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Museum of Fine Arts, Houston records

Creator:
Museum of Fine Arts, Houston  Search this
Names:
McDowell Association  Search this
Tamarind Lithography Workshop  Search this
Mies van der Rohe, Ludwig, 1886-1969  Search this
Sweeney, James Johnson, 1900-  Search this
Extent:
17.2 Linear feet ((microfilmed on 18 reels))
Type:
Collection descriptions
Archival materials
Date:
1924-1981
Scope and Contents:
Correspondence; scrapbooks; a report; financial statements; and blueprints and architectural plans.
REELS 1579-1594: Correspondence, 1961-1967, of the director, James Johnson Sweeney, concerning the operation and exhibitions of the Museum. Sweeney's correspondence as President of the McDowell Association, and correspondence, financial statements, artist information sheets, photos, and printed miscellany relating to Sweeney's position as a member of the Tamarind Lithography Workshop, Inc. are also included.
REELS 3315-A & 3367: A scrapbook, ca. 1950-1970, containing exhibition announcements, catalogs and invitations, clippings, photographs of works of art and biographical data on Texas artists John Squire Adams, David Adickes, John T. Biggers, Bill Bomar, James W. Boynton, Joe Coulter, Otis Dozier, Kelly Fearing, Seymour Fogel, Michael Frary, Henry Gadbois, Herbert Mears, Robert Preusser, Frances Taylor Royston, Everett Spruce, Charles Umlauf and others. Also includes 3 public information scrapbooks, 1924-1958, containing newspaper clippings, magazine articles, exhibition catalogs, correspondence, printed material and photographs of works of art.
REEL 3475: An undated report "Is Houston Lagging in the Fine Arts?" outlining the need for a new wing for the Museum of Fine Arts, a permanent fund for operation and donations for acquisitions; correspondence, 1967-1968, between MFA Director James Johnson Sweeney and Bruno P. Conterato, David Fix, Ludwig Mies Van Der Rohe, Andrew W. Morgan, S. I. Morris, Hugo Neuhaus, Jr., Arthur Salzman, Francois Stahly, George Tsutakawa, and others regarding a proposed fountain sculpture for Houston and the new addition to the MFA designed by Mies Van Der Rohe; and architectural plans and blueprints, 1954 and 1973, for the new addition.
Provenance:
Microfilmed as part of the Archives of American Art's Texas project.
Material on reels 1579-1594 lent for microfilming (except business correspondence) 1979 by Museum of Fine Arts, Houston; business correspondence on reels 1579-1594 donated 1979 by Museum of Fine Arts, Houston; material on reels 3315-A & 3367 lent for microfilming 1983 and 1985 by the Museum of Fine Arts, Houston; material on reel 3475 donated 1981 by Museum of Fine Arts, Houston.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Artists -- Texas  Search this
Art directors -- Texas -- Houston  Search this
Function:
Art museums -- Texas
Identifier:
AAA.musefaht
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9a7860e6c-e340-46de-9be5-d7355142fdb8
EDAN-URL:
ead_collection:sova-aaa-musefaht

Elizabeth Nottingham Day papers

Creator:
Day, Elizabeth Nottingham, 1907-1956  Search this
Beverley Studios (Staunton, Va.)  Search this
Names:
Federal Art Project (Va.)  Search this
Sweeney, James Johnson, 1900-  Search this
Extent:
0.2 Linear feet ((on 1 microfilm reel))
Type:
Collection descriptions
Archival materials
Place:
United States -- Social conditions -- 1933-1945
Date:
1936-1956
Scope and Contents:
Correspondence, announcements, extension exhibition reports, catalogs, essays and talks, photographs, and clippings mostly relating to her work in the Federal Art Project (Va.) with the Federal Art Galleries in Lynchburg and in Big Stone Gap, Va. Essays concern such matters as church art, trends in contemporary American art (ca. 1950), humor in art, on "seeing" landscape painting, and James J. Sweeney's exhibition in 1950. Among the photographs are one of Day and her husband Horace painting outdoors taken by Beverley Studios, 1948, and one of Ella Graham Agnew.
Biographical / Historical:
Painter, educator; Salisbury, N.C. and Staunton, Va. Born 1907, died 1956. Directed Federal Art Gallery at Big Stone Gap and at Lynchburg and was the assistant state art supervisor for the Federal Art Project in Virginia. Married Horace Day and together were co-directors of the art department at Mary Baldwin College.
Provenance:
The donor, Horace Talmadge Day, is the widower of Elizabeth Nottingham Day.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Painters -- Virginia  Search this
Educators -- Virginia  Search this
Arts administrators -- Virginia  Search this
Topic:
Federal aid to the arts  Search this
New Deal, 1933-1939  Search this
Art and state  Search this
Landscape painting  Search this
Church decoration and ornament  Search this
Women artists  Search this
Women painters  Search this
Women educators  Search this
Women arts administrators  Search this
Identifier:
AAA.dayeliz
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9454bc071-5c80-42c9-9dca-266a5623999c
EDAN-URL:
ead_collection:sova-aaa-dayeliz

