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Storm King Art Center

Collection Creator:
Nevelson, Louise, 1899-1988  Search this
Container:
Box 36, Folder 15
Type:
Archival materials
Date:
1984
Collection Restrictions:
The bulk of this collection has been digitized and is available online via AAA's website, with the exception of the 2017 addition. Use of material not digitized requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Louise Nevelson papers, circa 1903-1982. Archives of American Art, Smithsonian Institution.
See more items in:
Louise Nevelson papers
Louise Nevelson papers / Series 3: Subject Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-neveloui-ref1212

Coulton Waugh and Waugh Family papers

Creator:
Waugh, Coulton, 1896-1973  Search this
Names:
Storm King Art Center  Search this
Waugh, Elizabeth, d.1944  Search this
Waugh, Frederick Judd, 1861-1940  Search this
Waugh, Gwyneth  Search this
Waugh, Ida, d. 1919  Search this
Waugh, Odin  Search this
Waugh, Samuel Bell, 1814-1885  Search this
Extent:
27 Linear feet
Type:
Collection descriptions
Archival materials
Drawings
Sketches
Transcripts
Scrapbooks
Sketchbooks
Diaries
Photographs
Date:
1751-1974
bulk 1838-1974
Summary:
The Coulton Waugh and Waugh Family papers measure 27 linear feet and date from 1751-1974 with the bulk of material dating from 1838 to 1974. The collection contains material from this family of artists living and working in Provincetown, Cape Cod, New York City, and England, including Coulton Waugh, Frederick Judd Waugh, Samuel Bell Waugh, and scattered material from Elizabeth Waugh, Ida Waugh, and Odin Waugh. Biographical materials, correspondence, diaries, writings, book project files, teaching files, business records, printed material, scrapbooks, photographs, and artwork are found.
Scope and Contents:
Coulton Waugh and Waugh Family papers measure 27 linear feet and date from 1751-1974 with the bulk of material dating from 1838 to 1974. The collection contains material from this family of artists living and working in Provincetown, Cape Cod, New York City, and England, including Coulton Waugh, Frederick Judd Waugh, Samuel Bell Waugh, and scattered material from Elizabeth Waugh, Ida Waugh, and Odin Waugh. Biographical materials, correspondence, diaries, writings, book project files, teaching files, business records, printed material, scrapbooks, photographs, and artwork are found.

The Coulton Waugh papers comprise the bulk of this collection and include scattered biographical material; professional and personal correspondence concerning family, friends, arts organizations, and comics; a diary, notebooks, drafts of short stories, and other writings; book project files relating to three publications by Coulton Waugh: The Comics (1947), "Junior Editors" series, and How to Paint With a Knife (1971); teaching files from Waugh's painting classes; business records regarding the Hooked Rug and Ship Model Shop, Storm King Art Center, Hudson River Prints company, and scattered sales lists, receipts, insurance records, and leases; clippings, exhibition announcements and catalogs relating to Waugh and reproductions of works of art; twenty-three daily comics scrapbooks containing clippings; scattered photographs including portraits and snapshots of Coulton Waugh, photos of buildings, and of works of art; and extensive sketchbooks as well as comic mock-ups and other original artwork by Waugh.

The Frederick Judd Waugh papers include scattered biographical materials; personal and professional correspondence, much of which relates to exhibitions, and sales; business records; drafts of Waugh's Patch Pocket Stories, and other short stories and notes; printed material relating to Waugh's career as well as souvenirs; photo albums, potraits and snapshots of Frederick Judd Waugh, and photos of works of art; and original sketches and drawings.

The Samuel Bell Waugh papers include scattered biographical materials; correspondence containing letters from artists, family and arts organizations; a 1838 diary with a transcript and writings about Waugh by others; business records; printed materials; photographs including portraits of Samuel Bell Waugh and photos of works of art; and a sketchbook, sketches and drawings, and a self-portrait.

