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Oral history interview with Stanley William Hayter, 1971 Mar. 11

Interviewee:
Hayter, Stanley William, 1901-1988  Search this
Interviewer:
Cummings, Paul, 1933-1997  Search this
Subject:
New School Art Center (New York, N.Y.)  Search this
Tamarind Institute  Search this
Tamarind Lithography Workshop  Search this
Type:
Sound recordings
Interviews
Topic:
Prints -- New York (State) -- New York -- Technique  Search this
Printmakers -- New York (State) -- New York -- Interviews  Search this
Record number:
(DSI-AAA_CollID)11923
(DSI-AAA_SIRISBib)211942
AAA_collcode_hayter71
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_211942

Oral history interview with Jean Milant

Interviewee:
Milant, Jean, 1943-  Search this
Interviewer:
Drohojowska-Philp, Hunter  Search this
Names:
Cirrus Editions  Search this
Cirrus Gallery  Search this
Los Angeles Institute of Contemporary Art  Search this
Los Angeles Visual Arts (Organization)  Search this
Museum of Contemporary Art (Los Angeles, Calif.)  Search this
Tamarind Institute  Search this
University of New Mexico -- Student  Search this
University of Wisconsin  Search this
Antreasian, Garo Z., 1922-2018  Search this
Auder, Michel  Search this
Baldessari, John, 1931-  Search this
Blum, Irving, 1930-  Search this
Burden, Chris, 1946-  Search this
Card, Greg S., 1945-  Search this
Carson, Karen, 1943-  Search this
Cointet, Guy de, 1934-1983  Search this
Egelston, Robert  Search this
Francis, Sam, 1923-1994  Search this
Gehry, Frank O., 1929-  Search this
Goodman, Marian  Search this
Harrison, Newton, 1932-  Search this
Hill, Charles Christopher  Search this
Inch, Terry  Search this
Irwin, Robert, 1928-  Search this
Kanemitsu, Matsumi  Search this
Kauffman, Craig, 1932-2010  Search this
Leiber, Steven  Search this
Marron, Donald B.  Search this
Mizuno, Riko  Search this
Moses, Ed, 1926-  Search this
Nauman, Bruce, 1941-  Search this
Overby, Robert, 1935-1993  Search this
Price, Kenneth, 1935-2012  Search this
Rivière, Alain, 1958-  Search this
Rosen, Gerry  Search this
Ruscha, Edward  Search this
Sturman, Eugene  Search this
Trowbridge, David, 1945-  Search this
Tyler, Kenneth E.  Search this
Viva, 1938-  Search this
Wayne, June, 1918-2011  Search this
Wood, Jonas, 1977-  Search this
de Beauvau-Craon, Minnie  Search this
Extent:
4 Items (Sound recording: 4 sound files (3 hr., 7 min.), digital, wav)
102 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Place:
Europe -- description and travel
France -- description and travel
New York (N.Y.) -- Description and Travel
Date:
2015 July 20
Scope and Contents:
An interview of Jean Milant, conducted 2015 July 20, by Hunter Drohojowska-Philp, for the Archives of American Art at Milant's home in Los Angeles, California.
Jean Milant discusses growing up in Milwaukee, Wisconsin and his French and German heritage; his introduction to art instruction in high school and further studies at the University of Wisconsin; his trips to Europe and New York City as an undergraduate art student; his time as a graduate student at the University of New Mexico, and his work at the Tamarind Institute printmaking program and his introduction to Los Angeles; his work at Tamarind with Ed Ruscha, Sam Francis, Ed Moses, and Ken Price, among others; the beginnings of Cirrus Gallery and Cirrus Editions and his search for backers for the two endeavors; his partnership with Terry Inch as a backer for Cirrus. Mr. Milant also describes the decision to move his gallery and printmaking shop to downtown Los Angeles in 1979; the support of Robert Egelston and the collector Donald Marron and other collectors who first subscribed to his print editions; his experiences in France with Minnie de Beauvau-Craon; the gallery and museum scene in Los Angeles in the early '70s and '80s; his efforts to promote Los Angeles as a vibrant center of art, including trips to Europe in the early '70s to show his artists; the creation of Ed Ruscha's prints using food; working with Bruce Nauman and John Baldessari to create prints; the creation of the Los Angeles Visual Arts group of L.A. art dealers; his involvement with the creation of the Los Angeles Institute of Contemporary Art in 1974; his work with the artist Guy de Cointet and Mr. Cointet's early performances at Cirrus Gallery; the opening of MOCA in 1984; his desire to create a think-tank institute to help create a viable future for art. Mr. Milant also recalls Garo Antreasian, Newton Harrison, June Wayne, Frank Gehry, Robert Irwin, Eugene Sturman, Matsumi Kanemitsu, Ken Tyler, Riko Mizuno, Irving Blum, Gerry Rosen, Robert Overby, David Trowbridge as well as Chris Burden, Greg Card, Karen Carson, Craig Kauffman, Marian Goodman, Alain Rivière, Charles Christopher Hill, Steven Leiber, Viva, Michel Auder, and Jonas Wood, among others.
Biographical / Historical:
Jean Robert Milant (1943- ) is an art dealer and publisher in Los Angeles, California. Hunter Drohojowska-Philp is an art critic and writer from Beverly Hills, California.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Topic:
Art -- Study and teaching  Search this
Art dealers -- California -- Los Angeles -- Interviews  Search this
Prints -- Technique  Search this
Publishers -- California -- Los Angeles -- Interviews  Search this
Function:
Art galleries, Commercial -- California -- Los Angeles
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.milant15
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-milant15