José de Creeft papers

Creator:
De Creeft, José, 1884-1982  Search this
Names:
Art Students League (New York, N.Y.) -- Faculty  Search this
Black Mountain College (Black Mountain, N.C.) -- Faculty  Search this
New School for Social Research (New York, N.Y.) -- Faculty  Search this
Norton Gallery and School of Art  Search this
Skowhegan School of Painting and Sculpture -- Faculty  Search this
Stone Mountain Memorial (Ga.)  Search this
Albers, Josef -- Photographs  Search this
Calder, Alexander, 1898-1976  Search this
Calder, Alexander, 1898-1976 -- Photographs  Search this
Campos, Jules  Search this
De Creeft, William  Search this
De Diego, Julio, 1900- -- Photographs  Search this
Dickinson, Edwin Walter, 1891-1978  Search this
Diederich, William Hunt, 1884-1953  Search this
Dodd, Lamar  Search this
Escuder, Joseph  Search this
Gropius, Walter, 1883-1969 -- Photographs  Search this
Gross, Chaim, 1904-1991 -- Photographs  Search this
Gómez Gil, Alfredo, 1936-  Search this
Lawrence, Gertrude -- Photographs  Search this
Lipchitz, Jacques, 1891-1973  Search this
Lipchitz, Jacques, 1891-1973 -- Photographs  Search this
Neumann, J. B. (Jsrael Ber) -- Photographs  Search this
Nivola, Costantino, 1911-1988  Search this
Rattner, Abraham -- Photographs  Search this
Roszak, Theodore, 1907-1981 -- Photographs  Search this
Soyer, Raphael, 1899-1987 -- Photographs  Search this
Sweeney, James Johnson, 1900-  Search this
Zorach, William, 1887-1966 -- Photographs  Search this
Extent:
28.1 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Sound recordings
Video recordings
Diaries
Interviews
Scrapbooks
Sketches
Date:
1871-2004, bulk 1910s-1980s
bulk 1910-1990
Summary:
The papers of Spanish-born sculptor and educator José de Creeft measure 28.1 linear feet and date from 1871 to 2004 with the bulk of the material dating from the 1910s to the 1980s. Found are biographical materials, correspondence, fifty diaries, writings, subject files, personal business records, printed materials, twenty-seven photo albums and other photographs, scrapbooks, and scattered sketches.
Scope and Contents:
The papers of Spanish-born sculptor and educator José de Creeft measure 28.1 linear feet and date from 1871 to 2004 with the bulk of the material dating from the 1910s to the 1980s. Found are biographical materials, correspondence, fifty diaries, writings, subject files, personal business records, printed materials, twenty-seven photo albums and other photographs, scrapbooks, and scattered sketches.

Biographical materials include address books, awards, recorded interviews with and about de Creeft, membership materials, naturalization records, resumes, and travel documents.

Correspondence is primarily professional in nature and concerns exhibitions, de Creeft's involvement in arts organizations, and awards. There are also scattered personal letters from family and friends. Correspondents include Alexander Calder, Nina, Alice, Barbara and William de Creeft, Hunt Diederich, Joseph Escudar, and Gil Gomez, Jacques Lipchitz, Edwin Dickinson, James Johnson Sweeney, Costantino Nivola, Abraham Rattner, and Lamar Dodd, among others.

De Creeft's fifty diaries are nearly complete for the period dating from 1926 to 1981. Some are bound volumes and others are loose pages. The bulk of the diaries are in Spanish and many include sketches. Additional writings, called "escritos varios" by José de Creeft, are mostly in Spanish and consist of typed manuscripts and essays, including "Roosty Was My Friend, 1957, notebooks, an artist's statement, and writings by others, including drafts for The Sculpture of de Creeft by Jules Campos, and a video recording entitled José de Creeft by Bob Hanson. There is one sound recording of Lorrie Goulet reading poetry.

Subject files are varied and include files on de Creeft's teaching positions at the New School for Social Research, Black Mountain College, Skowhegan School of Painting and Sculpture, and the Art Students League. There are files for some of his sculpture projects, inlcuding Alice in Wonderland, Poet, and a proposed model for the Stone Mountain Confederate Memorial in Georgia, as well as compiled information about various art related topics of interest.

De Creeft's business records include appraisals, contracts, leases, price lists, and scattered receipts. Also found are art inventories in the form of three sets of index cards, some of which include photographs.

Printed materials include books, clippings, exhibition announcements and catalogs, exhibition labels, postcards, and posters.

There are loose photographs and twenty-seven photograph albums depicting de Creeft, his family, friends, and works of art. There are photos of Alexander Calder; de Creeft and Goulet with Raphael Soyer, posing with Soyer's portrait of them; Gertrude Lawrence; art juries, which also include images of Chaim Gross, Jacques Lipchitz, Theodore Roszak, and William Zorach; students, friends, and faculties of Black Mountain College, the Art Students League, Skowhegan School of Painting and Sculpture, and the Norton School of Art, which also includes images of Joseph Albers, Alexander Calder, Julio De Diego, Walter Gropius, J. B. Neumann, and Abraham Rattner.

