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Oral history interview with Ivan C. Karp

Interviewee:
Karp, Ivan C., 1926-2012  Search this
Interviewer:
Baker, Richard Brown  Search this
Creator:
Kaprow, Allan  Search this
Names:
Hansa Gallery (New York, N.Y.)  Search this
Avedisian, Edward, 1936-2007  Search this
Bellamy, Richard  Search this
Benton, Thomas Hart, 1889-1975  Search this
Follett, Jean, 1917-1991  Search this
Force, Miles  Search this
Leslie, Alan  Search this
Muller, Jan, 1922-1958  Search this
Rauschenberg, Robert, 1925-2008  Search this
Segal, George, 1924-2000  Search this
Stankiewicz, Richard, 1922-1983  Search this
Stout, Myron, 1908-1987  Search this
Ting, Walasse  Search this
Wilson, Jane, 1924-2015  Search this
Extent:
1 Sound tape reel (Sound recording: (1 hour, 3 min.), 7 in.)
30 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound tape reels
Pages
Sound recordings
Interviews
Date:
1963 October 18
Scope and Contents:
An interview of Ivan C. Karp conducted 1963 October 18, by Richard Brown Baker, for the Archives of American Art.
The interview focuses on Karp's time as co-director of the Hansa Gallery from 1956 to 1958. Karp talks about the general character and co-operative structure of the gallery; its mailing list and operation practices; how it located new talent; its sales; its location; critics and collectors who visited the gallery; coverage of the gallery in the art and general press; the make-up of its membership and his co-director Richard Bellamy. He discusses artists who were affiliated with the gallery: Richard Stankiewicz; Jane Wilson; Jan Müller; George Segal; Jean Follett; Myron Stout; Lilly Brody: Allan Kaprow; Miles Force; and Fay Lansner. He also mentions unaffiliated artists who exhibited in group shows at Hansa: Alfred Lesie, Robert Richenburg, Walasse Ting and the New Sculpture Group. Collectors mentioned are Horace Richter, Charles Carpenter, and Liz Parkinson [ph].
Biographical / Historical:
Ivan C. Karp (1926-) is an art dealer from New York, New York. Worked at the Hansa Gallery two seasons under Richard Bellamy. Later became director of the OK Harris Gallery.
General:
Part of this interview was inadvertently recorded over by the interviewer.
Provenance:
This interview is part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics, and others.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Art dealers -- New York (State) -- New York  Search this
Topic:
Artist-run galleries -- New York (State) -- New York  Search this
Function:
Art galleries, Commercial -- New York (State) -- New York
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.karp63
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-karp63

Oral history interview with Richard Bellamy

Interviewee:
Bellamy, Richard  Search this
Interviewer:
Baker, Richard Brown  Search this
Names:
Hansa Gallery (New York, N.Y.)  Search this
Forst, Miles, 1923-  Search this
Gruen, John  Search this
Hess, Thomas B.  Search this
Muller, Jan, 1922-1958  Search this
Stankiewicz, Richard, 1922-1983  Search this
Stout, Myron, 1908-1987  Search this
Extent:
70 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1963
Scope and Contents:
An interview of Richard Bellamy, concerning the Hansa Gallery, conducted 1963, by Richard Brown Baker, for the Archives of American Art.
Bellamy speaks of the Hansa Gallery's original organization by a group of Hans Hofmann's students; Hansa's location, purpose and program; and the definition of a cooperative gallery. Bellamy reminisces about his early life in Cincinnati, the influence of the Provincetown exhibition in 1949, becoming manager and director of Hansa Gallery and the gallery's move uptown. He discusses financial arrangements with artists, guest exhibitions, collectors, the gallery's location and its disadvantages in regard to visitors and critics, an Allan Kaprow exhibition, and the inclusion of Hansa artists in the Whitney Museum of American Art's annuals and other exhibitions.
He comments on Hansa's reputation, ART NEWS notices, comparisons of the Hansa and Green galleries, the weaknesses of a cooperative gallery, the search for new artists, financial problems, reasons for closing the gallery, galleries where original Hansa artists now exhibit and the gallery's importance in the art life of the times. He recalls John Gruen, Richard Stankiewicz, Miles Forst, Jan Muller, Myron Stout, and Thomas Hess.
Biographical / Historical:
Richard Bellamy (1927-1998) was an art dealer from New York, N.Y.
General:
Originally recorded on 1 sound tape reel. Reformatted in 2010 as 2 digital wav files. Duration is 2 hrs., 34 min.
Provenance:
This interview is part of the Archives of American Art's Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Cooperative societies -- New York (State) -- New York  Search this
Art dealers -- New York (State) -- New York -- Interviews  Search this
Function:
Art galleries, Commercial -- New York (State) -- New York
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.bellam63
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-bellam63

