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Stencilling outfit

Type:
Stencilling outfit
Accession Number:
1969-109-1-1/10
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
EDAN-URL:
edanmdm:chndm_1969-109-1-1_10

Live Bird Friendly: Turn Lights Out and Treat Windows to Keep Birds Safe

Creator:
National Zoo  Search this
Type:
YouTube Videos
Uploaded:
2021-05-03T16:15:07.000Z
YouTube Category:
Pets & Animals  Search this
Topic:
Zoology;Animals;Veterinary medicine;Animal health  Search this
See more by:
SmithsonianNZP
Data Source:
National Zoo
YouTube Channel:
SmithsonianNZP
EDAN-URL:
edanmdm:yt_1MfBw_WzekM

Barack Obama by Shepard Fairey

Creator:
National Portrait Gallery  Search this
Type:
YouTube Videos
Uploaded:
2009-07-07T14:04:34.000Z
YouTube Category:
Education  Search this
Topic:
Portraits  Search this
See more by:
NatlPortraitGallery
Data Source:
National Portrait Gallery
YouTube Channel:
NatlPortraitGallery
EDAN-URL:
edanmdm:yt_zVCEYfiyq-g

Katagami & Katazome Demonstration

Creator:
Cooper Hewitt, Smithsonian Design Museum  Search this
Type:
YouTube Videos
Uploaded:
2014-03-14T18:38:25.000Z
YouTube Category:
Education  Search this
Topic:
Design  Search this
See more by:
cooperhewitt
Data Source:
Cooper Hewitt, Smithsonian Design Museum
YouTube Channel:
cooperhewitt
EDAN-URL:
edanmdm:yt_IGfnXGpz8iA

Painting and Stencils

Collection Creator:
Langlais, Bernard, 1921-1977  Search this
Container:
Oversize 22
Type:
Archival materials
Date:
undated
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
Video recording "Noon Exercise: Bernard Langlais" is publication restricted. Authorization to quote or reproduce for purposes of publication requires written permission from WCBB-TV, Lewiston, Maine. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Bernard Langlais papers, circa 1925-2010. Archives of American Art, Smithsonian Institution.
See more items in:
Bernard Langlais papers
Bernard Langlais papers / Series 7: Artwork
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-langbern-ref196

E. D. Moore: Receipts, September 1907-February 1911

Collection Author:
Arnold, Cheney & Co.  Search this
Collection Collector:
Moore, Ernst D. (importer, trader)  Search this
Container:
Box 3, Folder 13-15
Type:
Archival materials
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to publish these photographs must be obtained directly from the donor, who retains copyright. See repository for details.
Collection Citation:
Ernst D. Moore Papers, 1888-1932, Archives Center, National Museum of American History.
See more items in:
Ernst D. Moore Papers
Ernst D. Moore Papers / Series 2: Other Materials
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0321-ref100
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View E. D. Moore:  Receipts, September 1907-February 1911 digital asset number 1

Illinois, Stencilled Walls by William L. Warren

Collection Creator:
Cahill, Holger, 1887-1960  Search this
Container:
Reel 5289, Frame 0959-0960
Type:
Archival materials
Date:
1937
Collection Restrictions:
The microfilm of this collection has been digitized and is available online via the Archives of American Art website.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Holger Cahill papers, 1910-1993, bulk 1910-1960. Archives of American Art, Smithsonian Institution.
See more items in:
Holger Cahill papers
Holger Cahill papers / Series 3: Works Progress Administration Federal Art Project / 3.4: Administration of the State WPA/FAP
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-cahiholg-ref369

Stencils and Rubber Stamps

Collection Creator:
Archives Center, NMAH, SI.  Search this
Ravnitzky, Michael  Search this
Container:
Box 17, Folder 23
Type:
Archival materials
Collection Restrictions:
Collection is open for research.
Collection Rights:
Possible copyright and/or trademark restrictions on material in collection. Consult repository.
Collection Citation:
Archives Center Business Americana Collection, Archives Center, National Museum of American History
See more items in:
Archives Center Business Americana Collection
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0404-ref491

