Robinson, Franklin A., Jr., 1959- (actor) Search this
Container:
Box 64, Folder 1-4
Type:
Archival materials
Date:
1943-1957
Collection Restrictions:
Collection is open for research but negatives and audiovisuial materials are stored off-site and special arrangements must be made to work with it. Some papers of living persons are restricted. Access to restricted portions may be arranged by request to the donor. Gloves required for unprotected photographs. Viewing film portions of the collection and listening to LP recording requires special appointment. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
The Archives Center does not own exclusive rights to these materials. Copyright for all materials is retained by the donor, Franklin A. Robinson, Jr.; permission for commercial use and/or publication may be requested from the donor through the Archives Center. Military Records for Franklin A. Robinson (b. 1932) and correspondence from Richard I. Damalouji (1961-2014) are restricted; written permission is needed to research these files. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
The Robinson and Via Family Papers, Archives Center, National Museum of American History
Sponsor:
Preservation of the 8mm films in this collection was made possible, in part, by a grant from the National Film Preservation Fund.
Compact Urban and Japanese Garden at Twin Oaks (Akron, Ohio)
United States of America -- Ohio -- Summit -- Akron
Date:
2008 Aug.
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Sponsor:
A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.
United States of America -- New Jersey -- Union -- Summit
Scope and Contents:
The folder includes worksheets, photocopies of articles, maps and other information.
General:
Designed by its owners, Mr. and Mrs. Robert Cade Wilson, the property was well planted with interesting trees and shrubs. Mrs. Wilson was a Southerner and there was definitely a Southern feeling to the garden, according to her granddaughter. On a small piece of property adjoining the estate stood an old house, long outdating any building in the vicinity. According to an excerpt from House Beautiful, to save the house from destruction, Mr. Wilson purchased it and transformed it into a garden house of unlimited charm. A Franklin stove warms the interior in winter, and a little grating above carries heat to the upper chamber. The house stands at the end of a woodland walk in a setting of fine old trees and an informal planting.
Persons associated with the garden include Mr. and Mrs. Robert Cade Wilson (former owners and landscape designers, 1903-1957).
Related Materials:
Dalkeith related holdings consist of 3 folders (11 lantern slides)
See others in:
Eleanor Weller collection, circa 1981-2006.
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Sponsor:
A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.
1 Photograph (lantern slide, hand-colored, 3.25 in. x 4in.)
Type:
Archival materials
Photographs
Lantern slides
Place:
Dalkeith (Summit, New Jersey)
United States of America -- New Jersey -- Union -- Summit
Date:
[between 1914 and 1949?]
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Sponsor:
A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.
Series of sketches drawn from life by Florence Nupok, a full blood St Lawrence Island Eskimo woman. 93 sketches (numbers are listed on each drawing).
With the introduction of schools and missions the tendencyis toward making these garments from material obtainable at the store.
This series of sketches was made by Florence Nupok, a full blooded St Lawrence Island married Eskimo woman, aged about 19, during the winter of 1927-8 at her camp at N. East Cape. I purchased the sketches because they were drawn from life and because they show so nicely the usual every day life of the St Lawrence Island Eskimo. The sketches are worth the money expended for them and I doubt that an other set is in existence made by a native on the spot as these were. It is almost impossible for a white person to do any sketching in the houses or homes of these natives as they will not stand for it under any condition, unless one is fortunate enough to be taken into their tribe. I shall of course try to obtain photographs where ever possible. I shall ask Nupok again to continue this work for me, and I think she will. I trust that the idea meets with your approval. In a few years all St Lawrence Island Eskimos will live in frame houses -- five were built last year -- four this year (1928) and the old customs will go the long trail and be forgotten. Modern kitchen ranges, stoves, coal oil heaters, and so on are replacing the famous and serviceable seal oil lamps, enamel pans, dishes, the old driftwood bowls and platters; aluminum tea kettles are replacing the good old Russian "Samovars", etc. Clothing is about the only thing that they cling to and for a very good reason, which is that the white man's clothing is not yet good enough to keep out the terrible winter's cold and for that reason, I too, adopt the native clothes, the only kind which is good enough to keep one warm. I shall list the sketches by numbers and will give the remarks...
Biographical / Historical:
Made during the winter (1927-1928) at her camp at North East Cape.
Florence Nupok is now Florence Malewotkuk, according to Dorothy Ray, 1968.