Oral history interview with Lee Bontecou

Interviewee:
Bontecou, Lee, 1931-  Search this
Interviewer:
Ashton, Dore  Search this
Names:
Art Students League (New York, N.Y.) -- Students  Search this
Brooklyn College -- Faculty  Search this
Leo Castelli Gallery  Search this
Bellamy, Richard  Search this
Brackman, Robert, 1898-  Search this
Calder, Alexander, 1898-1976  Search this
Doyle, Tom  Search this
González, Julio, 1876-1942  Search this
Hesse, Eva, 1936-1970  Search this
Stankiewicz, Richard, 1922-1983  Search this
Zorach, William, 1887-1966  Search this
Extent:
118 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2009 January 10
Scope and Contents:
An interview of Lee Bontecou conducted 2009 January 10, by Dore Ashton, for the Archives of American Art, at Knoedler and Company, in New York, New York.
Bontecou speaks of her interest in art as a young child and her parents' encouragement and influences; her two years at community college before studying painting then sculpture under William Zorach at the Arts Students League in New York City; her time working, living and studying in Rome though the Fulbright Scholarship; her abstracted figural works in Rome influenced by ancient Greek and Roman sculpture; her exploration in Europe of non-American influences and her admiration of the strong design sense in Italy; returning to the United States and working in the New York City art scene and exhibiting her works at Leo Castelli's Gallery; different techniques including welding and vacuum forming; meeting her husband, Bill Giles, and raising her daughter, Vallie, in New York City; leaving New York City and the Castelli Gallery for Pennsylvania and the ability to experiment in her artwork; teaching at Brooklyn College where she worked with Morris Dorsky and enjoyed a wide range of students; her lack of affiliation with art movements, including Pop Art; her illness and her current work; and her strong belief that an M.F.A. is useless and that young artists have to make themselves. Bontecou also recalls Robert Brackman, Julio Gonzales, Alexander Calder, Richard Bellamy, Gabriel Kahn, Richard Stankewiczs, Tom Doyle, Eve Hesse, Sandra and Jack Beale, and others.
Biographical / Historical:
Lee Bontecou (1931- ) is a sculptor and printmaker from New York, New York. Bontecou studied at the Art Students League of New York and taught at Brooklyn College.
General:
Originally recorded on 3 sound discs. Reformatted in 2010 as 10 digital wav files. Duration is 2 hr., 42 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Printmakers -- New York (State) -- New York  Search this
Sculptors -- New York (State) -- New York  Search this
Topic:
Pop art  Search this
Sculpture -- Technique  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.bontec09
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-bontec09