Three examples of the name "Chickering" on stencils

Collection Creator:
Chickering, Jonas, 1798-1853  Search this
Collection Source:
National Museum of American History. Division of Musical History.  Search this
Container:
Box 2, Folder 5
Type:
Archival materials
Date:
undated
Collection Restrictions:
The collection is open for research use.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Chickering and Sons Piano Company Collection, 1864-1985, Archives Center, National Museum of American History
See more items in:
Chickering & Sons Piano Company Collection
Chickering & Sons Piano Company Collection / Series 3: Company History and Records
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0264-ref75

Sohmer & Co. Records

Author:
Falcone Custom Grand Pianos  Search this
Collector:
Musical Instruments, Division of (NMAH, SI)  Search this
Musical Instruments, Division of (NMAH, SI)  Search this
Donor:
Pratt, Read and Company  Search this
Creator:
Sohmer & Company  Search this
Names:
Sohmer & Company  Search this
Kuder, Joseph  Search this
Sohmer, Harry J.  Search this
Sohmer, Harry J., Jr.  Search this
Sohmer, Hugo  Search this
Sohmer, William  Search this
Extent:
43 Cubic feet (82 boxes and 11 map-folders)
Type:
Collection descriptions
Archival materials
Photographs
Sales catalogs
Photographic prints
Advertisements
Scrapbooks
Clippings
Journals (accounts)
Ledgers (account books)
Place:
Ivoryton (Conn.)
New York (N.Y.) -- Musical instruments industry
Date:
1872-1989
Scope and Contents:
The records of Sohmer & Co., date from 1872 through 1989. They fall into fourteen series based primarily on function. Legal, financial, inventory & appraisal, manufacturing, marketing, advertising, and sales are the major series. Photographs, awards, family papers, publications about Sohmer, general publications, "miscellaneous" and correspondence are the remaining series. The records are especially strong in the areas of advertising, finances, and marketing. The collection does not contain corporate records, articles of incorporation, executive records, minutes, annual reports, or personnel records such as payrolls or job descriptions.
Arrangement:
The collection is divided into 14 series.

Series 1: Stock and Legal Records, 1882-1985

Series 2: Financial Records, 1887-1962

Series 3: Inventory & Appraisal Records, 1891-1980

Series 4: Manufacturing Records, 1872-1967

Series 5: Marketing, 1901-1989

Series 6: Advertising Records, 1880-1983

Series 7: Sales Records, 1923-1982

Series 8: Photographs, circa 1920-1964

Series 9: Awards, 1876-1976

Serioes 10: Sohmer Family Papers, 1945-1970

Series 11: Publications about Sohmer, 1883-1986

Series 12: General Publications, 1912-1985

Series 13: Miscellaneous Records, 1894-1983

Series 14: Correspondence, 1892-1987
Historical:
When Sohmer & Co. was founded in 1872 by Hugo Sohmer and his partner Joseph Kuder, it became one of 171 piano manufacturers in New York City. Over the next 110 years, Sohmer & Co. was one of the few active and successful family-owned and operated piano-making ventures in the United States. Nationally known for tonal quality and fine craftmanship, the firm's product, in the music trade, came to be referred to as "The Piano-Maker's Piano."
Biographical:
Born to an eminent physician in Dunningen, Wurtemberg, Germany on November 11, 1846, Hugo Sohmer enjoyed a first class education. Riding the last major wave of German immigration, which had brought piano makers such as Albert Weber, George Steck, John and Charles Fischer, and Henry E. Steinway to America, Hugo arrived in New York City in 1862. He became an apprentice in the piano making house of Schuetze & Ludolf. To learn more about European piano making, Hugo returned to Germany in 1868 and travelled extensively throughout Europe. In 1870 he returned to New York and by 1872 the 26 year old Sohmer and his partner, Josef Kuder, began manufacturing pianos in the 149 East 14th Street factory previously utilized by J.H. Boernhoeft and most recently by Marschall & Mittauer.