Oral history interview with Clinton Adams, 1995 August 2-3

Interviewee:
Adams, Clinton, 1918-2002  Search this
Interviewer:
Karlstrom, Paul J  Search this
Subject:
Altoon, John  Search this
Delano, Annita  Search this
Edmondson, Leonard  Search this
Feitelson, Lorser  Search this
Johnston, Ynez  Search this
Kistler, Lynton R.  Search this
Langsner, Jules  Search this
Lebrun, Rico  Search this
Macdonald-Wright, Stanton  Search this
Price, Vincent  Search this
Scholder, Fritz  Search this
Tamarind Lithography Workshop  Search this
Tamarind Institute  Search this
University of California, Los Angeles  Search this
Type:
Sound recordings
Interviews
Topic:
Modernism (Art) -- California -- Los Angeles  Search this
Painters -- California -- Los Angeles -- Interviews  Search this
Printmakers -- New Mexico -- Albuquerque -- Interviews  Search this
Prints -- Technique  Search this
Record number:
(DSI-AAA_CollID)12197
(DSI-AAA_SIRISBib)215892
AAA_collcode_adams95
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_215892
Online Media:

Oral history interview with Clinton Adams

Interviewee:
Adams, Clinton, 1918-2002  Search this
Interviewer:
Karlstrom, Paul J.  Search this
Names:
Tamarind Institute  Search this
Tamarind Lithography Workshop  Search this
University of California, Los Angeles -- Faculty  Search this
Altoon, John, 1925-  Search this
Delano, Annita, 1894-  Search this
Edmondson, Leonard, 1916-  Search this
Feitelson, Lorser, 1898-1978  Search this
Johnston, Ynez, 1920-  Search this
Kistler, Lynton R., , 1897-1993  Search this
Langsner, Jules, 1911-1967  Search this
Lebrun, Rico, 1900-1964  Search this
Macdonald-Wright, Stanton, 1890-1973  Search this
Price, Vincent, 1911-1993  Search this
Scholder, Fritz, 1937-2005  Search this
Extent:
149 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1995 August 2-3
Scope and Contents:
An interview of Clinton Adams conducted 1995 August 2-3, by Paul Karlstrom, for the Archives of American Art, at his home, in Albuquerque, New Mexico.
Adams discusses his family background; involvement in Hollywood "industry"; teaching at University of California, Los Angeles; service during WWII; first contact with New York's Museum of Modern Art; his decision to return to California; teaching painting at UCLA from 1946-1954, and friends and colleagues at that time including Lorser Feitelson, Stanton Macdonald-Wright, Lynton R. Kistler and Annita Delano; the difficult political situation at UCLA and the "modernist" conflicts; his views on modernist and conservative groups; Stanton Macdonald-Wright; Adams' own work; his relationship to the ideas and nature of modernism; the Sanity in Art group and other art groups in Los Angeles; his opinion on which artists should have been included in the exhibition/catalogue "Turning the Tide: Early Los Angeles Modernists"; his observations on art historical constructs; the history of New Mexican art; the idea of regionalism; the mythology of Santa Fe, New Mexico.; Southwestern art; the Tamarind Lithography Workshop during its New Mexico phase, its background and changes after the move from Los Angeles to the University of New Mexico, his fifteen years as director, major artists involved, and his desire to publish overlooked artists. Adams recalls Fritz Scholder, John Altoon, Leonard Edmondson, Ynez Johnston, Vincent Price, Jules Langsner, and Rico Lebrun.
Biographical / Historical:
Clinton Adams (1918-2002) was a printmaker, painter, and art administrator of Los Angeles, California and Albuquerque, New Mexico.
General:
Originally recorded on 4 sound cassettes. Reformatted in 2010 as 16 digital wav files. Duration is 3 hrs., 28 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others. Funding for the transcription provided by the Pasadena Art Alliance.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Arts administrators -- New Mexico -- Albuquerque -- Interviews  Search this
Topic:
Modernism (Art) -- California -- Los Angeles  Search this
Painters -- California -- Los Angeles -- Interviews  Search this
Printmakers -- New Mexico -- Albuquerque -- Interviews  Search this
Prints -- Technique  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.adams95
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-adams95

