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Pittsburgh Steel Plate Engraving Co.

Collection Creator:
Carnegie Institute, Museum of Art  Search this
Container:
Box 114, Folder 14
Type:
Archival materials
Date:
1908
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Carnegie Institute, Museum of Art records, 1883-1962, bulk 1885-1940. Archives of American Art, Smithsonian Institution.
See more items in:
Carnegie Institute, Museum of Art records
Carnegie Institute, Museum of Art records / Series 1: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw953416a0b-677c-4418-b22d-6c01329af66e
EDAN-URL:
ead_component:sova-aaa-carninst-ref6493

Sherman at Savannah, Ga.

Depicted:
Sherman, William Tecumseh  Search this
Maker:
Botticher, Otto  Search this
Buttre, John Chester  Search this
Major & Knapp Engraving, Manufacturing & Lithographic Company  Search this
Measurements:
image: 13 7/8 in x 25 7/8 in; 35.2425 cm x 65.7225 cm
overall: 18 in x 28 in; 45.72 cm x 71.12 cm
Object Name:
Lithograph
Object Type:
Lithograph
Place made:
United States: New York, New York City
Date made:
1865-1866
Subject:
Horses  Search this
Patriotism and Patriotic Symbols  Search this
Civil War  Search this
Architecture  Search this
Uniforms, Military  Search this
Credit Line:
Harry T. Peters "America on Stone" Lithography Collection
ID Number:
DL.60.2610
Catalog number:
60.2610
Accession number:
228146
See more items in:
Home and Community Life: Domestic Life
American Civil War Prints
Art
Domestic Furnishings
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746b4-ea4a-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_324919

American Methodism. 1872 by L Hollis and John Chester Buttre

Depicted:
Wesley, John  Search this
Engraver:
Buttre, John Chester  Search this
Artist:
Hollis, L.  Search this
Physical Description:
paper (overall material)
ink (overall material)
Measurements:
image: 13 in x 18 in; 33.02 cm x 45.72 cm
Object Name:
engraving
Object Type:
Engraving
Place made:
United States: New York, New York City
Date made:
1872
Subject:
Colonial Life  Search this
Costume  Search this
Chronology: 1870-1879  Search this
Fire Fighting  Search this
Blacks  Search this
Credit Line:
Harry T. Peters "America on Stone" Lithography Collection
ID Number:
DL.60.2958
Catalog number:
60.2958
Accession number:
228146
See more items in:
Home and Community Life: Domestic Life
Religion
Art
Peters Prints
Domestic Furnishings
Morality & Religious Prints
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746a4-0f99-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_325239

French engravings depicting monuments of India

Collection Creator:
Del Bontà, Robert John  Search this
Type:
Archival materials
Scope and Contents:
This series consists of 36 large format steel plate engravings from Louis Mathieu Langlès, Monuments anciens et modernes de l'Hindoustan from 1821. It also includes 3 books.
Arrangement:
Arranged in an order provided by the donor. E or engraving numbers reflect Del Bonta's numbering system.
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to reproduce and publish an item from the Archives is coordinated through the National Museum of Asian Art's Rights and Reproductions department. Please contact the Archives in order to initiate this process.
Collection Citation:
Robert J. Del Bonta Collection, FSA A2014.06. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C.
Identifier:
FSA.A2014.06, Series 7
See more items in:
Robert J. Del Bonta Collection
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
GUID:
https://n2t.net/ark:/65665/dc3cf498e00-c405-48bc-b0a5-bf3e8c355272
EDAN-URL:
ead_component:sova-fsa-a2014-06-ref18

