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The Bottle: Plate I. The Bottle Is Brought Out for the First Time...designed and etched by George Cruikshank and published by David Bogue

Maker:
Cruikshank, George  Search this
Publisher:
Bogue, David  Search this
Physical Description:
paper (overall material)
ink (overall material)
Measurements:
image: 8 1/2 in x 13 in; 21.59 cm x 33.02 cm
Object Name:
Etching
Place made:
United Kingdom: England, London
Date made:
1847
Subject:
Clocks  Search this
Drinking  Search this
Pets  Search this
Eating  Search this
Chronology: 1840-1849  Search this
Children  Search this
Furnishings  Search this
Credit Line:
Harry T. Peters "America on Stone" Lithography Collection
ID Number:
DL.60.2910
Catalog number:
60.2910
Accession number:
228146
See more items in:
Cultural and Community Life: Domestic Life
Clothing & Accessories
Domestic Furnishings
Art
Family & Social Life
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746a3-ccc0-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_325197

Zora Neale Hurston

Artist:
Carl Van Vechten, 17 Jun 1880 - 21 Dec 1964  Search this
Sitter:
Zora Neale Hurston, 1891 - 28 Jan 1960  Search this
Medium:
Photogravure
Dimensions:
Image: 22.6 × 15 cm (8 7/8 × 5 7/8")
Sheet: 55.8 × 35.6 cm (21 15/16 × 14")
Mat: 61 × 40.7 cm (24 × 16")
Type:
Photograph
Date:
1935 (printed 1983)
Topic:
Costume\Jewelry\Necklace  Search this
Interior  Search this
Costume\Headgear\Hat  Search this
Costume\Dress Accessory\Belt  Search this
Zora Neale Hurston: Female  Search this
Zora Neale Hurston: Literature\Writer\Novelist  Search this
Zora Neale Hurston: Humanities and Social Sciences\Folklorist  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution
Object number:
NPG.83.188.24
Restrictions & Rights:
Usage conditions apply
Copyright:
1935 negative © Carl Van Vechten Trust
Gravure and compilation ©The Eakins Press Foundation
See more items in:
National Portrait Gallery Collection
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm4d9dfd216-bc9a-427f-aeff-9d1d2711ad70
EDAN-URL:
edanmdm:npg_NPG.83.188.24

The Ibibio Nke (story-telling) formulaic

Author:
Uwatt, Effiok B (Effiok Bassey)  Search this
Smithsonian Libraries African Art Index Project DSI  Search this
Type:
Articles
Date:
1995
Topic:
Folk literature, Ibibio  Search this
Riddles, Ibibio  Search this
Ibibio storytelling  Search this
Ibibio storytellers  Search this
Call number:
DT1 .A2588
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_554081

Newport -- Bellevue House Gardens

Provenance:
Newport Garden Club  Search this
Former owner:
Codman, Martha  Search this
Langley, Jane Pickens  Search this
McCormack, Marcella  Search this
Architect:
Codman, Ogden, Jr.  Search this
Landscape designer:
Duchêne, Achille, 1866-1947  Search this
Creator:
Kimball, Fiske, 1888-1955  Search this
Garden designer:
Couture, Jon-Paul  Search this
Fleming, Ronald Lee  Search this
Gardener:
Khut, Horus  Search this
Gowen, Kidder  Search this
Collection Creator:
Garden Club of America  Search this
Type:
Archival materials
Place:
United States of America -- Rhode Island -- New Port County -- Newport
Bellevue House Gardens (Newport, Rhode Island)
Scope and Contents:
1 folder and 19 digital images (2016-2018).
General:
The Colonial Revival Newport cottage was designed by architect Ogden Codman Jr. for his niece Martha circa 1910 with gardens designed by Achille Duchêne. The 3.7-acre property is enclosed in brick walls, with historic specimen trees that predate the mansion; it is a certified Level 1 arboretum with more than 50 cultivars. There are 12 garden rooms, several follies, more than 60 monkey-themed artifacts, and numerous references to Pomona, the goddess of the orchard and abundance as well as Pomona College, the owner's alma mater. The owner describes his gardens as the narrative of himself and his family with spaces for history, celebration, storytelling and reflection. Garden rooms with water features include the American renaissance water garden with layered borders on either side of a rill, an Oriental water garden with a red Chinese Chippendale style footbridge modeled after the design of Englishman James Paine, an Arts and Crafts garden and south pool with a lotus fountain and other stylistic nods to Sir Edwin Lutyens, and another pool on the east side of the property with cabanas and a pavilion of pleasure used for family gatherings.

Features remaining from the original designs include a 5-sided lattice gazebo, an excedra in the same style as Edith Wharton's, and a pergola. A 20 -foot square tea house added in 1926 replicates the 1793 Derby summer house designed by Samuel McIntire. Additional follies and outbuildings that have been added in the 21st century include a summer house and a ground level cupola, with plans for a greenhouse/library that will be accessible to the public. The rhombic-shaped property is organized by crossing axes; the north-south axis starts at the gazebo next to the outer wall, dropping to the tea house and tea house allée with another gazebo marking a crossing point. Other garden rooms include pollarded hornbeam, a sprawling beech that shades the moss garden, a kitchen garden, and a keyhole garden. The classic formal style of structures and plantings contrasts with contemporary statues and bronzes, some of which were designed by or depict family members; one sculpture is named "The Social Contract".