Oral history interview with Jean Milant, 2015 July 20

Interviewee:
Milant, Jean Robert, 1943-  Search this
Interviewer:
Drohojowska-Philp, Hunter  Search this
Subject:
Antreasian, Garo Z.  Search this
Auder, Michel  Search this
Baldessari, John  Search this
Blum, Irving  Search this
Burden, Chris  Search this
Card, Greg S.  Search this
Carson, Karen  Search this
Cointet, Guy de  Search this
de Beauvau-Craon, Minnie  Search this
Egelston, Robert  Search this
Francis, Sam  Search this
Gehry, Frank O.  Search this
Goodman, Marian  Search this
Harrison, Newton  Search this
Hill, Charles Christopher  Search this
Inch, Terry  Search this
Irwin, Robert  Search this
Kanemitsu, Matsumi  Search this
Kauffman, Craig  Search this
Leiber, Steven  Search this
Marron, Donald B.  Search this
Mizuno, Riko  Search this
Moses, Ed  Search this
Nauman, Bruce  Search this
Overby, Robert  Search this
Price, Kenneth  Search this
Rivière, Alain  Search this
Rosen, Gerry  Search this
Ruscha, Edward  Search this
Sturman, Eugene  Search this
Trowbridge, David  Search this
Tyler, Kenneth E.  Search this
Viva  Search this
Wayne, June  Search this
Wood, Jonas  Search this
Cirrus Editions  Search this
Cirrus Gallery  Search this
Los Angeles Institute of Contemporary Art  Search this
Los Angeles Visual Arts (Organization)  Search this
Museum of Contemporary Art  Search this
Tamarind Institute  Search this
University of New Mexico  Search this
University of Wisconsin  Search this
Type:
Interviews
Sound recordings
Place:
Europe -- description and travel
France -- description and travel
New York (N.Y.) -- Description and travel
Topic:
Art -- Study and teaching  Search this
Art dealers -- California -- Los Angeles -- Interviews  Search this
Prints -- Technique  Search this
Publishers -- California -- Los Angeles -- Interviews  Search this
Record number:
(DSI-AAA_CollID)16293
(DSI-AAA_SIRISBib)373759
AAA_collcode_milant15
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_373759
Online Media:

Jack Tworkov papers, circa 1926-1993

Creator:
Tworkov, Jack, 1900-1982  Search this
Subject:
Forge, Andrew  Search this
Dickinson, Edwin Walter  Search this
Demarco, Ricky  Search this
Knaths, Karl  Search this
Katz, Paul  Search this
Herzbrun, Helene  Search this
Hartigan, Grace  Search this
Bartlett, Jennifer  Search this
Ashton, Dore  Search this
Ashbury, John  Search this
Cézanne, Paul  Search this
Cavallon, Giorgio  Search this
Calfee, William H. (William Howard)  Search this
Blinken, Donald M.  Search this
Ponsold, Renate  Search this
Praeger, David A.  Search this
Westenberger, Theo  Search this
Summerford, Joe  Search this
Thorne, Joan  Search this
Matter, Herbert  Search this
Lindeberg, Linda  Search this
Osborn, Robert Chesley  Search this
Newman, Arnold  Search this
Newman, Michael  Search this
Wise, Howard  Search this
Wheeler, Dennis  Search this
Yunkers, Adja  Search this
Rothko, Mark  Search this
Egan Gallery  Search this
Stable Gallery (New York, N.Y.)  Search this
Nancy Hoffman Gallery  Search this
Leo Castelli Gallery  Search this
Poindexter Gallery  Search this
Zabriskie Gallery  Search this
Type:
Photographs
Sketchbooks
Video recordings
Interviews
Motion pictures (visual works)
Sound recordings
Sketches
Diaries
Topic:
Painting -- New York (State)  Search this
Painters -- New York (State) -- New York  Search this
Artists' studios -- Photographs  Search this
Record number:
(DSI-AAA_CollID)13402
(DSI-AAA_SIRISBib)211452
AAA_collcode_tworjack2
Theme:
Diaries
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211452
Online Media:

Tamarind Lithography Workshop records, 1954-1984

Creator:
Tamarind Lithography Workshop  Search this
Subject:
Brice, William  Search this
Francis, Sam  Search this
Hultberg, John  Search this
McLaughlin, John  Search this
Schwartz, Aubrey  Search this
Woelffer, Emerson  Search this
Adams, Clinton  Search this
Antreasian, Garo Z.  Search this
Wayne, June  Search this
Tamarind Institute  Search this
Topic:
Artists' studios -- California -- Los Angeles -- Photographs  Search this
Lithography -- 20th century -- California -- Los Angeles -- Study and teaching  Search this
Record number:
(DSI-AAA_CollID)5552
(DSI-AAA_SIRISBib)213843
AAA_collcode_tamalitw
Theme:
Latino and Latin American
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_213843

Tamarind Institute

Collection Creator:
Bengston, Billy Al  Search this
Container:
Box 6, Folder 21
Type:
Archival materials
Date:
1968, 1978-1986
Collection Restrictions:
The collection is open for research. Use requires an appointment.
Collection Rights:
The Billy Al Bengston papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Billy Al Bengston papers, circa 1940s-1989 (bulk 1960-1988). Archives of American Art, Smithsonian Institution.
See more items in:
Billy Al Bengston papers
Billy Al Bengston papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-bengbill-ref170

Tamarind Institute

Collection Creator:
Antonakos, Stephen, 1926-2013  Search this
Container:
Box 3, Folder 62
Type:
Archival materials
Date:
1970-1971
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Use of archival born-digital records with no duplicate access copy requires advance notice.
Collection Rights:
The Stephen Antonakos papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Stephen Antonakos papers, 1932-2014, bulk 1960-2014. Archives of American Art, Smithsonian Institution.
See more items in:
Stephen Antonakos papers
Stephen Antonakos papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-antostep-ref603

Tamarind Institute

Collection Creator:
Castelli Graphics (Firm)  Search this
Container:
Box 27, Folder 26
Type:
Archival materials
Date:
1986
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Collection Citation:
Castelli Graphics records, 1965-2001. Archives of American Art, Smithsonian Institution.
See more items in:
Castelli Graphics records
Castelli Graphics records / Series 5: Client and Collector Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-castgrap-ref494

Tamarind Institute

Collection Creator:
Feitelson, Lorser, 1898-1978  Search this
Container:
Box 4, Folder 44
Type:
Archival materials
Date:
1977-1989
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Lorser Feitelson and Helen Lundeberg papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Lorser Feitelson and Helen Lundeberg papers, circa 1890s-2002. Archives of American Art, Smithsonian Institution.
See more items in:
Lorser Feitelson and Helen Lundeberg papers
Lorser Feitelson and Helen Lundeberg papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-feitlors-ref212

Tamarind Institute, University of New Mexico

Collection Creator:
Gourevitch, Jacqueline  Search this
Container:
Box 6, Folder 8
Type:
Archival materials
Date:
1972-1973, 1982
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jacqueline Gourevitch papers, 1949-2019. Archives of American Art, Smithsonian Institution.
See more items in:
Jacqueline Gourevitch papers
Jacqueline Gourevitch papers / Series 5: Teaching Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-gourjacq-ref151