Assorted Waugh family papers include papers of Clara Waugh, Elizabeth Waugh, Gwen Waugh, Ida Waugh, and Odin Waugh. There are also biographical sketches and genealogical writings for the Waugh family. There is correspondence of Elizabeth, Gwen and Ida Waugh; writings and notes by Elizabeth Waugh, Clara Waugh, and by others regarding the Waugh family; business records for the Waugh family and Elizabeth Waugh; printed material relating to the Waugh family; scrapbooks compiled by Elizabeth Jenkinson (mother of Elizabeth Waugh), and a travel scrapbook; photograph portraits of family members and group photos, snapshots of groups of family members, photos of Waugh family homes, exhibitions, works of art, and a photo album of works of art; artwork and artifacts including sketches by Elizabeth Waugh, Ida Waugh, Odin Waugh, and unsigned sketches.
Arrangement:
This collection is arranged as 4 series.

Series 1: Coulton Waugh papers, circa 1896-1974 (Box 1-13, 20-28, 31, 33-34, 35-53, 55-56; 20 linear feet)

Series 2: Frederick Judd Waugh papers, circa 1870-1966 (Box 13-17, 28, 30, 32; 4.3 linear feet)

Series 3: Samuel Bell Waugh papers, 1838-1910 (Box 17, 26-27, 29, 54; 1.0 linear feet)

Series 4: Assorted Waugh Family papers, 1751-1974 (Box 18-19, 30-32, 46, 49; 1.5 linear feet)
Biographical / Historical:
The Waugh family consists of three generations of artists including portraitist Samuel Bell Waugh (1814-1885), landscape artist Frederick Judd Waugh (1861-1940), and cartoonist, painter, and writer Coulton Waugh (1896-1973). The family lived and worked in Provincetown, New York City, Cape Cod, and England.

Born in Pennsylvania in 1814, Samuel Bell Waugh's developed a reputation for being a portraitist in Philadelphia. He travelled to Italy in the 1840s where he spent seven years painting large panoramas. Samuel and his wife Ida had one daughter, also named Ida. Waugh's second wife Eliza studied art under her husband and produced miniture portraits. In 1861, Eliza and Samuel had one son named Frederick Judd. Samuel Bell Waugh died in 1885.

Frederick Judd Waugh attended military school but ultimately enrolled in to the Pennsylvania Academy of Fine Arts. With his wife Eugenie (Gene), Frederick went to Europe where he settled on Sark in the Channel Islands. He painted landscape and marine scenes during his time in England. Eugenie and Frederick's son Frederick Coulton was born in Cornwall, England in 1896. Also, the couple had a daughter named Gwenyth. The family returned to the United States and settled in Cape Cod, the Maine coast, and New Jersey.

Coulton Waugh studied at the Art Students League in New York City where he sketched portraits of people he encountered on the streets. Ultimately, Coulton settled in Cape Cod with his first wife Elizabeth Jenkinson who was a writer and artist. Together, they owned a shop for model ships and hooked rugs. In the 1940s, Coulton wrote daily comic strips and in 1947 wrote a history of the medium entitled The Comics. He wrote and illustrated Dickie Dare, Hank, and Sam of the Seven C's, among others. Coulton Waugh's second wife, Odin, was an artist who illustrated some of her husband's comic strips.
Provenance:
The collection was donated in several installments from 1977-1983 by Odin Waugh Buchanan, Coulton Waugh's widow.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Painting -- Study and teaching  Search this
Cartooning  Search this
Artists -- United States  Search this
Genre/Form:
Drawings
Sketches
Transcripts
Scrapbooks
Sketchbooks
Diaries
Photographs
Citation:
Coulton Waugh and Waugh Family papers, 1751-1974, bulk 1838-1974. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.waugwaug
See more items in:
Coulton Waugh and Waugh Family papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-waugwaug
Online Media:

Coulton Waugh and Waugh Family papers, 1751-1974, bulk 1838-1974

Creator:
Waugh, Coulton, 1896-1973  Search this
Subject:
Waugh, Samuel Bell  Search this
Waugh, Odin  Search this
Waugh, Elizabeth  Search this
Waugh, Gwyneth  Search this
Waugh, Ida  Search this
Waugh, Frederick Judd  Search this
Storm King Art Center  Search this
Type:
Drawings
Sketches
Transcripts
Scrapbooks
Sketchbooks
Diaries
Photographs
Topic:
Painting -- Study and teaching  Search this
Cartooning  Search this
Artists -- United States  Search this
Record number:
(DSI-AAA_CollID)8703
(DSI-AAA_SIRISBib)210884
AAA_collcode_waugwaug
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210884
Online Media:

Business and Financial Records

Collection Creator:
Waugh, Coulton, 1896-1973  Search this
Type:
Archival materials
Date:
1923-1960
Scope and Contents:
Found are records from Coulton and Elizabeth Waugh's The Hooked Rug and Ship Model Shop and the Hudson River Prints, material from Waugh's time at the Storm King Art Center, exhibition materials, sales lists, receipts, insurance documents, and leases.
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Coulton Waugh and Waugh Family papers, 1751-1974, bulk 1838-1974. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.waugwaug, Subseries 1.6
See more items in:
Coulton Waugh and Waugh Family papers
Coulton Waugh and Waugh Family papers / Series 1: Coulton Waugh papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-waugwaug-ref56

Storm King Art Center Materials

Collection Creator:
Waugh, Coulton, 1896-1973  Search this
Container:
Box 9, Folder 14-16
Type:
Archival materials
Date:
circa 1950
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Coulton Waugh and Waugh Family papers, 1751-1974, bulk 1838-1974. Archives of American Art, Smithsonian Institution.
See more items in:
Coulton Waugh and Waugh Family papers
Coulton Waugh and Waugh Family papers / Series 1: Coulton Waugh papers / 1.6: Business and Financial Records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-waugwaug-ref58

Storm King Art Center

Collection Creator:
Terry Dintenfass, Inc.  Search this
Container:
Box 7, Folder 26
Type:
Archival materials
Date:
1973-1974
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Terry Dintenfass, Inc. records, 1947-1987, bulk 1961-1983. Archives of American Art, Smithsonian Institution.
See more items in:
Terry Dintenfass, Inc. records
Terry Dintenfass, Inc. records / Series 3: Exhibition Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-terrdint-ref436

Storm King Art Center

Collection Creator:
Tibor de Nagy Gallery  Search this
Container:
Box 3, Folder 1
Type:
Archival materials
Date:
1972-1986
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Tibor de Nagy Gallery records, 1941-1993. Archives of American Art, Smithsonian Institution.
See more items in:
Tibor de Nagy Gallery records
Tibor de Nagy Gallery records / Series 1: Business Records and Correspondence / 1.1: Galleries, Museums, and Institutions
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-tibode-ref119

Storm King Art Center

Collection Creator:
Perls Galleries  Search this
Container:
Box 37, Folder 62
Type:
Archival materials
Date:
1976-1977, 1986-1988
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Perls Galleries records, 1937-1997. Archives of American Art, Smithsonian Institution.
See more items in:
Perls Galleries records
Perls Galleries records / Series 1: Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-perlgall-ref1917

Marjorie Strider papers

Creator:
Strider, Marjorie  Search this
Names:
University of Iowa -- Faculty  Search this
Extent:
1.8 Linear feet
Type:
Collection descriptions
Archival materials
Diaries
Photographs
Writings
Date:
1965-1978
Summary:
The papers of pop artist, sculptor, performance artist, and art instructor Marjorie Strider date from 1965-1978, and measure 1.8 linear feet. Found within the papers are biographical materials, correspondence with colleagues and art institutions, six diaries, scattered business and financial records, notes, writings, teaching and lecture typescripts, printed material, and photographs of the "Peoples' Hole Project" of a summer class taught by Strider at the University of Iowa in 1970.
Scope and Content Note:
The papers of pop artist, sculptor, performance artist, and art instructor Marjorie Strider date from 1965-1978, and measure 1.8 linear feet. Found within the papers are biographical materials, correspondence with colleagues and art institutions, six diaries, scattered business and financial records, notes, writings, teaching and lecture typescripts, printed material, and photographs of the "Peoples' Hole Project" of a summer class taught by Strider at the University of Iowa in 1970.

