Search Results

Physical Description:

paper (overall material)

Measurements:

overall: 4 in x 7 in; 10.16 cm x 17.78 cm

Object Name:

stereograph

Date made:

mid-late 1800s

ID Number:

2012.3033.2649

Nonaccession number:

2012.3033

Catalog number:

2012.3033.2649

See more items in:

Work and Industry: Photographic History

Photography

Data Source:

National Museum of American History

GUID:

http://n2t.net/ark:/65665/ng49ca746b3-d0ed-704b-e053-15f76fa0b4fa

EDAN-URL:

edanmdm:nmah_1902136

Physical Description:

paper (overall material)

Measurements:

overall: 3 1/2 in x 7 in; 8.89 cm x 17.78 cm

Object Name:

stereograph

Date made:

mid-late 1800s

ID Number:

2012.3033.2677

Nonaccession number:

2012.3033

Catalog number:

2012.3033.2677

See more items in:

Work and Industry: Photographic History

Photography

Data Source:

National Museum of American History

GUID:

http://n2t.net/ark:/65665/ng49ca746b3-d19d-704b-e053-15f76fa0b4fa

EDAN-URL:

edanmdm:nmah_1902164

Physical Description:

paper (overall material)

Measurements:

overall: 3 1/2 in x 7 in; 8.89 cm x 17.78 cm

Object Name:

stereograph

Date made:

mid-late 1800s

ID Number:

2012.3033.3423

Nonaccession number:

2012.3033

Catalog number:

2012.3033.3423

See more items in:

Work and Industry: Photographic History

Photography

Data Source:

National Museum of American History

GUID:

http://n2t.net/ark:/65665/ng49ca746b4-5cc4-704b-e053-15f76fa0b4fa

EDAN-URL:

edanmdm:nmah_1903098

Physical Description:

paper (overall material)

Measurements:

overall: 3 1/2 in x 7 in; 8.89 cm x 17.78 cm

Object Name:

stereograph

Date made:

mid-late 1800s

ID Number:

2012.3033.3425

Nonaccession number:

2012.3033

Catalog number:

2012.3033.3425

See more items in:

Work and Industry: Photographic History

Photography

Data Source:

National Museum of American History

GUID:

http://n2t.net/ark:/65665/ng49ca746b4-5cc6-704b-e053-15f76fa0b4fa

EDAN-URL:

edanmdm:nmah_1903100

Creator:

Underwood & Underwood  Search this

Mayor, A. Hyatt (Alpheus Hyatt), 1901-1980  Search this

Underwood & Underwood Studios  Search this

Exposition universelle de 1867 à Paris  Search this

Names:

Meiji, Emperor of Japan, 1852-1912  Search this

Extent:

51 Stereographs (black and white)

2 Postcards (black and white)

Type:

Collection descriptions

Archival materials

Stereographs

Postcards

Place:

Japan -- 1900-1910

Date:

circa 1904

Scope and Contents:

43 stereographs from the early twentieth century were produced by the Underwood & Underwood Studio depicting various scenes and people from Meiji Japan, 3 stereographs from the 1867 Exposition Universelle in Paris, France, and two black and white postcards from Japan. Specific Japanese locations depicted include: Yokohama; Mississippi Bay and the Mikado Cliffs; Tokyo; Mt. Haruna, Ikao; Kyoto; Hiroshima; Lake Chuzenji.

Arrangement:

0.5 linear foot

Biographical / Historical:

The cards were most likely assembled by Ms. Smith's father, A. Hyatt Mayor (1901-1980), art historian, writer, and Metropolitan Museum of Art Curator of Prints from 1946-1966.

Underwood & Underwood was an early photographic studio who produced steroscopic and photographic images from 1881 to the 1940s. Founded in Ottawa, Kansas by brothers Elmer Underwood and Bert Elias Underwood, the studio worked in Ottawa, Baltimore, and New York City. They sold box sets of photographs and set up distribution offices throughout the world. Underwood & Underwood covered major news events like the Boer War and the Great War.

Local Numbers:

FSA A2002.02

Restrictions:

Collection is open for research.

Rights:

Permission to publish, quote, or reproduce must be secured from the repository.

Genre/Form:

Stereographs

Postcards

Citation:

Martha Smith Collection of Stereographs and Postcards. FSA.A2002.02. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C.

Identifier:

FSA.A2002.02

Archival Repository:

Freer Gallery of Art and Arthur M. Sackler Gallery Archives

GUID:

https://n2t.net/ark:/65665/dc36b222a0f-422d-4cb3-86f2-a715a666b4f7

EDAN-URL:

ead_collection:sova-fsa-a2002-02

Creator:

United States National Museum., Dept. of Anthropology.  Search this

Photographer:

Geological and Geographical Survey of the Territories (U.S.) (1873-1878) (Hayden Survey)  Search this

Heyn Photo  Search this

Louisiana Purchase Exposition (1904: Saint Louis, Mo.)  Search this

Mitchell, McGowan and Company  Search this

Place & Coover  Search this

Addison, George A.  Search this

Barry, D. F. (David Francis), 1854-1934  Search this

Bell, C. M. (Charles Milton), approximately 1849-1893  Search this

Brady, Mathew B., approximately 1823-1896  Search this

Bretz, George W. (Fort Sill, Oklahoma)  Search this

Fly, C. S. (Camillus Sidney), 1849-1901  Search this

Fouch, John H., 1849-1933  Search this

Gardner, Alexander, 1821-1882  Search this

Goff, O. S. (Orlando Scott), 1843-1917  Search this

Gutekunst, Frederick, 1831-1917  Search this

Jackson, William Henry, 1843-1942  Search this

Partridge, William Ordway, 1861-1930  Search this

Randall, A. Frank  Search this

Shindler, A. Zeno (Antonio Zeno), 1823-1899  Search this

Wittick, Ben, 1845-1903  Search this

Publisher:

Rice, Rutter & Co.  Search this

Artist:

Noyes, Francis H.  Search this

Reiss, Winold, 1886-1953  Search this

Extent:

3 Painted photographs

8 Prints (halftone and color halftone)

56 Photographic prints (albumen and silver gelatin)

10 Copy prints

1 Stereograph (albumen)

2 Engravings

2 Color lithographs

Culture:

Sioux  Search this

Shoshone  Search this

Ute  Search this

Lakota (Teton/Western Sioux)  Search this

Indians of North America -- Great Plains  Search this

Apsáalooke (Crow/Absaroke)  Search this

Indians of North America -- Great Basin  Search this

Tsitsistas/Suhtai (Cheyenne)  Search this

Chiricahua Apache  Search this

Indians of North America -- Southwest, New  Search this

Inunaina (Arapaho)  Search this

Seminole  Search this

Sauk  Search this

Indians of North America -- Plateau  Search this

Powhatan  Search this

Pikuni Blackfeet (Piegan)  Search this

Hunkpapa Lakota (Hunkpapa Sioux)  Search this

Oglala Lakota (Oglala Sioux)  Search this

Niimíipuu (Nez Perce)  Search this

Mohawk  Search this

Type:

Collection descriptions

Archival materials

Painted photographs

Prints

Photographic prints

Copy prints

Stereographs

Engravings

Color lithographs

Photographs

Date:

undated

Scope and Contents note:

The bulk of the collection consists of portraits of identified Native Americans and some government officials and interpreters. It includes cabinet cards, other mounted prints, newspaper articles, illustrations, and a photographic postcard. Depicted individuals include American Horse, Oglala; Black Hawk, Sauk; Bob Tail, Cheyenne; Crowfoot, Hunkpapa; Gaul, Hunkpapa; Geronimo, Chiricahua; John Grass, Teton; Chief Joseph, Nez Perce; Little Wound, Oglala; Medicine Bull, Hunkpapa; Osceola, Seminole; Ouray, Ute; Litte Raven, Arapaho; Plenty Coups, Crow; Pocahontas, Powhatan; Rain in the Face, Hunkpapa; Red Cloud, Oglala; Red Iron, Dakota; Short Man, Piegan; Sitting Bull, Hunkpapa; Standing On Prairie, Siouan; Thayendanegea (Joseph Brant), Mohawk; Two Guns White Calf, Piegan; Two Moon, Cheyenne; and Washakie, Shoshoni.

Local Call Number(s):

NAA Photo Lot 87-2P

Restrictions:

The collection is open for research.

Access to the collection requires an appointment.

Rights:

Contact the repository for terms of use.

Topic:

Indians of North America -- Northeast  Search this

Indians of North America -- Southern states  Search this

Genre/Form:

Photographs

Citation:

Photo lot 87-2P, United States National Museum Department of Anthropology photograph collection relating to Native Americans, National Anthropological Archives, Smithsonian Institution

Identifier:

NAA.PhotoLot.87-2P

See more items in:

United States National Museum Department of Anthropology photograph collection relating to Native Americans

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw378544a5f-2448-46cd-90a0-4f00194bb205

EDAN-URL:

ead_collection:sova-naa-photolot-87-2p

Creator:

Underwood & Underwood  Search this

Publisher:

American Stereoscopic Co.  Search this

H. C. White Co.  Search this

Killela, J.J.  Search this

Underwood, Bert, 1862-1943  Search this

Underwood, Elmer, 1859-1947  Search this

Photographer:

Ponting, Herbert George, 1870-1935  Search this

Underwood, Bert, 1862-1943  Search this

Underwood, Elmer, 1859-1947  Search this

White, Clarence W.  Search this

Extent:

160 Cubic feet

Type:

Collection descriptions

Archival materials

Stereographs

Photographs

Stereoscopic photographs

Lantern slides

Date:

1895-1921

Summary:

A collection of approximately 28,000 glass plate negatives showing views of a variety of subjects.

Scope and Contents:

The major part of the collection, series 1-4, contains nearly 28,000 glass plates, including original stereoscopic negatives, interpositives, and both negative and positive non-stereoscopic plates used to produce lantern slides and paper prints. The photographs were taken all over the world. The majority are from the Underwood & Underwood active files, but plates from other publishers are also included. Series 5 is a small collection of paper stereographs. Series 6 contains 4 Underwood & Underwood descriptive sales catalogs and 1 H. C. White & Co. catalog (numbers on the Underwood plates correspond to the numbers on catalog captions). Series 7 is apparatus--four stereoscopes.

The approximately 28,000 glass plates in this collection have not been completely inspected at this point due to handling problems associated with asbestos contamination of the collection. A preliminary survey, however, indicated that the selections of images cover the full range of subject matter encompassed by the "Underwood Travel System." The subject matter is most easily comprehended by consulting one of the Underwood sales catalogs which accompany the collection. The catalog captions are arranged geographically, for the most part, and generally represent an organized "tour" which could be purchased as a boxed set, complete with maps and guide book, although individual images could be purchased separately. The catalogs indicate that the Underwood files were continually updated, for extensive modifications in some of the sets can be seen from edition to edition, and actual inspection of published stereographs shows that alternate views with identical Underwood catalog numbers were substituted from time to time, and that new subjects (with new catalog numbers) were sometimes introduced into the sets and old subjects were retired. There are glass plate negatives as well as positives in this collection. The positive images were probably interpositives used for the production of duplicate negatives. Some of the original stereo negatives were cut apart and the images transposed; they were then bound with an additional glass support (in many cases the tape has deteriorated). Half stereo positives also appear in the collection: these probably were intended for use in lantern slide production. Frequently a drawer of plates contains several incarnations of a single image, including the original negative, a copy negative, an interpositive, and a positive lantern slide. In other cases a drawer may contain only a single mode, e.g., original negatives, while corresponding positives and/or lantern slides appear in separate drawers.

A small quantity of the Underwood & Underwood plates are not from the Travel System, but represent humorous and genre subjects which were cataloged and marketed separately. The work of several other publishers, usually without Underwood catalog numbers, is also represented, including H. C. White, American Stereoscopic Company, and J. J. Killela.

The arrangement of the collection seems to reflect a combination of permanent reference storage as well as active use files. The apparent anomalies or inconsistencies probably indicate the pulling of plates from permanent files into temporary work files, and the collection may consist of a combination of permanent storage and temporary working files. As the drawers do not appear to have been renumbered according to any easily discernible pattern, they have become intermixed and rearranged in storage. The contents of each drawer usually have been found in good order, however, and the plates were nearly always arranged numerically,usually with the low numbers at the rear of the drawer and the highest number at the front. As the plates have been rehoused, the reverse numerical order has been corrected. When all the plates have been rehoused and inventoried, consideration will be given to general collection rearrangement and renumbering of the containers, either strictly in numerical order or topically and/or geographically with a numerical sequence within each group.

The collection is in good condition for the most part, although conservation attention will be required. There is a certain amount of emulsion peeling or frilling at the edges of some plates, but this is a condition to which emulsions on glass frequently are prone. A few plates, bound in a sandwich arrangement between cover glass and acetate facing the emulsion, have suffered severe damage, peeling, and image losses through the apparent ferrotyping and sticking of emulsion to the plastic, probably under conditions of high humidity at some stage. There is surprisingly little glass breakage within the collection.

Most of the stereoscopic negatives and many of the positives are defaced with a double "XI' scratched into the emulsion of either the left or right side, as described above in the historical note. Of particular interest and presumed rarity are cards found interfiled with plates in many of the drawers. These cards, filed by Underwood (i.e., catalog) numbers, bear printing'or production dates and notes, along with the unique, chronological accession numbers which the company assigned to each plate, regardless of the "active" number which it might eventually receive. A check mark on a card usually refers to a plate actually in the collection and with which the card is found physically associated; additional accession numbers without check marks listed on the cards possibly refer to variant views which were discarded or may in fact be in the Keystone Mast Collection (pending further research). For ease of handling and in the interest of conservation, the cards have been separated from the plates within each drawer and are arranged as a group at the rear, but can still be located easily. Frequently when a plate and/or its original envelope does not bear both the "active" and accession numbers, the missing number can be located on one of these cards.

