Tugwell, Rexford G. (Rexford Guy), 1891-1979 Search this
Extent:
34 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1965 February 25
Scope and Contents:
An interview of C.B. Baldwin conducted 1965 February 25, by Richard K. Doud, for the Archives of American Art. Baldwin speaks of his family's influence on his development; working in Washington, D.C. with Rexford Tugwell for the Department of Agriculture; the New Deal projects which led to the formation of the Farm Security Administration; the photography project of the Farm Security Administration; finding photographers for the project; the usefulness of the work produced by the FSA. He recalls Roy Stryker.
Biographical / Historical:
C. B. (Calvin Benhan) Baldwin (1902-1975) was an administrator with the Farm Security Administration. The Farm Security Administration, under its Historic Section photographed the harsh living conditions of poverty-stricken rural and urban America during the late 1930s through the 1940s.
General:
Originally recorded on 1 sound tape reel. Reformatted in 2010 as 4 digital wav files. Duration is 2 hr., 5 min.
Provenance:
This interview conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.
Topic:
Documentary photography -- United States Search this
Stryker talks with an unidentified interviewer about his work for the Farm Security Administration and its photographic activities during the Great Depression.
Biographical / Historical:
Director of the Farm Security Administration Historical Section; Washington, D.C. Under Stryker the Photographic project of the FSA documented the drought, poverty and despair of rural and urban America during the Depression.
General:
Handwritten note on reel containers: Roy Stryker talks for International Harvester Company.
Date of circa January 1960 was derived from information received by a researcher who located information in the interview, transcribed here: "... in this latest Infinity he [Peter Pollack] quotes you as saying 'a picture should not be a precious thing." This reference corresponds to an article by Peter Pollock with the Stryker quote in the December 1959 issue of Infinity. The next issue of Infinity came out January 1960.
Papers documenting Stryker's career as the head of the Farm Security Administration's photographic section, including correspondence with John Collier, Jack Delano, Walker Evans, Dorothea Lange, Russell Lee, Edwin Locke, Arthur Rothstein, John Vachon, Marion Post Wolcott and others; reports; articles on Stryker and the FSA; publications; speeches; photographs and miscellaneous materials.
Biographical / Historical:
Director of the Farm Security Administration Historical Section; Washington, D.C. Under Stryker the Photographic project of the FSA documented the drought, poverty and despair of rural and urban America during the Depression.
Provenance:
Papers lent for microfilming 1963-1966 by Roy Stryker.
An interview of Marion Post Wolcott conducted 1965 January 18, by Richard Doud, for the Archives of American Art, at the artist's home, in Mill Valley, California.
Wolcott speaks of her background in photography; experimenting with cameras; working as a photojournalist; joining the Farm Security Administration project; her first assignment photographing West Virginia coal miners; the camaraderie among the FSA photographers; the propagandistic aspects of the work; how the program was run and work assigned; her interest in landscapes; problems of being a woman photographer; the learning experience of meeting Americans all over the country; and the FSA project's long-term value. She recalls Roy Stryker.
Biographical / Historical:
Marion Post Wolcott (1910-1990) was a photographer from San Francisco, California.
General:
Originally recorded on 1 sound cassette. Reformatted in 2010 as 1 digital wav file. Duration is 1 hr., 4 min.
Provenance:
This interview conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Women photographers -- California -- San Francisco -- Interviews Search this
Scattered textual records selected from the Farm Security Administration, Historical Section records at the Library of Congress and the Farmers Home Administration records at the National Archives primarily revolving around activities of Roy Stryker. Included are personnel and travel records, typescripts of photograph captions, correspondence, memoranda, files on public relations and exhibits, and printed material.
218 copy prints of photographs of America taken for the FSA, including landscapes, people, homes and other architecture, rural scenes, urban scenes, workers, products of farm and industry, transportation, entertainment, and the Quarter Circle U Ranch, Birney, Montana. Photographers include: Arthur Rothstein, Walker Evans, Dorothea Lange, John Collier, Marion Post Wolcott, Jack Delano, Russell Lee, John Vachon, Ben Shahn, Carl Mydans, and Edwin Rosskam.
