Skip to main content Smithsonian Institution

Search Results

Collections Search Center
78 documents - page 1 of 4

Oral history interview with Ida Kohlmeyer

Interviewee:
Kohlmeyer, Ida, 1912-1997  Search this
Interviewer:
Berman, Avis  Search this
Names:
Glade, Luba B.  Search this
Hofmann, Hans, 1880-1966  Search this
Rothko, Mark, 1903-1970  Search this
Still, Clyfford, 1904-1980  Search this
Sweeney, James Johnson, 1900-  Search this
Trivigno, Pat, 1922-  Search this
White , Ruth  Search this
Extent:
177 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1989 May 17-20
Scope and Contents:
An interview of Ida Kohlmeyer conducted 1989 May 17-20, by Avis Berman, for the Archives of American Art.
Kohlmeyer discusses how she became an artist, her training, her marriage, the New Orleans art scene, her teaching and students, her work in sculpture, and the "Clusters and Circus" series. She recalls Pat Trivigno, Mark Rothko, Hans Hofmann, Clyfford Still, James Johnson Sweeney, Luba Glade, and Ruth White.
Biographical / Historical:
Ida Kohlmeyer (1912-1997) was a painter from New Orleans, La.
General:
Originally recorded on 4 sound cassettes. Reformatted in 2010 as 8 digital wav files. Duration is 6 hr.
Provenance:
This interview is part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others. Funding for this interview provided by the Lannan Foundation.
Restrictions:
For information on how to access this interview contact Reference Services.
Occupation:
Painters -- Louisiana -- New Orleans  Search this
Educators -- Louisiana -- New Orleans  Search this
Sculptors -- Louisiana -- New Orleans  Search this
Topic:
Art, American  Search this
Women artists  Search this
Women painters  Search this
Women educators  Search this
Women sculptors  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.kohlme89
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw997d588d5-2290-41c3-b7da-8e0f728e1576
EDAN-URL:
ead_collection:sova-aaa-kohlme89
Online Media:

Oral history interview with H. Harvard Arnason

Interviewee:
Arnason, H. Harvard  Search this
Interviewer:
Cummings, Paul  Search this
Names:
Solomon R. Guggenheim Museum  Search this
Walker Art Galleries (Minneapolis, Minn.)  Search this
Cahill, Holger, 1887-1960  Search this
Messer, Thomas M.  Search this
Rebay, Hilla, 1890-1967  Search this
Sweeney, James Johnson, 1900-  Search this
Wright, Frank Lloyd, 1867-1959  Search this
Extent:
44 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1970 March 3-9
Scope and Contents:
An interview of H. Harvard Arnason conducted 1970 March 3-9, by Paul Cummings, for the Archives of American Art. Arnason speaks of his family and educational background; the influence of the WPA Federal Art Project on museums; lecturing at the Frick Collection and Hunter College; his work as U.S. representative of UNESCO; his teaching positions and his roles as director of the Walker Art Center and trustee and vice president of the Solomon R. Guggenheim Foundation. He comments on Frank Lloyd Wright's design for the Guggenheim Museum building; competition among New York museums; conceptual art and museums; and the museum as a research center. He recalls Holger Cahill, Thomas M. Messer, Hilla Rebay, James Johnson Sweeney and others. Arnason also describes his writing projects, including his "History of Modern Art."
Biographical / Historical:
H. Harvard Arnason (1909-1986) was an historian, writer, and a former director of the Walker Art Center, Minneapolis, Minnesota.
General:
Originally recorded on 1 sound tape reel. Reformatted in 2010 as 6 digital wav files. Duration is 3 hr., 30 min.
Provenance:
This interview is part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Topic:
Museum architecture -- New York (State) -- New York  Search this
Museum directors -- Minnesota -- Minneapolis -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.arnaso70
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9a9123567-738f-4dbc-827a-95ecf2e65c48
EDAN-URL:
ead_collection:sova-aaa-arnaso70
Online Media:

Oral history interview with Arthur Cort Holden

Interviewee:
Holden, Arthur Cort, 1890-  Search this
Interviewer:
Cummings, Paul  Search this
Names:
Solomon R. Guggenheim Museum  Search this
Sweeney, James Johnson, 1900-  Search this
Wright, Frank Lloyd, 1867-1959  Search this
Extent:
1 Sound tape reel (Sound recording (1 hour), 5 in.)
23 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound tape reels
Pages
Sound recordings
Interviews
Date:
1971 Jan. 20
Scope and Contents:
An interview of Arthur Cort Holden conducted 1971 Jan. 20, by Paul Cummings, for the Archives of American Art. Holden speaks of Frank Lloyd Wright and his work in conjunction with Wright on the Guggenheim Museum, and difficulties in the construction of the museum. He recalls James Johnson Sweeney.
Biographical / Historical:
Arthur Cort Holden (1890-1993) was an architect from New York, N.Y.
Provenance:
This interview is part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Museum architecture -- New York (State) -- New York  Search this
Architects -- New York (State) -- New York -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.holden71
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9afb50c13-2dff-4a3d-acfe-f7f1edb2b6c5
EDAN-URL:
ead_collection:sova-aaa-holden71
Online Media:

James J. Sweeney interview, 1962 Mar. 21

Creator:
Sweeney, James Johnson, 1900-1986  Search this
Cullor, George, 1915-  Search this
Type:
Sound recordings
Interviews
Citation:
James J. Sweeney interview, 1962 Mar. 21. Archives of American Art, Smithsonian Institution.
Topic:
Art, American  Search this
Arts administrators -- Texas -- Houston -- Interviews  Search this
Theme:
Research and writing about art  Search this
Record number:
(DSI-AAA_CollID)10684
(DSI-AAA_SIRISBib)214283
AAA_collcode_sweejame
Theme:
Research and writing about art
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_214283

Ends and beginnings : sound recording, 1965 Mar. 15

Creator:
Sweeney, James Johnson, 1900-1986  Search this
Type:
Sound recordings
Citation:
Ends and beginnings : sound recording, 1965 Mar. 15. Archives of American Art, Smithsonian Institution.
Topic:
Art, American  Search this
Theme:
Research and writing about art  Search this
Record number:
(DSI-AAA_CollID)10747
(DSI-AAA_SIRISBib)214358
AAA_collcode_sweejamj
Theme:
Research and writing about art
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_214358

