Search Results

Collection Photographer:

Apeda Studio (New York, N.Y.)  Search this

Camuzzi, M.  Search this

Harris & Ewing  Search this

Collection Creator:

Sommariva, Emilio, Photographer, 1883-1956  Search this

Harris, Fred (photographer)  Search this

Scurlock Studio (Washington, D.C.)  Search this

Extent:

1 Photograph (5 x 7 1/2 inches.)

Container:

Box 6, Folder 10

Type:

Archival materials

Photographs

Photographs

Place:

Lexington (Ky.)

Collection Restrictions:

Use of the materials requires an appointment. Please contact the archivist at acmarchives@si.edu.

Collection Rights:

Collection items available for reproduction, but the Archives makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives cost-recovery and use fees may apply when requesting reproductions.

Topic:

Portraits -- African American women  Search this

Collection Citation:

Evans-Tibbs collection, Anacostia Community Museum Archives, Smithsonian Institution, gift of the Estate of Thurlow E. Tibbs, Jr.

See more items in:

Evans-Tibbs Collection

Evans-Tibbs Collection / Series 5: Photographs / Family / Unidentified family and friends

Archival Repository:

Anacostia Community Museum Archives

GUID:

https://n2t.net/ark:/65665/qa72afa4484-98b2-45eb-ba8e-a0042cffd721

EDAN-URL:

ead_component:sova-acma-06-016-ref176

Collection Photographer:

Apeda Studio (New York, N.Y.)  Search this

Camuzzi, M.  Search this

Harris & Ewing  Search this

Collection Creator:

Sommariva, Emilio, Photographer, 1883-1956  Search this

Harris, Fred (photographer)  Search this

Scurlock Studio (Washington, D.C.)  Search this

Extent:

1 Photograph (5 x 7 inches.)

Container:

Box 6, Folder 11

Type:

Archival materials

Photographs

Photographs

General:

Miss izzie written on back of photograph

Collection Restrictions:

Use of the materials requires an appointment. Please contact the archivist at acmarchives@si.edu.

Collection Rights:

Collection items available for reproduction, but the Archives makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives cost-recovery and use fees may apply when requesting reproductions.

Topic:

Portaits -- African American men  Search this

Collection Citation:

Evans-Tibbs collection, Anacostia Community Museum Archives, Smithsonian Institution, gift of the Estate of Thurlow E. Tibbs, Jr.

See more items in:

Evans-Tibbs Collection

Evans-Tibbs Collection / Series 5: Photographs / Family / Unidentified family and friends

Archival Repository:

Anacostia Community Museum Archives

GUID:

https://n2t.net/ark:/65665/qa77ad3c829-7e35-49a5-beea-86e0ca89b1dc

EDAN-URL:

ead_component:sova-acma-06-016-ref177

Collection Photographer:

Apeda Studio (New York, N.Y.)  Search this

Camuzzi, M.  Search this

Harris & Ewing  Search this

Collection Creator:

Sommariva, Emilio, Photographer, 1883-1956  Search this

Harris, Fred (photographer)  Search this

Scurlock Studio (Washington, D.C.)  Search this

Type:

Archival materials

Scope and Contents:

Includes studio portraits of prominent friends and professional associates of Mme. Evanti and her family, items arranged chronologically. Most photographs are signed by the subject.

Collection Restrictions:

Use of the materials requires an appointment. Please contact the archivist at acmarchives@si.edu.

Collection Rights:

Collection items available for reproduction, but the Archives makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives cost-recovery and use fees may apply when requesting reproductions.

Collection Citation:

Evans-Tibbs collection, Anacostia Community Museum Archives, Smithsonian Institution, gift of the Estate of Thurlow E. Tibbs, Jr.

See more items in:

Evans-Tibbs Collection

Evans-Tibbs Collection / Series 5: Photographs

Archival Repository:

Anacostia Community Museum Archives

GUID:

https://n2t.net/ark:/65665/qa7d4d448ac-158a-4236-8a02-c35d822fbdd1

EDAN-URL:

ead_component:sova-acma-06-016-ref1356

Photographer:

Nagashima, Yurie 1973-  Search this

Physical description:

1 volume (unpaged) chiefly color illustrations, portraits 21 cm

Type:

Books

Catalogs

Place:

Japan

Date:

2000

Topic:

Photography, Artistic  Search this

Portrait photography  Search this

Photography  Search this

Photographie artistique  Search this

Portraits (Photographie)  Search this

art photography  Search this

commercial portraiture  Search this

studio portraits  Search this

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_1162934

Creator:

Scurlock Studio (Washington, D.C.)  Search this

Collection Photographer:

Apeda Studio (New York, N.Y.)  Search this

Camuzzi, M.  Search this

Harris & Ewing  Search this

Collection Creator:

Sommariva, Emilio, Photographer, 1883-1956  Search this

Harris, Fred (photographer)  Search this

Scurlock Studio (Washington, D.C.)  Search this

Extent:

1 Photograph (4 x 6 1/4 inches.)

Container:

Box 6, Folder 6

Type:

Archival materials

Photographs

Photographs

Date:

circa 1912

Collection Restrictions:

Use of the materials requires an appointment. Please contact the archivist at acmarchives@si.edu.