Josef Kuder, originally from Bohemia, Austria Hungary, learned piano making in Vienna between 1847 and 1854. Kuder arrived in New York in 1854 and became a pianomaker with Steinway & Sons which had been founded in 1853. In 1861 he returned to Vienna; he worked there until returning to New York in 1864, where he worked for Marschall & Mittauer until joining Sohmer.

Concentrating on tonal quality and response, Sohmer & Co. began producing pianos which were recognized in 1876 by an award from the Centennial Exhibition in Philadelphia. In the waning years of the nineteenth century Sohmer & Co. received other awards including a diploma from the Exposition Provinciale in Montreal, Quebec in 1881, the gold medal at the Great New England Fair in Worcester, Massachusetts in 1889, and an award from the World's Columbian Commission in 1893 in Chicago.

By 1883 additional factory space, located on East 23rd Street and formerly used by Carhart & Needham, was occupied to accomodate increased production. In three years this space proved inadequate and forced the renting of an extension to the original factory. The main office and salesrooms were located at 31 West 57th Street in New York City. Meanwhile, in 1884 Sohmer invented the first five foot "baby" grand piano which was applauded for its musical brilliance and depth of tone. In the early 1900's Sohmer produced grand pianos in four sizes: Concert, Parlor, Baby & Cupid.

Limited space and increased production soon became issues again, and in 1887 the company moved its factory and special machinery to Astoria, Long Island. This factory, located at 31st Avenue and Vernon Boulevard, remained in continuous operation until 1982, when the Adirondack Chair Co. bought the building and Pratt Read acquired the company.

During the 1880s a number of letters patent were granted to Sohmer for such piano improvements as the agraffe bar for tone augmentation, and the aliquot string, which were auxiliary strings "arranged in conjunction with the regular strings for the purpose of giving forth reverberatory or sympathetic waves of sound, thus augmenting the general tone results of each unison." (Spillane, History, 256.)

In 1894 Hugo Sohmer took competitor Sebastian Sommer to court for stenciling the name "Sommer" on the fallboard of his pianos. Sohmer declared that "Sohmer" was a trademark used as an emblem to distinguish the piano from others, especially the Sommer piano which he considered inferior. The court in this equity case dismissed the case on the grounds that Sohmer had not proven damages accruing from the advertising and sale of the Sommer piano.

By 1907 Sohmer & Co. was producing 2,000 pianos per year. Additionally, with Farrand & Co. of Detroit, Sohmer was making the Sohmer Cecilian player piano. On June 8, 1913 Hugo Sohmer died in Scarsdale, N.Y.; 20 days later, Josef Kuder died as well. Hugo was survived by his wife, Elizabeth; a daughter, Adelaide S. Weber; and a son, Harry J. Sohmer, born in 1886. Company leadership was assumed by Harry J. Sohmer after Hugo's death.

During the 1920s Sohmer began a special department in its plant for the manufacture of period pianos. According to Harry Sohmer, the 1930s were difficult. He recalled that, once only one piano in 29 days was shipped. The number of American piano manufacturers dropped from 140 to 22 during this time. It was during this time that Harry's cousins, Frank and Paul Sohmer joined the company as consultants. However, through its pioneering efforts in the introduction of a console vertical piano known as a "Spinet," Sohmer revitalized the industry. (Taylor, "Piano Family.") This console vertical piano has been called "The Musicians' Console.

Primarily because of its concentration on the console vertical pianos Sohmer & Co. never cultivated famous performers in the way that Steinway and Baldwin did. While publicly acknowledging that it never entered into the competition for artistic endorsement (an acknowledgement which perhaps worked to its favor), Sohmer & Co. relied upon a most comprehensive and innovative advertising strategy stressing integrity, quality and craftsmanship in the pursuit of the ideal tone and touch.

In 1940 Harry incorporated the company as Sohmer & Co. and led it, with his sons Harry J. Sohmer, Jr., (born 1917) as production manager and Robert H. Sohmer (born 1920), as process engineer. By 1969 Harry Jr. was vice president in charge of production and Robert was production engineer/ treasurer. In 1971 Harry Sr. died and Harry Jr. became president.

