Skip to main content Smithsonian Institution

Search Results

Collections Search Center
121 documents - page 1 of 7

Wood and Adelaide Lawson Gaylor papers

Topic:
Quill
Creator:
Gaylor, Wood, 1883-1957  Search this
Gaylor, Adelaide Lawson, 1889-1986  Search this
Artists Coordination Committee (New York, N.Y.)  Search this
Downtown Gallery (New York, N.Y.)  Search this
Names:
Armory Show (1913: New York, N.Y.)  Search this
Armory Show (1913: New York, N.Y.)  Search this
Association of American Painters and Sculptors (New York, N.Y.)  Search this
Friends of the Young Artists  Search this
Hamilton Easter Field Art Foundation  Search this
Municipal Art Committee (New York, N.Y.)  Search this
New York Society of Women Artists  Search this
Penguin Club (New York, N.Y.)  Search this
Salons of America, Inc.  Search this
Thumb Box Gallery (New York, N.Y.)  Search this
Wanamaker Gallery of Modern Decorative Art  Search this
Bacon, Peggy, 1895-1987  Search this
Baker, Josephine, 1906-1975  Search this
Brook, Alexander, 1898-1980  Search this
Cahill, Holger, 1887-1960  Search this
Coady, Robert J., 1881-1921  Search this
David, Hermine, 1886-1971  Search this
Dos Passos, John, 1896-1970  Search this
Field, Hamilton Easter  Search this
Frost, A. B. (Arthur Burdett), 1851-1928  Search this
Frost, John, 1890-1937  Search this
Frueh, Alfred Joseph, 1880-1968  Search this
Ganso, Emil, 1895-1941  Search this
Gellert, Hugo, 1892-1985  Search this
Gwozdecki, Gustaw  Search this
Halpert, Edith Gregor, 1900-1970  Search this
Hart, George Overbury, 1868-1933  Search this
Hirsch, Stefan, 1899-1964  Search this
Howland, Isabella, 1895-1974  Search this
Kuniyoshi, Yasuo, 1889-1953  Search this
La Guardia, Fiorello H. (Fiorello Henry), 1882-1947  Search this
Laurent, Robert, 1890-1970  Search this
Lawson, John Howard, 1894-  Search this
Lie, Jonas, 1880-1940  Search this
Mager, Gus, 1878-  Search this
Morrison, David H. (David Herron), 1885-1934  Search this
Newton, Alice  Search this
Osborn, Frank C., b. 1887  Search this
Pascin, Jules, 1885-1930  Search this
Schack, William, b. 1898  Search this
Schmidt, Katherine, 1898-1978  Search this
Strater, Henry, 1896-  Search this
Extent:
2.56 Linear feet
Type:
Collection descriptions
Archival materials
Sketchbooks
Date:
1866-[circa 1986]
Scope and Contents:
Biographical material, correspondence, journals, notebooks, address books, business records, writings, sketchbooks, exhibition announcements and catalogs, clippings, photographs, and subject files relating to the artistic careers of Wood Gaylor and Adelaide Lawson, to Gaylor's work as a fashion pattern desiger, and, more broadly, to the New York art scene from the 1913 Armory Show through the 1930s.
Included are reminiscences and biographical documents; letters and postcards, some illustrated, from family, friends, artists, galleries, museums, and art organizations; letters of condolence to Adelaide upon Gaylor's death and letters to her concerning his work; original holiday and greeting cards to the Gaylors; a page from Wood's 1952 journal recording names of people attending Kenneth Hayes Miller's funeral and journals kept by Adelaide recording books read, plays attended, travels, and other activities, 1906, 1910 and 1915; a notebook kept by Gaylor regarding his work organizing the 1924 Women's Club exhibition in Jacksonville, Florida, listing artists (among them Pop Hart, Marsden Hartley, Picasso, and Kuniyoshi), titles, and prices of works shipped; business records, including receipts for Gaylor's work consigned or sold to the Downtown Gallery, 1929-1934, tax returns, and other business records, 1922-1979; writings by Wood, including speeches, lectures, and articles on American art and commercial patterns, scripts for New York radio station programs, 1932 and 1949, including a discussion with Salons of America members Alexander Brook, Robert Laurent, Yasuo Kuniyoshi, David H. Morrison, and Peggy Bacon, 1932; writings by others, including 19 poems by Lillian Byrnes, the introduction to the Hamiliton Easter Field Memorial Exhibition catalog by Elsa Rogo, and an organizational memo for the Modern Artists of America with annotations by Wood; four sketchbooks by Wood, 1916, 1923, and undated, and four by Adelaide, 1920-1922 and undated, done while traveling through Europe; and loose sketches by Wood and Adelaide.