Photographers represented include Herbert G. Ponting and Clarence W. White. A photographer and/or publisher named J. J. Killela is also represented.

Arrangement:

This collection is arranged in seven series. Series 1, 2, and 3 are each divided into negative and positive subseries. Plates are arranged numerically in groups based on geographical and subject content. Controlled at the series level in the finding aid and at the item level in a computer database.

Series 1, H. C. White glass plates

Series 2, American Stereoscpopic Co. glass plates

Series 3, Underwood & Underwood glass plates

Series 4, Broken glass plates

Series 5, Original company catalogs

Series 6, Paper stereographs

Series 7, stereoscopes (viewers)

Biographical / Historical:

Underwood & Underwood was established at Ottawa, Kansas, by the young brothers Elmer and Bert Underwood in 1882. They initially operated as distributors for eastern photographers' stereographs to new markets in the West. Their activities included door to door canvassing with views by Charles Bierstadt, J. F. Jarvis, and Littleton View Co.(1) Underwood & Underwood, Publishers, opened a branch office in Baltimore in 1887.(2)

Soon Underwood & Underwood and other large stereograph publishers began recruiting college students to work as salesmen during summer months (1890). Underwood and Underwood claimed that their organization alone sent out as many as 3,000 college students in one Summer [sic]. With the other ... big companies each employing more than 1,000, it is easy to understand how the countryside of the Nation literally swarmed with stereograph salesmen throughout the summer months! ... The competition between the salesmen themselves was likewise aggressive, with no holds barred. Many successful business and professional men of today relate with considerable pride that they got their start on their careers in this practical and very effective school of salesmanship.(3)

The company moved its main office from Ottawa, Kansas to New York City (1891),(4) and gradually began to publish its own stereographs. Bert Underwood finally took photography lessons from M. Abel in Mentone, France during the same year.(5) B. L. Singley, erstwhile salesman for the Underwood & Underwood and James M. Davis & Co. firms, in 1892 formed the Keystone View Company of Meadville, Pennsylvania, which was to become Underwood & Underwood's chief competitor and imitator.(6)

Underwood & Underwood entered the education market (1895) by producing packaged sets of 100 or more stereographs with descriptive texts.(7) From 1897 the firm employed full time staff photographers as well as free lancers. By 1901 the Underwoods were publishing 25,000 stereographs per day (i.e.,total number of cards). Increasing production levels led them to gain control of the Jarvis, Bierstadt, and William H. Rau photoprinting facilities in 1897 1898.(8)

The Keystone view Company created its own Educational Department in 1898. This division sustained the Keystone View Company past the period of the stereograph's popularity. In this year Underwood & Underwood reprinted Oliver Wendell Holmes's series on the stereograph and stereoscope which originally appeared in The Atlantic Monthly between 1859 and 1863. This eighty page booklet included testimonials from eminent scholars on the value of the stereograph in education. The company had been test marketing what itlater called "The Underwood Travel System." This consisted of a boxed set of stereo views of a country or region, a guide book describing the significance of the places shown, and a map showing their location and the viewpoints from which the stereographs were taken. Captions on the backs of the stereographs were sometimes printed in six languages.(9) As stereographs began to be used in schools as visual aids, the firm promoted its Travel System with endorsements from prominent educators, citing the usage of the system by various schools and universities.(10)

The H. C. White Company, which had manufactured stereoscopes for several decades, entered the stereo publication field in 1899.(11) Much of its production seemed to imitate Underwood & Underwood cards, including typography and the color of mount stock. Underwood & Underwood expanded into news photography by 1910 and gradually decreased its stereographic work. Few new stereo negatives were added to the file after 1912 except for a flurry of activity during the early war years, 1914 1916. The total number of Underwood & Underwood "titles" in stereo were from 30,000 to 40,000 (there might be a substantially larger number of actual negatives, since the files frequently were updated with newer views for old catalog numbers).(12)

Underwood & Underwood sold a portion of its negative file to the educational division of Keystone View Company in 1912,(13) and between 1921 1923 conveyed to this competitor their remaining stereo stock (presumably both cards and negatives) and rights.(14) In addition to its involvement as a news photographic agency, the company eventually opened portrait studios which flourished during the World war II years. A former Smithsonian employee, Vince Connolly, worked for Underwood & Underwood, which competed with Harris & Ewing in general portrait work during that period: he did portraiture and other photography, but says he was unaware of his employer's earlier stereo publishing activities.

Underwood & Underwood donated approximately 6000 negatives to the Section of Photography of the Division of Graphic Arts (1964). These photographs are primarily 4" x 5", captioned glass plate and film negatives. The subjects are news events and theatrical, sports, and political subjects of the early 20th century. In a letter to the Smithsonian of March 25, 1966 (in accession number 270586), Mrs. John M. Stratton described another collection of Underwood & Underwood photographs, stating that her husband had been a partner in Underwood & Underwood Illustrations and owned Underwood & Underwood News Photos. In November of the same year Mr. and Mrs. Stratton donated this collection of glass plates by Underwood & Underwood and other publishers to the Division of Photographic History (then the Section of Photography of the Division of Graphic Arts) . This material consists of both negative and positive stereographic plates, as well as non stereoscopic plates, chiefly copies made from the stereographs, with some catalogs, stereoscopes, and other material. The donor estimated 12,900 plates, but in 1983 the Smithsonian Institution inventory yielded a total of approximately 28,000 plates.

The Keystone View Company's stereoscopic production continued much later than Underwood & Underwood's. It was not until 1939 when declining interest in stereography led the firm to discontinue stereograph production and enter the field of visual optometrics. The stereoscopic negative collection, including material obtained from Underwood & Underwood and other firms, was placed in storage in concrete vaults. The Mast family of Davenport, Iowa, eventually purchased the collection in 1963, and in 1977 donated the collection to the University of California for its California Museum of Photography in Riverside. The University took physical possession of this vast collection in 1979.(15)

Many of the Underwood & Underwood plates donated by the Strattons (which were transferred to the Archives Center in 1983), in effect have been cancelled by having diagonal lines (double "X" marks) scratched into the emulsion of either the left or right image of each stereo pair (never both sides). These cancellation marks do not appear on the Underwood & Underwood plates in the Keystone Mast Collection in Riverside. This leads to several theories: (a) that these cancellations were in fact the reason that the Smithsonian plates were not purchased by Keystone in either 1912 or 1921, since Keystone clearly intended to use the Underwood material for stereograph production and the defaced plates would be of no value to them for this purpose; or (b), as stereo collector John Waldsmith suggests, that the cancellations were part of an agreement between Underwood & Underwood and Keystone: Keystone may have asked Underwood & Underwood to cancel one side of each stereoscopic plate not being sold to Keystone so that Underwood & Underwood would no longer be able to compete with Keystone in the stereo market. The defaced plates, as well as other material which Keystone did not purchase, apparently remained in Underwood custody and eventually were acquired by Mr. and Mrs. Stratton. The cancellation marks in the Smithsonian's collection are the subject of further conjecture. Edward Earle at Riverside feels that, since Underwood & Underwood sought to abandonded stereograph production much earlier than Keystone's departure from the field in order to enter the non stereoscopic lantern slide market, the cancellation may have served to indicate which side of each sterescopic pair should be converted to lantern slide production use; the existence of the 4" x 5" copy negatives and positives from stereographs in this collection seem to corroborate this. The Underwood & Underwood conversion from stereograph to lantern slide materials seems to coincide with the ascendance of lantern slide projection as visual aids in schools. The company apparently modified the type of photographic product which they published at least partially in recognition of this new educational trend.