Persons associated with the garden include: Martha Codman (former owner, 1907- ); Jane Pickens Langley (former owner, 1964-1992); Marcella McCormack (former owner, 1995-1999); Ogden Codman Jr. (1863-1951) (architect, 1910); Achille Duchêne (1866-1947) (landscape designer); Sidney Fiske Kimball (1888-1955) (teahouse architect, 1926); Jon-Paul (JP) Couture (garden designer/architect); Ronald Lee Fleming (garden designer, 1999- ); Horus Khut (gardener, 2014- ); Kidder Gowen (gardener, 2014- ).
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Gardens -- Rhode Island -- Newport  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Identifier:
AAG.GCA, File RI214
See more items in:
The Garden Club of America collection
The Garden Club of America collection / Series 1: United States Garden Images / Rhode Island
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_component:sova-aag-gca-ref32883

Childhood Development Studies, Falalop, Woleai, Micronesia Video Project 1980

Creator:
Williams, Scott film professor  Search this
Physical description:
27 hrs sound color
Type:
Projected media
Collection descriptions
Place:
Oceania
Date:
1980
Local number:
HSFA 1992.2.1
Data Source:
Human Studies Film Archives
EDAN-URL:
edanmdm:siris_arc_219131

Dustin Lance Black

Artist:
Louis Briel, born 1945  Search this
Sitter:
Dustin Lance Black, born 1974  Search this
Medium:
Acrylic on canvas
Dimensions:
Stretcher: 101.6 × 76.2cm (40 × 30")
Frame: 108 × 82.6 × 7cm (42 1/2 × 32 1/2 × 2 3/4")
Type:
Painting
Place:
United States\California\Los Angeles
Date:
2012
Topic:
Costume\Dress Accessory\Tie  Search this
Dustin Lance Black: Male  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution; Anonymous gift in honor of Equality Virginia and the American Foundation for Equal Rights
Object number:
C/NPG.2015.46
Restrictions & Rights:
Usage conditions apply
Copyright:
© 2012 Louis Briel
See more items in:
National Portrait Gallery Collection
Exhibition:
The Struggle for Justice
On View:
NPG, West Gallery 220
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm4a2dd4bcf-80b3-4a9d-ba65-fc5f5a5c8149
EDAN-URL:
edanmdm:npg_C_NPG.2015.46

Delegate

Published by:
MelPat Associates, American, 1965 - 1986  Search this
Created by:
C. Melvin Patrick, American, died 1985  Search this
Subject of:
Sen. Edward Brooke, American, born 1919  Search this
Morris Brown College, American, founded 1881  Search this
Interracial Council for Business Opportunity, American, founded 1963  Search this
Opportunities Industrialization Center of America, Inc., American, founded 1964  Search this
Hubert Horatio Humphrey Jr., American, 1911 - 1978  Search this
General Daniel James Jr., American, 1920 - 1978  Search this
Roy Wilkins, American, 1901 - 1981  Search this
Rufus B. Shorter, American  Search this
National Association of Black Social Workers, American, founded 1968  Search this
National Association of Market Developers, American, founded 1953  Search this
National Medical Association, American, founded 1895  Search this
Ancient and Accepted Scottish Rite of Freemasonry  Search this
Prince Hall Freemasonry, founded 1784  Search this
Howard University, American, founded 1867  Search this
National Newspaper Publishers Association, American, founded 1827  Search this
Young Men's Christian Association (YMCA), International, founded 1844  Search this
Avon, founded 1886  Search this
Lambda Kappa Mu Sorority, Inc., American, founded 1937  Search this
National Association for the Advancement of Colored People, American, founded 1909  Search this
The Links, Incorporated, American, founded 1946  Search this
National United Church Ushers Association of America, Inc., American, founded 1919  Search this
National Medical Association, American, founded 1895  Search this
National Dental Association, American, founded 1913  Search this
Sigma Gamma Rho Sorority, Inc., founded 1922  Search this
Phi Beta Sigma Fraternity, American, founded 1914  Search this
National Urban League, American, founded 1910  Search this
Iota Phi Lambda Sorority, Inc., American, founded 1929  Search this
Alpha Kappa Alpha Sorority, Incorporated, founded 1908  Search this
Zeta Phi Beta Sorority, American, founded 1920  Search this
Alpha Phi Alpha Fraternity, Inc., American, founded 1906  Search this
Eta Phi Beta Sorority, Inc., American, founded 1943  Search this
National Association of University Women, American, founded 1910  Search this
National Association of Market Developers, American, founded 1953  Search this
Chi Eta Phi Sorority, Inc., American, founded 1932  Search this
American Bridge Association, American, founded 1932  Search this
Arthur Ashe Jr., American, 1943 - 1993  Search this
The Salvation Army, American, founded 1865  Search this
National Dental Association, American, founded 1913  Search this
Shriners International, American, founded 1870  Search this
Sammy Davis Jr., American, 1925 - 1990  Search this
Congressional Black Caucus, American, founded 1971  Search this
Rev. Martin Luther King Sr, American, 1899 - 1984  Search this
Improved Benevolent and Protective Order of the Elks of the World, American, founded 1898  Search this
Southern Christian Leadership Conference, American, founded 1957  Search this
National Urban League Guild, American, founded 1946  Search this
Association for the Study of African American Life and History, American, founded 1915  Search this
369th Veterans Association, American  Search this
Prince Hall Freemasonry, founded 1784  Search this
One Hundred Black Men, Inc., American, founded 1963  Search this
Phi Beta Sigma Fraternity, American, founded 1914  Search this
Medium:
ink on paper
Dimensions:
H x W x D: 10 13/16 × 8 7/16 × 7/16 in. (27.5 × 21.4 × 1.1 cm)
Type:
magazines (periodicals)
Place made:
Harlem, New York City, New York, United States, North and Central America
Place depicted:
California, United States, North and Central America
Houston, Texas, United States, North and Central America
Minneapolis, Hennepin County, Minnesota, United States, North and Central America
Detroit, Wayne County, Michigan, United States, North and Central America
Chicago, Cook County, Illinois, United States, North and Central America
Washington, District of Columbia, United States, North and Central America
Jamaica, Caribbean, North and Central America
Barbados, Caribbean, North and Central America
Martha's Vineyard, Oak Bluffs, Dukes County, Massachusetts, United States, North and Central America
West Africa, Africa
Date:
1978
Topic:
African American  Search this
Advertising  Search this
Associations and institutions  Search this
Business  Search this
Communities  Search this
Fraternal organizations  Search this
Fraternities  Search this
Government  Search this
HBCUs (Historically Black Colleges and Universities)  Search this
Journalism  Search this
Labor  Search this
Mass media  Search this
Men  Search this
Political organizations  Search this
Politics  Search this
Professional organizations  Search this
Religious groups  Search this
Social life and customs  Search this
Sororities  Search this
Travel  Search this
U.S. History, 1969-2001  Search this
Urban life  Search this
Women  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Anne B. Patrick and the family of Hilda E. Stokely
Object number:
2012.167.12
Restrictions & Rights:
Public domain
See more items in:
National Museum of African American History and Culture Collection
Classification:
Documents and Published Materials-Published Works
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd5e8bb6cbd-99b9-4ce0-8851-3b3bef3dd0e8
EDAN-URL:
edanmdm:nmaahc_2012.167.12
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  • View <I>Delegate</I> digital asset number 1

