The papers of African American painter, printmaker, and educator Marvin Harden measure 2.2 linear feet and date from circa 1936 to 2005. Found within the papers are biographical materials, correspondence, teaching files, exhibition files, printed material, artwork, and photographs. Correspondents include Joyce Tremain, Judy Chicago, Marion Lerner Levine, Jud Fine, Houston Conwill, Sandy Ballatore-Nelson, Nancy Lee Riegelmen, Eugene Anderson, Connor Everts, Pleter Plagens, Jan Stussy, Caroll Toon, William Wilson, and others. Artwork includes a book of etchings Natural Selections (1991).
Scope and Contents:
The papers of African American painter, printmaker, and educator Marvin Harden measure 2.2 linear feet and date from circa 1936 to 2005. Found within the papers are biographical materials, correspondence, teaching files, exhibition files, printed material, artwork, and photographs. Artwork includes a book of etchings Natural Selections (1991).
Biographical material includes papers pertaining to Harden's education and family history, including an essay written by his sister Lura Harden Miller.
Correspondence is with artists, colleagues, and organizations, including Eugene Anderson, Sandy Ballatore-Nelson, William Brice, Judy Chicago, Houston Conwill, Connor Everts, Jud Fine, Marion Lerner Levine, Pleter Plagens, Nancy Lee Riegelmen, Jan Stussy, Caroll Toon, William Wilson, Dobrick Gallery, Eugenia Butler Gallery, Gloria Cortella, Inc., Hank Baum Gallery, Jan Turner Gallery, Los Angeles County Museum of Art, and the Museum of Modern Art, among others.
Teaching files primarily document Harden's career as an art educator at California State University, Northridge. Materials include teaching awards, assignments, course outlines, notes, and miscellaneous writings by Harden about his teaching philosophy. The files also contain correspondence and photographs with students, a student exhibition guest register, committee notes, memorandums, and evidence pertaining to an employment-related grievance with the university.
Exhibition files include announcements, correspondence, exhibition catalogs, floor plans, insurance documents, loan agreements, photographs, press releases, and price lists.
Printed material consists of announcements and invitations, exhibition catalogs, and a loose clippings scrapbook with articles and reviews about Harden's artwork and exhibitions. Also found is a copy of the first volume of the Journal published by the Los Angeles Institute of Contemporary Art, which includes a photograph of Harden and references to his involvement in developing the organization.
Artwork includes two sketches and an artists' book entitled natural selections which contains 12 aquatint etchings by Marvin Harden.
Among the black and white and color photographs are portraits and snapshots of Marvin Harden, family members, and colleagues, as well as Harden's home, studio, and land at Inwardness Ranch located near Cambria, California.
Arrangement:
The collection is arranged as 7 series.
Missing Title
Series 1: Biographical Material, 1950-1991 (Box 1; 5 folders)
Series 2: Correspondence, 1964-2005 (Box 1; 0.6 linear feet)
Series 3: Teaching Files, circa 1964-2003 (Box 1; 0.4 linear feet)
Series 4: Exhibition Files, 1966-2004 (Boxes 1-2; 0.6 linear feet)
Series 5: Printed Material, circa 1964-2003 (Box 2; 0.6 linear feet)
Series 6: Artwork, 1989-2000 (Box 2; 2 folders)
Series 7: Photographs, circa 1936-2001 (Box 2; 7 folders)
Biographical / Historical:
Marvin Harden (1935- ) is an African American painter, printmaker, and educator living and working in California.
Harden received a Master of Fine Arts from the University of California, Los Angeles (UCLA) in 1963. While there, Harden studied under John Paul Jones, Jan Stussy, and William Brice. He also became friends with UCLA classmate and feminist artist, Judy Chicago.
Harden's first solo exhibition was in 1964 at Ceeje Galleries in Los Angeles, California. His drawings, paintings, and prints have been exhibited widely in museums, galleries, and universities in southern California, and also in New Mexico, New York, and Texas, among other locations. Harden has also been the recipient of artists' fellowships awarded by the National Endowment for the Arts, John Simon Guggenheim Memorial Foundation, and Southeastern Center for Contemporary Art.
Harden became a Professor of Art at California State University, Northridge (CSUN) in 1968, and in 1984 he received a Distinguished Teaching Award and Exceptional Merit Service Award. During his career at CSUN, Harden established the art department's graduate teaching assistant program.
Provenance:
The Marvin Harden papers were donated to the Archives of American Art by Marvin Harden in 2005.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
An interview of Roland Reiss conducted 1997 Aug. 23-1999 June 11, by Paul Karlstrom, for the Archives of American Art, in Reiss' studio, Los Angeles, Calif.