In 1982 Pratt Read Corporation, a long established manufacturer of piano keyboards, acquired Sohmer & Co. for an undisclosed amount, and moved the operations to its Ivoryton, Connecticut factory, while retaining the Sohmer name. The Sohmer brothers retained their positions in the company. At the time of its purchase Sohmer & Co. employed 120 people, produced 2500 pianos yearly, and grossed $5 million in sales. Harry J. Sohmer, Jr., grandson of the founder, in expressing his feelings about the move and the Sohmer piano, compared his piano to old New York beers saying that "they were strictly New York products and in a way so were we." He concluded by saying, "We were always identified with this city. Sohmer was a New York piano." (Prial, "Sohmer Piano.")

By July 1983 under Pratt Read's management Sohmer was producing 6 pianos per day, only 50% of the expected capacity according to H.B. Comstock, president of Pratt Read. In 1986 the Ivoryton factory was sold to a group of investors organized as Sohmer Holding Co., who continued to make pianos there until a lack of skilled workers and financial losses forced its closing in December 1988. In an effort to fill the backlog of orders, Sohmer president Tom Bradshaw opened a new facility in Elysburg, Pennsylvania. A retail showroom was maintained in Ivoryton. In 1989, the Sohmer company was sold to the Falcone Custom Grand Piano Company of Haverhill, Massachusetts.

References

Cox, Erin. "Labor Woes a Main Factor in Sohmer Closing," The Pictorial Gazette West, 3 (December 8, 1988), 1, 22.

Dolge, Alfred. Piano and their Makers. 1911; rpt. New York: Dover Publications, 1973.

Loesser, Arthur. Men, Women and Pianos: A Social History. New York: Simon & Schuster, 1954.

Musical Merchandise Review. "Sohmer Pianos Underway at Conn. Pratt Read," July 1983, 91.

The Music Trades. "Pratt, Read Acquires Sohmer & Co. Piano Maker,"August 1982, 18.

Piano and Organ Purchaser's Guide, 1907, 1930. Prial, Frank J. "Sohmer Piano, and 110 Years of Craft, will leave Astoria," New York Times, August 13, 1982, B1, B4.

Purchaser's Guide to the Music Industries. 1956, New York: The Music Trades, 1956, 58 60.

Spillane, Daniel. History of the American Pianoforte: Its Technical Development, and the Trade. 1890; rpt. New York: Da Capo Press, 1969.

Taylor, Carol. "Piano Family Stays in Tune," New York World Telegram & Sun, August 15, 1958.
Materials in the Archives Center, National Museum of American History:
Pratt Read Corp. Records (AC0320)

Chickering & Sons Records (AC0264)

Steinway Piano Co. Collection (AC0178)
Provenance:
Collection donated by Pratt Read Corporation, August 11, 1989.
Restrictions:
Collection is open for research.
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Musical instrument manufacturing  Search this
Piano makers  Search this
advertising -- History  Search this
Keyboard instruments  Search this
Piano  Search this
advertising  Search this
Genre/Form:
Photographs -- 20th century
Sales catalogs
Photographic prints
Advertisements
Photographs -- 1850-1900
Scrapbooks
Clippings
Journals (accounts)
Ledgers (account books)
Citation:
Sohmer & Co. Records, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0349
See more items in:
Sohmer & Co. Records
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0349
Online Media:

Die Harmonie der Farben 1300 Zusammenstellungen von Farbenverbindungen für die Kunst-Industrie, für dekorative Zimmerausstattungen, Kostüme und Toilette von E. Guichard ; autorisirte deutsche Ausgabe, mit deutschem Text von G. Krebs

Author:
Guichard, Édouard 1815-  Search this
Lithographer:
Appel, F.  Search this
Translator:
Krebs, Georg 1833-1907  Search this
Printer:
Osterrieth, August  Search this
Physical description:
[24] pages, 166 leaves of plates in various foliations (some folded) chiefly color illustrations 36 cm
Type:
Specimens
Pochoir
Place:
Germany
Date:
1882
19th century
Topic:
Color in interior decoration  Search this
Color  Search this
Stencil work  Search this
Call number:
QC495 .G85 1882
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1026409