Biographical materials include an address book. Correspondence is primarily between Strider, colleagues, and art institutions concerning exibitions and art-related activities. Six diaries dated from 1968 through 1973 contain very brief daily entries. Business records are primarily financial, but also include contracts for a commissioned poster for the HKL, Ltd. Project "Ikebana International," and for a merger between the stockholders of Chick Pea Conspiracy, Inc. and Max's Kansas City, Inc.

A teaching file contains material relating to a 1970 summer class taught by Strider and Scott Burton at the University of Iowa contains the best documentation about Strider's ideas about art. Included here are notes outlining various assignments for street performances and avant-garde uses of public spaces, writings by students describing their assignments, miscellaneous printed material, and notes, writings, clippings, and photographs concerning the "Peoples' Hole Project."

Additional notes and writings include miscellaneous teaching and lecture typescripts, a list of artists' names, and miscellaneous notes. Printed material includes clippings, exhibition announcements and catalogs, prospectuses, and press releases.
Arrangement:
The collection is organized into 7 series arranged chronologically:

Series 1: Biographical Material, circa 1968 (Box 1; 1 folder)

Series 2: Correspondence, 1966-1977 (Box 1: 25 folders)

Series 3: Diaries, 1968-1973 (Box 1; 3 folders)

Series 4: Business Records, 1965-1976 (Boxes 1-2; 56 folders)

Series 5: Teaching File from University of Iowa, Iowa City, 1970 (Box 3; 11 folders)

Series 6: Notes and Writings, 1970-1977 (Box 3; 9 folders)

Series 7: Printed Material, 1966-1978 (Box 3; 6 folders)
Biographical Note:
Marjorie Virginia Strider was born on January 26, 1931 in Guthrie, Oklahoma and attended the Kansas City Art Institute in Kansas City, Missouri, earning a Bachelor of Arts degree. After graduating, she spent two years working on window displays for the Robinson Shoe Company in Kansas City.

By the early 1960s, Strider was working as a painter-sculptor in New York City. Along with work by Andy Warhol and Roy Lichtenstein, her work was included in one of the first exhibitions of Pop Art, "First International Girlie Show" at Pace Gallery in 1965. Strider also had solo exhibitions at Pace Gallery in 1965 and 1966, and at Park College, Parkville, Missouri, in 1968.

In 1969, Strider began teaching at the School of Visual Arts in New York. During the summer of 1970, she taught at the University of Iowa in Iowa City.

In the early 1970s, Strider's work evolved into assemblage, three-dimensional multi-media organic forms, street installations, films, and performance pieces, with a characteristic theme of forms breaking out from confined spaces. One of her more famous works, Big Box, 1973, consisted of a hand-constructed cardboard carton displaying an eruption of polyurethane pouring down the side. In 1973 and 1974, Strider had solo exhibitions at the Nancy Hoffman Gallery in New York City.

Strider also participated in group exhibitions at the Felix Handschin Gallery in Basel, Switzerland in 1970, at Boston Museum in 1972, at New York's School of Visual Arts in 1973 and, in 1974, at the Virginia Museum of Art and Storm King Art Center.

Strider's works are in the collections of the Albright-Knox Museum, Des Moines Art Center, New York University, Wadsworth Atheneum, and the Hirshhorn Museum and Sculpture Garden.

Marjorie Strider lives in Saugerties, New York.
Provenance:
Marjorie Strider donated her papers in 1978.
Restrictions:
Use or original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art teachers -- United States  Search this
Topic:
Art -- Study and teaching  Search this
Performance artists -- New York (State) -- New York  Search this
Art -- Philosophy  Search this
Women sculptors -- New York (State) -- New York  Search this
Pop art  Search this
Genre/Form:
Diaries
Photographs
Writings
Citation:
Marjorie Strider papers, 1965-1978. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.strimarj
See more items in:
Marjorie Strider papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-strimarj

