Search Results

Collector:

Gregory, Thelma  Search this

Morris, Gregory  Search this

Names:

Copasetic Club  Search this

Ellington, Duke, 1899-1974  Search this

Strayhorn, Billy (William Thomas), 1915-1967  Search this

Extent:

3 Items (3 folders)

Type:

Collection descriptions

Archival materials

Photographs

Clippings

Date:

1965-1969

Summary:

Collection consists of two newsclippings, and an advertising yearbook documenting Strayhorn's career as Duke Ellington's chief arranger, co-composer, lyricist, and emergency fill-in at the piano.

Scope and Contents:

The Billy Strayhorn Ephemera Collection consists of two newsclippings, and an advertising yearbook documenting Strayhorn's career as Duke Ellington's chief arranger, co-composer, lyricist, and emergency fill-in at the piano. The newsclippings document the collaborative relationship that existed between Ellington and Strayhorn. The advertising yearbook was published as a tribute to Strayhorn after his death. It includes numerous commentaries to Billy Strayhorn by some of the period's leading jazz musicians.

Arrangement:

Collection is arranged into one series.

Biographical / Historical:

Billy Strayhorn, composer and pianist, was born in Dayton, Ohio on November 19, 1915. He joined the Duke Ellington Orchestra in 1939 after a brief period working as the pianist for the Mercer Ellington Orchestra. For nearly three decades Strayhorn served as associate arranger and second pianist for Duke Ellington. Billy Strayhorn remained with the Ellington Orchestra until his death on May 31, 1967.

Provenance:

Collection donated by Gregory & Thelma Morris, May 17, 1991.

Restrictions:

Collection is open for research.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Jazz  Search this

Music -- 20th century  Search this

Jazz musicians -- United States  Search this

Genre/Form:

Photographs -- 1960-1970

Clippings

Citation:

Billy Strayhorn Ephemera Collection, 1965-1969, Archives Center, National Museum of American History

Identifier:

NMAH.AC.0383

See more items in:

Billy Strayhorn Ephemera Collection

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep815c7a2bc-5f80-4e1e-b07b-aa8f6c7a13ce

EDAN-URL:

ead_collection:sova-nmah-ac-0383

Creator:

Ellington, Duke, 1899-1974  Search this

Names:

Duke Ellington Orchestra  Search this

Washingtonians, The.  Search this

Ellington, Mercer Kennedy, 1919-1996 (musician)  Search this

Strayhorn, Billy (William Thomas), 1915-1967  Search this

Collector:

National Museum of American History (U.S.). Division of Musical History  Search this

Extent:

400 Cubic feet

Type:

Collection descriptions

Archival materials

Phonograph records

Papers

Photographic prints

Posters

Sound recordings

Scrapbooks

Music

Clippings

Awards

Audiotapes

Place:

New York (N.Y.) -- 20th century

Harlem (New York, N.Y.) -- 20th century

Washington (D.C.) -- 20th century

Date:

1903 - 1989

Summary:

The collection documents Duke Ellington's career primarily through orchestrations (scores and parts), music manuscripts, lead sheets, transcriptions, and sheet music. It also includes concert posters, concert programs, television, radio, motion picture and musical theater scripts, business records, correspondence, awards, as well as audiotapes, audiodiscs, photographs, tour itineraries, newspaper clippings, magazines, caricatures, paintings, and scrapbooks.

Scope and Contents:

Dating approximately from the time Duke Ellington permanently moved to New York City in 1923 to the time the material was transferred to the Smithsonian Institution in 1988, the bulk of the material in the Duke Ellington Collection is dated from 1934-1974 and comprises sound recordings, original music manuscripts and published sheet music, hand-written notes, correspondence, business records, photographs, scrapbooks, news clippings, concert programs, posters, pamphlets, books and other ephemera. These materials document Ellington's contributions as composer, musician, orchestra leader, and an ambassador of American music and culture abroad. In addition, the materials paint a picture of the life of a big band maintained for fifty years and open a unique window through which to view an evolving American society.

The approximate four hundred cubic feet of archival materials have been processed and organized into sixteen series arranged by type of material. Several of the series have been divided into subseries allowing additional organization to describe the content of the material. For example, Series 6, Sound Recordings, is divided into four subseries: Radio and Television Interviews, Concert Performances, Studio Dates and Non-Ellington Recordings. Each series has its own scope and content note describing the material and arrangement (for example; Series 10, Magazines and Newspaper Articles, is organized into two groups, foreign and domestic, and arranged chronologically within each group). A container list provides folder titles and box numbers.

The bulk of the material is located in Series 1, Music Manuscripts, and consists of compositions and arrangements by Duke Ellington, Billy Strayhorn and other composers. Series 6, Sound Recordings also provides a record of the performance of many of these compositions. The materials in Series 2, Performances and Programs, Series 3, Business Records, Series 8, Scrapbooks, Series 9, Newspaper Clippings, Series 11, Publicity and Series 12, Posters provide documentation of specific performances by Duke Ellington and His Orchestra. Ellington was a spontaneous and prolific composer as evidenced by music, lyrical thoughts, and themes for extended works and plays captured on letterhead stationery in Series 3, Business Records, in the margin notes of individual books and pamphlets in Series 14, Religious Materials and Series 15, Books, and in the hand-written notes in Series 5, Personal Correspondence and Notes.

