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Auburn Queen

Artist:
David Smith, American, b. Decatur, Indiana, 1906–1965  Search this
Medium:
Bronze
Dimensions:
86 3/8 x 36 3/4 x 21 5/8in., 184lb. (219.4 x 93.3 x 54.9cm, 83.5kg)
Type:
Sculpture
Date:
(1959)
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966
Accession Number:
66.4636
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
School:
Abstract Expressionism (First Generation)
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py2f1005c6d-8ac5-4fe6-9811-e7dd5591b50d
EDAN-URL:
edanmdm:hmsg_66.4636

Raven IV

Artist:
David Smith, American, b. Decatur, Indiana, 1906–1965  Search this
Medium:
Steel
Dimensions:
28 1/8 X 32 3/8 X 13 1/4 IN. (71.4 X 82.2 X 33.5 CM.) INCL. BASE H: 1 IN. (2.4 CM.) WT. 80 LB. (36.0 KG.)
Type:
Sculpture
Date:
March 14, 1957
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966
Accession Number:
66.4639
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
School:
Abstract Expressionism (First Generation)
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py2e282b9de-5742-4f76-9eca-825e26348614
EDAN-URL:
edanmdm:hmsg_66.4639

Abstraction (Standing Figure)

Artist:
Josef Csaky, French, b. Szeged, Hungary, 1888–1971  Search this
Medium:
Stone
Dimensions:
36 x 11 5/8 x 10 1/2 in. (91.4 x 29.4 x 26.6 cm)
Type:
Sculpture
Date:
(1919)
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Museum Purchase with Partial Funds Donated by the Sydney and Frances Lewis Foundation, 1979
Accession Number:
79.7
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py2564c16cc-369e-4099-9922-b0c1529a9de2
EDAN-URL:
edanmdm:hmsg_79.7

Are Years What? (for Marianne Moore)

Artist:
Mark di Suvero, American, b. Shanghai, China, 1933  Search this
Medium:
Steel, paint, and wire
Dimensions:
480 × 480 × 360 in. (1219.2 × 1219.2 × 914.4 cm)
Type:
Sculpture
Date:
(1967)
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Joseph H. Hirshhorn Purchase Fund and Gift of the Institute of Scrap Recycling Industries, by exchange, 1999
Accession Number:
99.19
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py29932ac7e-4f61-4331-b925-585e1255ff10
EDAN-URL:
edanmdm:hmsg_99.19

Storm King Art Center

Collection Creator:
André Emmerich Gallery  Search this
Container:
Box 302, Folder 44
Type:
Archival materials
Date:
1992
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Access of diaries and appointment books required written permission.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
André Emmerich Gallery records and André Emmerich papers, circa 1929-2009. Archives of American Art, Smithsonian Institution.
See more items in:
André Emmerich Gallery Records and André Emmerich Papers
André Emmerich Gallery Records and André Emmerich Papers / Series 18: André Emmerich Personal Papers and Records / 18.2: Personal Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9d59a2932-7c1a-4fbc-93ae-c95468fb096b
EDAN-URL:
ead_component:sova-aaa-andremmg-ref10322

H. Peter Stern (See also Storm King Art Center) (unfilmed)

Collection Creator:
Dehner, Dorothy, 1901-1994  Search this
Container:
Box 3, Folder 86
Type:
Archival materials
Date:
1986
Collection Restrictions:
The collection is temporarily closed to researchers for archival processing and digitization. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Dorothy Dehner papers, 1920-1987. Archives of American Art, Smithsonian Institution.
See more items in:
Dorothy Dehner papers
Dorothy Dehner papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw93c97a716-5326-47b6-95ca-3cfa871c6ade
EDAN-URL:
ead_component:sova-aaa-dehndoro-ref473

Storm King Art Center

Collection Creator:
Dehner, Dorothy, 1901-1994  Search this
Container:
Box 3, Folder
Type:
Archival materials
Collection Restrictions:
The collection is temporarily closed to researchers for archival processing and digitization. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Dorothy Dehner papers, 1920-1987. Archives of American Art, Smithsonian Institution.
See more items in:
Dorothy Dehner papers
Dorothy Dehner papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9df5edbfa-865a-4b0a-8ec4-5c3e555a748d
EDAN-URL:
ead_component:sova-aaa-dehndoro-ref474