Oral history interview with Peter Agostini

Interviewee:
Agostini, Peter  Search this
Interviewer:
Roberts, Colette, 1910-  Search this
Names:
Columbia University -- Faculty  Search this
United States. Works Progress Administration  Search this
Bontecou, Lee, 1931-  Search this
Chamberlain, John, 1927-2011  Search this
Chryssa, 1933-2013  Search this
Cornell, Joseph  Search this
Cézanne, Paul, 1839-1906  Search this
De Chirico, Giorgio, 1888-  Search this
De Kooning, Willem, 1904-1997  Search this
Demuth, Charles, 1883-1935  Search this
Di Suvero, Mark, 1933-  Search this
Dove, Arthur Garfield, 1880-1946  Search this
Dubuffet, Jean, 1901-1985  Search this
Duchamp, Marcel, 1887-1968  Search this
Ferber, Herbert, 1906-1991  Search this
Flannagan, John Bernard, 1895?-1942  Search this
Giacometti, Alberto, 1901-1966  Search this
Greenberg, Clement, 1909-1994  Search this
Hague, Raoul, 1905-1993  Search this
Hare, David, 1917-1992  Search this
Hartley, Marsden, 1877-1943  Search this
Hopper, Edward, 1882-1967  Search this
Judd, Donald, 1928-1994  Search this
Kaprow, Allan  Search this
Kienholz, Edward, 1927-  Search this
Kline, Franz, 1910-1962  Search this
Kohn, Gabriel, 1910-1975  Search this
Kolbe, Georg, 1877-1947  Search this
La Tour, Onya, 1896-1976  Search this
Lachaise, Gaston, 1882-1935  Search this
Lassaw, Ibram, 1913-2003  Search this
Lippold, Richard, 1915-2002  Search this
Lipton, Seymour, 1903-1986  Search this
Macdonald-Wright, Stanton, 1890-1973  Search this
Maillol, Aristide, 1861-1944  Search this
Manship, Paul, 1885-1966  Search this
Marca-Relli, Conrad, 1913-2000  Search this
Marin, John, 1870-1953  Search this
Marisol, 1930-2016  Search this
Matisse, Henri, 1869-1954  Search this
Melville, Herman, 1819-1891  Search this
Mondrian, Piet, 1872-1944  Search this
Morris, Robert, 1931-2018  Search this
Nakian, Reuben, 1897-1986  Search this
Noguchi, Isamu, 1904-1988  Search this
O'Keeffe, Georgia , 1887-1986  Search this
Oldenburg, Claes, 1929-  Search this
Poe, Edgar Allan, 1809-1849  Search this
Pollock, Jackson, 1912-1956  Search this
Pompon, François, 1855-1933  Search this
Reinhardt, Ad, 1913-1967  Search this
Rivera, Diego, 1886-1957  Search this
Roszak, Theodore, 1907-1981  Search this
Rothko, Mark, 1903-1970  Search this
Samaras, Lucas, 1936-  Search this
Scarpitta, Salvatore, 1919-2007  Search this
Segal, George, 1924-2000  Search this
Sheeler, Charles, 1883-1965  Search this
Smith, David, 1906-1965  Search this
Smith, Tony, 1912-1980  Search this
Spaventa, George, 1918-  Search this
Stankiewicz, Richard, 1922-1983  Search this
Sugarman, George, 1912-1999  Search this
Tobey, Mark  Search this
Whitman, Walt, 1819-1892  Search this
Zorach, William, 1887-1966  Search this
Extent:
99 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
1968
Scope and Contents:
An interview of Peter Agostini conducted in 1968, by Colette Roberts, for the Archives of American Art at 151 Avenue B, New York, New York.
Mr. Agostini speaks of his childhood spent living throughout the five boroughs of New York; his interactions with clients of his father's acting employment agency; his early education in Catholic school and the creative freedom allotted by the nuns; his first feelings of isolation as an artist at the age of seven; the development of a sense of communication as the result of the loss of his mother at the age of three and time spent at a school for orphans; his early realization and vision of artistic destiny; his religious interests which lead to mysticism in his earlier work; his time spent working freely in the DaVinci Studio with Spaventa; the discovery by Hess of his works in Gallerie Grimaud; his attainment of the Longview Grant; his working experience throughout the Depression as part of the WPA casting plaster mannequins while working indirectly with Pollack as well as Marca Relli; his subsequent move to designing department store windows (use of Mondrian-like forms and lines); his feelings of his position as an observer; the importance of communication through art (communication without words); his rejection of the Abstract Expressionist group and choice of independence; the influence of the sculpture of Kolbe and Bache in the thirties; Clement Greenberg's distaste for his work; his feelings about the relative failure to sell his work due its unusual edginess and mystery; his role in the introduction of the work of contemporary European artists (Chausserian, Gauthier, Modrian) to the American group; his description of his own work as "traditionless"; his feelings of self-importance as one of the most original sculptors in the art world; his influence on the younger generation, particularly Marisol; the enslavement to originality that the younger generation faces; his attitudes towards American Art forms and their lack of rebellious spirit; the virtues of the American writers, such as Poe, Whitman, and Melville as American "knapsack" writers; his personal technique which places an emphasis on the "skin" or volume of something; his attempt to create quiet art, or art that merely indicates features; his frustration with teaching and the problems of regurgitated knowledge; the role of Meyer Shapiro in his teaching career at Columbia; the formation of the Club and its similarity to the Cubist's café scene; his opinions on the relationship of sex and sensuality in American art; his personal struggles, including the loss of his second wife and two of his brothers, in addition to the estrangement of his only daughter by his first wife; his feelings on the role of psycho analysis and personal history in a work of art; his present works which feature the "swell." For the majority of the second half of the interview Ms. Roberts asks Mr. Agostini to express his opinions on the work of: Kline; DeKooning; Duchamp; Oldenburg; La Tour; DeChirico; Maillol; Pompon; Rothko; Chardin; Cezanne; Giacometti; Reinhardt; Chryssa; Tony Smith; Segal; Lachaise; Zorach; Manship; Flannagan; Kelly; Lassaw; David Smith; Hare; Lipton; Ferber; Lippold; Roszak; Nakian; Noguchi; Hague; Kohn; di Suvero; Chamberlain; Kaprow; Sugarman; Stankiewicz; Bontecou; Scarpitta; Cornell; Keinholz; Rivera; Judd; Robert Morris; O'Keeffe; Samaras; Mark Tobey; Marin; Pollock; Hartley; Dove; Macdonald-Wright; Demuth; Sheeler; Hopper; Mirot; Matisse; DuBuffet.
Biographical / Historical:
Peter Agostini (1913-1993) was a sculptor from New York, New York.
General:
Originally recorded on 3 sound tape reels. Reformatted in 2010 as 28 digital wav files. Duration is 10 hrs., 37 min.
Transferred from 4 3" reels.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics, and administrators.
Topic:
Sculptors -- New York (State) -- New York -- Interviews  Search this
Abstract expressionism  Search this
Sculptors -- New York (State) -- New York -- Interviews  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.agosti68
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-agosti68

