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Eldzier Cortor Papers, circa 1930s-2015, bulk 1972-2015

Creator:
Cortor, Eldzier, 1916-2015  Search this
Cortor, Eldzier, 1916-2015  Search this
Subject:
Taha, Halima  Search this
Harrigan, Violetta C.  Search this
Driskell, David C.  Search this
Lynch, Acklyn  Search this
Collier, Leontine L.  Search this
Anderson, Carol  Search this
Carracio, K.  Search this
Saar, Betye  Search this
Sylvan Cole Gallery  Search this
Kenkeleba House  Search this
Art Institute of Chicago  Search this
Anderson Gallery  Search this
Type:
Photographs
Sketches
Collages
Diaries
Watercolors
Place:
Haiti -- description and travel
Topic:
Art -- Economic aspects  Search this
Art -- Forgeries  Search this
Art -- Study and teaching  Search this
Cuba -- Description and Travel  Search this
African American artists  Search this
Theme:
Sketches & Sketchbooks  Search this
African American  Search this
Lives of American Artists  Search this
Chicago's Art-Related Archival Materials: A Terra Foundation Resource  Search this
Record number:
(DSI-AAA_CollID)7524
(DSI-AAA_SIRISBib)209683
AAA_collcode_corteldz
Theme:
Sketches & Sketchbooks
African American
Lives of American Artists
Chicago's Art-Related Archival Materials: A Terra Foundation Resource
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209683
Online Media:

Eldzier Cortor Papers

Creator:
Cortor, Eldzier, 1916-  Search this
Names:
Anderson Gallery  Search this
Art Institute of Chicago -- Students  Search this
Kenkeleba House  Search this
Sylvan Cole Gallery  Search this
Anderson, Carol  Search this
Carracio, K.  Search this
Collier, Leontine L.  Search this
Driskell, David C.  Search this
Harrigan, Violetta C., 1941-  Search this
Lynch, Acklyn  Search this
Saar, Betye  Search this
Taha, Halima  Search this
Extent:
3.1 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Sketches
Collages
Diaries
Watercolors
Place:
Haiti -- description and travel
Date:
circa 1930s-2015
bulk 1972-2015
Summary:
The papers of painter and printmaker Eldzier Cortor measure 3.1 linear feet and date from circa 1930s to 2015, with the bulk of the papers dating from 1972 to 2015. The papers contain biographical material, correspondence, professional files, exhibition and gallery files, writings, printed material, artwork, and photographs.
Scope and Content Note:
The papers of painter and printmaker Eldzier Cortor measure 3.1 linear feet and date from circa 1930s to 2015, with the bulk of the papers dating from 1972 to 2015. The papers contain biographical material, correspondence, professional files, exhibition and gallery files, writings, printed material, artwork, and photographs.

Biographical material consists of awards certificates; Cortor's artist biography; an obituary and prayer cards for his father in law; an address book; and a Christmas list.

Correspondence includes letters from Cortor's family; correspondence with or about individuals or organizations; and general correspondence. Individuals included in the general correspondence are Acklyn Lynch, Leontine Collier, Violetta Harrigan, Halima Taha, David C. Driskell, Carol Anderson, and Betye Saar. Art institutions represented in this series include Sylvan Cole Gallery, Anderson Gallery, and Kenkeleba House.

Professional files include materials related to the Cosby Collection of Fine Arts; publishing; materials related to fake Cortor works; the Public School Mural Project; teaching files; lists of possible titles for paintings; financial documents; materials related to painting and etching plates for storage; and notes of museum and gallery contacts.

Exhibition and gallery files include correspondence; contracts and agreements; exhibition announcements; inventories; other exhibition materials; clippings; press releases; photographs and photocopied images of artwork; and photographs of exhibitions.

Writings consist primarily of essays and articles about Eldzier Cortor. Also included are his answers to a questionnaire about art, a diary, and notes, as well as hand-copied excerpts of reviews.

Printed material includes exhibition announcements, exhibition catalogs, newsletters, clippings, research and source material, and books.

Artwork includes ink and watercolor sketches from Cortor's time as a student at the Art Institute of Chicago. This series also includes additional sketches, sketchbooks, and a collage by K. Carracio.

Photographs depict Cortor, other individuals, his artwork, and exhibitions. There are also photographs from his time in Cuba and Haiti (circa 1950s).
Arrangement:
The Eldzier Cortor papers are organized into 8 series.

Series 1: Biographical Material, 1947-2012 (Box 1; 5 folders)

Series 2: Correspondence, 1970-2015 (Box 1; 8 folders)

Series 3: Professional Files, 1960, 1972-2015 (Box 1; 0.2 linear feet, OV 4)

Series 4: Exhibition and Gallery Files, 1972-2015 (Boxes 1-2; 0.7 linear feet)

Series 5: Writings, circa 1970s-2006 (Box 2; 8 folders)

Series 6: Printed Material, 1940-1976, 1996-2015 (Boxes 2-3; 0.8 linear feet, OV 4)

Series 7: Artwork, circa 1930s, circa 1970s-circa 1990s (Box 3; 0.2 linear feet)

Series 8: Photographs, 1939-2002, 2014 (Box 3; 0.5 linear feet)
Biographical Note:
Eldzier Cortor (1916-2015) spent his professional career as a painter and printmaker in Chicago and New York. He was born in Richmond Virginia to John and Ophelia Cortor. In 1917, the family moved to Chicago along with countless other African Americans as part of the Great Migration.