Oral history interview with Isabel Bishop

Interviewee:
Bishop, Isabel, 1902-1988  Search this
Interviewer:
Nadelman, Cynthia  Search this
Names:
Gruskin, Alan D. (Alan Daniel), 1904-1970  Search this
Marsh, Reginald, 1898-1954  Search this
Miller, Kenneth Hayes, 1876-1952  Search this
Pène Du Bois, Guy, 1884-1958  Search this
Soyer, Raphael, 1899-1987  Search this
Sweeney, James Johnson, 1900-  Search this
Extent:
130 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
1987 November 12-December 11
Scope and Contents:
An interview of Isabel Bishop conducted 1987 November 12-December 11, by Cynthia Nadelman, for the Archives of American Art.
Bishop discusses her family background; moving to New York; her studio in Union Square; "Reality" magazine; and her figurative sculpture and portraiture. She recalls Reginald Marsh, Kenneth Hayes Miller, Raphael Soyer, Alan Gruskin, Guy Pène du Bois, James Johnson Sweeney, and others.
Biographical / Historical:
Isabel Bishop (1902-1988) was a painter from New York, New York.
General:
Originally recorded 4 sound cassettes. Reformatted in 2010 as 8 digital wav files. Duration is 5 hr., 56 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics, and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Painters -- New York (State) -- New York  Search this
Sculptors -- New York (State) -- New York  Search this
Book illustrators -- New York (State) -- New York  Search this
Topic:
Women artists  Search this
Women painters  Search this
Women sculptors  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.bishop87
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9c8ba9e8a-7f9f-4913-9e57-8f07fe0b192a
EDAN-URL:
ead_collection:sova-aaa-bishop87
Online Media:

Waintrob-Budd photographs of American artists

Creator:
Waintrob-Budd (Firm : New York, N.Y.)  Search this
Names:
American Academy of Arts and Letters  Search this
Budd (Firm : New York, N.Y.)  Search this
Adrian, Barbara, 1931- -- Photographs  Search this
Archipenko, Alexander, 1887-1964 -- Photographs  Search this
Avery, Milton, 1885-1965 -- Photographs  Search this
Barnet, Will, 1911- -- Photographs  Search this
Benton, Thomas Hart, 1889-1975 -- Photographs  Search this
Biddle, George, 1885-1973 -- Photographs  Search this
Bosa, Louis, 1905- -- Photographs  Search this
Botkin, Henry, 1896-1983 -- Photographs  Search this
Browne, Byron, 1907-1961 -- Photographs  Search this
Carroll, John, 1892-1959 -- Photographs  Search this
Constant, George, 1892-1978 -- Photographs  Search this
De Creeft, José, 1884-1982 -- Photographs  Search this
De Diego, Julio, 1900- -- Photographs  Search this
Delaunay, Sonia -- Photographs  Search this
Dickinson, Edwin Walter, 1891-1978 -- Photographs  Search this
Duchamp, Marcel, 1887-1968 -- Photographs  Search this
Evans, Walker, 1903-1975 -- Photographs  Search this
Floch, Joseph, 1895-1977 -- Photographs  Search this
Gablik, Suzi -- Photographs  Search this
Goodrich, Lloyd, 1897-1987 -- Photographs  Search this
Gottlieb, Adolph, 1903-1974 -- Photographs  Search this
Goulet, Lorrie, 1925- -- Photographs  Search this
Grosz, George, 1893-1959 -- Photographs  Search this
Hare, David, 1917- -- Photographs  Search this
Harkavy, Minna, b. 1895 -- Photographs  Search this
Hayter, Stanley William, 1901- -- Photographs  Search this
Hofmann, Hans, 1880-1966 -- Photographs  Search this
Hopper, Edward, 1882-1967 -- Photographs  Search this
Hopper, Jo N. (Josephine Nivison), 1883-1968 -- Photographs  Search this
Jenkins, Paul, 1923-2012 -- Photographs  Search this
Kantor, Morris, 1896-1974 -- Photographs  Search this
Krasner, Lee, 1908-1984 -- Photographs  Search this
Kroll, Leon, 1884-1974 -- Photographs  Search this
Lawrence, Jacob, 1917-2000 -- Photographs  Search this
Levi, Julian E. (Julian Edwin), 1900-1982 -- Photographs  Search this
Levine, Jack, 1915-2010 -- Photographs  Search this
Levy, Ellen K -- Photographs  Search this
Lijn, Liliane, 1939- -- Photographs  Search this
Lipchitz, Jacques, 1891-1973  Search this
Lowry, W. McNeil (Wilson McNeil), 1913-1993 -- Photographs  Search this
Marsh, Reginald, 1898-1954 -- Photographs  Search this
Mayor, A. Hyatt (Alpheus Hyatt), 1901-1980 -- Photographs  Search this
Menkes, Sigmund, 1896-1986 -- Photographs  Search this
Motherwell, Robert -- Photographs  Search this
Root, Edwin -- Photographs  Search this
Rorimer, James J. (James Joseph), 1905-1966 -- Photographs  Search this
Shahn, Ben, 1898-1969  Search this
Sheerin, Jerry -- Photographs  Search this
Soyer, Moses, 1899-1974 -- Photographs  Search this
Soyer, Raphael, 1899-1987 -- Photographs  Search this
Speicher, Eugene E. (Eugene Edward), 1883-1962 -- Photographs  Search this
Speyer, Darthea -- Photographs  Search this
Steinberg, Saul -- Photographs  Search this
Sweeney, James Johnson, 1900- -- Photographs  Search this
Waintrob, A. L., 1908-  Search this
Waintrob, Sidney J., 1903-  Search this
Walker, Hudson D. (Hudson Dean), 1907-1976 -- Photographs  Search this
Walkowitz, Abraham, 1880-1965 -- Photographs  Search this
Zorach, William, 1887-1966 -- Photographs  Search this
Extent:
68 Items ((partially microfilmed on 2 reels))
Type:
Collection descriptions
Archival materials
Date:
1953-1980
Scope and Contents:
REEL 1817: Photographs of: Will Barnet, Jose de Creeft (2), Sonia Delaunay, Walker Evans, Joseph Floch, Suzi Gablik (2), Adolph Gottlieb (also filmed on reel 1886, fr. 33-34), Lorrie Goulet, Minna Harkavy, William Hayter (2), Paul Jenkins, Lee Krasner (2), Lilliane Lijn, Jerry Sheerin (2), and Darthea Speyer (2). Also included is a group photo of Jose de Creeft, Jacques Lipchitz, George Biddle, Thomas Benton, and Ben Shahn at the American Academy of Arts & Letters Ceremonial, May 20, 1964.
REEL 1886: Photographs of: Barbara Adrian, Alexander Archipenko, Milton Avery, Will Barnet, Isabel Bishop, Louis Bosa, Henry C. Botkin, Byron Browne, John Carroll, George Constant, Julio de Diego, Edwin Dickinson, Marcel Duchamp, Joseph Floch, Lloyd Goodrich, Adolph Gottlieb, Lorrie Goulet, George Grosz, David Hare, Minna Harkavy, Hans Hofmann, Edward Hopper, Josephine Hopper, Morris Kantor, Leon Kroll, Jacob Lawrence, Julian Levi, Jack Levine, Reginald Marsh, A. Hyatt Mayor, Sigmund Menkes, Robert Motherwell, Edwin Root, James Rorimer (a cropped version erroneously microfilmed as Sidney Waintrob appears on reel 1817, fr. 1193), Moses Soyer, Raphael Soyer, Eugene Speicher, Saul Steinberg, James Johnson Sweeney, Hudson Walker, Abraham Walker, and William Zorach.
UNMICROFILMED Two photographs: Ellen K. Levy and McNeil Lowry.
Arrangement:
REEL 1817: Microfilmed with AAA's Photographs of Artists Collection II, and appear on microfilm in alphabetical order under artist with other unrelated photographs.
Biographical / Historical:
Photographic studio; New York, N.Y. Sidney J. and his brother A. L. (Bud) Waintrob specialized in photographing artists, curators and other art world personalities. They worked under the name Budd [Studio] before using Waintrob-Budd.
Provenance:
Photographs on reel 1817 and unmicrofilmed photos donated 1974-1987 by Sidney J. Waintrob; photographs on reel 1886 donated 1979-1980 by Samuel I. Hoffberg, whose relationship to Waintrob-Budd is unclear.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Rights:
Authorization to publish quote, or reproduce requires written permission from David Stekert. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Artists -- United States -- Photographs  Search this
Identifier:
AAA.wainbudd
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw997984475-f0b5-41ac-b438-8b48c89a9145
EDAN-URL:
ead_collection:sova-aaa-wainbudd

