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Of Alma Thomas, Studio Portraits

Collection Creator:
Thomas, Alma  Search this
Container:
Box 5, Folder 39
Type:
Archival materials
Date:
circa 1972
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings with no duplicate copies requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Alma Thomas papers, circa 1894-2001. Archives of American Art, Smithsonian Institution.
See more items in:
Alma Thomas papers
Alma Thomas papers / Series 8: Photographs
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw98f593e7f-5ba0-4b6d-9cec-0b1983cdc846
EDAN-URL:
ead_component:sova-aaa-thomalma-ref942

[Studio portrait]

Collection Creator:
Belmont Baldwin Rutshaw, Lucielle, 1887-1961  Search this
Type:
Archival materials
Scope and Contents:
Original portrait was donated with this collection. Image shown here was made from a copy negative that is part of the National Air Museum Photography Collection, NASM.XXXX.0572.
Collection Restrictions:
No restrictions on access
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Lucielle Belmont, Balloonist and Parachutist Scrapbook, NASM.XXXX.0249, National Air and Space Museum, Smithsonian Institution.
Identifier:
NASM.XXXX.0249, Item NAM-A-1558
See more items in:
Lucielle Belmont, Balloonist and Parachutist Scrapbook
Archival Repository:
National Air and Space Museum Archives
GUID:
https://n2t.net/ark:/65665/pg2e665050d-00ef-4f83-b554-fe0c9349e7a6
EDAN-URL:
ead_component:sova-nasm-xxxx-0249-ref3

Family Studio Portrait

Physical Description:
paper (overall material)
Measurements:
overall: 10 3/4 in x 8 in; 27.305 cm x 20.32 cm
Object Name:
photograph, mounted
Date made:
late 1800s
Subject:
Portraits  Search this
Men  Search this
Women  Search this
Children  Search this
ID Number:
2017.0307.0010
Accession number:
2017.0307
Catalog number:
2017.0307.0010
See more items in:
Work and Industry: Photographic History
Family & Social Life
Photography
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746b3-9073-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_1872250
Online Media:

Studio Portrait

Creator:
Costa (Portugal)  Search this
Extent:
1 Postcard (collotype., b&w, 9 x 14 cm)
Container:
Volume 2 AO
Type:
Archival materials
Postcards
Postcards
Place:
Africa
Angola
Date:
[19--]
Scope and Contents:
Image of a man and a woman in European clothing. Printed caption on recto reads: "Typos De Estudo - Portugal - Um Idyllio."
Additional printed text on recto reads: "N.⁰ 666 - Edição Costa, R. do Ouro, 295, Lisboa."
Local Numbers:
EEPA AO-20-77
General:
Image indexed by catalogue number or series; arranged by country and subject.
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Portraits -- Africa  Search this
Genre/Form:
Postcards
Collection Citation:
African Postcard collection, EEPA 1985-014, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.
Identifier:
EEPA.1985-014, Item EEPA AO 1985-142077
See more items in:
African Postcard Collection
African Postcard Collection / Series 3: Angola (AO)
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
GUID:
https://n2t.net/ark:/65665/xo787201bb4-2bba-482c-9ea6-6b971c03f3e7
EDAN-URL:
ead_component:sova-eepa-1985-014-ref1349

Adelyn Dohme Breeskin studio portrait

Photographer:
Greif,, Leonard L., Jr.  Search this
Greif,, Leonard L., Jr.  Search this
Subject:
Breeskin, Adelyn Dohme  Search this
Type:
Photographs
Date:
1961
Record number:
(DSI-AAA)22573
See more items in:
Adelyne Dohme Breeskin papers, circa 1934-1986
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_22573
Online Media:

Studio portrait of Mildred Baker

Photographer:
Van, George  Search this
Van, George  Search this
Subject:
Baker, Mildred  Search this
Type:
Photographs
Date:
circa 1950
Topic:
Portrait photography  Search this
Record number:
(DSI-AAA)15402
See more items in:
Mildred Baker papers, 1882
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_15402
Online Media:

[J.L. Egan : studio portrait.,]

Collector:
Western Union Telegraph Company  Search this
Collection Creator:
United Telegraph Workers.  Search this
Western Union Telegraph Company  Search this
Extent:
1 Item (Silver gelatin on paper., 3.3" x 2.6".)
Container:
Box 753, Folder 2
Type:
Archival materials
Photographs
Studio portraits
Photographs
Date:
undated
Local Numbers:
AC0205-0000142.tif (AC Scan)
Collection Restrictions:
Collection is open for research but Series 11 and films are stored off-site. Special arrangements must be made to view some of the audiovisual materials. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Executives  Search this
Telegraph, Wireless  Search this
Genre/Form:
Studio portraits
Photographs -- 1900-1950 -- Black-and-white photoprints
Collection Citation:
Western Union Telegraph Company Records, Archives Center, National Museum of American History
See more items in:
Western Union Telegraph Company Records
Western Union Telegraph Company Records / Series 23: Photographs / 23.8: People / Western Union Presidents (Newcomb Carlton, R. C. Cowry, Thomas Eckert, J.L. Egan, Norvin Green, William Orton, Henry L. Potter, Hiriam Sibley, Thomas Vail, Roy Barton White A.N. Williams). Also included, but not a president is Edward Creighton.
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8a73e5b59-bd6c-411b-93e8-27cf4fd302a0
EDAN-URL:
ead_component:sova-nmah-ac-0205-ref11439

Gene Tunney studio portrait

Depicted:
Tunney, Gene  Search this
Physical Description:
paper (overall material)
Measurements:
overall: 10 in x 2 19/32 in x 1/2 in; 25.4 cm x 6.55447 cm x 1.27 cm
Object Name:
portrait
photograph, boxing
Subject:
Sports  Search this
Boxing  Search this
Professional  Search this
Credit Line:
Gift of Alexandra T. Kelly, Erin C. MacLeod, Ann M. Tunney, Jay R. Tunney, and John V. Tunney
ID Number:
2011.3016.02
Nonaccession number:
2011.3016
Catalog number:
2011.3016.02
See more items in:
Cultural and Community Life: Sport and Leisure
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746ad-4c63-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_1403196

Studio portrait of two sailors

Physical Description:
paper (overall material)
Measurements:
overall: 5 1/2 in x 3 1/4 in; 13.97 cm x 8.255 cm
Object Name:
real photo postcard
Date made:
1918-05-14
Subject:
U. S. Navy  Search this
Sailors  Search this
Uniforms, Military  Search this
World War I  Search this
Related event:
World War I  Search this
ID Number:
1986.3048.1725
Nonaccession number:
1986.3048
Catalog number:
1986.3048.1725
See more items in:
Work and Industry: Photographic History
Military
Photography
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746a7-c6cc-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_1898214
Online Media:

Studio portrait of a sailor

Physical Description:
paper (overall material)
Measurements:
overall: 3 1/4 in x 5 1/2 in; 8.255 cm x 13.97 cm
Object Name:
real photo postcard
Associated place:
United States: Virginia, Norfolk
Date made:
after 1907
Subject:
Sailors  Search this
U. S. Navy  Search this
Uniforms, Military  Search this
ID Number:
1986.3048.1746
Nonaccession number:
1986.3048
Catalog number:
1986.3048.1746
See more items in:
Work and Industry: Photographic History
Military
Photography
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746b3-a625-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_1898234
Online Media:

Studio portrait of Chatto

Collection Creator:
Wotherspoon, William W. (William Wallace), 1850-1921  Search this
Extent:
1 Photographic print
Container:
Photo-folder 1
Culture:
Chiricahua Apache  Search this
Type:
Archival materials
Photographs
Photographic prints
Date:
1888-1894
Scope and Contents:
Cabinet card studio portrait of Chatto (Chato; also known as Alfred; circa 1854-1934). This photograph was probably shot circa 1888-1894 when Chatto was a prisoner of war at the Mount Vernon Barracks in Alabama. The photograph was shot by the Reed and Wallace Studio of Mobile, Alabama. A handwritten note on the verso of the print incorrectly identifies the sitter as "Geronimo's Son Chiquito."
Collection Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.
Collection Citation:
Identification of specific item; Date (if known); William W. Wotherspoon collection of Goyathlay (Geronimo) and Chatto photographs, P#####; National Museum of the American Indian Archive Center, Smithsonian Institution.
Identifier:
NMAI.AC.120, Item P23235
See more items in:
William W. Wotherspoon collection of Goyathlay (Geronimo) and Chatto photographs
Archival Repository:
National Museum of the American Indian
GUID:
https://n2t.net/ark:/65665/sv4ce6ea184-0590-431d-a1a7-4ca10764e497
EDAN-URL:
ead_component:sova-nmai-ac-120-ref1

Studio Portrait: Seated Man

Topic:
Early Photography of Iran
Creator:
Sevruguin, Antoin, 1851-1933  Search this
Names:
Islamic Archives  Search this
Sevruguin, Antoin, 1851-1933  Search this
Smith, Myron Bement, 1897-1970  Search this
Collection Creator:
Smith, Myron Bement, 1897-1970  Search this
Extent:
1 Glass negative (b&w, --.- cm. x --.- cm.)
Type:
Archival materials
Glass negatives
Studio portraits
Place:
Asia
Iran
Date:
1880-1910
Scope and Contents:
- Myron Bement Smith handwritten caption in English reads, "47.P; Box 18.5: Man." [Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information; Box 60; Folder 44: 47 P: Antoine Sevruguin, glass negatives, Iran]
Arrangement:
According to Myron B. Smith handwritten document (Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information; Box 60; Folder 44: 47 P Antoine Sevruguin, glass negatives, Iran), Antoin Sevruguin's 696 glass negatives, at the time of their acquisition, were arranged into 61 boxes without any apparent organization. Today they are housed in archival document boxes, essentially duplicating the original arrangement, and stored on shelves. This glass negative was included into "Box 18."
Biographical / Historical:
Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, leaving behind only a fraction of his large collection of glass negatives, which is currently in the Archives of the Freer Gallery of Art and Arthur M. Sackler Gallery.
Local Numbers:
FSA A.4 2.12.GN.18.05
General:
Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist.
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Topic:
Clothing and dress  Search this
headgear  Search this
Portrait photography  Search this
Genre/Form:
Glass negatives
Studio portraits
Collection Citation:
The Myron Bement Smith Collection. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C.
Identifier:
FSA.A.04, Item FSA A.4 2.12.GN.18.05
See more items in:
Myron Bement Smith Collection
Myron Bement Smith Collection / Series 2: The Islamic Archives / 2.12: Antoin Sevruguin Photographs / 2.12.01: Glass Plate Negatives / Glass Plate Negatives: Sets 1-61
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
GUID:
https://n2t.net/ark:/65665/dc3583ddb1a-f19b-4960-a2ed-a012af342601
EDAN-URL:
ead_component:sova-fsa-a-04-ref10119

Studio Portrait: Family (?)

