Search Results

Collection Author:

Garrett, John W. (John Work), 1820-1884  Search this

Latrobe, Benj. H. (Benjamin Henry), 1807-1878  Search this

Collection Creator:

Baltimore and Ohio Railroad Company  Search this

Container:

Box 42, Item 4218

Type:

Archival materials

Negatives

Date:

circa 1905

Collection Restrictions:

The collection is open for research use. Researchers must handle unprotected photographs and glass plate negatives with gloves.

Collection Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Collection Citation:

Baltimore and Ohio Railroad Records, Archives Center, National Museum of American History

See more items in:

Baltimore and Ohio Railroad Records

Baltimore and Ohio Railroad Records / Series 9: Negatives / 9.5: Herrs Island – Allegheny, New York River Bridge

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep835ed9823-c18f-47c0-88fa-15212a0aa964

EDAN-URL:

ead_component:sova-nmah-ac-1086-ref6665

Collection Author:

Garrett, John W. (John Work), 1820-1884  Search this

Latrobe, Benj. H. (Benjamin Henry), 1807-1878  Search this

Collection Creator:

Baltimore and Ohio Railroad Company  Search this

Container:

Box 42, Item 4219

Type:

Archival materials

Negatives

Date:

circa 1905

Collection Restrictions:

The collection is open for research use. Researchers must handle unprotected photographs and glass plate negatives with gloves.

Collection Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Collection Citation:

Baltimore and Ohio Railroad Records, Archives Center, National Museum of American History

See more items in:

Baltimore and Ohio Railroad Records

Baltimore and Ohio Railroad Records / Series 9: Negatives / 9.5: Herrs Island – Allegheny, New York River Bridge

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8c844c7c1-a37e-4c07-b412-9d7de9038044

EDAN-URL:

ead_component:sova-nmah-ac-1086-ref6666

Creator:

Smithsonian Center for Folklife and Cultural Heritage  Search this

Type:

YouTube Videos

Uploaded:

2022-09-20T13:14:38.000Z

YouTube Category:

Music  Search this

Topic:

Cultural property  Search this

See more by:

smithsonianfolkways

Data Source:

Smithsonian Center for Folklife and Cultural Heritage

YouTube Channel:

smithsonianfolkways

EDAN-URL:

edanmdm:yt_2fyPSxX9aRA

Creator:

National Portrait Gallery  Search this

Type:

YouTube Videos

Uploaded:

2011-04-08T14:54:25.000Z

YouTube Category:

Education  Search this

Topic:

Portraits  Search this

See more by:

NatlPortraitGallery

Data Source:

National Portrait Gallery

YouTube Channel:

NatlPortraitGallery

EDAN-URL:

edanmdm:yt_qx1aIEm3Pko

Creator:

Smithsonian American Art Museum  Search this

Type:

YouTube Videos

Uploaded:

2021-05-20T19:17:02.000Z

YouTube Category:

Education  Search this

Topic:

Art, American  Search this

See more by:

americanartmuseum

Data Source:

Smithsonian American Art Museum

YouTube Channel:

americanartmuseum

EDAN-URL:

edanmdm:yt_7euB-jHf8U4

Creator:

Smithsonian Channel  Search this

Type:

YouTube Videos

Uploaded:

2020-01-01T16:30:01.000Z

YouTube Category:

Entertainment  Search this

See more by:

smithsonianchannel

Data Source:

Smithsonian Channel

YouTube Channel:

smithsonianchannel

EDAN-URL:

edanmdm:yt_i-qIOC7wQEQ

Creator:

Cooper Hewitt, Smithsonian Design Museum  Search this

Type:

YouTube Videos

Uploaded:

2012-12-05T16:01:54.000Z

YouTube Category:

Education  Search this

Topic:

Design  Search this

See more by:

cooperhewitt

Data Source:

Cooper Hewitt, Smithsonian Design Museum

YouTube Channel:

cooperhewitt

EDAN-URL:

edanmdm:yt_mo50OvHvt1g

Variant company name:

Est. 1864 ; New York, NY ; one item/envelope shelved with Lovell-Dressel Co., Inc.  Search this

Company Name:

F. H. Lovell & Co.  Search this

Related companies:

Lovell-Dressel Co., Inc. ; Adams & Westlake Co. (Elkhart, IN)  Search this

Notes content:

reprint of July 1895 catalog ; railroad and marine lighting appliances and fixtures ; chimneys ; globes ; shades ; battery jars ; lamps ; lanterns ; burners ; wick ; headlights ; signal lamps

Includes:

Trade catalog and price lists

Black and white images

Physical description:

2 pieces; 2 boxes

Language:

English

Type of material:

Trade catalogs

Trade literature

Place:

Arlington, New Jersey, United States

Date range:

1800s-1900s

Topic (Romaine term):

Boats and ships (including marine hardware and supplies)  Search this

Lighting (electric; gas; candle; oil; etc.)  Search this

Railroad; streetcar; subway and tramway equipment and supplies  Search this

Topic:

Boats and boating  Search this

Candles  Search this

Lamps  Search this

Lighting  Search this

Marine machinery  Search this

Railroad equipment industry  Search this

Ships  Search this

Street-railroads  Search this

Subways  Search this

Record ID:

SILNMAHTL_36810

Collection:

Smithsonian Libraries Trade Literature Collections

Data source:

Smithsonian Libraries

EDAN-URL:

edanmdm:SILNMAHTL_36810

Company Name:

American Pulley Co.  Search this

Notes content:

Steel split pulleys, belt pulleys, drive belts, speed-reduction drives, double-hung steel windows, hand trucks (barrel, box, cotton, grain, railroad, stevedore, warehouse); hub shells, arm structures, rims, crowns, motor bases ... this comprises the uncataloged portion.

Includes:

Trade catalog

Black and white images

Color images

Physical description:

73 pieces; 2 boxes

Language:

English

Type of material:

Trade catalogs

Trade literature

Place:

Philadelphia, Pennsylvania, United States

Date:

1900s

Topic (Romaine term):

Automobiles and automotive equipment (including trucks and buses)  Search this

Railroad; streetcar; subway and tramway equipment and supplies  Search this

Topic:

Automobiles  Search this

Motor vehicles  Search this

Railroad equipment industry  Search this

Street-railroads  Search this

Subways  Search this

Record ID:

SILNMAHTL_43072

Collection:

Smithsonian Libraries Trade Literature Collections

Data source:

Smithsonian Libraries

EDAN-URL:

edanmdm:SILNMAHTL_43072

Creator:

Spero, Nancy, 1926-2009  Search this

Names:

A.I.R. Gallery (New York, N.Y.)  Search this

Galerie Lelong (New York, N.Y.)  Search this

Golub, Leon, 1922-2004  Search this

Mendieta, Ana, 1948-1985  Search this

Sosa, Irene  Search this

Extent:

26.4 Linear feet

19.12 Gigabytes

Type:

Collection descriptions

Archival materials

Gigabytes

Sound recordings

Interviews

Video recordings

Documentary films

Motion pictures

Date:

1940s-2009

Summary:

The papers of painter, collage artist, and printmaker Nancy Spero measure 26.4 linear feet and 19.12 GB and are dated 1940s-2009. Biographical material, correspondence and other files documenting Spero's personal and professional relationships, interviews and writings, records of Spero's many exhibitions and projects, files highlighting the major subjects that galvanized her, business records, printed and photographic material, and digital and video recordings, offer detailed insight into the career of one of the earliest feminist artists.

Scope and Contents:

The papers of painter, collage artist, and printmaker Nancy Spero measure 26.4 linear feet and 19.12 GB and are dated 1940s-2009. Biographical material, correspondence and other files documenting Spero's personal and professional relationships, interviews and writings, records of Spero's many exhibitions and projects, files highlighting the major subjects that galvanized her, business records, printed and photographic material, and digital and video recordings, offer detailed insight into the career of one of the earliest feminist artists.

Biographical material includes biographical notes and curricula vitae, as well as several video recordings of documentaries about Spero by Patsy Scala and Irene Sosa which feature original footage of Spero at work. Correspondence is personal and professional, and includes letters from artists including Judy Chicago and Ana Mendieta, writers and curators such as Deborah Frizzell and Susanne Altmann, regarding Spero exhibition catalogs, monographs, and articles, and personal news from family members such as Spero's sons, and correspondence related to other aspects of Spero's career.

Interviews of Spero include transcripts, published interviews, and video recordings. Writings include many of Spero's statements about her work, as well as notes, published versions of articles written by Spero, and video recordings of talks and panel discussions she participated in.