Delegate

Published by:
MelPat Associates, American, 1965 - 1986  Search this
Created by:
C. Melvin Patrick, American, died 1985  Search this
Subject of:
National Association of Broadcasters, American  Search this
Opportunities Industrialization Center of America, Inc., American, founded 1964  Search this
National Pan-Hellenic Council, American, founded 1930  Search this
National Association of Black Social Workers, American, founded 1968  Search this
Omega Psi Phi Fraternity, Inc., American, founded 1911  Search this
The Girl Friends, Inc., American, founded 1927  Search this
Duke Ellington, American, 1899 - 1974  Search this
National Medical Association, American, founded 1895  Search this
Prince Hall Freemasonry, founded 1784  Search this
National Newspaper Publishers Association, American, founded 1827  Search this
Chi Delta Mu Fraternity, Inc., American, founded 1913  Search this
John Albert Morsell, American, 1912 - 1974  Search this
National Association for the Advancement of Colored People, American, founded 1909  Search this
Chi Eta Phi Sorority, Inc., American, founded 1932  Search this
Lambda Kappa Mu Sorority, Inc., American, founded 1937  Search this
National Insurance Association, American, founded 1921  Search this
National Urban League, American, founded 1910  Search this
National United Church Ushers Association of America, Inc., American, founded 1919  Search this
Alpha Phi Alpha Fraternity, Inc., American, founded 1906  Search this
National Dental Association, American, founded 1913  Search this
CBS Broadcasting, Inc., American, founded 1927  Search this
American Bridge Association, American, founded 1932  Search this
Delta Sigma Theta Sorority, American, founded 1913  Search this
National Sorority of Phi Delta Kappa, Inc., American, founded 1906  Search this
Phi Beta Sigma Fraternity, American, founded 1914  Search this
Improved Benevolent and Protective Order of the Elks of the World, American, founded 1898  Search this
Nettie B. Smith, American  Search this
National Association of Negro Business and Professional Women's Clubs, Inc., American, founded 1935  Search this
National Medical Association, American, founded 1895  Search this
National Funeral Directors and Morticians Association, Inc., American, founded 1924  Search this
John Warren Davis, American, 1888 - 1980  Search this
Shriners International, American, founded 1870  Search this
Congressional Black Caucus, American, founded 1971  Search this
National Business League, American, founded 1900  Search this
National Alliance of Postal and Federal Employees, American, founded 1913  Search this
369th Veterans Association, American  Search this
Association for the Study of African American Life and History, American, founded 1915  Search this
National Council of Negro Women, founded 1935  Search this
Clifton Herman Johnson, American, 1921 - 2008  Search this
Medium:
ink on paper
Dimensions:
H x W x D: 10 13/16 × 8 7/16 × 3/8 in. (27.5 × 21.4 × 0.9 cm)
Type:
magazines (periodicals)
Place made:
Harlem, New York City, New York, United States, North and Central America
Date:
1975
Topic:
African American  Search this
Advertising  Search this
Associations and institutions  Search this
Business  Search this
Calypso (Music)  Search this
Communities  Search this
Fraternal organizations  Search this
Fraternities  Search this
Funeral customs and rites  Search this
Government  Search this
HBCUs (Historically Black Colleges and Universities)  Search this
Journalism  Search this
Labor  Search this
Law  Search this
Mass media  Search this
Men  Search this
Political organizations  Search this
Politics  Search this
Professional organizations  Search this
Religious groups  Search this
Sororities  Search this
Television  Search this
U.S. History, 1969-2001  Search this
Urban life  Search this
Women  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Anne B. Patrick and the family of Hilda E. Stokely
Object number:
2012.167.9
Restrictions & Rights:
Public domain
See more items in:
National Museum of African American History and Culture Collection
Classification:
Documents and Published Materials-Published Works
Movement:
Colonization movement
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd5c80d5f1b-2384-44ae-91b1-bb42a6fc4395
EDAN-URL:
edanmdm:nmaahc_2012.167.9
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  • View <I>Delegate</I> digital asset number 1