Richard Artschwager papers

Creator:
Artschwager, Richard, 1923-  Search this
Names:
Adair Margo Gallery  Search this
Carpenter Center for the Visual Arts  Search this
Cornell University.  Search this
Gagosian Gallery  Search this
Galerie Franck + Schulte  Search this
Harvard University  Search this
Herbert F. Johnson Museum of Art  Search this
Leo Castelli Gallery  Search this
Lorence-Monk Gallery (New York, N.Y.)  Search this
Museum Ludwig  Search this
Museum of Contemporary Art (Los Angeles, Calif.)  Search this
Museum of Fine Arts, Boston  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Skowhegan School of Painting and Sculpture  Search this
University of Wisconsin  Search this
Whitney Museum of American Art  Search this
Alloway, Lawrence, 1926-1990  Search this
Castelli, Leo  Search this
Copley, William Nelson, 1919-1996  Search this
Fischl, Eric, 1948-  Search this
Johnson, Ray, 1927-  Search this
Karp, Ivan C., 1926-2012  Search this
Katz, Alex, 1927-  Search this
Kimmelman, Michael  Search this
Lawler, Louise  Search this
LeWitt, Sol, 1928-2007  Search this
Murray, Elizabeth, 1940-  Search this
Namuth, Hans  Search this
Neuendorf, Hans  Search this
Ruscha, Edward  Search this
Schaffner, Ingrid  Search this
Schjeldahl, Peter  Search this
Waters, John, 1946-  Search this
Woodman, Betty, 1930-  Search this
Extent:
5.6 Linear feet
9.33 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Illustrated letters
Transcripts
Sketches
Photographs
Sound recordings
Video recordings
Date:
1959-2013
Summary:
The papers of New York painter and sculptor Richard Artschwager measure 5.6 linear feet and 9.33 GB and date from 1959-2013. The papers include extensive correspondence, recorded talks and a lecture, exhibition files, printed and digital material, and photographs.
Scope and Contents:
The papers of New York painter and sculptor Richard Artschwager measure 5.6 linear feet and 9.33 GB and date from 1959-2013. The papers include extensive correspondence, recorded talks and a lecture, exhibition files, printed and digital material, and photographs.

Artschwager's correspondence is with museums, galleries, artists, art historians, academic institutions, and publishers and concerns exhibitions, speaking engagements, and teaching. Frequent correspondents include Lawrence Alloway, Leo Castelli Gallery, Gagosian Gallery, Galerie Franck + Schulte, Herbert F. Johnson Museum, Ivan Karp, Museum Ludwig, Museum of Contemporary Art, Los Angeles, Ingrid Schaffner, and the Whitney Museum of American Art. Also found are letters from fellow artists, including William Copley, Eric Fischl, Ray Johnson, Louise Lawler, Sol Lewitt, Ed Ruscha, John Waters, and Betty Woodman. Some letters are annotated or illustrated with sketches by Artschwager.

The collection includes a lecture and recorded talks by Richard Artschwager held at the University of Wisconsin, Madison, Skowhegan School of Painting & Sculpture, and the Carpenter Center of the Visual Arts, Harvard University, and other venues. One of the recordings is from the "Conversations with Contemporary Artists" series of the Museum of Modern Art. Also included in this series is a recorded discussion with artists Alex Katz and Elizabeth Murray and art critics Michael Kimmelman and Peter Schjeldahl.

Exhibition files are found for exhibitions held at Adair Margo Gallery, Lorence Monk Gallery, Museum of Fine Arts, Boston, Cornell University, and numerous others, including many in Europe. Files typically contain correspondence, price lists, announcements, printed material, photographs, and a few sound and video recordings.

Printed material includes invitations and announcements as well as posters, reproductions, and brochures, mostly related to Richard Artschwager's exhibitions. Newspaper and magazine clippings document exhibition openings and the critical reception of his work.

There are also a few photographs including images of Leo Castelli by Hans Namuth used by Artschwager in preparing for his portrait of Castelli.
Arrangement:
The collection is arranged as 5 series.