NOTES

1. edward W. Earle, ed., Points of View: The Stereograph in America A Cultural @ Visual 'g . E!Ltory, Rochester, F.Y., Th Studies Workshop ress, 1979, p. 60; William Culp Darrah, The World of Stereographs, Gettysburg, Pa., 1979, p. 46.

2. Tbid., p. 62.

3. George E. Hamilton, Oliver Wendell Holmes, His Pioneer SLtuereoscope and Later Industry, New York, New )men Society, 1949, p. 17, quoted in Points of 1=e w:, 6 4 . P.

4. Points of View., p. 66.

5. Darrah, p. 47.

6. points of View, p. 66.

7. Ibid., p. 68.

8. Darrah, p. 47.

9. Points of View, p. 70.

10. Howard S. Becker, "Steteographs: Local, National, and International Art Worlds," in Points of View, p. 95. 11. points of View, p. 72.

12. Darrah, p. 48.

13. Darrah, p. 48, quoted in Points of View, P. 82.

14. Darrah, p. 48.

15. Chris J. Kenney, introduction to "Perspective and the Past: The Keystone Mast Collection," CMP Bulletin, Vol. 1, No. 2, 1982.

Related Materials:

California Museum of Photography, University of California--Riverside, Riverside, California 92521.

Underwood & Underwood stereographs in this collection and the Smithsonian Underwood & Underwood Collection originally were components of the same company file.

Provenance:

Collection donated by June Stratton (Mrs. John M.) on December 19, 1966.

Restrictions:

Collection is open for research but is stored off-site and special arrangements must be made to work with it. The original glass plate is available for inspection if necessary in the Archives Center. A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Traveling sales personnel  Search this

Travel photography -- 1890-1930  Search this

Genre/Form:

Stereographs -- 1890-1930

Photographs -- Interpositives -- Glass -- 1890-1930

Photographs -- Black-and-white negatives -- Glass -- 1890-1930

Photographs -- 1900-1950

Stereoscopic photographs -- Glass -- 1890-1930

Lantern slides

Photographs -- 1890-1900

Citation:

Underwood &Underwood Glass Stereograph Collection, Archives Center, National Museum of American History.

Identifier:

NMAH.AC.0143

See more items in:

Underwood & Underwood Glass Stereograph Collection

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep86e358e26-e305-49a6-bf9b-f2d38d995ae0

EDAN-URL:

ead_collection:sova-nmah-ac-0143

Physical Description:

paper (overall material)

Measurements:

overall: 4 in x 7 in; 10.16 cm x 17.78 cm

Object Name:

stereograph

Referenced:

United States: New Mexico, Albuquerque

Date made:

late 1800s

Subject:

Animals  Search this

Men  Search this

ID Number:

2012.3033.0123

Nonaccession number:

2012.3033

Catalog number:

2012.3033.0123

See more items in:

Work and Industry: Photographic History

Photography

Data Source:

National Museum of American History

GUID:

http://n2t.net/ark:/65665/ng49ca746b4-2504-704b-e053-15f76fa0b4fa

EDAN-URL:

edanmdm:nmah_1852349

Creator:

Soule, William S. (William Stinson), 1836-1908  Search this

Schwemberger, Simeon  Search this

Extent:

79 Postcards

18 Photographic prints

8 Stereographs

Culture:

Diné (Navajo)  Search this

Hopi  Search this

American Indian -- Haskell Institute  Search this

Acoma Pueblo  Search this

Lake Superior Chippewa [Lac du Flambeau, Wisconsin]  Search this

Plains Apache (Kiowa Apache)  Search this

Niuam (Comanche)  Search this

Southern Tsitsistas/Suhtai (Cheyenne)  Search this

Type:

Collection descriptions

Archival materials

Postcards

Photographic prints

Stereographs

Date:

1865-1926

Summary:

This collection consists of 105 photographic images of Native American peoples throughout the U.S., primarily in Arizona and New Mexico. A number of the postcards and photographs were sent back and forth between non-Native family members who worked in Indian Boarding Schools in Fort Defiance, AZ, among other locations.

Scope and Contents:

The Arizona and New Mexico postcard and photograph collection consists of postcards, photographic prints, and stereographs, totaling 105 photographic items. Many of the postcards and photographs date to between the early 1900s and the late 1920s and were sent between non-Native family members who worked in Indian Boarding Schools, including those at Fort Defiance and Chinle in Arizona, Chilocco in Oklahoma, Haskell in Kansas, and Lac du Flambeau in Wisconsin.

These items have been organized into three series. Series 1: Postcards, 1908-1916, includes 79 postcards. Approximately 10 postcards contain images taken by the photographer Simeon Schwemberger of Diné (Navajo) people on the Navajo Reservation, and were sold out of his studio in St. Michaels, Arizona. Series 2: Photographs, 1896-1926, includes 18 photographs. Several of these include depictions of Native and non-Native peoples in Fort Defiance in Arizona, Haskell in Kansas, and Lac du Flambeau in Wisconsin. Series 3: Stereographs, 1865-1875, includes 8 stereographic images. These stereographs contain images taken by the photographer William Stinson Soule (Will Soule) of Kiowa-Apache, Niuam (Comanche), and Southern Tsitsistas/Suhtai (Cheyenne) men near Fort Sill in Indian Territory (present-day Oklahoma), between approximately 1865 and 1875.

Please note that the language and terminology used in this collection reflects the context and culture of the time of its creation, and may include culturally sensitive information. As an historical document, its contents may be at odds with contemporary views and terminology. The information within this collection does not reflect the views of the Smithsonian Institution, but is available in its original form to facilitate research.

Arrangement:

This collection is arranged into three series. Series 1: Postcards, 1908-1916, Series 2: Photographs, 1896-1926, and Series 3: Stereographs, 1865-1875.

Biographical / Historical:

Photographer William Stinson Soule (Will Soule) lived and worked in the region of Fort Sill, in the Indian Territory (present-day Oklahoma), in the 1860s and 1870s, regularly photographing U.S. Army personnel and Southern Plains Indian communities.

Simeon Schwemberger was a photographer originally from Cincinnati, Ohio, who settled near the St. Michaels mission church in Arizona in 1901. There he took many photographs of the Native communities of the region, later selling the images as postcards.

Provenance:

Gift from Jenene Garey in 2018 and 2021.

Restrictions:

Access to NMAI Archives Center collections is by appointment only, Monday - Friday, 9:30 am - 3:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).

Rights:

Permission to publish materials from the collection must be requested from National Museum of the American Indian Archives Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.