Belle Krasne Ribicoff papers, 1942-circa 2010, bulk 1945-2004

Creator:
Krasne, Belle  Search this
Subject:
Albee, Edward  Search this
Benn, Ben  Search this
Bloom, Claire  Search this
Chelimsky, Oscar  Search this
Cornell, Joseph  Search this
Arp, Jean  Search this
Ashton, Dore  Search this
Bailey, William  Search this
Bazaine, Jean  Search this
Parsons, Estelle  Search this
Pearlstein, Philip  Search this
Lamos, Mark  Search this
Lebrun, Rico  Search this
Krautheimer, Richard  Search this
Salpeter, Harry  Search this
Shapiro, Karl Jay  Search this
Roszak, Theodore  Search this
Saarinen, Eero  Search this
Ritchie, Andrew Carnduff  Search this
Rosenborg, Ralph M.  Search this
Ribicoff, Abraham  Search this
Richardson, Edgar Preston  Search this
Foote, Horton  Search this
Fitzsimmons, James  Search this
Ferren, John  Search this
Dorazio, Virginia Dortch  Search this
Dorazio, Piero  Search this
De Vries, Peter  Search this
D'Harnoncourt, Rene  Search this
Kelly, Ellsworth  Search this
Kazan, Elia  Search this
Holty, Carl  Search this
Greene, Balcomb  Search this
Greenberg, Clement  Search this
Graham, John  Search this
Gottlieb, Adolph  Search this
Geist, Sidney  Search this
Frankenthaler, Helen  Search this
Yunkers, Adja  Search this
Van Doren, Mark  Search this
Travers, P. L.(Pamela Lyndon)  Search this
Valentin, Curt  Search this
Soby, James Thrall  Search this
Skinner, Cornelia Otis  Search this
Smith, David  Search this
Morris, George L. K.  Search this
Matisse, Pierre  Search this
Wadsworth Atheneum  Search this
Storm King Art Center  Search this
Type:
Sketches
Drafts (documents)
Photographs
Prints
Illustrated letters
Postcards
Christmas cards
Topic:
Art -- Collectors and collecting  Search this
Art, American  Search this
Record number:
(DSI-AAA_CollID)13705
(DSI-AAA_SIRISBib)279924
AAA_collcode_krasbell2
Theme:
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_279924
Online Media:

Storm King Art Center

Collection Creator:
Midtown Galleries  Search this
Container:
Reel 5369, Frame 915-930
Type:
Archival materials
Date:
1966-1975
Collection Restrictions:
The collection is open for research. Patrons must use microfilm copy.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Midtown Galleries records, 1904-1997. Archives of American Art, Smithsonian Institution
See more items in:
Midtown Galleries records
Midtown Galleries records / Series 1: Administrative Correspondence / 1.1: General Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-midtgall-ref4003

Storm King Art Center

Collection Creator:
Lipman, Howard, 1905-1992  Search this
Container:
Box 4, Folder 18
Type:
Archival materials
Date:
1972-1976, undated
Collection Restrictions:
The collection is open for research. Use requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Howard W. and Jean Lipman papers, 1848, 1916-2000. Archives of American Art, Smithsonian Institution.
See more items in:
Howard W. and Jean Lipman papers
Howard W. and Jean Lipman papers / Series 2: Howard and Jean Lipman Art Collection / 2.1: General Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-lipmhowa-ref146