Biographical / Historical:
Established 1935 in the Resettlement Administration Historical Section's photographic project to document poverty stricken rural America under the direction of Roy E. Stryker. In 1937, Roosevelt established the FSA, and the Resettlement Administration and its programs fell under its auspices. The Historical Section of the Resettlement Administration remained intact under the FSA, and continued its photographic survey and historical documentation under Stryker's direction.
After 1942, the photographs project was transplanted to the Office War Information, and the emphasis of the project shifted from rural and urban conditions throughout Depression-era U.S. to the domestic impact of the war. In 1946, Congress created the Farmers Home Administration (FHA) which absorbed the FSA and its programs.
Related Materials:
Additional FSA-OWI records located at: Library of Congress, Prints and Photographs Division (microfilm available at LC)
Additional Stryker papers located at: Photographic Archives University of Louisville, Louisville, Ky. 40208
Provenance:
Microfilm and copy prints donated by the Library of Congress, Prints and Photographs Division, 1965.
Reel FSA/WDC2: Record Group 96, textual records of the Farmers Home Administration include the records of the FSA, predecessor to the FHA.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
An interview of Edwin and Louise Rosskam conducted 1965 August 3, by Richard Doud, for the Archives of American Art, at their home, in Roosevelt, N.J.
Edwin Rosskam speaks of his background and youth in Germany; coming to the United States; his education in painting at the Pennsylvania Academy of the Fine Arts; the early development of his interest in photography; getting his photojournalism career started; joining the Farm Security Administration and working under Roy Stryker; the view of America presented by the work produced by the FSA; photography exhibits he has done; the effect upon him of the people he met and photographed during his FSA career; the political impact of the FSA; applications and uses of the photographs produced by the FSA; the project's strengths and weaknesses; books and other projects he has contributed to. He recalls Roy Stryker, Dorothea Lange, Marion Post Wolcott, John Vachon, and the novelist Richard Wright. Louise Rosskam discusses the impact upon her of the people who were photographed, propagandistic aspects of the work, and the impact of the FSA project on photojournalism.
Biographical / Historical:
Edwin (1903-1985) and Louis Rosskam (1910-2003) were photographers from Roosevelt, N.J.
General:
Originally recorded on 2 sound tape reels. Reformatted in 2010 as 3 digital wav files. Duration is 2 hr., 49 min.
Provenance:
This interview conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.
Restrictions:
Transcript available on the Archives of American Art website.
An interview of Gordon Parks conducted 1964 Dec. 30, by Richard Doud, for the Archives of American Art, in New York, N.Y.
Parks speaks of his background; his early interest in photography; influences on him; his early career as a fashion photographer; joining the Farm Security Administration; his early impressions of the FSA; Roy Stryker's influence and guidance; how being Black and the experience of racism influenced his ability to relate to his subjects; memorable people he met during the FSA years; his post-FSA career, including his novels and his work for LIFE; and his opinions about the FSA's impact on people and on photography.
Biographical / Historical:
Gordon Parks (1912-2006) was a filmmaker, author, photographer, and composer from New York, N.Y.
General:
Originally recorded on 1 sound tape reel. Reformatted in 2010 as 1 digital wav files. Duration is 1 hr., 1 min.
Provenance:
This interview conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Photographers -- New York (State) -- New York Search this
Filmmakers -- New York (State) -- New York Search this
Authors -- New York (State) -- New York Search this
Composers -- New York (State) -- New York Search this
Interview of Walker Evans conducted 1971 Oct. 13-Dec. 23, by Paul Cummings, for the Archives of American Art. Evans discusses his early life and education; his early desire to become a writer; living for two years in Paris; teaching himself photography; taking pictures for the Farm Security Administration; his later work with FORTUNE and TIME magazines; photographing celebrities; his "Subway" series; teaching at Yale; influences on his work. He recalls Lincoln Kirstein, Roy Stryker and Ben Shahn.
Biographical / Historical:
Walker Evans (1903-1975) was a photographer.
General:
Originally recorded as 2 audio reels. Duration is 2 hr., 33 min.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript available on the Archives of American Art website.
Correspondence, mostly with Roy Stryker, Chief of the Historical Section of the Farm Security Administration. Stryker gives Delano his field assignments as a traveling photographer; discusses FSA policy, photographic techniques; his own philosophy about the work; change in budget and focus because of defense emphases; the war; subjects to photograph; activities of other personnel; and personal matters.