During its fifty-year lifespan, Duke Ellington and His Orchestra were billed under various names including The Washingtonians, The Harlem Footwarmers and The Jungle Band. The soloists were informally called "the band", and Series 3 includes salary statements, IOU's, receipts and ephemera relating to individual band members. Series 1, Music Manuscripts contains the soloists' parts and includes "band books" of several soloists (for example; Harry Carney and Johnny Hodges) and numerous music manuscripts of Billy Strayhorn. The changing role of Strayhorn from arranger hired in 1938 to Ellington's main collaborator and composer of many well-known titles for Duke Ellington and His Orchestra including "Take The A' Train" and "Satin Doll" can be traced in these music manuscripts. Series 7, Photographs and Series 2, Performances and Programs contain many images of the band members and Strayhorn. This Collection also documents the business history of Duke Ellington and His Orchestra. Series 3, Business Records contains correspondence on letterhead stationery and Series 11, Publicity contains promotional material from the various booking agencies, professional companies, and public relations firms that managed the Orchestra.

The materials in the Duke Ellington Collection provide insight into public and institutional attitudes towards African Americans in mid-twentieth-century America. The business records in Series 3 beginning in 1938 and published sheet music in Series 1 depict Duke Ellington's progression from an African-American musician who needed "legitimization" by a white publisher, Irving Mills, to a businessmen who established his own companies including Tempo Music and Duke Ellington, Incorporated to control his copyright and financial affairs. Programs from the segregated Cotton Club in Series 2, Performances And Programs and contracts with no-segregation clauses in Series 3: Business Records further illustrate racial policies and practices in this time period. The public shift in perception of Duke Ellington from a leader of an exotic "Jungle Band" in the 1930s to a recipient of the Congressional Medal Of Freedom in 1970 is evidenced in Series 2, Performances And Programs, Series 12, Posters, Series 7, Photographs and Series 13, Awards. Reviews and articles reflecting Ellington's evolving status are also documented in Series 8, Newspaper Clippings, Series 9, Scrapbooks, Series 10, Newspaper and Magazine Articles.

The materials in the Duke Ellington Collection reflect rapid technological changes in American society from 1923-1982. Sound recordings in Series 6 range from 78 phonograph records of three minutes duration manufactured for play on Victrolas in monaural sound to long-playing (LP) phonograph records produced for stereo record players. Television scripts in Series 4, programs in Series 2 and music manuscripts (for example, Drum Is A Woman) in Series 1 demonstrate how the development of television as a means of mass communication spread the Orchestra's sound to a wider audience. The availability of commercial air travel enabled the Ellington Orchestra to extend their international performances from Europe to other continents including tours to Asia, Africa, South America and Australia and archival material from these tours is included in every series.

Series 4, Scripts and Transcripts and Series 6, Audio Recordings contain scripts and radio performances promoting the sale of United States War bonds during World War II, and Series 7, Photographs includes many images of Duke Ellington and His Orchestra's performances for military personnel revealing the impact of historic events on Duke Ellington and His Orchestra. Series 2: Programs and Performances, Series 9, Newspaper clippings and Series 8, Scrapbooks document the 1963 Far East tour aborted as a result of President John F. Kennedy's assassination.

The Duke Ellington Collection contains works by numerous twentieth-century music, literature, and art luminaries. Series 1, Music Manuscripts contains original music manuscripts of William Grant Still, Eubie Blake, Mary Lou Williams, and others. Series 4, Scripts and Transcripts contains a play by Langston Hughes, and Series 12, Posters contains many original artworks.

Arrangement:

Series 1: Music Manuscripts, circa 1930-1981, undated

Series 2: Performances and Programs, 1933-1973, undated

Series 3: Business Records, 1938-1988

Series 4: Scripts and Transcripts, 1937-1970

Series 5: Personal Correspondence and Notes, 1941-1974, undated

Series 6: Sound Recordings, 1927-1974

Series 7: Photographs, 1924-1972, undated

Series 8: Scrapbooks, 1931-1973

Series 9: Newspaper Clippings, 1939-1973, undated

Series 10: Magazine Articles and Newspaper Clippings, 1940-1974

Series 11: Publicity, 1935-1988

Series 12: Posters and Oversize Graphics, 1933-1989, undated

Series 13: Awards, 1939-1982

Series 14: Religious Material, 1928-1974

Series 15: Books, 1903-1980

Series 16: Miscellaneous, 1940-1974

Biographical / Historical:

A native of Washington, DC, Edward Kennedy Ellington was born on April 29, 1899. Edward was raised in a middle-class home in the Northwest section of Washington described by his sister Ruth--younger by sixteen years--as a "house full of love." Ellington himself wrote that his father J.E. (James Edward) raised his family "as though he were a millionaire" but Edward was especially devoted to his mother, Daisy Kennedy Ellington. In 1969, thirty-four years after his mother's death, Ellington accepted the Presidential Medal of Freedom with these words, "There is nowhere else I would rather be tonight but in my mother's arms." Both his parents played the piano and Ellington began piano lessons at the age of seven, but like many boys he was easily distracted by baseball.

In his early teens, Ellington sneaked into Washington clubs and performance halls where he was exposed to ragtime musicians, including James P. Johnson, and where he met people from all walks of life. He returned in earnest to his piano studies, and at age fourteen wrote his first composition, "Soda Fountain Rag" also known as "Poodle Dog Rag." Ellington was earning income from playing music at seventeen years of age, and around this time he earned the sobriquet "Duke" for his sartorial splendor and regal air. On July 2, 1918, he married a high school sweetheart, Edna Thompson; their only child, Mercer Kennedy Ellington, was born on March 11, 1919. Duke Ellington spent the first twenty-four years of his life in Washington's culturally thriving Negro community. In this vibrant atmosphere he was inspired to be a composer and learned to take pride in his African-American heritage.