Zabriskie Gallery records

Creator:
Zabriskie Gallery  Search this
Names:
Galerie Zabriskie  Search this
Archipenko, Alexander, 1887-1964  Search this
Baizerman, Saul, 1889-1957  Search this
Benglis, Lynda, 1941-  Search this
Christenberry, William, 1936-2016  Search this
Crawford, Ralston, 1906-1978  Search this
Davis, Stuart, 1892-1964  Search this
Frank, Mary, 1933-  Search this
Hartley, Marsden, 1877-1943  Search this
King, William, 1925-2015  Search this
Lozowick, Louis, 1892-1973  Search this
Nordfeldt, Bror Julius Olsson, 1878-1955  Search this
Siskind, Aaron  Search this
Snelson, Kenneth, 1927-2016  Search this
Stankiewicz, Richard, 1922-1983  Search this
Sugarman, George, 1912-1999  Search this
Tacha, Athena, 1936-  Search this
Tworkov, Jack  Search this
Vytlacil, Vaclav, 1892-1984  Search this
Wilmarth, Christopher  Search this
Yunkers, Adja, 1900-1983  Search this
Zabriskie, Virginia M., 1927-1991  Search this
Extent:
120.7 Linear feet
2 Items (rolled docs)
Type:
Collection descriptions
Archival materials
Date:
1951-2010
Scope and Contents:
Records of the New York and Paris locations of Zabriskie Gallery, including artist and subject files, financial records, and business records.
Artist files contain correspondence with artists, galleries and collectors, photographs of artists and their work, inventories, resumes, exhibition catalogs, press releases, and clippings. Artists include Ansel Adams, Pat Adams, Alexander Archipenko, Eugen Atget, George Ault, Saul Baizerman, Lynda Benglis, Isle Bing, Nell Blaine, Claude Cahun, Harry Callahan, William Christenberry, Ralston Crawford, Imogen Cunningham, Stuart Davis, Kiki de Montparnasse, Marcel Duchamp, Arnold Friedman, Joan Fontcuberta, Mary Frank, Lee Friedlander, Marsden Hartley, Geroges Hugnet, Allan Kaprow, William King, William Klein, Yasuo Kuniyoshi, Ellen Lanyon, Louis Lozowick, Man Ray, Elie Nadelman, Nicholas Nixon, B.J.O. Nordfeldt, Alfonso Ossorio,Albert Renger-Patzch, Jorge Ribalta,Theodore Roszak, Tomoko Sawada, Aaron Siskind, Kenneth Snelson, Ralph Steiner, Richard Stankiewicz, Alfred Stieglitz, George Sugarman, Athena Tacha, Dorothea Tanning, Jack Tworkov, Junko Uoda, Vaclav Vytlacil, Abraham Walkowotz, Christopher Wilmarth, Adja Yunkers and William Zorach, among others.
Gallery correspondence is between the Paris and New York galleries and with artists, dealers, clients, and other galleries. Financial records includes artists account statements, administrative files, Zabriskie transaction records, sales books, and price lists. Also included are signed guest books, floor plans, and inventory cards.
Also found are blueprints and line drawings by Richard Stankiewicz, with copies of designs and information relating to Stankiewicz's sculpture and studio building (0.2 linear ft.).
Biographical / Historical:
Art gallery, New York City and Paris (Galerie Zabriskie) owned by Virginia Zabriskie. The New York gallery opened in 1954; Galerie Zabriskie in Paris officially opened in January 1977, but work began there the previous year and closed in 1998.
Provenance:
Donated by Virginia Zabriskie, 1992-2011.
Restrictions:
Use requires an appointment.
Occupation:
Artists -- United States  Search this
Topic:
Art, American  Search this
Art, Modern -- 20th century  Search this
Function:
Art galleries, Commercial -- New York (State) -- New York
Art galleries, Commercial -- France -- Paris
Identifier:
AAA.zabrgall
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-zabrgall

Saul Zalesch collection of artists' letters and documents

Collector:
Zalesch, Saul E.  Search this
Names:
Brooklyn Art Association  Search this
Society of American Artists  Search this
Baldridge, C. LeRoy  Search this
Bearden, Romare, 1911-1988  Search this
Bellows, George, 1882-1925  Search this
Benton, Thomas Hart, 1889-1975  Search this
Betts, Louis, 1873-1961  Search this
Bishop, Isabel, 1902-1988  Search this
Champney, James Wells, 1843-1903  Search this
Church, Frederic Edwin, 1826-1900  Search this
Church, Frederick S. (Frederick Stuart), 1842-1924  Search this
Doughty, Thomas, 1793-1856  Search this
Duveneck, Frank, 1848-1919  Search this
Duveneck, Josephine W. (Josephine Whitney), 1891-1978  Search this
Fenollosa, Ernest Francisco, 1853-1908  Search this
Foster, Ben, 1852-1926  Search this
Gardner, Isabella Stewart, 1840-1924  Search this
Gropper, William, 1897-1977  Search this
Hassam, Childe, 1859-1935  Search this
Henri, Robert, 1865-1929  Search this
Indiana, Robert, 1928-  Search this
La Farge, John, 1835-1910  Search this
La Farge, John, 1835-1910  Search this
Lage, William Potter  Search this
Lichtenstein, Roy, 1923-1997  Search this
Lippold, Richard, 1915-2002  Search this
Martin, Homer Dodge, 1836-1897  Search this
Merry, C. M.  Search this
Millet, Francis Davis, 1846-1912  Search this
Opper, Frederick Burr, 1857-1937  Search this
Pennell, Joseph, 1857-1926  Search this
Redfield, Edward Willis, 1869-1965  Search this
Rogers, John, 1829-1904  Search this
Sargent, John Singer, 1856-1925  Search this
Stankiewicz, Richard, 1922-1983  Search this
Story, Franklin H.  Search this
Story, William Wetmore, 1819-1895  Search this
Sully, Thomas, 1783-1872  Search this
Teal, William P.  Search this
Vedder, Elihu, 1836-1923  Search this
Weir, Julian Alden, 1852-1919  Search this
Williams, Gluyas, 1888-  Search this
Extent:
58 Items ((portions microfilmed on 1 reel))
Type:
Collection descriptions
Archival materials
Date:
1834-1973
Scope and Contents:
Artists' letters and documents collected by Zalesch and letters written to him in response to inquiries concnering autographs and biographical information.
REEL 3097: Twenty-six letters (1845-1973) written by George Bellows, Thomas Hart Benton, Isabel Bishop, Frederick Stuart Church, Thomas Doughty, Ernest Fenollosa, Ben Foster, Isabella Stewart Gardner, Childe Hassam, Robert Henri, John La Farge, Homer Dodge Martin, Joseph Pennell, Edward Willis Redfield, John Rogers, John Singer Sargent, Richard Stankiewicz, Thomas Sully, and Elihu Vedder. Also included are a Harvard University bond for William Wetmore Story's tuition signed by Franklin H. Story (1834) and a biographical questionnaire completed by John La Farge for The Cyclopedia of American Biography (1925).
UNMICROFILMED: Letters written by Roy Lichtenstein, William Gropper, Gluyas Williams, Ordway Partridge, Frederick Burr Opper, James Wells Champney, C. Gray Parker, Ben Foster, Louis Betts, Cyrus Le Roy Baldridge, Richard Lippold, Romare Bearden, Isabel Bishop, Thomas Hart Benton, Richard Stankiewicz, and others; a brochure for a work of art by Robert Indiana; a certificate from The Brooklyn Art Association for one share of capital stock in the name of William Potter Lage; one page of correspondence documenting a decision made for the Society of American Artists containing a note from Francis D. Millet to J. Alden Weir, followed by a note from Weir to Frederic Church, signed "O.K." by Church.
Vol. XXVI, no. 5, Feb. 1924 periodical, Old Hughes, published by the students of Hughes High school in Cincinnati, Ohio containing a published exchange of letters between principal C. M. Merry and Josephine W. Duveneck, daughter-in-law of painter Frank Duveneck about the Hughes High School purchasing a painting by Duveneck, and a reminiscence of Duveneck by William P. Teal, head of the art department at Hughes High School.
Biographical / Historical:
Saul Zalesch, an art historian, began collecting artists' letters around 1981.
Provenance:
This collection of letters was lent for microfilming by Zalesch in 1984 (reel 3097). Zalesch donated an additional three letters in 1993, twenty-five in 1999, one letter in 2008, and a publication in 2009.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Painters -- United States  Search this
Topic:
Art, American  Search this
Identifier:
AAA.zalesaul
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-zalesaul

