaa-arnohers-ref31

Interviewee:

Sawyer, Charles Henry, 1906-2005  Search this

Interviewer:

Ehrlich, Heyward  Search this

Creator:

New Deal and the Arts Oral History Project  Search this

Names:

New Deal and the Arts Oral History Project  Search this

Cook, Howard Norton, 1901-1980  Search this

Curry, John Steuart, 1897-1946  Search this

Gibbs, Howard Manning, 1904-1970  Search this

Knaths, Karl, 1891-1971  Search this

Levine, Jack, 1915-2010  Search this

Taylor, Francis Henry, 1903-1957  Search this

Waters, Herbert  Search this

Woodworth, Hail  Search this

Zerbe, Karl, 1903-1972  Search this

Extent:

14 Pages (Transcript)

Type:

Collection descriptions

Archival materials

Pages

Sound recordings

Interviews

Date:

1964

Scope and Contents:

An interview of Charles Henry Sawyer conducted in 1964, by Heyward Ehrlich, for the Archives of American Art.

Sawyer speaks of how he first got involved in art after being offered a job teaching art and operating a museum in Andover by a family friend; how he became involved with the Federal Art Project; the early stages of the Project, and the difficulties they encountered, including the primary motivation of the Project, deciding where the work was to be assigned, and other administrative problems; the changes that occurred as the Federal Arts Project developed; the artists involved with the Project, such as Karl Knaths and Jack Levine; the shows that were put on by the Project; the end of the Federal Art Project; and his thoughts on the project in retrospect. Sawyer recalls Francis Taylor, Karl Knaths, Jack Levine, Howard Gibbs, John Stuart Curry, Herbert Waters, Karl Zerbe, Howard Cook, Hail Woodworth, and many others.

Biographical / Historical:

Charles Henry Sawyer (1906-2005) was a museum director in Ann Arbor, Mich.

General:

Originally recorded on 1 sound tape reel. Reformatted in 2010 as 1 digital wav file. Duration is 1 hr., 3 min.

Provenance:

Conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.

Restrictions:

Transcript is available on the Archives of American Art's website.

Topic:

Federal aid to the arts  Search this

Museum directors -- Michigan -- Interviews  Search this

Genre/Form:

Sound recordings

Interviews

Identifier:

AAA.sawyer64

Archival Repository:

Archives of American Art

EDAN-URL:

ead_collection:sova-aaa-sawyer64

Creator:

Nordfeldt, Bror Julius Olsson, 1878-1955  Search this

Names:

Arthur H. Hahlo (Firm)  Search this

Harriet Hanley Gallery (Minneapolis, Minn.)  Search this

Passedoit Gallery (New York, N.Y.)  Search this

Albinson, Dewey, 1898-1971  Search this

Bidwell, Watson, 1904-  Search this

Candell, Victor, 1903-1977  Search this

Catlin, Stanton L. (Stanton Loomis)  Search this

Cheney, Sheldon, 1886-  Search this

Coke, Van Deren, 1921-  Search this

Cook, Howard Norton, 1901-1980  Search this

Davison, Edward L.  Search this

Devree, Howard, 1891-1966  Search this

Dickerson, William Judson, 1904-  Search this

Ficke, Arthur Davison, 1883-1945  Search this

Forsyth, Constance, 1903-  Search this

Hale, John Douglass  Search this

Hanley, Harriet  Search this

Jonson, Raymond, 1891-1982  Search this

Knee, Gina, 1898-1982  Search this

Lester, William, 1910-1991  Search this

Mayor, A. Hyatt (Alpheus Hyatt), 1901-1980  Search this

Nordfeldt, Emily Abbott, 1900-  Search this

Passedoit, Georgette  Search this

Saint-Gaudens, Homer, b. 1880  Search this

Walker, Hudson D. (Hudson Dean), 1907-1976  Search this

Extent:

3.6 Linear feet ((partially microfilmed on 2 reels))

Type:

Collection descriptions

Archival materials

Sketchbooks

Date:

1909-1989

Scope and Contents:

Biographical material, correspondence, business records, writings and notes, printed material, scrapbooks, and photographs document Nordfeldt's career as a painter and instructor, and his widow's involvement after his death in exhibitions, biographies, and sales of his work.

REELS D166-D167: Biographical material includes a biographical sketch by Stanton L. Catlin, several letters from Nordfeldt's first wife Margaret to his second wife, Emily, and his nephew, Leonard Olson, in response to requests for biographical information, and biographical documents; correspondence of Emily and B.J.O., 1909-1959, with museum directors, gallery owners, patrons, artists, friends, universities, and others, mainly regarding the sale and exhibitions of his paintings and his teaching positions; artists' statements; exhibition catalogs; photographs of Nordfeldt; an excerpt from The Man on the Hilltop, by Arthur Davison Ficke; 5 sketchbooks; 3 scrapbooks; and an extensive catalog of Nordfeldt's paintings compiled by Emily, containing photographs and descriptive information.