Ellington moved to New York City in 1923 to join and eventually lead a small group of transplanted Washington musicians called "The Washingtonians," which included future Ellington band members, Sonny Greer, Otto Hardwicke and "Bubber" Miley. Between 1923 and 1927, the group played at the Club Kentucky on Broadway and the ensemble increased from a quintet to a ten-piece orchestra. With stride pianist Willie "The Lion" Smith as his unofficial guide, Ellington soon became part of New York's music scene; Smith proved to be a long-lasting influence on Duke's composing and arranging direction. At the Club Kentucky, Ellington came under the tutelage of another legendary stride pianist, "Fats" Waller. Waller, a protege of Johnson and Smith, played solos during the band's breaks and also tutored Ellington who began to show progress in his compositions. In November 1924, Duke made his publishing and recording debut with "Choo Choo (I Got To Hurry Home)" released on the Blu-Disc label. In 1925, he contributed two songs to Chocolate Kiddies, an all-black revue which introduced European audiences to black American styles and performers. By this time Ellington's family, Edna and Mercer, had joined him in New York City. The couple separated in the late 1920's, but they never divorced or reconciled.

Ellington's achievements as a composer and bandleader began to attract national attention while he worked at the Cotton Club in Harlem, New York City, from 1927 to 1932. The orchestra developed a distinctive sound that displayed the non-traditional voicings of Ellington's arrangements and featured the unique talents of the individual soloists. Ellington integrated his soloists' exotic-sounding trombone growls and wah-wahs, their high-squealed trumpets, their sultry saxophone blues licks and Harlem's street rhythms into his arrangements. In the promotional material of the Cotton Club, the band was often billed as "Duke Ellington and His Jungle Band." With the success of compositions like "Mood Indigo," and an increasing number of recordings and national radio broadcasts from the Cotton Club, the band's reputation soared.

The ten years from 1932 to 1942 are considered by some major critics to represent the "golden age" for the Ellington Orchestra, but it represents just one of their creative peaks. These years did bring an influx of extraordinary new talent to the band including Jimmy Blanton on double bass, Ben Webster on tenor saxophone, and Ray Nance on trumpet, violin and vocals. During this ten year span Ellington composed several of his best known short works, including "Concerto For Cootie," "Ko-Ko," "Cotton Tail," "In A Sentimental Mood," and Jump For Joy, his first full-length musical stage revue.

Most notably, 1938 marked the arrival of Billy Strayhorn. While a teenager in Pittsburgh, Pennsylvania, Strayhorn had already written "Lush Life," "Something To Live For" and a musical, Fantastic Rhythm. Ellington was initially impressed with Strayhorn's lyrics but realized long before Billy's composition "Take the A' Train" became the band's theme song in 1942 that Strayhorn's talents were not limited to penning clever lyrics. By 1942, "Swee' Pea" had become arranger, composer, second pianist, collaborator, and as Duke described him, "my right arm, my left arm, all the eyes in the back of my head, my brain waves in his head, and his in mine." Many Ellington/Strayhorn songs have entered the jazz canon, and their extended works are still being discovered and studied today. Strayhorn remained with the Ellington Organization until his death on May 30, 1967.

Ellington had often hinted of a work in progress depicting the struggle of blacks in America. The original script, Boola, debuted in Carnegie Hall in November of 1943, retitled Black, Brown and Beige. The performance met with mixed reviews, and although Ellington often returned to Carnegie Hall the piece was never recorded in a studio, and after 1944 was never performed in entirety again by the Ellington Orchestra. Nonetheless, it is now considered a milestone in jazz composition.

After World War II the mood and musical tastes of the country shifted and hard times befell big bands, but Ellington kept his band together. The band was not always financially self-sufficient and during the lean times Ellington used his songwriting royalties to meet the soloists' salaries. One could assign to Ellington the altruistic motive of loyalty to his sidemen, but another motivation may have been his compositional style which was rooted in hearing his music in the formative stage come alive in rehearsal. "The band was his instrument," Billy Strayhorn said, and no Ellington composition was complete until he heard the orchestra play it. Then he could fine tune his compositions, omit and augment passages, or weave a soloist's contribution into the structure of the tune.

In 1956, the American public rediscovered Duke and the band at the Newport Jazz Festival in Rhode Island. The searing performances of tenor saxophonist Paul Gonsalves on "Diminuendo and Crescendo In Blue," his premiere soloist, alto saxophonist Johnny Hodges on "Jeep's Blues", and the crowd's ecstatic reaction have become jazz legend. Later that year Duke landed on the cover of Time magazine. Although Ellington had previously written music for film and television (including the short film, Black and Tan Fantasy in 1929) it wasn't until 1959 that Otto Preminger asked him to score music for his mainstream film, Anatomy of a Murder, starring Jimmy Stewart. Paris Blues in 1961, featuring box-office stars Paul Newman and Sidney Poitier in roles as American jazz musicians in Paris, followed.

Ellington's first performance overseas was in England in 1933, but the 1960s brought extensive overseas tours including diplomatic tours sponsored by the State Department. Ellington and Strayhorn composed exquisite extended works reflecting the sights and sounds of their travels, including the Far East Suite, 1966. They wrote homages to their classical influences; in 1963, they adapted Tchaikovsky's Nutcracker Suite and celebrated Shakespeare's works with the suite Such Sweet Thunder in 1957. With Ella Fitzgerald, they continued the Norman Granz Songbook Series. Ellington also began to flex his considerable pianist skills and recorded albums with John Coltrane (1963), Coleman Hawkins (1963), Frank Sinatra, and Money Jungle (1963) with Charles Mingus and Max Roach. The First Sacred Concert debuted in San Francisco's Grace Cathedral in 1965. In his final years, Ellington's thoughts turned to spiritual themes and he added a Second (1968) and Third (1973) Concert of Sacred Music to his compositions.