International Association of Art Critics panel discussions

Creator:
International Association of Art Critics  Search this
Names:
Metropolitan Museum of Art (New York, N.Y.)  Search this
Davis, Stuart, 1892-1964  Search this
Goodrich, Lloyd, 1897-1987  Search this
Gottlieb, Adolph, 1903-1974  Search this
Guiton, Jacques  Search this
Johnson, Philip, 1906-2005  Search this
Jordy, William H.  Search this
Noguchi, Isamu, 1904-1988  Search this
Roszak, Theodore, 1907-1981  Search this
Schiff, Gert  Search this
Sweeney, James Johnson, 1900-  Search this
Čelebonović, Aleksa  Search this
Extent:
2 Sound tapes (Sound recording, 7 in.)
0.2 Linear feet (Transcripts: 27 and 29 p)
Type:
Collection descriptions
Archival materials
Sound tapes
Sound recordings
Date:
1959 May 21-22
Scope and Contents:
Panel discussions "American Painting and Sculpture" and "American Contemporary Architecture" sponsored by the International Association of Art Critics at the Metropolitan Museum of Art in New York City. Panel members are Aleksa Celebonovic, Stuart Davis, Lloyd Goodrich, Adolph Gottlieb, Jacques Guiton, Philip Cortelyou Johnson, William Henry Jordy, Isamu Noguchi, Theodore Roszak, Gert Schiff, and James Johnson Sweeney.
Provenance:
Donor is unspecified.
Topic:
Art, American  Search this
Genre/Form:
Sound recordings
Identifier:
AAA.inteasso
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9387de88a-a13b-4e3e-b1f9-95d682d0b417
EDAN-URL:
ead_collection:sova-aaa-inteasso