Warshaw Collection of Business Americana Subject Categories: Steel

Creator:
Warshaw, Isadore, 1900-1969  Search this
Extent:
5.11 Cubic feet (consisting of 11 boxes, 1 folder, 2 oversize folders, 1 map case folder, 1 flat box (partial.))
Type:
Collection descriptions
Archival materials
Publications
Business ephemera
Manuscripts for publication
Steel plate engravings
Technical reports
Letterheads
Business cards
Advertising mail
Advertising fliers
Sales letters
Printed ephemera
Sales records
Advertising cards
Advertisements
Trade cards
Periodicals
Commercial catalogs
Manufacturers' catalogs
Manuals
Legal documents
Receipts
Invoices
Print advertising
Advertising
Ephemera
Business letters
Sales catalogs
Printed materials
Illustrations
Trade catalogs
Trade literature
Catalogues
Commercial correspondence
Business records
Printed material
Correspondence
Legislation (legal concepts)
Reports
Technical manuals
Date:
1819-1985
Summary:
A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Accounting and Bookkeeping forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana
Scope and Contents:
The subject category Steel largely represents business records and advertisements created by steel manufacturers and distributors of steel-based goods or services. Additional materials include biographical writings about Andrew Carnegie, documentation about the effect of the steel industry on society, and educational material about the steel industry.

No complete set of business records are represented within the collection, however the United States Steel Corporation has notable representation within the business records.

Technical documentation about the production of steel-based products as well as background information about the United States Steel Industry and Andrew Carnegie are strong research strengths of this subject category.
Arrangement:
Steel is arranged in three subseries.

Business Records and Marketing Material

Genre

Subject
Forms Part Of:
Forms part of the Warshaw Collection of Business Americana.

Series 1: Business Ephemera

Series 2: Other Collection Divisions

Series 3: Isadore Warshaw Personal Papers

Series 4: Photographic Reference Material
Provenance:
Steel is a portion of the Business Ephemera Series of the Warshaw Collection of Business Americana, Accession AC0060 purchased from Isadore Warshaw in 1967. Warshaw continued to accumulate similar material until his death, which was donated in 1971 by his widow, Augusta. For a period after acquisition, related materials from other sources (of mixed provenance) were added to the collection so there may be content produced or published after Warshaw's death in 1969. This practice has since ceased.
Restrictions:
Collection is open for research. Some items may be restricted due to fragile condition.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Steel founding  Search this
Steel industry and trade -- 1930-2000  Search this
Stainless steel tableware  Search this
Steel alloys  Search this
Iron and steel bridges  Search this
Iron and steel industry  Search this
Manufacturing  Search this
Iron and steel workers -- 1920-1930 -- New York (State) -- New York  Search this
Steel industry and trade  Search this
Steel, Stainless -- 20th century  Search this
Structural steel workers -- 1920-1930 -- New York (State) -- New York  Search this
Women iron and steel workers  Search this
Manufacturing industries  Search this
Manufacturing processes  Search this
Trade associations  Search this
Genre/Form:
Publications -- Business
Business ephemera
Manuscripts for publication
Steel plate engravings
Technical reports
Letterheads
Business cards
Advertising mail
Advertising fliers
Sales letters
Printed ephemera
Sales records
Advertising cards
Advertisements
Trade cards
Periodicals
Commercial catalogs
Manufacturers' catalogs
Manuals
Legal documents
Receipts
Invoices
Print advertising
Advertising
Ephemera
Business letters
Sales catalogs
Printed materials
Illustrations
Trade catalogs
Trade literature
Catalogues
Commercial correspondence
Business records
Printed material
Correspondence
Legislation (legal concepts)
Reports
Technical manuals -- 20th century
Citation:
Warshaw Collection of Business Americana Subject Categories: Steel, Archives Center, National Museum of American History, Smithsonian Institution.
Identifier:
NMAH.AC.0060.S01.01.Steel
See more items in:
Warshaw Collection of Business Americana Subject Categories: Steel
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8b94698eb-da99-4338-b74e-4b73fc712dc5
EDAN-URL:
ead_collection:sova-nmah-ac-0060-s01-01-steel

Forensic Studies of Stamps Issued by the Confederate States of America, Part V: The steel-plate engraved, 10-cent Jefferson Davis Type II Issue

Author:
Brittain, Harry G.  Search this
Object Type:
Smithsonian staff publication
Year:
2014
Citation:
Brittain, Harry G. 2014. "Forensic Studies of Stamps Issued by the Confederate States of America, Part V: The steel-plate engraved, 10-cent Jefferson Davis Type II Issue." The Confederate Philatelist, 59, (2) 5–11.
Identifier:
122175
ISSN:
0573-2581
Data source:
Smithsonian Libraries and Archives
EDAN-URL:
edanmdm:slasro_122175

