Correspondence is between Spohn and his colleagues, including two letters from Alexander Calder, eight letters from Mark Rothko, and twenty-eight letters from Clyfford Still.
See Appendix for an alphabetical list of correspondents from Series 2.2.
Appendix: Alphabetical List of Correspondents in 2.2:
Abend, George and Kitty Parker Abend (artists): 1950-1960 (4 letters)
Abingdon Square Painters: 1958 (1 letter)
Addison Gallery of American Art: 1958 (2 letters)
American Artists' Congress: 1938 (1 letter)
American Library of Color Slides: 1941 (1 letter)
Anderson, Claude J. K.: 1958 (1 letter)
Anderson, Wendell (poet): 1955-1956 (2 letters)
Archives of American Art: 1964 (4 letters)
Art Academy of Cincinnati: 1958-1959 (3 letters)
Art Association of Newport: 1958 (1 letter)
Art Career School: 1958 (1 letter)
Artists Equity Association: 1950 (1 letter)
Arts and Architecture: 1963 (1 letter)
Art Students League: 1958-1964 (2 letters)
Art Times: 1959 (1 letter)
Art Workshop of the Rivington Neighborhood Asociation, Inc.: 1958 (1 letter)
Ashton, Dore: 1969 (1 letter)
Ayer, Phyllis: 1956 (1 letter)
Bachels, Andrew: 1969 (1 letter)
Barnett, Rici: 1973 (1 letter)
Barron, John N.: 1966 (1 letter)
Beasley, David and Viola: 1963-1978 (11 letters)
Bender: Albert M. Bender Memorial Trust: 1947-1951 (2 letters)
Bethers, Peggy: 1940 (1 letter)
Blesh, Rudi: 1960 (1 letter)
Board of Education, City of New York: 1958-1965 (2 letters)
Booth, James W. (family friend): 1943-1956 (7 letters)
Brooklyn Society for Ethical Culture: 1966 (1 letter)
Brown, Lesley: 1955 (1 letter)
Burke, Bob: 1971 (1 letter)
Burnham, Janet B.: 1950 (1 letter)
Bute, Janey: 1971 (1 letter)
Calcagno, Lawrence: 1969-1977 (5 letters)
Calder, Alexander: 1970-1972 (2 letters)
California Palace of the Legion of Honor: 1964 (1 letter)
California School of Fine Arts: 1955-1964 (2 letters)
California: University of California at Berkeley: 1940 (1 letter)
California: University of California at Santa Clara: 1975-1976 (2 letters)
Carewe, Sylvia: 1969 (1 letter)
Carr, James F.: 1967 (1 letter)
Chase Manhattan Bank: 1971 (2 letters)
Chisholm, Stuart (landscape architect): 1925 (1 letter)
Clayton, Janice: undated and 1965-1974 (6 letters)
Clifton, Jim and Mary (owners of a Spohn painting): 1956 (1 letter)
College Art Association: 1949 (1 letter)
Colorado Springs Fine Arts Center: 1952-1970 (4 letters)
Cooke, Regina: 1955 (1 letter)
Cooley, Anne: 1941 (1 letter)
Corbett, Ed and Steff, and Rosamond Tirana: undated and 1951-1977(47 letters, including a 1962 wedding announcement for Corbett and Tirana, and a letter dated Mar 21, 1963 enclosing a photograph of Ed with an amputated foot)
Craig, Jeanne: 1963 (2 letters)
Crawford, Jane and Ernie: 1958 (3 letters)
Crehan, Hub and Anne: 1960 (1 letter)
Crewe, Sylvia: 1969 (1 letter)
Crews, Judson and Mildred (publishers of poetry magazine in Taos): 1952-1969 (4 letters)
Cumming, Ann (and Jennifer Sutcliffe): 1956 (1 letter)
Cunningham, Ben: 1950 (1 letter)
D'Arcangelo, Allan and Sylvia: 1965 (1 letter)