Oral history interview with V. V. Rankine

Interviewee:
Rankine, V. V., 1920-2004  Search this
Interviewer:
Kirwin, Liza  Search this
Names:
Betty Parsons Gallery  Search this
Black Mountain College (Black Mountain, N.C.)  Search this
David Herbert Gallery  Search this
Institute of Contemporary Arts (Washington, D.C.)  Search this
Jefferson Place Gallery  Search this
Albers, Josef  Search this
Bader, Franz, 1903-1994  Search this
Brooks, James, 1906-1992  Search this
Callahan, Harry M.  Search this
Cunningham, Merce  Search this
Davis, Gene, 1920-1985  Search this
De Kooning, Elaine  Search this
De Kooning, Willem, 1904-1997  Search this
Denney, Alice  Search this
Dorrance, Nesta  Search this
Downing, Thomas, 1928-1985  Search this
Duncan, Augustin  Search this
Fuller, R. Buckminster (Richard Buckminster), 1895-1983  Search this
Gabo, Naum, 1890-1977  Search this
Gilliam, Sam, 1933-2022  Search this
Gorky, Agnes  Search this
Gorky, Arshile, 1904-1948  Search this
Graham, John, 1887-1961  Search this
Guston, Philip, 1913-1980  Search this
Halle, Kay  Search this
Hare, David, 1917-1992  Search this
Helburn, Theresa, 1887-1959  Search this
Johnson, Ray, 1927-1995  Search this
Kennedy, Kit  Search this
Kiesler, Frederick  Search this
Kinney, Gilbert H.  Search this
Krasner, Lee, 1908-1984  Search this
Lassaw, Ibram, 1913-2003  Search this
Leopold, Richard  Search this
Louis, Morris, 1912-1962  Search this
Magruder, Esther  Search this
Merrill, Kevin  Search this
Nelson, Wretha  Search this
Nevelson, Louise, 1899-1988  Search this
Newman, Bonnie  Search this
Noland, Kenneth, 1924-2010  Search this
Ozenfant, Amédée, 1886-1966  Search this
Pace, Stephen, 1918-2010  Search this
Parsons, Betty  Search this
Penn, Arthur, 1922-  Search this
Phillips, Duncan, 1886-1966  Search this
Pollock, Jackson, 1912-1956  Search this
Rauschenberg, Robert, 1925-2008  Search this
Renault, Jean  Search this
Richman, Robert  Search this
Russo, Alexander  Search this
Sheridan, Walt  Search this
Sherman, Saul  Search this
Snelson, Kenneth, 1927-2016  Search this
Soyer, Moses, 1899-1974  Search this
Soyer, Raphael, 1899-1987  Search this
Sweeney, James Johnson, 1900-  Search this
Thomas, Dylan, 1914-1953  Search this
Truitt, Anne, 1921-2004  Search this
Warhol, Andy, 1928-1987  Search this
Yektai, Manoucher, 1922-  Search this
Youngerman, Jack, 1926-2020  Search this
Extent:
34 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
1990 Mar. 2-22
Scope and Contents:
An interview of V. V. Rankine conducted 1990 Mar. 2-22, by Liza Kirwin, for the Archives of American Art.
Rankine discusses the evolution of her nickname, V.V.; discovering her dyslexia; growing up in Boston; auditioning for a part in, "The Philadelphia Story"; her art studies with Amedee Ozenfant from 1944 to 1946; her studies at Black Mountain College with Josef Albers and Willem De Kooning in 1947; her friendship with Morris Louis and watching him work; living with her brother-in-law Arshile Gorky, in New York City; her first one-woman show at the David Herbert Gallery in New York in 1962; exhibiting at the Betty Parsons Gallery in New York and at the Jefferson Place Gallery in Washington, D.C.; Robert Richman and the Institute of Contemporary Arts; the relationship between her painting and her sculpture; favorite shapes and materials; and her summer home in East Hampton and artist friends there. Rankine also recalls Robert Rauschenberg, Jack Youngerman, Manoucher Yektai, Betty Parsons, Ibram Lassaw, Buckminster Fuller, Elaine De Kooning, Arthur Penn, Richard Leopold, John Cage, Merce Cunningham, Ken Noland, Morris Louis, Ray Johnson, Kenneth Snelson, David Hare, Frederick Kiesler, Raphael Soyer, Moses Soyer, Jean Renault, Agnes Gorky, Esther Magruder, James Johnson Sweeney, Jim Brooks, John Graham, Phillip Guston, Duncan Phillips, Theresa Helburn, Augustine Duncan, Tom Downing, Gene Davis, Alice Denney, Nesta Dorrance, Kevin Merrill, Sam Gilliam, Dylan Thomas, Kay Halle, Kit Kennedy, Naum Gabo, President Lyndon B. Johnson, Anne Truitt, Wretha Nelson, Franz Bader, Louise Nevelson, Andy Warhol, Jackson Pollock, Bonnie Newman, Alexander Russo, Walt Sheridan, Gilbert Kinney, Saul Sherman, Steve Pace, Lee Krasner, and others.
Biographical / Historical:
V.V. Rankine (1920-2004) was a painter and sculptor from Washington, D.C. Variable forms of the artist's name are notably E. R. (Elvine Richard) Rankine, Vivian Scott Rankine, and her married name, Mrs. Paul Scott.
General:
Originally recorded on 3 sound cassettes. Reformatted in 2010 as 5 digital wav files. Duration is 2 hrs., 53 min.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Occupation:
Painters -- Washington (D.C.)  Search this
Sculptors -- Washington (D.C.)  Search this
Topic:
Women artists  Search this
Women painters  Search this
Women sculptors  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.rankin90
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9962313c4-a6e1-43b3-b0a1-2b3ae06a7b90
EDAN-URL:
ead_collection:sova-aaa-rankin90
Online Media:

Text of comments by participants in The Modern Artist Speaks forum

Creator:
Modern Artist Speaks (1948 : Museum of Modern Art, New York, N.Y.)  Search this
Names:
Museum of Modern Art (New York, N.Y.)  Search this
Burlin, Paul, 1886-1969  Search this
Davis, Stuart, 1892-1964  Search this
Gottlieb, Adolph, 1903-1974  Search this
Morris, George L. K., 1905-1975  Search this
Sweeney, James Johnson, 1900-  Search this
Extent:
4 Items
Type:
Collection descriptions
Archival materials
Date:
1948 May 5
Scope and Contents:
Typescripts of speeches by Paul Burlin, Stuart Davis, Adolph Gottlieb, George L. K. Morris, and James Johnson Sweeney, delivered at a forum, "The Modern Artist Speaks," held at the Museum of Modern Art on May 5, 1948. In addition to a typescript of all five speeches, preliminary drafts with handwritten corrections are included of Burlin, Davis and Morris's speeches. Burlin comments on the artist as cultural critic, Morris discusses the failure of art criticism and Davis interprets contemporary attacks on abstract art as an attempt to control the artist's attitudes toward society.
Provenance:
Provenance unknown.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Topic:
Art, Modern -- 20th century  Search this
Identifier:
AAA.modearti
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw99b2e7f52-75ad-4a26-b08f-0bf131e429cb
EDAN-URL:
ead_collection:sova-aaa-modearti

José de Creeft papers

Creator:
De Creeft, José, 1884-1982  Search this
Names:
Art Students League (New York, N.Y.) -- Faculty  Search this
Black Mountain College (Black Mountain, N.C.) -- Faculty  Search this
New School for Social Research (New York, N.Y.) -- Faculty  Search this
Norton Gallery and School of Art  Search this
Skowhegan School of Painting and Sculpture -- Faculty  Search this
Albers, Josef -- Photographs  Search this
Calder, Alexander, 1898-1976  Search this
Calder, Alexander, 1898-1976 -- Photographs  Search this
Campos, Jules  Search this
De Creeft, William  Search this
De Diego, Julio, 1900- -- Photographs  Search this
Dickinson, Edwin Walter, 1891-1978  Search this
Diederich, William Hunt, 1884-1953  Search this
Dodd, Lamar  Search this
Escuder, Joseph  Search this
Gropius, Walter, 1883-1969 -- Photographs  Search this
Gross, Chaim, 1904-1991 -- Photographs  Search this
Gómez Gil, Alfredo, 1936-  Search this
Lawrence, Gertrude -- Photographs  Search this
Lipchitz, Jacques, 1891-1973  Search this
Lipchitz, Jacques, 1891-1973 -- Photographs  Search this
Neumann, J. B. (Jsrael Ber) -- Photographs  Search this
Nivola, Costantino, 1911-1988  Search this
Rattner, Abraham -- Photographs  Search this
Roszak, Theodore, 1907-1981 -- Photographs  Search this
Soyer, Raphael, 1899-1987 -- Photographs  Search this
Sweeney, James Johnson, 1900-  Search this
Zorach, William, 1887-1966 -- Photographs  Search this
Extent:
28.1 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Sound recordings
Video recordings
Diaries
Interviews
Scrapbooks
Sketches
Date:
1871-2004, bulk 1910s-1980s
bulk 1910-1990
Summary:
The papers of Spanish-born sculptor and educator José de Creeft measure 28.1 linear feet and date from 1871 to 2004 with the bulk of the material dating from the 1910s to the 1980s. Found are biographical materials, correspondence, fifty diaries, writings, subject files, personal business records, printed materials, twenty-seven photo albums and other photographs, scrapbooks, and scattered sketches.
Scope and Contents:
The papers of Spanish-born sculptor and educator José de Creeft measure 28.1 linear feet and date from 1871 to 2004 with the bulk of the material dating from the 1910s to the 1980s. Found are biographical materials, correspondence, fifty diaries, writings, subject files, personal business records, printed materials, twenty-seven photo albums and other photographs, scrapbooks, and scattered sketches.