Oral Histories Transcriptions and Notes

Collection Creator:
Manske, Nathan  Search this
Type:
Archival materials
Date:
2010-09-02-2011-01-09
Scope and Contents:
This series contains the oral history transcriptions of interviews conducted by Nathan Manske and the I'm From Driftwood story crew. These files also contain the transcribed interviews of the crew focusing on their experience and memory of the project. Information includes location visited, the hosts, storytellers and "Discussion Highlights." The series is arranged in order of travel beginning in September 2010 in Texas and ending January 2011 in Texas. The tour traveled to all fifty states and files include the dates spent in each state. Interviews of the story crew are located at the end of the series. Not all states have transcribed stories due to various reasons, either no one came forth to be interviewed or if the interviewee agreed to be interviewed but for privacy reasons did not agree that the inteview could be made public. Interviews were conduted using digital technology. The digital files were retained by the donor.
Collection Restrictions:
The collection is open for research use. Researchers must handle unprotected photographs with gloves.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions. Releases for interviews are housed in the Archives Center's control file for this collection.
Collection Citation:
I'm From Driftwood Records, Archives Center, National Museum of American History, Smithsonian Institution.
Identifier:
NMAH.AC.1503, Series 1
See more items in:
I'm From Driftwood Records
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-1503-ref1

Smithsonian Folklife Festival records: 2009 Smithsonian Folklife Festival

Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Names:
Smithsonian Folklife Festival  Search this
Extent:
1 Cubic foot (approximate)
Type:
Collection descriptions
Archival materials
Memorandums
Contracts
Sound recordings
Audiocassettes
Video recordings
Audiotapes
Notes
Photographic prints
Plans (drawings)
Correspondence
Digital images
Slides (photographs)
Business records
Videotapes
Negatives
Place:
Caribbean Area
Latin America
Puerto Rico
Chile
Colombia
Cuba
Dominican Republic
El Salvador
Guatemala
Paraguay
Venezuela
Date:
June 24-July 5, 2009
Summary:
The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.
Scope and Contents note:
This collection documents the planning, production, and execution of the 2009 Smithsonian Folklife Festival. Materials may include photographs, audio recordings, motion picture film and video recordings, notes, production drawings, contracts, memoranda, correspondence, informational materials, publications, and ephemera. Such materials were created during the Festival on the National Mall in Washington, D.C., as well as in the featured communities, before or after the Festival itself.
Arrangement note:
Arranged in 5 series.

Series 1: Program Books, Festival Publications, and Ephemera

Series 2: Las Américas: Un mundo musical/The Americas: A Musical World

Series 3: Giving Voice: The Power of Words in African American Culture

Series 4: Special Events

Series 5: Wales Smithsonian Cymru
Historical note:
The Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998.

The 2009 Smithsonian Folklife Festival was produced by the Smithsonian Center for Folklife and Cultural Heritage and cosponsored by the National Park Service.

For more information, see Smithsonian Folklife Festival records.
Introduction:
The twentieth century saw an unprecedented, worldwide acceleration of social change. Often, such rapid evolution outpaced time-honored values and practices, eroding their currency, overwhelming cultural self-determination and displacing the local with the foreign. In a time-span as short as a single generation, entire languages, musical traditions, and other expressive cultural systems were abandoned in favor of cultural trappings invented by others. The 43rd annual Smithsonian Folklife Festival in 2009 told another version of this story, inviting visitors to explore the process of cultural evolution from the other side of the equation. Festival audiences were able to experience the creativity, resilience, and fortitude of people, institutions, and cultures that follow their own path amid a torrent of contrarian voices.

Wales Smithsonian Cymru provided a forum for discovering how the Welsh people successfully integrate both the tradition and the change that are part of their cultural heritage. On the one hand, about one-fifth of the country's three million inhabitants speak Welsh (Cymru is the Welsh word for Wales). And the people of Wales still work to preserve the rustic rural landscapes that have long informed their sense of self. On the other hand, the Welsh can lay claim to the nineteenth-century mantle of being "the first industrialized nation," and they take pride in their ongoing innovative spirit. How have the Welsh managed to navigate the turbulent waters of continuity and change to shepherd an economically and culturally sustainable society into the future? The Festival offered visitors the chance to find out firsthand from this "living exhibition" of Welsh heritage.

Giving Voice: The Power of Words in African American Culture presented living testimony to the resilience and imagination of a people. Out of three centuries of subjugation came a distinctive and separate black world, a source of refuge and endurance in the face of cruel and wrenching societal decimation. Tapping the power and the play of African American oral traditions and verbal arts, the program "gave voice" to this poignant, powerful, and quintessentially American story of cultural transcendence. Organized in partnership with the National Museum of African American History and Culture, Giving Voice explored the realm of African American cultural creation via verbal expression, considering it as both a means of social resistance and a major contributor to contemporary American life. Festival visitors could listen and be moved by compelling stories about the history, struggles, and creativity of African Americans, told through six tracks of programming: storytelling, oral poetry, interpretive drama, children's and youth culture, humor, and radio.