Biographical / Historical:
Illustrator, photographer; New York, N.Y. Born 1914. Delano was a photographer for the Farm Security Administration photography project which documented urban and rural America during the Depression.
Provenance:
Lent for microfilming 1965 by Jack Delano.
Restrictions:
The Archives of American Art does not own the original papers. Use is limited to the microfilm copy.
An interview of Jack and Irene Delano in Rio Piedras, Puerto Rico, conducted 1965 June 12, by Richard Doud, for the Archives of American Art.
Delano speaks of his arts background and his background in photography; an early project photographing Pennsylvania coal miners; how he became associated with the Farm Security Administration; Roy Stryker's guidance; the growth of the project; how the FSA affected him personally; problems he had on assignments; significant experiences in the field; Stryker as an administrator; some areas he covered and his memories of them; the value of the project; his post-FSA career. Delano's wife, Irene, is also present and speaks of her own contribution to the project.
Biographical / Historical:
Jack Delano (1914-1997) was a photographer from Rio Piedras, Puerto Rico.
General:
Originally recorded on 2 sound tape reels. Reformatted in 2010 as 3 digital wav file. Duration is 2 hr., 22 min.
Provenance:
This interview conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.
Restrictions:
Transcript available on the Archives of American Art website.
An interview of Charlotte Aiken and Helen Wool conducted 1964 April 17, by Richard Doud, for the Archives of American Art.
Both women discuss working for the Farm Security Administration under Roy Stryker.
Biographical / Historical:
Charlotte Aiken was an accountant and Helen Wool was Roy Stryker's secretary in the Farm Security Administration; both are from Washington, D.C. Stryker was director of the FSA photographic survey of rural and urban America during the depression.
General:
Originally recorded on 1 sound tape reel. Reformatted in 2010 as 2 digital wav files. Duration is 1 hrs., 27 min.
Provenance:
Conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Photography -- 20th century -- History -- United States Search this
Arts administrators -- Washington (D.C.) -- Interviews Search this
United States -- Economic conditions -- 1918-1945 -- Photographs
Date:
1944
Scope and Contents:
Black and white photographs of Roy Stryker (7), of Stryker and Helen D. Wool (1), of Aiken (1), and of Rose Dalton (1), all stamped "Farm Security Administration, 1944" on the back; and an Office of War Information Christmas Card, 1944, with a group photograph of Office members, which included Stryker and Aiken, as well as many others.
Biographical / Historical:
Administrator, Farm Security Administration, Washington, D.C. The Historical Section of the FSA directed by Stryker included the photography project that documented poverty stricken rural and urban America.
Provenance:
Donated 1964 by Charlotte Aiken.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
An interview of John Vachon conducted 1964 April 28, by Richard Doud, for the Archives of American Art.
Vachon speaks of how he started on the Farm Security Administration project; getting started as an FSA photographer; helping to organize the photograph file; early assignments as a photographer; the influence of Walker Evans; making decisions about the subject matter of the photographs; the growth of the FSA project; the difference between being a photographer for LOOK magazine and for the FSA; his philosophy of photography; and his most memorable experiences with the FSA. He recalls Roy Stryker.
Biographical / Historical:
John Vachon (1914-1975) was a photographer from New York, N.Y. Vachon worked under Roy Stryker on the Farm Security Administration's Photography project. Also worked for LOOK magazine.
General:
Originally recorded on 1 sound tape reel. Reformatted in 2010 as 1 digital wav file. Duration is 1 hr., 3 min.
Provenance:
This interview conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.
Restrictions:
Transcript available on the Archives of American Art website.
Correspondence with Lewis Hine, Roy Stryker, Paul Taylor and Dorothea Lange concerning the publication of photographs and articles. Hine correspondence is with Paul and Arthur Kellogg, 1918-1940, and concerns Hine's work for the American Red Cross and many other projects. Stryker correspondence, 1934-1948, is mainly with managing editor Florence Kellogg concerning his work in the Farm Security Administration. Taylor, professor of economics at University of California at Berkeley, and husband of photographer Dorothea Lange, corresponds mainly with Kellogg, 1934-1945, about articles he is writing for the magazine on "rural immigrants," Japanese internment camps, and other topics, and the photographs illustrating them by Lange. The Lange correspondence consists of a few letters, 1943-1945, concerning the mailing and payment for photographs.