Series of sketches drawn from life by Florence Nupok, a full blood St Lawrence Island Eskimo woman. 93 sketches (numbers are listed on each drawing).
The woman's snowshirt is made of brightly colored calico or similar material.
This series of sketches was made by Florence Nupok, a full blooded St Lawrence Island married Eskimo woman, aged about 19, during the winter of 1927-8 at her camp at N. East Cape. I purchased the sketches because they were drawn from life and because they show so nicely the usual every day life of the St Lawrence Island Eskimo. The sketches are worth the money expended for them and I doubt that an other set is in existence made by a native on the spot as these were. It is almost impossible for a white person to do any sketching in the houses or homes of these natives as they will not stand for it under any condition, unless one is fortunate enough to be taken into their tribe. I shall of course try to obtain photographs where ever possible. I shall ask Nupok again to continue this work for me, and I think she will. I trust that the idea meets with your approval. In a few years all St Lawrence Island Eskimos will live in frame houses -- five were built last year -- four this year (1928) and the old customs will go the long trail and be forgotten. Modern kitchen ranges, stoves, coal oil heaters, and so on are replacing the famous and serviceable seal oil lamps, enamel pans, dishes, the old driftwood bowls and platters; aluminum tea kettles are replacing the good old Russian "Samovars", etc. Clothing is about the only thing that they cling to and for a very good reason, which is that the white man's clothing is not yet good enough to keep out the terrible winter's cold and for that reason, I too, adopt the native clothes, the only kind which is good enough to keep one warm. I shall list the sketches by numbers and will give the remarks...
Biographical / Historical:
Made during the winter (1927-1928) at her camp at North East Cape.
Florence Nupok is now Florence Malewotkuk, according to Dorothy Ray, 1968.
Series of sketches drawn from life by Florence Nupok, a full blood St Lawrence Island Eskimo woman. 93 sketches (numbers are listed on each drawing).
The woman's snowshirt is made of bright colored calico or similar material. The girl wears a dress under the snowshirt. However, from the fur collar around the neck we know that under the snowshirt she is wearing a reindeer fawnskin parka. When in the home the dresses made from store goods are not removed as were former clothes since it would take too long. Since it is customary to sit and lie on the floor many of the clothes are not always as clean as they might be. Only when members of the family retire in the evening or expect to be in the agra for a long time do they remove all their clothing. Usually the breech cloth is worn by school girls under bloomers which are similar to the kind used by modern white women but which are made from colorful material such as mattress ticking. These are worn showing below the dresses.
This series of sketches was made by Florence Nupok, a full blooded St Lawrence Island married Eskimo woman, aged about 19, during the winter of 1927-8 at her camp at N. East Cape. I purchased the sketches because they were drawn from life and because they show so nicely the usual every day life of the St Lawrence Island Eskimo. The sketches are worth the money expended for them and I doubt that an other set is in existence made by a native on the spot as these were. It is almost impossible for a white person to do any sketching in the houses or homes of these natives as they will not stand for it under any condition, unless one is fortunate enough to be taken into their tribe. I shall of course try to obtain photographs where ever possible. I shall ask Nupok again to continue this work for me, and I think she will. I trust that the idea meets with your approval. In a few years all St Lawrence Island Eskimos will live in frame houses -- five were built last year -- four this year (1928) and the old customs will go the long trail and be forgotten. Modern kitchen ranges, stoves, coal oil heaters, and so on are replacing the famous and serviceable seal oil lamps, enamel pans, dishes, the old driftwood bowls and platters; aluminum tea kettles are replacing the good old Russian "Samovars", etc. Clothing is about the only thing that they cling to and for a very good reason, which is that the white man's clothing is not yet good enough to keep out the terrible winter's cold and for that reason, I too, adopt the native clothes, the only kind which is good enough to keep one warm. I shall list the sketches by numbers and will give the remarks...
Biographical / Historical:
Made during the winter (1927-1928) at her camp at North East Cape.
Florence Nupok is now Florence Malewotkuk, according to Dorothy Ray, 1968.
Series of sketches drawn from life by Florence Nupok, a full blood St Lawrence Island Eskimo woman. 93 sketches (numbers are listed on each drawing).
The sleeves are bordered with dog fur while the collar also indicates that the reindeer fawnskin parka is worn underneath the snowshirt and directly over the school dress, probably with the hair worn outside.
