Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Single photocopies may be made for research purposes. Permission to publish or broadbast materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiarchives@si.edu.
Collection Citation:
Identification of specific item; Date (if known); Collection Title, Box and Folder Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Single photocopies may be made for research purposes. Permission to publish or broadbast materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiarchives@si.edu.
Collection Citation:
Identification of specific item; Date (if known); Collection Title, Box and Folder Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Single photocopies may be made for research purposes. Permission to publish or broadbast materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiarchives@si.edu.
Collection Citation:
Identification of specific item; Date (if known); Collection Title, Box and Folder Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Single photocopies may be made for research purposes. Permission to publish or broadbast materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiarchives@si.edu.
Collection Citation:
Identification of specific item; Date (if known); Collection Title, Box and Folder Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
Image number 011 "Holiday Handcraft" has been removed from the slideshow due to culutral sensitivity.
Collection Rights:
Single photocopies may be made for research purposes. Permission to publish or broadcast materials from the collection must be requested from the National Museum of the American Indian Archive Center. Please submit a written request to nmaiarchives@si.edu.
Collection Citation:
Identification of specific item; Date (if known); Museum of the American Indian/Heye Foundation Records, Box and Folder Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
Smithsonian Institution. Center for Folklife and Cultural Heritage Search this
Type:
Archival materials
Introduction:
Iowa is an icon of American heartland values. Its main-street towns and farmlands evoke a peaceful vision of America, where the drama of deep personal relationships quietly unfolds. But Iowa is also home to agribusiness, high-tech, and high-skill industries that manufacture computerized combines and fiber optics, and to high-quality service industries from education to insurance. Not without dynamic tensions and social, demographic, and occupational changes, Iowa in its sesquicentennial year of 1996 fostered and nurtured a quiet but steadfast civic pride that turned out whole towns for girls' basketball games, propelled youth into 4-H clubs and adults into volunteer fire companies and social clubs, and joined residents around a morning coffee table, on a Saturday night dance floor, or in a Sunday school.
Anyone who witnessed the great floods of 1993, who saw exhausted neighbor helping neighbor, cannot be unmoved by the prevailing sense of community held by the people of Iowa. This sense of community was celebrated by the Festival program on the Mall in the Nation's Capital, and was also evident back in Iowa for the first Festival of Iowa Folklife held on the grounds of the State Capitol Building in Des Moines in August, and in a Smithsonian Folkways recording, Iowa Public Television documentary, and educational materials growing from the Festival and distributed to Iowans in the months following the Festival.
The Sesquicentennial year offered a chance to recognize the value of an Iowa that nurtures neighborliness in groups of people - no matter how diverse - who share common concerns and hopes; an Iowa that supports the vital social fabric of relationships on the local level; and an Iowa that validates an underlying belief in the viability of democratic community - all of which have provided such a prominent legacy for the state.
The Festival program highlighted the vibrant and diverse cultures of Iowa through the excellence, knowledge, and artistry of its people and offered an opportunity to observe the dynamism of community in the truest sense of the word. The Festival program also recalled the responsibility all Americans have to believe that our public culture and its active celebration through community are valuable and must be supported, if we are to have a future worth living for.
Catherine Hiebert Kerst was Program Curator for the Smithsonian Institution and Rachelle H. Saltzman was Program Curator for the Iowa Arts Council; Arlene Reiniger served as Program Coordinator.
Iowa - Community Style was made possible by and was produced in cooperation with the Iowa Sesquicentennial Commission and the Iowa Arts Council on the occasion of Iowa's 150th anniversary of statehood. Iowa corporate partners included the HON INDUSTRIES Charitable Foundation; John Deere; The Principal Financial Group Foundation, Inc.; and Barr-Nunn Transportation, Inc.