(Reel 796)

Collection Creator:
Dehner, Dorothy, 1901-1994  Search this
Container:
Box 3, Folder 87
Type:
Archival materials
Date:
1967-1973
Collection Restrictions:
The collection is temporarily closed to researchers for archival processing and digitization. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Dorothy Dehner papers, 1920-1987. Archives of American Art, Smithsonian Institution.
See more items in:
Dorothy Dehner papers
Dorothy Dehner papers / Series 2: Correspondence / Storm King Art Center
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9894b3b32-f299-4740-8bf5-8d86baf57355
EDAN-URL:
ead_component:sova-aaa-dehndoro-ref475

(Reel 829)

Collection Creator:
Dehner, Dorothy, 1901-1994  Search this
Container:
Box 3, Folder 88
Type:
Archival materials
Date:
1974
Collection Restrictions:
The collection is temporarily closed to researchers for archival processing and digitization. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Dorothy Dehner papers, 1920-1987. Archives of American Art, Smithsonian Institution.
See more items in:
Dorothy Dehner papers
Dorothy Dehner papers / Series 2: Correspondence / Storm King Art Center
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw958957128-45a2-4245-b185-739838b5798d
EDAN-URL:
ead_component:sova-aaa-dehndoro-ref476

(Reel 1269)

Collection Creator:
Dehner, Dorothy, 1901-1994  Search this
Container:
Box 3, Folder 89
Type:
Archival materials
Date:
1973-1976
Collection Restrictions:
The collection is temporarily closed to researchers for archival processing and digitization. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Dorothy Dehner papers, 1920-1987. Archives of American Art, Smithsonian Institution.
See more items in:
Dorothy Dehner papers
Dorothy Dehner papers / Series 2: Correspondence / Storm King Art Center
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9dd331797-0082-4a7a-9f05-e9cdfa32f410
EDAN-URL:
ead_component:sova-aaa-dehndoro-ref477

(unfilmed)

Collection Creator:
Dehner, Dorothy, 1901-1994  Search this
Extent:
(2 folders)
Container:
Box 3, Folder 90-91
Type:
Archival materials
Date:
1976-1986
Collection Restrictions:
The collection is temporarily closed to researchers for archival processing and digitization. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Dorothy Dehner papers, 1920-1987. Archives of American Art, Smithsonian Institution.
See more items in:
Dorothy Dehner papers
Dorothy Dehner papers / Series 2: Correspondence / Storm King Art Center
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw97d27ef40-60cf-45b0-aad7-37c54cfe8813
EDAN-URL:
ead_component:sova-aaa-dehndoro-ref478

Correspondence

Collection Creator:
Dehner, Dorothy, 1901-1994  Search this
Extent:
(Boxes 1-4; 2.6 linear feet)
Type:
Archival materials
Date:
1927-1987
Scope and Contents note:
Series consists of Dehner's personal and professional correspondence, comprised of mostly incoming letters but also some early drafts or copies of outgoing letters in addition to some enclosures such as loan agreements, shipping receipts, manuscripts, and printed material. Correspondents include museums, galleries, art dealers, curators, scholars, students, artists, writers, friends, and relatives. Correspondence largely documents her various personal and professional relationships, her efforts to promote and exhibit her artwork and to facilitate art historical research (on David Smith, herself, and other artists), and her various creative activities.

Personal correspondents include David Smith, his sister, Catherine, and his mother, Golda; Smith's second wife, Jean Smith Pond, and his two daughters, Rebecca and Candida; Dehner's second husband, Ferdinand Mann and stepdaugher, Abby (Mann) Thernstrom; friends and fellow artists, Edgar and Lucille Corcos Levy, Herman Cherry, and Louise Nevelson; and her heart surgeon, Elliott Hurwitt, among others. Dehner often established friendships with individuals who started out corresponding on a professional basis (such as curators, dealers, and students), so personal correspondence can often be found interspersed with professional correspondence.

