- FSg curatorial research specialist remark on Antoin Sevruguin photo manipulation reads, "Brush work visible all around the figures."
- Handwritten information on slip of paper (from a 1943-1944 cash book, produced by the Bathni Brothers, Tehran) reads, "330-331) Pictures of a play." [Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information]
- Myron Bement Smith handwritten caption in English reads, "47.P; Box 21.5: Picture of a play (330-331)." [Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information; Box 60; Folder 44: 47 P: Antoine Sevruguin, glass negatives, Iran]
Arrangement:
According to Myron B. Smith handwritten document (Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information; Box 60; Folder 44: 47 P Antoine Sevruguin, glass negatives, Iran), Antoin Sevruguin's 696 glass negatives, at the time of their acquisition, were arranged into 61 boxes without any apparent organization. Today they are housed in archival document boxes, essentially duplicating the original arrangement, and stored on shelves. This glass negative was included into "Box 21."
Biographical / Historical:
Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, leaving behind only a fraction of his large collection of glass negatives, which is currently in the Archives of the Freer Gallery of Art and Arthur M. Sackler Gallery.
Local Numbers:
FSA A.4 2.12.GN.21.05
General:
Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist.
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Genre/Form:
Glass negatives
Collection Citation:
The Myron Bement Smith Collection, FSA A.04. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C. Gift of Katherine Dennis Smith.
- Handwritten information on slip of paper (from a 1943-1944 cash book, produced by the Bathni Brothers, Tehran) reads, "A theatrical performance." [Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information]
- Myron Bement Smith handwritten caption in English reads, "47.P; Box 23.1: A theatrical performance." [Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information; Box 60; Folder 44: 47 P: Antoine Sevruguin, glass negatives, Iran]
Arrangement:
According to Myron B. Smith handwritten document (Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information; Box 60; Folder 44: 47 P Antoine Sevruguin, glass negatives, Iran), Antoin Sevruguin's 696 glass negatives, at the time of their acquisition, were arranged into 61 boxes without any apparent organization. Today they are housed in archival document boxes, essentially duplicating the original arrangement, and stored on shelves. This glass negative was included into "Box 23."
Biographical / Historical:
Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, leaving behind only a fraction of his large collection of glass negatives, which is currently in the Archives of the Freer Gallery of Art and Arthur M. Sackler Gallery.
Local Numbers:
FSA A.4 2.12.GN.23.01
General:
Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist.
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Genre/Form:
Glass negatives
Collection Citation:
The Myron Bement Smith Collection, FSA A.04. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C. Gift of Katherine Dennis Smith.
1 Slides (photographs) (glass lantern, col., 3 x 5 in.)
Type:
Archival materials
Slides (photographs)
Photographic prints
Place:
United States of America -- California -- San Bernardino County -- Redlands
A. K. Public Library (Redlands, California)
Date:
circa 1910-1920
General note:
See Smiley Park (CA463001).
Located on West Vine Street.
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
2.71 Cubic feet (4 photo albums, 384 glass plate negatives)
Type:
Collection descriptions
Archival materials
Aerial photographs
Scrapbooks
Place:
Washington (D.C.) -- 1910-1920
Washington D.C. -- Photographs
Date:
1918-1920
Summary:
This collection consists predominantly of aerial photography of the Washington, D.C. area created by Dr. William F. Meggers (1888 - 1966), a noted physicist and spectroscopist at the National Bureau of Standards (NBS), as part of a research project on sensitizing glass plate negatives which he carried out during the period 1918 to 1919. The collection includes 384 glass negatives (predominantly 4 x 5 inches, with some 5 x 7 inches), four photo albums, several folders of loose photographs, and a document.
Scope and Contents:
This collection, which consists predominantly of aerial photography from the period 1918 to 1919, contains 384 glass negatives (predominantly 4 x 5 inches, with some 5 x 7 inches), four photo albums, several folders of loose photographs, and a document.
Series 1 of the collection consists of material donated in 1967 by the Meggers family and includes four photo albums of print photographs, 85 loose print photographs, a photocopy of Meggers' and Stimson's 1920 article "Dyes for Photographic Sensitizing," and 263 glass negatives. One of the albums has prints of Washington, D.C., and the surrounding area (such as Arlington, Virginia, and the Great Falls of the Potomac). In addition to the aerial photography, there are a few views of the Fokker DH-4M-2 (Atlantic Model 1) biplanes used for the photography flights. Another of the albums contains images of Niagara Falls and the surrounding countryside. The third and fourth albums contain images predominantly from unidentified locations, except for some showing Fort Monroe at Old Point Comfort, Hampton, Virginia. Photographs found in the albums are believed to be prints from negatives in the collection.