Topic:
Early Photography of Iran
Creator:
Sevruguin, Antoin, 1851-1933  Search this
Names:
Islamic Archives  Search this
Sevruguin, Antoin, 1851-1933  Search this
Smith, Myron Bement, 1897-1970  Search this
Collection Creator:
Smith, Myron Bement, 1897-1970  Search this
Extent:
1 Glass negative (b&w, 17.9 cm. x 13 cm.)
Type:
Archival materials
Glass negatives
Studio portraits
Place:
Asia
Iran
Date:
1880-1920
Scope and Contents:
- Handwritten information on slip of paper reads, "Note manner of binding midriff of man at left. cf. charioteer, for Greco-Roman bronze." [Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information]
- Myron Bement Smith handwritten caption in English reads, "47.P; Box 21.7: Group of men." [Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information; Box 60; Folder 44: 47 P: Antoine Sevruguin, glass negatives, Iran]
Arrangement:
According to Myron B. Smith handwritten document (Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information; Box 60; Folder 44: 47 P Antoine Sevruguin, glass negatives, Iran), Antoin Sevruguin's 696 glass negatives, at the time of their acquisition, were arranged into 61 boxes without any apparent organization. Today they are housed in archival document boxes, essentially duplicating the original arrangement, and stored on shelves. This glass negative was included into "Box 21."
Biographical / Historical:
Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, leaving behind only a fraction of his large collection of glass negatives, which is currently in the Archives of the Freer Gallery of Art and Arthur M. Sackler Gallery.
Local Numbers:
FSA A.4 2.12.GN.21.07
General:
Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist.
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Topic:
Clothing and dress  Search this
headgear  Search this
Portrait photography  Search this
Genre/Form:
Glass negatives
Studio portraits
Collection Citation:
The Myron Bement Smith Collection. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C.
Identifier:
FSA.A.04, Item FSA A.4 2.12.GN.21.07
See more items in:
Myron Bement Smith Collection
Myron Bement Smith Collection / Series 2: The Islamic Archives / 2.12: Antoin Sevruguin Photographs / 2.12.01: Glass Plate Negatives / Glass Plate Negatives: Sets 1-61
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
GUID:
https://n2t.net/ark:/65665/dc39e8e3c6e-f810-4f08-bea9-f1ad6e9d0b06
EDAN-URL:
ead_component:sova-fsa-a-04-ref10151

Studio Portrait: Family

Topic:
Early Photography of Iran
Creator:
Sevruguin, Antoin, 1851-1933  Search this
Names:
Islamic Archives  Search this
Sevruguin, Antoin, 1851-1933  Search this
Smith, Myron Bement, 1897-1970  Search this
Collection Creator:
Smith, Myron Bement, 1897-1970  Search this
Extent:
1 Glass negative (b&w, 23.8 cm. x 17.6 cm.)
Type:
Archival materials
Glass negatives
Studio portraits
Place:
Asia
Iran
Date:
1880-1920
Scope and Contents:
- FSg curatorial research specialist remark on Antoin Sevruguin photo manipulation reads, "Black paper stuck to this four sides of the image. The faces are all varnished and toned."
- Handwritten information on slip of paper (from a 1943-1944 cash book, produced by the Bathni Brothers, Tehran) reads, "303) A zoroastrian Family. [Marked with unidentified seal]." [Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information]
- Myron Bement Smith handwritten caption in English reads, "47.P; Box 27.11: a zoroastrian Family (# 303)." [Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information; Box 60; Folder 44: 47 P: Antoine Sevruguin, glass negatives, Iran]
Arrangement:
According to Myron B. Smith handwritten document (Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information; Box 60; Folder 44: 47 P Antoine Sevruguin, glass negatives, Iran), Antoin Sevruguin's 696 glass negatives, at the time of their acquisition, were arranged into 61 boxes without any apparent organization. Today they are housed in archival document boxes, essentially duplicating the original arrangement, and stored on shelves. This glass negative was included into "Box 27."
Biographical / Historical:
Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, leaving behind only a fraction of his large collection of glass negatives, which is currently in the Archives of the Freer Gallery of Art and Arthur M. Sackler Gallery.
Local Numbers:
FSA A.4 2.12.GN.27.11
General:
Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist.
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Topic:
Portrait photography  Search this
Genre/Form:
Glass negatives
Studio portraits
Collection Citation:
The Myron Bement Smith Collection. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C.
Identifier:
FSA.A.04, Item FSA A.4 2.12.GN.27.11
See more items in:
Myron Bement Smith Collection
Myron Bement Smith Collection / Series 2: The Islamic Archives / 2.12: Antoin Sevruguin Photographs / 2.12.01: Glass Plate Negatives / Glass Plate Negatives: Sets 1-61
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
GUID:
https://n2t.net/ark:/65665/dc3faf33cf7-ea59-4015-8972-d24186d81b7b
EDAN-URL:
ead_component:sova-fsa-a-04-ref10218