Dasburg, Andrew: 1961 (1 letter)
DePuy, John: 1964 (1 letter)
Diebenkorn, Richard: 1951 (1 letter)
Dilexi Gallery (L. James Newman): 1965 (1 letter)
Dixon, Budd (J.B.) and Peggy: 1954-1970 (5 letters)
Gallery of Modern Art, Taos, N.M.: 1972 (1 letter)
Garcia, Enos: 1954 (1 letter)
Georgiadis, Alex: 1951 (1 letter)
Gettell, Mrs. Richard Glenn: 1958 (an invitation to meet Col. George Lincoln)
Gluck, Heidi: 1977 (1 letter)
Gomez, Dorothy Massey (mother of anthropologist Bill Massey): 1950 (1 letter)
Gomez, Joe: undated and 1971 (2 letters)
Grant, Bob: 1953-1972 (2 letters)
Grant, Carolyn: 1969 (1 letter)
Great Neck Board of Education: 1960 (1 letter)
Grimm, Marjorie: 1973 (1 letter)
Grossmann, Nancy: 1966 (1 letter)
Guggenheim: John Simon Guggenheim Memorial Foundation: 1953-1954 (2 letters)
Harwood Foundation: 1953-1956 (2 letters)
Harris, Roger: 1973 (1 letter)
Hawley, W. R.: 1977 (1 letter enclosing an exhibition catalog "Unemployed Wizards")
Heischman, R. L.: undated (1 letter)
Hill, Dorothy: 1967 (2 letters)
Hocks, Fred: 1952 (1 letter)
Howard, Ellen and Galen: 1957 (1 letter)
Howard, Robert Boardman and Adaline Kent (San Francisco sculptors): 1951-1955 (2 letters)
Howard, Madge Knight and Charles H.: 1946-1954 (21 letters)
Hultburg, John and Lynne: 1959-1974 (5 letters)
Huntsville Museum of Art: see Braunstein/Quay Gallery
Hurst, Tricia: 1977 (1 letter)
Hutchinson, Mrs. D. H.: 1925 (1 letter)
Illinois: University of Illinois at Urbana: 1952 (2 letters)
Jackson: Martha Jackson Gallery: 1965 (1 letter)
Jacobson, Art (artist) and Ursula: 1950-1960 (9 letters)
Jonson Gallery: 1969-1970 (2 letters)
Kadish, Reuben: 1958 (1 letter)
Kahl: Leone Kahl Gallery: 1964 (1 letter)
Karnes, Marion Watson: undated and 1947-1954 (80 letters from Spohn)
Keeney, James: 1963 (1 letter)
Kieve, Rudolph: 1971 (3 letters)
King, Vivie and Rufus: 1977 (1 letter)
Kingman, Dong: undated calling card
Kuhlman, Walt: 1957 (2 letters)
Kultberg, Lynne and John: 1965 (1 letter)
Labaudt, Lucien: 1943 (1 letter)
Labaudt, Marcelle: 1956 (1 letter)
Landgren, Paula: undated (1 letter)
Lannan, J. Patrick (The Susquehanna Corporation/ The Lannan Foundation): 1966-1971 (4 letters); see Personal Business Records for correspondence pertaining to the Foundation's support of Spohn, 1961-1962
LaPlante, John (Stanford University): 1949 (1 letter)
Lazarus, Rosalind: 1960 (1 letter)
LeBow-Gould Associates: 1958 (3 letters)
Lee, Martha: 1957 (1 letter)
Lehman, Margarett: 1957 (1 letter)
Letter Shop: 1956 (1 letter)
Library of Congress Copyright Office: 1932 (1 letter concerning the trisection of an arbitrary angle)
Lippincott, Janet (artist): 1955-1956 (5 letters)
Lockwood, Ward: 1952 (1 letter)
MacAgy, Douglas and Betty: undated and 1945-1973 (13 letters)
MacAgy, Jermayne (Jerry): 1945-1948 (2 letters)
Macdowell Colony: 1975 (1 letter)
Machcinski, Barbara: 1971 (1 letter)
MacIntyre, Carlyle F.: 1945 (1 letter)
Maes, Virginia: 1941 (1 letter)
Mare, Doris and Emil: 1969 (1 letter)
Marse, John J.: 1962 (1 letter)
Marter, Joan: 1977 (3 letters)