In 1936, Cortor began taking evening classes at the Art Institute of Chicago prior to enrolling full time. Kathleen Blackshear, an instructor at the Institute, recommended Cortor for employment at the Works Projects Administration in 1940. It was under Blackshear's guidance that Cortor was introduced to African Art. The depiction of African Americans became the defining subject of Cortor's career, specifically the portrayal of the African American woman, which he commonly represented nude in paintings and prints.

In 1941, with funding by the Works Projects Administration, Cortor helped found the South Side Community Arts Center in Chicago. Over the next few years he would receive two Rosenwald Fellowships, which allowed him to travel to the Sea Islands of Georgia. Afterward, Cortor moved to New York, and in 1946 Life magazine published his work Southern Gate. In 1949 he received a Guggenheim fellowship, which provided the opportunity to travel to Cuba, Jamaica, and Haiti. He settled in Port-au-Prince, where he taught for two years.

Cortor married Sophia Schmidt on August 20, 1951, and they subsequently had four children: Michael, Mercedes, Stephen, and Miriam. His work has been exhibited at the Museum of Fine Arts, Boston, Studio Museum of Harlem, and the National Center of Afro-American Artists in Boston. Notable exhibitions include Three Masters: Eldzier Cortor, Hughie Lee-Smith, and Archibald John Motley, Jr. at Kenkeleba House in 1988; Southern Gate: African American Paintings from the National Museum of American Art, Smithsonian Institution at Duke University Museum of Art, 1999; Eldzier Cortor: Master Printmaker at the Boston Psychoanalytic Society and Institute, 2002; and Black Spirit: Works on Paper by Eldzier Cortor at the Indiana Art Museum, 2006.

Eldzier Cortor died in November of 2015, at the age of 99.
Related Material:
The Archives of American Art also holds microfilm of materials lent for microfilming on reel N70-47, including biographical material, correspondence, printed material, papers related to exhibitions, photographs, and sketchbooks. Except for three photographs that appear in this collection (Box 3, Folder 19), loaned materials were returned to the lender and are not described in the collection container inventory.
Provenance:
Eldzier Cortor loaned materials to the Archives of American Art for microfilming in 1970 and donated papers in 2009. His son, Michael Cortor, gave additional materials in 2016.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- Illinois -- Chicago  Search this
Painters -- New York (State) -- New York  Search this
Printmakers -- New York (State) -- New York  Search this
Printmakers -- Illinois -- Chicago  Search this
Topic:
Art -- Economic aspects  Search this
Art -- Forgeries  Search this
Art -- Study and teaching  Search this
Cuba -- Description and Travel  Search this
African American artists  Search this
Genre/Form:
Photographs
Sketches
Collages
Diaries
Watercolors
Citation:
Eldzier Cortor papers, circa 1930s-2015, bulk 1972-2015. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.corteldz
See more items in:
Eldzier Cortor Papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-corteldz

Collaborations : two decades of African American art : Hearne Fine Art 1988-2008 / foreword by Halima Taha ; afterword by Dianne Smith

Author:
Taha, Halima  Search this
Smith, Dianne 1965-  Search this
Hearne Fine Art  Search this
Subject:
Hearne Fine Art  Search this
Physical description:
129 p. : col. ill., ports. ; 29 x 30 cm
Type:
Exhibitions
Date:
2008
C2008
Topic:
African American art  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_950043

A conversation about masters and their markets

Author:
Chisolm, Michael  Search this
Hanks, Eric  Search this
Hood, Nicole Gilpin  Search this
Kelley, Harriet  Search this
Mercer, Valerie J  Search this
Nnamdi, George  Search this
Powell, Richard J. 1953-  Search this
Rosenfeld, Michael 1943-  Search this
Serwer, Jacquelyn Days  Search this
Taha, Halima  Search this
Webster, Sande  Search this
Harris, Juliette  Search this
Smithsonian Libraries African Art Index Project DSI  Search this
Type:
Articles
Date:
2004
Topic:
African American art--Prices  Search this
African American art--Appreciation  Search this
Collecting African American art  Search this
Call number:
NX164.N4 B5X
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_775887

Art in the marketplace : National Black Fine Arts Show

Title:
National Black Fine Arts Show
Author:
Taha, Halima  Search this
Smithsonian Libraries African Art Index Project DSI  Search this
Subject:
National Black Fine Art Show (4th : 2000 : New York, N.Y.)  Search this
Type:
Exhibitions
Place:
New York (State)
New York
Date:
1999
Topic:
African American art  Search this
Call number:
NX164.N4 B5X
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_681011

Collecting African American art : works on paper and canvas / by Halima Taha ; with forewords by Deirdre Bibby and Samella Lewis ; introduction by Ntozake Shange

Author:
Taha, Halima  Search this
Physical description:
xvi, 270 p. : ill. (some col.) ; 29 cm
Type:
Books
Date:
1998
C1998
Topic:
African American art--Collectors and collecting  Search this
Call number:
N6538.N5 T34 1998X
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_550757

Locating the spirit : religion and spirituality in African American art

Author:
Willis, Deborah 1948-  Search this
King-Hammond, Leslie 1944-  Search this
Taha, Halima  Search this
Anacostia Museum and Center for African American History and Culture  Search this
Physical description:
27 p. : ill. (some col.) ; 28 cm
Type:
Exhibitions
Place:
United States
Date:
1999
[1999]
20th century
Topic:
African American art--Themes, motives  Search this
Art, American--Themes, motives  Search this
Art and religion  Search this
Call number:
N6538.N5 L63 1999
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_570030

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