Biographical materials include address books, awards, recorded interviews with and about de Creeft, membership materials, naturalization records, resumes, and travel documents.

Correspondence is primarily professional in nature and concerns exhibitions, de Creeft's involvement in arts organizations, and awards. There are also scattered personal letters from family and friends. Correspondents include Alexander Calder, Nina, Alice, Barbara and William de Creeft, Hunt Diederich, Joseph Escudar, and Gil Gomez, Jacques Lipchitz, Edwin Dickinson, James Johnson Sweeney, Costantino Nivola, Abraham Rattner, and Lamar Dodd, among others.

De Creeft's fifty diaries are nearly complete for the period dating from 1926 to 1981. Some are bound volumes and others are loose pages. The bulk of the diaries are in Spanish and many include sketches. Additional writings, called "escritos varios" by José de Creeft, are mostly in Spanish and consist of typed manuscripts and essays, including "Roosty Was My Friend, 1957, notebooks, an artist's statement, and writings by others, including drafts for The Sculpture of de Creeft by Jules Campos, and a video recording entitled José de Creeft by Bob Hanson. There is one sound recording of Lorrie Goulet reading poetry.

Subject files are varied and include files on de Creeft's teaching positions at the New School for Social Research, Black Mountain College, Skowhegan School of Painting and Sculpture, and the Art Students League. There are files for some of his sculpture projects, inlcuding Alice in Wonderland, Poet, and a proposed model for the Stone Mountain Confederate Memorial in Georgia, as well as compiled information about various art related topics of interest.

De Creeft's business records include appraisals, contracts, leases, price lists, and scattered receipts. Also found are art inventories in the form of three sets of index cards, some of which include photographs.

Printed materials include books, clippings, exhibition announcements and catalogs, exhibition labels, postcards, and posters.

There are loose photographs and twenty-seven photograph albums depicting de Creeft, his family, friends, and works of art. There are photos of Alexander Calder; de Creeft and Goulet with Raphael Soyer, posing with Soyer's portrait of them; Gertrude Lawrence; art juries, which also include images of Chaim Gross, Jacques Lipchitz, Theodore Roszak, and William Zorach; students, friends, and faculties of Black Mountain College, the Art Students League, Skowhegan School of Painting and Sculpture, and the Norton School of Art, which also includes images of Joseph Albers, Alexander Calder, Julio De Diego, Walter Gropius, J. B. Neumann, and Abraham Rattner.

Seven mixed media scrapbooks document de Creeft's career from 1929 to 1982. Also found are scattered pen and pencil sketches and one sketchbook dating from the 1920s.
Arrangement:
The collection is arranged as 10 series:

Missing Title

Series 1: Biographical Material, 1914-1979 (Boxes 1, 27; 0.9 linear feet)

Series 2: Correspondence, 1910s-1980s (Boxes 1-6; 4.2 linear feet)

Series 3: Diaries, 1926-1981 (Boxes 6-11; 5.4 linear feet)

Series 4: Writings, 1871-1977 (Boxes 11-13, 28; 2.5 linear feet)

Series 5: Subject Files, 1924-1980 (Boxes 13-16, 27; 2.4 linear feet)

Series 6: Personal Business Records, 1909-1980s (Boxes 16-17, 27; 1.0 linear feet)

Series 7: Printed Material, 1921-1980s (Boxes 17-21, 27, 33; 4.7 linear feet)

Series 8: Photographs, 1900-2004 (Boxes 21-25, 29, 31; 5.1 linear feet)

Series 9: Scrapbooks, 1929-1982 (Box 26, 30, 32; 1.8 linear feet)

Series 10: Artwork, 1920s-1930s (Box 26; 2 folders)
Biographical / Historical:
José de Creeft (1908-1982) was a Spanish-born sculptor active in New York City, New York.

José de Creeft was born in Guadalajara, Spain and raised in Barcelona. In 1900, he apprenticed to sculptor Don Augustine Querol and studied drawing with Idalgo de Caviedas. De Creeft moved to Paris in 1905 and began formal art training at the Académie Julianand. He also took a studio in the Batteau Lavoir in Montmartre, where he interacted with Pablo Picasso, Juan Gris, Manolo, and Pablo Gargallo, all of whom also had studios there. During this period, de Creeft became friends with the artist Mateo Hernandez.

In 1915, de Creeft rejected the traditional technique of reproducing sculpture in stone from clay and plaster models and turned to direct carving in wood and stone. He was also one of the first sculptors who practiced assemblage and incorporated found objects into his work. His notable assemblage sculpture El Picador, a large figure on horseback, received worldwide press coverage and was exhibited at the Salon des Artistes Independents in 1926. Between 1919 and 1928, his work was exhibited in various Paris salons. In the late 1920s, he created 200 stone carvings for Roberto Ramonje's Forteleza (fortress) in Mallorca. It was around this time frame when de Creeft met Alexander Calder, who became his student in direct carving. De Creeft encouraged Calder to display his mechanical toys and Calder put his Circus together for the first time in de Creeft's studio.

De Creeft emigrated to the United States in 1929, right after marrying fellow sculptor Alice Robertson Carr. They divorced nine years later.

While in New York, de Creeft began sculpting with lead sheets beaten into three-dimensional forms and established a studio at 1 Washington Square. His first solo exhibition was at the Ferargil Galleries in New York City and included The Portrait of Cesar Vallejo in chased lead and The Silver Fox of found materials.