Jacques Lipchitz papers

Creator:
Lipchitz, Jacques, 1891-1973  Search this
Bassett, Bruce W.  Search this
Names:
Buchholz Gallery (New York, N.Y.)  Search this
Curt Valentin Gallery (New York, N.Y.)  Search this
International Business Machines Corporation  Search this
Marlborough Gallery  Search this
Storm King Art Center  Search this
Cortois, Jenny  Search this
Frank, Mary, 1933-  Search this
Fry, Annette  Search this
Fry, Varian, 1907-1967  Search this
Gaspard, Leon, 1882-1964  Search this
Hay, Gyorgy  Search this
Ingersoll, R. Sturgis (Robert Sturgis), b. 1891  Search this
Landau, Gregorio  Search this
Larrea, Juan  Search this
Larrea, Marianne  Search this
Lipchitz, Yulla, 1911-  Search this
Modigliani, Amedeo, 1884-1920  Search this
Noguchi, Isamu, 1904-1988  Search this
Rapoport, Nathan, 1911-  Search this
Rodin, Auguste, 1840-1917  Search this
Soula, Camille, 1888-  Search this
Starrels, Celeste  Search this
Starrels, Joel  Search this
Stott, Deborah  Search this
Wilkinson, Alan G., 1941-  Search this
Zorach, William, 1887-1966  Search this
Collection Creator:
Lipchitz, Jacques, 1891-1973  Search this
Extent:
9.5 Linear feet (Boxes 1-10, OV 11-12)
Type:
Archival materials
Interviews
Diaries
Motion pictures (visual works)
Sound recordings
Scrapbooks
Sketches
Photographs
Video recordings
Date:
circa 1910-1999
bulk 1941-1999
Scope and Contents note:
The papers of sculptor Jacques Lipchitz measure 9.5 linear feet and are dated circa 1910-1999, with the bulk of the material from the period 1941-1999. Personal and professional correspondence comprises nearly half of the collection. It, along with biographical material, writings by and about Lipchitz, printed material, and photographs document Lipchitz's commissions, exhibitions, friendships, and interests. Also found are records relating to the compilation and production of The Sculpture of Jacques Lipchitz: A Catalogue Raisonné by Alan G. Wilkinson.

Biographical material includes an address book, biographical notes, membership cards, rent receipts and a lease, and a survey of Lipchitz's property in Hastings-on-Hudson, NY.

Correspondence is both professional and personal in nature. Approximately 20 percent is in foreign languages. French predominates, followed by Russian; German, Dutch, Italian, Spanish, Latvian, Hebrew, and Yiddish are also represented.

Professional correspondence documents business transactions with architects, potential clients, museum officials, art dealers, and others concerning commissions, exhibition plans, loans of artwork, jury service, etc. Art groups, Jewish organizations and charities wrote to solicit donations of artwork for fundraising events and issued invitations to speak or be a guest of honor. Scholars contacted Lipchitz about their research and requested information about specific works by him, items in his collection, and his opinions on a variety of subjects. Also found are fan letters from aspiring artists seeking advice, and from the general public asking for the opportunity to meet Lipchitz and visit his studio. After the 1952 studio fire, many friends and strangers sent letters of condolence and encouragement.

Among those with whom Lipchtz corresponded regarding commissions are: The Brazilian Embassy ( Prometheus Strangling the Vulture, Ministry of Health and Education, Rio de Janeiro), Vicomte Charles de Noailles ( The Joy of Life) [photocopies of letters from Lipchitz], Jean Devémy (Nôtre Dame de Liesse, Nôtre Dame de Toute Grace at Assy, France), Jane Blaffer Owen (ornamental gates and a cast of Nôtre Dame de Liesse for Philip Johnson's Roofless Church in New Harmony, IN), and the University of Minnesota, Duluth ( Daniel Greysolon, Sieur du Luth). There are numerous letters from Fairmount Park Art Association, Philadelphia Museum of Art, and R. Sturgis Ingersoll regarding multiple projects in Philadelphia; from the Emory Memorial and Robert Taft, Jr. about a memorial to Senator Taft; and from Eloise Spaeth concerning a bust of John F. Kennedy. Also documenting commissions are letters from architects, among them: Eero Saarinen and Associates, Kenneth Franzheim, Philip L. Goodwin, I. M. Pei and Associates, Philip L. Goodwin, and Vincent G. Kling and Associates.

Art dealers, galleries, and museums were frequent correspondents. They include: The Baltimore Museum of Art, The Bezalel Museum, Brussels Universal and International Exposition, Buchholz Gallery, Cincinnati Art Museum, Corcoran Gallery of Art, Curt Valentin Gallery, Fine Arts Associates (later Otto Gerson Gallery, Inc.), Marlborough-Gerson Gallery, Inc., Museé Bourdelle, Museé National d'Arte Moderne (Paris), Museum of Modern Art (New York), The Museum of Primitive Art, The Pennsylvania Academy of the Fine Arts, Philadelphia Museum of Art, Portland Art Museum (Oregon), Rijksmuseum Kröller Muller Otterlo, Stedelijk Museum (Amsterdam), Walker Art Center, Whitney Museum of American Art, and Worcester Art Museum.