Seven mixed media scrapbooks document de Creeft's career from 1929 to 1982. Also found are scattered pen and pencil sketches and one sketchbook dating from the 1920s.
Arrangement:
The collection is arranged as 10 series:

Missing Title

Series 1: Biographical Material, 1914-1979 (Boxes 1, 27; 0.9 linear feet)

Series 2: Correspondence, 1910s-1980s (Boxes 1-6; 4.2 linear feet)

Series 3: Diaries, 1926-1981 (Boxes 6-11; 5.4 linear feet)

Series 4: Writings, 1871-1977 (Boxes 11-13, 28; 2.5 linear feet)

Series 5: Subject Files, 1924-1980 (Boxes 13-16, 27; 2.4 linear feet)

Series 6: Personal Business Records, 1909-1980s (Boxes 16-17, 27; 1.0 linear feet)

Series 7: Printed Material, 1921-1980s (Boxes 17-21, 27, 33; 4.7 linear feet)

Series 8: Photographs, 1900-2004 (Boxes 21-25, 29, 31; 5.1 linear feet)

Series 9: Scrapbooks, 1929-1982 (Box 26, 30, 32; 1.8 linear feet)

Series 10: Artwork, 1920s-1930s (Box 26; 2 folders)
Biographical / Historical:
José de Creeft (1908-1982) was a Spanish-born sculptor active in New York City, New York.

José de Creeft was born in Guadalajara, Spain and raised in Barcelona. In 1900, he apprenticed to sculptor Don Augustine Querol and studied drawing with Idalgo de Caviedas. De Creeft moved to Paris in 1905 and began formal art training at the Académie Julianand. He also took a studio in the Batteau Lavoir in Montmartre, where he interacted with Pablo Picasso, Juan Gris, Manolo, and Pablo Gargallo, all of whom also had studios there. During this period, de Creeft became friends with the artist Mateo Hernandez.

In 1915, de Creeft rejected the traditional technique of reproducing sculpture in stone from clay and plaster models and turned to direct carving in wood and stone. He was also one of the first sculptors who practiced assemblage and incorporated found objects into his work. His notable assemblage sculpture El Picador, a large figure on horseback, received worldwide press coverage and was exhibited at the Salon des Artistes Independents in 1926. Between 1919 and 1928, his work was exhibited in various Paris salons. In the late 1920s, he created 200 stone carvings for Roberto Ramonje's Forteleza (fortress) in Mallorca. It was around this time frame when de Creeft met Alexander Calder, who became his student in direct carving. De Creeft encouraged Calder to display his mechanical toys and Calder put his Circus together for the first time in de Creeft's studio.

De Creeft emigrated to the United States in 1929, right after marrying fellow sculptor Alice Robertson Carr. They divorced nine years later.

While in New York, de Creeft began sculpting with lead sheets beaten into three-dimensional forms and established a studio at 1 Washington Square. His first solo exhibition was at the Ferargil Galleries in New York City and included The Portrait of Cesar Vallejo in chased lead and The Silver Fox of found materials.

In 1932, de Creeft accepted a teaching position in sculpture at the New School for Social Research. He also taught courses at Black Mountain College, where he met his second wife, sculptor Lorrie Goulet, the Art Students League, Skowhegan School of Painting and Sculpture, and the Norton Gallery and School of Art. In 1946, de Creeft and Goulet purchased a hundred-acre farm in Hoosick Falls, NY where they established a studio and part-time residence.

Perhaps De Creeft's most well-known monumental scuplture is Alice in Wonderland in Central Park, New York City. The 12' x 16' bronze was dedicated during a public event in 1959 and gave de Creeft worldwide recognition. In 1995 a short film about the making of the sculpture was produced by J. D'Alba and narrated by Lorrie Goulet.

De Creeft was as founding member of the American Artist's Congress, the Sculptors Guild, and the Artist's Equity Association. De Creeft was represented by the Georgette Passedoit Gallery from 1936 to 1949. Later, he joined The Contemporaries (gallery) and exhibited there until 1966. Kennedy Galleries represented de Creeft from 1970 until his death in 1982.
Related Materials:
The Archives of American Art also holds an interview of José De Creeft conducted October 1-8, 1968 by Forrest Selvig and the papers of de Creeft's wife Lorrie Goulet.
Separated Materials:
The Archives of American Art also holds microfilm of material lent for microfilming (reels D150 and 375-378). While most of the items were included in subsequent gifts, material not donated to the Archives remain with the lender and are not described in the collection container inventory.
Provenance:
The José de Creeft papers were first lent for microfilming by the artist in 1963 and 1972. Lorrie Goulet, José de Creeft's widow, donated most of this material along with additional items in 1985 and 2009.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Art -- Study and teaching  Search this
Educators -- New York (State) -- New York  Search this
Sculptors -- New York (State) -- New York  Search this
Sculptors -- New York (State) -- New York -- Interviews  Search this
Sculpture, Modern -- New York (State) -- New York  Search this
Genre/Form:
Photographs
Sound recordings
Video recordings
Diaries
Interviews
Scrapbooks
Sketches
Citation:
José de Creeft papers, 1871-2004, bulk 1910s-1980s. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.decrjose
See more items in:
José de Creeft papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9bbb83529-c881-4ef2-b3f3-7919c41b1404
EDAN-URL:
ead_collection:sova-aaa-decrjose