Professional correspondence typically relates to the loan, exhibition, and sale of Dehner's work and the Smith work that Dehner owned - notably, to the traveling show of her work that Dehner organized in the early-1950s, to various group and solo shows (including ones at the Barbara Feidler Gallery, Philadelphia Art Alliance, Rutgers University, and Storm King Art Center, among others), and to her dealings with Mildred Constantine and Marian Willard (of the Willard Gallery), among others. Correspondence with curators, scholars, and students relates to research inquiries primarily about Smith, but also about Dehner herself and other artists of her era (such as John Graham, Irene Rice Pereira, and Louise Nevelson). Professional correspondence also concerns the editing and publication of the foreword she wrote for the re-issue of John Graham's System and Dialectics of Art, and the publication of her poems in the journal Tracks; certain matters pertaining to David Smith's estate, such as the disposition of certain items belonging to Dehner and the controversial alteration of the painted surfaces of certain Smith sculptures (which was carried out by one of the executors); donations of art works to various institutions, including Dehner's effort to raise funds from Jan Matulka's former students to purchase and donate one of his paintings to the Guggenheim Museum; and the donation of her papers to the Archives, and subsequent permissions to access and publish from them.

Correspondence is typically arranged in alphabetical order according to name of correspondent. Letters from an individual correspondent are then arranged in folders according to the reel on which they were microfilmed or in a folder of "unfilmed" material, as the case may be. Some files contain the letters of various individuals and are arranged according to subject (e.g. "Various, Condolence Letters"). Letters from a correspondent with an unknown surname are arranged in a file according to first name, and unidentified letters and fragments are arranged in files at the end of the series. Related material can be found amongst business and financial papers.
Collection Restrictions:
The collection is temporarily closed to researchers for archival processing and digitization. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Dorothy Dehner papers, 1920-1987. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.dehndoro, Series 2
See more items in:
Dorothy Dehner papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw985c481eb-436c-450f-9d35-a919a54fd7f8
EDAN-URL:
ead_component:sova-aaa-dehndoro-ref52

Ankrum Gallery records

Creator:
Ankrum Gallery  Search this
Names:
Art Dealers Association of America  Search this
Black Arts Council (Washington, D.C.)  Search this
California Arts Council  Search this
Hirshhorn Museum and Sculpture Garden  Search this
Krannert Art Museum  Search this
Laguna Art Museum (Laguna Beach, Calif.)  Search this
Paramount Pictures  Search this
San Diego Museum of Art  Search this
Staempfli Gallery (New York, N.Y.)  Search this
Storm King Art Center  Search this
Almaraz, Carlos  Search this
Andrews, Benny, 1930-2006  Search this
Ankrum, Joan  Search this
Bauer, Richard, 1944-  Search this
Block, Irving  Search this
Broderson, Morris, 1928-2011  Search this
Caryl, Naomi  Search this
Casey, Bernie  Search this
Duveneck, Frank, 1848-1919  Search this
Feitelson, Lorser, 1898-1978  Search this
Groth, Bruno  Search this
Halpert, Edith Gregor, 1900-1970  Search this
Herschler, David  Search this
Hirsch, Joseph, 1910-1981  Search this
Hirshhorn, Olga  Search this
Homer, Jessie  Search this
Jackson, Suzanne, 1944-  Search this
Johnson, Buffie  Search this
Lundeberg, Helen, 1908-1999  Search this
Mesches, Arnold, 1923-  Search this
Miller, Henry, 1891-  Search this
Palm Springs Desert Museum  Search this
Schuler, Melvin  Search this
Secunda, Arthur  Search this
Shores, Kenneth, 1928-  Search this
Varda, Jean  Search this
Zev  Search this
Extent:
41.5 Linear feet
Type:
Collection descriptions
Archival materials
Scrapbooks
Photographs
Date:
circa 1900-circa 1990s
bulk 1960-1990
Summary:
The Ankrum Gallery records measure 41.5 linear feet and date from circa 1900 to circa 1990s, with the bulk of the records dating from 1960 to 1990. The papers include over 395 artists files, general gallery correspondence, project files, administrative records, exhibition files, collector and client files, financial material, printed material, 1 unbound scrapbook, and photographs. Also included are personal papers of gallery founder Joan Ankrum and her nephew, artist Morris Broderson.
Scope and Contents:
The Ankrum Gallery records measure 41.5 linear feet and date from circa 1900 to circa 1990s, with the bulk of the records dating from 1960 to 1990. The papers include over 395 artists files, general gallery correspondence, project files, administrative records, exhibition files, collector and client files, financial material, printed material, 1 unbound scrapbook, and photographs. Also included are personal papers of gallery founder Joan Ankrum and her nephew, artist Morris Broderson.