Among the correspondents are Dewey Albinson, Watson Bidwell, Gina Knee Brook, Victor Candell, Howard N. Cook, Edward L. Davison, Howard Devree, William Dickerson, Constance Forsyth, Harriet Hanley of Harriet Hanley Gallery, Raymond Jonson, William Lester, A. Hyatt Mayor, Georgette Passedoit of the Passedoit Gallery, his student Roberta Shelton, Homer Saint-Gaudens, and Hudson D. Walker. Some of the letters are illustrated.

UNMICROFILMED: Resumes; correspondence, undated, 1923-1979, includes excerpts of letters from Nordfeldt to Constance Forsyth, 1942-1943 and Emily Abbott Nordfeldt, 1944; Emily Abbott Nordfeldt's correspondence with art collectors, art dealers, galleries and museums regarding exhibitions, gifts and sales of Nordfeldt's work; with Nordfeldt's biographers F. Van Deren Coke and J. Douglas Hale; and with the University of Minnesota, University Gallery, 1970-1972 regarding a Nordfeldt exhibition and the Nordfeldt Fund established by Emily; receipts and other business records; 1944-1979; writings and notes by Emily, ca.1930-1950, and others including the preface by Sheldon Cheney for Nordfeldt, the Painter by Coke, 1972;

a transcript of an interview with Raymond Jonson by Coke; printed material, including clippings, 1912-1984, exhibition catalogs, posters and announcements, undated, 1915-1991, notably a catalog of Nordfeldt's etchings shown at the Arthur H. Hahlo & Co. with an introduction by Robert W. Bruere, 1915; reproductions of graphic work for The Outlook and Harper's Monthly Magazine, 1910; miscellaneous printed material; a scrapbook of clippings and printed material, 1971-1980; photographs of Nordfeldt, undated 1910-1955, of the Santa Fe Players' production of "Grumpy," 1921; 3 photo albums of works of art, ca. 1930-1940; 10 seconds of motion picture film; and 2 sketches by Nordfeldt.

Biographical / Historical:

Painter, etcher, block printer, engraver, lithographer, watercolorist, teacher; Santa Fe, N.M. and Lambertville, N.J. Born in Tullstorp, Scania, Sweden, and came to the United States in 1891. Taught at the Minneapolis School of Art and the University of Texas. Moved to Lambertville, N.J. in 1937 from Santa Fe, N.M.

Provenance:

Material on reels D166-D167 lent for microfilming 1963 by Emily Abbott Nordfeldt, Bror's widow. In 1991 her estate donated additional material as well as portions of the previously microfilmed material. Material previously lent but NOT subsequently donated includes portions of the biographical material; several letters; artists' statements; a few personal photographs; the 5 sketchbooks; items from the scrapbooks; and the catalog of paintings. (The collection file contains a list of specific reel and frame numbers.)

Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.

Occupation:

Watercolorists  Search this

Etchers  Search this

Painters -- New Jersey  Search this

Painters -- New Mexico -- Santa Fe  Search this

Topic:

Expressionism (Art)  Search this

Painting, Modern -- 20th century -- United States  Search this

Genre/Form:

Sketchbooks

Identifier:

AAA.nordbror

Archival Repository:

Archives of American Art

EDAN-URL:

ead_collection:sova-aaa-nordbror

Collection Collector:

National Museum of American History (U.S.). Division of Information, Technology and Society  Search this

Pool, Ithiel de Sola, 1917-  Search this

Container:

Box 1, Folder 1

Type:

Archival materials

Date:

1959-05

Collection Restrictions:

Unrestricted research access on site by appointment.

Collection Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Collection Citation:

Ithiel deSola Pool Collection, 1919-1984, Archives Center, National Museum of American History.

See more items in:

Ithiel de Sola Pool Collection

Archival Repository:

Archives Center, National Museum of American History

EDAN-URL:

ead_component:sova-nmah-ac-0713-ref513

Collection Collector:

National Museum of American History (U.S.). Division of Information, Technology and Society  Search this

Pool, Ithiel de Sola, 1917-  Search this

Container:

Box 1, Folder 5

Type:

Archival materials

Date:

1957-1959

Collection Restrictions:

Unrestricted research access on site by appointment.

Collection Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Collection Citation:

Ithiel deSola Pool Collection, 1919-1984, Archives Center, National Museum of American History.

See more items in:

Ithiel de Sola Pool Collection

Archival Repository:

Archives Center, National Museum of American History

EDAN-URL:

ead_component:sova-nmah-ac-0713-ref517

Collection Collector:

National Museum of American History (U.S.). Division of Information, Technology and Society  Search this

Pool, Ithiel de Sola, 1917-  Search this

Container:

Box 1, Folder 7

Type:

Archival materials

Date:

1959-05

Collection Restrictions:

Unrestricted research access on site by appointment.

Collection Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Collection Citation:

Ithiel deSola Pool Collection, 1919-1984, Archives Center, National Museum of American History.

See more items in:

Ithiel de Sola Pool Collection

Archival Repository:

Archives Center, National Museum of American History

EDAN-URL:

ead_component:sova-nmah-ac-0713-ref519

Collection Collector:

National Museum of American History (U.S.). Division of Information, Technology and Society  Search this

Pool, Ithiel de Sola, 1917-  Search this

Container:

Box 1, Folder 17

Type:

Archival materials

Date:

undated

Collection Restrictions:

Unrestricted research access on site by appointment.