Exhibition files for over 75 shows document the extent to which Spero's work has been widely exhibited in her lifetime with numerous solo exhibitions, including major retrospectives in London, Paris, Barcelona, and Madrid, and dozens of group exhibitions in which she participated over the course of her career.

Gallery and museum files supplement the exhibition files by further documenting Spero's dealings with numerous galleries and museums, including Galerie Lelong, which represents Spero's estate, Barbara Gross Galerie, the first gallery in Germany to represent Spero, the Museum of Fine Arts, Boston, the National Gallery of Canada, and many others. The series also documents Spero's involvement with A.I.R. Gallery, the first independent women's art venue in the United States.

Professional files document other aspects of Spero's career including, but not limited to, awards she received, organizations she participated in or contributed to, publishing projects related to her work, and individual projects she executed such as an installation at the Harold Washington Library in Chicago and the Artemis, Acrobats, Divas & Dancers mosaic tiles she created for the Metropolitan Transit Authority for the 66th Street/Lincoln Center subway station. Also included here are files related to works of art such as Codex Artaud, and Notes in Time.

Subject files, contents of which were presumably used as source material for Spero, document subjects of interest to her, many of which were incorporated into her work and consists primarily of printed material. Broad subject categories include animal rights and conservation, feminism, war, and women. One set of folders documents "museum and political actions" undertaken by Spero and other activists during the 1960s-1970s to fight for equal representation of women in the arts and challenge the male-dominated hierarchy of the art world. Subject files include multiple news articles on torture, rape, and other atrocities committed particularly against women during wartime and by repressive and autocratic political regimes, and also include source material on the archetypal images of women that were fundamental to her interpretation of the female experience.

Printed material documents Spero's entire career from the late 1950s on. Announcements, exhibition catalogs, invitations, news clippings, and periodicals provide comprehensive coverage of her many exhibitions and other events. Printed material also documents the activities of a few other artists, primarily from the 2000s, and includes periodicals, primarily about art, and video recordings of documentaries about art and various other subjects.

Photographic material includes photographs of Nancy Spero from the 1940s on, photos of Spero with family and friends, and photographs of artwork including the heads of Spero's 2007 Maypole: Take No Prisoners which was the last major work completed before her death, originally realized for the Venice Biennale. Also found are a few installation shots and prints, slides, and digital images of Notes in Time at A.I.R. Gallery in 1979.

Arrangement:

The collection is arranged as 11 series:

Missing Title

Series 1: Biographical Material, 1950-2009 (Box 1, FC 30; 0.85 linear feet, ER01-ER04; 9.58 GB)

Series 2: Correspondence, 1946-2009 (Boxes 1-4, 27; 2.75 linear feet)

Series 3: Interviews, 1973-2007 (Boxes 4-5; 0.6 linear feet)

Series 4: Writings, 1950-2007 (Boxes 5-6; 1 linear foot)

Series 5: Exhibition Files, circa 1976-2009 (Boxes 6-9, 27, OV 28; 3.3 linear feet, ER09-ER10, ER14-ER17; 1.5 GB)

Series 6: Gallery and Museum Files, 1972-2009 (Boxes 9-14; 5.1 linear feet; ER05-ER08, ER12-ER13; 2.962 GB)

Series 7: Professional Files, circa 1967-2008 (Boxes 14-17, RD 29; 3.5 linear feet; ER15; 0.74 GB)

Series 8: Subject Files, 1950s-2009 (Boxes 17-19, 27, OV 28; 2.4 linear feet)

Series 9: Business Records, circa 1976-2008 (Boxes 19-20; 0.7 linear foot)

Series 10: Printed Material, 1949-2009 (Boxes 20-25, 27, OV 28; 5.5 linear feet)

Series 11: Photographic Material, 1940s-2009 (Boxes 25-27; 0.7 linear foot; ER18-ER19; 0.151 GB)

Biographical / Historical:

Nancy Spero (1926-2009) was a figurative painter, printmaker, and collage artist based in New York City whose work was executed primarily on paper from the 1960s on, and often incorporated text. Spero was among the first feminist artists and a political activist whose convictions were expressed relentlessly in her work. Using archetypal representations of women to examine the range of female experience, Spero centered "woman as protagonist" whilst simultaneously examining the suffering women have long been subjected to through structural inequality, the systematic abuses of repressive political regimes, and the atrocities of war.