A forensic study of the steel-plate engraved 10-cent Jefferson Davis Type I Issue

Author:
Brittain, Harry G.  Search this
Object Type:
Smithsonian staff publication
Year:
2014
Citation:
Brittain, Harry G. 2014. "A forensic study of the steel-plate engraved 10-cent Jefferson Davis Type I Issue." The Confederate Philatelist, 59, (1) 5–11.
Identifier:
118863
ISSN:
0573-2581
Data source:
Smithsonian Libraries and Archives
EDAN-URL:
edanmdm:slasro_118863

White Captive, very fine Rustic Frame, (art work)

Artist:
Unknown  Search this
Type:
Art works
Exhibition Catalogs
Date:
1876
Topic:
Ethnic  Search this
Figure  Search this
State of Being--Other--Imprisonment  Search this
Control number:
AECI 00280190
Data Source:
Pre-1877 Art Exhibition Catalogue Index
EDAN-URL:
edanmdm:siris_aeci_3646

James Smithson Collection

Extent:
5.37 cu. ft. (8 document boxes) (2 half document boxes) (1 16x20 box) (3 oversize folders)
Type:
Collection descriptions
Archival materials
Black-and-white photographs
Serials (publications)
Maps
Drawings
Clippings
Books
Illustrations
Manuscripts
Plates (illustrations)
Art objects
Date:
1796-1951, circa 1974, 1981-1983
Descriptive Entry:
The James Smithson Collection lacks a great deal of his original papers. Richard Rush brought Smithson's personal effects to the United States in 1838, along with the proceeds from his estate. A fire in the Smithsonian building in 1865 destroyed many of the manuscripts originally acquired by the Institution. Correspondence among individuals seeking information on his life constitutes the majority of the collection, but some personal documents remain. These include some of his scientific papers and research notes, correspondence with friends and fellow scholars, and a handwritten draft of his will, all found in Series 1. Photographic copies of images of Smithson, Henry James Hungerford, documents, places, and people involved with some aspect of the Smithsonian are included as well. These appear in all of the six series.

Series 2 contains documents related to securing the Smithson bequest, establishing the Smithsonian Institution, and claims on the estate by would-be heirs. Series 3 consists of research materials on Smithson's life and lineage. Congress debated the purpose for the Smithsonian Institution for over a decade. Debates, bills, amendments, and letters show the questions and opinions surrounding what Smithson meant by "the increase and diffusion of knowledge . . ." Series 2-3 include correspondence, illustrations, charts, books, and letters concerning Smithson's maternal and paternal genealogies which help piece together his family history. Controversy surrounded one particular branch of Smithson's family, the de la Batuts, after the establishment of the Smithsonian Institution.

Series 4 includes information on the steps taken to move Smithson's remains to America. Newspaper clippings about the transfer of Smithson's remains and tomb to America mark a final chapter in the collection. Photographs, letters, and telegrams follow the story from start to finish, and involve men like Samuel P. Langley, Alexander Graham Bell, Richard Rathbun, William Henry Bishop, and Gilbert H. Grosvenor. Series 5 consists of photographs and liknesses of James Smithson, his relatives, and places and objects related to him. It includes a plaster cast and steel plate engravings of Smithson.