Collection Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Collection Citation:

Ithiel deSola Pool Collection, 1919-1984, Archives Center, National Museum of American History.

See more items in:

Ithiel de Sola Pool Collection

Archival Repository:

Archives Center, National Museum of American History

EDAN-URL:

ead_component:sova-nmah-ac-0713-ref529

Creator:

Tektronix, Inc.  Search this

Department of Defense, Armed Forces Institute of Pathology  Search this

Hewlett-Packard Company.  Search this

National Museum of American History (U.S.). Division of Information, Technology and Society  Search this

Motorola, Incorporated.  Search this

Extent:

4 Cubic feet

Type:

Collection descriptions

Archival materials

Videotapes

Date:

1970s.

Scope and Contents note:

Thirty-two films collected by the Department of Defense, created by Hewlett Packard, Motorola and Techtronix, relating to the design, manufacture, troubleshooting, repair and teaching of integrated circuits. The films were used by Walter Reed Army Medical Center Television Branch to maintain their own equipment.

Arrangement:

1 series.

Provenance:

Collection donated by Department of Defense, Armed Forces Institute of Pathology.

Restrictions:

UNPROCESSED COLLECTION.

Unrestricted research access on site by appointment.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Integrated circuits  Search this

Computer components  Search this

Genre/Form:

Videotapes -- 1970-1980

Citation:

Department of Defense Chip Training Videotape Collection, 1970s, Archives Center, National Museum of American History.

Identifier:

NMAH.AC.0586

Archival Repository:

Archives Center, National Museum of American History

EDAN-URL:

ead_collection:sova-nmah-ac-0586

Creator:

Koenig, Eldo C.  Search this

National Museum of American History (U.S.). Division of Information, Technology and Society  Search this

Extent:

0.12 Cubic feet

Type:

Collection descriptions

Archival materials

Articles

Awards

Technical reports

Diagrams

Technical drawings

Laboratory notes

Date:

1950-1969.

Scope and Contents note:

Papers representing Koenig's research on early personal computers. Includes photographs, articles, laboratory reports, Koenig's students' research, writings and illustrations and diagrams on hardware and software.

Arrangement:

1 series.

Biographical/Historical note:

Koenig held various positions at the Allis-Chalmers Manufacturing Company from 1944-1962 including supervisor of the computer laboratory. In 1962 he left Allis-Chalmers to take a teaching position with the University of Wisconsin. Koenig received the Alfred Noble Prize (not to be confused with the Nobel Prize) for his work on analog computers in 1951 and was active in several professional organizations, including the Association for Computing Machinery and the Institute for Electrical and Electronics Engineers.

Provenance:

Collection donated by Eldo C. Koenig.

Restrictions:

Unrestricted research access on site by appointment. Unprotected photographs must be handled with gloves.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Computer science  Search this

Computer software  Search this

Computers  Search this

Genre/Form:

Articles

Awards

Technical reports

Diagrams

Technical drawings

Laboratory notes

Citation:

Eldo C. Koenig Personal Computer Collection, 1950-1969, Archives Center, National Museum of American History.

Identifier:

NMAH.AC.0650

Archival Repository:

Archives Center, National Museum of American History

EDAN-URL:

ead_collection:sova-nmah-ac-0650

Creator:

Mandragos, Nicholas C., (engineer), 1896-  Search this

Mandragos, Frieda  Search this

Source:

National Museum of American History (U.S.). Division of Engineering  Search this

Former owner:

National Museum of American History (U.S.). Division of Engineering  Search this

Extent:

2.5 Cubic feet (10 boxes)

Type:

Collection descriptions

Archival materials

Instructional materials

Lecture notes

Date:

1905-1964

Scope and Contents:

The collection consists almost entirely of notes Mandragos used as the basis for lectures to his engineering classes. They cover various problem areas: stress analysis of structures, strength of materials, hydraulics and other technical aspects of structural design. There are also a few notes Mandragos made as a student in the 1920s and 1930s. The notes are carefully hand printed with detailed technical drawings, sometimes in photocopy. They are arranged alphabetically by subject, usually with dates.

Arrangement:

Collection is arranged into one series.

Biographical / Historical:

Nicholas C, Mandragos was born on the Greek island of Symi in 1896, was educated at the Salvago Professional School in Alexandria, Egypt, at New York University and at Brooklyn Polytechnic Institute. He received a bachelor of science degree in engineering at the latter institution plus 21 points of graduate studies. After being employed as a structural engineer by New York Central RR, 1926 1937, Mandragos was employed in research during World War II at the War and Navy Depts. He also lectured on photoelasticity at George Washington University 1943 1949 and was an associate professor there 1947 1949; later he was a consulting engineer.

Separated Materials:

Instruments and models are housed in the the Division of Work and Industry.

Provenance:

This material was donated to NMAH, together with several instruments and models relating to materials testing, in October 1992 by Mr. Mandragos' widow, Frieda Mandragos.