This series of sketches was made by Florence Nupok, a full blooded St Lawrence Island married Eskimo woman, aged about 19, during the winter of 1927-8 at her camp at N. East Cape. I purchased the sketches because they were drawn from life and because they show so nicely the usual every day life of the St Lawrence Island Eskimo. The sketches are worth the money expended for them and I doubt that an other set is in existence made by a native on the spot as these were. It is almost impossible for a white person to do any sketching in the houses or homes of these natives as they will not stand for it under any condition, unless one is fortunate enough to be taken into their tribe. I shall of course try to obtain photographs where ever possible. I shall ask Nupok again to continue this work for me, and I think she will. I trust that the idea meets with your approval. In a few years all St Lawrence Island Eskimos will live in frame houses -- five were built last year -- four this year (1928) and the old customs will go the long trail and be forgotten. Modern kitchen ranges, stoves, coal oil heaters, and so on are replacing the famous and serviceable seal oil lamps, enamel pans, dishes, the old driftwood bowls and platters; aluminum tea kettles are replacing the good old Russian "Samovars", etc. Clothing is about the only thing that they cling to and for a very good reason, which is that the white man's clothing is not yet good enough to keep out the terrible winter's cold and for that reason, I too, adopt the native clothes, the only kind which is good enough to keep one warm. I shall list the sketches by numbers and will give the remarks...
Biographical / Historical:
Made during the winter (1927-1928) at her camp at North East Cape.
Florence Nupok is now Florence Malewotkuk, according to Dorothy Ray, 1968.
Local Numbers:
OPPS NEG.3106 D 93
Local Note:
Originally, snowshirts were primarily used to protect fur and feather parkas from blowing snow which would get under hair and feathers and after melting would cause them to come loose or "slip"; they were secondarily used for decorative purposes. The snowshirt is now worn at all times for the latter purpose. Women, particularly the younger ones, today would not feel "dressed up" without such a gaudy colored garment.
Patterson, Frederick D. (Frederick Douglass), 1901-1988 Search this
Patterson, Wilhelmina Bessie, 1888-1962 Search this
Extent:
6 Linear feet (9 boxes)
Type:
Collection descriptions
Archival materials
Photographs
Programs
Clippings
Correspondence
Ephemera
Postcards
Place:
Anacostia (Washington, D.C.)
Date:
1866 - 1990.
Summary:
The Dale-Patterson family papers, which date from 1866 to 2010 and measure 6 linear feet, document the personal and professional lives of the Dale-Patterson family who came to live in Hillsdale, Anacostia, area of Washington, D.C., in 1892.
Scope and Contents note:
The Dale-Patterson family papers, which date from 1866 to 1990 and measure 6 linear feet, document the personal and professional lives of the Dale-Patterson family who came to live in Hillsdale, Anacostia, area of Washington, D.C., in 1892. The collection is comprised of correspondence, photographs, clippings, and ephemera.
Arrangement note:
The collection is arranged in four series:
Series 1: Dale-Patterson Family papers
Series 2: Charles Qualls papers
Series 3: Community Organizations
Series 4: Subject Files
Biographical/Historical note:
The Dale family came to Washington, DC in 1886 when John Henry Dale, Sr., a gifted self-taught man, obtained a position as clerk in the newly contracted Pension Bureau building at 5th and G Streets, NW. First they lived near 13th Street and Florida Avenue, NW, then moved to Howard Road in Anacostia. Dale built a house at 2619 Nichols Avenue, now Martin Luther King, Jr. Avenue, drawing the plans and supervising the construction. The Dales and only one other family lived in this solidly built house for 100 years before it was sold to a church group and demolished.
General Note:
Finding Aid Note: This finding aid is associated with a MARC collection-level record.361883
Provenance:
The Dale-Patterson Family collection was donated to the Anacostia Community Museum on April 07, 2013.
Restrictions:
Use of the materials requires an appointment. Please contact the archivist at acmarchives@si.edu.
Rights:
The Dale-Patterson Family collection is the physical property of the Anacostia Community Museum. Literary and copyright belong to the author/creator or their legal heirs and assigns. Rights to work produced during the normal course of Museum business resides with the Anacostia Community Museum. For further information, and to obtain permission to publish or reproduce, contact the Museum Archives.
National Portrait Gallery, Smithsonian Institution; transfer from the National Gallery of Art; gift of the A.W. Mellon Educational and Charitable Trust, 1942