Also included are exhibition catalogs and announcements of Wood and Adelaide's group and one-person shows, among them the Wanamaker Gallery of Modern Decorative Art, Friends of the Young Artists, 1915, Thumb Box Gallery, 1916, the MacDowell Club, 1918, the Dialis at the Civic Club Gallery, 1922, the Colony Club, 1922, Gallery 134 W. 4th, 1925, Downtown Gallery, 1930 and 1932, First Municipal Art Exhibition, Rockefeller Center, 1934, Kew Gardens Art Center, 1951, and the initial exhibition of the Museum of Art of Ogunquit, 1953; catalogs and announcements for other New York artists at Mrs. H. P. Whitney's Studio, 1917, Hamilton Easter Field Memorial Show at the American Art Galleries, 1922, Rockwell Kent at the M. Knoedler & Co., 1919, Walt Kuhn at the Grand Central Art Galleries, 1927, The Wanamaker Regional Art Exhibition, 1934, Yasuo Kuniyoshi at the Municipal Art Galleries, 1939, Kenneth Hayes Miller Commemoration Exhibit at the Art Students League 1949, a hand lettered announcement for the sale of George Overbury "Pop" Hart's watercolors by the Junior Art Patrons of America, undated, and catalogs from exhibitions held at the Gaylor's Barn; newspaper and magazine clippings, mostly photocopies, 1910-1979; a book, "The Technique of Oil Paintings and other Essays" by Hamilton Easter Field, 1913, and issues of the Pagan, 1918 and the Quill, 1918, containing drawings by Wood; photographs, circa 1887-1977, of Wood, Adelaide, family, homes, friends, travel, exhibitions, works of art and works of art by others, including a photograph of Wood by Emil Ganso, of Adelaide in an art class, possibly at the Art Students League, of Adelaide's art classes at the Gaylor Barn, of Jules Pascin, Hermine L. David-Pascin, Gustaw Gwozdecki, Yasuo Kuniyoshi, Katherine Schmidt-Shubert, Robert Laurent, Frank and Alice Osborn and David H. Morrison, the Armory Show, the Carnegie Institute International in Pittsburgh, and the construction and installation of the Hamilton Easter Field Art Foundation Collection at the Museum of Art, Ogunquit, Maine; subject files containing, correspondence, business records, writings, printed material, and photographs, on: Samuel Hawk, 1877; Penguin Club, 1917-1919; Wood's trusteeship of the Jules Pascin Estate, 1930-1956; Salons of America, 1923-1953 (including a group photo of Fiorella La Guardia, Holger Cahill, Robert Laurent, David H. Morrison, and Wood from the 1935 exhibition opening at Rockefeller Center); Hamilton Easter Field Art Foundation, 1930-1966; New York City Municipal Art Committee, 1934-1937; Armory Show 50th Anniversary Exhibition, 1962-1963; and the New York Society of Women Artists, 1928-1976. The collection also contains biographical documents and correspondence of and relating to the Gaylor's daughter, Isabel Dale Gaylor.
Correspondents include Josephine Baker, Robert J. Coady, Evelyn Cutler, Margaret Di Silver, John and Betty Dos Passos, Hugo Gellert of the Artists Coordination Committee, Edith Halpert, Isabella Howland, Stefan Hirsch, Yasuo Kuniyoshi, Robert Laurent, John Howard Lawson, Jonas Lie, Gus Mager, Alice Newton, William Schack, Henry Strater, and Dr. Martin G. Vorhaus among others.
One postcard July 1916, sent from Charleston, South Carolina, from Jules Pascin To Samuel Wood Gaylor.
A circa 100 page typescript of a record of reminiscences on Gaylor's early art career. This is one of 4 parts dictated by Gaylor in 1953. This recording was used as the basis for Jean Lipman's article "Wood Gaylor: Diary of the Carefree Years," published in Art In America, December 1963.
Biographical / Historical:
Painter and lithographer Samuel Wood Gaylor (1883-1957) was born in Stamford, Connecticut and studied at the National Academy of Design, New York, under Walt Kuhn. He exhibited at the Armory Show, the Penguin Club, and the Downtown Gallery and participated in many art organizations including the Kit-Kat Club, the Penguin Club, Modern Artists of America, American Society of Painters, Sculptors and Engravers. He served on the board for the Salons of America, the Hamilton Easter Field Art Foundation, the New York City Municipal Art Committee, and the Museum of Art, Ogunquit, Maine.
Provenance:
Material on reel D9 was donated in 1958 by T. J. McCormick. Material on reel D160 was donated in 1964 by Adelaide Lawson Gaylor. The remainder was donated in 1986 by the Gaylors' sons, Wynn L. and Randall Gaylor. 16 items, mostly cards and letters to Gaylor were donated in 2008 by Christine Oaklander in honor of Dr. William Innes Homer, Art Historian and Professor Emeritus at the University of Delaware. Oaklander purchased the letters from Wyn Gaylor. An additional 21 documents, mostly cards and letters to Gaylor, were donated in 2015 by Wynn Gaylor.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm.
Occupation:
Lithographers -- New York (State)  Search this
Painters -- New York (State)  Search this
Sculptors -- New York (State)  Search this
Topic:
Painting, Modern -- 20th century -- New York (State) -- New York  Search this
Modernism (Art)  Search this
Women artists  Search this
Artist couples  Search this
Genre/Form:
Sketchbooks
Identifier:
AAA.gaylwood
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-gaylwood