Collection Rights:

Collection items available for reproduction, but the Archives makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives cost-recovery and use fees may apply when requesting reproductions.

Topic:

Portraits -- African American women  Search this

African American women educators  Search this

Genre/Form:

Photographs

Collection Citation:

Evans-Tibbs collection, Anacostia Community Museum Archives, Smithsonian Institution, gift of the Estate of Thurlow E. Tibbs, Jr.

See more items in:

Evans-Tibbs Collection

Evans-Tibbs Collection / Series 5: Photographs / Family / Evans Family

Archival Repository:

Anacostia Community Museum Archives

GUID:

https://n2t.net/ark:/65665/qa7afef88a2-43cf-45db-87ca-aac63326f7c7

EDAN-URL:

ead_component:sova-acma-06-016-ref172

Creator:

Scurlock, Addison N., 1883-1964  Search this

Collection Photographer:

Apeda Studio (New York, N.Y.)  Search this

Camuzzi, M.  Search this

Harris & Ewing  Search this

Collection Creator:

Sommariva, Emilio, Photographer, 1883-1956  Search this

Harris, Fred (photographer)  Search this

Scurlock Studio (Washington, D.C.)  Search this

Extent:

1 Photographic print (4 1/4 x 9 inches)

Container:

Box 6, Folder 17

Type:

Archival materials

Photographs

Photographic prints

Photographs

Place:

Washington (D.C.) -- African Americans

Date:

circa 1912

Scope and Contents:

Annie Brooks Evans was a music school teacher in the Washington, DC public school system and the mother of the internationally renowned opera singer Madame Lillian Evanti (1890-1967).

Collection Restrictions:

Use of the materials requires an appointment. Please contact the archivist at acmarchives@si.edu.

Collection Rights:

Collection items available for reproduction, but the Archives makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives cost-recovery and use fees may apply when requesting reproductions.

Topic:

African Americans  Search this

Portraits -- African American women  Search this

African American women educators  Search this

Genre/Form:

Photographs

Photographic prints

Collection Citation:

Evans-Tibbs collection, Anacostia Community Museum Archives, Smithsonian Institution, gift of the Estate of Thurlow E. Tibbs, Jr.

Identifier:

ACMA.06-016, Item PH2003.7063.361

See more items in:

Evans-Tibbs Collection

Evans-Tibbs Collection / Series 5: Photographs / Family / Evans Family

Archival Repository:

Anacostia Community Museum Archives

GUID:

https://n2t.net/ark:/65665/qa751784187-9ed2-4150-be0f-4e9369870ace

EDAN-URL:

ead_component:sova-acma-06-016-ref182

Collection Photographer:

Apeda Studio (New York, N.Y.)  Search this

Camuzzi, M.  Search this

Harris & Ewing  Search this

Collection Creator:

Sommariva, Emilio, Photographer, 1883-1956  Search this

Harris, Fred (photographer)  Search this

Scurlock Studio (Washington, D.C.)  Search this

Extent:

1 Photograph (4 x 6 1/2 inches.)

Container:

Box 6, Folder 4

Type:

Archival materials

Photographs

Photographs

Date:

undated

Collection Restrictions:

Use of the materials requires an appointment. Please contact the archivist at acmarchives@si.edu.

Collection Rights:

Collection items available for reproduction, but the Archives makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives cost-recovery and use fees may apply when requesting reproductions.

Topic:

Portraits -- African American boys  Search this

Collection Citation:

Evans-Tibbs collection, Anacostia Community Museum Archives, Smithsonian Institution, gift of the Estate of Thurlow E. Tibbs, Jr.

See more items in:

Evans-Tibbs Collection

Evans-Tibbs Collection / Series 5: Photographs / Family / Unidentified family and friends

Archival Repository:

Anacostia Community Museum Archives

GUID:

https://n2t.net/ark:/65665/qa79179f849-51d7-44f7-b593-a595468c52c8

EDAN-URL:

ead_component:sova-acma-06-016-ref170

Collection Photographer:

Apeda Studio (New York, N.Y.)  Search this

Camuzzi, M.  Search this

Harris & Ewing  Search this

Collection Creator:

Sommariva, Emilio, Photographer, 1883-1956  Search this

Harris, Fred (photographer)  Search this

Scurlock Studio (Washington, D.C.)  Search this

Extent:

1 Photograph (4 1/4 x 6 1/2 inches.)

Container:

Box 6, Folder 5

Type:

Archival materials

Photographs

Photographs

Date:

undated

Collection Restrictions:

Use of the materials requires an appointment. Please contact the archivist at acmarchives@si.edu.

Collection Rights:

Collection items available for reproduction, but the Archives makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives cost-recovery and use fees may apply when requesting reproductions.

Topic:

Portraits -- African American women  Search this

Collection Citation:

Evans-Tibbs collection, Anacostia Community Museum Archives, Smithsonian Institution, gift of the Estate of Thurlow E. Tibbs, Jr.