Series 2 of the collection consists of 119 4 x 5 inch glass negatives (almost all aerial photographs of the Washington, D.C. area) transferred on November 17, 2011, from the National Institute of Standards and Technology (NIST) (formerly the National Bureau of Standards). Views of northwest Washington, D.C., include the National Bureau of Standards campus on Peirce Mill Road; the original Wardman Park Hotel in the Woodley Park neighborhood; the William Howard Taft Bridge (Connecticut Avenue NW) across Rock Creek and surrounding Mount Pleasant, Woodley Park, Lanier Heights, and Kalorama Heights neighborhoods; the National Zoological Park (later the Smithsonian National Zoological Park) in Rock Creek Park; new homes in the Richmond Park neighborhood; the McMillan Reservoir, Filtration Plant, and Sand Filtration Site; and the United States Naval Observatory and Observatory Circle area. Views of the National Mall area include the Smithsonian Institution Castle, the United States National Museum (later the Smithsonian National Museum of Natural History), the Washington Monument and newly-constructed Lincoln Memorial, and extensive War Office buildings. Views of the Capitol Hill area include the United States Capitol Building, the Jefferson Building of the Library of Congress, the Hart Senate and Cannon House office buildings, and Union Station. Views of southeast Washington, D.C. include Bolling Field (military airfield) and the Anacostia River and surrounding area. Views made across the Potomac River feature Arlington National Cemetery, including multiple views of the newly-constructed Memorial Amphitheater. This series also contains a few images of the Potomac River waterfront areas of Alexandria, Virginia, including the Torpedo Factory at the foot of King Street and the Virginia Shipbuilding Corporation docks at Jones Point, and—farther downriver—views of George Washington's estate at Mount Vernon, Virginia.
Arrangement:
The materials are divided into two series. Series 1 consists of the original 1967 acquisition donated by the Meggers family, with the materials are subdivided by format. Subseries 1.A consists of the four photo albums; Subseries 1.B consists of loose black and white print photographs found inside the front cover of Photo Album 3 [NASM-9A19047] and grouped by location; Subseries 1.C contains materials relating to Dr. Meggers; and Subseries 1.D consists of glass plate negatives. Series 2 consists of the additional materials transferred from the National Institute of Standards and Technology (NIST) in 2011. All glass plate negatives are presented in the order they were received from the donors.
Biographical / Historical:
Dr. William F. Meggers (1888 - 1966) was a noted physicist and spectroscopist at the National Bureau of Standards (NBS). In 1918, Meggers conducted a NBS research project on sensitizing glass plate negatives and the effectiveness of certain aerial cameras. The glass plate negatives were aerial shots of the Washington, D.C. area taken from a Fokker (Atlantic) aircraft. The flights were made from Bolling Field and a field near Port Comfort, Virginia [now known as Old Point Comfort, Hampton, Virginia]. The results from Meggers' study were published in The Journal of the Optical Society of America, 1920. [See: W. F. Meggers and F. J. Stimson, "Dyes for Photographic Sensitizing, Journal of the Optical Society of America, Vol. IV, Number 3, May 1920.]
Provenance:
Dr. William Meggers via daughter Dr. Betty J. Meggers, gift, 1967, NASM.XXXX.0280; additional material received from National Institute of Standards and Technology (NIST), transfer, 2011
Restrictions:
No restrictions on access
Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests
St. Paul, Minnesota and Mantioba Railway. Search this
Extent:
0.66 Cubic feet (1 box)
Type:
Collection descriptions
Archival materials
Clippings
Obituaries
Scrapbooks
Place:
St. Paul (Minn.)
Date:
1916
Scope and Contents:
Scrapbook contains clippings of the news stories and obituaries printed after the death of James J. Hill on May 29, 1916, drawn from newspapers throughout the United States and Canada.
The 151 scrapbook pages (13" x 15") contain newspaper clippings of the news stories and obituaries of the death of James Jerome Hill on May 29, 1916 at age 78. The clippings dated May 29 and 30, 1916 are from throughout the United States and Canada and report on the life and death of the man known as "Railroad Builder" and "Empire Builder".
Biographical / Historical:
James J. Hill was born near Guelph, Ontario on September 16, 1838 of parents of Scottish and Northern Ireland background. He moved to St. Paul, Minnesota when he was 18 and began his career in railroad building.
His major accomplishment was to discover the "bread-basket of the world" in the Northwest United States and led in the development of its 6 states from wilderness. Along the 6,000 miles of track he created wealth of $5 billion in land values, having provided for 400,000 farms on 65 million acres. This was done between 1880-1893 with no Federal or State money. He introduced livestock to these farms and imported blood stock. He had men show the farmers how to raise more wheat, and established cheap rates for rail and steamship for the transport of the grain. Hill organized a fleet of steamships for the commercial invasion of Japan and China and made possible trade between Buffalo, NY to the Far East.