In his lifetime, Duke received numerous awards and honors including the highest honor bestowed on an American civilian, the Congressional Medal Of Freedom. In 1965, Ellington was recommended for a Pulitzer Prize to honor his forty years of contribution to music but the recommendation was rejected by the board. Most likely he was disappointed, but his response at the age of sixty-six was, "Fate is being kind to me. Fate doesn't want me to be famous too young."

Ellington never rested on his laurels or stopped composing. Whenever he was asked to name his favorite compositions his characteristic reply was "the next five coming up," but to please his loyal fans Ellington always featured some of his standards in every performance. Even on his deathbed, he was composing the opera buffo called Queenie Pie.

Duke Ellington died on May 24, 1974 at seventy-five years of age. His funeral was held in New York's Cathedral of St. John The Divine; he was buried in Woodlawn Cemetery. His long-time companion Beatrice "Evie" Ellis was buried beside him after her death in 1976. He was survived by his only child, Mercer Kennedy Ellington, who not only took up the baton to lead the Duke Ellington Orchestra but assumed the task of caring for his father's papers and his legacy to the nation. Mercer Ellington died in Copenhagan, Denmark on February 8, 1996, at the age of seventy-six. Ruth Ellington Boatwright died in New York on March 6, 2004, at the age of eighty-eight. Both Mercer and Ruth were responsible for shepherding the documents and artifacts that celebrate Duke Ellington's genius and creative life to their current home in the Smithsonian Institution's National Museum of American History.

Related Materials:

Materials in the Archives Center

William H. Quealy Collection of Duke Ellington Recordings (AC0296)

Rutgers University Collection of Radio Interviews about Duke Ellington (AC0328)

Duke Ellington Oral History Project (AC0368)

Duke Ellington Collection of Ephemera and realated Audiovisual Materials (AC0386)

Annual International Conference of the Duke Ellington Study Group Proceedings (AC0385)

Robert Udkoff Collection of Duke Ellington Ephemera (AC0388)

Frank Driggs Collection of Duke Ellington Photographic Prints (AC0389)

New York Chapter of the Duke Ellington Society Collection (AC390)

Earl Okin Collection of Duke Ellington Ephemera (AC0391)

William Russo Transcription and Arrangement of Duke Ellington's First Concert of Sacred Music (AC0406)

Ruth Ellington Collection of Duke Ellington Materials (AC0415)

Music manuscripts in the Ruth Ellington Collection complement the music manuscripts found in the Duke Ellington Collection.

Carter Harman Collection of Interviews with Duke Ellington (AC0422)

Betty McGettigan Collection of Duke Ellington Memorabilia (AC0494)

Dr. Theodore Shell Collection of Duke Ellington Ephemera (AC0502)

Edward and Gaye Ellington Collection of Duke Ellington Materials (AC0704)

Andrew Homzy Collection of Duke Ellington Stock Music Arrangements (AC0740)

John Gensel Collection of Duke Ellington Materials (AC0763)

Al Celley Collection of Duke Ellington Materials (AC1240)

Materials at Other Organizations

Institute of Jazz Studies

Separated Materials:

Artifacts related to this collection are in the Division of Culture and the Arts (now Division of Cultural and Community Life) and include trophies, plaques, and medals. See accessions: 1989.0369; 1991.0808; 1993.0032; and 1999.0148.

"

Provenance:

The collection was purchased through an appropriation of Congress in 1988.

Restrictions:

Collection is open for research but the original and master audiovisual materials are stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Copyright restrictions. Consult the Archives Center at archivescenter@si.edu or 202-633-3270.

Paul Ellington, executor, is represented by:

Richard J.J. Scarola, Scarola Ellis LLP, 888 Seventh Avenue, 45th Floor, New York, New York 10106. Telephone (212) 757-0007 x 235; Fax (212) 757-0469; email: rjjs@selaw.com; www.selaw.com; www.ourlawfirm.com.

Occupation:

Composers -- 20th century  Search this

Topic:

Big bands  Search this

Pianists  Search this

Bandsmen -- 20th century  Search this

Jazz -- 20th century -- United States  Search this

Musicians -- 20th century  Search this

Music -- Performance  Search this

African American entertainers -- 20th century  Search this

African Americans -- History  Search this

Popular music -- 20th century -- United States  Search this

Music -- 20th century -- United States  Search this

African American musicians  Search this

Genre/Form:

Phonograph records

Papers

Photographic prints

Posters

Sound recordings

Scrapbooks -- 20th century

Music -- Manuscripts

Clippings

Awards

Audiotapes

Citation:

Duke Ellington Collection, Archives Center, National Museum of American History

Sponsor:

Processing and encoding partially funded by a grant from the Council on Library and Information Resources.

Identifier:

NMAH.AC.0301

See more items in:

Duke Ellington Collection

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep850a376a1-6b6d-48bc-9076-cffef76fea2c

EDAN-URL:

ead_collection:sova-nmah-ac-0301

Photographer:

Scurlock Studio (Washington, D.C.)  Search this

Names:

Ellington, Duke, 1899-1974  Search this

Ellington, Edna  Search this

Scurlock, Natalie  Search this

Strayhorn, Billy (William Thomas), 1915-1967  Search this

Subseries Creator:

Scurlock Studio (Washington, D.C.)  Search this

Scurlock, Robert S. (Saunders), 1917-1994  Search this

Custom Craft  Search this

Scurlock, Addison N., 1883-1964  Search this

Scurlock, George H. (Hardison), 1919-2005  Search this

Extent:

1 Item

Container:

Box 77

Culture:

African Americans -- Washington (D.C.)  Search this

Type:

Archival materials

Photographs

Place:

Washington (D.C.) -- African Americans

Date:

October 1956

Scope and Contents:

Duke Ellington sitting at a piano, surrounded by guests at a party at Edna Ellington's), photographed by George Scurlock. According to Jacqueline Scurlock Colbert, the persons from left to right are: Carl Reid, Addison Rand, Mercer Ellington, Marjorie Reid, Jerome ---, Billy Strayhorn, Natalie Scurlock (George Scurlock's wife and Jacqueline Scurlock's mother), Duke Ellington, Edna Ellington, Helen Rand. No Scurlock number. "Kodak Safety Film" edge imprint. No ink on negative.