See more items in:

Evans-Tibbs Collection

Evans-Tibbs Collection / Series 5: Photographs / Family / Unidentified family and friends

Archival Repository:

Anacostia Community Museum Archives

GUID:

https://n2t.net/ark:/65665/qa71ea83e6f-6568-4af7-9e5b-015bbc42a02b

EDAN-URL:

ead_component:sova-acma-06-016-ref171

Author:

Ketchum, Richard M 1922-2012  Search this

Physical description:

172 pages illustrations, portraits 26 cm

Type:

Books

Biography

Biographies

collective biographies

Place:

United States

États-Unis

Date:

1970

Topic:

Portrait photography  Search this

Portraits (Photographie)  Search this

commercial portraiture  Search this

studio portraits  Search this

Call number:

CT219 .K43

CT219.K43

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_4953

Photographer:

Bruno of Hollywood (New York, N.Y.)  Search this

Names:

Ellington, Duke, 1899-1974  Search this

Collection Creator:

Ellington, Duke, 1899-1974  Search this

Extent:

1 Item (Silver gelatin on paper., 10" x 8".)

Culture:

African Americans  Search this

Type:

Archival materials

Studio portraits

Photographs

Scope and Contents:

Publicity photograph, bust portrait. Photographer's stamp, "Bruno of Hollywood - Photographer, New York City." Sepia-toned print.

Arrangement:

Series 7, Box No.6, Folder 26.

Local Numbers:

AC0301-0000066.tif (AC Scan No.)

Series Restrictions:

Unrestricted research access on site by appointment. Unprotected photographs must be handled with gloves.

Collection Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Copyright restrictions. Consult the Archives Center at archivescenter@si.edu or 202-633-3270.

Paul Ellington, executor, is represented by:

Richard J.J. Scarola, Scarola Ellis LLP, 888 Seventh Avenue, 45th Floor, New York, New York 10106. Telephone (212) 757-0007 x 235; Fax (212) 757-0469; email: rjjs@selaw.com; www.selaw.com; www.ourlawfirm.com.

Topic:

Jazz musicians -- 1950-2000 -- United States  Search this

Genre/Form:

Studio portraits -- African American men

Photographs -- Black-and-white photoprints -- Silver gelatin -- 20th century

Collection Citation:

Duke Ellington Collection, Archives Center, National Museum of American History

Sponsor:

Processing and encoding partially funded by a grant from the Council on Library and Information Resources.

See more items in:

Duke Ellington Collection

Duke Ellington Collection / Series 7: Photographs, Duke Ellington Collection / 7.7.40: Publicity

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8c7ff4613-3a0a-49d1-8964-ad671f690762

EDAN-URL:

ead_component:sova-nmah-ac-0301-ref53284

Collection Creator:

Barnard, George Grey, 1863-1938  Search this

Type:

Archival materials

Date:

circa 1860-1963

Scope and Contents note:

Found in this subseries are personal photographs and portraits of George Grey Barnard, alone and with others, as well as photographs of family, friends, and family residences. Photographs of George Grey Barnard include a vintage carte-de-visite sized print of the artist as a young child; cabinet cards; portraits by studio photographer George Cox, among other studio portrait photographs; and portraits by well-known photographers Carl van Vechten and Doris Ullman. There are several vintage photographs of Barnard with others, most notably a photograph of Barnard and his father in front of portions of the cloister of Saint-Michel-de-Cuxa, set up outside his "museum" the "Old Cloisters." Additional photographs of Barnard with others can be found in the Studio Photographs subseries.

Family and friends recorded in personal photographs include Martha Grubb Barnard (mother), Joseph Barnard (father), grandparents, Edna Monroe (wife), Evan (brother), and Monroe (son). Scattered within the "Miscellaneous Family" folder are unidentified photographs; these were transfered from a folder of the same name and it is assumed that those depicted are related to Barnard, or perhaps close family friends.

Finally, there is a folder of snapshots of the dedication ceremony of his statue of Lincoln in Cincinnati, Ohio. Although a few of the photographs are inscribed with a date that appears to be "1915" the actual date of the ceremony was March 31, 1917.

Arrangement note:

Folders are grouped together by subject.

Collection Restrictions:

Use of original papers requires an appointment.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

George Grey Barnard papers, circa 1860-1969, bulk 1880-1938. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing and digitization of this collection was provided by the Terra Foundation for American Art. Glass plate negatives in this collection were digitized in 2019 with funding provided by the Smithsonian Women's Committee.