Biographical / Historical:
Publisher (New York, N.Y.) of the magazine The Survey, which appeared as two separate periodicals from 1933-1948, Survey Graphic and Survey Midmontly. Leading journal of the social work profession and social reform activities. Paul Underwood Kellogg was editor 1912-1952; his brother Arthur was managing editor.
Provenance:
Microfilmed for the Archives of American Art by the University of Minnesota Libraries, 1987. The University received the Survey Associates, Inc. records in 1964 from Helen Hall.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
A photograh of Grand Central Station's mural "Past Pearl Harbor"; A photograph of Helen D. Wool; and a group photo of Jack Delano, John Vachon, Edwin Rosskam, John Collier, Edwin Locke, Russell Lee, and Roy E. Stryker.
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Topic:
Federal aid to the arts -- Photographs Search this
Federal aid to the public welfare -- Photographs Search this
The papers of librarian, curator, and photographer Paul Vanderbilt (1905-1992) measure 25.2 linear feet and date from 1854 to 1992 with the bulk of the material dating from 1945 to 1992. The papers are comprised of biographical materials, personal and business correspondence, interviews, writings and notes, fourteen diaries and two diary fragments, reference and project files, photographic materials, sound recordings, and professional files.
Scope and Contents:
The papers of librarian, curator, and photographer Paul Vanderbilt (1905-1992) measure 25.2 linear feet and date from 1854 to 1992 with the bulk of the material dating from 1945 to 1992. The papers are comprised of biographical materials, personal and business correspondence, interviews, writings and notes, fourteen diaries and two diary fragments, reference and project files, photographic materials, sound recordings, and professional files.
Biographical materials include seven appointment books, family letters and documents, and an honorary degree from the University of Wisconsin.
Vanderbilt's correspondence is with colleagues, and organizations including Dorothea Lange, Beaumont Newhall, Roy Stryker, and Julia Vanderbilt.
Sound recordings of interviews of Vanderbilt conducted by Mary North Allen, Barbara Crane, Carl Haywood, Jack Holzhueter, and Jane Plunkett. Other recordings are of Vanderbilt discussing his personal and professional life.
Writings by Paul Vanderbilt include drafts of Between the Landscape and its Other, poems, lectures, student papers, and notes on a variety of subjects. Writings by others are found for William Blake, Gregory Conniff, Woody Guthrie, Michael Lesy, Arnold R. Pilling, Jesse H. Shera, and Roy Stryker.
Fourteen of Vanderbilt's personal diaries and two diary fragments date from 1926 to 1990.
Reference files consist of printed materials on art, art historians, book reviews, library and information studies, photography and microphotography techniques, and other themes of interest to Vanderbilt. Project files include material from Vanderbilt's various projects, including a guide to the iconography of Iran, the reclassification of FSA photographs, and the Union Library Catalog of Philadelphia.
Included in professional files are administrative records, correspondence, exhibition files, project files, printed material, and research files created during Vanderbilt's career at the Library of Congress, Graphic History Society, State Historical Society of Wisconsin, Philadelphia Museum of Art, and the Farm Security Administration. Also found are materials for Vanderbilt's work as a consultant for several organizations, lecture documents, and art-related workshops.
Photographs are by and of Paul Vanderbilt, the staff of the Library of Congress, and George Talbot. Negatives include images for the Farm Security Administration. Bibliography cards and photographs of artwork from the Library of Congress can be found on microfilm reels within the collection.
Also found are fourteen unidentified sound recordings.
Arrangement:
The collection is arranged as 10 series.