Hill was known to believe in low grades, heavy power, large capacity cars and big trainloads. Besides being president of the Great Northern Railway form 1889-1912, he controlled the First National Bank and the Northwestern Trust Company. He also helped to get Armour and Company to locate in south St. Paul. He arranged for Wall Street to purchase $500,000,000 of foreign bonds to help the allies in 1915. He also personally gave money to King Albert of Belgium to help the country after the Germans invaded it.
Hill was worth an estimated $200 to $250 million when he died.
Hill was the son of a farmer in Ontario, Canada. At 18 he moved to St. Paul, Minn., and took a job as a clerk with a steamship company. In 1873 he and a partner took over the bankrupt St. Louis and Pacific Railway. This line was reorganized in 1879 as the St. Paul, Minnesota and Manitoba Railway, with Hill as General Manager; in 1883 he became its President. Hill extended his rail line into the Great Northwest and opened it up to commerce. He amassed a fortune, estimated at between 200 to 250 million dollars at his death.
Provenance:
Immediate source of acquisition unknown.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Colorado Street and Maryland Pergola, Pasadena, Calif.
Extent:
1 Postcard
Container:
Box 1
Type:
Archival materials
Postcards
Postcards
Date:
circa 1910-1920
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Citation:
Smithsonian Institution, Archives of American Gardens, Historic gardens postcard collection.
This collection consists of glass plate negatives and advertising ephemera created by the Baugh & Sons Company, also known as the Baugh Chemical Company, manufacturers of a variety of agricultural fertilizers from 1855-1963.
Scope and Contents:
The collection consists of glass plate negatives documenting various operations of Baugh & Sons Company. The collection also includes trade literature, advertising ephemera in the form of pocket notebooks, and farmer's almanacs published by Baugh & Sons Company.
Series 1, Glass Plate Negatives, undated is arranged by size, 5x7 or 8x10. The glass plate negatives came to the National Museum of American History (NMAH) in 1966 from the National Park Service (NPS), Philadelphia, Pennsylvania office. The glass plates, depicting sailing ships and wharf scenes, were given to the Division of Transportation, NMAH. The plates are not dated but appear to be early twentieth century. The glass plates may be ones used for the company publication, History of the House of Baugh, published circa 1927 or used in one of the many almanacs published by Baugh.
The scenes depicted in the various plates center around the company's wharf. Images of ships, tall masted and freighter, at the company dock are included as well as various staged scenes of laborers offloading animal bones (the basis of many of Baugh's products). There are also views of the factory complex from the Delaware River, showing an overhead rail system and large wharf side fertilizer hoppers with the company logo painted on at least one of them. The William J. McCahan Sugar Refining building may be seen in the background of some of the plates. These plates have been scanned.
Series 2, Advertising Ephemera, 1903-1914, undated is arranged chronologically. This series contains one piece of trade literature, seven pieces of advertising ephemera in the form of pocket memoranda, and three farmer's almanacs published by Baugh & Sons Company in the early twentieth century. The 1908 issue of the almanac contained a small black and white individual photograph of the Boston & Bangor Steam Ship Company building in Hampden, Maine.
Arrangement:
The collection is arranged into two series.
Series 1, Glass Plate Negatives, undated
Series 2, Advertising Ephemera, 1903-1914, undated
Biographical / Historical:
Reportedly one of the oldest and largest fertilizer manufacturers in the United States during the late nineteenth to mid-twentieth centuries, Baugh & Sons Company was founded in 1855 by John Pugh Baugh (?-1882) and two of his sons, Edwin P. Baugh (?-1888) and Daniel Baugh (1836-1921) in Chester County, Pennsylvania. Some company materials claim a founding date for the "House of Baugh" in 1817, which is probably based on the fact that the family was initially engaged in the tanning industry near Paoli, Pennsylvania. Baugh manufactured a variety of ground bone-based agriculture fertilizers that were tailored for a wide range of crops. They later expanded into the manufacture of animal charcoal, glue, and chemicals. Baugh's corporate offices were located at the Delaware River Chemical Works on South Delaware Avenue in Philadelphia, Pennsylvania with offices in Baltimore, Maryland and Norfolk, Virginia. Baugh operated manufacturing plants in Baltimore, Maryland at Canton in Baltimore harbor; Oneida, New York; Philadelphia, Pennsylvania on the Delaware River at the foot of Morris and Moore Streets; Canton, Ohio; Galveston, Texas, and Norfolk, Virginia at Burton's Point.
