The folder contains a work sheet, site plan, narrative description, and copy of aerial photograph.
General:
The original woody site features areas of vinca and grass sloping down into a slight dale, then rises to the entrance of a porch filled with potted plants. The original rose garden contained tea roses, which later became a white and white garden, and then changed to the present rose garden. The current rose garden contains boxwood hedges in the shape of an "X" and standard roses. The landscape has continued to evolve since the 1980s. Trees were added to the front and brick work was added to define the curved surfaces. The owners created another entrance to the backyard through the greenhouse and court area. In the rear, a fence was removed and a much larger area became available to cultivate. An upper level patio with a water fountain was created--increasing the area of planting substantially. Pots or container gardening was adopted and elaborated over many years with variety and seasonal blooming. The most recent addition in permanent plantings is a camellia garden at the west end of the swimming pool area. Flowering fruit trees, spirea, cherry laurel, Japanese maple, tulip magnolias and magnolias are integrated into the naturalistic setting.
People associated with this property include: Asher B. Kahn (former owner, 1938-1949); John O'Boyle (former owner, 1949-1972); Elizabeth Ferguson (former owner, 1972-1980); Howard Meyer (architect, 1937); Joe Lambert (landscape architect, ca. 1940-1950); Herman Bliss (landscape architect, 1980); and Charlene Marsh (rose garden designer, 1995).
Related Materials:
Marsh Garden related holdings consist of 1 folder (15 35 mm. slides)
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Sponsor:
A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.
United States of America -- Virginia -- Surry County -- Claremont
Scope and Contents:
The folder includes worksheets and photocopies of articles about the property.
General:
The land on which Claremont Manor was built came into the possession of the Allen family in 1681. The property was passed down to the Allen family descendents for 205 years, and became prosperous with 12,000 acres for growing tobacco, and hundreds of slaves to work the fields, until the Civil War. Portions of the property were sold by several owners following the Civil War, becoming the town of Claremont, Virginia or smaller farms.
The Georgian style brick manor, which includes several outbuildings, was built in ca.1740, was expanded and altered over time. The manor is sited at the top of a terraced lawn about 100 feet above the James River at its confluence with Upper Chippokes Creek. Old trees, including magnolias, frame the garden, which is itself bordered in boxwood. The extensive grounds were divided into garden area by grass walkways, later paved or bricked, and a variety of brick walls. The ornamental plantings were organized in garden rooms, with boxwood borders, and fruit arbors. There are two lanes of linden trees leading to the James River, one to a wooded dell that fronts the boat landing.
The garden was restored in the 1930s under the ownership of General William H. and Ann Cocke and again in the 1950s during James Walter Carter's ownership. Major changes during the 1930s included the addition of mature trees and shrubs and the public road was moved away from the house. A swimming pool and tennis court, designed by William Lawrence Bottomley, was added during the ownership of Millicent Rogers, 1940-1950.
During the Carter ownership (1950-1964), landscape architect Alden Hopkins of Williamsburg redesigned the gardens, changing and paving walkways and adding mature trees. The Ardibel Carpet at the Victoria and Albert Museum in London was the source of the design of the kitchen garden, using herbs and vegetables. Other trees planted in the 1950s included crepe myrtles and starlight magnolias. The home was occupied by the Felician Sisters and used as a convent during the mid-1960s and 1970s. In 1982, Lewis and Ann Kirby bought and added back 68 acres that were once part of the original property.
Persons associated with the property include Arthur Allen II (former owner 1681-1710); John Allen (former owner, 1710-1741); William Allen (former owner, 1741-1793); William Allen II (former owner, 1793 - 1831); William Orgain Allen (former owner 1831-1875); William Allen IV (former owner 1875-1886); J. Franklin Mancha (former owner, 1886-1887); A.B and Edward Randall (former owner, 1887-1888); A. B. Randall (former owner, 1888-1894); Benjamin F. Hilt (former owner, 1894-1900); Elizabeth G. Winter (former owner, 1900-1909); Harry C. Burdick (former owner, 1909-1919); Eleanor C. Johnston (former owner, 1919-1928); General William H. and Ann O. Cocke (former owner, 1928-1940); Millicent Rogers (former owner, 1940-1950); James Walter Carter (former owner, 1950-1964); Felician Sisters Convent (former owner, 1964-1976); Lewis and Ann Kirby (current owner, 1976- ); Alden Hopkins (landscape architect, 1950s-1960s) and Donald H. Parker (landscape architect).