A fairly lengthy discussion of UCLA included an account of studying with Jan Stussy, a Stanton Macdonald-Wright disciple, and with Macdonald-Wright himself, who took a special interest in Reiss. He also singled out as a major influence Clinton Adams who, with Macdonald-Wright, served as a model of the intellectual artist who embodied rigorous thinking and a search for meaning through critique of language. Additional topics were the difference between the San Francisco and Los Angeles art worlds, the impact of abstract expressionism and of his own paper on the subject delivered to the UCLA faculty, which Reiss remembers as the introduction of abstract expressionism at the university. After a discussion of his teaching experience in Colorado and pioneering work with plastics, Reiss recalled his interaction there with leading artists including Joan Brown, Nancy Graves, David Hockney, Clyfford Still (with whom Reiss had daily conversations), and William T. Wiley. The third session focused on his long teaching career at Claremont and an in-depth discussion of various art programs in the country and the philosophies involved. In effect, this concluding part of the interview was a history of art education and the training of artists in California presented by someone whose entire career has been connected to educational institutions.
Biographical / Historical:
Roland Reiss (1929-) is a painter and sculptor from Los Angeles, Calif.
General:
Originally recorded on 7 sound cassettes. Reformatted in 2010 as 11 digital wav files. Duration is 6 hr., 3 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators. Funding for the transcription of this interview provided by Bente and Gerald E. Buck Collection.
The papers of sculptor Maxine Kim Stussy measure 2.7 linear feet and date from circa 1930-2018, bulk 1956-1999. Included is biographical material; a transcript of an interview of Stussy conducted by Gregory Cloud, May 12, 1972; transparencies, photographs, negatives and slides of works of art, Maxine Kim Stussy, Jan Stussy and others; writings by Maxine and Jan; printed material; scrapbook pages; lists of works of art and price lists; exhibition planning documents; and correspondence.
Scope and Contents:
The papers of sculptor Maxine Kim Stussy measure 2.7 linear feet and date from circa 1930-2018, bulk 1956-1999. Included is biographical material comprised of a transcript of an interview of Stussy conducted by Gregory Cloud, May 12, 1972, and resumes, and correspondence, the bulk of which are letters and an unofficial will from Jan Stussy. Also found are letters from colleges and universities and Decker Studio, an art foundry. Writings contain poems and screenplay: Sam and Dellah written by Maxine Kim Stussy; artist statements and priced sculpture descriptions. Also found is a copy of the book Burnt Icarusemph> by Virginia Murrell with cover illustration done by Stussy. Photographic materials make up the bulk of the papers and consist of photographs, negatives and slides of Maxine Kim Stussy, her artwork, family and colleagues including Jan Stussy, her home and exhibitions, notably a joint show with Jan Stussy at Everett Ellis Gallery, circa 1985 and solo exhibition at Sindin Gallery, 1986. The papers also include printed material; magazine articles and news clippings; scrapbook pages; lists of works of art and price lists; an artist portfolio and exhibition planning documents.
Arrangement:
The collection is arranged as seven series.
Series 1: Biographical Material, 1957-2001 0.1 Linear feet (Box 1)
Series 2: Correspondence, circa 1957-2001 0.1 Linear feet (Box 1)
Series 3: Writings, circa 1940-2009 0.1 Linear feet (Box 1)
Series 4: Professional Files, circa 1958-2018 0.1 Linear feet (Box 1)
Series 5: Printed Materials, circa 1957-2017 0.3 Linear feet (Box 1, 4)
Series 6: Scrapbooks, circa 1956-1986 0.1 Linear feet (Box 4)
Series 7: Photographic Material, circa 1930-2018 2 Linear feet (Boxes 1-4)
Biographical / Historical:
Maxine Kim Stussy (1923-2020) was a native Los Angeles modernist sculptor and painter. Stussy studied at University of California, Los Angeles, earning her B.A. in 1947. During her studies at UCLA she met painter Jan Stussy whom she married in 1949. The couple often exhibited together in the late 1950s and 60s. Her sculptural work is comprised of many forms of materials ranging from ceramic to wood, bronze, and wood cast in bronze. She created an enormous body of work, with subjects including horses, abstract figures and towering human figures over six feet tall. Over the past sixty years, Stussy exhibited at galleries and museums throughout the United States and in Europe, such as the Esther Robles Gallery and Ceeje Gallery. In addition to her fine arts, Stussy also wrote poetry. In 1982, she married her long-time friend Raymond Frankel, Jr. They moved to New York for 16 years before returning to Los Angeles where she continued her artistic pursuits. Maxine Kim Stussy passed away in March of 2020.
Related Materials:
Also found in the Archives of American Art are the Jan Stussy papers, 1943-1989.