Identifier:

AAA.barngeor, Subseries 9.1

See more items in:

George Grey Barnard papers

George Grey Barnard papers / Series 9: Photographs

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9f531062c-6273-4ccc-91fa-d8f0b6d6d03e

EDAN-URL:

ead_component:sova-aaa-barngeor-ref199

Creator:

Sevruguin, Antoin, 1851-1933  Search this

Names:

Islamic Archives  Search this

Sevruguin, Antoin, 1851-1933  Search this

Smith, Myron Bement, 1897-1970  Search this

Collection Creator:

Smith, Myron Bement, 1897-1970  Search this

Extent:

1 Glass negative (b&w, 17.6 cm. x 12.7 cm.)

Type:

Archival materials

Glass negatives

Studio portraits

Place:

Asia

Iran

Date:

1880-1920

Scope and Contents:

"Family portrait in studio. The backdrop of the studio comprise of a drape and a painted scene of railings and curtains. The three seated women, the older one sitting in the middle, are flanked by a young boy standing to their right." [Freer Gallery of Art and Arthur M. Sackler Gallery Archives, Curatorial Research Assistant]

- FSg curatorial research specialist remark on Antoin Sevruguin photo condition reads, "The emulsion is peeling off of the surface of the glass."

- Handwritten information on slip of paper (from a 1943-1944 cash book, produced by the Bathni Brothers, Tehran) reads, "475) Ali Zllahis." [Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information]

- Myron Bement Smith handwritten caption in English reads, "47.P; Box 15.6: Ali Zllahis (#435) (peeling)." [Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information; Box 60; Folder 44: 47 P: Antoine Sevruguin, glass negatives, Iran]

Arrangement:

According to Myron B. Smith handwritten document (Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information; Box 60; Folder 44: 47 P Antoine Sevruguin, glass negatives, Iran), Antoin Sevruguin's 696 glass negatives, at the time of their acquisition, were arranged into 61 boxes without any apparent organization. Today they are housed in archival document boxes, essentially duplicating the original arrangement, and stored on shelves. This glass negative was included into "Box 15."

Biographical / Historical:

Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, leaving behind only a fraction of his large collection of glass negatives, which is currently in the Archives of the Freer Gallery of Art and Arthur M. Sackler Gallery.

Local Numbers:

FSA A.4 2.12.GN.15.06

General:

Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist.

Collection Restrictions:

Collection is open for research.

Collection Rights:

Permission to publish, quote, or reproduce must be secured from the repository.

Topic:

Clothing and dress  Search this

headgear  Search this

Portrait photography  Search this

Women  Search this

Genre/Form:

Glass negatives

Studio portraits

Collection Citation:

The Myron Bement Smith Collection, FSA A.04. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C. Gift of Katherine Dennis Smith.

Identifier:

FSA.A.04, Item FSA A.4 2.12.GN.15.06

See more items in:

Myron Bement Smith Collection

Myron Bement Smith Collection / Series 2: The Islamic Archives / 2.12: Antoin Sevruguin Photographs / 2.12.01: Glass Plate Negatives / Glass Plate Negatives: Sets 1-61

Archival Repository:

Freer Gallery of Art and Arthur M. Sackler Gallery Archives

GUID:

https://n2t.net/ark:/65665/dc35ac793fe-0b3e-4fda-9276-4fc90d9cb0be

EDAN-URL:

ead_component:sova-fsa-a-04-ref10090

Creator:

Sevruguin, Antoin, 1851-1933  Search this

Names:

Islamic Archives  Search this

Sevruguin, Antoin, 1851-1933  Search this

Smith, Myron Bement, 1897-1970  Search this

Collection Creator:

Smith, Myron Bement, 1897-1970  Search this

Extent:

1 Glass negative (b&w, 12.7 cm. x 17.7 cm.)

Type:

Archival materials

Glass negatives

Studio portraits

Place:

Asia

Iran

Date:

1880-1930

Scope and Contents:

- FSg curatorial research specialist remark on Antoin Sevruguin photo manipulation reads, "A layer of varnish covers the face and the hand of the woman."

- Handwritten information on slip of paper (from a 1943-1944 cash book, produced by the Bathni Brothers, Tehran) reads, "476) Woman with chadur pitchah." [Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information]

- Myron Bement Smith handwritten caption in English reads, "47.P; Box 18.2: Woman with chadur pitchah (#476)." [Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information; Box 60; Folder 44: 47 P: Antoine Sevruguin, glass negatives, Iran]

Arrangement:

According to Myron B. Smith handwritten document (Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information; Box 60; Folder 44: 47 P Antoine Sevruguin, glass negatives, Iran), Antoin Sevruguin's 696 glass negatives, at the time of their acquisition, were arranged into 61 boxes without any apparent organization. Today they are housed in archival document boxes, essentially duplicating the original arrangement, and stored on shelves. This glass negative was included into "Box 18."

Biographical / Historical:

Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, leaving behind only a fraction of his large collection of glass negatives, which is currently in the Archives of the Freer Gallery of Art and Arthur M. Sackler Gallery.

Local Numbers:

FSA A.4 2.12.GN.18.02

General:

Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist.

Collection Restrictions:

Collection is open for research.

Collection Rights:

Permission to publish, quote, or reproduce must be secured from the repository.

Topic:

Clothing and dress  Search this

headgear  Search this

Portrait photography  Search this

Women  Search this

Genre/Form:

Glass negatives

Studio portraits

Collection Citation:

The Myron Bement Smith Collection, FSA A.04. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C. Gift of Katherine Dennis Smith.