Martin, Agnes: 1958-1975 (3 letters)
Massey, Ellen DeSelms: 1940 (2 letters)
McCarthy, Francis Joseph (AIA): 1950 (1 change of address card)
McChesney, Mary (Fuller) and Mac: 1952-1977 (62 letters, including one dated May 21, 1968 decorated with a lizard skin, one dated Jun 08, 1973 enclosing a wooden Yalalag Indian good luck charm, and one dated May 26, 1976 enclosing a photograph of group and McChesney art work at Temko mansion in Berkeley)
McCormick, Herbert: 1951 (1 letter)
McDonald, Katharyn: 1963-1964 (2 letters)
Merlin Development Company: 1962 (1 letter)
Merrick, Barbara: 1975 (1 letter)
Meyer, Fleur Cowler: 1968 (1 letter)
Miller, Dorothy (Museum of Modern Art): 1952-1977 (8 letters)
Moore Dry Dock Company: 1942 (2 letters)
Murphy, Jack W. and Dori (owners of some of Spohn's work): 1951-1976 (7 letters)
Mygatt, Tony: 1954 (1 letter)
National Collection of Fine Arts: 1977 (1 letter)
Neininger, Urban and Jeanne: 1950-1976 (48 letters)
New Mexico Highlands University: 1958-1969 (3 letters)
New Mexico: Museum of New Mexico Art Gallery: 1952-1957 (3 letters)
New Mexico: University of New Mexico at Albuquerque: 1957-1970 (2 letters)
New York City Transit Authority: 1962-1963 (2 letters)
New York Saucer Information Bureau: 1962-1965 (2 letters)
New York University: 1958-1960 (3 letters)
Oakland Museum (Terry St. John): 1970-1977 (33 letters)
O'Connor, Francis V.: 1979 (1 letter)
Ohio State University: 1958 (1 letter)
Oldfield, Otis: 1942 (1 letter of recommendation for Spohn for Albert M. Bender Grants-in-Aid)
Olmsted, Frederick: 1943 (1 letter)
Oregon: University of Oregon: 1974-1975 (2 letters)
Ortman, George: 1964 (2 letters)
Otto, Curtis, Roberta, and Adrienne: 1957 (1 letter)
Oxford University Press: 1949 (1 letter)
Parrett, Fred C.: undated and 1954 (2 letters)
Peale, Norman Vincent (office of): 1975 (1 letter)
Pepsi-Cola Annual Art Competition: 1947 (2 letters)
Peterson, Arline? and Pete: 1955-1957 (2 letters)
Petrovo, Miriam: 1961-1971 (11 letters)
Pitney, Peggy and Ed: 1948 (1 letter)
Queens College: 1958 (2 letters)
Ramsay, Anna R.: 1954 (1 letter)
Rankine, Vivie (Mrs. Paul Scott Rankine): 1964-1981 (5 letters)
Remington, Deborah: 1963 (1 letter)
Reminick, Harry: 1954 (1 letter)
Reynal, Jeanne: 1941 (an invitation to a reception for Arshile Gorky) and 1952 (1 letter)
Ribak, Louis and Bea: 1954-1976 (5 letters)
Richards, Tally: 1971-1980 (5 letters)
Ridiman, Bob: 1963-1970 (4 letters)
Rogoway, Marjorie and Rog: undated and 1953-1968 (15 letters)
Rosebury, Amy and Ted: 1954 (1 letter)
Rosen, Michael: 1970-1974 (4 letters)
Roswell Museum and Art Center: 1977-1978 (6 letters)
Rothko Foundation: 1971-1975 (4 letters)
Rothko, Mark and Mell: 1946-1958 (8 letters)
Rusnell, Wesley: 1972-1979 (13 letters)
Sachs Gallery: undated and 1968 (2 letters)
St. John's College: 1969 (1 letter)
Salzer, Oscar: 1955 (1 letter)
Sanders, Una and John: 1975-1977 (6 letters)
Sands, Louis: 1948 (1 letter)
San Francisco Art Association: 1939-1955 (19 letters)
San Francisco Museum of Art: 1949-1977 (18 letters)