Harold Leeds papers

Creator:
Leeds, Harold E., 1913-2002  Search this
Names:
Pratt Institute -- Faculty  Search this
Barr, Margaret Scolari, 1901-1987  Search this
Bishop, Elizabeth, 1911-1979  Search this
Frankenberg, Lloyd, 1907-1975  Search this
Galentine, Wheaton  Search this
MacIver, Loren, 1909-  Search this
Matisse, Pierre, 1900-1989  Search this
Sweeney, James Johnson, 1900-  Search this
Extent:
0.8 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Place:
France -- description and travel
Date:
1940s-circa 2002
Summary:
The papers of architect Harold E. Leeds measure 0.8 linear feet and date from 1940s-circa 2002. The letters found here are primarily from painter Loren MacIver writing from France, during which time Leeds looked after the home belonging to MacIver and her husband, poet Lloyd Frankenberg. While mainly logistical in nature, MacIver does describe aspects of her daily life in France, and her and Frankenberg's friendships with prominent figures including Margaret Barr, Elizabeth Bishop, Pierre Matisse, and James Johnson Sweeney. The photographs in the collection document Leeds' life with partner and documentary filmmaker Wheaton Galentine, and Leeds' work as an architect and interior design professor at Pratt Institute.
Scope and Contents:
The papers of architect Harold E. Leeds measure 0.8 linear feet and date from 1940s-circa 2002. The letters found here are primarily from painter Loren MacIver writing from France, during which time Leeds looked after the home belonging to MacIver and her husband, poet Lloyd Frankenberg. While mainly logistical in nature, MacIver does describe aspects of her daily life in France, and her and Frankenberg's friendships with prominent figures including Margaret Barr, Elizabeth Bishop, Pierre Matisse, and James Johnson Sweeney. The photographs in the collection document Leeds' life with partner and documentary filmmaker Wheaton Galentine, and Leeds' work as an architect and interior design professor at Pratt Institute.
Arrangement:
The collection is arranged as two series

Missing Title

Series 1: Letters, 1950s-1970 (0.3 linear feet; Box 1)

Series 2: Photographic Material, 1940s-circa 2002 (0.5 linear feet; Box 1-3)
Biographical / Historical:
Harold E. Leeds (1913-2002) was an architect and professor of interior design at Pratt Institute in New York City. He designed the Paris Theater, the Caribe Hilton in San Juan, and Martha Graham's dance studio. In 1951, Leeds, along with his partner, documentary filmmaker Wheaton Galentine, purchased a house at 64 Perry Street in the West Village. His neighbors, the painter Loren MacIver and her husband, poet Lloyd Frankenberg lived at 61 Perry Street. During their extended stays in France, Leeds would look after their home.
Provenance:
The papers were donated in 2014 by Harry Leeds' estate via Barry Skovgaard, executor.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Architects -- New York (State) -- New York  Search this
Expatriate artists -- France  Search this
Architecture -- Study and teaching  Search this
Interior decoration  Search this
Filmmakers -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Genre/Form:
Photographs
Citation:
Harold Leeds papers, 1940s-circa 2002. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.leedharo
See more items in:
Harold Leeds papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw906da5113-dbca-4783-aad1-86b05df6c9af
EDAN-URL:
ead_collection:sova-aaa-leedharo

Barry Faulkner papers

Creator:
Faulkner, Barry, 1881-1966  Search this
Names:
MacDowell Colony  Search this
Beal, Gifford, 1879-1956  Search this
Brush, George de Forest, 1855-1941  Search this
Bynner, Witter, 1881-1968  Search this
Fraser, James Earle, 1876-1953  Search this
Gibran, Kahlil, 1922-  Search this
Grimes, Frances, 1869-1963  Search this
Gugler, Eric, 1889-1974  Search this
Hosmer, Harriet Goodhue, 1830-1908  Search this
Kent, Rockwell, 1882-1971  Search this
Kroll, Leon, 1884-1974  Search this
Manship, Paul, 1885-1966  Search this
Parrish, Maxfield, 1870-1966  Search this
Platt, Charles A. (Charles Adams), 1861-1933  Search this
Powers, Hiram, 1805-1873  Search this
Redfield, Edward Willis, 1869-1965  Search this
Saint-Gaudens, Augustus, 1848-1907  Search this
Saint-Gaudens, Homer, b. 1880  Search this
Smith, Joseph Lindon, 1863-1950  Search this
Sweeney, James Johnson, 1900-  Search this
Thayer, Abbott Handerson, 1849-1921  Search this
Tonetti, Mary Lawrence  Search this
Twain, Mark, 1835-1910  Search this
White, Lawrence Grant  Search this
Young, Mahonri Sharp, 1911-1996  Search this
Extent:
2.82 Linear feet
Type:
Collection descriptions
Archival materials
Sketchbooks
Diaries
Scrapbooks
Sketches
Writings
Photographs
Travel diaries
Photograph albums
Place:
New Hampshire
Date:
circa 1858-1973
Summary:
The papers of muralist, painter, and teacher Barry Faulkner measure 2.82 linear feet and date from circa 1858-1973. Faulkner's career; his relationships with family, friends, and fellow-artists; and his thoughts on art and artists are documented in biographical materials, correspondence, writings, sketchbooks, five diaries, two photograph albums and photographs, and one scrapbook. Correspondents include family members, Witter Bynner, Ann and Eric Gugler, Leon Kroll, Isabel Manship, James Johnson Sweeney, Maxfield Parrish and others. An unprocessed addition to the collection dating 1942 includes a one page letter mounted on board from Maxfield Parrish to Barry Faulkner.
Scope and Content Note:
The papers of muralist, painter, and teacher Barry Faulkner measure 2.82 linear feet and date from circa 1858-1973. Faulkner's career; his relationships with family, friends, and fellow-artists; and his thoughts on art and artists are documented in biographical materials, correspondence, writings, sketchbooks, five diaries, photograph albums and photographs, and one scrapbook. An unprocessed addition to the collection dating 1942 includes a one page letter mounted on board from Maxfield Parrish to Barry Faulkner.