Restrictions:

Collection is open for research.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Hydraulic engineering -- 1920-1960  Search this

Concrete -- 1920-1960  Search this

Strength of materials -- 1920-1960  Search this

Tolerance (Engineering) -- 1920-1960  Search this

Engineers -- 1920-1960  Search this

Engineering -- Study and teaching -- 1920-1960  Search this

Structural engineering -- 1920-1960  Search this

Genre/Form:

Instructional materials

Lecture notes

Citation:

Nicholas C. Mandragos Papers, 1927-1959, Archives Center, National Museum of American History. Gift of Frieda Mandragos.

Identifier:

NMAH.AC.0484

See more items in:

Nicholas C. Mandragos Papers

Archival Repository:

Archives Center, National Museum of American History

EDAN-URL:

ead_collection:sova-nmah-ac-0484

Photographer:

Thompson, George E.  Search this

Collection Creator:

National Philatelic Collection, Smithsonian Institution.  Search this

Blenkle, Victor A., Dr., 1900-1978 (physician)  Search this

Collection Source:

National Museum of American History (U.S.). Division of Extractive Industries  Search this

Extent:

1 Item (black-and-white, 3-1/2" x 5-1/2".)

Culture:

Indians of North America -- Missions  Search this

Diné (Navajo)  Search this

Type:

Archival materials

Postcards

Picture postcards

Place:

Bluff (Utah)

Date:

1946

Scope and Contents:

A black-and-white photograph of a woman teaching in front of Navajo students of varied ages and genders. Caption: "This mission to the Navajo Indians was begun in 1943 by the Episcopal church near Bluff, Utah in an area where primitive Indians had no medical, educational or spiritual care before that time." Image bears postal cancellation dated 1946. The photo credit is George Thompson, 1946.

General:

Series 1, Box 13, U.S.A.--Utah--Cities.

Collection Restrictions:

The collection is open for research use.

Collection Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Missionaries  Search this

Christian education  Search this

Genre/Form:

Postcards -- 1940-1950

Picture postcards -- 1940-1950

Collection Citation:

Victor A. Blenkle Postcard Collection, c. 1880-c. 1970, Archives Center, National Museum of American History, Smithsonian Institution,

See more items in:

Victor A. Blenkle Postcard Collection

Victor A. Blenkle Postcard Collection / Series 1: Geographical Locations within United States / Utah - Cities

Archival Repository:

Archives Center, National Museum of American History

EDAN-URL:

ead_component:sova-nmah-ac-0200-ref2246

Former tenant:

Harmsworth, Alfred Charles William 1st Viscount Northcliffe, 1865-1922  Search this

Harmsworth, Mary Elizabeth Milner 1st Baroness Northcliffe, d. 1963  Search this

Gardener:

Watson, Donald  Search this

Goatley, Joseph  Search this

Garden designer:

Jekyll, Gertrude, 1843-1932  Search this

Collection Creator:

Sears, Thomas Warren, 1880-1966  Search this

Sears & Wendell  Search this

Olmsted Brothers  Search this

Harvard University  Search this

American Society of Landscape Architects  Search this

Collection Donor:

Tibbetts, Eleanor Sears  Search this

Type:

Archival materials

Place:

Sutton Place (Guildford, Surrey, England)

United Kingdom -- England -- Surrey -- Guildford

Scope and Contents:

The folder includes worksheets, a photocopied book excerpt, and additional information about the house and garden.

General:

At the time of Thomas W. Sears' visit in 1908 Sutton Place was the estate of Alfred Charles William Harmsworth, 1st Viscount Northcliffe. Harmsworth leased the property from its owners, the Salvin and Witham families, from about 1900 to 1918. The original manor house was built about 1525, but the gardens have undergone many transformations over the years. It appears that Gertrude Jekyll was involved in much of the design of garden renovations undertaken around 1902. By 1908 the site included extensive lawns and specimen trees, a walled garden, a rose garden, water features, and long borders of perennials with grass walkways. Baroness Northcliffe, Mary Elizabeth Milner Harmsworth, took a keen interest in the gardens, and contemporary sources also cite the work of two gardeners, Donald Watson and Joseph Goatley.

Persons associated with the garden include Gertrude Jekyll (garden designer, circa 1902); Alfred Charles William Harmsworth and Mary Elizabeth Milner Harmsworth (former tenants, circa 1900-1918); Donald Watson (gardener, circa 1900-1918); and Joseph Goatley (gardener, circa 1900-1918).

Related Materials:

Sutton Place related holdings consist of 1 folder (14 glass negatives; 14 negatives; 1 lantern slide)

Collection Restrictions:

Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

For information or study purposes only. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.

Topic:

Gardens -- England -- Surrey -- Guildford  Search this

Collection Citation:

Smithsonian Institution, Archives of American Gardens, Thomas Warren Sears photograph collection.

Identifier:

AAG.SRS, File ENG023

See more items in:

Thomas Warren Sears photograph collection

Thomas Warren Sears photograph collection / Series 1: Photographic Images / International / England

Archival Repository:

Archives of American Gardens

EDAN-URL:

ead_component:sova-aag-srs-ref6394

Collection Creator:

Garden Club of America  Search this

Type:

Archival materials

Collection Restrictions:

Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.

Collection Citation:

Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.