Series 1: Correspondence, circa 1970-2013 (Boxes 1-3; 3.0 linear feet, ER01-ER02; 0.555 GB)

Series 2: Talks and Lecture, 1985-2009 (Box 4; 0.8 linear feet, ER03-ER10; 8.77 GB)

Series 3: Exhibition Files, 1973-2007 (Boxes 4-5; 1.0 linear feet)

Series 4: Printed Material, 1959-2012 (Boxes 5-6, OV 7; 0.6 linear feet)

Series 5: Photographs, circa 1973, 2007 (Box 6, OV 8; 0.1 linear feet)
Biographical / Historical:
Richard Artschwager (1923-2013) lived and worked in New York City and Hudson, New York and was known primarily for his paintings and sculptures. Artschwager was born in Washington, D.C. and grew up in New Mexico. As a youth, Artschwager showed a talent for drawing. He studied chemistry and mathematics at Cornell University. In 1944, Artschwager interrupted his studies to enlist in the U.S. Army. After the war, he returned to Cornell to complete his Bachelor of Arts degree in 1948. Encouraged by his first wife, Elfriede Wejmelka to develop his interest in art, Artschwager moved to New York to study at the Studio School of Amédée Ozenfant. His paintings and drawings from this period were featured in two group shows at the Terrain Gallery in 1957 and at the Art Directions Gallery on Madison Avenue in 1959, where they were recognized by Donald Judd.

In the 1950s, in order to support his family, Artschwager turned to designing and manufacturing modern furniture. His woodworking skills inspired him to create sculptures from utilitarian objects such as tables, chairs, and mirrors. He is best known for the use of building materials Celotex and Formica in his work and for inventing an abstract form he called "blps" reliefs, stencils or decals that were installed randomly in museum, gallery and public spaces. From the mid-1980s to late 1990s, Artschwager designed large scale projects, though he continued to incorporate everyday domestic objects in his sculptures and paintings.

In 1965, Artschwager was given his first one-man exhibition at the Castelli Gallery and he remained with the Gallery for thirty years. He was also represented by Mary Boone, David Nolan, and the Gagosian Gallery. In the 1980s, Artschwager served on the Visual Arts Policy Committee at the National Endowment of the Arts. He was elected to the American Academy of Arts in 1992. He was a visiting artist at New Mexico State University, Soka University, Skowhegan School of Painting and Sculpture, and the University of Arizona. Artschwager's work was the subject of a major surveys, including the Kunstmuseum Winterthur, Neues Museum, and Serpentine Gallery. He participated in numerous international group shows including the Venice Biennale and Documenta in Kassel, Germany. The Whitney Museum of American Art honored Artschwager with two travelling retrospective exhibitions in 1988 and 2012. In late 2012, Artschwager had one-man shows at the Gagosian Gallery and David Nolan Gallery.

Richard Artschwager died at the age of 89 years in 2013. He is survived by his wife, Ann Sebring Artschwager and three children from previous marriages.
Related Materials:
Also found among the resources at the Archives of American Art is an oral history interview with Artschwager, March 3-28, 1972, conducted by Paul Cummings.
Provenance:
The collection was donated by Richard Artschwager and his wife Ann Artschwager in 2013.
Restrictions:
Use of original material requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art critics  Search this
Topic:
Art -- Study and teaching  Search this
Painters -- New York (State) -- New York  Search this
Art, Modern -- 20th century  Search this
Sculptors -- New York (State) -- New York  Search this
Genre/Form:
Illustrated letters
Transcripts
Sketches
Photographs
Sound recordings
Video recordings
Citation:
Richard Artschwager papers, 1959-2013. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.artsrich
See more items in:
Richard Artschwager papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-artsrich
Online Media:

Printed and Digital Material

Collection Creator:
Jancar Gallery  Search this
Extent:
0.4 Linear feet (Box 2, OV 4)
0.239 Gigabytes (ER49-ER52)
Type:
Archival materials
Gigabytes
Date:
2005-2014
Scope and Contents:
Printed and digital material includes exhibition announcements, exhibition catalogs, exhibition posters, and clippings in printed and digital formats. There is also ephemera such as stencils, a paper bag, and a button. This series also includes screen captures of Jancar Gallery website and Facebook page; commercially produced digital media in the form of CDs and DVDs was not imaged.
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of born-digital records with no duplicate access copies requires advance notice.
Collection Citation:
Jancar Gallery records, circa 1972-2015, bulk 2006-2014. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.jancgall, Series 3
See more items in:
Jancar Gallery records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-jancgall-ref3