General correspondence is with artists, museums, collectors, and clients, and generally concerns sales, exhibitions, and consignments. Correspondents include Irving Block, Morris Broderson, Naomi Caryl, Suzanne Jackson, Joseph and Olga Hirshhorn, among many others. Correspondence is also found in the artists files and the collector/client files.

Project files document various events, benefits, and projects undertaken by the gallery, including a UNICEF benefit, "Up Against Hunger," the Exceptional Children's foundation, and the Young Art Patrons.

Administrative files document many activities of the gallery, such as the gallery's and Joan Ankrum's membership in the Black Arts Council, the California Arts Council, and the Art Dealers Association of California of which Joan Ankrum was a primary organizer. Also found are publicity files, a file on the history of the gallery, leases, floor plans, insurance documents, lists of graphics for sale, and other miscellany.

Exhbition files appear to be incomplete, but do include files for Huichol Indian's art, "The Art of African Peoples" (1973), "Five Contemporary Mexican Painters" (1977), Ethiopian Folk Painting (1978), San Diego Museum of Art Artists Guild All Media Exhibition (1982), "25th Anniversary Exhibition" (1985), among several others.

Extensive artists' files include correspondence, price lists, photographs and slides,resumes and biographical material, and sales invoices. Files are found for Benny Andrews, Carlos Almaraz, Richard Bauer, Irving Block, Naomi Caryl, Bernie Casey, Frank Duveneck, Lorser Feitelson, Bruno Groth, David Herschler, Jessie Homer, Suzanne Jackson, Buffie Johnson, Samella Lewis, Helen Lundeberg, Arnold Mesches, Henry Miller, Melvin Schuler, Arthur Secunda, Ken Shores, Jean Varda, and Zev, among many others. The Pat Alexander and Andy Nelson files also contain motion picture film.

Collector and client files document the gallery's relationship with over 115 collectors, museums, and art centers. Files may include correspondence and sales records and are found for Edith Halpert, Olga and Joseph Hirshhorn and the Hirshhorn Museum and Sculpture Garden, the Krannert Art Museum, Laguna Art Museum, Palm Spring Desert Museum, Paramount Pictures, San Diego Museum of Art, Staempfli Gallery, and Storm King Art Center, among many others.

Financial material documents sales through numbered invoices, consignments, loans, and insurance valuations. Printed material consists of exhibition catalogs and announcements, bulletins, periodicals, and newspaper clippings. One unbound scrapbook contains clippings and exhibition materials.

Photographs are of artwork, artists, and gallery openings. Additional photographs are found in the artists' files.

Joan Wheeler Ankrum personal papers document her personal and professional relationship with family, artists, and collectors. They include correspondence, personal writings, personal financial materials, printed material and loose scrapbook materials, family photographs and photographs of her as an actress, and artwork from various artists.

The papers of artist Morris Broderson, nephew of Joan Ankrum, document his professional relationship with the gallery as his primary dealer. Included are biographical materials, correspondence, publicity files, travel files, projects, exhibitions, collector/client files, financial material, printed material, photographs, and artwork.
Arrangement:
This collection is arranged as 12 series.

Missing Title

Series 1: Correspondence, 1961-1994 (0.5 linear feet; Box 1)

Series 2: Project Files, 1965-1987 (0.25 linear feet; Box 1)

Series 3: Administrative Records, 1961- circa 1990s (1 linear foot; Boxes 1-2)

Series 4: Exhibition Files, 1961-1991 (1 linear foot; Boxes 2-3)

Series 5: Artists' Files, 1957-1994 (22.5 linear feet; Boxes 3-25, 41-42, FC 43-45)

Series 6: Collector and Client Files, 1960-1994 (3.2 linear feet; Boxes 25-28)

Series 7: Financial Material, 1962-1990 (1.5 linear feet; Boxes 28-30)

Series 8: Printed Material, 1957-1994 (2 linear feet; Boxes 30-32, 41)

Series 9: Scrapbook, 1960-1988 (3 folders; Box 32)

Series 10: Photographs, circa 1960s-circa 1990s (0.35 linear feet; Boxes 32, 42)

Series 11: Joan Ankrum Personal Papers, circa 1900-1993 (2 linear feet; Boxes 32-34, 41)

Series 12: Morris Broderson Papers, 1941-1989 (7.2 linear feet; Boxes 34-42)
Biographical / Historical:
The Ankrum Gallery was established 1960 in Los Angeles by American film actress Joan Wheeler Ankrum and William Chalee. The gallery closed in 1989.