Las Américas: Un mundo musical/The Americas: A Musical World showed how the seemingly monolithic term música latina refers in reality to an inviting rainbow of musical sounds, styles, and traditions. The program also supplied vivid proof that music can amount to much more than just music. Each tradition represented in Las Américas is a musical flag of identity, a beacon that unites cultural communities, and a means of cultural self-actualization. This Festival program, the result of eight years of research and documentation, was the fourth and final in a series dedicated to exploring Latino music as a window into the cultures that give it meaning. The overarching project, entitled Nuestra Música: Music in Latino Culture, began with the Smithsonian Folkways Recordings series Tradiciones/Traditions. The series produced thirty recordings that had, as of the 2009 Festival, earned eight GRAMMY nominations, one GRAMMY, and one Latin GRAMMY. Additionally, the project included Música del Pueblo: A Smithsonian Virtual Exhibition ( musicadelpueblo.org), that featured dozens of video mini-documentaries of grassroots Latino musicians from the United States, Puerto Rico, and several Latin American countries.

The 2009 Festival took place for two five-day weeks (June 24-28 and July 1-5) between Madison Drive and Jefferson Drive and between 9th Street and 14th Street, south of the National Museum of American History and the National Museum of Natural History (see site plan). It featured three programs and the Rinzler Concert.

The 2009 Program Book included schedules and participant lists for each program; keynote essays (or, for Wales, a set of short essays) provided background on each of the programs.

The Festival was co-presented by the Smithsonian Institution and National Park Service and organized by the Center for Folklife and Cultural Heritage.

Center for Folklife and Cultural Heritage

Daniel Sheehy, Acting Director; Smithsonian Folklife Festival: Diana Parker, Festival Director; Stephen Kidd, Production Manager; Charlie Weber, Media Specialist; Smithsonian Folkways Recordings: Daniel Sheehy, Curator and Director; Anthony Seeger, Curator and Director (emeritus); D.A. Sonneborn, Assistant Director; Ralph Rinzler Folklife Archives and Collections: Jeffrey Place, Archivist; Stephanie Smith, Assistant Archivist; Cultural Heritage Policy: James Counts Early, Director; Sita Reddy, Fellow; Cultural Research and Education: Olivia Cadaval, Chair; Thomas Vennum, Jr., Senior Ethnomusicologist (emeritus); Betty J. Belanus, James Deutsch, Marjorie Hunt, Richard Kennedy (emeritus), Diana Baird N'Diaye, Peter Seitel (emeritus), Curators, Folklorists, Education and Cultural Specialists; Robert Albro, Geri Benoit, Carla Borden, Irene Chagall, Patrick Delatour, Roland Freeman, Nancy Groce, Frank Proschan, Sita Reddy, Jesús "Chucho" Valdés, Patrick Vilaire, Research Associates

Center for Folklife and Cultural Heritage Advisory Council

Kurt Dewhurst (chair), J. Scott Raecker (vice chair), Michael Asch (ex officio), Mounir Bouchenaki, G. Wayne Clough (ex officio), Anthony Gittens, Mickey Hart, John Herzog, Debora Kodish, Richard Kurin (ex officio), Ellen McCulloch-Lovell, Libby O'Connell, Robert Santelli, Cathy Sulzberger

Smithsonian Folkways Advisory Council

Michael Asch (chair), Patricia Campbell, Hal Cannon, Don De Vito, Sandra Gibson, Suni Paz, Anthony Seeger, Fred Silber

National Park Service

Daniel N. Wenk, Acting Director; Peggy O'Dell, Regional Director; Lis Mendelson-Ielmini, Acting Superintendent, National Mall and Memorial Parks

The Festival was supported by federally appropriated funds; Smithsonian trust funds; contributions from governments, businesses, foundations, and individuals; in-kind assistance; and food, recording, and craft sales. General support for this year's Festival came from the Music Performance Fund, with in-kind support provided by WAMU-88.5 FM and WashingtonPost.com.
Forms Part Of:
Smithsonian Folklife Festival records: 2009 Smithsonian Folklife Festival forms part of the Smithsonian Folklife Festival records .

Smithsonian Folklife Festival records

Smithsonian Folklife Festival records: Papers

1967 Festival of American Folklife records - [Ongoing]
Related Archival Materials note:
Within the Rinzler Archives, related materials may be found in various collections such as the Ralph Rinzler papers and recordings, the Lily Spandorf drawings, the Diana Davies photographs, the Robert Yellin photographs, and the Curatorial Research, Programs, and Projects collection. Additional relevant materials may also be found in the Smithsonian Institution Archives concerning the Division of Performing Arts (1966-1983), Folklife Program (1977-1980), Office of Folklife Programs (1980-1991), Center for Folklife Programs and Cultural Studies (1991-1999), Center for Folklife and Cultural Heritage (1999-present), and collaborating Smithsonian units, as well as in the administrative papers of key figures such as the Secretary and respective deputies. Users are encouraged to consult relevant finding aids and to contact Archives staff for further information.
Restrictions:
Access by appointment only. Where a listening copy or viewing copy has been created, this is indicated in the respective inventory; additional materials may be accessible with sufficient advance notice and, in some cases, payment of a processing fee. Older papers are housed at a remote location and may require a minimum of three weeks' advance notice and payment of a retrieval fee. Certain formats such as multi-track audio recordings and EIAJ-1 videoreels (1/2 inch) may not be accessible. Contact the Ralph Rinzler Folklife Archives and Collections at 202-633-7322 or rinzlerarchives@si.edu for additional information.
Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Topic:
arts and crafts  Search this
World music  Search this
Food habits  Search this
Folk music  Search this
Folklore  Search this
Folk art  Search this
Folk festivals  Search this
Genre/Form:
Memorandums
Contracts
Sound recordings
Audiocassettes
Video recordings
Audiotapes
Notes
Photographic prints
Plans (drawings)
Correspondence
Digital images
Slides (photographs)
Business records
Videotapes
Negatives
Citation:
Smithsonian Folklife Festival records: 2009 Smithsonian Folklife Festival, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.2009
See more items in:
Smithsonian Folklife Festival records: 2009 Smithsonian Folklife Festival
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
EDAN-URL:
ead_collection:sova-cfch-sff-2009