Born in Cleveland, Nancy Spero lived in Chicago from the time she was a very young child until completing her studies at the School of the Art Institute of Chicago (BFA 1949) where she met her future husband, painter Leon Golub (1922-2004). Spero studied briefly in Paris and lived in New York City, returning to Chicago after her marriage in 1951. The couple and their two sons lived in Italy from 1956 to 1957. In 1959, after a few years in New York, the family moved to Paris where Spero developed an interest in existentialism and produced a series of black paintings. Spero and Golub returned to New York in 1964 with their three sons.

Nancy Spero was strongly affected by the war in Vietnam and the many social changes of the period. She became an activist and feminist, joined various organizations, and participated in a variety of demonstrations. Work such as the War series began to include political and sexual imagery, and Spero's work from here on was primarily executed on paper.

Spero was among the founding members of the women's cooperative A.I.R. Gallery established in 1972. In the 1970s archetypal representations of women in mythology, history, art, and literature became predominant in her work. Included in this vein are major series and installations, among them Torture of Women, Notes in Time on Women, The First Language, and her 66th Street/Lincoln Center subway station mosaic mural Artemis, Acrobats, Divas and Dancers.

Spero exhibited in the 1950 Salon des Independents and her first solo exhibition (in tandem with Leon Golub) was held at Indiana University in 1958. Thereafter, she showed sporadically until nearly 30 years later when her career flourished and she enjoyed international stature. Beginning in 1986, each year brought multiple solo exhibitions at galleries and museums in the United States and internationally. In addition, she continued to participate in group shows such as "Documenta" and the Venice Biennale. Her work is included in the permanent collections of museums throughout the world.

Awards and honors included the Skowhegan Medal for Works on Paper (1995), Hiroshima Art Prize shared with Leon Golub (1996), The Women's Caucus for Art award for Outstanding Achievement in Visual Arts (2003), and The Women's Caucus for Art Distinguished Artist Award for Lifetime Achievement (2005). Spero was awarded honorary Doctorates of Fine Arts by The School of the Art Institute of Chicago (1991) and Williams College (2001), and was elected a member of the American Academy of Arts and Letters (2006).

After several years of declining health, Nancy Spero died from heart failure in New York City, October 18, 2009.

Related Materials:

Also among the holdings of the Archives of American Art are an interview with Nancy Spero conducted 2008 Februay 6-July 24, by Judith Olch Richards, and the papers of Spero's husband, Leon Golub.

Provenance:

Following a gift of materials by Nancy Spero in 1979, the majority of the collection was donated by Spero's sons, Stephen Golub, Philip Golub, and Paul Golub, in 2013.

Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Printmakers -- New York (State) -- New York  Search this

Painters -- New York (State) -- New York  Search this

Collagists -- New York (State) -- New York  Search this

Topic:

Art -- Political aspects  Search this

Feminism and art  Search this

Women artists  Search this

Women printmakers  Search this

Women painters  Search this

Genre/Form:

Sound recordings

Interviews

Video recordings

Documentary films

Motion pictures

Citation:

Nancy Spero papers, 1940s-2009. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing of this collection was provided by The Walton Family Foundation. Funding for the digitization of the collection was provided by the Smithsonian American Women's History Initiative.

Identifier:

AAA.spernanc

See more items in:

Nancy Spero papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9ee586015-b282-427f-88a2-0768b0b0e79b

EDAN-URL:

ead_collection:sova-aaa-spernanc

Creator:

Cooper Hewitt, Smithsonian Design Museum  Search this

Type:

Conversations and talks

YouTube Videos

Uploaded:

2021-12-10T06:33:36.000Z

YouTube Category:

Entertainment  Search this

Topic:

Design  Search this

See more by:

cooperhewitt

Data Source:

Cooper Hewitt, Smithsonian Design Museum

YouTube Channel:

cooperhewitt

EDAN-URL:

edanmdm:yt_QolZs86dyrc

Creator:

Cooper Hewitt, Smithsonian Design Museum  Search this

Type:

YouTube Videos

Uploaded:

2018-05-14T16:48:43.000Z

YouTube Category:

Education  Search this

Topic:

Design  Search this

See more by:

cooperhewitt

Data Source:

Cooper Hewitt, Smithsonian Design Museum

YouTube Channel:

cooperhewitt

EDAN-URL:

edanmdm:yt_4vCmLsIYw84

Creator:

Smithsonian American Art Museum  Search this

Type:

Conversations and talks

YouTube Videos

Uploaded:

2010-05-03T18:02:23.000Z

YouTube Category:

Education  Search this

Topic:

Art, American  Search this

See more by:

americanartmuseum

Data Source:

Smithsonian American Art Museum

YouTube Channel:

americanartmuseum

EDAN-URL:

edanmdm:yt_bpDxw1HvtoU

Interviewee:

Sekula, Allan  Search this

Interviewer:

Panzer, Mary  Search this

Names:

Artforum  Search this

California Institute of the Arts  Search this

Rhode Island School of Design  Search this

Students for a Democratic Society (U.S.)  Search this

The Ohio State University -- Faculty  Search this

University of California, San Diego  Search this

Altoon, John, 1925-  Search this

Antin, David  Search this

Antin, Eleanor  Search this

Ascott, Roy  Search this

Baldessari, John, 1931-  Search this

Barthes, Roland  Search this

Becker, Howard  Search this

Bercovitch, Sacvan  Search this

Beveridge, Karl  Search this

Bo Diddley, 1928-2008  Search this

Brach, Paul, 1924-  Search this

Braderman, Joan  Search this

Burch, Noël, 1932-  Search this

Burn, Ian, 1939-1993  Search this

Captain Beefheart  Search this

Charlesworth, Sarah, 1947-2013  Search this

Chayefsky, Paddy, 1923-1981  Search this

Conde, Carol  Search this

Connell, Brian  Search this

Evans, Walker, 1903-1975  Search this

Farber, Manny  Search this

Feldman, Ronald, 1938-  Search this

Folks, Homer, 1867-1963  Search this

Fox, Terry, 1943-  Search this

Fried, Howard, 1946-  Search this

Ginsberg, Allen, 1926-1997  Search this

Graham, Dan, 1942-  Search this

Graves, Michael, 1934-2015  Search this

Halleck, DeeDee  Search this

Hanhardt, John G.  Search this

Hassan, Ihab, 1925-2015  Search this

Hayes, Woody, 1913-1987  Search this

Heinecken, Robert, 1931-  Search this

Higgins, Dick, 1938-1998  Search this

Hine, Lewis Wickes, 1874-1940  Search this

Kienholz, Edward, 1927-  Search this

Kirschenbaum, Baruch David, 1931-  Search this

Knowles, Alison, 1933-  Search this

Kosuth, Joseph.  Search this

Kozloff, Max  Search this

Kramer, Hilton  Search this

Krauss, Rosalind E.  Search this

König, Kasper  Search this

Liebling, Jerome  Search this

Lifson, Ben  Search this

Little Richard, 1932-  Search this

Lonidier, Fred  Search this

Lord, Catherine, 1949-  Search this

Lunn, Harry, 1933-1998  Search this

Mac Low, Jackson  Search this

Mandel, Mike  Search this

Matta, 1912-2002  Search this

Mayer, Grace M.  Search this

Michelson, Annette  Search this

O'Doherty, Brian  Search this

Pommer, Richard  Search this

Ramsden, Mel  Search this

Raskin, Jef  Search this

Reagan, Ronald  Search this

Rosler, Martha  Search this

Ross, David A., 1949-  Search this

Ruby, Jay  Search this

Ruscha, Edward  Search this

Salle, David, 1952-  Search this

Salvesen, Britt  Search this

Schimmel, Paul  Search this

Segalove, Ilene, 1950-  Search this

Stein, Sally  Search this

Steinmetz, Philip  Search this

Sultan, Larry  Search this

Van Riper, Peter  Search this

Wakoski, Diane  Search this

Wall, Jeff, 1946-  Search this

Extent:

12 Items (Sound recording: 12 sound files (6 hr.,14 min.), digital, wav)

143 Pages (Transcript)

Type:

Collection descriptions

Archival materials

Pages

Interviews

Sound recordings

Date:

2011 August 20-2012 February 14

Scope and Contents:

An interview with Allan Sekula conducted 2011 August 20-2012 February 14, by Mary Panzer, for the Archives of American Art at Sekula's studio and home in Los Angeles, California and at the Museum of Modern Art in New York, New York.