Max N. Benoff, Bernard and Becky Reis, and Alan and Janet Wurtzburger were among the collectors who corresponded with Lipchitz. French artist Pierre Dubaut wrote over an extended period about his collection of Géricault paintings and plans for its eventual disposition. Other individuals who wrote frequently include: critic and writer, Waldemar George; Irene Patai, author of Encounters: The Life of Jacques Lipchitz; and Bert Van Bork, documentary filmmaker and author of Jacques Lipchitz, The Artist at Work; and art historian, Henry R. Hope, a professor active in the College Art Association. The America-Israel Cultural Foundation, Inc. and the International Rescue Committee were also frequent correspondents.

Of particular note is a lengthy letter (with drafts) to Daniel-Henry Kahnweiler in which Lipchitz explained in detail how the art dealer's writings about Cubist sculpture failed to adequately recognize his contributions to the genre. Extensive correspondence with Rabbi Schneerson includes thoughts about "graven images" in sculpture and contains lengthy religious discussions. Letters from Juan Gris and Josette Gris consist mainly of general news and pleasantries; they do, however, mention Juan Gris's health, and in one letter Gris states he is afraid of working too much and tiring himself out. While basically illegible, Gertrude Stein's letters seem to be short, quick notes about meetings.

Correspondence with wife Yulla, nephew Gyorgy Hay, and close friends recounts personal and family news, activities, and sometimes touches on future plans. Among these correspondents are: Jenny Courtois, Varian and Annette Fry, Leo Gaspard, R. Sturgis Ingersoll, Gregorio Landau, Juan and Marianne Larrea, Camille Soula, and Joel and Celeste Starrels.

Eleven small pocket diaries, 1940-1965, contain brief, often sporadic entries noting appointments, events, addresses and phone numbers, notes of expenses, and include some sketches. Among the other writings by Lipchitz are: a notebook containing random notes on sculpture; a list of sculpture destroyed in the 1952 studio fire; short pieces and fragments of writings about sculptors Mary Frank, Natan Rapoport, Auguste Rodin, and William Zorach; a memoir of Amedeo Modigliani; and articles and reflections on contemporary art and the church.

Catalogue raisonné records concern the compilation and production of The Sculpture of Jacques Lipchitz: A Catalogue Raisonné by Alan G. Wilkinson, sponsored by Marlborough Gallery, Inc.

Among the financial records are statements of the sculptor's accounts with Buchholz Gallery and Curt Valentin Gallery, and receipts for Lipchitz Collection purchases. Also found are insurance and tax records, as well as receipts for routine professional expenses and miscellaneous personal expenses.

Artwork consists of a few rough sketches by Lipchitz and several geometric designs by an unidentified artist. Two scrapbooks, 1945-1946, consist of newspaper clippings and a few items from other periodicals that mention Lipchitz or contain reproductions of his work. Volume 2 includes typescripts of an interview and remarks delivered by Lipchitz, both very brief.

Printed material consists of exhibition catalogs and announcements, articles, press releases, books, programs, and reproductions concerning Lipchitz's exhibitions, sculpture, commissions, and events honoring him. Of particular interest are architectural prints showing sites and project details of several commissions. Also found are a variety of printed items about general art topics.