At the center rear, standing, the shortest man wearing glasses and bow tie is William Thomas Strayhorn (known as "Billy" and sometimes "Sweet Pea"), 1915-1967. To Strayhorn's right is a female vocalist--[possibly] Ginny Greer. The man to the left of Strayhorn may be Ellington's brother. Other images of [Strayhorn] can be seen at www.billystrayhorn.com and Van Vechten also photographed him in the 1950s... (From Suzanne Jenkins, 11/30/06)

Exhibitions Note:

Image reproduced in companion book to "The Scurlock Studio and Black Washington: Picturing the Promise" exhibit, NMAAHC Gallery, NMAH, January 30 - November 15, 2009.

Subseries Restrictions:

Collection is open for research.

Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.

Subseries Rights:

When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Occupation:

Composers  Search this

Topic:

African American musicians  Search this

African American composers  Search this

Genre/Form:

Photographs -- 1950-1960 -- Black-and-white negatives -- Acetate film

Subseries Citation:

Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution

Sponsor:

The collection was acquired with assistance from the Eugene Meyer Foundation. Elihu and Susan Rose and the Save America's Treasures program, provided funds to stabilize, organize, store, and create digital surrogates of some of the negatives. Processing and encoding funded by a grant from the Council on Library and Information Resources.

See more items in:

Scurlock Studio Records, Subseries 4.1: Black-and-White Silver Gelatin Negatives

Scurlock Studio Records, Subseries 4.1: Black-and-White Silver Gelatin Negatives / 4.1: Black-and-White Silver Gelatin negatives

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8fe9a99f2-cfbf-4a9a-8995-82e98ad3ae91

EDAN-URL:

ead_component:sova-nmah-ac-0618-s04-01-ref2590

Creator:

Strayhorn, Billy (William Thomas), 1915-1967  Search this

Russo, William, 1928-2003  Search this

Photographer:

Claxton, William  Search this

Leonard, Herman, 1923-2010  Search this

Composer:

Kenton, Stan  Search this

Musician:

Mulligan, Gerry  Search this

Names:

Chicago Jazz Ensemble  Search this

Ellington, Duke, 1899-1974  Search this

Extent:

87 Cubic feet (188 boxes)

Type:

Collection descriptions

Archival materials

Motion pictures (visual works)

Music

Audiotapes

Business records

Photographs

Correspondence

Librettos

Awards

Posters

Programs

Scrapbooks

Scores

Lecture notes

Date:

1920-2002

Summary:

Papers and audiovisual materials documenting Russo's career in music.

Scope and Contents:

The collection includes Russo's original and published music scores, parts and arrangements; audiovisual materials including recordings of broadcasts of Russo's radio show, performances of Russo's compositions, including performances by Duke Ellington, and film and video recordings of Russo's productions in theater and opera; and personal papers such as correspondence, photographs, scrapbooks, publicity files, contracts, etc. Among the most significant items in the collection are experimental jazz arrangements for Stan Kenton in the late 1940s-early 1950s, undated arrangements for Gerry Mulligan, Russo's original arrangement of Duke Ellington's Sacred Concert, scores to his first and second symphonies, and scores and libretti to several early rock operas. The photographs include images of persons such as Ellington, Kenton, and Billy Strayhorn, and photographs by jazz photographers Herman Leonard and William Claxton. 2007 addendum includes correspondence, mostly between Russo and his family; eighteen diaries for 1946-1967 (not all years are present) with sparse entries, some in Italian; and additional music manuscripts, parts, scores and libretti.

Arrangement:

The collection is arranged into nine series.

Series 1: William Russo's Music

Series 2: Teaching Notes

Series 3: Correspondence

Series 4: Publicity, Programs, and Reviews

Series 5: Posters and Artwork

Series 6: Photographs

Series 7: Books and Lecture Notebooks

Series 8: Memorabilia

Series 9: Audiovisual Materials

Biographical / Historical:

William Russo, renowned American jazz composer, arranger, and founder of the Chicago Jazz Ensemble, had a music career that spanned five decades and included performance, conducting and composition. During his career he worked with such diverse talents as Duke Ellington, Billy Strayhorn, Leonard Bernstein, Cannonball Adderly, Yehuidi Menuhin, Dizzy Gillespie, Seiji Ozawa, and Billie Holiday. Although critics acknowledged Russo mainly for his pioneering contributions to the big-band jazz canon, his talents extended to a far wider range of musical styles, creating groundbreaking jazz scores, rock operas, classical works, film scores, and educational textbooks on jazz orchestration and arrangement. In all, he composed over 200 pieces for jazz orchestra with more than 25 recordings of his work. In 1990, Russo received a Lifetime Achievement award from NARAS, the organization that presents the Grammy Awards.

As a young trombonist, Russo studied with Lennie Tristano, the pianist and theorist who became a leader in the progressive jazz movement. During the late 1940s, Russo led the revolutionary Experiment in Jazz band. At age 21, he became one of the chief composers/arrangers for the Stan Kenton Orchestra, one of the most innovative and influential jazz orchestras of the postwar era. In his four years with Kenton, Russo penned such classic Kenton works as "23° North – 82° West," and "Frank Speaking."