Identifier:

FSA.A.04, Item FSA A.4 2.12.GN.18.02

See more items in:

Myron Bement Smith Collection

Myron Bement Smith Collection / Series 2: The Islamic Archives / 2.12: Antoin Sevruguin Photographs / 2.12.01: Glass Plate Negatives / Glass Plate Negatives: Sets 1-61

Archival Repository:

Freer Gallery of Art and Arthur M. Sackler Gallery Archives

GUID:

https://n2t.net/ark:/65665/dc37b0d9734-4078-4fab-92eb-88d197a5933a

EDAN-URL:

ead_component:sova-fsa-a-04-ref10116

Creator:

Sevruguin, Antoin, 1851-1933  Search this

Names:

Islamic Archives  Search this

Sevruguin, Antoin, 1851-1933  Search this

Smith, Myron Bement, 1897-1970  Search this

Collection Creator:

Smith, Myron Bement, 1897-1970  Search this

Extent:

1 Glass negative (b&w, --.- cm. x --.- cm.)

Type:

Archival materials

Glass negatives

Studio portraits

Place:

Asia

Iran

Date:

1880-1910

Scope and Contents:

- Myron Bement Smith handwritten caption in English reads, "47.P; Box 18.5: Man." [Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information; Box 60; Folder 44: 47 P: Antoine Sevruguin, glass negatives, Iran]

Arrangement:

According to Myron B. Smith handwritten document (Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information; Box 60; Folder 44: 47 P Antoine Sevruguin, glass negatives, Iran), Antoin Sevruguin's 696 glass negatives, at the time of their acquisition, were arranged into 61 boxes without any apparent organization. Today they are housed in archival document boxes, essentially duplicating the original arrangement, and stored on shelves. This glass negative was included into "Box 18."

Biographical / Historical:

Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, leaving behind only a fraction of his large collection of glass negatives, which is currently in the Archives of the Freer Gallery of Art and Arthur M. Sackler Gallery.

Local Numbers:

FSA A.4 2.12.GN.18.05

General:

Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist.

Collection Restrictions:

Collection is open for research.

Collection Rights:

Permission to publish, quote, or reproduce must be secured from the repository.

Topic:

Clothing and dress  Search this

headgear  Search this

Portrait photography  Search this

Genre/Form:

Glass negatives

Studio portraits

Collection Citation:

The Myron Bement Smith Collection, FSA A.04. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C. Gift of Katherine Dennis Smith.

Identifier:

FSA.A.04, Item FSA A.4 2.12.GN.18.05

See more items in:

Myron Bement Smith Collection

Myron Bement Smith Collection / Series 2: The Islamic Archives / 2.12: Antoin Sevruguin Photographs / 2.12.01: Glass Plate Negatives / Glass Plate Negatives: Sets 1-61

Archival Repository:

Freer Gallery of Art and Arthur M. Sackler Gallery Archives

GUID:

https://n2t.net/ark:/65665/dc3583ddb1a-f19b-4960-a2ed-a012af342601

EDAN-URL:

ead_component:sova-fsa-a-04-ref10119

Creator:

Sevruguin, Antoin, 1851-1933  Search this

Names:

Islamic Archives  Search this

Sevruguin, Antoin, 1851-1933  Search this

Smith, Myron Bement, 1897-1970  Search this

Collection Creator:

Smith, Myron Bement, 1897-1970  Search this

Extent:

1 Glass negative (b&w, 13 cm. x 18 cm.)

Type:

Archival materials

Glass negatives

Studio portraits

Place:

Asia

Iran

Date:

1880-1910

Scope and Contents:

- Handwritten number (inked, probably by Antoin Sevruguin) reads, "790."

- Myron Bement Smith handwritten caption in English reads, "47.P; Box 19.6: Seated officer." [Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information; Box 60; Folder 44: 47 P: Antoine Sevruguin, glass negatives, Iran]

Arrangement:

According to Myron B. Smith handwritten document (Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information; Box 60; Folder 44: 47 P Antoine Sevruguin, glass negatives, Iran), Antoin Sevruguin's 696 glass negatives, at the time of their acquisition, were arranged into 61 boxes without any apparent organization. Today they are housed in archival document boxes, essentially duplicating the original arrangement, and stored on shelves. This glass negative was included into "Box 19."

Biographical / Historical:

Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, leaving behind only a fraction of his large collection of glass negatives, which is currently in the Archives of the Freer Gallery of Art and Arthur M. Sackler Gallery.

Local Numbers:

FSA A.4 2.12.GN.19.06

General:

Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist.

Collection Restrictions:

Collection is open for research.

Collection Rights:

Permission to publish, quote, or reproduce must be secured from the repository.

Topic:

Clothing and dress  Search this

headgear  Search this

Portrait photography  Search this

Regalia (Insignia)  Search this

Genre/Form:

Glass negatives

Studio portraits

Collection Citation:

The Myron Bement Smith Collection, FSA A.04. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C. Gift of Katherine Dennis Smith.