Related Materials:
Claremont Manor related holdings consist of 1 folder (16 glass lantern slides)
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Sponsor:
A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.
United States of America -- Connecticut -- New London County -- Old Lyme
Scope and Contents:
The folders include worksheets, a plant list, and additional information about the garden and designer Chester W. Martin.
General:
This garden site was established in 1940 on four acres of rugged granite outcroppings and meadow bordering a salt meadow in southeastern Connecticut. The original owner, Norwegian-born Arvid O. Knudsen, was an antiquarian, collector, world traveller, and lifelong student of architecture. He salvaged the Georgian post office in New London, CT, and brought it all--old bricks, urns, and cupola--20 miles west to his plot of land in Old Lyme. He rebuilt it into a house of his own design, giving it the facade of a 1750 Connecticut Valley Chippendale doorway. In the back of the property he carved into the land a formal green and white grass garden, complete with in-ground swimming pool, boxed in with arborvitae. A sunshading gazebo was the focal point of the base of the garden at the edge of the pool. A decade later, Mr. Knudsen's friend, J. A. Lloyd Hyde, became owner of the country estate. He maintained the gardens and grounds in their original design except for the gazebo, which he rebuilt into a pillared gazebo in memory of his friend.
In 1981 Mr. Hyde's nephew, J. Hindon Hyde, assumed ownership of the property and a few years later sold it to the current owners. With great respect to Mr. Knudsen's original design, the present owners redesigned the formal lawn garden in a number of ways. The walkways were removed and turf installed and forsythia planted in place of the arborvitae border. A garden of ornamental grasses, perennials, and annuals graces the entry of the pillared gazebo in place of the in-ground swimming pool. A parade of fruit trees parallel each other down the center of the lawn garden to where the original wide, baroque fountain stands surrounded by another new perennial garden. Many of the original classic white marble urns and garden statues decorate the garden and 40-year-old espaliered pear trees flourish along the terrace of the back wall of the peach-brick house.
Persons associated with the garden include: Arvid O. Knudsen (former owner, 1940-1950); J. A. Lloyd Hyde (former owner, 1950-1981); J. Hindon Hyde (former owner, 1981-1984); Chester W. Martin (landscape designer, 1940-1950s); and Joe Barstis (nurseryman and gardener, 1940-1950s).
Related Materials:
Duck Creek related holdings consist of 2 folders (19 35 mm. slides)
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Sponsor:
A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.
Three swimmers ready to dive, possibly at Howard University.
General:
From NUS carton 103.
Subseries Restrictions:
Collection is open for research.
Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
African American universities and colleges -- 1940-1950 Search this
African American college students -- 1940-1950 Search this
Photographs -- 1940-1950 -- Black-and-white negatives -- Acetate film
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
Sponsor:
The collection was acquired with assistance from the Eugene Meyer Foundation. Elihu and Susan Rose and the Save America's Treasures program, provided funds to stabilize, organize, store, and create digital surrogates of some of the negatives. Processing and encoding funded by a grant from the Council on Library and Information Resources.
Swimmers sitting on diving board, talking with coach, possibly at Howard University.
General:
From NUS carton 103.
Subseries Restrictions:
Collection is open for research.
Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
African American universities and colleges -- 1940-1950 Search this
African American college students -- 1940-1950 Search this
Photographs -- 1940-1950 -- Black-and-white negatives -- Acetate film
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
Sponsor:
The collection was acquired with assistance from the Eugene Meyer Foundation. Elihu and Susan Rose and the Save America's Treasures program, provided funds to stabilize, organize, store, and create digital surrogates of some of the negatives. Processing and encoding funded by a grant from the Council on Library and Information Resources.
1 Negatives (photographic) (black and white, 120mm)
Type:
Archival materials
Negatives (photographic)
Place:
Hazyview (South Africa)
South Africa
Date:
1940s
General:
Strip number: 4349, 4350; Larrabee's description on negative sleeve: CSL - Sabi River Bungalows
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Collection Citation:
Constance Stuart Larrabee Collection, EEPA 1998-006, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.
Sponsor:
The cataloging of the Constance Stuart Larrabee Collection was supported by a grant from The Smithsonian Women's Committee.