Tamarind Institute

Collection Creator:
Kainen, Jacob  Search this
Kainen, Ruth Cole.  Search this
Container:
Box 11, Folder 15
Type:
Archival materials
Date:
1979-1999, undated
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Jacob Kainen papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Jacob Kainen papers, 1905-2008, bulk 1940-2001. Archives of American Art, Smithsonian Institution.
See more items in:
Jacob Kainen papers
Jacob Kainen papers / Series 2: Correspondence/Subject Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-kainjaco-ref387

Tamarind Institute

Collection Creator:
De Forest, Roy, 1930-2007  Search this
Container:
Box 2, Folder 71
Type:
Archival materials
Date:
1993-2006
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings and born-digital records with no duplicate copies requires advance notice.
Collection Citation:
Roy De Forest papers, 1916-2015. Archives of American Art, Smithsonian Institution.
See more items in:
Roy De Forest papers
Roy De Forest papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-deforoy-ref265

Folder 55 Tamarind Institute, 1970

Collection Creator::
Smithsonian Institution. Conservation Analytical Laboratory  Search this
Container:
Box 1 of 1
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Accession T89051, Smithsonian Institution, Conservation Analytical Laboratory, Records of the Chief (Robert M. Organ)
See more items in:
Records of the Chief (Robert M. Organ)
Records of the Chief (Robert M. Organ) / Box 1
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-fat89051-refidd1e787

Tamarind Lithography Workshop records

Creator:
Tamarind Lithography Workshop  Search this
Names:
Tamarind Institute  Search this
Adams, Clinton, 1918-2002  Search this
Antreasian, Garo Z., 1922-2018  Search this
Brice, William, 1921-2008  Search this
Francis, Sam, 1923-1994  Search this
Hultberg, John, 1922-  Search this
McLaughlin, John, 1898-1976  Search this
Schwartz, Aubrey, 1928-  Search this
Wayne, June, 1918-2011  Search this
Woelffer, Emerson, 1914-2003  Search this
Extent:
1 Linear foot (Gift: (partially microfilmed on 2 reels))
37 Reels (Loan)
Type:
Collection descriptions
Archival materials
Reels
Date:
1954-1984
Scope and Contents:
Artists' files; institutional files; printed material and photographs.
REELS 2866-2878: Artists' files, 1960-1981, containing biographical data, correspondence, project proposals, contract agreements, invoices, receipts, newspaper and magazine clippings, exhibition catalogs and announcements, and press releases.
REELS 2952-2975: Organizational files, 1958-1972, containing Board member's and Board of Directors correspondence, 1958-1972, Executive Committee minutes and panel of selection correspondence and recommendations; correspondence of Garo Antreasian, Clinton Adams, John Sommers and June Wayne, 1954-1973; grant applications from Manolis Piladakis, Noemi Smilansky and other artists; data on staff, including biographical data, employment contracts and printed material; and material on printer training programs, artists, writers, printers and curators.
REEL 3051: Files, 1960-1978, containing correspondence with artists, Board of Directors, Panel of Selections, Clinton Adams, Garo Antreasian, June Wayne and others; and printer evaluation reports and general correspondence.
REELS 3052-3055: Organizational files, 1959-1981, containing correspondence, information on fellowships and printer and curatorial training, biographical data, printed material, photographs of artists and printers, progress reports and proposals, financial material and printed material; 4 scrapbooks of printed material, 1960-1972; and photographs of artists, printers, the studio, staff parties, workshops, special projects and lithographs. [261 duplicate prints of some of the above photos were given to the Archives April 2, 1984 for study purposes only].
UNMICROFILMED: Printed material, 1958-1984, including catalogs, brochures, exhibition catalogs and publications by the workshop and institute; price lists of Tamarind lithography editions, 1983-1984; publications concerning the art and technique of lithography and the marketing of prints; and photographs of William Brice, Sam Francis, John Hultberg, John D. McLaughlin, Aubrey E. Schwartz and Emerson Woelffer with June Wayne working in the studio.
REEL 439-440 AND SCANNED Seventeen photos of artists, previously microfilmed under Photos of Artists I, and subsequently scanned and returned to the Tamarind records. Artists include: Annie Albers, Josef Albers, William Brice, Richard Diebendorn, Sam Francis, John Hultberg, John McLaughlin, Nathan Loiveria, Henry C. Pearson, Miriam Schapiro, Aubrey Schwartz, Esteban Vicente, Romas Viesulas, Emerson Woelffer, and Adja Yunkers.
Biographical / Historical:
Lithography workshop; Los Angeles, Calif. Founded in 1960 by Garo Antreasian, Clinton Adams and June Wayne. Relocated to Albuquerque, N.M., 1970, by Adams and Antreasian and re-established as the Tamarind Institute.
Provenance:
Microfilmed as part of the Archives of American Art's Texas project, 1983-1984. Unmicrofilmed material and 261 duplicate prints of some photos on reels 3052-3055 donated 1984 by the Tamarind Institute via Clinton Adams, director.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Reel 3051 is ACCESS RESTRICTED written permission is required.
Occupation:
Lithographers -- California -- Los Angeles  Search this
Printmakers -- California -- Los Angeles  Search this
Topic:
Artists' studios -- California -- Los Angeles -- Photographs  Search this
Lithography -- 20th century -- California -- Los Angeles -- Study and teaching  Search this
Identifier:
AAA.tamalitw
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-tamalitw