In 1932, de Creeft accepted a teaching position in sculpture at the New School for Social Research. He also taught courses at Black Mountain College, where he met his second wife, sculptor Lorrie Goulet, the Art Students League, Skowhegan School of Painting and Sculpture, and the Norton Gallery and School of Art. In 1946, de Creeft and Goulet purchased a hundred-acre farm in Hoosick Falls, NY where they established a studio and part-time residence.

Perhaps De Creeft's most well-known monumental scuplture is Alice in Wonderland in Central Park, New York City. The 12' x 16' bronze was dedicated during a public event in 1959 and gave de Creeft worldwide recognition. In 1995 a short film about the making of the sculpture was produced by J. D'Alba and narrated by Lorrie Goulet.

De Creeft was as founding member of the American Artist's Congress, the Sculptors Guild, and the Artist's Equity Association. De Creeft was represented by the Georgette Passedoit Gallery from 1936 to 1949. Later, he joined The Contemporaries (gallery) and exhibited there until 1966. Kennedy Galleries represented de Creeft from 1970 until his death in 1982.
Related Materials:
The Archives of American Art also holds an interview of José De Creeft conducted October 1-8, 1968 by Forrest Selvig and the papers of de Creeft's wife Lorrie Goulet.
Separated Materials:
The Archives of American Art also holds microfilm of material lent for microfilming (reels D150 and 375-378). While most of the items were included in subsequent gifts, material not donated to the Archives remain with the lender and are not described in the collection container inventory.
Provenance:
The José de Creeft papers were first lent for microfilming by the artist in 1963 and 1972. Lorrie Goulet, José de Creeft's widow, donated most of this material along with additional items in 1985 and 2009.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Art -- Study and teaching  Search this
Educators -- New York (State) -- New York  Search this
Sculptors -- New York (State) -- New York -- Interviews  Search this
Sculpture, Modern -- New York (State) -- New York  Search this
Stone Mountain Memorial (Ga.)  Search this
Genre/Form:
Photographs
Sound recordings
Video recordings
Diaries
Interviews
Scrapbooks
Sketches
Citation:
José de Creeft papers, 1871-2004, bulk 1910s-1980s. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.decrjose
See more items in:
José de Creeft papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9bbb83529-c881-4ef2-b3f3-7919c41b1404
EDAN-URL:
ead_collection:sova-aaa-decrjose

Letter from James Johnson Sweeney, Director of the Solomon R. Guggenheim Museum, to Peter M. Riccio at Columbia University

Creator:
Sweeney, James Johnson, 1900-1986  Search this
Riccio, Peter M. (Peter Michael), 1898-1990  Search this
Type:
Correspondence
Date:
1957 December 17
Citation:
James Johnson Sweeney. Letter from James Johnson Sweeney, Director of the Solomon R. Guggenheim Museum, to Peter M. Riccio at Columbia University, 1957 December 17. American Federation of Arts records, 1895-1993. Archives of American Art, Smithsonian Institution.
Record number:
(DSI-AAA)17040
See more items in:
American Federation of Arts records, 1895-1993, bulk 1909-1969
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_17040

James Johnson Sweeney, New York, N.Y. letter to Philip Pearlstein

Creator:
Sweeney, James Johnson, 1900-1986  Search this
Pearlstein, Philip, 1924-  Search this
Type:
Correspondence
Date:
1954 May 19
Citation:
James Johnson Sweeney. James Johnson Sweeney, New York, N.Y. letter to Philip Pearlstein, 1954 May 19. Philip Pearlstein papers, circa 1940-2008. Archives of American Art, Smithsonian Institution.
Record number:
(DSI-AAA)17320
See more items in:
Philip Pearlstein papers, circa 1940-2008
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_17320

James Johnson Sweeney, Chicago, Ill. letter to Eva Watson-Schütze, New York, N.Y.

Creator:
Sweeney, James Johnson, 1900-1986  Search this
Watson-Schütze, Eva, 1867-1935  Search this
Subject:
Arp, Jean  Search this
Brancusi, Constantin  Search this
Calder, Alexander  Search this
Hélion, Jean  Search this
Miró, Joan  Search this
Sweeney, James Johnson  Search this
Watson-Schütze, Eva  Search this
Renaissance Society at the University of Chicago  Search this
Type:
Correspondence
Date:
11 June 1934
Citation:
James Johnson Sweeney. James Johnson Sweeney, Chicago, Ill. letter to Eva Watson-Schütze, New York, N.Y., 11 June 1934. The Renaissance Society at the University of Chicago records, 1917-1981. Archives of American Art, Smithsonian Institution.
Topic:
Art market  Search this
Record number:
(DSI-AAA)17652
See more items in:
The Renaissance Society at the University of Chicago records, 1917-1981
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_17652

James Johnson Sweeney telegram to Mrs. Martin Schutze

Creator:
Sweeney, James Johnson, 1900-1986  Search this
Schutze, Martin, Mrs.  Search this
Type:
Correspondence
Date:
1934 April 21
Citation:
James Johnson Sweeney. James Johnson Sweeney telegram to Mrs. Martin Schutze, 1934 April 21. The Renaissance Society at the University of Chicago records, 1917-1981. Archives of American Art, Smithsonian Institution.
Record number:
(DSI-AAA)18050
See more items in:
The Renaissance Society at the University of Chicago records, 1917-1981
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_18050

Fernand Léger letter to James Johnson Sweeney

Creator:
Léger, Fernand, 1881-1955  Search this
Sweeney, James Johnson, 1900-1986  Search this
Type:
Correspondence
Date:
1935 May 21
Citation:
Fernand Léger. Fernand Léger letter to James Johnson Sweeney, 1935 May 21. The Renaissance Society at the University of Chicago records, 1917-1981. Archives of American Art, Smithsonian Institution.
Record number:
(DSI-AAA)18052
See more items in:
The Renaissance Society at the University of Chicago records, 1917-1981
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_18052
Online Media:

Germain Seligman to James Sweeney of the Metropolitan Museum of Art

Creator:
Seligman, Germain, 1893-1978  Search this
Sweeney, James Johnson, 1900-1986  Search this
Type:
Correspondence
Date:
1945 Dec. 12
Citation:
Germain Seligman. Germain Seligman to James Sweeney of the Metropolitan Museum of Art, 1945 Dec. 12. Jacques Seligmann & Co. records, 1904-1978. Archives of American Art, Smithsonian Institution.
Topic:
Art galleries, Commercial  Search this
Record number:
(DSI-AAA)970
See more items in:
Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_970

Artists' protest letter to James Johnson Sweeney, New York, N.Y.