Series 1: Biographical Materials, 1894-1992 (0.5 linear feet; Box 1)
Series 2: Correspondence, 1933-1992 (1.5 linear feet; Box 1-2)
Series 3: Interviews, 1967-1992 (1.5 linear feet; Box 2-4)
Series 4: Writings and Notes, 1887-1992 (4.0 linear feet; Box 4-8)
Series 5: Diaries, 1926-1990 (0.5 linear feet; Box 8)
Series 6: Reference Files, 1877-1992 (2.5 linear feet; Box 8-10, 26)
Series 7: Project Files, 1935-1990 (3.0 linear feet; Box 10-13)
Series 8: Professional Files, 1854-1991 (11.7 linear feet; Box 13-24)
Series 9: Photographic Materials, 1912-1980s (0.5 linear feet; Box 24)
Series 10: Sound Recordings, circa 1980s (0.5 linear feet; Box 24-25)
Biographical / Historical:
Paul Vanderbilt (1905-1992) was a librarian, curator, and photographer active in Philadelphia, Pennsylvania, Washington, D.C. and Madison, Wisconsin.
Paul Vanderbilt was born in Cambridge, Massachusetts and educated in Germany, Switzerland, and Massachusetts. He attended Amherst College from 1923 to 1925 before transferring to Harvard where he graduated with a BA in art history in 1927. After graduation, Vanderbilt traveled to Europe where he studied at the American School of Librarianship in Paris and the Institut de Psychologie Bibliogique in Lausanne. In 1929, he returned to the United States and became a librarian at the Philadelphia Museum of Art and director of the Union Library Catalog project for the Philadelphia area.
In 1941 Vanderbilt began working under Roy Stryker cataloging the extensive photographic survey collection of the Farm Security Administration and U.S. Office of War Information. The collection is a rich resource of images of American life between 1935 and 1944. In 1943, the FSA photograph collection was transferred to the Library of Congress and Vanderbilt went with it as the curator of the newly formed Prints and Photographs Division, eventually becoming the Division chief of fine arts.
During the early 1950s, Vanderbilt also served as the director of the Graphic History Society of America. There he published a quarterly bulletin Eye to Eye and developed a guide to iconography in Iran. In 1954, he became the Curator of Iconographic Collections at the State Historical Society of Wisconsin and worked there until he retired in 1972.
Vanderbilt remained active after retirement. He became an artist-in-residence at the Apeiron Workshops, worked as a photographer for the Seagram courthouse project and the George Eastman House, and was a presenter at multiple conferences. Vanderbilt devoted much of his later life to working on his book titled Between the Landscape and its Other which was published posthumously after Vanderbilt's death in 1992.
Related Materials:
Also found at the Archives of American Art is an oral history interview with Paul Vanderbilt conducted by Richard Doud on November 10, 1964.
Provenance:
The collection was donated in 1981 by Paul Vanderbilt and in 1993 by his estate through John W. Winn, executor.
Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
An interview of Paul Vanderbilt conducted 1964 November 10, by Richard Doud, for the Archives of American Art.
Vanderbilt speaks of his background and education in art history at Harvard, his work with books and in libraries before getting involved with the Farm Security Administration project; starting with the FSA and developing a plan to get its work organized; the goals and philosophies of the FSA, and the realities of its accomplishments; what the photographs produced by the project say about America; and the project's relevance to current times. He recalls Edwin Rosskam and Roy Stryker.
Biographical / Historical:
Paul Vanderbilt (1905-1992) was a librarian and archivist from Madison and Middleton, Wisconsin.
General:
Originally recorded on 1 sound tape reel. Reformatted in 2010 as 2 digital wav files. Duration is 1 hr., 38 min.
Provenance:
This interview conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.
A letter from Archie Robertson to Stryker about traveling photographic exhibitions; 2 manuscripts on the origins of the FSA and containing biographical information of Stryker, the staff, and photographers on the project; a photograph of a poem, "Merry Christmas to Stryker"; "Stryker's Credo," a statement he made upon leaving the "Jersey Company" (Standard Oil); "The Children of Esso," 1948 by John Vachon, a psalm-like parody about Stryker and his affiliation with Standard Oil; and a copy of "Their Blood is Strong," 1940 by John Steinbeck on migratory agricultural workers in California illustrated with photos by Dorothea Lange for the FSA, signed by Steinbeck.
Biographical / Historical:
Director of the Farm Security Administration Historical Section; Washington, D.C. Under Stryker the Photographic project of the FSA documented the drought, poverty and despair of rural and urban America during the Depression.
Provenance:
Donated 1965 by Roy Stryker.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