Photographs document people, artwork, project sites and models, exhibition installations, events, and places. People include Jacques Lipchitz, family members, and other individuals. Artwork represented is by Lipchitz and other artists. Views of Lipchitz exhibition installations mainly document solo shows. Photographs of events record a variety of occasions, among them: the opening of Lipchitz's studio at Hastings-on-Hudson, NY; a dedication ceremony for Philip Johnson's Roofless Church in New Harmony, IN, with ornamental gates and a sculpture by Lipchitz; and Lipchitz addressing an anatomy class at Albert Einstein Medical College. Among the pictures of places are Lipchitz's studios in Hastings-on-Hudson, NY, and Pietrasanta, Italy, and a view of Picasso's Paris studio.
Collection Restrictions:
Use of original papers requires an appointment. Use of audiovisual materials with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Artists' studios -- Photographs  Search this
Sculptors -- New York (State) -- New York  Search this
Genre/Form:
Interviews
Diaries
Motion pictures (visual works)
Sound recordings
Scrapbooks
Sketches
Photographs
Video recordings
Collection Citation:
Jacques Lipchitz papers and Bruce Bassett papers concerning Jacques Lipchitz, circa 1910-2001, bulk 1941-2001. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.lipcjacq2, Series 1
See more items in:
Jacques Lipchitz papers and Bruce Bassett papers concerning Jacques Lipchitz
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-lipcjacq2-ref14

Storm King Art Center

Collection Creator:
Penney, Charles Rand, 1923-2010  Search this
Container:
Box 21, Folder 16
Type:
Archival materials
Date:
1984
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Charles Rand Penney Papers, 1923-1994, bulk 1945-1994. Archives of American Art, Smithsonian Institution.
See more items in:
Charles Rand Penney papers
Charles Rand Penney papers / Series 1: Art Collection Files / Smith, David
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-pennchar-ref1068

Storm King Art Center

Collection Creator:
Penney, Charles Rand, 1923-2010  Search this
Container:
Box 21, Folder 26
Type:
Archival materials
Date:
1984
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Charles Rand Penney Papers, 1923-1994, bulk 1945-1994. Archives of American Art, Smithsonian Institution.
See more items in:
Charles Rand Penney papers
Charles Rand Penney papers / Series 1: Art Collection Files / Smith, Tony
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-pennchar-ref1078

King, William Dickey, Storm King Art Center

Collection Creator:
Penney, Charles Rand, 1923-2010  Search this
Container:
Box 12, Folder 45
Type:
Archival materials
Date:
1984
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Charles Rand Penney Papers, 1923-1994, bulk 1945-1994. Archives of American Art, Smithsonian Institution.
See more items in:
Charles Rand Penney papers
Charles Rand Penney papers / Series 1: Art Collection Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-pennchar-ref626

Kipp, Lyman, Storm King Art Center

Collection Creator:
Penney, Charles Rand, 1923-2010  Search this
Container:
Box 13, Folder 3
Type:
Archival materials
Date:
1984
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Charles Rand Penney Papers, 1923-1994, bulk 1945-1994. Archives of American Art, Smithsonian Institution.
See more items in:
Charles Rand Penney papers
Charles Rand Penney papers / Series 1: Art Collection Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-pennchar-ref629

Liberman, Alexander, Storm King Art Center

Collection Creator:
Penney, Charles Rand, 1923-2010  Search this
Container:
Box 13, Folder 24
Type:
Archival materials
Date:
1984
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Charles Rand Penney Papers, 1923-1994, bulk 1945-1994. Archives of American Art, Smithsonian Institution.
See more items in:
Charles Rand Penney papers
Charles Rand Penney papers / Series 1: Art Collection Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-pennchar-ref647

Lipton, Seymour, Storm King Art Center

Collection Creator:
Penney, Charles Rand, 1923-2010  Search this
Container:
Box 14, Folder 4
Type:
Archival materials
Date:
1984
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Charles Rand Penney Papers, 1923-1994, bulk 1945-1994. Archives of American Art, Smithsonian Institution.
See more items in:
Charles Rand Penney papers
Charles Rand Penney papers / Series 1: Art Collection Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-pennchar-ref652

Marcks, Gerhard, Storm King Art Center

Collection Creator:
Penney, Charles Rand, 1923-2010  Search this
Container:
Box 14, Folder 34
Type:
Archival materials
Date:
1984
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Charles Rand Penney Papers, 1923-1994, bulk 1945-1994. Archives of American Art, Smithsonian Institution.
See more items in:
Charles Rand Penney papers
Charles Rand Penney papers / Series 1: Art Collection Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-pennchar-ref684

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