William J. Rhees, Joseph Henry, Spencer F. Baird, Samuel P. Langley, S. Dillon Ripley, and others involved with the Smithsonian Institution fervently sought information on Smithson's life for a variety of books, pamphlets, and articles. Circulars and letters from the 1870s and 1880s show the caliber of their search, but unfortunately very few facts surfaced on the founder of the Institution. This correspondence is scattered throughout the collection, but the actual publications which emerged on Smithson and the Smithsonian's beginnings are included in Series 6.
Historical Note:
The birth of James Smithson, founder of the Smithsonian Institution, is thought to be during the year 1765. Born in France, he became a naturalized British citizen around the age of ten. The illegitimate son of Elizabeth Hungerford Keate Macie and Hugh Smithson, 1st Duke of Northumberland, he changed his name as well as his citizenship. After his parents' death, he became known as James Smithson rather than James Macie. On May 7, 1782, he enrolled in Pembroke College, Oxford, and graduated four years later. The natural sciences sparked his interest, and he established a solid reputation as a chemist and mineralogist, despite the lack of quality information available on these topics in the late 1700s. He realized this and worked diligently to collect mineral and ore samples from European countries. Excerpts from his notes show that his excursions often forced him to brave the elements and do without the monetary comforts of his parents. Smithson, although a wealthy man, determined to make a name for himself among scientists without depending upon his heritage. He kept accurate accounts of his experiments and collections and earned the respect of his peers. When the Royal Society of London recognized his scientific abilities and accepted his membership on April 26, 1787, only a year after he graduated from college, he knew his quest and respect for knowledge would yield even greater things. The Society became an outlet for publishing many of his papers, which covered a diverse range of scientific topics, as well as a meeting place for fellow intellectuals like Cavendish, Lavoisier, Arago, Banks, and Fabroni.

James Smithson wrote his Last Will and Testament with the same exactness found in his research notes. He drafted it in 1826 in London, only three years before he died. He died on June 27, 1829, in Genoa, Italy, where he was buried in a British Cemetery. The will entailed his estate to his nephew, Henry James Hungerford, and stated that if his nephew died without an heir the money would go "to the United States of America, to found at Washington, under the name of the Smithsonian Institution, an establishment for the increase and diffusion of knowledge . . ."

In 1835 when Henry James Hungerford died without an heir, his mother, Mary Ann de la Batut, claimed her right to the Smithson estate, due to her previous marriage to Colonel Henry Louis Dickinson, half-brother of James Smithson and father of Henry James Hungerford. The British Courts allotted her an annual allowance until her death in 1861. Marie de la Batut's children from her second marriage had no blood or legal relationship to James Smithson; however, they joined with their spouses and children and persisted over the next few decades to claim various rights to the Smithson estate. George Henry, Emma Kirby, Marie, Charles, and Maurice all contacted the Smithsonian Institution with stories, genealogies, and bargains attempting to convince the Smithsonian administration of their need for and right to the money.

Aaron Vail, charges d'affaires of the United States at London, informed the United States of its right to the Smithson bequest after Hungerford's death. President Andrew Jackson brought the situation before Congress on December 17, 1835, and the government reacted with skepticism. The hesitancy lasted for ten years as Congress contemplated Smithson's motivation for willing such a large sum to a country he never visited. Some considered the bequest "a cheap way of conferring immortality," while others were reluctant to accept such a gift from a foreigner. (Rhees, 1880)

John Quincy Adams liked the idea of a Smithsonian Institution, however, and gathered congressional support for it during the spring of 1836. July 1, 1836, President Jackson commissioned Richard Rush to represent the United State's claim to Smithson's bequest in England. Rush acquired the money, converted it to gold (over $500,000), and brought it to America. Debates ensued and the U. S. Treasury invested the money in Arkansas State Bonds. This investment disturbed John Quincy Adams. Despite their low interest rate, he realized the bonds were untouchable until 1860. Adams spent the last nine months of 1841 trying to access the money. Upon hearing Adams' complaint President John Tyler took action and forced the Treasury to provide the original amount of the bequest plus the appropriate interest on the bonds. In 1846 a final bill passed for the establishment of the Smithsonian Institution.

Another issue began to surface in 1891 when Samuel P. Langley invested in Italian rentes (bonds) for the care of Smithson's grave site in Genoa, Italy. On November 24, 1900, a member of the Committee of the British Burial Ground Association of Genoa informed Langley of a possible need to remove Smithson's remains from the cemetery due to quarrying in the area. William Henry Bishop, U. S. Consul at Genoa, confirmed the impending destruction of the cemetery and offered his assistance along with cost estimates for the transfer of Smithson's remains to the United States. Dr. Alexander Graham Bell, a Regent of the Smithsonian, agreed to accompany the remains from Italy to America as long as the act coincided with Italian and British Law. Dr. Bell and his wife arrived with the remains in Hoboken, New Jersey, on the "Princess Irene" on January 19, 1904. The U. S. S. "Dolphin" then carried the remains to Washington, D.C., where a ceremony in the Main Hall of the Smithsonian Institution Building saluted the founder. Smithson's original tomb was transferred to America later that same year, and the Smithson Mortuary Chapel was constructed in the Smithsonian Institution Building.
Chronology:
1765 -- James Macie was born in France