Video recordings on Richard Stankiewicz and other sculptors

Creator:
State University of New York at Albany. Educational Community Center  Search this
Names:
Judd, Donald, 1928-1994  Search this
Nevelson, Louise, 1899-1988  Search this
Rickey, George  Search this
Segal, George, 1924-2000  Search this
Stankiewicz, Richard, 1922-1983  Search this
Type:
Collection descriptions
Archival materials
Interviews
Video recordings
Date:
1973-1979
Scope and Contents:
Two videos produced by the State University of New York at Albany, Educational Community Center. Included are: Four Sculptors, Part 1 and II, with interviews of the sculptors Donald Judd, Louise Nevelson, George Rickey and George Segal, conducted by sculptor and SUNY at Albany Art Dept. professor Richard Stankiewicz and directed by Carl Howard and Stankiewicz (56 min.); and Richard Stankiewicz - Sculptor, 1979 (18 min), narrated by Stankiewicz, including scenes of Stankiewicz's studio; Stankiewicz at work, and in his home. He discusses his work methods, choice of materials, family relationships, and his philosophy about sculpture.
Restrictions:
Use requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Rights:
The donor has retained all intellectual property rights, including copyright, that they may own.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Authorization to publish, quote or reproduce requires written permission from Jack Finch, SUNY Albany. Contact Reference Services for more information.
Occupation:
Sculptors  Search this
Genre/Form:
Interviews
Video recordings
Identifier:
AAA.stanrich3
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-stanrich3

Oral history interview with Richard Stankiewicz

Interviewee:
Stankiewicz, Richard, 1922-1983  Search this
Interviewer:
Brown, Robert F.  Search this
Names:
University of Albany -- Faculty  Search this
Zabriskie Gallery  Search this
Hofmann, Hans, 1880-1966  Search this
Kootz, Samuel Melvin, 1898-1982  Search this
Léger, Fernand, 1881-1955  Search this
Porter, Fairfield  Search this
Smith, David, 1906-1965  Search this
Zabriskie, Virginia M., 1927-1991  Search this
Extent:
48 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1979 June 26
Scope and Contents:
An interview of Richard Stankiewicz conducted 1979 June 26, by Robert Brown, for the Archives of American Art.
Stankiewicz speaks of his life since the Archives last interviewed him in the mid-sixties; joining the Zabriskie Gallery; the Loft Living Program and his struggles with city officials; the beginning of the respectability of modern art in America; deciding to leave New York City and move to Massachusetts; accepting a teaching position at the University of Albany; his ambivalence about teaching; his comments on photographs being shown to him of his art work over the years; how his ideas develop; how he doesn't mix his politics and art; an exhibition he did in Australia; and what he is working on right now. He recalls Hans Hofmann, Fairfield Porter, Virginia Zabriskie, Sam Kootz, David Smith, Julio Gonzales, Fernand Léger, and many others.
Biographical / Historical:
Richard Stankiewicz (1922-1983) was a sculptor and educator from Huntington, Massachusetts.
General:
Originally recorded on 1 sound tape reel. Reformatted in 2010 as 2 digital wav files. Duration is 1 hr., 30 min.
Related Materials:
The Archives of American Art also has interviews, video recordings, and the papers of Richard Stankiewicz.
Provenance:
This interview is part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Topic:
Art, American  Search this
Sculpture, Modern -- 20th century  Search this
Sculptors -- Massachusetts -- Huntington -- Interviews  Search this
Art -- Political aspects  Search this
Politics in art  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.stanki79
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-stanki79