Russo made several major jazz recordings under his own name before his classical "Symphony No. 2 in C (TITANS)" received a Koussevitsky award in 1959; it was performed by the New York Philharmonic that same year under Leonard Bernstein, who had commissioned the work. This award marked Russo's "official" entry into the world of classical music. Russo continued to write major symphonic works throughout his career, including his 1992 grand opera, "Dubrovsky."

After his tenure with Kenton, in the early 1950s, Russo led his own successful bands, The Russo Orchestra in New York, and the London Jazz Orchestra, before returning to Chicago to form the Chicago Jazz Ensemble in 1065. With the Ensemble, he presented Duke Ellington's "First Concert of Sacred Music" in 1967. This was one of the rare times when Ellington allowed one of his compositions to be arranged and performed by a jazz orchestra other than his own, and was a reflection of Ellington's respect for Russo. Shortly after this performance, Russo composed a rock cantata, "The Civil War," that led him into the field of rock opera. After concentrating on classical music again in the 1970s, in the late 1980s, Russo began to re-explore the history of jazz through his revived Chicago Jazz Ensemble. In 1995, the Chicago Jazz Ensemble made history with the first-ever complete live performance of Gil Evans' and Miles Davis' "Sketches of Spain" in its original form. Recent Russo works that premiered in Chicago included "Chicago Suite No. 1," and "Chicago Suite No. 2," a recording that was published posthumously in the spring of 2003.

Related Materials:

Materials in the Archives Center

William Russo Transcription and Arrangement of Duke Ellington's First Concert of Sacred Music, 1967-1968 (AC0406)

Provenance:

Bequeathed to the Smithsonian by William Russo. Papers collected after Russo's death in 2003. The 2007 addendum sent by Russo's sister and daughter were also part of the bequest.

Restrictions:

Collection is open for research but an oil painting is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Occupation:

Composers -- 20th century  Search this

Topic:

Opera  Search this

Jazz musicians -- United States  Search this

Jazz  Search this

Music -- 20th century  Search this

Genre/Form:

Motion pictures (visual works)

Music -- Manuscripts

Audiotapes

Business records -- 20th century

Photographs -- 20th century

Correspondence -- 20th century

Librettos

Awards

Posters -- 20th century

Programs

Scrapbooks

Scores

Lecture notes

Citation:

William Russo Music and Personal Papers, 1920s-2002, Archives Center, National Museum of American History.

Identifier:

NMAH.AC.0845

See more items in:

William Russo Music and Personal Papers

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep888a8d92a-3927-49c1-ace4-466bb766a9d6

EDAN-URL:

ead_collection:sova-nmah-ac-0845

Collection Creator:

Strayhorn, Billy (William Thomas), 1915-1967  Search this

Russo, William, 1928-2003  Search this

Collection Photographer:

Claxton, William  Search this

Leonard, Herman, 1923-2010  Search this

Collection Composer:

Kenton, Stan  Search this

Collection Musician:

Mulligan, Gerry  Search this

Container:

Box 8 (Addenda 2007)

Type:

Archival materials

Collection Restrictions:

Collection is open for research but an oil painting is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.

Collection Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Collection Citation:

William Russo Music and Personal Papers, 1920s-2002, Archives Center, National Museum of American History.

See more items in:

William Russo Music and Personal Papers

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8ff214b5a-2a1e-4411-8cf2-4eb38b844cf6

EDAN-URL:

ead_component:sova-nmah-ac-0845-ref2589

Collection Creator:

Strayhorn, Billy (William Thomas), 1915-1967  Search this

Russo, William, 1928-2003  Search this

Collection Photographer:

Claxton, William  Search this

Leonard, Herman, 1923-2010  Search this

Collection Composer:

Kenton, Stan  Search this

Collection Musician:

Mulligan, Gerry  Search this

Container:

Box 157, Folder 1

Type:

Archival materials

Collection Restrictions:

Collection is open for research but an oil painting is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.

Collection Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Collection Citation:

William Russo Music and Personal Papers, 1920s-2002, Archives Center, National Museum of American History.

See more items in:

William Russo Music and Personal Papers

William Russo Music and Personal Papers / Series 4: Publicity Programs and Reviews / 4.3: Magazines

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8c0acd3d7-26f2-49e8-8d5a-4ae13666e589

EDAN-URL:

ead_component:sova-nmah-ac-0845-ref2035

Collection Creator:

Strayhorn, Billy (William Thomas), 1915-1967  Search this

Russo, William, 1928-2003  Search this

Collection Photographer:

Claxton, William  Search this

Leonard, Herman, 1923-2010  Search this

Collection Composer:

Kenton, Stan  Search this

Collection Musician:

Mulligan, Gerry  Search this

Container:

Box 157, Folder 2

Type:

Archival materials

Date:

September 23, 1965

Collection Restrictions:

Collection is open for research but an oil painting is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.

Collection Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Collection Citation:

William Russo Music and Personal Papers, 1920s-2002, Archives Center, National Museum of American History.

See more items in:

William Russo Music and Personal Papers

William Russo Music and Personal Papers / Series 4: Publicity Programs and Reviews / 4.3: Magazines

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep831f69f16-c807-407e-83d2-b80e0df09e30

EDAN-URL:

ead_component:sova-nmah-ac-0845-ref2036

Collection Creator:

Strayhorn, Billy (William Thomas), 1915-1967  Search this

Russo, William, 1928-2003  Search this

Collection Photographer:

Claxton, William  Search this

Leonard, Herman, 1923-2010  Search this

Collection Composer:

Kenton, Stan  Search this

Collection Musician:

Mulligan, Gerry  Search this

Container:

Box 157, Folder 3

Type:

Archival materials

Date:

March 1967

Collection Restrictions:

Collection is open for research but an oil painting is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.

Collection Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Collection Citation:

William Russo Music and Personal Papers, 1920s-2002, Archives Center, National Museum of American History.