Biographical materials include biographical sketches, awards, and records documenting Faulkner's military service. Also found are a list of medications, a list of Faulkner's writings, party guest lists, an address book, a calendar, and materials related to the posthumous publication of Sketches From an Artist's Life. Of special interest are oversized architectural drawings by Eric Gugler for Faulkner's Keene, New Hampshire house.

Correspondence includes letters from Faulkner's friends, family, fellow artists, and art organizations and institutions. Faulkner's correspondence with his parents document his 1900-1901 trip to Italy with the Thayer family. Of special interest is his correspondence with writer Witter Bynner about Faulkner's daily life in New Hampshire, his travels through Europe, his artistic practice and career, Bynner's writings, his opinions on artistic and literary works, and his service in World War One. Many of the letters to Bynner include sketches by Faulkner of Abbott Handerson Thayer, Rockwell Kent, Augustus Saint-Gaudens, Homer Saint-Gaudens, George de Forest Brush, Kahlil Gibran, and Mark Twain. Additional correspondents include sculptor Frances Grimes, architect Eric Gugler, painter Leon Kroll, and museum director James Johnson Sweeney.

Faulkner's writings are about art, artists, and the New Hampshire art community. Found are essays on Gifford Beal, George de Forest Brush, James Earle Fraser, Harriet Hosmer, Paul Manship, Charles Adams Platt, Hiram Powers, Edward Willis Redfield, Joseph Lindon Smith, Mary Lawrence Tonetti, Mark Twain, Lawrence Grant White, and Mahonri Young. Other writings discuss Faulkner's mural commissions, various aspects of New Hampshire history, and the history of the Dublin and Cornish art colonies whose inhabitants included George de Forest Brush, Augustus Saint-Gaudens, and Abbott Handerson Thayer. Of special interest is a manuscript for Faulkner's posthumously published memoir Sketches From an Artist's Life, and an unpublished manuscript titled A Neighborhood of Artists about the history and culture of the Connecticut River Valley.

Four sketchbooks by Faulkner contain drawings of landscapes, city scenes, architecture, people, nature, and studies of artwork by others. Also found are two loose sketches.

Five diaries document Faulkner's 1922-1924 trip through Europe, Africa, and Asia including stops in France, Italy, Egypt, and Turkey. Diaries record Faulkner's thoughts on architecture, tourist sites, and travel amenities. Found is one diary from 1956 that discusses social events, the Saint-Gaudens Memorial, the MacDowell Colony of artists, and various artists including Gifford Beal, Maxfield Parrish, Paul Manship, and Eric Gugler.

The bulk of printed material consists of clippings which document published writings by Faulkner, obituaries and published rememberances of Faulkner, local events in Keene, New Hampshire, and reproductions of Faulkner's artwork. Also found are exhibition catalogs of other artists, an announcement of Faulklner's death from the American Academy of Arts and Letters, and a publication illustrated with reproductions of Faulkner's murals for the National Archives.

Photographs include formal and informal images of Faulkner throughout his life, and photographs of his family and friends, his studio, and reproductions of his artwork. Also included are two photograph albums, one of which contains photographs of Faulkner during his youth and one that contains photographs primarily from the 1930s of Faulkner's Keene, New Hampshire house, himself, and his friends and family.

