Metropolitan Museum of Art (New York, N.Y.) Search this
Wehle, Harry B. (Harry Brandeis), b. 1887 Search this
Extent:
11 Items ((on partial microfilm reel))
Type:
Collection descriptions
Archival materials
Date:
1940
Scope and Contents:
Letter, May 19, 1940, from Davis to Francis Henry Taylor, Director of the Metropolitan Museum of Art. Davis writes that the "rejection of my work by the acquisitions committee of your museum, followed by Mr. Wehle's explanation of the reason for that rejection, was merely indicative of the fact that work in the style of mine is not usual here." He encloses photographs of his work so that Taylor can "review them and make his own decision ..."; 8 of the 9 photographs are annotated by Davis with title, medium, dimensions, and date. Also included is a carbon of Taylor's acknowledgement, May 22, 1940, and a note, May 23, [1940], enclosing the photos, from Taylor to Metropolitan curator Harry B. Wehle: "Herewith some curious examples of ultra-modern art."
Biographical / Historical:
Stuart Davis (1892-1964) was a painter and teacher, from New York.
Provenance:
Donated by Franklin Riehlman, 1985.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Topic:
Painting, Modern -- 20th century -- New York (State) -- New York Search this
Correspondence, mostly from art galleries, but also including letters (some are photocopies) from Francis Henry Taylor, Robert Beverly Hale, Joseph Green Butler, Morris Davidson, Raphael Soyer, Jacob Kainen, and Theodore Roszak; photographs of Farruggio and photographs and slides of his paintings; writings and notes, including Farruggio's "credo"; business records, mostly receipts for works of art; two scrapbooks, containing clippings and other printed items; exhibition catalogs and announcements;
clippings and articles; and miscellaneous printed materials. Also included are two published books illustrated by Farruggio: THE ART OF LOVE by Ovid and WHAT HAPPENS NEXT? by Beatrice Schenk de Regniers.
Biographical / Historical:
Painter; New York, N.Y.
Painter; New York, N.Y.
Provenance:
Donated 1976-1985 by Remo and Ella Farruggio.
Donated 1976-1984 by Remo and Ella Farruggio.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Topic:
Painting, Modern -- New York (State) -- New York Search this
13 Items (photographic prints, b&w, 34 x 26 cm. and smaller)
Type:
Collection descriptions
Archival materials
Date:
[1927-1950]
Scope and Contents:
REEL 1817-1818 AND SCANNED: One is of Berkowitz's teacher, George Luks, in his studio, 1927 (frame 784). Two were taken at an American Federation of Arts convention, ca. 1950, including one of Berkowitz's husband, Sidney, with Burton Cumming (fr. 1288-89), and one of Eloise Spaeth, Vincent Price, Francis Henry Taylor, and an unidentified man (fr. 1313-1314). Four are of groups of artists at Woodstock, ca. 1949, including one of Herman Cherry (misidentified as Cheney on the microfilm), Ethel Magafan, Charles Rosen, and Sidney Berkowitz all in costume (fr. 1319-1320) [same image in Konrad and Florence Cramer papers, reel 1203, fr. 988-989], one of Konrad Cramer playing a guitar with two other unidentified men (fr. 1280), one of the Berkowitzs, Yasuo Kuniyoshi, Ralph Wickiser (identified as Wictheissen on microfilm), Fletcher Martin, James Turnbull, Warren Brandt, Sara Kuniyoshi, and Amy Small (fr. 1327-1328). Three photographs of Kuniyoshi taken by Adrian Siegel, ca. 1950 (fr. 710-14) and one of him with his first wife, Katherine Schmidt, taken by Stowall Studios, ca. 1940 (fr. 1304-1305) are also included. Three photos are oversize: one of Eugene Speicher at a party in Woodstock, ca. 1950 (fr. 1131-1133), one of John and Zella Pike in costume (fr. 1000-1002), and one of John Pike, Carl Walters, Bill Moore, and Carl Hubbell in Woodstock, ca. 1949 (fr. 38-39). All photos were previously microfilmed under Photos of Artists II, and have subsequently been scanned and returned to the Berkowitz photo collection.
Biographical / Historical:
Berkowitz was a painter and an art consultant; New York, N.Y. Member of Woodstock Artists Association.
Provenance:
Donated 1976 and 1979 by Rosalie Berkowitz. Microfilmed in 1980 as part of AAA's Photographs of Artists-Collection II and scanned in 2003.
Occupation:
Painters -- New York (State) -- New York Search this
Collectors -- New York (State) -- New York Search this
Biographical material; correspondence with friends and colleagues, including Charles W. Green, Marsden Hartley, Homer Eaton Keyes, John Kieran, Ruth Webb Lee, James Roosevelt, Francis Henry Taylor, Bradford Washburn and others; subject files, including one on Castano Galleries in Boston; lecture notes; writings, including typescripts and drafts for the Museum of Fine Arts, Boston, the Fogg Museum, and the Christian Science Monitor; a typescript of an article by James Duncan Phillips; printed materials; photographs of Dooley and of the U.S. Army's recovery of art objects form the Berlin Museum in 1945; and ephemera.
Biographical / Historical:
Art critic, writer and educator; Cambridge, Mass. Was the associate editor and art critic for the Boston Transcript; wrote extensively for other publications. Headed the Division of Education at the Museum of Fine Arts, Boston and founded the Pewter Collectors Society.
Provenance:
Donated 1975 and 1981 by Mrs. William G. Dooley.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Art critics -- Massachusetts -- Boston Search this