1775 -- Naturalized British Citizen

1782 -- Enrolled in Pembroke College, Oxford

1786 -- Graduated from Pembroke College, Oxford

1787 -- Member Royal Society

1794 -- Dorothy Percy willed 3,000 pounds to James Macie (believed to be her half bother)

1808 -- Smithson was a prisoner of war in Hamburg and wrote to Sir Joseph Banks for help

1818 -- "A Few Facts Relative to the Colouring Matters of some Vegetables," Philosophical Transactions of the Royal Society of London

1825 -- "A Method of Fixing Crayon Colors," Annals of Philosophy

1826 -- "On a Balance for Weighing Globules of Metals," The Technical Repository

1826 -- Original draft of Smithson's will

1829 -- Smithson's death in Genoa, Italy

1835 -- Death of Henry James Hungerford (Smithson's nephew)

1835 -- U. S. notified of Smithson's bequest

1835 -- Mary Ann de la Batut (Henry James Hungerford's mother) claimed her right to Smithson's estate

1836 -- Act of Congress accepted Smithson bequest

1838 -- British Chancery Court award Smithson Estate to the United States

1836-1842 -- Congressional debates over what to do with Smithson's bequest

1844 -- "A Memoir on the Scientific Character and Researches of James Smithson," by Walter R. Johnson

1844-1846 -- Congressional Bills and Amendments introduced establishing and defining divisions within the Smithsonian

1845 -- Samuel S. Cox's article for "Brothers" literary society addressed the issue of Smithson's bequest establishing a library or a university

1846 -- Act of Congress established Smithsonian Institution

1859 -- "An Account of the Smithsonian Institution," by William J. Rhees

1865 -- Fire at Smithsonian destroyed most of Smithson's papers

1877-1879 -- George Henry de la Batut claimed his right to the Smithson estate

1878 -- "On the Works and Character of James Smithson," by J. R. McD. Irby

1879 -- "The Scientific Writings of James Smithson," by William J. Rhees

1880 -- "James Smithson and His Bequest," by William J. Rhees

1881 -- "Visitor's Guide to the Smithsonian Institution," by William J. Rhees

1881 -- Emma Kirby de la Batut claimed her right to the Smithson estate

1891 -- Samuel P. Langley allotted money for the care of Smithson's tomb in Genoa, Italy

1892 -- Marie (Mary Ann) de la Batut claimed her right to the Smithson estate (wife of George Henry)

1893 -- Charles and Maurice de la Batut claimed their rights to the Smithson estate

1895 -- Langley placed bronze tablets on Smithson's tomb in Genoa, recognizing him as founder of the Smithsonian Institution

1901 -- "Life of Smithson," by Samuel P. Langley

1903 -- Gilbert H. Grosvenor published newspaper articles advocating the transfer of Smithson's remains to America, due to destruction of cemetery in Genoa

1904 -- Alexander Graham Bell accompanied Smithson's remains to U.S. on the "Princess Irene"

1904 -- "The Removal of the Remains of James Smithson," by Samuel P. Langley

1904 -- Smithson Tomb moved from Italy to U. S.

1905 -- Erection of Smithson Mortuary Chapel on SI grounds
Topic:
Wills  Search this
Genre/Form:
Black-and-white photographs
Serials (publications)
Maps
Drawings
Clippings
Books
Illustrations
Manuscripts
Plates (illustrations)
Art objects
Citation:
Smithsonian Institution Archives, Record Unit 7000, James Smithson Collection
Identifier:
Record Unit 7000
See more items in:
James Smithson Collection
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_collection:sova-sia-faru7000

Folder 3 Smithson quote, "Everyman's a valuable member of society who by his observations researches and experiments procures knowledge for men," undated; photographs of the Smithson Memorial Tablet, 1896; steel plate engravings of profile bust of Smit...