Saxe, Suzanne: 1972-1973 (2 letters)
Scarpitta, Pat and Sal: 1968 (1 letter)
Schneiderwirth, Joan (friend of Ed Corbett): 1955 (1 letter)
School of Visual Arts: 1964-1970 (86 letters)
Schubart, Pauline: 1950 (1 letter)
Shoemaker, Peter (former student of Spohn): 1955-1958 (5 letters)
Shiras, Mary: 1958-1965 (10 letters)
Sihvonen, Oli: 1953-1977 (66 letters)
Slivka, David: 1954 (1 letter)
Smith, Hassel: 1948 (1 letter)
Spoerri, John: 1965-1977 (10 letters)
Stables Art Gallery (Leone Kahl, director): 1956-1965 (14 letters)
Stanford University: 1946 (1 letter)
Stephens, Dick and Carolyn: 1960-1965 (3 letters)
Stevens: Arthur Stevens Book Club: 1968 (1 letter)
Still, Clyfford: 1948-1968 (28 letters, including one dated Nov 1950 to Ed Corbett, and one dated Nov 29, 1963 enclosing a hand-drawn map to Still's home)
Strehler, Allen (Sociologist): 1954 (1 letter)
Summers, Al: 1952 (1 letter)
Sutcliffe, Jennifer (beautiful English girl who passed through Taos with Ann Cumming): 1956 (2 letters)
Sznajderman, Marius: 1967 (1 letter)
Taggart, Bill, Sandy, and Sean: 1968 (1 letter)
Taos Artist's Association (Taos Art Association): 1956-1964 (6 letters)
Taos Realty: 1968-1969 (3 letters)
Tatarsky, Hy and Muriel: 1952-1957 (2 letters)
Tatarsky, Stephanie: 1963-1964 (7 letters)
Taylor, Gene: 1925 (letter of introduction to Erskine Gwynne)
Temianka, Henri: 1941 (1 letter)
Tensan, Keith and Gene: 1957 (1 letter)
Terrain Gallery: 1960 (1 letter)
Terry Art Institute: 1951-1952 (7 letters)
Third Street Gallery (Helen Kaye, Director): 1950 (1 letter)
Thomas, Corine (owner of a Spohn painting): 1954-1957 (7 letters)
Tirana, Rosamond: undated and 1958-1962 (10 letters); see Corbett, Edward for additional letters
Van Duren, Allan and Betsy: 1953 (1 letter)
Van Ingen, Pat: 1973 (2 letters)
Varda, Yantoo?: 1949 (1 letter)
Visual Arts Gallery: 1967 (2 letters)
Vollmer, George A.: 1945-1948 (3 letters)
Von Herberg, Charlotte: 1950-1958 (2 letters)
Wakefield, Ruth Cravath: 1943 (1 letter of recommendation for Spohn)
Wandell, Walt and Doreen: 1958 (1 letter)
Wasley, Emily (aunt) and Sarah Rhoads (cousin): 1946-1955 (14 letters)
Wehrer, Anne: 1974 (1 letter)
Whaley, Bill: 1974 (1 letter)
White, Minor: 1963 (1 letter)
Who's Who In American Art: 1952-1969 (5 letters)
Who's Who In The Midwest: 1959 (1 letter)
Who's Who In The West: 1959 (1 letter)
Willard, Charlotte: 1960-1967 (3 letters)
Williams, Matilda A.: 1958 (1 letter)
Wilmans, Margery and Steve: 1974 (1 letter)
Winston, James W.: 1941 (1 letter)
Wise: Howard Wise Gallery: 1962 (1 letter)
Woelffer, Emerson and Diana: 1955-1958 (5 letters)
Wood, Ralph: 1960-1970 (5 letters)
Wright, Dorothy: 1926 (1 letter)
Wurlitzer: Helene Wurlitzer Foundation: 1954-1957 (3 letters)
Young-Hunter, Mrs. John: 1959 (1 letter)
Collection Restrictions:
The collection is open for research. Use of unfilmed material requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Clay Spohn Papers, circa 1862-1985, bulk 1890-1985. Archives of American Art, Smithsonian Institution.