Sekula speaks of his career and some of the mediums he works in; language and contemporary art; Roland Barthes; his relation to contemporary art; west coast conceptualism; genre switches; realism; documentary photography; Belgium and the industrial revolution; Meunier; minor figures; art history and marginalism; Roberto Matta; World War I; Homer Folks; Fish Story; historic cinema; economic factors of art shows and publication; galleries and the art world; growing up and his family; his father and moving; Ohio; his brothers and sisters; San Pedro; demographics of students at school; sports at school; Vietnam; protests; cross country and swimming; California; fishing; college; U.C. system; declaring a major; John Altoon; Ed Kienholz; exposure to art; visiting museums; Marcuse's classes; Baldessari's classes; course work and student life; student demonstrations; working in a library and exposure to books; father losing his job; science and working as a chemical technician; politics; his uncle committing suicide; moving away from his father; the draft; John Birch; Students for a Democratic Society; his mother; politics of his parents; Aerospace Folk Tales, autodidacts and scholarship; San Diego and Mexico; obtaining a camera and starting to use it; art school; CalArts; UCSD; Meditations on a Triptych; David Salle; Fred Lonidier; Phel Steinmetz; MFA and art training; poets; story of Allen Ginsberg and one of Sekula's sculptures; production and the audience; A Photograph is Worth a Thousand Questions, photography and the burden of tradition; pictorialism; moving to New York; Artforum; October; New York music scene; Captain Beefheart; Bo Diddley; Little Richard; Steichen and aerial photography; origins of October; New Criterion; Art Critic's Grant; teaching at Ohio State; television; technological historians; New York subway and getting a ticket for using French money; RISD lectures; Long Beach; photography; collages; Metro Pictures; New Topographics; School as a Factory; moral choice and the viewer; work method and the audience; Social Criticism and Art Practice; east and west coasts; Ed Ruscha; documentary; film, Los Angeles; cinema and social history; Ohio State Department of Photography and Cinema; Los Angeles Plays Itself; Committee in Solidarity with the People of El Salvador; Ohio State campus, anti-Semitism; Ronald Reagan and protest; influences and colleagues; intellectual genealogy; Michael Graves and Ohio State architecture; Bad Ohio; tenure; University Exposed; AIDS issue of October; The Body and the Archive; making film; Korean War; collectors and images. Sekula also recalls Eleanor Antin, Jeff Wall, Terry Fox, Lewis Hine, Walker Evans, Paul Saltman, Marcuse, Baldessari, Sacvan Bercovitch, Stanley Miller, Jef Raskin, Paul Brach, David Antin, Howard Fried, Peter Van Riper, Alison Knowles, Dick Higgins, Manny Farber, Ihab Hassan, Diane Wakoski, Jackson Mac Low, Martha Rosler, Lenny Neufeld, Joshua Neufeld, David Wing, Brian Connell, Max Kozloff, Ian Burn, Mel Ramsden, Carole Conde, Karl Beveridge, Barry Rosens, Tom Crow, John Copeland, Harry Lunn, Hilton Kramer, Grace Mayer, Carol Duncan, Eva Cockroft, Richard Pommer, Rosalind Krauss, Sally Stein, Paddy Chayefsky, John Hanhardt, Mel Ramsden, Sarah Charlesworth, Jospeh Kosuth, Baruch Kirschenbaum, Robert Heinecken, Brian O'Doherty, Howard Becker, Jay Ruby, Jerry Liebling, Anna Wilkie, Ronald Feldman, John Gibson, David Ross, Britt Salvesen, Larry Sultan, Mike Mandel, Roy Ascott, Ilene Segalove, Paul Schimmel, DeeDee Halleck, Noel Burch, Joan Braderman, Woody Hayes, Thom Andersen, John Quigley, Ron Green, Kasper Koenig, Dan Graham, Jonathan Green, Christa Wolf, Catherine Lord, Ben Lifson, and Annette Michelson.

Biographical / Historical:

Allan Sekula (1951-2013) was a photographer, filmmaker, and writer, based at the California Institute of the Arts in Valencia, California. Mary Panzer (1955- ) is a historian from New York, New York.

Provenance:

This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.

