Calendar (partial) containing color cartoons and advertising for Fleischmann's yeast. The pages are tied together with string through two holes at the top of each card, and some have torn loose. The missing calendar pages may be found elsewhere in the box.
October page: image depicts a cook at a cast iron stove speaking with lady of the house-- "Mistress: Well cook, as long as buckwheat flour is in season we must have buckwheat cakes for breakfast. What yeast will you use? Cook: Fleischmann's yeast ma'am is my choice. I can make anything in de bakin line wif it. It's a right smart yeast."
Local Numbers:
AC0060-0000717.tif (AC Scan No.: October page)
Series Restrictions:
Collection is open for research. Some items may be restricted due to fragile condition.
Series Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Stereotypes (Social psychology) in advertising Search this
Warshaw Collection of Business Americana Subject Categories: Yeast, Archives Center, National Museum of American History, Smithsonian Institution
Sponsor:
Funding for partial processing of the collection was supported by a grant from the Smithsonian Institution's Collections Care and Preservation Fund (CCPF).
Clarence Brooks and Co. trade card showing two African-American men with an African American shoeshine boy. The boy is pointing to the shoes of one man, who wears a red and yellow suit. Caption: "Elderly gent, 'Why does he want to shine 'em up for nuffin? Spect de little nigger tinks deyd be a big advertisement for him.'"
Arrangement:
Series No. Paint, Box No. 2, Folder No. Brooks/Clarence 2.
Local Numbers:
040060112.tif (AC Scan No.)
Series Restrictions:
Collection is open for research. Some items may be restricted due to fragile condition.
Series Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Warshaw Collection of Business Americana Subject Categories: Paints, Archives Center, National Museum of American History, Smithsonian Institution.
Sponsor:
Funding for partial processing of the collection was supported by a grant from the Smithsonian Institution's Collections Care and Preservation Fund (CCPF).
Peg Desonier spoke of D.C. hand dancing and the jitterbug, and adopting black style of hand dancing. She talked about growing up in Old Greenbelt, Maryland; her education at Catholic schools and then finally public school; her exposure to early rhythm and blues; how white people's dance style differed from black people's; her school and social life as a result of dancing like black people; and the hatred see observed from her peers. Desonier explained when she was a young girl, the white block boys, who could dance, took her to bars and similar to perform for black men and women. She also talked about her desire and inability to dance on The Buddy Dean Show and Teenarama; and segregation in television programming. The interview was part of the research for the documentary 'Dance Party: The Teenarama Story.'
Interviews. Part of the Teenarama Collection. Dated 19980926.
Biographical / Historical:
The documentary 'Dance Party: The Teenarama Story' examined the popularity of 1950s and 1960s teen dance television shows, including 'The Teenarama Dance Party,' 'American Bandstand,' 'The Buddy Dean Show,' and 'The Milt Grant Show.' 'The Teenarama Dance Party' was an all-black teen dance show produced and broadcasted in Washington, D.C. The show aired from March 7, 1963 to November 20, 1970 on WOOK-TV Channel 14, which was the nation's first Black TV station. The show was produced live six days a week; and hosted first by Bob King and later by a rotation of hosts. In addition to being a dance show, 'The Teenarama Dance Party' was a training ground for teens. Production staff mentored the teenagers in the art of broadcast production. The teens trained as camera operators, floor directors, and technical engineers; and served as production assistants.
Restrictions:
Use of the materials requires an appointment. Some items are not accessible due to obsolete format and playback machinery restrictions. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Collection Rights:
Collection items available for reproduction, but the Archives makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives cost-recovery and use fees may apply when requesting reproductions.
Teenarama: Interview with Peg Desonier, Anacostia Community Museum Archives, Smithsonian Institution.
Sponsor:
Funding for partial processing of the collection was supported by a grant from the Smithsonian Institution's Collections Care and Preservation Fund (CCPF).
Large African American group or family (11 people; man, woman, children), loaded into a two-wheeled oxen-pulled cart in front of small house with two women and three children looking on.
Local Numbers:
RSN 26752
AC0143-0026752.tif (AC scan number)
General:
Currently stored in box 3.2.51 [114].
Collection Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. The original glass plate is available for inspection if necessary in the Archives Center. A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Several children stand on their heads while others watch.
Local Numbers:
RSN 20642
General:
Currently stored in box 3.2.10 [29].
Company acc. no. 39909.
Collection Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. The original glass plate is available for inspection if necessary in the Archives Center. A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection is open for research but is stored off-site and special arrangements must be made to work with it. The original glass plate is available for inspection if necessary in the Archives Center. A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Editorial comment: This image was intended to amuse white audiences, pandering to and reinforcing negative racial stereotypes of the period. --David Haberstich, Archives Center.
Collection Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. The original glass plate is available for inspection if necessary in the Archives Center. A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection is open for research but is stored off-site and special arrangements must be made to work with it. The original glass plate is available for inspection if necessary in the Archives Center. A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Lyrics and cover to Mammy's Song. Words by Laura Spencer Portor, music by Harriet Ware. Images of white child being embraced by an African American "mammy" and rabbits or hares.
Local Numbers:
040300156.tif (AC Scan No. for front cover)
040300157.tif (AC Scan No. for page 3)
040300158.tif (AC Scan No. for page 4-5)
040300159.tif (AC Scan No. for page 6-7)
Publication:
Cincinnati, Ohio., The John Church Company,, 1910
Series Restrictions:
Collection is open for research.
Series Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.