See more items in:

The Garden Club of America collection

Archival Repository:

Archives of American Gardens

EDAN-URL:

ead_component:sova-aag-gca-ref32850

Gardener:

O'Donnell, Helen  Search this

Owner:

Hayward, Mary  Search this

Hayward, Gordon  Search this

Provenance:

Garden Club of Dublin (New Hampshire)  Search this

Collection Creator:

Garden Club of America  Search this

Type:

Archival materials

Place:

Hayward Garden (Westminster West, Vermont)

United States of America -- Vermont -- Windham -- Westminster West

Scope and Contents:

Hayward Garden includes 63 digital images and a folder that includes worksheets, photocopies of articles and additional images including a pamphlet about a musical program created for and perfomed in the garden in 2014 as a the Yellow Barn summer program.

General:

The owners describe their one and one-half acre ornamental garden as a new garden in an old place, with its 200 year-old colonial farmhouse and attached barn, low stone walls, and old farm building foundations that have been repurposed as distinctive garden rooms within surrounding meadows and woods. They purchased the property in 1983 and spent about one year clearing the land of scrap metal and other debris, brambles and weed trees, a rotting barn, dead trees, and an old Nash Metropolitan automobile. The garden style is English, with a rectilinear format from south to north softened by lush growth in season and more evident in the long Vermont winter. The design began by drawing a straight line from the front door of the house to a 75-year-old apple tree. There is a crab apple orchard along that main axis that can be seen from the house. Brick and pea stone gravel walks, 90-foot long mixed borders, and an herb garden laid out in formal parterres are either parallel or perpendicular to the central axis of the garden. The 14 garden rooms are delineated by clipped hedges of varying heights, many of yew but also other plant materials for variation. There are four places to sit within the garden: a gazebo at the far end reached through a tunnel of pleached copper beech, an outdoor dining room on pavers under tall trees, a bench slightly above and overlooking their spring garden, and another bench next to a shed near the herb garden.

Creating a garden in harmony with the rural location was important to the owners, who subsequently purchased 19 adjacent acres and preserved the meadows and woods with the Vermont Land Trust. To instill harmony in the diverse garden rooms the owners adhere to three themes: hedges for structure, black locust posts and terra cotta containers for materials, and burgundy and other reds for the color that recurs throughout the garden rooms. Since the entire garden is unified it is possible to add variations without muddling the design. Honoring the long gone dairy farms they have turned the foundations of a milking parlor into a garden room that has low, drought tolerant plants growing among the stone flooring and three rusted milk cans. The cracked cement foundation of a former silo was turned into a pond with a fountain built into a stone wellhead and a statue of Buddha on the shore.

Gordon Hayward has written many articles for Horticulture, Taunton's Fine Gardening, and regional magazines using his own garden to teach design aesthetics and their practical application. Topics include the effective placement of planted and unplanted containers and other garden ornaments, how to build a small fountain, the importance of proportions to design, how to set vertical posts, and tips on outdoor seating and dining rooms. Good design is illustrated by reshaping lawns to complement planted borders or trees, through consistent choices of decorative materials, through applying the principles of theme and variation when choosing what to put in the garden, and through planning for the winter garden with berries and crab apples for birds and good "bones" that become evident in winter.

Persons associated with the garden include: Gordon Hayward (owner, garden designer, and gardener, 1983- ), Mary Hayward (owner, garden designer, and gardener, 1983- ), Ephraim and Lydia Johnson Ranney, and their descendants in the Buxton and Reed families (former owners, circa 1790-1983); Helen O'Donnell (gardener, 2008-2015).

Collection Restrictions:

Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.

Topic:

Gardens -- Vermont -- Westminster West  Search this

Collection Citation:

Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.

Identifier:

AAG.GCA, File VT019

See more items in:

The Garden Club of America collection

The Garden Club of America collection / Series 1: United States Garden Images / Vermont

Archival Repository:

Archives of American Gardens

EDAN-URL:

ead_component:sova-aag-gca-ref11360

Former owner:

Clark, Stephen C. Jr.  Search this

Clark, Jane Forbes  Search this

Arboretum designer:

Rowley, Polly P.  Search this

Committee head:

Rowley, Polly P.  Search this

Landscape architect:

Starke, Barry W.  Search this

Tindall, Ian  Search this

Foster, Susie  Search this

Committee member:

Augenblick, Barbara  Search this

Morency, Mike  Search this

Hoovler, Karen  Search this

Gardener:

Vella, Matthew  Search this

Dornin, Bob  Search this

Looney, Greg  Search this

Faculty:

Dornin, Bob  Search this

Looney, Greg  Search this

Provenance:

Fauquier and Loudoun Garden Club  Search this

Collection Creator:

Garden Club of America  Search this

Type:

Archival materials

Place:

The Hill School Arboretum (Middleburg, Virginia)

United States of America -- Virginia -- Loudoun -- Middleburg

Scope and Contents:

The folder includes worksheets and photocopies of articles and images.

