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Collection Citation:
Leo Castelli Gallery records, circa 1880-2000, bulk 1957-1999. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the partial digitization of this collection was provided by the Roy Lichtenstein Foundation.
Photographs documenting Native American Public Programs events, including images of Native American artists and examples of their work during demonstrations and lectures at the National Museum of Natural History. Photographs were mostly made by Smithsonian photographers, including Carl C. Hansen, Richard Strauss, Chip Clark, Laurie Minor-Penland, Eric Long, Alan Hart, Rick Vargas, Dane Penland, and Christina Taccone. Included are a large number of photographs of Don Tenoso (Hunkpapa), an artist-in-residence at the National Museum of Natural History, and performances by James Luna (Luiseno/Digueno), Guillermo Gomez-Pena (Chicano), and Coco Fusco. Crafts and arts depicted include beadwork, basket weaving, dollmaking, peyote fanmaking, weaving, hand games, quilting, clothing making, leatherwork, woodcarving, saddlemaking, sculpture, painting, story-telling, and performance art. There are also images of Dolores Lewis Garcia and Emma Lewis Garcia (daughters of Acoma potter Lucy M. Lewis) and their pottery, Joallyn Archambault with artists, and the 1990 American Indian Theater Company reception.
Other depicted artists include Maynard White Owl Lavadour (Cayuse/Nez Perce), Evangeline Talshaftewa (Hopi), Lisa Fritzler (Crow), Marian Hanssen, Vanessa Morgan (Kiowa/Pima), Marty Good Bear (Mandan/Hidatsa), Katie Henio and Sarah Adeky (Navajo), Geneva Lofton and Lee Dixon (Luiseno), Chris Devers (Luiseno), Mary Good Bear (Mandan), Robert and Alice Little Man (Kiowa), Lisa Watt (Seneca), Jay McGirt (Creek), Bill Crouse (Seneca), Kevin Johnny-John (Onondaga), Rose Anderson (Pomo), Francys Sherman and Margaret Hill (Mono), Thelene Albert and Annie Bourke (White Mountain Apache), Bob Tenequer (Laguna), Jimmy Abeyeta (Navajo), Lou Ann Reed (Acoma), Melissa Peterson (Makah), Jennifer and Kallie Keams Musial (Navajo), Joyce Growing Thunder-Fogarty and Juanita Fogarty (Assiniboine/Sioux), David Neel (Kwakiutal), Mervin Ringlero (Pima), Jhon Goes-In-Center (Oglala), D. Montour (Delaware/Mohawk), Rikki Francisco (Pima), Annie Antone (Papago), Angie Reano-Owen (Santo Domingo Pueblo), Carol Vigil (Jemez), Gregg Baurland (Miniconjou), Greg Colfax (Makah), Lydia Whirlwind-Soldier (Sicangu Dakota), Martin Red Bear (Oglala), Michael Rogers (Paiute), Alta Rogers (Yurok/Paiute), Dorothy Stanley (Miwok), Lisa Little Chief (Dakota), Tom Haukaas (Sicangu Dakota), Nora Navanjo-Morsie (Santa Clara Tewa), Seneca Women's Singing Society, Molly Blankenship and Martha Ross (Eastern Cherokee), Julia Parker (Miwok/Pomo), Candy and Claudia Cellicion (Zuni), Sally and Lorraine Black (Navajo), Carmen Quinto-Plunkett (Tlingit), Ina McNeil (Hunkpapa), and Ellen and Faye Quandelancy (Zuni), and Rikki Francisco (Pima).
Biographical/Historical note:
Native American Public Programs was founded in 1989 as a part of the Department of Education in the National Museum of Natural History. Under the directorship of Aleta Ringlero, its main activity was the arranging of demonstrations by Native American artists and craftsmen in the exhibition areas of the museum.
Local Call Number(s):
NAA Photo Lot 91-26
Location of Other Archival Materials:
Audio of James Luna's lecture for the Native American Public Programs office held in National Anthropological Archives in MS 7514.
Dolls made by Don Tenoso for the Native American Public Programs office held in Department of Anthropology collections in accession 390905.
Additional photographs of Tenoso held in the Smithsonian Institution Archives in SIA2009-2222 and 90-13726.
Restrictions:
The collection is open for research.
Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Topic:
Indians of North America -- Southern states Search this
Photo Lot 91-26, Native American Public Programs photograph collection relating to Native American artists and art, National Anthropological Archives, Smithsonian Institution
Collection is open for research. Some items may be restricted due to fragile condition.
Series Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Series Citation:
Warshaw Collection of Business Americana Subject Categories: Plays, Archives Center, National Museum of American History, Smithsonian Institution
Sponsor:
Funding for partial processing of the collection was supported by a grant from the Smithsonian Institution's Collections Care and Preservation Fund (CCPF).
Collection is open for research. Some items may be restricted due to fragile condition.
Series Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Series Citation:
Warshaw Collection of Business Americana Subject Categories: Music, Archives Center, National Museum of American History, Smithsonian Institution
Sponsor:
Funding for partial processing of the collection was supported by a grant from the Smithsonian Institution's Collections Care and Preservation Fund (CCPF).