A visitor to the Delaware River works reportedly wrote this description of the plant, "I have just inspected the Baugh Fertilizer Works on the Delaware River. I saw many large buildings, much machinery and numerous workmen. There was business activity everywhere; but, more than anything else, I saw bones. The whole placed suggested animal bones. There were bones in heaps, in sheds, on carts, on ships. There were bones whole and bones crushed; and bone ground, ready for shipment. I learned that the annual sales of Baugh's brands aggregate nearly 100,000 tons; which would be six thousand freight-car loads. I was told that these bones came from everywhere: from North America and from South America; from the West Indies and even from the East Indies. It was intimated that the present big bone heaps would soon be bigger, owing to incoming cargoes, but the statement made no impression on me." Baugh's Farmer's Almanac for 1903, page 14.
By the early twentieth century Baugh products were widely available from a network of independently owned farm supply stores. Baugh carried trade brands for each of its primary regions in Philadelphia, Baltimore, and Norfolk. Baugh also exported products to England, France, Germany, and other countries. In its yearly almanacs they suggested the appropriate brand of Baugh fertilizer for specific crops and in some almanacs printed farmer testimony as well as photographs of crops grown with Baugh fertilizers.
Baugh Chemical Company was purchased by Kerr-McGee Oil Industries, Incorporated in 1963. Kerr-McGee ceased to exist as an independent entity in 2006 when purchased by Houston, Texas-based Anadarko Petroleum Corporation.
Provenance:
Collected for the museum by the Division of Work and Industry, National Museum of American History in 1966.
Restrictions:
The collection is open for research use.
The collection is open for research use.
Rights:
Copyright held by the Smithsonian Institution. Collection items available for reproduction, but the Archives Center makes no guarantees concerning intellectual property rights. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection is open for research but is stored off-site and special arrangements must be made to work with it. The original glass plate is available for inspection if necessary in the Archives Center. A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Paper remnants stuck to emulsion, uncancelled frame.
Collection Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. The original glass plate is available for inspection if necessary in the Archives Center. A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection is open for research but is stored off-site and special arrangements must be made to work with it. The original glass plate is available for inspection if necessary in the Archives Center. A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection is open for research but is stored off-site and special arrangements must be made to work with it. The original glass plate is available for inspection if necessary in the Archives Center. A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection is open for research but is stored off-site and special arrangements must be made to work with it. The original glass plate is available for inspection if necessary in the Archives Center. A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Photographer stands on railing on skyscraper to photograph street below.
Local Numbers:
RSN 4
General:
Currently stored in box 1.1.1 [162], moved from [158].
Collection Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. The original glass plate is available for inspection if necessary in the Archives Center. A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Architecture -- New York (State) -- New York Search this
Cityscapes -- 1910-1920 -- New York (State) -- New York Search this
Collection is open for research but is stored off-site and special arrangements must be made to work with it. The original glass plate is available for inspection if necessary in the Archives Center. A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection is open for research but is stored off-site and special arrangements must be made to work with it. The original glass plate is available for inspection if necessary in the Archives Center. A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection is open for research but is stored off-site and special arrangements must be made to work with it. The original glass plate is available for inspection if necessary in the Archives Center. A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection is open for research but is stored off-site and special arrangements must be made to work with it. The original glass plate is available for inspection if necessary in the Archives Center. A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection is open for research but is stored off-site and special arrangements must be made to work with it. The original glass plate is available for inspection if necessary in the Archives Center. A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection is open for research but is stored off-site and special arrangements must be made to work with it. The original glass plate is available for inspection if necessary in the Archives Center. A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Some of the 345 silver gelatin photoprints, mounted on gray paper pages in this album, apparently were taken in Houston, as the title page indicates. However, many others were taken in New Orleans, and possibly other areas in the Gulf States. The New Orleans pictures depict City Park, St. Louis Cathedral, the Cabildo, above ground cemeteries, the French Quarter, the French Market, the Hotel Royal (the old St. Louis Hotel), etc. Other subjects include informal portraits of men, two of which are identified and dated 1911; people fishing; horse drawn carriages, streetcars and automobiles in urban areas; women typing in an office; army barracks and tents, soldiers, and sailors; people in front of a Barnum & Bailey circus poster, a clown, and other circus scenes; houses; etc. Most of the pictures, of varying sizes, seem to be amateur work, but others are more advanced or possibly professional in style and quality.
Arrangement:
Album of photographs. Unarranged: original order of pages uncertain.
Historical:
Nothing is known about this unbound album of photographs. The content of the photographs themselves and the title page provide the only documentation. The album was found incomplete and unbound, and the original cover has been discarded because it was in poor condition and was contaminating the album pages and photographs. The "Queen" style album was manufactured by Tatum (?), patented July 13, 1909(?).
Provenance:
The album, found in the Museum vault, presumably was part of the Warshaw Collection of Business Americana, or might have been acquired later in the late 1960s to early 1980s, by Dr. John Hoffman when he was curator of the collection.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.