Joan Wheeler Ankrum and William Challee opened Ankrum Gallery on La Cienega Boulevard in Los Angeles in 1960 with a one-man show of Ankrum's nephew Morris Broderson. With a focus on contemporary California artists, Ankrum Gallery represented over 395 artists during its 30 years in operation, including Benny Andrews, Carlos Almaraz, Richard Bauer, Irving Block, Naomi Caryl, Bernie Casey, Frank Duveneck, Lorser Feitelson, Bruno Groth, David Herschler, Jessie Homer, Suzanne Jackson, Buffie Johnson, Samella Lewis, Helen Lundeberg, Arnold Mesches, Henry Miller, Melvin Schuler, Arthur Secunda, Ken Shores, Jean Varda, and Zev. In addition, the gallery was among the earliest to exhibit the work of black artists. The gallery also held exhibitions of world artists, which included "Art of African Peoples" (1973), "Yarn Paintings of the Huichol Indians" (1973), "Five Contemporary Mexican Painters" (1977), and "Ethiopian Folk Painting" (1978). Ankrum Gallery closed in 1989.

Art dealer and gallery owner, Joan Wheeler Ankrum was an actress before establishing the Ankrum Gallery primarily to showcase the work of her deaf nephew, Morris Broderson. Born in 1913 in Palo Alto, California, she began acting at the Pasadena Playhouse where she met her first husband Morris Ankrum with whom she had two sons, David and Cary Ankrum. She married gallery co-owner and partner William Challee in 1984. She helped organize the Los Angeles Art Dealers Association and the Monday Night Art Walks on La Cienega Boulevard. She was a member of the relatively short-lived Black Arts Council. Joan Wheeler Ankrum died in 2001 at the age of 88.

Morris Broderson (1928-2011) was a deaf painter. His first one-man show was at the Stanford Museum in 1957, followed by the Santa Barbara Museum of Art. By 1959 he'd won two awards from the Los Angeles County Museum, and appeared in the Whitney Museum's "Young America" show in 1960. His travels influenced his work, including the hand gestures of Kabuki art in Japan. His work is in the collections of the Whitney Museum of American Art and the Hirshhorn Museum and Sculpture Garden, among others. Following Joan Ankrum's death in 2001, Broderson was represented by her son David Ankrum.
Related Materials:
Also found in the Archives of American Art are two oral history interviews with Joan Ankrum, one conducted by Betty Hoag, April 28, 1964, and a second by Paul Karlstrom, November 5, 1997-February 4, 1998. Additionally, there is an oral history interview with Morris Broderson conducted by Paul Karlstrom, March 11-13, 1998.
Provenance:
The Ankrum Gallery records were donated to the Archives of American Art by Joan Ankrum in 1995.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Artists -- California -- Los Angeles  Search this
Function:
Art galleries, Commercial -- California
Genre/Form:
Scrapbooks
Photographs
Citation:
Ankrum Gallery records, circa 1900-circa 1990s, bulk 1960-1990. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.ankrgall
See more items in:
Ankrum Gallery records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9d89bb020-f420-4b01-9a0f-f1d5132866c4
EDAN-URL:
ead_collection:sova-aaa-ankrgall
Online Media:

Postcard, Photograph of Booker's Sculpture A Moment in Time (2004), Storm King Art Center

Collection Creator:
Booker, Chakaia, 1953-  Search this
Container:
Box 2, Folder 20
Type:
Archival materials
Date:
circa 2004
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Chakaia Booker papers, 1981-2018. Archives of American Art, Smithsonian Institution.
See more items in:
Chakaia Booker papers
Chakaia Booker papers / Series 3: Printed Material
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9684eccbc-a961-491f-862c-7996b6e5a7cf
EDAN-URL:
ead_component:sova-aaa-bookchak-ref29