Creator:
Sweeney, James Johnson, 1900-1986  Search this
Subject:
Albert, Calvin  Search this
Avery, Milton  Search this
Avery, Sally Michel  Search this
Barnet, Will  Search this
Bodin, Paul  Search this
Botkin, Henry  Search this
Browne, Byron  Search this
Cherry, Herman  Search this
Constant, George  Search this
De Kooning, Willem  Search this
Ferber, Herbert  Search this
Gottlieb, Adolph  Search this
Guston, Philip  Search this
Kline, Franz  Search this
Lipton, Seymour  Search this
Morris, George L. K. (George Lovett Kingsland)  Search this
Motherwell, Robert Burns  Search this
Schucker, Charles L.  Search this
Sennhauser, John  Search this
Smith, Leon Polk  Search this
Tworkov, Jack  Search this
Wright, Frank Lloyd  Search this
Type:
Correspondence
Place:
New York, N.Y.
Date:
1956
Citation:
Artists' protest letter to James Johnson Sweeney, New York, N.Y., 1956. Letters and clippings relating to the Solomon R. Guggenheim Museum, 1956-1958. Archives of American Art, Smithsonian Institution.
Topic:
Protesting  Search this
Record number:
(DSI-AAA)9963
See more items in:
Letters and clippings relating to the Solomon R. Guggenheim Museum, 1956-1958
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_9963

Barry Faulkner papers

Creator:
Faulkner, Barry, 1881-1966  Search this
Names:
MacDowell Colony  Search this
Beal, Gifford, 1879-1956  Search this
Brush, George de Forest, 1855-1941  Search this
Bynner, Witter, 1881-1968  Search this
Fraser, James Earle, 1876-1953  Search this
Gibran, Kahlil, 1922-  Search this
Grimes, Frances, 1869-1963  Search this
Gugler, Eric, 1889-1974  Search this
Hosmer, Harriet Goodhue, 1830-1908  Search this
Kent, Rockwell, 1882-1971  Search this
Kroll, Leon, 1884-1974  Search this
Manship, Paul, 1885-1966  Search this
Parrish, Maxfield, 1870-1966  Search this
Platt, Charles A. (Charles Adams), 1861-1933  Search this
Powers, Hiram, 1805-1873  Search this
Redfield, Edward Willis, 1869-1965  Search this
Saint-Gaudens, Augustus, 1848-1907  Search this
Saint-Gaudens, Homer, b. 1880  Search this
Smith, Joseph Lindon, 1863-1950  Search this
Sweeney, James Johnson, 1900-  Search this
Thayer, Abbott Handerson, 1849-1921  Search this
Tonetti, Mary Lawrence  Search this
Twain, Mark, 1835-1910  Search this
White, Lawrence Grant  Search this
Young, Mahonri Sharp, 1911-1996  Search this
Extent:
2.82 Linear feet
Type:
Collection descriptions
Archival materials
Sketchbooks
Diaries
Scrapbooks
Sketches
Writings
Photographs
Travel diaries
Photograph albums
Place:
New Hampshire
Date:
circa 1858-1973
Summary:
The papers of muralist, painter, and teacher Barry Faulkner measure 2.82 linear feet and date from circa 1858-1973. Faulkner's career; his relationships with family, friends, and fellow-artists; and his thoughts on art and artists are documented in biographical materials, correspondence, writings, sketchbooks, five diaries, two photograph albums and photographs, and one scrapbook. Correspondents include family members, Witter Bynner, Ann and Eric Gugler, Leon Kroll, Isabel Manship, James Johnson Sweeney, Maxfield Parrish and others. An unprocessed addition to the collection dating 1942 includes a one page letter mounted on board from Maxfield Parrish to Barry Faulkner.
Scope and Content Note:
The papers of muralist, painter, and teacher Barry Faulkner measure 2.82 linear feet and date from circa 1858-1973. Faulkner's career; his relationships with family, friends, and fellow-artists; and his thoughts on art and artists are documented in biographical materials, correspondence, writings, sketchbooks, five diaries, photograph albums and photographs, and one scrapbook. An unprocessed addition to the collection dating 1942 includes a one page letter mounted on board from Maxfield Parrish to Barry Faulkner.

Biographical materials include biographical sketches, awards, and records documenting Faulkner's military service. Also found are a list of medications, a list of Faulkner's writings, party guest lists, an address book, a calendar, and materials related to the posthumous publication of Sketches From an Artist's Life. Of special interest are oversized architectural drawings by Eric Gugler for Faulkner's Keene, New Hampshire house.

Correspondence includes letters from Faulkner's friends, family, fellow artists, and art organizations and institutions. Faulkner's correspondence with his parents document his 1900-1901 trip to Italy with the Thayer family. Of special interest is his correspondence with writer Witter Bynner about Faulkner's daily life in New Hampshire, his travels through Europe, his artistic practice and career, Bynner's writings, his opinions on artistic and literary works, and his service in World War One. Many of the letters to Bynner include sketches by Faulkner of Abbott Handerson Thayer, Rockwell Kent, Augustus Saint-Gaudens, Homer Saint-Gaudens, George de Forest Brush, Kahlil Gibran, and Mark Twain. Additional correspondents include sculptor Frances Grimes, architect Eric Gugler, painter Leon Kroll, and museum director James Johnson Sweeney.

Faulkner's writings are about art, artists, and the New Hampshire art community. Found are essays on Gifford Beal, George de Forest Brush, James Earle Fraser, Harriet Hosmer, Paul Manship, Charles Adams Platt, Hiram Powers, Edward Willis Redfield, Joseph Lindon Smith, Mary Lawrence Tonetti, Mark Twain, Lawrence Grant White, and Mahonri Young. Other writings discuss Faulkner's mural commissions, various aspects of New Hampshire history, and the history of the Dublin and Cornish art colonies whose inhabitants included George de Forest Brush, Augustus Saint-Gaudens, and Abbott Handerson Thayer. Of special interest is a manuscript for Faulkner's posthumously published memoir Sketches From an Artist's Life, and an unpublished manuscript titled A Neighborhood of Artists about the history and culture of the Connecticut River Valley.

Four sketchbooks by Faulkner contain drawings of landscapes, city scenes, architecture, people, nature, and studies of artwork by others. Also found are two loose sketches.