General:

The arboretum was created on the 132-acre farm that was donated to the private pre-K through 8th grade Hill School in 1992. A landscaping committee decided that the mission of the arboretum would be to grow examples of both native and alien trees that have adapted to the region to be used as an environmental teaching facility for children and as a community resource. The initial plan was broken into stages, planting was done over several years, and the vision for the arboretum was that it would look like a country estate in 100 years. Eight distinct areas were identified that would be planted over time with more than 200 species of trees and shrubs in combinations that emphasize differing leaf shapes and bark textures for the children to study. Planning included respect for the instinctive pathways of children pursing daily activities while also promoting appreciation and respect for the natural environment. The arboretum provides habitat for birds and wildlife, another aspect that would be incorporated into the curriculum of the school.

When there was dissatisfaction with the contractors hired for the work members of the committee took charge themselves. There were drainage problems in some areas and the location of differing stands of trees had to be determined in part by soil conditions. Young trees were purchased that were easier to transplant successfully and less costly, although some of the specialty trees had to be kept in the chairwoman's nursery for three years until they were ready to be planted out. Community support included donations of tons of manure and humus from nearby farms.

Persons associated with the garden include Stephen C. Clark, Jr. and Jane Forbes Clark (former owners, 1945-1992); Polly P. Rowley (arboretum designer and committee head, 1992- ); Barry W. Starke (ASLA), Earth Design Associates (landscape architect, 1992-1993); Ian Tindall and Susie Foster, HOH Associates (landscape architects, 1992-1993); Barbara Augenblick, Mike Morency and Karen Hoovler (Hill School committee, 1992-1995); Matthew Vella (gardener, 1992-1998); Bob Dornin and Greg Looney (Hill School grounds supervisor and gardener, 1992-1998).

Related Materials:

The Hill School Arboretum related holdings consist of 1 folder (22 digital images)

Collection Restrictions:

Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.

Topic:

Gardens -- Virginia -- Middleburg  Search this

Collection Citation:

Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.

Identifier:

AAG.GCA, File VA490

See more items in:

The Garden Club of America collection

The Garden Club of America collection / Series 1: United States Garden Images / Virginia

Archival Repository:

Archives of American Gardens

EDAN-URL:

ead_component:sova-aag-gca-ref18854

Former owner:

McAlexander, Alexander  Search this

Smith, Paul R.  Search this

Cannon, Charles Grady Mr. Mrs.  Search this

Landscape architect:

Armistead, Tara  Search this

Landscape designer:

Wells, Steven  Search this

Horticulturist:

Hudson, B. C.  Search this

Sculptor:

Tamboli, Roy  Search this

Provenance:

Garden Club of Nashville  Search this

Collection Creator:

Garden Club of America  Search this

Type:

Archival materials

Place:

Native Nook (Nashville, Tennessee)

United States of America -- Tennessee -- Davidson County -- Nashville

Scope and Contents:

The folder includes a worksheet and garden plans.

General:

Located on less than one acre, Native Nook is a young garden begun in 1996 and designed primarily as a teaching garden. The owner wishes to show that native plants can be successful in an urban landscape. Indigenous woodies which provide the background for perennial beds, an herb terrace, a garden house, and seating areas also provide winter interest in the perennial beds. Garden rooms have been loosely created to satisfy the owner's specific interests and desires. The perennial beds are arranged to create mystery, drawing the visitor along halls to the back gate.

Persons associated with the property and garden include: Alexander McAlexander (former owner, 1925); Paul R. Smith (former owner, 1968 - 1975); Dr. and Mrs. Charles Grady Cannon (former owner, 1975 - 1995); Tara Armistead (landscape architect, 1995 - 1996); Steven Wells (landscape designer, 1995); B. C. Hudson (horticulturist, 1995 - 2000); and Roy Tamboldi (sculptor, 1996).

Related Materials:

Native Nook related holdings consist of 1 folder (11 35 mm. slides)

Collection Restrictions:

Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.

Topic:

Gardens -- Tennessee -- Nashville  Search this

Collection Citation:

Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.

Identifier:

AAG.GCA, File TN057

See more items in:

The Garden Club of America collection

The Garden Club of America collection / Series 1: United States Garden Images / Tennessee

Archival Repository:

Archives of American Gardens

EDAN-URL:

ead_component:sova-aag-gca-ref10958

Former owner:

Tanner Family  Search this

Gardner, Samuel F.  Search this

Lawton, Robert  Search this

Lawton, Penelope  Search this

Austin, Samuel Reverend  Search this

Henderson, Francis  Search this

Brinley, Fanny S.  Search this

Lawrence, Sallie C.  Search this

Paul, Allen G.  Search this

Paul, Florence S.  Search this

Warren, George  Search this

Warren, Katherine Urquhart  Search this

Preservation Society of Newport County  Search this

Gardener:

Pleitez, Eusebio  Search this

Landscape designer:

Tunnard, Christopher  Search this

Provenance:

Newport Garden Club  Search this

Collection Creator:

Garden Club of America  Search this

Type:

Archival materials

Place:

Warren House-Tunnard Garden (Newport, Rhode Island)

United States of America -- Rhode Island -- Newport -- Newport

Scope and Contents:

The folder includes worksheets, site plans, photocopies of articles.