Smithsonian Folklife Festival records: 1985 Festival of American Folklife

Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Names:
Smithsonian Folklife Festival  Search this
Extent:
1 Cubic foot (approximate)
Type:
Collection descriptions
Archival materials
Memorandums
Negatives
Video recordings
Audiotapes
Videotapes
Audiocassettes
Business records
Digital images
Correspondence
Sound recordings
Notes
Plans (drawings)
Slides (photographs)
Photographic prints
Contracts
Place:
Caribbean Area
Puerto Rico
Date:
June 26-July 7, 1985
Summary:
The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.
Scope and Contents note:
This collection documents the planning, production, and execution of the 1985 Festival of American Folklife. Materials may include photographs, audio recordings, motion picture film and video recordings, notes, production drawings, contracts, memoranda, correspondence, informational materials, publications, and ephemera. Such materials were created during the Festival on the National Mall in Washington, D.C., as well as in the featured communities, before or after the Festival itself.
Arrangement note:
Arranged in 5 series.

Series 1: Program Books, Festival Publications, and Ephemera

Series 2: Cultural Conservation

Series 3: Louisiana

Series 4: Mela! An Indian Fair

Series 5: Special Events
Historical note:
The Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998.

The 1985 Festival of American Folklife was produced by the Smithsonian Office of Folklife Programs and cosponsored by the National Park Service.

For more information, see Smithsonian Folklife Festival records.
Introduction:
From the first Festival of American Folklife in 1967 through the 1984 Festival, more than 10,000 participants traveled to Washington to share their wisdom and talent with visitors, Festival Director Diana Parker recalled in the 1985 Program Book. In explaining and demonstrating their skills as singers, dancers, musicians, cooks, artisans, storytellers, and workers, they represented legions more in their home communities. Because of the time and knowledge they shared, lives had been enriched, while the cultural understanding of the aesthetic variety in this and other nations had broadened. Meanwhile, the Smithsonian's archive of folklife research and programming experience had grown incrementally each year. There remained much still to be learned, and each participant's story added to our understanding of the mosaic of folk culture.

Festival participants often spoke of their struggle to maintain traditions in the face of overwhelming odds. Each year brought another person to inform visitors, "I am the last who knows how to do this the old way." For this reason the Folklife Programs viewed conservation of culture as an issue equal in urgency to the conservation of natural resources, for the pluralism reflected at each year's Festival would be terrible to lose. The Smithsonian was not, of course, the only organization concerned with cultural conservation. The American Folklife Center at the Library of Congress consistently contributed on a national scale to research and preservation of traditional culture. Numerous state and local programs were also hard at work in similar efforts and have made notable contributions. As the National Endowment for the Arts celebrated its 20th anniversary in 1985, the Smithsonian was especially aware of the immense contributions of its Folk Arts Program.

The 1985 Festival took place for two five-day weeks (June 26-30 and July 3-7) between Madison Drive and Jefferson Drive and between 10th Street and 14th Street, south of the National Museum of American History and the National Museum of Natural History (see site plan).

For the 1985 Festival, more than two hundred participants came to Washington to share in a great celebration of cultural diversity. Three thematic programs were presented, complemented by a number of special events. The 1985 Program Book provides information on each of the programs.

The 1985 Festival was co-presented by the Smithsonian Institution and National Park Service and organized by the Office of Folklife Programs. In addition to specific support (acknowledged below) for the Louisiana and Mela! programs, the recording industry provided support in part for the instrumental music in performances at the Festival through the Music Performance Trust Funds (Martin A. Paulson, Trustee).

Office of Folklife Programs

Peter Seitel, Director; Diana Parker, Festival Director; Thomas Vennum, Jr., Senior Ethnomusicologist; Marjorie Hunt, Folklorist; Alicia María González, Folklorist and Program Developer; Kazadi wa Mukuna, Ethnomusicologist; Richard Derbyshire, Archivist; Laurie Kalb, Foodways Coordinator

National Park Service

William Penn Mott, Jr., Director; Manus J. Fish, Jr., Regional Director, National Capital Region
Forms Part Of:
Smithsonian Folklife Festival records: 1985 Festival of American Folklife forms part of the Smithsonian Folklife Festival records .