The collection also includes a scrapbook prepared for Faulkner's seventieth birthday containing photographs, cards, telegrams, and placecards with hand drawn illustrations which show the "taste and characteristics" of Faulkner.
Arrangement:
The collection is arranged into 8 series:

Missing Title

Series 1: Biographical Materials, 1914-1971 (Box 1, 3, RD1; 13 folders)

Series 2: Correspondence, 1900-1973 (Box 1; 0.5 linear feet)

Series 3: Writings, 1912-1966 (Boxes 1-2; 1.0 linear foot)

Series 4: Sketchbooks and Sketches, circa 1910s-1930s (Boxes 2-3; 8 folders)

Series 5: Diaries, 1922-1956 (Box 2; 6 folders)

Series 6: Printed Materials, circa 1858-1966 (Boxes 2-3; 8 folders)

Series 7: Photographs, 1892-1960s (Boxes 2-3; 15 folders)

Series 8: Scrapbook, 1951 (Box 3; 2 folders)
Biographical Note:
Francis Barrett Faulkner was born on July 12, 1881 in Keene, New Hampshire. He attended Phillips Exeter Academy and went on to study at Harvard College. Around this same time, Faulkner began an apprenticeship with his cousin and painter Abbott Handerson Thayer and painter George de Forest Brush. He also met sculptors James Earle Fraser and Augustus Saint-Gaudens, both of whom became Faulkner's lifelong friends.

In 1901, Faulkner traveled to Italy for the first time with Thayer and his family. He returned to New York in 1902 and studied at the Art Students League and Chase School. He also completed illustration work for Century magazine.

In 1907, Faulkner won the Rome Prize Fellowship from the American Academy in Rome. shortly thereafter, he left to study in Italy for three years, studying with George de Forest Brush and befriending sculptor Paul Manship. Upon his return in 1910, he started working on his first mural, commissioned by the wife of railroad executive E.H. Harriman. Having found his niche, Faulkner continued taking mural commissions until his career was interrupted by World War I and his service in the camouflage section of the army. Shortly after the war, he completed a mural for the marine headquarters in Quantico, Virginia.

Between 1923-1924, Faulkner worked in collaboration with Eric Gugler and Paul Manship to create the American Academy in Rome war memorial. Also following the war, Faulkner completed murals for the Eastman School of Music in 1922, the Rockefeller Center in 1932, and the National Archives in 1936. That same year, Faulkner bought and refurbished a house named "The Bounty" in Keene, New Hampshire, and built a studio nearby. In 1930, he was elected as a trustee of the American Academy in Rome.

During the 1940s, Faulkner created murals for numerous public buildings and sites around New Hampshire including the Senate Chambers in Concord, the Elliot Community Hospital, Keene National Bank, and the Cheshire County Savings Bank in Keene. During his final decades, Faulkner wrote an unpublished manuscript on the history of art in the Connecticut River Valley entitled A Neighborhood of Artists, and his posthumously published memoirs, Sketches of an Artist's Life. Faulkner died in 1966, in Keene, New Hampshire.
Related Material:
Found in the Nancy Douglas Bowditch papers at the Archives of American Art is correspondence, photographs, and printed materials related to Barry Faulkner. The Library of Congress, Manuscript Division also holds a small collection of Barry Faulkner's papers. Additional correspondence from Faulkner is found in the papers of Witter Bynner at the University of New Mexico and at Harvard University.
Provenance:
The collection was donated by Francis Faulkner, Barry Faulkner's nephew, in 1974. An addition to the collection was donated by Jocelyn Faulkner Bolle in 2014.
Restrictions:
The bulk of this collection has been digitized and is available online via AAA's website.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- New Hampshire -- Keene  Search this
Topic:
World War, 1914-1918  Search this
Artist colonies -- New Hampshire -- Peterborough  Search this
Artists' studios in art  Search this
Educators -- New Hampshire  Search this
Artists' studios -- New Hampshire  Search this
Painting, Modern -- 20th century -- New Hampshire -- Keene  Search this
Muralists -- New Hampshire -- Keene  Search this
Mural painting and decoration -- 20th century -- United States  Search this
Artists -- New Hampshire  Search this
Function:
Artist colonies -- New Hampshire
Genre/Form:
Sketchbooks
Diaries
Scrapbooks
Sketches
Writings
Photographs
Travel diaries
Photograph albums
Citation:
Barry Faulkner papers, circa 1858-1973. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.faulbarr
See more items in:
Barry Faulkner papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw99b300c09-9ef0-4fb6-a81d-7d8098df7fc7
EDAN-URL:
ead_collection:sova-aaa-faulbarr
Online Media:

Waintrob-Budd photographs of American artists

Creator:
Waintrob-Budd (Firm : New York, N.Y.)  Search this
Names:
American Academy of Arts and Letters  Search this
Budd (Firm : New York, N.Y.)  Search this
Adrian, Barbara, 1931- -- Photographs  Search this
Archipenko, Alexander, 1887-1964 -- Photographs  Search this
Avery, Milton, 1885-1965 -- Photographs  Search this
Barnet, Will, 1911- -- Photographs  Search this
Benton, Thomas Hart, 1889-1975 -- Photographs  Search this
Biddle, George, 1885-1973 -- Photographs  Search this
Bosa, Louis, 1905- -- Photographs  Search this
Botkin, Henry, 1896-1983 -- Photographs  Search this
Browne, Byron, 1907-1961 -- Photographs  Search this
Carroll, John, 1892-1959 -- Photographs  Search this
Constant, George, 1892-1978 -- Photographs  Search this
De Creeft, José, 1884-1982 -- Photographs  Search this
De Diego, Julio, 1900- -- Photographs  Search this
Delaunay, Sonia -- Photographs  Search this
Dickinson, Edwin Walter, 1891-1978 -- Photographs  Search this
Duchamp, Marcel, 1887-1968 -- Photographs  Search this
Evans, Walker, 1903-1975 -- Photographs  Search this
Floch, Joseph, 1895-1977 -- Photographs  Search this
Gablik, Suzi -- Photographs  Search this
Goodrich, Lloyd, 1897-1987 -- Photographs  Search this
Gottlieb, Adolph, 1903-1974 -- Photographs  Search this
Goulet, Lorrie, 1925- -- Photographs  Search this
Grosz, George, 1893-1959 -- Photographs  Search this
Hare, David, 1917- -- Photographs  Search this
Harkavy, Minna, b. 1895 -- Photographs  Search this
Hayter, Stanley William, 1901- -- Photographs  Search this
Hofmann, Hans, 1880-1966 -- Photographs  Search this
Hopper, Edward, 1882-1967 -- Photographs  Search this
Hopper, Jo N. (Josephine Nivison), 1883-1968 -- Photographs  Search this
Jenkins, Paul, 1923-2012 -- Photographs  Search this
Kantor, Morris, 1896-1974 -- Photographs  Search this
Krasner, Lee, 1908-1984 -- Photographs  Search this
Kroll, Leon, 1884-1974 -- Photographs  Search this
Lawrence, Jacob, 1917-2000 -- Photographs  Search this
Levi, Julian E. (Julian Edwin), 1900-1982 -- Photographs  Search this
Levine, Jack, 1915-2010 -- Photographs  Search this
Levy, Ellen K -- Photographs  Search this
Lijn, Liliane, 1939- -- Photographs  Search this
Lipchitz, Jacques, 1891-1973  Search this
Lowry, W. McNeil (Wilson McNeil), 1913-1993 -- Photographs  Search this
Marsh, Reginald, 1898-1954 -- Photographs  Search this
Mayor, A. Hyatt (Alpheus Hyatt), 1901-1980 -- Photographs  Search this
Menkes, Sigmund, 1896-1986 -- Photographs  Search this
Motherwell, Robert -- Photographs  Search this
Root, Edwin -- Photographs  Search this
Rorimer, James J. (James Joseph), 1905-1966 -- Photographs  Search this
Shahn, Ben, 1898-1969  Search this
Sheerin, Jerry -- Photographs  Search this
Soyer, Moses, 1899-1974 -- Photographs  Search this
Soyer, Raphael, 1899-1987 -- Photographs  Search this
Speicher, Eugene E. (Eugene Edward), 1883-1962 -- Photographs  Search this
Speyer, Darthea -- Photographs  Search this
Steinberg, Saul -- Photographs  Search this
Sweeney, James Johnson, 1900- -- Photographs  Search this
Waintrob, A. L., 1908-  Search this
Waintrob, Sidney J., 1903-  Search this
Walker, Hudson D. (Hudson Dean), 1907-1976 -- Photographs  Search this
Walkowitz, Abraham, 1880-1965 -- Photographs  Search this
Zorach, William, 1887-1966 -- Photographs  Search this
Extent:
68 Items ((partially microfilmed on 2 reels))
Type:
Collection descriptions
Archival materials
Date:
1953-1980
Scope and Contents:
REEL 1817: Photographs of: Will Barnet, Jose de Creeft (2), Sonia Delaunay, Walker Evans, Joseph Floch, Suzi Gablik (2), Adolph Gottlieb (also filmed on reel 1886, fr. 33-34), Lorrie Goulet, Minna Harkavy, William Hayter (2), Paul Jenkins, Lee Krasner (2), Lilliane Lijn, Jerry Sheerin (2), and Darthea Speyer (2). Also included is a group photo of Jose de Creeft, Jacques Lipchitz, George Biddle, Thomas Benton, and Ben Shahn at the American Academy of Arts & Letters Ceremonial, May 20, 1964.
REEL 1886: Photographs of: Barbara Adrian, Alexander Archipenko, Milton Avery, Will Barnet, Isabel Bishop, Louis Bosa, Henry C. Botkin, Byron Browne, John Carroll, George Constant, Julio de Diego, Edwin Dickinson, Marcel Duchamp, Joseph Floch, Lloyd Goodrich, Adolph Gottlieb, Lorrie Goulet, George Grosz, David Hare, Minna Harkavy, Hans Hofmann, Edward Hopper, Josephine Hopper, Morris Kantor, Leon Kroll, Jacob Lawrence, Julian Levi, Jack Levine, Reginald Marsh, A. Hyatt Mayor, Sigmund Menkes, Robert Motherwell, Edwin Root, James Rorimer (a cropped version erroneously microfilmed as Sidney Waintrob appears on reel 1817, fr. 1193), Moses Soyer, Raphael Soyer, Eugene Speicher, Saul Steinberg, James Johnson Sweeney, Hudson Walker, Abraham Walker, and William Zorach.
UNMICROFILMED Two photographs: Ellen K. Levy and McNeil Lowry.
Arrangement:
REEL 1817: Microfilmed with AAA's Photographs of Artists Collection II, and appear on microfilm in alphabetical order under artist with other unrelated photographs.
Biographical / Historical:
Photographic studio; New York, N.Y. Sidney J. and his brother A. L. (Bud) Waintrob specialized in photographing artists, curators and other art world personalities. They worked under the name Budd [Studio] before using Waintrob-Budd.
Provenance:
Photographs on reel 1817 and unmicrofilmed photos donated 1974-1987 by Sidney J. Waintrob; photographs on reel 1886 donated 1979-1980 by Samuel I. Hoffberg, whose relationship to Waintrob-Budd is unclear.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Rights:
Authorization to publish quote, or reproduce requires written permission from David Stekert. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Artists -- United States -- Photographs  Search this
Identifier:
AAA.wainbudd
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw997984475-f0b5-41ac-b438-8b48c89a9145
EDAN-URL:
ead_collection:sova-aaa-wainbudd