Container:
Box 8 of 11
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Record Unit 7000, James Smithson Collection
See more items in:
James Smithson Collection
James Smithson Collection / Series 5: PHOTOGRAPHS AND LIKENESSES, 1782-1919. / Box 8
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-faru7000-refidd1e1632

George A. Kubler collection

Creator:
Kubler, George A., 1876-1943.  Search this
Names:
Cooper-Hewitt Design Archive  Search this
Kubler, George A., 1876-1943.  Search this
Extent:
66,000 Items (39 vertical file drawers)
Type:
Collection descriptions
Archival materials
Steel plate engravings
Wood engravings
Date:
[18--]
Summary:
Collection consists ofapproximately 66,000, high quality engravings collected by Kubler from European and American books and periodicals dating almost exclusively from the 19th century.Portraits and city views document the social history and material culture of the period. Specific topics covered include archery, boxing, funerals, irrigation, milk, peddlers, riots, stenography, volcanos, and wrecks, among others. Among the publications from which illustrations were removed are Harper's weekly, Frank Leslie's Illustrated Newspaper, Puck, Illustrated London News, and King's New York City Views. Dates Kubler noted on the individual items are the dates on which the illustrations appeared in the publication from which they were extracted, not the date of the events or subjects being documented. Each print is mounted on tissue. Folders marked by a red circle indicate extremely rare prints.
Arrangement note:
File folders are numbered, but not according to chronology. Cross-references between numbers and subjects are available using the card catalog.
Biographical/Historical note:
Stereographer and collector. George A. Kubler was born in Ohio in 1876. He was the founder and president of the Certified Dry Mat Corporation in New York City. The firm made stereotype matrices and initiated the process of rotary press printing of newspapers. Kubler was particularly interested in illustrations in magazines and newspapers.

This collection is the product of his avid interest in print collecting and cataloging. To create this collection, Kuler gathered European and American books and periodicals dating almost exclusively from the 19th century from which he removed the illustrations, most of which were wood and steel engravings. In addition, Kuler was the author of five books on stereotyping and stereotypes.
Provenance:
This collection was donated to Cooper-Hewitt, then Cooper Union Museum Libray, by Mrs. George A. Kubler in December 1948.
Restrictions:
Unrestricted research use onsite by appointment. Permission of staff required to photograph materials.
Occupation:
Engravings collectors  Search this
Topic:
Engraving -- Collectors and collecting  Search this
Illustrated books -- History -- 19th century -- Sources  Search this
Illustrated periodicals -- History -- 19th century -- Sources  Search this
Genre/Form:
Steel plate engravings
Wood engravings
Identifier:
SIL-CH.XXXX-0020
Archival Repository:
Smithsonian Libraries
GUID:
https://n2t.net/ark:/65665/sc280858c09-b0f7-4aa6-be14-36b4e7480d02
EDAN-URL:
ead_collection:sova-sil-ch-xxxx-0020

Sketch mapping locations depicted by William H. Bartlett

Creator:
Worman, Jr., Eugene C., 1915-  Search this
Subject:
Bartlett, W. H. (William Henry)  Search this
Type:
Artworks
Date:
198-?
Citation:
Eugene C. Worman, Jr. Sketch mapping locations depicted by William H. Bartlett, 198-?. Eugene C. Worman research material on William H. Bartlett, 1835-1995. Archives of American Art, Smithsonian Institution.
Record number:
(DSI-AAA)11896
See more items in:
Eugene C. Worman research material on William H. Bartlett, 1835-1995
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_11896
Online Media:

V

Type:
Archival materials
Date:
May–Aug. 1866
Collection Restrictions:
Freedmen's Bureau Digital Collection, 1865–1872, is a product of and owned by the National Museum of African American History and Culture, Smithsonian Institution. Copyright for digital images is retained by the donor, FamilySearch International; permission for commercial use of the digital images may be requested from FamilySearch International, Intellectual Property Office, at: cor-intellectualproperty@ldschurch.org.
Collection Citation:
Courtesy of the U. S. National Archives and Records Administration, FamilySearch International, and the Smithsonian National Museum of African American History and Culture.
Identifier:
NMAAHC.FB.M752, File 2.7.9
See more items in:
Registers and Letters Received by the Commissioner of the Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–1872
Registers and Letters Received by the Commissioner of the Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–1872 / Series 2: Letters Received / 2.7: Entered in Register 7
Archival Repository:
National Museum of African American History and Culture
GUID:
https://n2t.net/ark:/65665/io3fcb6af2d-42ac-4150-b889-4eca16cca7ad
EDAN-URL:
ead_component:sova-nmaahc-fb-m752-ref158
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  • View V digital asset number 1

Forensic Studies of Stamps Issued by the CSA, Part VI: The Steel-Plate Engraved 20-Cent George Washington Issue

Author:
Brittain, Harry G.  Search this
Object Type:
Smithsonian staff publication
Year:
2014
Citation:
Brittain, Harry G. 2014. "Forensic Studies of Stamps Issued by the CSA, Part VI: The Steel-Plate Engraved 20-Cent George Washington Issue." The Confederate Philatelist, 59, (4) 5–12.
Identifier:
133281
ISSN:
0573-2581
Data source:
Smithsonian Libraries and Archives
EDAN-URL:
edanmdm:slasro_133281

Forensic Studies of stamps issued by the CSA, Part IV: The steel-plate engraved 10-cent Jefferson Davis Type I issue

Author:
Brittain, Harry G.  Search this
Object Type:
Smithsonian staff publication
Year:
2014
Citation:
Brittain, Harry G. 2014. "Forensic Studies of stamps issued by the CSA, Part IV: The steel-plate engraved 10-cent Jefferson Davis Type I issue." The Confederate Philatelist, 59, (1) 5–12.
Identifier:
133282
ISSN:
0573-2581
Data source:
Smithsonian Libraries and Archives
EDAN-URL:
edanmdm:slasro_133282

American Farm Scene. Col. large, (graphics)

Artist:
Cooper  Search this
Medium:
Col
Type:
Graphic arts
Exhibition Catalogs
Date:
1876
Topic:
Landscape--Farm  Search this
Occupation--Farm  Search this
Control number:
AECI 00280003
Data Source:
Pre-1877 Art Exhibition Catalogue Index
EDAN-URL:
edanmdm:siris_aeci_3497

Remembrance of Gude, Oil Painting, (painting)

Artist:
Wyant  Search this
Medium:
Oil
Type:
Paintings
Exhibition Catalogs
Date:
1876
Topic:
Undetermined  Search this
History--Arts & Sciences--Painting  Search this
Control number:
AECI 00280008
Data Source:
Pre-1877 Art Exhibition Catalogue Index
EDAN-URL:
edanmdm:siris_aeci_3502

Bavarian Highlands, Oil Painting, (painting)

Artist:
Wyant  Search this
Type:
Paintings
Exhibition Catalogs
Date:
1876
Topic:
Landscape--Time--Sunset  Search this
Control number:
AECI 00280010
Data Source:
Pre-1877 Art Exhibition Catalogue Index
EDAN-URL:
edanmdm:siris_aeci_3504

Marine, River and Bluff View, in Oil, (painting)

Artist:
Unknown  Search this
Medium:
Oil
Type:
Paintings
Exhibition Catalogs
Date:
1876
Topic:
Waterscape--Coast  Search this
Landscape--River  Search this
Landscape--Mountain  Search this
Control number:
AECI 00280022
Data Source:
Pre-1877 Art Exhibition Catalogue Index
EDAN-URL:
edanmdm:siris_aeci_3514

Autumn, (art work)

Artist:
Unknown  Search this
Type:
Art works
Exhibition Catalogs
Date:
1876
Topic:
Landscape--Season--Autumn  Search this
Control number:
AECI 00280049
Data Source:
Pre-1877 Art Exhibition Catalogue Index
EDAN-URL:
edanmdm:siris_aeci_3539

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