Oversized Stencils

Collection Creator:
Jancar Gallery  Search this
Container:
Box OV 4
Type:
Archival materials
Date:
circa 2000s
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of born-digital records with no duplicate access copies requires advance notice.
Collection Citation:
Jancar Gallery records, circa 1972-2015, bulk 2006-2014. Archives of American Art, Smithsonian Institution.
See more items in:
Jancar Gallery records
Jancar Gallery records / Series 3: Printed and Digital Material
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-jancgall-ref61

Ching Ho Cheng papers

Creator:
Cheng, Ching Ho  Search this
Names:
Brown, Tally  Search this
Cheng-Wilson, Sybao  Search this
Cohen, Ira  Search this
Millard, Gregory  Search this
Myers, Vali, 1930-2003  Search this
Rattray, David  Search this
Seid, Dui  Search this
Extent:
6.8 Linear feet
Type:
Collection descriptions
Archival materials
Sketches
Drawings
Sketchbooks
Photographs
Scrapbooks
Date:
circa 1950-2014
bulk 1970-1989
Summary:
The papers of New York City Asian American artist Ching Ho Cheng measure 6.8 linear feet and date from circa 1950 to 2014, with the bulk of the materials dating from 1970-1989. The collection documents Cheng's art career and life through biographical material, correspondence, personal business and estate records, printed material, a scrapbook, photographic material, artwork, sketchbooks, and artifacts.
Scope and Contents:
The papers of New York City Asian American artist Ching Ho Cheng measure 6.8 linear feet and date from circa 1950 to 2014, with the bulk of the materials dating from 1970-1989. The collection documents Cheng's art career and life through biographical material, correspondence, personal business and estate records, printed material, a scrapbook, photographic material, artwork, sketchbooks, and artifacts.

Biographical material includes artist's statements, biographical writings, lists, life and death documents, a memorial book, naturalization paperwork, and one file of collaborative poetry with David Rattray.

Correspondence includes letters and postcards from Cheng's friends, artists, and family, including Tally Brown, Ira Cohen, Gregory Millard, Vali Myers, David Rattray, and Dui Seid.

Personal business and estate records contain contracts, loan agreements, inventories, and other records documenting income and expenses.

Printed material is comprised of books, clippings, exhibition announcements and catalogs, journals, magazines, newsletters, postcards, press releases, programs, and posters documenting Cheng's career.

One scrapbook contains clippings and reproductions of Cheng's work.

Photographic material includes photographs, negatives, and slides featuring portraits of Cheng, Gregory Millard, Tally Brown, Vali Myers, Sybao Cheng-Wilson, and others.

Artwork and fifteen sketchbooks contain drawings and sketches, mostly quick studies of geometric compositions done in pencil, ink, and colored pencil.

Artifacts include a metal box, various fabric scraps, a paintbrush, and a blue enamel mug, which is the subject of one of Cheng's paintings.
Arrangement:
The collection is arranged as nine series

Series 1: Biographical Material, circa 1970-1990 (0.3 linear foot; Box 1)

Series 2: Correspondence, 1957-2014 (2.2 linear feet; Box 1-3)

Series 3: Personal Business and Estate Records, circa 1970-2010 (0.7 linear foot; Box 3-4)

Series 4: Printed Material, 1954-2011 (1.1 linear feet; Box 4-5, 7, OV 9)

Series 5: Scrapbook, 1982-1983 (1 folder; Box 5)

Series 6: Photographic Material, circa 1950-1990 (0.4 linear feet; Box 5, 7)

Series 7: Artwork, circa 1960-1990 (1linear foot; Box 5, 8, OV 10)

Series 8: Sketchbooks, circa 1970-1990 (0.5 linear feet; Box 6, 8)

Series 9: Artifacts, circa 1970-1990 (0.6 linear feet; Box 6)
Biographical / Historical:
Ching Ho Cheng (1946-1989) was a Chinese American artist based in New York City.