Storm King Art Center records, 1972-1978

Creator:
Storm King Art Center  Search this
Citation:
Storm King Art Center records, 1972-1978. Archives of American Art, Smithsonian Institution.
Topic:
Sculpture, Modern -- 20th century  Search this
Outdoor sculpture -- New York (State)  Search this
Theme:
Art organizations  Search this
Record number:
(DSI-AAA_CollID)8492
(DSI-AAA_SIRISBib)210668
AAA_collcode_storking
Theme:
Art organizations
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210668

H. Peter Stern audio visual material documenting Storm King Art Center, 1997-2005

Creator:
Stern, H. Peter, 1928-2018  Search this
Subject:
Serra, Richard  Search this
Calder, Alexander  Search this
Smith, David  Search this
Nevelson, Louise  Search this
Noguchi, Isamu  Search this
Snelson, Kenneth  Search this
Di Suvero, Mark  Search this
Drutt, Helen Williams  Search this
Storm King Art Center  Search this
Type:
Sound recordings
Video recordings
Citation:
H. Peter Stern audio visual material documenting Storm King Art Center, 1997-2005. Archives of American Art, Smithsonian Institution.
Topic:
Sculpture -- United States  Search this
Outdoor Sculpture  Search this
Theme:
Art organizations  Search this
Record number:
(DSI-AAA_CollID)15862
(DSI-AAA_SIRISBib)294229
AAA_collcode_sterh
Theme:
Art organizations
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_294229

Storm King Art Center (Maps)

Collection Creator:
Henri Gallery (Washington, D.C.)  Search this
Container:
Box 45, Folder 5
Type:
Archival materials
Date:
circa 1992
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Henri Gallery records, circa early 1900s, 1940-1996, bulk 1957-1995. Archives of American Art, Smithsonian Institution.
See more items in:
Henri Gallery records
Henri Gallery records / Series 2: Alphabetical Files / 2.1: Name Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9bd82e377-dfbe-4b65-a5aa-17deb1dbcacf
EDAN-URL:
ead_component:sova-aaa-henrgall-ref1004

Collector and Client Files

Collection Creator:
Ankrum Gallery  Search this
Extent:
3.2 Linear feet (Boxes 25-28)
Type:
Archival materials
Date:
1960-1994
Scope and Contents:
Collector and client files document the gallery's relationship with over 115 individuals, museums, and art centers and associations. Files may include correspondence, printed materials, invoices and sales records, and shipping and mailing receipts. Included are Olga and Joseph Hirshhorn and the Hirshhorn Museum and Sculpture Garden, the Krannert Art Museum, Laguna Art Museum, Palm Spring Desert Museum, Paramount Pictures, San Diego Museum of Art, Staempfli Gallery, and Storm King Art Center, among others.
Arrangement:
This series is arranged alphabetically.
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Ankrum Gallery records, circa 1900-circa 1990s, bulk 1960-1990. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.ankrgall, Series 6
See more items in:
Ankrum Gallery records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9623f7afb-13e7-4e6a-8b7b-04fdd1f8072f
EDAN-URL:
ead_component:sova-aaa-ankrgall-ref17

Storm King Art Center

Collection Creator:
Ankrum Gallery  Search this
Container:
Box 28, Folder 12
Type:
Archival materials
Date:
1970-1971
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Ankrum Gallery records, circa 1900-circa 1990s, bulk 1960-1990. Archives of American Art, Smithsonian Institution.
See more items in:
Ankrum Gallery records
Ankrum Gallery records / Series 6: Collector and Client Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9277f7a3c-7af8-4c98-a7a9-83c06045c583
EDAN-URL:
ead_component:sova-aaa-ankrgall-ref607

Complex visions : sculpture and drawings by Alice Aycock : [exhibition] May 21-October 31, 1990, Storm King Art Center

Author:
Aycock, Alice  Search this
Fineberg, Jonathan David  Search this
Storm King Art Center  Search this
Subject:
Aycock, Alice  Search this
Aycock, Alice  Search this
Physical description:
47 p. : ill. ; 23 cm
Type:
Books
Exhibitions
Interviews
Date:
1990
C1990
Call number:
N40.1.A963 S8 1990
N40.1.A963S8 1990
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_436972

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