Tamarind Institute

Collection Creator:
Susan Conway Gallery (Washington, D.C.)  Search this
Container:
Box 14, Folder 31-32
Type:
Archival materials
Date:
1993-2000
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Susan Conway Gallery records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Susan Conway Gallery records, circa 1928, circa 1940s-2003. Archives of American Art, Smithsonian Institution.
See more items in:
Susan Conway Gallery records
Susan Conway Gallery records / Series 4: Records Regarding Patrick Oliphant / 4.1: General Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-susacong-ref678

Tamarind Institute, Investors (Sept. 1993)

Collection Creator:
Susan Conway Gallery (Washington, D.C.)  Search this
Container:
Box 14, Folder 33
Type:
Archival materials
Date:
1992-1993
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Susan Conway Gallery records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Susan Conway Gallery records, circa 1928, circa 1940s-2003. Archives of American Art, Smithsonian Institution.
See more items in:
Susan Conway Gallery records
Susan Conway Gallery records / Series 4: Records Regarding Patrick Oliphant / 4.1: General Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-susacong-ref679

Oral history interview with Stanley William Hayter

Interviewee:
Hayter, Stanley William, 1901-1988  Search this
Interviewer:
Cummings, Paul  Search this
Names:
New School Art Center (New York, N.Y.)  Search this
Tamarind Institute  Search this
Tamarind Lithography Workshop  Search this
Extent:
1 Sound tape reel (Sound recording: (1 hour 15 min.), 5 in.)
12 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound tape reels
Pages
Sound recordings
Interviews
Date:
1971 Mar. 11
Scope and Contents:
An interview of Stanley William Hayter conducted 1971 Mar. 11, by Paul Cummings, for the Archives of American Art.
Hayter speaks of his trip to the U.S. in 1940, the Atelier for etching techniques at the New School for Social Research and some of the members in the group, the influence of the WPA on American art, the studios on 8th and 13th Streets and the variety of personalities and working methods among those who inhabited them. He discusses the relationship between teacher and student, the influence of the exhibition of Atelier prints at the Museum of Modern Art, life in America as compared with that in France, printmaking in Europe and America, the Tamarind Institute, the close of the Atelier in 1955, and the limitations of lithography.
Biographical / Historical:
Stanley William Hayter (1901-1988) was a printmaker from Paris, France.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript: Patrons must use microfilm copy.
Topic:
Prints -- New York (State) -- New York -- Technique  Search this
Printmakers -- New York (State) -- New York -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.hayter71
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-hayter71

Tamarind Institute (formerly Tamarind Lithography Workshop), Albuquerque, N. Mex.

Collection Creator:
Fendrick Gallery  Search this
Container:
Box 81, Folder 15-17
Type:
Archival materials
Date:
1960-1995, undated
Collection Restrictions:
The collection is open for research. Use of unmicrofilmed material requires an appointment.
Collection Rights:
The Fendrick Gallery records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Fendrick Gallery records, 1952-2001. Archives of American Art, Smithsonian Institution.
See more items in:
Fendrick Gallery records
Fendrick Gallery records / Series 6: Subject Files / Fine Art Printers & Publishers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-fendgall-ref1172

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