Richard Stankiewicz papers

Creator:
Stankiewicz, Richard, 1922-1983  Search this
Names:
Judd, Donald, 1928-1994  Search this
Nevelson, Louise, 1899-1988  Search this
Porter, Fairfield  Search this
Rickey, George  Search this
Rivers, Larry, 1925-2002  Search this
Segal, George, 1924-2000  Search this
Extent:
4 Linear feet ((partially filmed on 5 microfilm reels))
Type:
Collection descriptions
Archival materials
Date:
1948-1984
Scope and Contents:
Resumes and an autobiographical sketch; correspondence with dealers, curators, collectors, artists, students, friends and family; 2 appointment books, a 10-page journal, describing a 1955 visit to Fairfield Porter in Maine, and other notes and writings; transcripts of interviews with Louise Nevelson, Donald Judd, George Rickey, and George Segal for a documentary, "Four Sculptors"; lists of supply costs and of art sales; 2 accounts ledgers; invoices from the Leo Nash Steel Corporation; legal documents, including a draft of a will, 1967, and divorce documents, 1978; materials relating to the Hansa Gallery, and minutes of meetings of the Artist Tenant's Association; exhibition materials, including loan forms, insurance evaluations, and price lists; exhibition announcements and catalogs; clippings; a menu designed by Larry Rivers; art works, including sketches and diagrams of a sculpture workshop and machines, and 7 sketches of sculpture; and photographs of Stankiewicz and his family.
Biographical / Historical:
Sculptor and educator; New York, N.Y. Died 1983 In 1952, Stankiewicz and 11 other artists formed the co-operative Hansa Gallery in New York. Some others in the group were: Jane Wilson, Paul Georges, Wolf Kahn, George Segal, Jan Muller, Allen Kaprow, and Jean Follett. Stankiewicz left Hansa in 1957 and became associated with the Stable Gallery. He exhibited there from 1957-ca.1967. In 1967 he became a professor of art at the State University of New York at Albany, and in 1972 he became associated with the Zabriskie Gallery.
Provenance:
Donated 1974 and 1979 by Richard Stankiewicz, in 1984 by his sons Peter and Anthony and in 1990 by Patricia M. Stankiewicz.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Educators -- New York (State) -- New York  Search this
Topic:
Sculptors -- New York (State) -- New York -- Interviews  Search this
Identifier:
AAA.stanrich
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-stanrich

Oral history interview with Richard Stankiewicz

Interviewee:
Stankiewicz, Richard, 1922-1983  Search this
Interviewer:
Baker, Richard Brown  Search this
Names:
Hansa Gallery (New York, N.Y.)  Search this
Extent:
373 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1963 February-August 20
Scope and Contents:
An interview of Richard Stankiewicz conducted between 1963 February-August 20, by Richard Brown Baker, for the Archives of American Art.
Biographical / Historical:
Richard Stankiewicz (1922-1983) was a sculptor and educator from Huntington, Massachusetts.
General:
Originally recorded on 7 sound tape reels. Reformatted in 2010 as 12 digital wav files. Duration is 12 hr., 53 min.
Sound quality is poor.
Provenance:
This interview is part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Topic:
Art, American  Search this
Sculpture, Modern -- 20th century -- History  Search this
Sculptors -- Massachusetts -- Huntington -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.stanki63feb
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-stanki63feb

Oral history interview with Richard Stankiewicz

Interviewee:
Stankiewicz, Richard, 1922-1983  Search this
Interviewer:
Baker, Richard Brown  Search this
Names:
Hansa Gallery (New York, N.Y.)  Search this
Muller, Jan, 1922-1958  Search this
Extent:
24 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1963
Scope and Contents:
An interview of Richard Stankiewicz conducted by Richard Brown Baker in 1963 for the Archives of American Art, regarding the Hansa Gallery.
Biographical / Historical:
Richard Stankiewicz (1922-1983) was a sculptor and educator and Huntington, Massachusetts.
General:
Originally recorded on 1 sound tape reel. Reformatted in 2010 as 2 digital wav files. Duration is 1 hr., 5 min.
Provenance:
This interview is part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Art, American  Search this
Sculpture, Modern -- 20th century -- History  Search this
Artist-run galleries -- New York (State) -- New York  Search this
Sculptors -- Massachusetts -- Huntington -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.stanki63
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-stanki63

Lois Dailey Orswell letters from Curt Valentin and Richard Stankiewicz

Creator:
Orswell, Lois, 1904-1998  Search this
Valentin, Curt, 1902-1954  Search this
Names:
Stankiewicz, Richard, 1922-1983  Search this
Extent:
28 Items ((on partial microfilm reel))
Type:
Collection descriptions
Archival materials
Date:
1945-1959
Scope and Contents:
22 letters and postcards from Curt Valentin, written from Europe and New York City, regarding buying trips and suggesting purchases; and six letters from Richard Stankiewicz, regarding his sculpture, his studio, working on drawings, and planning a dinner with Orswell.
Biographical / Historical:
Lois Dailey Orswell (1904-1998) was an art collector from Narragansett, R.I.
Provenance:
The donor, Wolfgang Freitag Bafflin of the Fine Arts Library of the Fogg Art Museum, Harvard University, acted as liason between Orswell and the Archives of American Art.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Topic:
Art -- Collectors and collecting  Search this
Identifier:
AAA.orswlois
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-orswlois