General:

This Modernist garden was created right after World War II, designed by Christopher Tunnard. It still survives today, perhaps the only existing commissioned landscape design by the man who influenced many of the United States most celebrated postwar architects and landscape architects. At only 65' x 42', the garden has an extreme austerity in design with a hint of luxury in its fountains, thick hedges and sculpture. The plants are cut and trimmed into an ordained shape, and the pattern is designed to be seen from the ground, where its curves interlock and turn back on themselves. Only two kinds of trees are used - lime (Tilia) and arbor vitae (Thuja); and three kinds of permanent plants - ivy (Hedera), box (Buxus) and yew (Taxus). The lime trees will eventually be pleached into an architectural block to throw the ground pattern into even greater contrast. The ivy is in slightly raised mounds, edged in places with small summer flowers. The bedding plants are purple and white petunias with carnations and lemon-yellow thunbergias." The sculpture, 'Chimerical Font,' by Jean Arp, is golden bronze centered on a plinth in a black lacquered rectangular pool. The other pools (two circular, one biomorphic) are shallow and painted white. Of note are the unusual shapes of the pruned boxwoods in the shapes of question marks and semi-colons; the colorful flowers; and the 6th linden along the left and end wall, now covered in Boston ivy, and originally painted white to complete a design that very much relied on strong figure-ground relationship.

Christopher Tunnard (1910-1979) was born in Canada, moved to England in 1929 and received a diploma from the Royal Horticultural Society the following year. The period of the eclectic Arts and Crafts movement (which he characterized as "romantic trivialization" of garden design) prompted him to introduce his Modernist views of landscape design. This approach avoided decoration, sentimentality and classical allusion "in favor of functional minimalist designs that provided a friendly and hospitable milieu for rest and recreation." After 10 years practicing garden and landscape work, he immigrated to America at the invitation of Walter Gropius to teach at Harvard's Graduate School of Design (1938-1943). Following the War, Tunnard taught city planning at Yale, advancing to professor and chairman of this department; he did little garden design from that point forward, making this 1949 garden probably one of his last commissions. For the final thirty years of his life, Tunnard put his energies into urban planning and the preservation of historic buildings; his publications in this area include "Man-made America: Chaos or Control?" (1963) which won the 1964 National Book Award in Science, Philosophy and Religion. It is perhaps ironic that Christopher Tunnard ended up of very much the same sentiment as his American patron, Mrs. George W. (Katherine) Warren, founder of the Preservation Society of Newport County (1945). In "Pioneers of American Landscape Design," (2000), Lance Neckar notes that "by the time of his death, he had come full circle to be identified with conservation-and-preservation-oriented attributes toward city revitalization which were antithetical to the Modern movement" that Tunnard had originally espoused.

Tunnard's patrons, George and Katherine Warren, who purchased the property on Mill Street in 1933, chose a part of Newport that was then considered "the other side of the tracks" by their social set, most of whom resided out on Ocean Drive. In New York, where the couple lived "off season," Katherine Warren collected modern art and was on the Advisory Committee of the Museum of Modern Art. Interesting to note that the garden was commissioned in 1949 and distinguished by its functional, minimalist modern design in sharp contrast with its early Federal-style house. The Warrens also added two glass-enclosed rooms on the first and second floors of their home on the garden side, presumably to enjoy this new garden to its full extent. Mrs. Warren died in 1976, bequeathing her home to the Preservation Society of Newport County, which moved its offices to this location in 1977. While the Preservation Society of Newport County owned the property, the garden was heavily shaded by a large beech tree and had become overgrown. It was maintained as they found it without major renovation. The current owner moved into the Mill Street house in 1994 and restored the Tunnard garden in 2001 and has proven to be a conscientious caretaker of this rare, nationally significant garden.

Persons associated with the garden include Tanner Family (former owners, 1776-1807); Samuel F. Gardner (former owner, 1807-1809); Robert Lawton (former owner, 1809-1810); Penelope Lawton (former owner, 1810-1822); Reverend Samuel Austin (former owner, 1822-1826); Francis Henderson (former owner, 1826-1857); Fanny S. Brinley (former owner, 1857-1863); Sallie C. Lawrence (former owner, 1863-1886); Allen G. Paul (former owner, 1886-1916); Florence S. Paul (former owner, 1916-1932); George and Katherine Warren (former owners, 1932-1977); Preservation Society of Newport County (former owner, 1977-1994); Christopher Tunnard (landscape designer, 1949); Eusebio Pleitez (gardener, 2001- ).

Related Materials:

Warren House-Tunnard Garden related holdings consist of 1 folder (10 digital images)

Additional photographs are also located in the collections of the Preservation Society of Newport County.

Collection Restrictions:

Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.

Topic:

Gardens -- Rhode Island -- Newport  Search this

Collection Citation:

Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.

Identifier:

AAG.GCA, File RI201

See more items in:

The Garden Club of America collection

The Garden Club of America collection / Series 1: United States Garden Images / Rhode Island

Archival Repository:

Archives of American Gardens

EDAN-URL:

ead_component:sova-aag-gca-ref10575

Collection Creator:

Garden Club of America  Search this

Type:

Archival materials

Place:

Las Parcelas (Philadelphia, Pennsylvania)

United States of America -- Pennsylvania -- Philadelphia County -- Philadelphia

Scope and Contents:

The folders include worksheets, detailed descriptions of the garden and its history and evolution, garden plans, and other information.