Citation:

Identification of specific item; Date (if known); Arizona and New Mexico postcard and photograph collection, NMAI.AC.127; National Museum of the American Indian Archives Center, Smithsonian Institution.

Identifier:

NMAI.AC.127

See more items in:

Arizona and New Mexico postcard and photograph collection

Archival Repository:

National Museum of the American Indian

GUID:

https://n2t.net/ark:/65665/sv4902d9c72-9cd3-4536-9b2e-7172c2233a34

EDAN-URL:

ead_collection:sova-nmai-ac-127

Creator:

Soule, William S. (William Stinson), 1836-1908  Search this

Collection Creator:

Soule, William S. (William Stinson), 1836-1908  Search this

Schwemberger, Simeon  Search this

Extent:

8 Stereographs

Culture:

Plains Apache (Kiowa Apache)  Search this

Niuam (Comanche)  Search this

Southern Tsitsistas/Suhtai (Cheyenne)  Search this

Type:

Archival materials

Stereographs

Date:

1865-1875

Scope and Contents:

The stereographic images were taken by the photographer William Stinson Soule (Will Soule) of Kiowa-Apache, Niuam (Comanche), and Southern Tsitsistas/Suhtai (Cheyenne) men near Fort Sill in Indian Territory (present-day Oklahoma), between approximately 1865 and 1875.

Collection Restrictions:

Access to NMAI Archives Center collections is by appointment only, Monday - Friday, 9:30 am - 3:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).

Collection Rights:

Permission to publish materials from the collection must be requested from National Museum of the American Indian Archives Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.

Collection Citation:

Identification of specific item; Date (if known); Arizona and New Mexico postcard and photograph collection, NMAI.AC.127; National Museum of the American Indian Archives Center, Smithsonian Institution.

Identifier:

NMAI.AC.127, Series 3

See more items in:

Arizona and New Mexico postcard and photograph collection

Archival Repository:

National Museum of the American Indian

GUID:

https://n2t.net/ark:/65665/sv441f08e92-5b33-4149-9aa9-31f7004152e1

EDAN-URL:

ead_component:sova-nmai-ac-127-ref3

Collector:

Allen, George V.  Search this

Names:

Albuquerque Indian School  Search this

Castillo de San Marcos (Saint Augustine, Fla.)  Search this

Chilocco Indian Agricultural School  Search this

Geological Survey (U.S.)  Search this

Haskell Indian Nations University  Search this

United States Indian School (Carlisle, Pa.)  Search this

Yankton Mission (Yankton Indian Reservation, S.D.)  Search this

American Horse, 1840-1908  Search this

Big Bow Chief  Search this

Bogy, Lewis V. (Lewis Vital), 1813-1877  Search this

Cushing, Frank Hamilton, 1857-1900  Search this

Harding, Warren G. (Warren Gamaliel), 1865-1923  Search this

Hough, Walter, 1859-1935  Search this

Iron Bull (Crow Indian chief)  Search this

Kelly, Luther S. (Luther Sage), 1849-1928  Search this

Mató-Tópe, Mandan chief, d. 1837  Search this

Mix, Charles E.  Search this

Monroe, Mark, 1930-  Search this

Moran, John, 1831-1903  Search this

Ouray  Search this

Red Cloud, 1822-1909  Search this

Red Dog, Oglala chief  Search this

Red Shirt, 1845?-1925  Search this

Reilly, John James, 1838-1894  Search this

Reynolds, Joseph Jones, 1822-1899  Search this

Sitting Bull, 1831-1890  Search this

Spotted Tail, 1823-1881  Search this

Stevenson, Matilda Coxe, 1850-1915  Search this

Two Guns White Calf, 1872-1934 (Piegan)  Search this

Photographer:

Alvord, Kellogg, & Campbell  Search this

Bailey & Whitesides  Search this

Bailey, Dix, & Mead  Search this

Bennett & Brown  Search this

Black Hills View Company  Search this

Brooks Photo  Search this

Brubaker and Whitesides  Search this

C. Duhem & Bro.  Search this

Calfee & Catlin  Search this

Caswell & Davy  Search this

Copelin & Son  Search this

Cosand & Mosser  Search this

Cunningham & Co. (1880-1889)  Search this

D.D. Merrill, Randall & Co.  Search this

E. & H.T. Anthony (Firm)  Search this

Eaton, of Ralston, Oklahoma  Search this

Griffith & Griffith  Search this

Gurnsey & Illingworth  Search this

Hamilton and Hoyt  Search this

Hamilton and Kodylek  Search this

Hansard & Carden  Search this

Henry L. Shepard & Co.  Search this

Ingersoll View Company (St. Paul, Minnesota)  Search this

J.J. Reilly & Co.  Search this

Judd and McLeish  Search this

Keystone View Company  Search this

Kilburn Brothers  Search this

Lawrence & Houseworth  Search this

Leonard & Martin  Search this

M.S. Mepham & Bro.  Search this

Martin's Gallery  Search this

Montgomery Ward  Search this

Ramsour & Pennel  Search this

Reed & McKenney  Search this

Rodocker & Blanchard  Search this

Savage & Ottinger  Search this

Thomas Houseworth & Co  Search this

Underwood & Underwood  Search this

Universal Photo Art Co  Search this

Whitney & Zimmerman  Search this

Wittick & Bliss  Search this

Wittick & Russell  Search this

Young & Chase  Search this

Barker, George, 1844-1894  Search this

Barry, D. F. (David Francis), 1854-1934  Search this

Batchelder, B. P. (Benjamin Pierce), 1826-1891  Search this

Bates, Edw. (Edward)  Search this

Beaman, Edward O.  Search this

Bell, C. M. (Charles Milton), approximately 1849-1893  Search this

Bell, William, 1830-1910  Search this

Benecke, Robert  Search this

Bennett, H. H. (Henry Hamilton), 1843-1908  Search this

Bierstadt, Charles, 1819-1903  Search this

Blessing, S. T.  Search this

Blosser, J. A.  Search this

Bonine, Elias A., 1843-1916  Search this

Brockham, William (of Morris, Minnesota)  Search this

Brown, William Henry, 1844-1886  Search this

Brubaker, C. B.  Search this

Buehman, Henry, 1851-1912  Search this

Calfee, H. B. (Henry Bird), 1848-1912  Search this

Carbutt, John, 1832-1905  Search this

Carter, C. W., 1832-1918  Search this

Chamberlain, W. G. (William Gunnison)  Search this

Chase, D. B. (Dana B.)  Search this

Childs, B. F. (Brainard F.), ca. 1841-1921  Search this

Choate, J. N. (John N.), 1848-1902  Search this

Clark, George A. (George Alfred), 1936-  Search this

Climo, John Saunders  Search this

Cobb, William Henry, 1859-1909  Search this

Conklin, E (Enoch)  Search this

Cozzens, Samuel Woodworth, 1834-1878  Search this

Croft, Thomas  Search this

Cross, W. R. (William R.)  Search this

Currier, Frank, fl. 1890-1909  Search this

Curtis, Edward S., 1868-1952  Search this

Curtis, George E., 1830-1910  Search this

Cushing, W. H., fl. 1870-1889  Search this

Davis, S., fl. 1860-1880  Search this

Doremus, John P., 1827-1890  Search this

Eaton, E. L. (Edric L.), b. ca. 1836  Search this

Ebell, Adrian J. (Adrian John), 1840-1877  Search this

Eisenmann, Charles, b. 1850  Search this

Flanders, Dudley P.  Search this

Forsyth, N. A. (Norman A.), 1869-1949  Search this

Fouch, John H., 1849-1933  Search this

Gardner, Alexander, 1821-1882  Search this

Godkin, William R.  Search this

Goodell, Abner Cheney, 1831-1914  Search this

Graves, C. H. (Carleton H.), -1943  Search this

Gurnsey, B. H. (Byron H.), 1833-1880  Search this

Hamilton, J. H. (James H.)  Search this

Hart, Alfred A., 1816-1908  Search this

Hawkins, B.A.  Search this

Haynes, F. Jay (Frank Jay), 1853-1921  Search this

Hazeltine, M. M. (Martin Mason), 1827-1903  Search this

Heister, H. T., (Henry T.), -1895  Search this

Heller, Louis Herman, ca. 1839-1929  Search this

Heston, Wat  Search this

Hillers, John K., 1843-1925  Search this

Hook, W. E. (William Edward), 1833-1908  Search this

Huffman, L. A. (Laton Alton), 1854-1931  Search this

Illingworth, W. H. (William H.), 1842-1893  Search this

Immke, Henry W.  Search this

Ingalls, George W., 1838-1920  Search this

Jackson, William Henry, 1843-1942  Search this

Jacoby, W. H. (William H.), 1841-1905  Search this

Jarvis, J. F. (John F.), b. 1850  Search this

Johnson, W.S.  Search this

Kirkland, Geo. W. (George W.)  Search this

Knight, J. Lee  Search this

Landon, S. C. (Seth C.), b. 1825  Search this

Line, A. A.  Search this

Little, H.N.  Search this

Marshall, William I. (William Isaac), 1840-1906  Search this

Martin, Alex (Alexander), 1841-1929  Search this

Maude, F. H. (Frederic Hamer)  Search this

Maynard, Hannah, 1834-1918  Search this

Maynard, Richard, 1832-1907  Search this

McIntyre, A. C. (Alexander Carson)  Search this

Meddaugh, J. E.  Search this

Mellen, Geo. E. (George Egbert), b. 1854  Search this

Mepham, Michael S.  Search this

Mitchell, Daniel S.  Search this

Morrow, Stanley J.  Search this

Muybridge, Eadweard, 1830-1904  Search this

Newcomb, C. H.  Search this

Nims, F.A.  Search this

O'Sullivan, Timothy H., 1840-1882  Search this

Palmer, A. A.  Search this

Parker, Joseph C.  Search this

Pierron, Geo. (George), b. 1816  Search this

Pollock, Charles, 1832-1910  Search this

Powers, F. F.  Search this

Raitt, T.G.  Search this

Randall, A. Frank  Search this

Rau, William Herman, 1855-1920  Search this

Rinehart, F. A. (Frank A.)  Search this

Rodocker, D. (David)  Search this

Rothrock, George H.  Search this

Rudy, W. Ira  Search this

Russell, Andrew J.  Search this

Rutter, Thomas H., 1837-1925  Search this

Savage, C. R. (Charles Roscoe), 1832-1909  Search this

Seaver, C. (Charles)  Search this

Sedgwick, S. J. (Stephen James)  Search this

Shipler, James William, 1849-1937  Search this

Soule, John P.  Search this

Stoddard, Seneca Ray, 1844-1917  Search this

Taber, I. W. (Isaiah West), 1830-1912  Search this

Thorne, G.W.  Search this

Thurlow, J., 1831-1878  Search this

Towne, Bertram C.  Search this

Trager, George E.  Search this

Upton, B. F. (Benjamin Franklin)  Search this

Watkins, Carleton E., 1829-1916  Search this

Weitfle, Charles, 1836-1921  Search this

Wendt, Julius M.  Search this

Whitney, Joel E. (Joel Emmons), 1822-1886  Search this

Williscraft, W.H.  Search this

Wittick, Ben, 1845-1903  Search this

Woodburn, J. R.  Search this

Zimmerman, Charles A., 1844-1909  Search this

Publisher:

Beal's Gallery  Search this

Continent Stereoscopic Company  Search this

Florida Club (Cooperative)  Search this

Union View Company (Rochester, New York)  Search this

Webster & Albee (Rochester, N.Y.)  Search this

Smith, O. C.  Search this

Extent:

67 Lantern slides

26 Negatives (photographic) (glass)

10 Negatives (photographic) (nitrate)

6 Autochromes (photographs)

50 Stereographs (circa 50 printed stereographs, halftone and color halftone)

1,000 Stereographs (circa, albumen and silver gelatin (some tinted))

239 Prints (circa 239 mounted and unmounted prints, albumen (including cartes de visite, imperial cards, cabinet cards, and one tinted print) and silver gelatin (some modern copies))

96 Prints (Album :, silver gelatin)

21 Postcards (silver gelatin, collotype, color halftone, and halftone)

Culture:

Puyallup  Search this

Kumeyaay (Diegueño)  Search this

Anishinaabe (Chippewa/Ojibwa)  Search this

Tohono O'odham (Papago)  Search this

Kalispel (Pend d'Oreilles)  Search this

Indians of North America -- California  Search this

Taos Indians  Search this

Nuu-chah-nulth (Nootka)  Search this

Kickapoo  Search this

Laguna Indians  Search this

Pueblo  Search this

Ho-Chunk (Winnebago)  Search this

Havasupai (Coconino)  Search this

Assiniboine (Stoney)  Search this

Isleta Pueblo  Search this

Mojave (Mohave)  Search this

Mewuk (Miwok)  Search this

Kwakwaka'wakw (Kwakiutl)  Search this

Arctic peoples  Search this

Akimel O'odham (Pima)  Search this

Piipaash (Maricopa)  Search this

Iroquois  Search this

Hopi Pueblo  Search this

Modoc  Search this

A:shiwi (Zuni)  Search this

Niimíipuu (Nez Perce)  Search this

Washo Indians  Search this

A'aninin (Gros Ventre)  Search this

Tonkawa  Search this

Diné (Navajo)  Search this

Yavapai  Search this

Ute  Search this

Sauk  Search this

Chaticks Si Chaticks (Pawnee)  Search this

Indians of North America -- Great Plains  Search this

Bannock  Search this

Shoshone  Search this

Cochiti Pueblo  Search this

Omaha  Search this

Indians of North America -- Southwest, New  Search this

Indians of North America -- Great Basin  Search this

Indians of North America -- Northwest Coast of North America  Search this

Choctaw  Search this

Sioux  Search this

Eskimos  Search this

Northwest Coast  Search this

Indians of North America -- Plateau  Search this

Tsitsistas/Suhtai (Cheyenne)  Search this

Numakiki (Mandan)  Search this

Sahnish (Arikara)  Search this

Tlingit  Search this

Haida  Search this

Cree  Search this

Apsáalooke (Crow/Absaroke)  Search this

Acoma Pueblo  Search this

Quapaw Indians  Search this

Osage  Search this

Apache  Search this

Kaw (Kansa)  Search this

Umatilla  Search this

Shawnee  Search this

Fox  Search this

Pomo  Search this

Indians of North America -- Subarctic  Search this

Paiute  Search this

Seminole  Search this

Mi'kmaq (Micmac)  Search this

Niuam (Comanche)  Search this

Potawatomi  Search this

Type:

Collection descriptions

Archival materials

Lantern slides

Negatives (photographic)

Autochromes (photographs)

Stereographs

Prints

Postcards

Place:

Custer Battlefield (Montana)

Date:

circa 1860-1935

Scope and Contents note:

Photographs relating to Native Americans or frontier themes, including portraits, expedition photographs, landscapes, and other images of dwellings, transportation, totem poles, ceremonies, infants and children in cradleboards, camps and towns, hunting and fishing, wild west shows, food preparation, funeral customs, the US Army and army posts, cliff dwellings, and grave mounds and excavations. The collection also includes images of prisoners at Fort Marion in 1875, Sioux Indians involved in the Great Sioux Uprising in Minnesota, the Fort Laramie Peace Commission of 1868, Sitting Bull and his followers after the Battle of the Little Bighorn, and the aftermath of the Wounded Knee Massacre in 1890.

There are studio portraits of well-known Native Americans, including American Horse, Big Bow, Four Bears, Iron Bull, Ouray, Red Cloud, Red Dog, Red Shirt, Sitting Bull, Spotted Tail, Three Bears, and Two Guns White Calf. Depicted delegations include a Sauk and Fox meeting in Washington, DC, with Lewis V. Bogy and Charles E. Mix in 1867; Kiowas and Cheyennes at the White House in 1863; and Dakotas and Crows who visited President Warren G. Harding in 1921. Images of schools show Worcester Academy in Vinita, Oklahoma; Chilocco Indian School; Carlisle Indian Industrial School; Haskell Instittue, and Albuquerque Indian School.

Some photographs relate to the Centennial Exposition in Philadelphia, 1876; World's Columbian Exposition in Chicago, 1893; Louisiana Purchase Exposition in St. Louis, 1903; and Centennial Exposition of the Baltimore and Ohio Railraod, 1876. Expedition photographs show the Crook expedition of 1876, the Sanderson expedition to the Custer Battlefield in 1877, the Wheeler Survey of the 1870s, Powell's surveys of the Rocky Mountain region during the 1860s and 1870s, and the Hayden Surveys.

Outstanding single views include the party of Zuni group led to the sea by Frank Hamilton Cushing; Episcopal Church Rectory and School Building, Yankton Agency; Matilda Coxe Stevenson and a companion taking a photographs of a Zuni ceremony; John Moran sketching at Acoma; Ben H. Gurnsey's studio with Indian patrons; Quapaw Mission; baptism of a group of Paiutes at Coeur d'Alene Mission; court-martial commission involved in the trial of Colonel Joseph J. Reynolds, 1877; President Harding at Sitka, Alaska; Walter Hough at Hopi in 1902; and Mrs. Jesse Walter Fewkes at Hopi in 1897.

Biographical/Historical note:

George V. Allen was an attorney in Lawrence, Kansas and an early member of the National Stereoscope Association. Between the 1950s and 1980s, Allen made an extensive collection of photographs of the American West, mostly in stereographs, but also including cartes-de-visite and other styles of mounted prints, photogravures, lantern slides, autochromes, and glass negatives.

Local Call Number(s):

NAA Photo Lot 90-1

Restrictions:

The collection is open for research.

Access to the collection requires an appointment.

Rights:

Contact the repository for terms of use.

Topic:

Camps  Search this

Child care  Search this

Rites and ceremonies  Search this

Totem poles  Search this

Cookery  Search this

Wild west shows  Search this

Fishing  Search this

Hunting  Search this

Transportation  Search this

Dwellings  Search this

Indians of North America -- Northeast  Search this

Funeral rites and ceremonies  Search this

Wounded Knee Massacre, S.D., 1890  Search this

Indians of North America -- Southern states  Search this

Citation:

Photo Lot 90-1, George V. Allen collection of photographs of Native Americans and the American frontier, National Anthropological Archives, Smithsonian Institution

Identifier:

NAA.PhotoLot.90-1

See more items in:

George V. Allen photograph collection of photographs of Native Americans and the American frontier

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw3c6f12a20-b859-4219-a567-b2b3246a66be

EDAN-URL:

ead_collection:sova-naa-photolot-90-1

Creator:

Jackson, William Henry (of Denver, Colorado)  Search this

Collection Collector:

Allen, George V.  Search this

Extent:

1 Stereograph (6.75 x 4 in.)

Culture:

American Indian -- cliff dwellings  Search this

Type:

Archival materials

Stereographs

Scope and Contents:

The item is identical to number 1069 of Photo Lot 90-1.

Local Numbers:

NAA INV.09892300.2

Other Title:

"Two story cliff house, Mancos Canon"

Collection Restrictions:

The collection is open for research.

Access to the collection requires an appointment.

Collection Rights:

Contact the repository for terms of use.

Topic:

cliff dwellings -- American Indian  Search this

Language and languages -- Documentation  Search this

Collection Citation:

Photo Lot 90-1, George V. Allen collection of photographs of Native Americans and the American frontier, National Anthropological Archives, Smithsonian Institution

See more items in:

George V. Allen photograph collection of photographs of Native Americans and the American frontier

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw376dd2af9-7b24-4392-bcc8-1e4c9dac3618

EDAN-URL:

ead_component:sova-naa-photolot-90-1-ref1226

Creator:

Jackson, William Henry (of Denver, Colorado)  Search this

Collection Collector:

Allen, George V.  Search this

Extent:

1 Stereograph (7 x 4 in.)

Culture:

San Juan  Search this

Type:

Archival materials

Stereographs

Scope and Contents:

The item is number 1122 in the series Views of New Mexico.

Local Numbers:

NAA INV.09894400

Other Title:

Views of New Mexico

Collection Restrictions:

The collection is open for research.

Access to the collection requires an appointment.

Collection Rights:

Contact the repository for terms of use.

Collection Citation:

Photo Lot 90-1, George V. Allen collection of photographs of Native Americans and the American frontier, National Anthropological Archives, Smithsonian Institution

See more items in:

George V. Allen photograph collection of photographs of Native Americans and the American frontier

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw3cfb5c383-05d3-4deb-86ae-89ad41a1ee00

EDAN-URL:

ead_component:sova-naa-photolot-90-1-ref1247

Creator:

Jackson, William Henry (of Denver, Colorado)  Search this

Collection Collector:

Allen, George V.  Search this

Extent:

1 Stereograph (7 x 4 in.)

Culture:

San Juan  Search this

Type:

Archival materials

Stereographs

Scope and Contents:

The item is number 1120 in the series Views of New Mexico. A young boy is standing beside two ceramic jugs.