An interview of Venezuelan born American paitner, Luchita Hurtado, conducted 1994 May 1-1995 Apr. 13, by Amy Winter and Paul Karlstrom, for the Archives of American Art, Women in the Arts in Southern California Oral History Project.
1994 May 1 session: The interview focuses on Hurtado's family background; years with her second husband, artist and collector Wolfgang Paalen; the surrealist artist group, Dynaton, living and traveling in Mexico with Paalen, moving to San Francisco and her relationships with artists, collectors; influences on her painting; and Surrealism. Among those mentioned are Rufino and Olga Tamayo, Isamu Noguchi, Gordon Onslow Ford, Jacqueline Johnson, Frida Kahlo, Remedios Varos, Leonora Carrington, Edward James, Lucienne Bloch, Stephen Dimitroff, Grace McCann Morley, Sybil Moholy-Nagy, Jack and Frank Stauffacher, James Broughton, Rene d'Harnoncourt, Julius Karlebach, Herbert (Joe) Spinden, and Robert Motherwell.
April 13, 1995 session: Hurtado continues with a focus on the California years, discussing her reasons for settling there, the Dynaton group and her circle of friends; her third husband, Lee Mullican; the birth of her son Matthew Mullican; her work; California and Mexican imagery; importance of experience and senses, particularly smell, to her creativity and work; importance of her family; and difficulties of pursuing art as a career for a woman, wife and mother; and life in Taos, N.M. She recalls Jean Varda, Shiela and Giles Healey, Mary and Paul Wescher, and Joyce Kozloff.
Biographical / Historical:
Luchita Hurtado (1920-2020) was a painter from Santa Monica, Calif. and Arroyo Seco, N.M. She was born in Caracas, Venezuela.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics, and administrators. Funding for this interview was provided by the Margery and Harry Kahn Philanthropic Fund of the Jewish Communal Fund of New York.
Restrictions:
Transcript available on the Archives of American Art website.
An interview of Dora Kaminsky Gaspard conducted by Sylvia Loomis on 1965 Apr. 22 for the Archives of American Art.
Biographical / Historical:
Dora Kaminsky (1909-1977) was a printmaker, painter, and illustrator from Taos, N.M. Kaminsky also used the name Dora Deborah Kaminsky Gaspard.
General:
An interview of Jozef Bakos conducted by S. Loomis is also on this tape.
Provenance:
Conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.
Outtakes, complete footage and/or semi edited footage on Taos Pueblo, Navajo Fair at Window Rock, Santa Fe Festival, and farming activities shot by Ernest Knee in the mid to late 30s.
Provenance:
Received from Eric Knee in 1990.
Restrictions:
The collection is open for research. Please contact the archives for information on availability of access copies of audiovisual recordings. Original audiovisual material in the Human Studies Film Archives may not be played.
Rights:
Contact the repository for terms of use.
Genre/Form:
silent films
Citation:
Ernest Knee films, Human Studies Film Archives, Smithsonian Institution
New Deal and the Arts Oral History Project Search this
Extent:
16 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1964 July 20
Scope and Contents:
An interview of Beatrice Mandelman conducted by Sylvia Loomis on 1964 July 20, for the Archives of American Art.