Smithsonian Folklife Festival records

Smithsonian Folklife Festival records: Papers

1967 Festival of American Folklife records - [Ongoing]
Related Archival Materials note:
Within the Rinzler Archives, related materials may be found in various collections such as the Ralph Rinzler papers and recordings, the Lily Spandorf drawings, the Diana Davies photographs, the Robert Yellin photographs, and the Curatorial Research, Programs, and Projects collection. Additional relevant materials may also be found in the Smithsonian Institution Archives concerning the Division of Performing Arts (1966-1983), Folklife Program (1977-1980), Office of Folklife Programs (1980-1991), Center for Folklife Programs and Cultural Studies (1991-1999), Center for Folklife and Cultural Heritage (1999-present), and collaborating Smithsonian units, as well as in the administrative papers of key figures such as the Secretary and respective deputies. Users are encouraged to consult relevant finding aids and to contact Archives staff for further information.
Restrictions:
Access by appointment only. Where a listening copy or viewing copy has been created, this is indicated in the respective inventory; additional materials may be accessible with sufficient advance notice and, in some cases, payment of a processing fee. Older papers are housed at a remote location and may require a minimum of three weeks' advance notice and payment of a retrieval fee. Certain formats such as multi-track audio recordings and EIAJ-1 videoreels (1/2 inch) may not be accessible. Contact the Ralph Rinzler Folklife Archives and Collections at 202-633-7322 or rinzlerarchives@si.edu for additional information.
Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Topic:
arts and crafts  Search this
Folk art  Search this
Folk festivals  Search this
World music  Search this
Food habits  Search this
Folk music  Search this
Folklore  Search this
Genre/Form:
Memorandums
Negatives
Video recordings
Audiotapes
Videotapes
Audiocassettes
Business records
Digital images
Correspondence
Sound recordings
Notes
Plans (drawings)
Slides (photographs)
Photographic prints
Contracts
Citation:
Smithsonian Folklife Festival records: 1985 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1985
See more items in:
Smithsonian Folklife Festival records: 1985 Festival of American Folklife
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
EDAN-URL:
ead_collection:sova-cfch-sff-1985
Online Media:

African American folktales : stories from Black traditions in the New World / selected and edited by Roger D. Abrahams

Title:
African American folk tales
Editor:
Abrahams, Roger D.  Search this
Physical description:
xxii, 327 pages : illustrations ; 24 cm
Type:
Folklore
Folk tales
Juvenile books
Place:
United States
Caribbean Area
Caribbean
Schwarze
USA
Date:
1999
1985
©1999
Topic:
African Americans--Folklore  Search this
Tales  Search this
Blacks  Search this
African Americans  Search this
Anthologie  Search this
Volkserzählung  Search this
AFRICAN AMERICANS  Search this
Folklore  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_561412

Festival Recordings: Mono Dub of 68.101.11: Baca Band; Hondo Crouch; Rambling Aces; Tigua Indians; Ace Reed; Jose Morante

Creator:
Smithsonian Institution. Festival of American Folklife (1968- Texas Program)  Search this
Artist:
Crouch, John Russell, 1916-1976  Search this
Reed, Ace  Search this
Morante, José A.  Search this
Baca family  Search this
Rambling Aces (Musical group)  Search this
Tigua Indians  Search this
Performer:
Crouch, John Russell, 1916-1976  Search this
Reed, Ace  Search this
Morante, José A.  Search this
Baca family  Search this
Rambling Aces (Musical group)  Search this
Tigua Indians  Search this
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
1 Sound recording (sound-tape reel, analog.)
Culture:
Czechs  Search this
Americans  Search this
Indians of North America  Search this
Anglo-American  Search this
Tiwa Indians  Search this
Mexican Americans  Search this
Type:
Archival materials
Sound recordings
Place:
United States
Washington (D.C.)
Texas
Czechoslovakia
Mexico
Contents:
Corpus Christi dancers; Baca Band--Krasna polk--Two sax polka; Hondo Crouch--Humorous monologue; Rambling Aces-- Flammes d'Enfrer--Cajun stripper; Tigua Indian Dancers; Ace Read-- Monologue--Blood on the saddle
Track Information:
101 Czech Dance Band / Baca family. Czech language.

102 Tale Tellers / John Russell Crouch. English language.

103 null / Rambling Aces (Musical group).

104 Tribal Dancers / Tigua Indians.

105 null / Ace Reed.

106 Corridos Singer / Jose Morante. Spanish language.
Local Numbers:
FP-1968-RR-0035
General:
CDR copy
68.101.35
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 7, 1968.
Restrictions:
Restrictions on access. SI permission.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Topic:
Dance  Search this
Cowboys Poetry -- Sound recordings  Search this
Storytelling  Search this
Poetry  Search this
American Indian  Search this
Music -- Mexico  Search this
Corridos  Search this
Ballads  Search this
Storytelling  Search this
Mexico -- Songs and music  Search this
Collection Citation:
Smithsonian Folklife Festival records: 1968 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections , Smithsonian Institution.
Identifier:
CFCH.SFF.1968, Item FP-1968-RR-0035
See more items in:
Smithsonian Folklife Festival records: 1968 Festival of American Folklife
Smithsonian Folklife Festival records: 1968 Festival of American Folklife / Series 3: Performances / 3.3: Audio
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
EDAN-URL:
ead_component:sova-cfch-sff-1968-ref683

William Gilmore Simms

Artist:
Unidentified Artist  Search this
Sitter:
William Gilmore Simms, 17 Apr 1806 - 11 Jun 1870  Search this
Medium:
Oil on canvas
Dimensions:
Stretcher: 67.3 x 55.2 x 2.5cm (26 1/2 x 21 3/4 x 1")
Frame: 82.6 x 70.2 x 7cm (32 1/2 x 27 5/8 x 2 3/4")
Type:
Painting
Topic:
William Gilmore Simms: Male  Search this
William Gilmore Simms: Literature\Writer\Novelist  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution; donated in memory of the Charles Carroll Simms family
Object number:
NPG.95.20
Restrictions & Rights:
CC0
See more items in:
National Portrait Gallery Collection
Exhibition:
American Origins
On View:
NPG, East Gallery 122
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm475538ae6-f818-4738-990c-54c19915c895
EDAN-URL:
edanmdm:npg_NPG.95.20