Provenance:
Donated in 1977 by Maxine Stussy. 84 of the slides of her art work were donated in 1985 by her ex-husband, Jan Stussy, with his papers. Additional material donated in 2022 by Belinda Frankel, Maxine's stepdaughter.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Sculptors -- California -- Los Angeles Search this
Topic:
Sculpture, Modern -- 20th century -- California -- Los Angeles Search this
121 Photographic prints (b&w ; color, 8 x 10 in. 11 x 14 in.)
Type:
Collection descriptions
Archival materials
Photographic prints
Date:
1969-2007
Scope and Contents:
Photographs of Southern California artists, taken by Arnold Chanin.
Artists include Chuck Arnold, Florence Arnold, Robert Bassler, Larry Bell, Billy Al Bengston, Karl Benjamin, Anthony Berlant, Natalie Bieser, Irving Block, Nicholas Brigante, Hans Burkhardt, Aldo Casanova, George Chann, William Crutchfield, George Csengeri, Dan Cytron, Yvonne De Miranda, Edie Danieli, Fidel Danieli, Richard Diebenkorn, Lucienne Bloch Dimitrov and Steve Dimitrov, David Elder, Linda Elder, Fred Eversley, Fritz Faiss, Claire Falkenstein, Keith Finch, Max Finkelstein, Tom Fricano, Hal Gebhardt, Peter Gebhardt, George Gibson, Robert Gino, Claire Hanzakos, Mike Hanzakos, Donald Hartman, Sandra Jackman, Ynez Johnston, Kaija Keel, Peter Krasnow, Edmond Kohn, Gabriel Kohn, Don Lagerberg, Linda Levi, Stanton Macdonald-Wright, Brian Mains, La Nelle Mason, John McLaughlin, Vasa Velizar Mihich, Arnold Mesches, Judith Miller, Lee Mullican, Gwynn Murrill, Peter Plagens, Bruce Richards, Betye Saar, Arnold Schifrin, Jilda Schwartz, Harry Steinberg, James Strombotne, Jan Stussy, Maxine Kim Stussy, J. B. Thompson, Joyce Trieman, William Tunberg, James Valerio, Alex Vilumsons, Gordon Wagner, Emerson Woelffer, and Janet Wullner-Faiss. Also included is one photograph of Kaija Keel, Claire Hanzakos and Jilda Schwartz and an exhibition brochure, undated, from the Arts Options Foundation "War & Peace & Clay", regarding sculpture by Keel, Hanzakos and Schwartz.
Photographs of Diebenkorn and Hans Burkhardt, one 11 x 14 in. collage print of Diebenkorn. Three of the photographs and the collage are duplicates of filmed photographs on reel 1818. Also included is one photograph of Chanin by Steve Cohen.
Biographical / Historical:
Arnold Chanin (1934-) is a photographer from Encino, Calif.
Provenance:
Donated 1975-2007 by Arnold Chanin. Additions are expected.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jan Stussy papers, 1955-1985. Archives of American Art, Smithsonian Institution.
Sponsor:
The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jan Stussy papers, 1955-1985. Archives of American Art, Smithsonian Institution.
Sponsor:
The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jan Stussy papers, 1955-1985. Archives of American Art, Smithsonian Institution.
Sponsor:
The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jan Stussy papers, 1955-1985. Archives of American Art, Smithsonian Institution.
Sponsor:
The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.
Correspondence includes primarily letters between Jan Stussy and Stanton MacDonald-Wright, but there are also letters between Stussy and other individuals.
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jan Stussy papers, 1955-1985. Archives of American Art, Smithsonian Institution.
Sponsor:
The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jan Stussy papers, 1955-1985. Archives of American Art, Smithsonian Institution.
Sponsor:
The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jan Stussy papers, 1955-1985. Archives of American Art, Smithsonian Institution.
Sponsor:
The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jan Stussy papers, 1955-1985. Archives of American Art, Smithsonian Institution.
Sponsor:
The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jan Stussy papers, 1955-1985. Archives of American Art, Smithsonian Institution.
Sponsor:
The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jan Stussy papers, 1955-1985. Archives of American Art, Smithsonian Institution.
Sponsor:
The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jan Stussy papers, 1955-1985. Archives of American Art, Smithsonian Institution.
Sponsor:
The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jan Stussy papers, 1955-1985. Archives of American Art, Smithsonian Institution.
Sponsor:
The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.
Writings are primarily partial manuscripts of "the Image of Fire" by MacDonald-Wright, an outline for MacDonald-Wright's "Roots of Syncromism," and a foreword written by MacDonald-Wright for one of Stussy's exhibition brochures. Also included are statements on art and a biography on MacDonald-Wright written by Stussy.
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jan Stussy papers, 1955-1985. Archives of American Art, Smithsonian Institution.
Sponsor:
The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jan Stussy papers, 1955-1985. Archives of American Art, Smithsonian Institution.
Sponsor:
The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.