Occupation:

Photographers -- California  Search this

Filmmakers -- California  Search this

Authors -- California  Search this

Topic:

Activism  Search this

Antisemitism  Search this

Architecture  Search this

Art -- Exhibitions -- Economic aspects  Search this

Art -- History  Search this

Art, Modern -- 20th century  Search this

Art -- Study and teaching  Search this

Conceptual art  Search this

Documentary photography  Search this

Korean War, 1950-1953  Search this

Music -- New York (State) -- New York  Search this

Photography  Search this

Realism  Search this

World War, 1914-1918  Search this

Genre/Form:

Interviews

Sound recordings

Identifier:

AAA.sekula11

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9d657e5da-cd1b-4366-9fe9-1852a4c5be81

EDAN-URL:

ead_collection:sova-aaa-sekula11

Collection Creator:

Gilliam, Sam, 1933-2022  Search this

Container:

Box 3, Folder 17

Type:

Archival materials

Date:

1986

Collection Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Collection Rights:

Authorization to publish, quote, or reproduce requires written permission from Sam Gilliam. Contact Reference Services for more information.

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Sam Gilliam papers, 1957-1989. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing of this collection was provided by the Henry Luce Foundation.

See more items in:

Sam Gilliam papers

Sam Gilliam papers / Series 4: Business Records

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw916c47405-25e0-4002-be64-2e02ba0372cf

EDAN-URL:

ead_component:sova-aaa-gillsam-ref121

Collection Creator:

Gilliam, Sam, 1933-2022  Search this

Container:

Box 5, Folder 27

Type:

Archival materials

Date:

1980

Collection Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Collection Rights:

Authorization to publish, quote, or reproduce requires written permission from Sam Gilliam. Contact Reference Services for more information.

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Sam Gilliam papers, 1957-1989. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing of this collection was provided by the Henry Luce Foundation.

See more items in:

Sam Gilliam papers

Sam Gilliam papers / Series 6: Subject Files

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9986fc685-df80-42b3-9dd5-d7fac4cfade2

EDAN-URL:

ead_component:sova-aaa-gillsam-ref230

Collection Creator:

Gilliam, Sam, 1933-2022  Search this

Container:

Box 5, Folder 28-29

Type:

Archival materials

Date:

1980

Collection Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Collection Rights:

Authorization to publish, quote, or reproduce requires written permission from Sam Gilliam. Contact Reference Services for more information.

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Sam Gilliam papers, 1957-1989. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing of this collection was provided by the Henry Luce Foundation.

See more items in:

Sam Gilliam papers

Sam Gilliam papers / Series 6: Subject Files

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw998789cea-ca7c-4192-bd36-2601cace75b3

EDAN-URL:

ead_component:sova-aaa-gillsam-ref231

Collection Creator:

Gilliam, Sam, 1933-2022  Search this

Container:

Box 5, Folder 30-31

Type:

Archival materials

Date:

1980

Collection Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Collection Rights:

Authorization to publish, quote, or reproduce requires written permission from Sam Gilliam. Contact Reference Services for more information.

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Sam Gilliam papers, 1957-1989. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing of this collection was provided by the Henry Luce Foundation.

See more items in:

Sam Gilliam papers

Sam Gilliam papers / Series 6: Subject Files

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw975ce7c0e-e218-499d-b632-709599871a76

EDAN-URL:

ead_component:sova-aaa-gillsam-ref232

Collection Creator:

Gilliam, Sam, 1933-2022  Search this

Container:

Box 5, Folder 32-34

Type:

Archival materials

Date:

1967-1968

Collection Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Collection Rights:

Authorization to publish, quote, or reproduce requires written permission from Sam Gilliam. Contact Reference Services for more information.

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Sam Gilliam papers, 1957-1989. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing of this collection was provided by the Henry Luce Foundation.

See more items in:

Sam Gilliam papers

Sam Gilliam papers / Series 6: Subject Files

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw95d6678b6-b77c-41f6-ab82-451442ff6edc

EDAN-URL:

ead_component:sova-aaa-gillsam-ref233

Collection Creator:

Gilliam, Sam, 1933-2022  Search this

Container:

Box 5, Folder 35

Type:

Archival materials

Date:

1979

Collection Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Collection Rights:

Authorization to publish, quote, or reproduce requires written permission from Sam Gilliam. Contact Reference Services for more information.

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Sam Gilliam papers, 1957-1989. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing of this collection was provided by the Henry Luce Foundation.

See more items in:

Sam Gilliam papers

Sam Gilliam papers / Series 6: Subject Files

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw97920002d-8930-4c67-974f-621f592de2af

EDAN-URL:

ead_component:sova-aaa-gillsam-ref234