Storytelling

Collection Creator:
Vanderbilt, Paul  Search this
Container:
Box 10, Folder 5
Type:
Archival materials
Date:
1981-1987
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Paul Vanderbilt papers, 1854-1992, bulk 1945-1992. Archives of American Art, Smithsonian Institution.
See more items in:
Paul Vanderbilt papers
Paul Vanderbilt papers / Series 6: Reference Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-vandpaul-ref342

The Literary Corner: Sonia Sanchez’s Life and Work (side a) / Haki Madhubuti’s Life and Works (side b)

Title:
Cassette tape with two episodes of the Literary Corner radio program
Created by:
Brooks B. Robinson Ph.D., American  Search this
Interviewed by:
Pam Johnson PhD, American, born 1945  Search this
Sarah Fabio, PhD, American, 1928 - 1979  Search this
Edris Makward PhD, Gambian  Search this
Interview of:
Sonia Sanchez, American, born 1934  Search this
Haki R. Madhubuti, American, born 1942  Search this
Subject of:
Amiri Baraka, American, 1934 - 2014  Search this
Directed by:
Robert Cham  Search this
Medium:
plastic and tape
Dimensions:
H x W: 2 3/4 × 4 1/4 × 5/8 in. (7 × 10.8 × 1.6 cm)
Duration (side a): 00:15:11
Duration (side b): 00:15:10
Type:
audiotapes
Place made:
United States, North and Central America
Place depicted:
New York City, New York, New York, United States, North and Central America
Detroit, Wayne County, Michigan, United States, North and Central America
Chicago, Clark County, Illinois, United States, North and Central America
Date:
1978
Topic:
African American  Search this
Literature  Search this
Poetry  Search this
Radio  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Contributed in memory of Professor Sarah Webster Fabio (1928-1979), poet, educator, Black Arts Movement icon, and one of the Literary Corner's analysts.
Object number:
2010.17.1.7a
Restrictions & Rights:
© Brooks B. Robinson
See more items in:
National Museum of African American History and Culture Collection
Portfolio/Series:
The Literary Corner: Black Writers of the World
Classification:
Media Arts-Audio Recordings
Movement:
BAM (Black Arts Movement 1965-1976)
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd5c680cd32-72b9-4431-8f4d-b3a206c2657f
EDAN-URL:
edanmdm:nmaahc_2010.17.1.7a
2 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View <I>The Literary Corner: Sonia Sanchez’s Life and Work (side a) / Haki Madhubuti’s Life and Works (side b)</I> digital asset number 1
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Online Media:

New Segments, Opening, Paracelles, Pollution Affects Art, Storytelling

Collection Creator:
Lipchitz, Jacques, 1891-1973  Search this
Extent:
(7 film reels: workprint, in 1 film can)
Container:
Box 36, Item 9
Type:
Archival materials
Date:
circa 1971-1981
Collection Restrictions:
Use of original papers requires an appointment. Use of audiovisual materials with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jacques Lipchitz papers and Bruce Bassett papers concerning Jacques Lipchitz, circa 1910-2001, bulk 1941-2001. Archives of American Art, Smithsonian Institution.
See more items in:
Jacques Lipchitz papers and Bruce Bassett papers concerning Jacques Lipchitz
Jacques Lipchitz papers and Bruce Bassett papers concerning Jacques Lipchitz / Series 2: Bruce Bassett papers concerning Jacques Lipchitz / 2.5: Film Projects Regarding Jacques Lipchitz / 2.5.2: Jacques Lipchitz Interactive Project / Audiovisual Materials / Segments
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-lipcjacq2-ref949

New Segments, Notre Dame de Liesse, Pollution Affects Art, Storytelling

Collection Creator:
Lipchitz, Jacques, 1891-1973  Search this
Extent:
(6 film reels: soundtrack, in 1 film can)
Container:
Box 37, Item 7
Type:
Archival materials
Date:
circa 1971-1981
Collection Restrictions:
Use of original papers requires an appointment. Use of audiovisual materials with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jacques Lipchitz papers and Bruce Bassett papers concerning Jacques Lipchitz, circa 1910-2001, bulk 1941-2001. Archives of American Art, Smithsonian Institution.
See more items in:
Jacques Lipchitz papers and Bruce Bassett papers concerning Jacques Lipchitz
Jacques Lipchitz papers and Bruce Bassett papers concerning Jacques Lipchitz / Series 2: Bruce Bassett papers concerning Jacques Lipchitz / 2.5: Film Projects Regarding Jacques Lipchitz / 2.5.2: Jacques Lipchitz Interactive Project / Audiovisual Materials / Segments, continued
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-lipcjacq2-ref961

Storytellers (1999)

Collection Creator:
Organization of Independent Artists  Search this
Container:
Box 15, Folder 30
Type:
Archival materials
Date:
1999
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Organization of Independent Artists records, circa 1970s-circa 2003. Archives of American Art, Smithsonian Institution.
See more items in:
Organization of Independent Artists records
Organization of Independent Artists records / Series 3: Exhibition and Installation Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-orgainda-ref314

Making Sense: Storytelling in Contemporary Bay Area Art (1994)

Collection Creator:
Museum of Craft and Folk Art  Search this
Container:
Box 11, Folder 5
Type:
Archival materials
Date:
1992-1994
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Museum of Craft and Folk Art records, 1970-2012. Archives of American Art, Smithsonian Institution.
See more items in:
Museum of Craft and Folk Art records
Museum of Craft and Folk Art records / Series 2: Exhibition Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-musecraf-ref181

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