Fieldworkers:
Becky Allgood, American Indian Center - Sioux City, John Berquist, Jay Black, Phyllis Carlin, Cathy Carlyle, Casa Latina - Sioux City, Patricia Civitate, Rex Coble, Ginger Cunningham, Karen Downing, Kristin Elmquist, Tom Evans, Sheri Flanigan, April Frantz, Janet Gilmore, Twila Glenn, Gregory Hansen, Loren Horton, Rich Horwitz, Iowa Academy of Family Physicians, Iowa Commission on the Status of African Americans, Iowa Nurses' Association, Italian American Cultural Center - Des Moines, Donald Jonjack, Cornelia Kennedy, Lee Kline, Mark Knudsen, Mike Koppert, Labor Institute for Workforce Development, Catherine Lewis, Jack Libbey, Jean Lowder, Nancy Michael, Dave Moore, Jerri Morgan and John DeWall, Arnold T. Nielsen, Jane Nielsen, Carla Offenburger, Harry Oster, Janet Parrish, Paula Plasencia, Max Quaas, Harley Refsal, Stephen D. Richards, Maria AlÃcia RodrÃguez, Janice Rosenberg, Erin Roth, Beth Hoven Ratto, Tomasa Salas, Earl Sampson, Cynthia Schmidt, Jim Skurdal, Kumsan Ryu Song, Barb Trish, Caroline Trumpold, Rose Marie Vasquez, Sarah Walker, Theresa Walker, Priscilla L. Wanatee, Cliff Weston, Mike Wiseman, Larry Wood, Michael Zahs
Presenters:
Howard Bass, Phyllis Carlin, Harold Closter, Loren Horton, Richard Horwitz, Rich Kennedy, Catherine Hiebert Kerst, Lee Kline, Jack Libbey, Dave Moore, Leroy Morton, Carla Offenburger, Chuck Offenburger, Deb Ohrn, Steven Ohrn, Beth Ratto, Rachelle H. Saltzman, Cynthia Schmidt, Cliff Weston, Michael Zahs
EVERETT KAPAYOU AND THE MESKWAKI SINGERS -- Everett Kapayou, vocals, hand drum, Tama, IowaDennis Keahna, Jr., vocals, Tama, IowaRick Keahna, Sr., vocals, Tama, IowaVerlyn Keahna, vocals, Tama, Iowa
THE KARL L. KING MUNICIPAL BAND, Fort Dodge -- Keith Altemier, Fort Dodge, IowaAlan Bridge, Fort Dodge, IowaDan Cassady, Fort Dodge, IowaMartin Crandell, Fort Dodge, IowaHarold Dean, Fort Dodge, IowaMerry Dick, Fort Dodge, IowaJohn Erickson, Fort Dodge, IowaGary Evans, Fort Dodge, IowaDianna Hanna, Fort Dodge, IowaLee Hood, Fort Dodge, IowaMary Jane Johnson, Fort Dodge, IowaInga Lang, Fort Dodge, IowaMonte Leichsenring, Fort Dodge, IowaValerie Mohring, Fort Dodge, IowaStacie Nichols, Fort Dodge, IowaDuane Olson, 1932-, Fort Dodge, IowaNancy Olson, Fort Dodge, IowaLynn Ringnalda, Fort Dodge, IowaRandy Ringnalda, Fort Dodge, IowaRoger Ringnalda, Fort Dodge, IowaRyan Ringnalda, Fort Dodge, IowaDonna Schive, Fort Dodge, IowaAdam Schroeder, Fort Dodge, IowaJoe Seykora, Fort Dodge, IowaDavid Swaroff, Fort Dodge, IowaHarlan Van de Berg, Fort Dodge, Iowa
LOUIS AND THE BLUES REVIEW -- Louis McTizic, 1936-, blues harmonica, vocals, Waterloo, IowaSam Cockhern, bass, Waterloo, IowaToby Cole, keyboards, Waterloo, IowaMichael Flack, drums, Cedar Falls, IowaFrank Howard, keyboards, Iowa City, IowaBarry Schneiderman, lead guitar, Cedar Falls, IowaEtheleen Wright, rhythm guitar, vocals, Waterloo, Iowa
THE MATNEY SISTERS -- Shelley Matney Bell, 1959-, guitar, vocals, Dakota City, NebraskaJaimee Haugen, guitar, autoharp, vocals, Gilmore City, IowaHarley Matney, guitar, Dakota City, NebraskaPam Ostapoff, vocals, Sioux City, IowaChris Ramsey, guitar, vocals, Sioux City, Iowa
ERNIE PENISTON BAND -- Ernie Peniston, vocals, Muscatine, IowaJoe Collins, guitar, West Chicago, Illinois
PSALMS -- Ronald Teague, director, keyboards, Coralville, IowaMarcus Beets, drums, Cedar Rapids, IowaAllen Bell, vocals, Cedar Rapids, IowaSharilyn Bell, 1951-, vocals, Cedar Rapids, IowaMike Cole, vocals, Cedar Rapids, IowaSandy Reed, 1949-, vocals, Cedar Rapids, IowaPaul Tillman, vocals, Cedar Rapids, Iowa
SOLIS AND SOLIS, West Liberty -- Adalberto Solis, 1963-, guitar, vocals, West Liberty, IowaEugenio Solis, 1946-, guitar, vocals, West Liberty, Iowa
Christi Williams, 1980-, basketball player, Storm Lake, Iowa
Collection Restrictions:
Access by appointment only. Where a listening copy or viewing copy has been created, this is indicated in the respective inventory; additional materials may be accessible with sufficient advance notice and, in some cases, payment of a processing fee. Older papers are housed at a remote location and may require a minimum of three weeks' advance notice and payment of a retrieval fee. Certain formats such as multi-track audio recordings and EIAJ-1 videoreels (1/2 inch) may not be accessible. Contact the Ralph Rinzler Folklife Archives and Collections at 202-633-7322 or rinzlerarchives@si.edu for additional information.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Collection Citation:
Smithsonian Folklife Festival records: 1996 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