Nathan Halper business records

Creator:
Halper, Nathan  Search this
Names:
H.C. Gallery (Provincetown, Mass.)  Search this
H.C.E. Gallery (Provincetown, Mass.)  Search this
Kootz Gallery (N.Y.)  Search this
National Association of Women Artists (U.S.)  Search this
Sun Gallery (Provincetown, Mass.)  Search this
Avery, Milton, 1885-1965  Search this
Botkin, Henry, 1896-1983  Search this
Brodie, Gandy, 1925-1975  Search this
Caro, Anthony, 1924-  Search this
Cuddihy, John Murray  Search this
Gottlieb, Adolph, 1903-1974  Search this
Hartley, Marsden, 1877-1943  Search this
Hofmann, Hans, 1880-1966  Search this
Kootz, Samuel Melvin, 1898-1982  Search this
Motherwell, Robert  Search this
Smith, David, 1906-1965  Search this
Stankiewicz, Richard, 1922-1983  Search this
Extent:
4.2 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Gallery records
Visitors' books
Date:
1952-1979
Summary:
Records of four of Nathan Halper's Provincetown galleries measure 4.2 linear feet and date from 1952-1979. The records relate to Kootz Gallery, H-C Gallery, HCE Gallery, and Sun Gallery - all based in Provincetown. The bulk of the collection consists of correspondence with artists, estate executors, collectors, galleries, and museums. There are also scattered business and financial records documenting operations and sales, photographs and slides, printed materials, and one poem. Correspondents include Milton Avery, Anthony Caro, John Murray Cuddihy, Marsden Hartley, Hans Hoffman, Samuel Kootz, Robert Motherwell, David Smith, Richard Stankeiwicz, and many others.
Scope and Contents note:
Records of four of Nathan Halper's Provincetown galleries measure 4.2 linear feet and date from 1952-1979. The records relate to Kootz Gallery, H-C Gallery, HCE Gallery, and Sun Gallery - all based in Provincetown. The bulk of the collection consists of correspondence with artists, estate executors, collectors, galleries, and museums. There are also scattered business and financial records documenting operations and sales, photographs and slides, printed materials, and one poem. Correspondents include Milton Avery, Anthony Caro, John Murray Cuddihy, Marsden Hartley, Hans Hoffman, Samuel Kootz, Robert Motherwell, David Smith, Richard Stankeiwicz, and many others.

Biographical material consists of one literary poem.

The bulk of the collection consists of correspondence with many artists, estate executors, gallery partners, collectors, galleries, and museums regarding works of art, sales, account balances, requests for information, and general updates.

Scattered business records are found for all four galleries and include a Kootz Gallery guest register, address books, corporation and partnership agreements for the Kootz, H-C, HCE, and Sun galleries, insurance policies, and a Kootz Gallery employee file. Both the guest register and address books were also used as general business related notebooks.

Financial material consists of inventory stock books, price lists and sales, checkbook registers, and general expense invoices/receipts for the four galleries. The undated stock books list artists' names, general artwork identification information, and prices. Additional sales information is found in price lists, correspondence, sales notebooks, and checkbook registers. Invoices and receipts also document general operating expenses.

Printed material includes newspaper clippings on the Provincetown art scene and major artists represented by Halper, three exhibition catalogs, and an event calendar from the National Association of Women Artists.

Photographic material consists of prints and slides of the Kootz, H-C, and HCE galleries; black and white and color prints of exhibitions by Harry Botkin, Adolph Gottlieb, Robert Motherwell, and Hans Hofmann; and black and white prints, color slides, and transparencies of select works of art shown at the galleries.
Arrangement note:
The collection is arranged as 6 series:

Series 1: Biographical Material, circa 1953-1970 (Box 1; 1 folder)

Series 2: Correspondence, 1952-1979 (Boxes 1-2; 1.3 linear feet)

Series 3: Business Records, 1953-1970 (Box 2; .7 linear feet)

Series 4: Financial Material, 1953-1970 (Boxes 3-4; 2 linear feet)

Series 5: Printed Material, 1952-1976 (Box 5; 3 folders)

Series 6: Photographic Material, 1953-1969 (Box 5; 11 folders)
Biographical/Historical note:
Nathan Halper (1907-1983) worked in Provincetown, Massachusetts as a contemporary American art dealer, writer, and James Joyce scholar.

Nathan Halper first moved to Provincetown, Massachusetts in 1936 where he met and eventually married his wife, Helen Marjorie Windust Halper. During the late 1940s and early 1950s, their circle of friends included artists, writers, and academics drawn to the Provincetown art colony. Through friendships with Adolph Gottlieb and Fritz Bultman, Halper was introduced to Hans Hofmann, his students, and other abstract expressionist artists.

In 1949, Halper was invited to give a talk on James Joyce at Forum 49, a Provincetown summer lecture series on the future of art organized by Weldon Kees and held in a gallery at 200 Commercial Street. Speakers ranged from Jackson Pollock to poet laureate Howard Nemerov, and the series also presented one of the first major exhibitions of abstract expressionism in America. In 1952, Halper became the treasurer of the Provincetown Art Association (est. 1914), an influential social nexus that connected artists, galleries, patrons, and the public through memberships and annual events.

In 1953, he entered into a partnership with New York art dealer Sam Kootz and helped establish the Kootz Gallery in Provincetown. Their stable initially consisted of abstract expressionists Kootz represented in New York: Robert Motherwell, Hans Hofmann, Adolph Gottlieb, Fritz Bultman, and William Baziotes. Halper and Kootz mutually agreed to dissolve their partnership in 1954 and Halper opened the H-C Gallery with John Murray Cuddihy in 1955. After Cuddihy's departure at the end of the 1956 season, Halper opened the HCE Gallery (1957-1967), a name inspired by Joyce's Finnegan's Wake. In 1962, Halper entered into a one year partnership with Noah Goldowsky to help finance and run the Sun Gallery.