Local Numbers:

NAA INV.09894500

Other Title:

Views of New Mexico

Collection Restrictions:

The collection is open for research.

Access to the collection requires an appointment.

Collection Rights:

Contact the repository for terms of use.

Collection Citation:

Photo Lot 90-1, George V. Allen collection of photographs of Native Americans and the American frontier, National Anthropological Archives, Smithsonian Institution

See more items in:

George V. Allen photograph collection of photographs of Native Americans and the American frontier

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw364ac7ab6-7906-488e-9f39-d4806122b1f7

EDAN-URL:

ead_component:sova-naa-photolot-90-1-ref1248

Creator:

Jackson, William Henry (of Denver, Colorado)  Search this

Collection Collector:

Allen, George V.  Search this

Extent:

1 Stereograph (7 x 4 in.)

Culture:

San Juan  Search this

Type:

Archival materials

Stereographs

Scope and Contents:

The item is number (illegible) in the series Views of New Mexico. A man holds onto a rope around a burro's neck.

Local Numbers:

NAA INV.09894600

Other Title:

Views of New Mexico

"In the pueblo San Juan."

Collection Restrictions:

The collection is open for research.

Access to the collection requires an appointment.

Collection Rights:

Contact the repository for terms of use.

Collection Citation:

Photo Lot 90-1, George V. Allen collection of photographs of Native Americans and the American frontier, National Anthropological Archives, Smithsonian Institution

See more items in:

George V. Allen photograph collection of photographs of Native Americans and the American frontier

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw313f2ca4b-dece-497a-ba83-7615d5b5394b

EDAN-URL:

ead_component:sova-naa-photolot-90-1-ref1249

Creator:

Jackson, William Henry (of Denver, Colorado)  Search this

Collection Collector:

Allen, George V.  Search this

Extent:

1 Stereograph (7 x 4 in.)

Culture:

San Juan -- cart -- Plow  Search this

Type:

Archival materials

Stereographs

Scope and Contents:

The item is number 2512 in the series Views of New Mexico. A man is sitting on the cart. The item is identical to numbers 742 and 1059 of Photo Lot 90-1.

Local Numbers:

NAA INV.09894900

Other Title:

Views of New Mexico

"Mexican cart and plow"

Collection Restrictions:

The collection is open for research.

Access to the collection requires an appointment.

Collection Rights:

Contact the repository for terms of use.

Topic:

cart -- San Juan  Search this

Plow -- San Juan  Search this

Collection Citation:

Photo Lot 90-1, George V. Allen collection of photographs of Native Americans and the American frontier, National Anthropological Archives, Smithsonian Institution

See more items in:

George V. Allen photograph collection of photographs of Native Americans and the American frontier

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw3ab1a077e-a1b6-47f6-8747-ccaab5e3f5db

EDAN-URL:

ead_component:sova-naa-photolot-90-1-ref1252

Creator:

Jackson, William Henry (of Denver, Colorado)  Search this

Collection Collector:

Allen, George V.  Search this

Extent:

1 Stereograph (7 x 4 in.)

Culture:

San Juan -- cart -- Plow  Search this

Type:

Archival materials

Stereographs

Scope and Contents:

The item is number 2512 in the series Views of New Mexico. A man is sitting on the cart. The item is identical to numbers 741 and 1059 of Photo Lot 90-1.

Local Numbers:

NAA INV.09895000

Other Title:

Views of New Mexico

"Mexican cart and plow"

Collection Restrictions:

The collection is open for research.

Access to the collection requires an appointment.

Collection Rights:

Contact the repository for terms of use.

Topic:

cart -- San Juan  Search this

Plow -- San Juan  Search this

Collection Citation:

Photo Lot 90-1, George V. Allen collection of photographs of Native Americans and the American frontier, National Anthropological Archives, Smithsonian Institution

See more items in:

George V. Allen photograph collection of photographs of Native Americans and the American frontier

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw3ed33a7ed-340d-4a4b-894f-c4d7830af6a7

EDAN-URL:

ead_component:sova-naa-photolot-90-1-ref1253

Creator:

Jackson, William Henry (of Denver, Colorado)  Search this

Collection Collector:

Allen, George V.  Search this

Extent:

1 Stereograph (7 x 4 in.)

Type:

Archival materials

Stereographs

Place:

Santa Clara

Scope and Contents:

The item is number 1202 in the series Views of New Mexico.

Local Numbers:

NAA INV.09895100

Other Title:

Views of New Mexico

Collection Restrictions:

The collection is open for research.

Access to the collection requires an appointment.

Collection Rights:

Contact the repository for terms of use.

Collection Citation:

Photo Lot 90-1, George V. Allen collection of photographs of Native Americans and the American frontier, National Anthropological Archives, Smithsonian Institution

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George V. Allen photograph collection of photographs of Native Americans and the American frontier

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw3ed0a8b10-691e-4cd6-a570-f8cf19f2c53f

EDAN-URL:

ead_component:sova-naa-photolot-90-1-ref1254

Creator:

Jackson, William Henry (of Denver, Colorado)  Search this

Collection Collector:

Allen, George V.  Search this

Extent:

1 Stereograph (7 x 4 in.)

Culture:

American Indian -- Pueblo  Search this

Type:

Archival materials

Stereographs

Scope and Contents:

The item is number 3706 in the Archaeological Series.

Local Numbers:

NAA INV.09902200

Other Title:

Archaeological Series

Ancient Ruins

Collection Restrictions:

The collection is open for research.

Access to the collection requires an appointment.

Collection Rights:

Contact the repository for terms of use.

Collection Citation:

Photo Lot 90-1, George V. Allen collection of photographs of Native Americans and the American frontier, National Anthropological Archives, Smithsonian Institution

See more items in:

George V. Allen photograph collection of photographs of Native Americans and the American frontier

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw38b10b0c0-1110-4eaf-a192-7eaaea5cbb61

EDAN-URL:

ead_component:sova-naa-photolot-90-1-ref1325

Creator:

Jackson, William Henry (of Denver, Colorado)  Search this

Collection Collector:

Allen, George V.  Search this

Extent:

1 Stereograph (7 x 4 in.)

Culture:

American Indian -- Pueblo -- Cliff ruins  Search this

Type:

Archival materials

Stereographs

Scope and Contents:

The item is number 3708 in the Archaeological Series.

Local Numbers:

NAA INV.09902300

Other Title:

Archaeological Series

Ancient Ruins

"Cave ruin on the San Juan"

Collection Restrictions:

The collection is open for research.

Access to the collection requires an appointment.

Collection Rights:

Contact the repository for terms of use.

Topic:

Cliff ruins -- American Indian, Pueblo  Search this

Collection Citation:

Photo Lot 90-1, George V. Allen collection of photographs of Native Americans and the American frontier, National Anthropological Archives, Smithsonian Institution

See more items in:

George V. Allen photograph collection of photographs of Native Americans and the American frontier

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw36f9bc670-b5f2-4376-94a0-dfbd799518fd

EDAN-URL:

ead_component:sova-naa-photolot-90-1-ref1326