Cheng was born in Cuba but spent most of life in New York City. After receiving his BFA from the Cooper Union in 1968, Cheng lived in Paris and Amsterdam, where he had his first solo exhibition in 1976. Shortly after, Cheng moved back to New York City. He became associated with the Warhol circle, and took up residence in the Chelsea Hotel, where he lived until his death in 1989.

Working in the pop psychedelic style early in his career, Cheng later developed a technique of creating abstract paintings with stencils and torn paper that he treated and soaked. He was in more than fifteen exhibitions before his death, and his work has been collected posthumously by the Hirshhorn, the Whitney, and many other museums.
Provenance:
The Ching Ho Cheng papers were donated to the Archives of American Art in 2014 and 2016 by Sybao Cheng-Wilson, Cheng's sister and executor of the Ching Ho Cheng estate.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- New York (State) -- New York  Search this
Topic:
Asian American artists  Search this
Asian American art  Search this
Chinese American art  Search this
Chinese American artists  Search this
Asian American painters  Search this
Genre/Form:
Sketches
Drawings
Sketchbooks
Photographs
Scrapbooks
Citation:
Ching Ho Cheng papers, circa 1950-2014, bulk 1970-1989. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.chenchin
See more items in:
Ching Ho Cheng papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-chenchin
Online Media:

Artwork

Collection Creator:
Cheng, Ching Ho  Search this
Extent:
1 Linear foot (Box 5, 8, OV 10)
Type:
Archival materials
Date:
circa 1960-1990
Scope and Contents:
Artwork dates from circa 1960-1990 and includes over a hundred drawings and sketches, mostly quick studies of geometric compositions. These works are predominantly in pencil, ink, and colored pencil. Also included here is a leather bag similar to those he made and sold in the 1960s, and stencils used to create a larger work. One folder contains artwork by other unidentified artists.
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Ching Ho Cheng papers, circa 1950-2014, bulk 1970-1989. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.chenchin, Series 7
See more items in:
Ching Ho Cheng papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-chenchin-ref17

Oversized Stencils

Collection Creator:
Cheng, Ching Ho  Search this
Container:
Box OV 10
Type:
Archival materials
Date:
circa 1980s
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Ching Ho Cheng papers, circa 1950-2014, bulk 1970-1989. Archives of American Art, Smithsonian Institution.
See more items in:
Ching Ho Cheng papers
Ching Ho Cheng papers / Series 7: Artwork
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-chenchin-ref57

Participatory sculpture with Giovanni Anselmo

Creator:
Hirshhorn Museum and Sculpture Garden  Search this
Type:
YouTube Videos
Uploaded:
2020-08-31T14:05:29.000Z
YouTube Category:
Education  Search this
Topic:
Art, modern  Search this
See more by:
hirshhornmuseum
Data Source:
Hirshhorn Museum and Sculpture Garden
YouTube Channel:
hirshhornmuseum
EDAN-URL:
edanmdm:yt__4oNnftVTFs

Stencils on Acetate

Collection Creator:
Kuniyoshi, Yasuo, 1889-1953  Search this
Container:
Box 8, Folder 27
Type:
Archival materials
Date:
circa 1930-circa 1950
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Yasuo Kuniyoshi papers, 1906-2016, bulk 1920-1990. Archives of American Art, Smithsonian Institution.
See more items in:
Yasuo Kuniyoshi papers
Yasuo Kuniyoshi papers / Series 9: Artwork
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-kuniyasu-ref1302

Sandy Kinnee holiday card to Ellen Johnson

Creator:
Kinnee, Sandy  Search this
Johnson, Ellen H. (Ellen Hulda), 1910-1992  Search this
Kinnee, Sandy  Search this
Type:
Correspondence
Date:
198-
Topic:
Art, Japanese  Search this
Holidays  Search this
Record number:
(DSI-AAA)11793
See more items in:
Ellen Hulda Johnson papers, 1872-2018
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_11793
Online Media:

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