101 Meskwaki Music & Culture / Everett Kapayou, Rick Keahna, Verlyn Keahna. Hand drums.
102 Family Music Making / Guy Drollinger, Hannah Drollinger. Guitar,Fiddle.
103 Blues Music / Blues Instigators, Kevin Burt, Matt Panek. Guitar.
Local Numbers:
FP-1996-CT-0187
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 26, 1996.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
101 Farm Talk / Howard Lewis Titterington, Karmen Mehmen, Sid Rowland.
102 Meskwaki Music & Culture / Dennis, Jr. Keahna, Rick Keahna, Verlyn Keahna. Hand drums.
Local Numbers:
FP-1996-CT-0191
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 27, 1996.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
101 Meskwaki Music & Culture / Ray Youngbear, Rick Keahna, Verlyn Keahna. Hand drums.
102 Blues Music / Blues Instigators, Kevin Burt, Matt Panek. Guitar.
103 Cowgirl Poetry / Glenda Farrier.
Local Numbers:
FP-1996-CT-0197
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 28, 1996.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Meskwaki Music & Culture; Family Music Making; Mexican Songs & Ballads
Track Information:
101 Meskwaki Music & Culture / Dennis, Jr. Keahna, Rick Keahna, Verlyn Keahna. Hand drums.
102 Family Music Making / Guy Drollinger, Hannah Drollinger. Guitar,Fiddle.
103 Mexican Songs & Ballads / Solis & Solis (Musical group), Adalberto Solis, Eugenio Solis. Guitar.
Local Numbers:
FP-1996-CT-0200
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 29, 1996.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Recorded in: Washington (D.C.), United States, June 29, 1996.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
101 Mexican Songs & Ballads / Solis & Solis (Musical group), Adalberto Solis, Eugenio Solis. Guitar.
102 Meskwaki Music & Culture / Dennis, Jr. Keahna, Ray Youngbear, Verlyn Keahna. Hand drums.
Local Numbers:
FP-1996-CT-0204
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 30, 1996.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
101 Meskwaki Music & Culture / Dennis, Jr. Keahna, Rick Keahna, Verlyn Keahna. Hand drums.
102 Family Music Making / Guy Drollinger, Hannah Drollinger. Guitar,Fiddle.
103 Mexican Songs & Ballads / Solis & Solis (Musical group), Adalberto Solis, Eugenio Solis. Guitar.
Local Numbers:
FP-1996-CT-0214
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 4, 1996.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Recorded in: Washington (D.C.), United States, July 4, 1996.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Indians of North America -- Great Plains Search this
Type:
Collection descriptions
Archival materials
Postcards
Place:
Tama County (Iowa)
Sac and Fox Reservation (Iowa)
Date:
undated
Scope and Contents note:
The collection consists largely of images of Fox Indians of Tama, Iowa, including portraits of families, delegates, and dancers, as well as images of food preparation and a wigwam. It also includes images of a Taos woman baking and portraits of Crow, Dakota, Navajo, and Winnebago people, including Chief Spotted Tail, Chief Crazy Horse, artist Max Big Man, and Chief White Cloud.
Restrictions:
The collection is open for research.
Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Genre/Form:
Postcards
Citation:
Photo lot 88-24, Postcard collection to Fox and other Native American tribes, National Anthropological Archives, Smithsonian Institution
Indians of North America -- Great Plains Search this
Type:
Collection descriptions
Archival materials
Pages
Folklore
Narratives
Manuscripts
Date:
1928
undated
Scope and Contents:
Nine Meskwaki (Fox) syallabic texts, eight of which are by Alfred Kiyana and one by Bill Leaf, with English translations by Ida Poweshiek. These were collected by Truman Michelson in Tama, Iowa. The texts by Kiyana are: Red stone pipe; Youths who were friends; The summer hunters; When people killed one that was a manitou; The cowardly man; The man who had an elm tree that grew from his chest; Wolf; and Wisahkeha's little brother slain. The ninth text, When they fought with the Pawnee ("wabanokeha"), is by Bill Leaf. Poweshiek's translations were made much later in April 17, 1928.