Mandelman speaks of her background and education; getting started on the Federal Art Project mural project; later going on the graphic arts project; how the project worked; the effect of the project on the artists; her post-Federal Art Project career; government support for the arts; the current art scene; and Taos as an art center.
Biographical / Historical:
Beatrice Mandelman (1912-1998) was a painter in Taos, N.M.
General:
Originally recorded on 1 sound tape reel. Reformatted in 2010 as 1 digital wav files. Duration is 51 min.
Provenance:
Conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.
Recorded in: Rancho de Taos (N.M.), United States, New Mexico, January 28, 1992.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Collection Citation:
Smithsonian Folklife Festival records: 1992 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Recorded in: United States, Rancho de Taos (N.M.), New Mexico, January 28, 1992.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Collection Citation:
Smithsonian Folklife Festival records: 1992 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
101 Musica de los Vaqueros / Johnny Whelan, Luther Whelan. Guitar,Harmonica.
102 Musica de los Viejos / Alegres (Musical group). Mandolin,Bass.
103 Musica de la Frontera / Charla Nettleton, Juan Manuel Flores. Guitar.
Local Numbers:
FP-1992-CT-0088
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 25, 1992.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
102 Fiddle Styles / Buster Payne, Gretchen Van Houton, Pete Lewis. Fiddle. English language.
103 Zuni Pueblo Flute / Fernando Cellcion. Flute.
101 Musica de los Viejos / Alegres (Musical group). Mandolin,Bass. Spanish language.
Local Numbers:
FP-1992-CT-0089
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 25, 1992.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
101 Fiddle Styles / Buster Payne, Gretchen Van Houton, Pete Lewis. Fiddle. English language.
102 Musica de los Viejos / Alegres (Musical group). Mandolin,Bass. Spanish language.
103 Musica de la Frontera / Charla Nettleton, Juan Manuel Flores. Guitar. Spanish language.
Local Numbers:
FP-1992-CT-0094-7
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 26, 1992.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
101 Musica de los Viejos / Alegres (Musical group). Mandolin,Bass. Spanish language.
102 Musica de los Vaqueros / Johnny Whelan, R.W. Hampton, Luther Whelan. Guitar,Harmonica. Spanish language.
103 Fiddle Styles / Buster Payne, Gretchen Van Houton, Pete Lewis. Fiddle. English language.
Local Numbers:
FP-1992-CT-0095
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 27, 1992.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
103 Fiddle Styles / Buster Payne, Gretchen Van Houton, Pete Lewis. Fiddle. English language.
104 Musica de los Viejos / Alegres (Musical group). Mandolin,Bass. Spanish language.
Local Numbers:
FP-1992-CT-0098
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 27, 1992.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Recorded in: Washington (D.C.), United States, June 27, 1992.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
101 Musica de la Frontera / Charla Nettleton, Juan Manuel Flores. Guitar.
102 Musica de los Viejos / Alegres (Musical group). Mandolin,Bass.
103 Los Reyes de Albuquerque / Reyes Albuquerque (Musical group). Guitar,Trumpet,Violin,Vihuela.
Local Numbers:
FP-1992-CT-0100
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 28, 1992.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
102 Los Reyes de Albuquerque / Reyes Albuquerque (Musical group). Guitar,Trumpet,Violin,Vihuela.
103 Musica de los Viejos / Alegres (Musical group). Mandolin,Bass.
Local Numbers:
FP-1992-CT-0103-7
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 28, 1992.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Recorded in: Washington (D.C.), United States, June 28, 1992.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
101 Musica de los Viejos / Alegres (Musical group). Mandolin,Bass.
102 Musica de los Vaqueros / Johnny Whelan, R.W. Hampton, Luther Whelan. Guitar,Harmonica.
Local Numbers:
FP-1992-CT-0106
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 29, 1992.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