Identifier:

FSA.A.04, Item FSA A.4 2.12.GN.19.06

See more items in:

Myron Bement Smith Collection

Myron Bement Smith Collection / Series 2: The Islamic Archives / 2.12: Antoin Sevruguin Photographs / 2.12.01: Glass Plate Negatives / Glass Plate Negatives: Sets 1-61

Archival Repository:

Freer Gallery of Art and Arthur M. Sackler Gallery Archives

GUID:

https://n2t.net/ark:/65665/dc3f709fc77-a40d-45e2-999d-b39fd2166473

EDAN-URL:

ead_component:sova-fsa-a-04-ref10128

Creator:

Sevruguin, Antoin, 1851-1933  Search this

Names:

Islamic Archives  Search this

Sevruguin, Antoin, 1851-1933  Search this

Smith, Myron Bement, 1897-1970  Search this

Collection Creator:

Smith, Myron Bement, 1897-1970  Search this

Extent:

1 Glass negative (b&w, 11.9 cm. x 16.3 cm.)

Type:

Archival materials

Glass negatives

Studio portraits

Place:

Asia

Iran

Date:

1880-1920

Scope and Contents:

- FSg curatorial research specialist remark on Antoin Sevruguin photo manipulation reads, "There is touch up on the arms and faces of both figures. Brush work is visible on the bodies maybe as a result of putting on varnish."

- Handwritten information on slip of paper (from a 1943-1944 cash book, produced by the Bathni Brothers, Tehran) reads, "415) Wrestlers." [Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information]

- Myron Bement Smith handwritten caption in English reads, "47.P; Box 21.1: Wrestlers (# 415)." [Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information; Box 60; Folder 44: 47 P: Antoine Sevruguin, glass negatives, Iran]

Arrangement:

According to Myron B. Smith handwritten document (Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information; Box 60; Folder 44: 47 P Antoine Sevruguin, glass negatives, Iran), Antoin Sevruguin's 696 glass negatives, at the time of their acquisition, were arranged into 61 boxes without any apparent organization. Today they are housed in archival document boxes, essentially duplicating the original arrangement, and stored on shelves. This glass negative was included into "Box 21."

Biographical / Historical:

Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, leaving behind only a fraction of his large collection of glass negatives, which is currently in the Archives of the Freer Gallery of Art and Arthur M. Sackler Gallery.

Local Numbers:

FSA A.4 2.12.GN.21.01

General:

Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist.

Collection Restrictions:

Collection is open for research.

Collection Rights:

Permission to publish, quote, or reproduce must be secured from the repository.

Topic:

Clothing and dress  Search this

Wrestling  Search this

Portrait photography  Search this

Genre/Form:

Glass negatives

Studio portraits

Collection Citation:

The Myron Bement Smith Collection, FSA A.04. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C. Gift of Katherine Dennis Smith.

Identifier:

FSA.A.04, Item FSA A.4 2.12.GN.21.01

See more items in:

Myron Bement Smith Collection

Myron Bement Smith Collection / Series 2: The Islamic Archives / 2.12: Antoin Sevruguin Photographs / 2.12.01: Glass Plate Negatives / Glass Plate Negatives: Sets 1-61

Archival Repository:

Freer Gallery of Art and Arthur M. Sackler Gallery Archives

GUID:

https://n2t.net/ark:/65665/dc31a830fd1-e3b0-4c54-9c7f-e1d3c6734759

EDAN-URL:

ead_component:sova-fsa-a-04-ref10145

Creator:

Sevruguin, Antoin, 1851-1933  Search this

Names:

Islamic Archives  Search this

Sevruguin, Antoin, 1851-1933  Search this

Smith, Myron Bement, 1897-1970  Search this

Collection Creator:

Smith, Myron Bement, 1897-1970  Search this

Extent:

1 Glass negative (b&w, 12 cm. x 17.8 cm.)

Type:

Archival materials

Glass negatives

Studio portraits

Place:

Asia

Iran

Date:

1880s

Scope and Contents:

"The photo depicts one of Sevruguin's female models sitting on a carpet covered short seat. The model reappears in some of the other studio portraits of the artist alongside other male and female models in various clothing and poses. Most of the famous studio portraits of the artist have been produced in the earlier days of his career. The portraits were frequantly published in books and travelogues of the time." [Freer Gallery of Art and Arthur M. Sackler Gallery Archives, Curatorial Research Assistant]

"The image is a copy print of another, placed on various sheets of paper. One of the papers underneath is a ticket for what seems to be a play." [Freer Gallery of Art and Arthur M. Sackler Gallery Archives, Curatorial Research Assistant]

- Handwritten information on slip of paper (from a 1943-1944 cash book, produced by the Bathni Brothers, Tehran) reads, "416) Persian girl." [Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information]

- Myron Bement Smith handwritten caption in English reads, "47.P; Box 21.4: Persian girl (# 416)." [Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information; Box 60; Folder 44: 47 P: Antoine Sevruguin, glass negatives, Iran]

Arrangement:

According to Myron B. Smith handwritten document (Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information; Box 60; Folder 44: 47 P Antoine Sevruguin, glass negatives, Iran), Antoin Sevruguin's 696 glass negatives, at the time of their acquisition, were arranged into 61 boxes without any apparent organization. Today they are housed in archival document boxes, essentially duplicating the original arrangement, and stored on shelves. This glass negative was included into "Box 21."