General:

This 6,468 square-foot garden was begun on vacant land in the Kensington section of Philadelphia by the Norris Square Neighborhood Project (NSNP), with assistance from the Pennsylvania Horticultural Society in what was a drug-infested neighborhood. The garden's name, Las Parcelas, refers to the unique combination of more than 40 attractive plots, or parcels, each with its own special feature. Wood-trimmed beds contain vegetables, flowers, and herbs. Neighbors built "La Casita" (the little house), a reproduction of housing that existed in Puerto Rico before World War II that with its kitchen is a tool to teach children about traditional ways of living. Market stands enable the sale of produce from the garden, while an "environmental park" includes many trees and shrubs. Brightly painted garden structures (including "La Casita"), furnishings, and murals enliven the scene. Las Parcelas is the result of the determined and cooperative nature of the entire community.

Las Parcelas is only one of many community greening projects in Norris Square Greene Countrie Towne which dramatize the efforts of the entire neighborhood. Neighborhood leadership has formed a group of community garden activists known as Groupo Motivos to help maintain gardens, parks and street trees for the good of the community. All ages are represented in the garden, with the dominant group being in their late 40's and 50's. Heavy youth involvement in the garden comes from close association with the youth programs of NSNP. In addition to Philadelphia Green and NSNP, Las Parcelas has benefitted from the Weed and Seed Program of the Department of Justice, which aids in taking back neighborhoods from drug dealers. NSNP also coordinates programs with Swarthmore College, Pennsylvania State University, and four other state universities that give voluntary support to the garden. All of this activity is directly facilitated by NSNP.

Related Materials:

Las Parcelas related holdings consist of 2 folders (22 35 mm. slides)

Collection Restrictions:

Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.

Topic:

Gardens -- Pennsylvania -- Philadelphia  Search this

Collection Citation:

Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.

Identifier:

AAG.GCA, File PA354

See more items in:

The Garden Club of America collection

The Garden Club of America collection / Series 1: United States Garden Images / Pennsylvania

Archival Repository:

Archives of American Gardens

EDAN-URL:

ead_component:sova-aag-gca-ref16526

Former owner:

Schwartz, Mindy J.  Search this

Nicholas, Barbara K.  Search this

Allegheny City vacant property program  Search this

Production manager:

Reiff, Hannah  Search this

Outreach manager:

Madden, Robert  Search this

Provenance:

Garden Club of Allegheny County  Search this

Collection Creator:

Garden Club of America  Search this

Type:

Archival materials

Place:

Garden Dreams Urban Farm and Nursery (Pittsburgh, Pennsylvania)

United States of America -- Pennsylvania -- Allegheny -- Pittsburgh

Scope and Contents:

The folder includes worksheets and photocopies of articles.

General:

Three previously vacant city lots comprise this one-third acre urban farm and nursery garden focused on growing organically, providing a community gathering place, and teaching about sustainable land use. Ecologically sound practices are their main feature. The farm keeps bees for pollination and chickens for their eggs and to provide manure for the compost. Garden structures are fabricated from found or re-used objects and discarded building materials, such as PVC pipes that are too old to be used for their intended purpose but can serve as hoops for floating row covers. The business is recognized for its ingenuity, craftiness and thrift, as well as for creating a green space in a struggling neighborhood. They grow 100 varieties of tomatoes including heirlooms, dozens of sweet and hot peppers, many kinds of eggplants, greens and herbs. Flowers that are grown may be edible or are attractive to pollinating bees and other beneficial insects, including sunflowers, alyssum, coneflowers and native asters.

Since the urban lots contained detritus from demolished buildings and other debris, they had to be excavated, leaving craters that were filled with leaf mulch courtesy of the local public works agency. The organic matter decomposed into the degraded soil creating an excellent growing medium. Subsequent testing showed that the produce grown there was not contaminated and safe.

Persons associated with the garden include: Allegheny City vacant property program (former owners, 1996); Mindy J. Schwartz and Barbara K. Nicholas (former owners, 1996); Hannah Reiff (production manager, 2010- ); Robert Madden (outreach manager, 2008- ).

Related Materials:

Garden Dreams Urban Farm and Nursery related holdings consist of 1 folder (8 digital images)

Collection Restrictions:

Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.

Topic:

Gardens -- Pennsylvania -- Pittsburgh  Search this

Collection Citation:

Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.

Identifier:

AAG.GCA, File PA740

See more items in:

The Garden Club of America collection

The Garden Club of America collection / Series 1: United States Garden Images / Pennsylvania

Archival Repository:

Archives of American Gardens

EDAN-URL:

ead_component:sova-aag-gca-ref16554

Collection Creator:

Withers, Margret Craver, 1907-  Search this

Container:

Box 3, Folder 26

Type:

Archival materials

Date:

1991

Collection Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Margret Craver Withers papers, 1908-2016. Archives of American Art, Smithsonian Institution.

Sponsor:

The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.

See more items in:

Margret Craver Withers papers

Margret Craver Withers papers / Series 4: Professional Activity Files

Archival Repository:

Archives of American Art

EDAN-URL:

ead_component:sova-aaa-withmarg-ref125