Michael Lekakis papers

Creator:
Lekakis, Michael, 1907-  Search this
Names:
Cummings, E. E. (Edward Estlin), 1894-1962  Search this
Freeman, Joseph  Search this
Gilford, Henry  Search this
Olson, Charles, 1910-1970  Search this
Pound, Ezra, 1885-1972  Search this
Sweeney, James Johnson, 1900-  Search this
Extent:
0.4 Linear feet ((on 2 microfilm reels))
0.4 Linear feet (Addition)
Type:
Collection descriptions
Archival materials
Date:
1940-1990
Scope and Contents:
Correspondence; U.S. Army records; postcards; telegrams; a monologue; photographs; catalogs; clippings; and publications.
REEL N69-131: U.S. Army records commenting on Lekakis' work in camouflage during World War II; 11 letters, postcards and telegrams, 1951-1963, from Marion and E.E. Cummings concerning translations, from U.S.I.S. officers, and from the Baltimore Museum of Art, the last concerning a Lekakis painting rejected by the Trustees; a xerox monologue, "Medea at Corinth," by Joseph Freeman, and a comment on Lekakis by Henry Gilford; photographs; catalogs; and clippings.
REELS 3090-3091: Papers pertaining to poets Charles Olson and Ezra Pound. Included are 12 letters and postcards from Olson, a letter from the University of Connecticut Archives requesting information about Olson, and two publications (Y & X, 1948 and Right Angle, 1949) which contain poems by Olson. In addition there are 32 letters and postcards, 1953-1958, from Ezra Pound, two letters from Dorothy Pound, and a letter from James Johnson Sweeney to Ezra Pound about the possibility of acquiring Lekakis's sculpture for the Guggenheim.
ADDITION: Biographical information, including records from the memorial service for Lekakis held at the Art Students League, March 6, 1988; clippings, 1962-1988; exhibition announcements, 1946-1990, and catalogs, 1980-1988; poems by Lekakis; and a transcript of a Voice of America radio interview.
Biographical / Historical:
Painter, sculptor, poet; New York, N.Y.
Provenance:
Donated 1969-1978 by Michael Lekakis, except for Cummings & Pound letters which were returned to Lekakis after microfilming, and in 1992 by Catherine Lekakis Hios, sister of Michael Lekakis.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Painters -- New York (State) -- New York  Search this
Poets  Search this
Topic:
Sculptors -- New York (State) -- New York -- Interviews  Search this
Sculpture, Modern -- 20th century -- New York (State) -- New York  Search this
Painting, Modern -- 20th century -- New York (State) -- New York  Search this
Identifier:
AAA.lekamich
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw96656b223-f201-4784-8df8-58b9841db705
EDAN-URL:
ead_collection:sova-aaa-lekamich

Art as information : the African portfolios of Charles Sheeler and Walker Evans

Author:
Webb, Virginia-Lee  Search this
Smithsonian Libraries African Art Index Project DSI  Search this
Subject:
Sheeler, Charles 1883-1965  Search this
Evans, Walker 1903-1975  Search this
Zayas, Marius de  Search this
Sweeney, James Johnson 1900-1986  Search this
Barr, Alfred H. Jr. 1902-1981  Search this
Type:
Articles
Place:
New York (State)
New York
Date:
1991
Topic:
Photography of African sculpture  Search this
Sculpture, African  Search this
Call number:
N1 .A258
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_542951

Marc Chagall. In collaboration with the Art institute of Chicago

Author:
Sweeney, James Johnson 1900-1986  Search this
Art Institute of Chicago  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Subject:
Chagall, Marc 1887-1985  Search this
Physical description:
2 p. l., [3]-102 p. incl. illus. (incl. ports.) col. plates. 26 x 20 cm
Type:
Books
Date:
1946
[1946]
Call number:
ND699.C5 S85X
N40.1.C44 S9
ND699.C5S85X
N40.1.C44S9
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_48020

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