Frank K. M. Rehn Galleries records

Creator:
Frank K. M. Rehn Galleries  Search this
Names:
Bartlett, Frederic Clay, 1873-1953  Search this
Bellows, George, 1882-1925  Search this
Brook, Alexander, 1898-1980  Search this
Burchfield, Charles Ephraim, 1893-1967  Search this
Chappell, Warren, 1904-  Search this
Clancy, John C., 1897-1981  Search this
Coleman, Glenn O., 1887-1932  Search this
Cook, Howard Norton, 1901-1980  Search this
Cuthbert, Virginia, 1908-2001  Search this
Dasburg, Andrew, 1887-1979  Search this
Gellatly, John, 1853-1931  Search this
Hawthorne, Charles Webster, 1872-1930  Search this
Henri, Robert, 1865-1929  Search this
Hopper, Edward, 1882-1967  Search this
Hopper, Jo N. (Josephine Nivison), 1883-1968  Search this
James, Alexander, 1890-1946  Search this
Kroll, Leon, 1884-1974  Search this
Luks, George Benjamin, 1867-1933  Search this
Mangravite, Peppino, 1896-  Search this
Marsh, Felicia Meyer, 1912-1978  Search this
Marsh, Reginald, 1898-1954  Search this
McFee, Henry Lee, 1886-1953  Search this
Melchers, Gari, 1860-1932  Search this
Orton, J. Robert  Search this
Pepper, Charles Hovey, 1864-1950  Search this
Phillips, Duncan, 1886-1966  Search this
Poor, Henry Varnum, 1887-1970  Search this
Russo, Alexander  Search this
Spalding, John T.  Search this
Sparhawk-Jones, Elizabeth, 1885-1968  Search this
Speicher, Eugene Edward, 1883-1962  Search this
Spruance, Benton, 1904-1967  Search this
Strater, Henry, 1896-  Search this
Tucker, Allen, 1866-1939  Search this
Tucker, Richard Derby, 1903-  Search this
Winters, Denny Sonke, 1907-1985  Search this
Young, Mahonri Mackintosh, 1877-1957  Search this
Extent:
21.8 Linear feet
Type:
Collection descriptions
Archival materials
Scrapbooks
Sketchbooks
Photographs
Date:
1858-1969
bulk 1919-1968
Summary:
The Frank K. M. Rehn Galleries records measure 21.8 linear feet and are dated 1858-1969 (bulk 1919-1968). The records consist mainly of business correspondence with collectors, artists, museums and arts organizations, colleagues, and others. A small amount of Frank K. M. Rehns personal correspondence and a few stray personal papers of individual artists are interfiled. Also included are financial records, scrapbooks, printed matter, miscellaneous records, and photographs documenting most of the history of a highly regarded New York City art gallery devoted to American painting.
Scope and Content Note:
The Frank K. M. Rehn Galleries records measure 21.8 linear feet and are dated 1858-1969 (bulk 1919-1968). The records consist mainly of business correspondence with collectors, artists, museums and arts organizations, colleagues, and others. A small amount of Frank K. M. Rehn's personal correspondence and a few stray personal papers of individual artists are interfiled. Also included are financial records, scrapbooks, printed matter, miscellaneous records, and photographs documenting most of the history of a highly regarded New York art gallery devoted to American painting.

Series 1: Correspondence contains correspondence with artists, museums and arts organizations, collectors, colleagues, and others documents the workings of Rehn Galleries from its earliest days through 1968. A small amount of Frank K. M. Rehn's personal correspondence and a few scattered personal papers of individual artists are interfiled with the business correspondence.

Series 2: Financial Records includes banking, insurance, and investment records, tax returns and related documentation, miscellaneous financial records and paid bills. Among the insurance records are detailed monthly schedules listing paintings with titles, artists, and insurance values. Miscellaneous financial records include inventories of gallery stock, notes regarding business expenses and income, and receipt books recording incoming paintings. Also included are a small number of items concerning the personal business of Frank Rehn and John Clancy.

Five volumes of Scrapbooks (Series 3) contain clippings and a small number of exhibition catalogs documenting the activities of Rehn Galleries and many of its associated artists. Additional Printed Matter in Series 4 includes material relating to Rehn Galleries and its artists, as well as publications produced by Rehn Galleries. General, art-related printed matter consists of articles, auction catalogs, advertisements, and publications of various museums, arts organizations, and schools. There is also material about artists not affiliated with Rehn Galleries. Additional printed items concern miscellaneous subjects that are not art-related.

Series 5: Miscellaneous Records, includes artwork, lists and notes, and writings. Photographs in Series 6 are of people including artists represented by Rehn as well as several not affiliated with the gallery. Noticeably absent are likenesses of Frank Rehn and John Clancy. Photographs of works of art are by Rehn Galleries' artists and others. Reginald Marsh's photographs consist of family and personal photographs that were either given to Rehn Galleries or perhaps loaned for research use, and include views of Marsh from early childhood through later life, photographs of family and friends, and a small family album. Also included are photographs are of Marsh's childhood drawings.
Arrangement:
Series 1: Correspondence is arranged alphabetically and Series 3: Scrapbooks is in rough chronological order. Series 2, and 4-6 are arranged in categories, as indicated in the Series Descriptions/Container Listing. Unless otherwise noted, items within each folder are arranged chronologically.