Studio Portrait: Western Man

Topic:
Early Photography of Iran
Creator:
Sevruguin, Antoin, 1851-1933  Search this
Names:
Islamic Archives  Search this
Sevruguin, Antoin, 1851-1933  Search this
Smith, Myron Bement, 1897-1970  Search this
Collection Creator:
Smith, Myron Bement, 1897-1970  Search this
Extent:
1 Glass negative (b&w, 12.7 cm. x 17.8 cm.)
Type:
Archival materials
Glass negatives
Studio portraits
Place:
Asia
Iran
Date:
1880-1930
Scope and Contents:
- FSg curatorial research specialist remark on Antoin Sevruguin photo manipulation reads, "Varnish on the top third of the image."
- FSg curatorial research specialist remark on Antoin Sevruguin photo condition reads, "The glass negative is broken."
- Myron Bement Smith handwritten caption in English reads, "47.P; Box 51.1: Man." [Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information; Box 60; Folder 44: 47 P: Antoine Sevruguin, glass negatives, Iran]
Arrangement:
According to Myron B. Smith handwritten document (Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information; Box 60; Folder 44: 47 P Antoine Sevruguin, glass negatives, Iran), Antoin Sevruguin's 696 glass negatives, at the time of their acquisition, were arranged into 61 boxes without any apparent organization. Today they are housed in archival document boxes, essentially duplicating the original arrangement, and stored on shelves. This glass negative was included into "Box 51."
Biographical / Historical:
Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, leaving behind only a fraction of his large collection of glass negatives, which is currently in the Archives of the Freer Gallery of Art and Arthur M. Sackler Gallery.
Local Numbers:
FSA A.4 2.12.GN.51.01
General:
Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist.
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Topic:
Clothing and dress  Search this
headgear  Search this
Jewelry  Search this
Portrait photography  Search this
Genre/Form:
Glass negatives
Studio portraits
Collection Citation:
The Myron Bement Smith Collection. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C.
Identifier:
FSA.A.04, Item FSA A.4 2.12.GN.51.01
See more items in:
Myron Bement Smith Collection
Myron Bement Smith Collection / Series 2: The Islamic Archives / 2.12: Antoin Sevruguin Photographs / 2.12.01: Glass Plate Negatives / Glass Plate Negatives: Sets 1-61
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
GUID:
https://n2t.net/ark:/65665/dc3101af8f0-dacd-4874-93a8-2bcaa57c2e31
EDAN-URL:
ead_component:sova-fsa-a-04-ref10485

Studio Portrait of James Jackson

Photograph by:
Rev. Henry Clay Anderson, American, 1911 - 1998  Search this
Medium:
silver and photographic gelatin on acetate film
Dimensions:
H x W: 5 x 4 in (12.7 x 10.2 cm)
Type:
negatives
portraits
Place made:
Greenville, Washington County, Mississippi, United States
Date:
1948 - 1970s
Topic:
African American  Search this
American South  Search this
Communities  Search this
Photography  Search this
Segregation  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture
Object number:
2007.1.69.17.46.C
Restrictions & Rights:
© Smithsonian National Museum of African American History and Culture
See more items in:
National Museum of African American History and Culture Collection
Classification:
Media Arts-Photography
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd50ff8a4c9-e6b0-42dd-a789-a0fc694e6928
EDAN-URL:
edanmdm:nmaahc_2007.1.69.17.46.C