Ballet egyptienne / Luigini -- Coppelia suite / Delibes -- Nutcracker suite / Tchaikovsky -- Der Rosenkavalier waltzes / R. Strass -- Tales from the Vienna woods / J. Strauss.
Track Information:
101 Luigini: Ballet Egyptienne.
102 Delibes: Coppelia Suite.
201 Tchaikovsky: Nutcracker Suite.
202 Strauss, Richard: Rosenkavalier Waltzes.
203 Strauss, Johann: Tales from the Vienna Woods.
Local Numbers:
CO-COOK-LP-01058
Cook.1058
Publication, Distribution, Etc. (Imprint):
Stamford, CT Cook 1956
General:
Reginald Foort, organ.
Arr. for organ. Played on the Mosque organ. Program notes by Sue Dickinson on container.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
The stars and stripes forever -- A Gilbert and Sullivan souffle --Morag of Dunvegan -- Medley -- Largo theme from "New World Symphony" --Radetsky march -- Sunset -- Lone piper -- God bless America -- Bridge over the River Kwai -- All the blue bonnets are over the border -- Sambre et meuse -- A life on the ocean wave -- Edinburgh castle -- Britannic salute.
Track Information:
101. Sousa, J.P.: Stars and Stripes Forever / The Massed Bands. Bagpipes,Drum. England,Europe,British Isles.
106. Strauss, Richard: Radetzky March / Band of the Black Watch. Bagpipes,Drum. Scotland,British Isles.
202. All the Bluebonnets are Over the Border / Band of the Black Watch. Bagpipes,Drum. Scotland,British Isles.
201. Bridge Over the River Kwai / Band of the Black Watch. Bagpipes,Drum. Scotland,British Isles.
102. Gilbert and Sullivan: Souffle / Royal Marines and Black Watch. Bagpipes,Drum. Scotland,British Isles.
103. Morag of Dunvegan / The Black Watch. Bagpipes,Drum. Scotland,British Isles.
104. Medley:Drum Solos / The Black Watch. Bagpipes,Drum. Scotland,British Isles.
105. Dvorak, Anton: Largo Theme from the New World Symphony / The Massed Bands. Bagpipes,Drum. Scotland,British Isles.
204. Medley: Jean Hastie / Band Of The Black Watch, Glasgow Police Pipers Society. Bagpipes,Drum. Scotland,British Isles.
203. March: Sambre et Meuse / Band of the Royal Marines. Bagpipes,Drum. Scotland,British Isles.
205. A Life on the Ocean Wave / Band Of The Royal Marines. Bagpipes,Drum. Scotland,British Isles.
208. Britannic Salute: General Salute / Royal Marines and Black Watch. Bagpipes,Drum. Scotland,British Isles.
207. Edinburgh Castle / Band of the Royal Marines. Bagpipes,Drum. Scotland,British Isles.
206. Medley: Pack Up Your Troubles / The Massed Bands. Bagpipes,Drum. Scotland,British Isles.
108. Lone Piper: Sleep, Dearie, Sleep / Royal Marines and Black Watch, A. Dippie. Bagpipes,Drum. Scotland,British Isles.
109. God Bless America / The Massed Bands. Bagpipes,Drum. Scotland,British Isles.
107. Sunset / The Massed Bands. Bagpipes,Drum. Scotland,British Isles.
204. Fond Farewell / Band Of The Black Watch, Glasgow Police Pipers Society. Bagpipes,Drum. Scotland,British Isles.
204. The Boys of Blue Hill / Band Of The Black Watch, Glasgow Police Pipers Society. Bagpipes,Drum. Scotland,British Isles.
104. Loch Rannoch / The Black Watch. Bagpipes,Drum. Scotland,British Isles.
104. Wha Wadna Fecht For Charlie / The Black Watch. Bagpipes,Drum. Scotland,British Isles.
104. Lass O'Fyvie / The Black Watch. Bagpipes,Drum. Scotland,British Isles.
104. Bugle Horn / The Black Watch. Bagpipes,Drum. Scotland,British Isles.
104. Steamboat / The Black Watch. Bagpipes,Drum. Scotland,British Isles.
206. It's a Long Way To Tipperary / The Massed Bands. Bagpipes,Drum. Scotland,British Isles.
206. Over There / The Massed Bands. Bagpipes,Drum. Scotland,British Isles.
206. Gary Owen / The Massed Bands. Bagpipes,Drum. Scotland,British Isles.
208. Britannic Salute: Rule Britannia / Royal Marines and Black Watch. Bagpipes,Drum. Scotland,British Isles.
208. Britannic Salute: Land Of Hope And Glory / Royal Marines and Black Watch. Bagpipes,Drum. Scotland,British Isles.
Local Numbers:
FLP.127160
Publication, Distribution, Etc. (Imprint):
Mt. Vernon, NY, Monitor 1976
Participant or Performer Note:
The massed bands, pipes and drums of Her Majesty's Royal Marines and the Balck Watch.
General:
Program notes by Kenneth R. Force on original container.
Restrictions:
Restrictions on access.
Collection Rights:
Copyright restrictions apply. Contact archives staff for additional information.