The collection is arranged into 6 series:

Series 1: Correspondence, 1858-1969, undated (Boxes 1-15; 14.4 linear ft.; Reels 5849-5869)

Series 2: Financial Records, 1919-1968, undated (Boxes 15-17; 2.6 linear ft; Reel 5869)

Series 3: Scrapbooks, 1919-1940 (Boxes 23-24; 0.6 linear ft.; Reels 5869-5870)

Series 4: Printed Matter, 1882-1969, undated (Boxes 18-20; 2.4 linear ft.; Reels 5870-5872)

Series 5: Miscellaneous Records, circa 1920-1968 (Boxes 20-21; 0.7 linear ft; Reel 5872)

Series 6: Photographs, 1871-1966, undated (Boxes 22, 24, OV 25; 1.0 linear ft.; Reel 5872)
Historical Note:
Frank K. M. Rehn (1886-1956), son of the marine painter Frank Knox Morton Rehn, after several years' experience as an employee of the Milch Galleries and as exhibition manager for the Salmagundi Club, opened his own art gallery in 1918. In its earliest years, the gallery operated as the Galleries of Frank K. M. Rehn. From the mid 1920s through the mid 1940s, the name used was Frank K. M. Rehn Galleries. As early as 1946, the gallery was referred to simply as Rehn Galleries. The gallery closed in 1981.

Throughout its existence, Rehn Galleries specialized in representing American painters. During the first five years Rehn's operation was a private gallery at 6 West 50th Street, New York City. Among the artists he first represented were older, established men such as J. Alden Weir, George Inness, Alexander Wyant, Theodore Robinson, Thomas Dewing, and John H. Twachtman. Occasionally, Rehn handled works by such luminaries of the period as Robert Henri, George Luks, and John Singer Sargent. Among the living artists affiliated with the gallery in its first years were Daniel Garber, Walter Griffin, Dodge MacKnight, and Robert Spencer. Rehn's most popular artist during this time was Childe Hassam, who sued for recovery of a painting that, although acquired by Rehn through a reputable dealer, had been stolen from Hassam's studio many years earlier.

Despite the newspaper publicity surrounding Hassam's lawsuit, the business was a successful venture almost immediately. Very early, a number of important collectors including Duncan Phillips, John Gellatly, John T. Spaulding, Albert McVitty, E. W. Root, and C. Vanderbilt Barton displayed confidence in Rehn's judgment and integrity, which enhanced his gallery's reputation and stature among both collectors and artists. In 1923, the gallery moved to 693 Fifth Avenue and began operating as Rehn Galleries, a commercial gallery in the same building that housed in a building that housed Kennedy and Company and the Bourgeois Galleries. At this time, Rehn hired an assistant, John C. Clancy (1897-1981), who had formerly been with Henry Reinhardt and Son and M. Knoedler.

The Rehn Galleries soon enjoyed a regular following among museum curators and collectors visiting from out of town. The gallery's roster of artists grew along with its reputation. Rehn focused almost exclusively on American painters, occasionally showing drawings and prints by artists who were primarily painters; notable exceptions were sculptor Mahonri Young and Henry Varnum Poor who, in addition to being a painter, was known for his work in ceramics. Among the painters eventually represented were: Peggy Bacon, George Bellows, Alexander Brook, Charles Burchfield, John F. Carlson, John Carroll, Howard Cook, Jon Corbino, Virginia Cuthbert, Andrew Dasberg, Sidney Gross, Edward Hopper, Alexander James, Irving Kaufmann, Yeffe Kimball, Leon Kroll, Peppino Mangravite, Reginald and Felicia Meyer Marsh, Henry Mattson, Henry Lee McFee, Kenneth Hayes Miller, Charles Rosen, Robert Riggs, Alexander Russo, Elizabeth Sparhawk-Jones, Eugene Speicher, Henry Strater, Richard Derby Tucker, Franklin C. Watkins, and Denny Winters.

In 1930, Rehn Galleries moved one block south to the Air France Building at 683 Fifth Avenue, and remained there for thirty years. John C. Clancy, Rehn's long-time assistant, became Gallery Director in 1953 after a stroke prevented Rehn from continuing to run his business in an active capacity. Eventually, Rehn's widow sold Clancy the gallery, which he continued to operate under varying names, including Rehn Gallery, Frank K. M. Rehn Galleries, Frank Rehn Gallery, and Rehn Galleries. From 1960 until 1966, The Rehn Galleries were at 36 East 61st Street from 1960 until 1966, when the gallery moved to a space formerly occupied by Kootz Gallery at 855 Madison Avenue, where it remained in business for another fifteen years.
Related Material:
John Clancy interview by Paul Cummings, July 10, 1970. Oral History Program, Archives of American Art, Smithsonian Institution.

Samuel Adler Papers, 1902-1979. Archives of American Art, Smithsonian Institution. Contains a recording (1 cassette; untranscribed) of Beverly Chesler interviewing John Clancy about the history of Rehn Galleries, 1973; Samuel Adler is present and participates briefly in the interview.

