Research material for an exhibition THE MARTHA JACKSON MEMORIAL COLLECTION held at the National Museum of American Art, June 21-September 15, 1985, and a catalog (Smithsonian Institution Press, 1985). Included are clippings and press releases, 1953-1975, and letters, 1979-1984, from artists and Jackson's colleagues and employees including Herb Aach, Garo Antreasian, Amy Baker, Dorothy Beskind, Dennis Bing, Norman Bluhm, Naomi Blum, Grace Borgegenicht, Mrs. Toni Borgzinner, Keith Boyle, Charles Brady, Adelyn Breeskin, James Brooks, Fritz Bultman, Lawrence Calcagno, Christo Capralos, Vardea Chryssa, Christopher Colt, Richard Diebenkorn, Jim Dine, Hisao Domoto, Seymour Drumlevitch, Frank Duncan, Claire Falkenstein, David Gilhooly, Ives Goucher, Clement Greenberg, Grace Hartigan, Gottfried Honegger, John Hultberg,
Harry Jackson, Paul Jenkins, Alfred Jenson, Lester Johnson, Alex Katz, Lillian Kiesler, Kenneth Koch, Lee Krasner, Elaine Kurtz, Bruce Lowney, Alexandra Luke, Ed McGowin, Carlos Merida, Sadamasa Motonaga,Louise Nevelson, Tom Parish, Jackson Pollock (Betty Parsons Gallery concerning Pollock),Israel Rosen, John Salt, Peter Spinelli, Julian Stanczak, Francisco Toledo, June Wayne, and Edward Weiss. Several of the correspondents wrote brief memoirs of their relationships with Jackson.
Biographical / Historical:
Art historian, curator; National Museum of American Art, Washington, D.C. Jackson (1907-1969) was an art collector, dealer, and painter. She operated the Martha Jackson Gallery, New York City. Her collection was given to the National Museum of American Art in 1981 by her estate.
Lent for microfilming 1988 by Harry Rand. The Martha Jackson memorial collection was donated to the National Museum of American Art in 1981 by Jackson's estate.
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
An interview of Richard Anuszkiewicz conducted 1971 December 28 - 1972 January 7, by Paul Cummings, for the Archives of American Art. Anuszkiewicz speaks of his parochial education in Erie, Pennsylvania; the influence of Joseph Plavcan, a teacher at Erie Tech.; his early use of dark outlines; his classes with Josef Albers at Yale University and with Henry Hensche in Provincetown; his transition from realism to abstraction and his relationship with Julian Stanczak. He recalls exhibitions at the Kotler, the Contemporaries and Janis Galleries; employment as a house painter, restorer, silver designer, and teacher; and discusses his explorations of color, line, methods and techniques.
Biographical / Historical:
Richard Anuszkiewicz (1930-2020) was an Op Art painter from New York, New York.
Originally recorded on 2 sound tape reels. Reformatted in 2010 as 8 digital wav files. Duration is 3 hrs., 43 min.
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Transcript: Patrons must use microfilm copy.
Painting, Modern -- 20th century -- New York (State) -- New York Search this