Studio Portrait a Woman Sitting

Photograph by:
Rev. Henry Clay Anderson, American, 1911 - 1998  Search this
Subject of:
Unidentified Woman or Women  Search this
Medium:
silver and photographic gelatin on acetate film
Dimensions:
H x W: 5 x 4 in (12.7 x 10.2 cm)
Type:
negatives
portraits
Place made:
Greenville, Washington County, Mississippi, United States
Date:
1948 - 1970s
Topic:
African American  Search this
American South  Search this
Communities  Search this
Photography  Search this
Segregation  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture
Object number:
2007.1.69.3.17.A
Restrictions & Rights:
© Smithsonian National Museum of African American History and Culture
See more items in:
National Museum of African American History and Culture Collection
Classification:
Media Arts-Photography
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd5582d07e9-00be-4209-8af7-ee82d485542a
EDAN-URL:
edanmdm:nmaahc_2007.1.69.3.17.A

Studio Portrait a Couple Sitting

Photograph by:
Rev. Henry Clay Anderson, American, 1911 - 1998  Search this
Subject of:
Unidentified Man or Men  Search this
Unidentified Woman or Women  Search this
Medium:
silver and photographic gelatin on acetate film
Dimensions:
H x W: 5 x 4 in (12.7 x 10.2 cm)
Type:
negatives
portraits
Place made:
Greenville, Washington County, Mississippi, United States
Date:
1948 - 1970s
Topic:
African American  Search this
American South  Search this
Communities  Search this
Photography  Search this
Segregation  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture
Object number:
2007.1.69.3.41.D
Restrictions & Rights:
© Smithsonian National Museum of African American History and Culture
See more items in:
National Museum of African American History and Culture Collection
Classification:
Media Arts-Photography
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd5156c9e80-716b-4430-97cc-aa601c3d4ed2
EDAN-URL:
edanmdm:nmaahc_2007.1.69.3.41.D

Double Exposed Studio Portrait, Diptych

Photograph by:
Rev. Henry Clay Anderson, American, 1911 - 1998  Search this
Medium:
silver and photographic gelatin on acetate film
Dimensions:
H x W: 5 x 4 in (12.7 x 10.2 cm)
Type:
negatives
portraits
Place made:
Greenville, Washington County, Mississippi, United States
Date:
1948 - 1970s
Topic:
African American  Search this
American South  Search this
Communities  Search this
Photography  Search this
Segregation  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture
Object number:
2007.1.69.20.16.D.1
Restrictions & Rights:
© Smithsonian National Museum of African American History and Culture
See more items in:
National Museum of African American History and Culture Collection
Classification:
Media Arts-Photography
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd5151b2e73-5733-41df-aee1-4880ee9a0347
EDAN-URL:
edanmdm:nmaahc_2007.1.69.20.16.D.1

Studio Portrait of a Couple

Photograph by:
Rev. Henry Clay Anderson, American, 1911 - 1998  Search this
Subject of:
Unidentified Woman or Women  Search this
Unidentified Man or Men  Search this
Medium:
silver and photographic gelatin on acetate film
Dimensions:
H x W: 5 x 4 in (12.7 x 10.2 cm)
Type:
negatives
portraits
Place made:
Greenville, Washington County, Mississippi, United States
Date:
1948 - 1970s
Topic:
African American  Search this
American South  Search this
Communities  Search this
Marriage customs and rites  Search this
Photography  Search this
Segregation  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture
Object number:
2007.1.69.4.12.C
Restrictions & Rights:
© Smithsonian National Museum of African American History and Culture
See more items in:
National Museum of African American History and Culture Collection
Classification:
Media Arts-Photography
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd5c0377c71-23e8-459a-837e-f293470e2b01
EDAN-URL:
edanmdm:nmaahc_2007.1.69.4.12.C

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