In addition, the Archives of American Art has among its collections personal papers and oral history interviews of artists and collectors associated with the Rehn Galleries. Researchers are advised to conduct a name search in the Smithsonian Institution Research Information System (SIRIS).
Provenance:
The Frank K. M. Rehn Galleries records were loaned by John Clancy for microfilming in 1959; in 1966, this same material was donated to the Archives. Mr. Clancy made subsequent gifts of additional gallery records in 1978 and 1981. In 1985, the Whitney Museum of American Art donated to the Archives correspondence with Edward Hopper that John Clancy had loaned the museum many years earlier. A death mask of George Luks received with the collection is on extended loan to the National Portrait Gallery, Smithsonian Institution.
Restrictions:
The collection has been digitized and is available online via AAA's website.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Gallery owners  Search this
Art galleries, Commercial -- New York (State) -- New York  Search this
Art, Modern -- 20th century -- New York (State) -- New York  Search this
Works of art  Search this
Art dealers -- New York (State) -- New York  Search this
Genre/Form:
Scrapbooks
Sketchbooks
Photographs
Citation:
Frank K. M. Rehn Galleries records, 1858-1969 (bulk 1919-1968). Archives of American Art, Smithsonian Institution.
Identifier:
AAA.franrehg
See more items in:
Frank K. M. Rehn Galleries records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-franrehg
Online Media:

Henry Strater papers

Creator:
Strater, Henry, 1896-  Search this
Names:
Bacon, Peggy, 1895-1987  Search this
Extent:
0.2 Linear feet ((on partial microfilm reel))
Type:
Collection descriptions
Archival materials
Date:
1913-1973
Scope and Contents:
2 biographical sketches; a list of paintings; transcripts of 2 brief interviews; 30 photographs of Strater; 16 photographs of Strater and others at the opening and closing receptions of a Peggy Bacon exhibition at the Ogunquit Art Museum; 4 photographs of works of art; clippings; and magazine articles.
Biographical / Historical:
Painter; Ogunquit, Me. and Palm Beach, Fla. Died 1987.
Provenance:
Donated 1965 through 1974 by Strater.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Painters -- Maine -- Ogunquit  Search this
Identifier:
AAA.strahenr
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-strahenr

Cary Robertson material relating to Henry Strater

Creator:
Robertson, Cary, 1902-1975  Search this
Names:
Strater, Henry, 1896-  Search this
Extent:
7 Items ((on partial microfilm reel))
Type:
Collection descriptions
Archival materials
Date:
1965
Scope and Contents:
6 letters from Strater to Robertson regarding Strater's retrospective exhibition at the Speed Museum, and a newspaper article about Strater.
Biographical / Historical:
Sunday editor of THE COURIER-JOURNAL; Louisville, Ky. Strater was a Ogunquit, Me. painter (d. 1987).
Provenance:
Donated 1965 by Robertson.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Painters -- Maine -- Ogunquit  Search this
Editors -- Kentucky -- Louisville  Search this
Identifier:
AAA.robecary
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-robecary

Reginald Marsh printed material

Creator:
Marsh, Reginald, 1898-1954  Search this
Names:
Strater, Henry, 1896-  Search this
Extent:
2 Volumes
Type:
Collection descriptions
Archival materials
Volumes
Date:
1915-1916
Scope and Contents:
Two yearbooks, 1915 and 1916, from the Lawrenceville School in Lawrenceville, New Jersey, illustrated by Reginald Marsh, a student at the school. Henry H. Strater was a classmate.
Biographical / Historical:
Painter, illustrator, etcher; New York, N.Y.
Provenance:
Donated 1962 by Alvin Macauley, Jr., a classmate of Marsh.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Etchers  Search this
Illustrators  Search this
Painters  Search this
Topic:
Illustration of books  Search this
Identifier:
AAA.marsrepm
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-marsrepm

Alvan Macauley, Jr., letters from Henry Strater

Creator:
Macauley, Alvan, Jr  Search this
Strater, Henry, 1896-  Search this
Extent:
2 Items ((on partial microfilm))
Type:
Collection descriptions
Archival materials
Date:
1966 and 1974
Scope and Contents:
Two letters, July 30, 1966, and Feb. 4, 1974, to Macauley from Henry Strater. Strater wrote about his recovery from a heart attack, recent exhibits of his work and his ability to paint despite failing health.
Biographical / Historical:
Macauley was a Detroit automaker and art patron. Strater (1896-1987) was a painter from New York, N.Y. and Ogunquit, Me.
Provenance:
Donated 1974 by Larry Curry.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Identifier:
AAA.macaalva
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-macaalva