Biographical / Historical:

Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, leaving behind only a fraction of his large collection of glass negatives, which is currently in the Archives of the Freer Gallery of Art and Arthur M. Sackler Gallery.

Local Numbers:

FSA A.4 2.12.GN.21.04

General:

Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist.

Collection Restrictions:

Collection is open for research.

Collection Rights:

Permission to publish, quote, or reproduce must be secured from the repository.

Topic:

Clothing and dress  Search this

Hairstyles  Search this

Portrait photography  Search this

Women  Search this

Genre/Form:

Glass negatives

Studio portraits

Collection Citation:

The Myron Bement Smith Collection, FSA A.04. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C. Gift of Katherine Dennis Smith.

Identifier:

FSA.A.04, Item FSA A.4 2.12.GN.21.04

See more items in:

Myron Bement Smith Collection

Myron Bement Smith Collection / Series 2: The Islamic Archives / 2.12: Antoin Sevruguin Photographs / 2.12.01: Glass Plate Negatives / Glass Plate Negatives: Sets 1-61

Archival Repository:

Freer Gallery of Art and Arthur M. Sackler Gallery Archives

GUID:

https://n2t.net/ark:/65665/dc37fce748d-bec2-4911-a416-b441f6a28022

EDAN-URL:

ead_component:sova-fsa-a-04-ref10148

Creator:

Sevruguin, Antoin, 1851-1933  Search this

Names:

Islamic Archives  Search this

Sevruguin, Antoin, 1851-1933  Search this

Smith, Myron Bement, 1897-1970  Search this

Collection Creator:

Smith, Myron Bement, 1897-1970  Search this

Extent:

1 Glass negative (b&w, 17.9 cm. x 13 cm.)

Type:

Archival materials

Glass negatives

Studio portraits

Place:

Asia

Iran

Date:

1880-1920

Scope and Contents:

- Handwritten information on slip of paper reads, "Note manner of binding midriff of man at left. cf. charioteer, for Greco-Roman bronze." [Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information]

- Myron Bement Smith handwritten caption in English reads, "47.P; Box 21.7: Group of men." [Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information; Box 60; Folder 44: 47 P: Antoine Sevruguin, glass negatives, Iran]

Arrangement:

According to Myron B. Smith handwritten document (Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information; Box 60; Folder 44: 47 P Antoine Sevruguin, glass negatives, Iran), Antoin Sevruguin's 696 glass negatives, at the time of their acquisition, were arranged into 61 boxes without any apparent organization. Today they are housed in archival document boxes, essentially duplicating the original arrangement, and stored on shelves. This glass negative was included into "Box 21."

Biographical / Historical:

Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, leaving behind only a fraction of his large collection of glass negatives, which is currently in the Archives of the Freer Gallery of Art and Arthur M. Sackler Gallery.

Local Numbers:

FSA A.4 2.12.GN.21.07

General:

Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist.

Collection Restrictions:

Collection is open for research.

Collection Rights:

Permission to publish, quote, or reproduce must be secured from the repository.

Topic:

Clothing and dress  Search this

headgear  Search this

Portrait photography  Search this

Genre/Form:

Glass negatives

Studio portraits

Collection Citation:

The Myron Bement Smith Collection, FSA A.04. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C. Gift of Katherine Dennis Smith.

Identifier:

FSA.A.04, Item FSA A.4 2.12.GN.21.07

See more items in:

Myron Bement Smith Collection

Myron Bement Smith Collection / Series 2: The Islamic Archives / 2.12: Antoin Sevruguin Photographs / 2.12.01: Glass Plate Negatives / Glass Plate Negatives: Sets 1-61

Archival Repository:

Freer Gallery of Art and Arthur M. Sackler Gallery Archives

GUID:

https://n2t.net/ark:/65665/dc39e8e3c6e-f810-4f08-bea9-f1ad6e9d0b06

EDAN-URL:

ead_component:sova-fsa-a-04-ref10151

Creator:

Sevruguin, Antoin, 1851-1933  Search this

Names:

Islamic Archives  Search this

Sevruguin, Antoin, 1851-1933  Search this

Smith, Myron Bement, 1897-1970  Search this

Collection Creator:

Smith, Myron Bement, 1897-1970  Search this

Extent:

1 Glass negative (b&w, 12.7 cm. x 17.7 cm.)

Type:

Archival materials

Glass negatives

Studio portraits

Place:

Asia

Iran

Date:

1880s

Scope and Contents:

"The image is a copy print." [Freer Gallery of Art and Arthur M. Sackler Gallery Archives, Curatorial Research Assistant]

- Handwritten number (inked, probably by Antoin Sevruguin) reads, "919."

- Handwritten information on slip of paper (from a 1943-1944 cash book, produced by the Bathni Brothers, Tehran) reads, "517) Zoroastrian women." [Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information]

- Myron Bement Smith handwritten caption in English reads, "47.P; Box 23.9: Zoroastrian women (# 517)." [Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information; Box 60; Folder 44: 47 P: Antoine Sevruguin, glass negatives, Iran]

Arrangement:

According to Myron B. Smith handwritten document (Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information; Box 60; Folder 44: 47 P Antoine Sevruguin, glass negatives, Iran), Antoin Sevruguin's 696 glass negatives, at the time of their acquisition, were arranged into 61 boxes without any apparent organization. Today they are housed in archival document boxes, essentially duplicating the original arrangement, and stored on shelves. This glass negative was included into "Box 23."