Five diaries document Faulkner's 1922-1924 trip through Europe, Africa, and Asia including stops in France, Italy, Egypt, and Turkey. Diaries record Faulkner's thoughts on architecture, tourist sites, and travel amenities. Found is one diary from 1956 that discusses social events, the Saint-Gaudens Memorial, the MacDowell Colony of artists, and various artists including Gifford Beal, Maxfield Parrish, Paul Manship, and Eric Gugler.

The bulk of printed material consists of clippings which document published writings by Faulkner, obituaries and published rememberances of Faulkner, local events in Keene, New Hampshire, and reproductions of Faulkner's artwork. Also found are exhibition catalogs of other artists, an announcement of Faulklner's death from the American Academy of Arts and Letters, and a publication illustrated with reproductions of Faulkner's murals for the National Archives.

Photographs include formal and informal images of Faulkner throughout his life, and photographs of his family and friends, his studio, and reproductions of his artwork. Also included are two photograph albums, one of which contains photographs of Faulkner during his youth and one that contains photographs primarily from the 1930s of Faulkner's Keene, New Hampshire house, himself, and his friends and family.

The collection also includes a scrapbook prepared for Faulkner's seventieth birthday containing photographs, cards, telegrams, and placecards with hand drawn illustrations which show the "taste and characteristics" of Faulkner.
Arrangement:
The collection is arranged into 8 series:

Missing Title

Series 1: Biographical Materials, 1914-1971 (Box 1, 3, RD1; 13 folders)

Series 2: Correspondence, 1900-1973 (Box 1; 0.5 linear feet)

Series 3: Writings, 1912-1966 (Boxes 1-2; 1.0 linear foot)

Series 4: Sketchbooks and Sketches, circa 1910s-1930s (Boxes 2-3; 8 folders)

Series 5: Diaries, 1922-1956 (Box 2; 6 folders)

Series 6: Printed Materials, circa 1858-1966 (Boxes 2-3; 8 folders)

Series 7: Photographs, 1892-1960s (Boxes 2-3; 15 folders)

Series 8: Scrapbook, 1951 (Box 3; 2 folders)
Biographical Note:
Francis Barrett Faulkner was born on July 12, 1881 in Keene, New Hampshire. He attended Phillips Exeter Academy and went on to study at Harvard College. Around this same time, Faulkner began an apprenticeship with his cousin and painter Abbott Handerson Thayer and painter George de Forest Brush. He also met sculptors James Earle Fraser and Augustus Saint-Gaudens, both of whom became Faulkner's lifelong friends.

In 1901, Faulkner traveled to Italy for the first time with Thayer and his family. He returned to New York in 1902 and studied at the Art Students League and Chase School. He also completed illustration work for Century magazine.

In 1907, Faulkner won the Rome Prize Fellowship from the American Academy in Rome. shortly thereafter, he left to study in Italy for three years, studying with George de Forest Brush and befriending sculptor Paul Manship. Upon his return in 1910, he started working on his first mural, commissioned by the wife of railroad executive E.H. Harriman. Having found his niche, Faulkner continued taking mural commissions until his career was interrupted by World War I and his service in the camouflage section of the army. Shortly after the war, he completed a mural for the marine headquarters in Quantico, Virginia.

Between 1923-1924, Faulkner worked in collaboration with Eric Gugler and Paul Manship to create the American Academy in Rome war memorial. Also following the war, Faulkner completed murals for the Eastman School of Music in 1922, the Rockefeller Center in 1932, and the National Archives in 1936. That same year, Faulkner bought and refurbished a house named "The Bounty" in Keene, New Hampshire, and built a studio nearby. In 1930, he was elected as a trustee of the American Academy in Rome.

During the 1940s, Faulkner created murals for numerous public buildings and sites around New Hampshire including the Senate Chambers in Concord, the Elliot Community Hospital, Keene National Bank, and the Cheshire County Savings Bank in Keene. During his final decades, Faulkner wrote an unpublished manuscript on the history of art in the Connecticut River Valley entitled A Neighborhood of Artists, and his posthumously published memoirs, Sketches of an Artist's Life. Faulkner died in 1966, in Keene, New Hampshire.
Related Material:
Found in the Nancy Douglas Bowditch papers at the Archives of American Art is correspondence, photographs, and printed materials related to Barry Faulkner. The Library of Congress, Manuscript Division also holds a small collection of Barry Faulkner's papers. Additional correspondence from Faulkner is found in the papers of Witter Bynner at the University of New Mexico and at Harvard University.
Provenance:
The collection was donated by Francis Faulkner, Barry Faulkner's nephew, in 1974. An addition to the collection was donated by Jocelyn Faulkner Bolle in 2014.
Restrictions:
The bulk of this collection has been digitized and is available online via AAA's website.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- New Hampshire -- Keene  Search this
Topic:
World War, 1914-1918  Search this
Artist colonies -- New Hampshire -- Peterborough  Search this
Artists' studios in art  Search this
Educators -- New Hampshire  Search this
Artists' studios -- New Hampshire  Search this
Painting, Modern -- 20th century -- New Hampshire -- Keene  Search this
Muralists -- New Hampshire -- Keene  Search this
Mural painting and decoration -- 20th century -- United States  Search this
Artists -- New Hampshire  Search this
Function:
Artist colonies -- New Hampshire
Genre/Form:
Sketchbooks
Diaries
Scrapbooks
Sketches
Writings
Photographs
Travel diaries
Photograph albums
Citation:
Barry Faulkner papers, circa 1858-1973. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.faulbarr
See more items in:
Barry Faulkner papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw99b300c09-9ef0-4fb6-a81d-7d8098df7fc7
EDAN-URL:
ead_collection:sova-aaa-faulbarr
Online Media:

Gallery of living art, A. E. Gallatin collection, 100 Washington square east, New York. Director, A. E. Gallatin; curators: H. McBride, P. L. Goodwin [etc.]

Author:
Gallery of Living Art  Search this
Gallatin, A. E (Albert Eugene) 1881-1952  Search this
Sweeney, James Johnson 1900-1986  Search this
Hélion, Jean 1904-1987  Search this
Physical description:
[33] p. [32] p. of plates illus. 24 cm
Type:
Catalogs
Place:
New York (State)
New York
Date:
1933
1933]
Topic:
Painting  Search this
Art  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_401039

Modify Your Search







or


Narrow By