Robert Laurent papers

Creator:
Laurent, Robert, 1890-1970  Search this
Names:
Avery, Milton, 1885-1965  Search this
Barnes, Albert C. (Albert Coombs), 1872-1951  Search this
Bellows, George, 1882-1925  Search this
Berenson, Bernard, 1865-1959  Search this
Bluemner, Oscar, 1867-1938  Search this
Calder, Alexander, 1898-1976  Search this
Careas, Jean  Search this
Courtois, Gustave, 1852-1923  Search this
Dasburg, Andrew, 1887-1979  Search this
Davies, Arthur B. (Arthur Bowen), 1862-1928  Search this
Field, Hamilton Easter  Search this
Fiene, Ernest, 1894-  Search this
Goodrich, Lloyd, 1897-1987  Search this
Gross, Chaim, 1904-1991  Search this
Halpert, Edith Gregor, 1900-1970  Search this
Hart, George Overbury, 1868-1933  Search this
Hassam, Childe, 1859-1935  Search this
Henri, Robert, 1865-1929  Search this
Hope, Henry R. (Henry Radford), 1905-  Search this
Kuhn, Walt, 1877-1949  Search this
Kuniyoshi, Yasuo, 1889-1953  Search this
Lachaise, Gaston, 1882-1935  Search this
Laurent, John, 1921-  Search this
Lipchitz, Jacques, 1891-1973  Search this
McBride, Henry, 1867-1962  Search this
McFee, William  Search this
Nadelman, Elie, 1882-1946  Search this
Pascin, Jules, 1885-1930  Search this
Prendergast, Maurice Brazil, 1858-1924  Search this
Rattner, Abraham  Search this
Ryder, Albert Pinkham, 1847-1917  Search this
Smith, David, 1906-1965  Search this
Soyer, Raphael, 1899-1987  Search this
Speicher, Eugene Edward, 1883-1962  Search this
Stella, Joseph, 1877-1946  Search this
Sterne, Maurice, 1878-1957  Search this
Stieglitz, Alfred, 1864-1946  Search this
Strater, Henry, 1896-  Search this
Zorach, William, 1887-1966  Search this
Extent:
3.7 Linear feet ((on 8 microfilmed reels + 1 photograph not microfilmed))
Type:
Collection descriptions
Archival materials
Date:
1869-1973
Scope and Contents:
Correspondence; manuscripts and writings; lists of works of art; photographs; biographical material; gallery and foundry files; notes and speeches; financial material; scrapbook; guest book; magazines; exhibition catalogs; clippings; and printed material.
REEL N68-2: Letters from George Bellows, Bernard Berenson, Elliott Daingerfield, Arthur B. Davies, Roger Fry, John Marin, Joseph Pennell, Man Ray, John Sloan, Max Weber, J. Alden Weir, and others. Two highly detailed letters from Maurice Sterne in 1913 describe that artist's life in Bali. Also included are signatures of American artists from a guest book, and a 1966 catalog of the Hamilton Easter Field Art Foundation Collection.
REEL N68-3 Letters from Childe Hassam, Walt Kuhn, Yasuo Kuniyoshi, Gaston Lachaise, Elie Nadelman, David Smith, Alfred Stieglitz, William Zorach, Oscar Bluemner, Albert C. Barnes, Andrew Dasburg, Ernest Fiene, Pop Hart, Robert Henri, Joseph Stella, Maurice Sterne, and others. Also included are manuscripts, lists of works of art, and photographs of Laurent with Hamiltion Easter Field, Bernard Kariol and others.
REEL 2: Personal data sheet, exhibition catalogs and magazines containing articles by or about Laurent, ca. 1920-1965.
REEL 497: John Laurent's collection of 34 letters, 1902-1960, to Robert Laurent and Hamiltion Easter Field. The 6 letters to Field are from Bernhard Berenson, George Bellows, Maurice Prendergast, Pop Hart, Gustov Courtois, and John Carpenter. The 28 letters to Robert Laurent are from Albert P. Ryder, Gaston Lachaise, Raphael Soyer, Walt Kuhn, Robert Henri, Alfred Stieglitz, Arthur B. Davies, Milton Avery, Alexander Calder, Henry McBride, William McFee, Jules Pascin, Jean Careas, and two unidentified artists.
REEL 2063: Photographs, ca. 1930-1962, of Laurent, his studio, exhibitions, and works of art.
REELS 2065-2067: Biographical material; correspondence from Maurice Sterne, Yasuo Kuniyoshi, Edith Halpert, Henry Hope, Henry Strater, Lloyd Goodrich, David Smith, Walt Kuhn, William Zorach, Ernest Fiene, and Samuel Wood Gaylor; gallery and foundry files; notes, writings, and speeches; financial material; lists of works of art; blueprints; exhibition and printed material, clippings, and a scrapbook; photos of source material and works of art owned by Laurent; and material concerning Hamilton Easter Field, Laurent's teacher and friend, including correspondence, guest book signatures, financial and legal papers and Field Foundation material.
REEL 2155: Photographs of Laurent's works of art with catalog sheets listing the title, date, medium, size, ownership, and exhibition information for each work, ca. 1920-1967. Also included are photographs of Laurent in his studio and with others, including Gaston Lachaise and David Smith; a photo of Chaim Gross; and photos of the Ogunquit Museum in Maine.
UNMICROFILMED: A black and white photograph of the Field Foundation Dinner Auction-Dinner-Dance, Ogunquit, Maine. Depicted are Lloyd Goodrich, Yasuo Kuniyoshi, William Zorach, Robert Laurent, Emil Ganso and others.
Biographical / Historical:
Painter, sculptor, teacher, etcher, and writer; Brooklyn, New York & Ogunquit, Maine. Laurent studied under Hamilton Easter Field, and both were from Brooklyn, N.Y. and were involved in the summer art colony in Oguniquit, Maine.
Provenance:
Material on reels N68-2-N68-3 was lent for microfilming 1968 by Robert Laurent; he donated material on reel 2 1966; material on reel 497 was lent for microfilming 1973 by John Laurent, son of Robert Laurent; material on reels 2063, 2065-2067 was donated 1978 by John Laurent; He donated additional material on reel 2155 and not filmed with his brother Paul in 1981.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Etchers  Search this
Painters  Search this
Sculptors  Search this
Topic:
Painting, Modern -- 20th century  Search this
Sculpture, Modern -- 20th century  Search this
Etching, Modern -- 20th century  Search this
Identifier:
AAA.laurrobe
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-laurrobe