See more items in:

William Russo Music and Personal Papers

William Russo Music and Personal Papers / Series 4: Publicity Programs and Reviews / 4.3: Magazines

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep86395c371-2a29-4efa-8177-2a3855da5746

EDAN-URL:

ead_component:sova-nmah-ac-0845-ref2037

Collection Creator:

Strayhorn, Billy (William Thomas), 1915-1967  Search this

Russo, William, 1928-2003  Search this

Collection Photographer:

Claxton, William  Search this

Leonard, Herman, 1923-2010  Search this

Collection Composer:

Kenton, Stan  Search this

Collection Musician:

Mulligan, Gerry  Search this

Container:

Box 157, Folder 4

Type:

Archival materials

Date:

1969-1970

Collection Restrictions:

Collection is open for research but an oil painting is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.

Collection Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Collection Citation:

William Russo Music and Personal Papers, 1920s-2002, Archives Center, National Museum of American History.

See more items in:

William Russo Music and Personal Papers

William Russo Music and Personal Papers / Series 4: Publicity Programs and Reviews / 4.3: Magazines

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8e37e0186-b941-4387-915b-ff76ed3fa26d

EDAN-URL:

ead_component:sova-nmah-ac-0845-ref2038

Collection Creator:

Strayhorn, Billy (William Thomas), 1915-1967  Search this

Russo, William, 1928-2003  Search this

Collection Photographer:

Claxton, William  Search this

Leonard, Herman, 1923-2010  Search this

Collection Composer:

Kenton, Stan  Search this

Collection Musician:

Mulligan, Gerry  Search this

Container:

Box 157, Folder 5

Type:

Archival materials

Date:

May 21, 1972

Collection Restrictions:

Collection is open for research but an oil painting is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.

Collection Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Collection Citation:

William Russo Music and Personal Papers, 1920s-2002, Archives Center, National Museum of American History.

See more items in:

William Russo Music and Personal Papers

William Russo Music and Personal Papers / Series 4: Publicity Programs and Reviews / 4.3: Magazines

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep845b6e450-b687-4bd6-8649-0a3c38770694

EDAN-URL:

ead_component:sova-nmah-ac-0845-ref2039

Collection Creator:

Strayhorn, Billy (William Thomas), 1915-1967  Search this

Russo, William, 1928-2003  Search this

Collection Photographer:

Claxton, William  Search this

Leonard, Herman, 1923-2010  Search this

Collection Composer:

Kenton, Stan  Search this

Collection Musician:

Mulligan, Gerry  Search this

Container:

Box 157, Folder 6

Type:

Archival materials

Date:

Feb. 1973

Collection Restrictions:

Collection is open for research but an oil painting is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.

Collection Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Collection Citation:

William Russo Music and Personal Papers, 1920s-2002, Archives Center, National Museum of American History.

See more items in:

William Russo Music and Personal Papers

William Russo Music and Personal Papers / Series 4: Publicity Programs and Reviews / 4.3: Magazines

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep892708adf-6012-46e0-8957-44b83fcb9a5b

EDAN-URL:

ead_component:sova-nmah-ac-0845-ref2040

Collection Creator:

Strayhorn, Billy (William Thomas), 1915-1967  Search this

Russo, William, 1928-2003  Search this

Collection Photographer:

Claxton, William  Search this

Leonard, Herman, 1923-2010  Search this

Collection Composer:

Kenton, Stan  Search this

Collection Musician:

Mulligan, Gerry  Search this

Container:

Box 157, Folder 7

Type:

Archival materials

Date:

May 1982

Collection Restrictions:

Collection is open for research but an oil painting is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.

Collection Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Collection Citation:

William Russo Music and Personal Papers, 1920s-2002, Archives Center, National Museum of American History.

See more items in:

William Russo Music and Personal Papers

William Russo Music and Personal Papers / Series 4: Publicity Programs and Reviews / 4.3: Magazines

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep81b54beb0-699f-47cb-939a-14afcf4175f5

EDAN-URL:

ead_component:sova-nmah-ac-0845-ref2041

Collection Creator:

Strayhorn, Billy (William Thomas), 1915-1967  Search this

Russo, William, 1928-2003  Search this

Collection Photographer:

Claxton, William  Search this

Leonard, Herman, 1923-2010  Search this

Collection Composer:

Kenton, Stan  Search this

Collection Musician:

Mulligan, Gerry  Search this

Container:

Box 157, Folder 8

Type:

Archival materials

Date:

November, 1982

Collection Restrictions:

Collection is open for research but an oil painting is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.

Collection Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Collection Citation:

William Russo Music and Personal Papers, 1920s-2002, Archives Center, National Museum of American History.

See more items in:

William Russo Music and Personal Papers

William Russo Music and Personal Papers / Series 4: Publicity Programs and Reviews / 4.3: Magazines

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep882968270-e75c-44f0-b217-61df36359cc3

EDAN-URL:

ead_component:sova-nmah-ac-0845-ref2042

Collection Creator:

Strayhorn, Billy (William Thomas), 1915-1967  Search this

Russo, William, 1928-2003  Search this

Collection Photographer:

Claxton, William  Search this

Leonard, Herman, 1923-2010  Search this

Collection Composer:

Kenton, Stan  Search this

Collection Musician:

Mulligan, Gerry  Search this

Container:

Box 157, Folder 9

Type:

Archival materials

Date:

April 1983

Collection Restrictions:

Collection is open for research but an oil painting is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.

Collection Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Collection Citation:

William Russo Music and Personal Papers, 1920s-2002, Archives Center, National Museum of American History.