Biographical / Historical:

Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, leaving behind only a fraction of his large collection of glass negatives, which is currently in the Archives of the Freer Gallery of Art and Arthur M. Sackler Gallery.

Local Numbers:

FSA A.4 2.12.GN.23.09

General:

Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist.

Collection Restrictions:

Collection is open for research.

Collection Rights:

Permission to publish, quote, or reproduce must be secured from the repository.

Topic:

Clothing and dress  Search this

Portrait photography  Search this

Women  Search this

Genre/Form:

Glass negatives

Studio portraits

Collection Citation:

The Myron Bement Smith Collection, FSA A.04. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C. Gift of Katherine Dennis Smith.

Identifier:

FSA.A.04, Item FSA A.4 2.12.GN.23.09

See more items in:

Myron Bement Smith Collection

Myron Bement Smith Collection / Series 2: The Islamic Archives / 2.12: Antoin Sevruguin Photographs / 2.12.01: Glass Plate Negatives / Glass Plate Negatives: Sets 1-61

Archival Repository:

Freer Gallery of Art and Arthur M. Sackler Gallery Archives

GUID:

https://n2t.net/ark:/65665/dc3e2ccc510-a854-4034-9891-1cb463d0886f

EDAN-URL:

ead_component:sova-fsa-a-04-ref10165

Creator:

Sevruguin, Antoin, 1851-1933  Search this

Names:

Islamic Archives  Search this

Sevruguin, Antoin, 1851-1933  Search this

Smith, Myron Bement, 1897-1970  Search this

Collection Creator:

Smith, Myron Bement, 1897-1970  Search this

Extent:

1 Glass negative (b&w, 12.8 cm. x 17.8 cm.)

Type:

Archival materials

Glass negatives

Studio portraits

Place:

Asia

Iran

Date:

1908-1910

Scope and Contents:

"One of the major Bakhtiari Khans of during the constitutional revolution in Tehran, Sardar Zafar, originally was a defender of the Royalist government of Mohammad Ali Shah Qajar, was appointed the Ilkhan of Bakhtiari in 1908, replacing his half-brother Samsam al-Saltana. In 1909 and following their overtake of Isfahan, Sardar As'ad and the rest of the revolutionary Bakhtiaries convinced him to switch sides and merge with the revolutionaries; a request with which he obliged." [Freer Gallery of Art and Arthur M. Sackler Gallery Archives, Curatorial Research Assistant]

- FSg curatorial research specialist remark on Antoin Sevruguin photo condition reads, "All the four edges are rough."

- Faded handwritten number (inked, probably by Antoin Sevruguin) reads, "1073."

- Handwritten information on slip of paper (from a 1943-1944 cash book, produced by the Bathni Brothers, Tehran) reads, "335) Bakhtiar Sardar Zafar." [Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information]

- Myron Bement Smith handwritten caption in English reads, "47.P; Box 24.11: Bakhtiari Sardar Zafar (335)." [Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information; Box 60; Folder 44: 47 P: Antoine Sevruguin, glass negatives, Iran]

Arrangement:

According to Myron B. Smith handwritten document (Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information; Box 60; Folder 44: 47 P Antoine Sevruguin, glass negatives, Iran), Antoin Sevruguin's 696 glass negatives, at the time of their acquisition, were arranged into 61 boxes without any apparent organization. Today they are housed in archival document boxes, essentially duplicating the original arrangement, and stored on shelves. This glass negative was included into "Box 24."

Biographical / Historical:

Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, leaving behind only a fraction of his large collection of glass negatives, which is currently in the Archives of the Freer Gallery of Art and Arthur M. Sackler Gallery.

Local Numbers:

FSA A.4 2.12.GN.24.11

General:

Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist.

Collection Restrictions:

Collection is open for research.

Collection Rights:

Permission to publish, quote, or reproduce must be secured from the repository.

Topic:

Clothing and dress  Search this

headgear  Search this

Portrait photography  Search this

Genre/Form:

Glass negatives

Studio portraits

Collection Citation:

The Myron Bement Smith Collection, FSA A.04. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C. Gift of Katherine Dennis Smith.

Identifier:

FSA.A.04, Item FSA A.4 2.12.GN.24.11

See more items in:

Myron Bement Smith Collection

Myron Bement Smith Collection / Series 2: The Islamic Archives / 2.12: Antoin Sevruguin Photographs / 2.12.01: Glass Plate Negatives / Glass Plate Negatives: Sets 1-61

Archival Repository:

Freer Gallery of Art and Arthur M. Sackler Gallery Archives

GUID:

https://n2t.net/ark:/65665/dc319d5fc5e-0499-4ddb-bcad-f8b3003fec3c

EDAN-URL:

ead_component:sova-fsa-a-04-ref10180