Isabella Howland papers

Creator:
Howland, Isabella, 1895-1974  Search this
Names:
Bacon, Peggy, 1895-1987  Search this
Bywaters, Jerry  Search this
Dehn, Adolf, 1895-1968  Search this
Force, Juliana, 1876-1948  Search this
Gershoy, Eugenie, 1901?-1983 or 6  Search this
Greenbaum, Dorothea S.  Search this
Halpert, Edith Gregor, 1900-1970  Search this
Strater, Henry, 1896-  Search this
Watson, Forbes, 1880-1960  Search this
Extent:
1.2 Linear feet
Type:
Collection descriptions
Archival materials
Sketches
Photographs
Sketchbooks
Date:
1899-1979
Summary:
The papers of artist Isabella Howland measure 1.2 linear feet and date from 1899-1979. The collection documents her career through biographical material, correspondence, personal business records, writings, printed material, artwork, and photographs.
Scope and Contents:
The papers of painter, sculptor, caricaturist, and portraitist Isabella Howland measure 1.2 linear feet and date from 1899-1979. Correspondence makes up about a third of the collection, with the remainder comprised of biographical material, writings, printed material, photographs, and artworks.

Correspondence is found between Isabella Howland and other artists or dealers. Among these are Eugenie Gershoy, Henry Strater, Edith Halpert, Peggy Bacon, Forbes Watson, Jerry Bywaters, Adolph Dehn and Dorothea Greenbaum. Letters from Juliana Force, the first director of the Whitney Museum of American Art, are present. Many invitations to exhibit are included. The collection includes a small number of letters with Howland's family. She maintained written communication with several individuals over decades.

The biographical material contains Isabella Howland's handwritten notes and typed documents about her life. Some legal documents and financial records are present. The writing series includes her story 'Willy Nilly' with accompanying illustrations of animals, in addition to some other writings. The artwork series includes sketches and sketchbooks from childhood into adulthood. Photographs include images of Howland as well as her paintings and portraits.
Arrangement:
Series 1: Biographical Material, 1901-1972 (4 folders; Box 1)

Series 2: Correspondence, 1917-1973 (22 folders; Box 1)

Series 3, Writings, 1935-1964 (8 folders; Box 1)

Series 4: Printed Material, 1928-1976 (5 folders; Box 1)

Series 5: Photographs, circa 1900-1979 (4 folders; Box 1, OV 2)

Series 6: Artwork, 1899-circa 1940s (8 folders; Box 1, OV 2)
Biographical / Historical:
Isabella Howland (1895-1974) lived and worked in New York City. She drew portraits, painted on canvas, sketched on paper, and sculpted caricature busts of people in the art world. She wrote that she could do anything with her hands.

Howland was born in Brookline, Massachusetts. From her youth she knew she wanted to be an artist. She had her earliest artistic training at age 16. Her art education included time at the Boston Museum School and the Art Students League in New York City. She completed her secondary education in France and Germany, moved back to the United States afterwards, and in 1920 travelled again to Europe. In 1922 she settled in Greenwich Village and spent summers in Woodstock to paint landscapes and still-lifes. She actively painted in the 1920s, and had three shows in 1927, 1929, and 1931. During the Depression she worked for the Public Works of Art Project and the Works Progress Administration. In 1934 she married Armando Zegri, and they divorced in 1937. While they were married they owned a club in the West Village named The Café Latino. She began teaching at a private school in the early 1940s while dealing with some personal difficulties. She found religion which comforted her as she dealt with her mother's declining health and her sister's waning mental state.

Howland had many friends in the art world and regularly received requests to exhibit at museums. She became known as an accomplished portrait artist, and she was commissioned many times to execute drawings or sculptures. She dabbled in writing and illustrating stories, and produced a set of 33 Christmas cards featuring two monks.
Provenance:
Donated between 1975-1976 by Mrs. Martha Craig and Barbara Summer. Three photographs of works of art were donated by Eugenie Gershoy in 1979.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Caricaturists -- New York (State) -- New York  Search this
Topic:
Portrait painters -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Women artists  Search this
Sculptors -- New York (State) -- New York  Search this
Genre/Form:
Sketches
Photographs
Sketchbooks
Citation:
Isabella Howland papers, 1899-1979. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.howlisab
See more items in:
Isabella Howland papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-howlisab