See more items in:

William Russo Music and Personal Papers

William Russo Music and Personal Papers / Series 4: Publicity Programs and Reviews / 4.3: Magazines

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8e96db09f-f1fd-4bf2-bf8d-919e659d9f9b

EDAN-URL:

ead_component:sova-nmah-ac-0845-ref2043

Collection Creator:

Strayhorn, Billy (William Thomas), 1915-1967  Search this

Russo, William, 1928-2003  Search this

Collection Photographer:

Claxton, William  Search this

Leonard, Herman, 1923-2010  Search this

Collection Composer:

Kenton, Stan  Search this

Collection Musician:

Mulligan, Gerry  Search this

Container:

Box 157, Folder 10

Type:

Archival materials

Date:

May/June 1984

Collection Restrictions:

Collection is open for research but an oil painting is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.

Collection Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Collection Citation:

William Russo Music and Personal Papers, 1920s-2002, Archives Center, National Museum of American History.

See more items in:

William Russo Music and Personal Papers

William Russo Music and Personal Papers / Series 4: Publicity Programs and Reviews / 4.3: Magazines

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep857c2ad27-d62f-48cd-afac-985da8eb7f07

EDAN-URL:

ead_component:sova-nmah-ac-0845-ref2044

Collection Creator:

Strayhorn, Billy (William Thomas), 1915-1967  Search this

Russo, William, 1928-2003  Search this

Collection Photographer:

Claxton, William  Search this

Leonard, Herman, 1923-2010  Search this

Collection Composer:

Kenton, Stan  Search this

Collection Musician:

Mulligan, Gerry  Search this

Container:

Box 157, Folder 11

Type:

Archival materials

Date:

September 1993

Collection Restrictions:

Collection is open for research but an oil painting is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.

Collection Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Collection Citation:

William Russo Music and Personal Papers, 1920s-2002, Archives Center, National Museum of American History.

See more items in:

William Russo Music and Personal Papers

William Russo Music and Personal Papers / Series 4: Publicity Programs and Reviews / 4.3: Magazines

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep81e2e8f92-848e-4de9-811f-368221179304

EDAN-URL:

ead_component:sova-nmah-ac-0845-ref2045

Collection Creator:

Strayhorn, Billy (William Thomas), 1915-1967  Search this

Russo, William, 1928-2003  Search this

Collection Photographer:

Claxton, William  Search this

Leonard, Herman, 1923-2010  Search this

Collection Composer:

Kenton, Stan  Search this

Collection Musician:

Mulligan, Gerry  Search this

Container:

Box 157, Folder 12

Type:

Archival materials

Date:

January 1964

Collection Restrictions:

Collection is open for research but an oil painting is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.

Collection Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Collection Citation:

William Russo Music and Personal Papers, 1920s-2002, Archives Center, National Museum of American History.

See more items in:

William Russo Music and Personal Papers

William Russo Music and Personal Papers / Series 4: Publicity Programs and Reviews / 4.3: Magazines

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8e4157506-0301-4097-9977-7af737437043

EDAN-URL:

ead_component:sova-nmah-ac-0845-ref2046

Collection Creator:

Strayhorn, Billy (William Thomas), 1915-1967  Search this

Russo, William, 1928-2003  Search this

Collection Photographer:

Claxton, William  Search this

Leonard, Herman, 1923-2010  Search this

Collection Composer:

Kenton, Stan  Search this

Collection Musician:

Mulligan, Gerry  Search this

Container:

Box 157, Folder 13

Type:

Archival materials

Date:

January 1997

Collection Restrictions:

Collection is open for research but an oil painting is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.

Collection Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Collection Citation:

William Russo Music and Personal Papers, 1920s-2002, Archives Center, National Museum of American History.

See more items in:

William Russo Music and Personal Papers

William Russo Music and Personal Papers / Series 4: Publicity Programs and Reviews / 4.3: Magazines

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep830722c7b-1de7-486d-a0fe-008880b7176b

EDAN-URL:

ead_component:sova-nmah-ac-0845-ref2047

Collection Creator:

Strayhorn, Billy (William Thomas), 1915-1967  Search this

Russo, William, 1928-2003  Search this

Collection Photographer:

Claxton, William  Search this

Leonard, Herman, 1923-2010  Search this

Collection Composer:

Kenton, Stan  Search this

Collection Musician:

Mulligan, Gerry  Search this

Container:

Box 157, Folder 14

Type:

Archival materials

Date:

January 1997

Collection Restrictions:

Collection is open for research but an oil painting is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.

Collection Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Collection Citation:

William Russo Music and Personal Papers, 1920s-2002, Archives Center, National Museum of American History.

See more items in:

William Russo Music and Personal Papers

William Russo Music and Personal Papers / Series 4: Publicity Programs and Reviews / 4.3: Magazines

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep84b0afd48-bb9f-47c0-a12f-2ddbb8bc3c9d

EDAN-URL:

ead_component:sova-nmah-ac-0845-ref2048

Collection Creator:

Strayhorn, Billy (William Thomas), 1915-1967  Search this

Russo, William, 1928-2003  Search this

Collection Photographer:

Claxton, William  Search this

Leonard, Herman, 1923-2010  Search this

Collection Composer:

Kenton, Stan  Search this

Collection Musician:

Mulligan, Gerry  Search this

Container:

Box 157, Folder 15

Type:

Archival materials

Date:

October 1998

Collection Restrictions:

Collection is open for research but an oil painting is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.

Collection Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Collection Citation:

William Russo Music and Personal Papers, 1920s-2002, Archives Center, National Museum of American History.

See more items in:

William Russo Music and Personal Papers

William Russo Music and Personal Papers / Series 4: Publicity Programs and Reviews / 4.3: Magazines

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8f0d4f40a-08aa-4b9e-b99c-fcde03fe638e

EDAN-URL:

ead_component:sova-nmah-ac-0845-ref2049