After the dissolution of the Kootz Gallery, Halper continued to represent Motherwell and, for a short time, Gottlieb in the Provincetown area, but quickly added other artists to the HCE stable. Through its relationship with New York dealers, such as Martha Jackson Gallery, Andre Emmerich Gallery, and Waddington Galleries, HCE was able to exhibit and sell works by Milton Avery, Gandy Brodie, Anthony Caro, Edwin Dickinson, Marsden Hartley, Hans Hoffman, Wolf Kahn, William King, Jan Muller, Elie Nadelman, David Smith, Richard Stankiewicz, Tal Streeter, and Anthony Vevers, among others.
Related Archival Materials note:
Also found in the Archives of American Art are the Kootz Gallery records and oral history interviews with Nathan Halper conducted by Dorothy Seckler, July 17, 1963 and by Robert Brown, July 8-August 14, 1980. Columbia University also holds Nathan Halper's papers concerning his literary scholarly work.
Provenance:
The Nathan Halper business records were donated by Nathan Halper in 1979. Additional materials were donated in 1983 and 1984 by his wife Helen Marjorie Windust Halper.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art dealers  Search this
Topic:
Art -- Massachusetts -- Provincetown  Search this
Gallery directors  Search this
Art galleries, Commercial -- Massachusetts -- Provincetown  Search this
Art, Modern -- 20th century -- United States  Search this
Art -- Collectors and collecting -- Massachusetts -- Provincetown  Search this
Genre/Form:
Photographs
Gallery records
Visitors' books
Citation:
Nathan Halper business records, 1952-1979. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.halpnath
See more items in:
Nathan Halper business records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-halpnath
Online Media:

Oral history interview with Richard Stankiewicz, 1963

Interviewee:
Stankiewicz, Richard, 1922-1983  Search this
Interviewer:
Baker, Richard Brown, 1912-2002  Search this
Subject:
Muller, Jan  Search this
Hansa Gallery (New York, N.Y.)  Search this
Type:
Sound recordings
Interviews
Topic:
Art, American  Search this
Sculpture, Modern -- 20th century -- History  Search this
Artist-run galleries -- New York (State) -- New York  Search this
Sculptors -- Massachusetts -- Huntington -- Interviews  Search this
Record number:
(DSI-AAA_CollID)12263
(DSI-AAA_SIRISBib)215622
AAA_collcode_stanki63
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_215622

Oral history interview with Richard Stankiewicz, 1963 February-August 20

Interviewee:
Stankiewicz, Richard, 1922-1983  Search this
Interviewer:
Baker, Richard Brown, 1912-2002  Search this
Subject:
Hansa Gallery (New York, N.Y.)  Search this
Type:
Sound recordings
Interviews
Topic:
Art, American  Search this
Sculpture, Modern -- 20th century -- History  Search this
Sculptors -- Massachusetts -- Huntington -- Interviews  Search this
Record number:
(DSI-AAA_CollID)12082
(DSI-AAA_SIRISBib)213129
AAA_collcode_stanki63feb
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213129

Video recordings on Richard Stankiewicz and other sculptors, 1973-1979

Creator:
Stankiewicz, Richard, 1922-1983  Search this
State University of New York at Albany.Educational Community Center  Search this
Subject:
Segal, George  Search this
Nevelson, Louise  Search this
Judd, Donald  Search this
Rickey, George  Search this
Stankiewicz, Richard  Search this
Type:
Interviews
Video recordings
Record number:
(DSI-AAA_CollID)15723
(DSI-AAA_SIRISBib)284109
AAA_collcode_stanrich3
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_284109

Oral history interview with Richard Stankiewicz, 1979 June 26

Interviewee:
Stankiewicz, Richard, 1922-1983  Search this
Interviewer:
Brown, Robert F  Search this
Subject:
Zabriskie, Virginia M., 1927-1991  Search this
Kootz, Samuel Melvin  Search this
Léger, Fernand  Search this
Smith, David  Search this
Porter, Fairfield  Search this
Hofmann, Hans  Search this
University of Albany  Search this
Zabriskie Gallery  Search this
Type:
Sound recordings
Interviews
Topic:
Art, American  Search this
Sculpture, Modern -- 20th century  Search this
Sculptors -- Massachusetts -- Huntington -- Interviews  Search this
Art -- Political aspects  Search this
Politics in art  Search this
Record number:
(DSI-AAA_CollID)12284
(DSI-AAA_SIRISBib)213131
AAA_collcode_stanki79
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213131
Online Media:

Richard Stankiewicz papers, 1948-1984

Creator:
Stankiewicz, Richard, 1922-1983  Search this
Subject:
Porter, Fairfield  Search this
Rivers, Larry  Search this
Nevelson, Louise  Search this
Judd, Donald  Search this
Rickey, George  Search this
Segal, George  Search this
Topic:
Sculptors -- New York (State) -- New York -- Interviews  Search this
Record number:
(DSI-AAA_CollID)7146
(DSI-AAA_SIRISBib)209280
AAA_collcode_stanrich
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209280

Untitled, (sculpture)

Sculptor:
Stankiewicz, Richard 1922-1983  Search this
Medium:
Steel
Type:
Sculptures
Owner/Location:
Dartmouth College Hood Museum of Art Hanover New Hampshire 03755 Accession Number: S.979.137
Date:
1979
Topic:
Abstract  Search this
Control number:
IAS 30660019
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_424957

Richard Stankiewicz: artist file, [photographs]

Artist:
Stankiewicz, Richard 1922-1983  Search this
Physical description:
1 folder
Type:
Photograph
Artist files
Topic:
Art, American  Search this
Image number:
VFM VF002791
See more items in:
Photograph Archives
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_141514

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