Oral history interview with Henry Strater

Interviewee:
Strater, Henry, 1896-  Search this
Interviewer:
Brown, Robert F.  Search this
Extent:
1 Sound tape reel (Sound recording, 5 in.)
23 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound tape reels
Pages
Date:
1971 October 8
Scope and Contents:
An interview of Henry Strater conducted 1971 October 8, by Robert F. Brown, for the Archives of American Art.
Strater reminisces about his early life in Kentucky and his studies. He recalls newspaper experience, travel, and service with the American Red Cross in World War I and the Navy in World War II. He describes the Academie Julien and the Art Students League, as well as the Ogunquit Summer ArtSchool. Strater speaks about his own work, and the exhibitions and galleries that have marked his career. Strater also recalls Ernest Hemingway, Scott Fitzgerald, Ezra Pound, Kuniyoshi, and others.
Biographical / Historical:
Henry Strater (1896-1987) was a painter from Ogunquit, Maine.
General:
Originally recorded on 1 sound tape reel. Reformatted in 2010 as 2 digital wav files. Duration is 2 hr., 9 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Identifier:
AAA.strate71
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-strate71

Oral history interview with Henry Strater

Interviewee:
Strater, Henry, 1896-  Search this
Interviewer:
Brown, Robert F.  Search this
Extent:
1 Item (sound file, digital, wav file)
39 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1973 September 28
Scope and Contents:
Interview of Henry Strater, conducted by Robert Brown for the Archives of American Art, Smithsonian Institution, in Ogunquit, ME on September 28, 1973.
Strater speaks of his body of western artworks, painted during his five years in the Verde Valley of Central Arizona; how influence functions in the art world; the influence of Cubists on his work; exhibiting at Montross, Frank Rehn, and Laurel Galleries; his influence on younger artists; some of his works, including Nubble Lighthouse November and After the Ball; his involvement with the Ogunquit Art Association; and his involvement with establishing the Museum of Art of Ogunquit. Strater also recalls Walt Kuhn, Utagawa Kuniyoshi, Ben Shahn, Charles Boni, and others.
Biographical / Historical:
Henry Strater (1896-1987) was a painter from Ogunquit, Maine.
General:
Originally recorded on 1 sound tape reel. Reformatted in 2010 as 1 digital wav files. Duration is 1 hr., 37 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
This transcript is open for research. Access to the entire audio recording is restricted. Contact Reference Services for more information.
Topic:
Art, American -- Maine  Search this
Painters -- Maine -- Ogunquit -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.strate73
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-strate73

Colts at Soda Springs [photomechanical print]

Artist:
Strater, Henry 1896-1987  Search this
Photographic firm:
Arthur Jaffe, Inc.  Search this
Living American Art, Inc.  Search this
Physical description:
1 photomechanical print color
Type:
Photomechanical prints
Date:
Copyrighted 1940
Topic:
Animal--Horse  Search this
Landscape--Farm  Search this
Architecture--Farm--Barn  Search this
Image number:
LOC LC001977
See more items in:
Photograph Archives
Library of Congress Copyright Deposit Collection
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_142120

Ranch on Beaver Creek [photomechanical print]

Artist:
Strater, Henry 1896-1987  Search this
Physical description:
1 photomechanical print color
Type:
Photomechanical prints
Date:
Copyrighted 1940
Topic:
Landscape--Road  Search this
Landscape--Farm  Search this
Architecture--Farm--Barn  Search this
Image number:
LOC LC001978
See more items in:
Photograph Archives
Library of Congress Copyright Deposit Collection
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_142121

In the Swing [art work] / (photographed by Peter A. Juley & Son)

Artist:
Strater, Henry 1896-1987  Search this
Type:
Photograph
Image number:
JUL J0015991
See more items in:
Photograph Archives
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_15991

Gelding the Colt [art work] / (photographed by Peter A. Juley & Son)

Artist:
Strater, Henry 1896-1987  Search this
Type:
Photograph
Image number:
JUL J0015992
See more items in:
Photograph Archives
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_15992

Cadgene, Simone [art work] / (photographed by Peter A. Juley & Son)

Artist:
Strater, Henry 1896-1987  Search this
Type:
Photograph
Date:
1946
Image number:
JUL J0015993
See more items in:
Photograph Archives
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_15993

Moulton, Priscilla [art work] / (photographed by Peter A. Juley & Son)

Artist:
Strater, Henry 1896-1987  Search this
Type:
Photograph
Date:
1946
Image number:
JUL J0015994
See more items in:
Photograph Archives
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_15994

The Sisters T. [art work] / (photographed by Peter A. Juley & Son)

Artist:
Strater, Henry 1896-1987  Search this
Type:
Photograph
Image number:
JUL J0015995
See more items in:
Photograph Archives
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_15995

Walker's Ranch [art work] / (photographed by Peter A. Juley & Son)

Artist:
Strater, Henry 1896-1987  Search this
Type:
Photograph
Date:
1934
Image number:
JUL J0015996
See more items in:
Photograph Archives
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_15996

Mullen, Margaret, in Empire Costume [art work] / (photographed by Peter A. Juley & Son)

Artist:
Strater, Henry 1896-1987  Search this
Type:
Photograph
Image number:
JUL J0015997
See more items in:
Photograph Archives
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_15997

Strater, Happy [art work] / (photographed by Peter A. Juley & Son)

Artist:
Strater, Henry 1896-1987  Search this
Type:
Photograph
Date:
1945
Image number:
JUL J0015998
See more items in:
Photograph Archives
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_15998

Modify Your Search







or


Narrow By