1 Negatives (photographic) (black and white, 120mm)
Type:
Archival materials
Negatives (photographic)
Place:
Hazyview (South Africa)
South Africa
Date:
1940s
General:
Strip number: 4359, 4360; Larrabee's description on negative sleeve: CSL - Sabi River Bungalows
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Collection Citation:
Constance Stuart Larrabee Collection, EEPA 1998-006, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.
Sponsor:
The cataloging of the Constance Stuart Larrabee Collection was supported by a grant from The Smithsonian Women's Committee.
1 Negatives (photographic) (black and white, 120mm)
Type:
Archival materials
Negatives (photographic)
Place:
Hazyview (South Africa)
South Africa
Date:
1940s
General:
Strip number: 4359, 4360; Larrabee's description on negative sleeve: CSL - Sabi River Bungalows
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Collection Citation:
Constance Stuart Larrabee Collection, EEPA 1998-006, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.
Sponsor:
The cataloging of the Constance Stuart Larrabee Collection was supported by a grant from The Smithsonian Women's Committee.
1 Negatives (photographic) (black and white, 120mm)
Type:
Archival materials
Negatives (photographic)
Place:
Hazyview (South Africa)
South Africa
Date:
1940s
General:
Strip number: 4361, 4362; Larrabee's description on negative sleeve: CSL - Sabi River Bungalows
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Collection Citation:
Constance Stuart Larrabee Collection, EEPA 1998-006, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.
Sponsor:
The cataloging of the Constance Stuart Larrabee Collection was supported by a grant from The Smithsonian Women's Committee.
1 Negatives (photographic) (black and white, 120mm)
Type:
Archival materials
Negatives (photographic)
Place:
Hazyview (South Africa)
South Africa
Date:
1940s
General:
Strip number: 4367, 4368; Larrabee's description on negative sleeve: CSL - S.A. 300 series
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Collection Citation:
Constance Stuart Larrabee Collection, EEPA 1998-006, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.
Sponsor:
The cataloging of the Constance Stuart Larrabee Collection was supported by a grant from The Smithsonian Women's Committee.
Illustration of blue Plymouth in by a swimming pool in summer. Mom and three children are in the car while a young boy with a towel runs up to the car,
Arrangement:
In Series ?, Box OS 393, Folder Plymoth 1947-1949.
Local Numbers:
AC0059-0000201m (AC Scan)
Collection Restrictions:
The collection is open for research use.
Physical Access: Researchers must use microfilm copy. Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audiovisual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow.
Technical Access: Viewing the film portion of the collection without reference copies requires special appointment, please inquire; listening to audio discs requires special arrangement. Do not use original materials when available on reference video or audio tapes.
Collection Rights:
Publication and production quality duplication is restricted due to complex copyright, publicity rights, and right to privacy issues. Potential users must receive written permission from appropriate rights holders prior to obtaining high quality copies. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Includes 7 VHS videotapes and 1 audio tape produced by Florice Whyte Kovan, containing interviews and recollections by some band members. Studio portraits and snapshot photographs in 3 scrapbooks, which also contain display advertisements and newspaper clippings from about the band, 1940s. Snapshots include documentation of the band's travels and leisure activities while on the road, including swimming, horseback riding, etc. Packaged hotel soap bars collected by Betty Hansen during the bands' touring documents their itinerary, as do picture postcards written by Alice Smaus Jacoby.
Arrangement:
The collection is divided into seven series.
Series 1: Unmounted snapshots
Series 2: Scrapbooks
Series 3: Alice Smaus Jacoby's postcards
Series 4: Packaged soap samples
Series 5: Audiovisual Materials
Series 6: Framed Portrait Photoprints
Series 7: Oversized Photoprints
The scrapbook pages are arranged in original order, apparently partly chronological, but series 1 snapshots are in topical order.
Biographical / Historical:
Founded 1942 in Racine, Wis., by Virgil Whyte, his "all-girl" band was composed of young Racine women. Whyte was instructor, manager, and the initial leader on drums; later his sister Alice took over as drummer. After initial success in Racine and elsewhere in Wisconsin, the band began to accept engagements in other parts of the country, eventually touring the U.S. The band's success drew other acts and performers, including Jill Fontaine and the Wilford Mae Trio, Sam Hearn (known as "Schlepperman"), the Woodson Sisters, and Paul La Verre and Bro. They did U.S.O. tours, entertaining servicemen.
The principal donor, a free-lance researcher and writer, is the daughter of Virgil Whyte.
Provenance:
Collection donated by Florice Kovan, 1993.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
