Tape 4 of a video series associated with "Communicating in A Different Way" interviews
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Julian Stanczak papers, 1938-2002. Archives of American Art, Smithsonian Institution.
Sponsor:
The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.
Three Scrapbooks loaned by Stanczak to the archives for microfilming. Materials present include correspondence, printed material, some writings by Stanczak, photographs,and biographical material such as awards. Also included is Stanczak's thesis presented at Yale University, "Spacial Relationships On the Two Dimensional Surface."
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Julian Stanczak papers, 1938-2002. Archives of American Art, Smithsonian Institution.
Sponsor:
The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.
Material consists of the transcripts of the "Communicating in A Different Way" interviews Neil K. Rector conducted with Stanczak. Also included are a four part video series associated with "Communicating in A Different Way" interviews and two videos on the works of Stanczak.
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Julian Stanczak papers, 1938-2002. Archives of American Art, Smithsonian Institution.
Sponsor:
The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.
Tape 1 of a video series associated with "Communicating in A Different Way" interviews
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Julian Stanczak papers, 1938-2002. Archives of American Art, Smithsonian Institution.
Sponsor:
The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.
Tape 2 of a video series associated with "Communicating in A Different Way" interviews
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Julian Stanczak papers, 1938-2002. Archives of American Art, Smithsonian Institution.
Sponsor:
The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.
Tape 3 of a video series associated with "Communicating in A Different Way" interviews
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Julian Stanczak papers, 1938-2002. Archives of American Art, Smithsonian Institution.
Sponsor:
The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Julian Stanczak papers, 1938-2002. Archives of American Art, Smithsonian Institution.
Sponsor:
The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Julian Stanczak papers, 1938-2002. Archives of American Art, Smithsonian Institution.
Sponsor:
The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Julian Stanczak papers, 1938-2002. Archives of American Art, Smithsonian Institution.
Sponsor:
The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Julian Stanczak papers, 1938-2002. Archives of American Art, Smithsonian Institution.
Sponsor:
The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.
An interview of Richard Anuszkiewicz conducted 1971 December 28 - 1972 January 7, by Paul Cummings, for the Archives of American Art. Anuszkiewicz speaks of his parochial education in Erie, Pennsylvania; the influence of Joseph Plavcan, a teacher at Erie Tech.; his early use of dark outlines; his classes with Josef Albers at Yale University and with Henry Hensche in Provincetown; his transition from realism to abstraction and his relationship with Julian Stanczak. He recalls exhibitions at the Kotler, the Contemporaries and Janis Galleries; employment as a house painter, restorer, silver designer, and teacher; and discusses his explorations of color, line, methods and techniques.
Biographical / Historical:
Richard Anuszkiewicz (1930-2020) was an Op Art painter from New York, New York.
General:
Originally recorded on 2 sound tape reels. Reformatted in 2010 as 8 digital wav files. Duration is 3 hrs., 43 min.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript: Patrons must use microfilm copy.
Topic:
Painting, Modern -- 20th century -- New York (State) -- New York Search this
Painters -- New York (State) -- Interviews Search this
The Julian Stanczak papers measure 0.4 linear feet and date from 1938 to 2002. The collection documents Stanczak's life through a series of microfilmed scrapbooks containing printed materials, letters, photographs, and writings. Also included are professional material made up of video recordings documenting Stanczak's career and transcripts for a series of interviews conducted by Neil K. Rector with Stanczak.
Scope and Contents:
The Julian Stanczak papers measure 0.4 linear feet and date from 1938 to 2002. The collection documents Stanczak's life through a series of microfilmed scrapbooks containing printed materials, letters, photographs, and writings. Also included are professional material made up of video recordings documenting Stanczak's career and transcripts for a series of interviews conducted by Neil K. Rector with Stanczak.
Arrangement:
The collection is divided into 2 series.
Series 1: Professional Activity Files, 2000-2002 (0.4 linear feet; Box 1)
Series 2: Scrapbooks, 1938-1974 (microfilm reel 871)
Biographical / Historical:
Julian Stanczak (1928-2017) was a Polish-born American artist. He was born in Poland in 1928, and he emigrated to the United States in 1950, settling in the Cleveland, Ohio area. Th Op Art movement was named for his first major exhibition in 1964. Stanczak also taught at the Art Academy of Cincinnati and the Cleveland Institute of Art. Stanczak died in 2017.
Provenance:
Lent for microfilming 1974 by Julian Stanczak. Videos and transcripts were donated by Stanczak in 2007.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Julian Stanczak papers, 1938-2002. Archives of American Art, Smithsonian Institution.
Sponsor:
The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.
Seven audio recordings on cassettes of research interviews with Jacob Kainen, Seymour Lipton, Ethel Schwabacher, and Julien Levy and his wife, conducted by Rand. Also included is an audio recording of two brief interviews with Julian Stanczak, one of which aired on National Public Radio, Washington, D.C. 26 July 1999 and a corresponding letter to Rand from Neil K. Rector regarding the interviews.
Biographical / Historical:
Art historian, curator; Wahington, D.C. Rand is a senior curator of Cultural History at the National Museum of American History; former curator at the Smithsonian American Art Museum
Provenance:
Donated 2005 by Harry Rand.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Biographical material; correspondence, photographs, exhibition material, printed material, and audio visual material relating to painter and printmaker Alberta Cifolelli.
Correspondence includes printed e-mail messages as well as letters to and from colleagues and students among them Inger Alfven, Alva Henderson, Roald Hoffman, Julian Stanczak, Jean Stapleton, Lorrie Goulet, Donald Kuspit, and others. Photographs are of Cifolelli, his colleagues Richard Anuszkiewicz and Julian Stanczak, and family members. Exhibition material pertains to "From Here to Infinity," 2007, at the Cleveland Institute of Art. Printed material includes newspaper clippings, exhibition catalogs, and announcements.
Audio visual material includes a VHS video interview, "Distinguished Dialogue with Guest Speaker Alberta Cifolelli," conducted by James E. Barker, Superintendent of the Schools, Erie, Penn. and Pat Smith, Conference Chairwoman of the Pennsylvania Art Education Association, 1999, an audio cassette of a lecture by Cifolelli at SUNY Purchase and a DVD video of lecture at Westport, Connecticut Senior Center, 2008.
Biographical / Historical:
Alberta Cifolelli (1931- ) is a painter and printmaker in Westport, Conn.
Provenance:
Donated 2005-2011 by Alberta Cifolelli.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Interviews conducted by Elizabeth McClelland. Interviewees include: David E. Davis, Edwin Mieczkowski, Frederick A. Miller (36 p.), John Paul Miller (32 p.), David Ouich, John Pearson, Phyllis L. Sloane, Julian Stanczak and Athena Tacha.
Provenance:
Provenance unknown.
Restrictions:
DAVIS, MIECZKOWSKI, OUICH, PEARSON ACCESS RESTRICTED: written permission required.
Research material for an exhibition THE MARTHA JACKSON MEMORIAL COLLECTION held at the National Museum of American Art, June 21-September 15, 1985, and a catalog (Smithsonian Institution Press, 1985). Included are clippings and press releases, 1953-1975, and letters, 1979-1984, from artists and Jackson's colleagues and employees including Herb Aach, Garo Antreasian, Amy Baker, Dorothy Beskind, Dennis Bing, Norman Bluhm, Naomi Blum, Grace Borgegenicht, Mrs. Toni Borgzinner, Keith Boyle, Charles Brady, Adelyn Breeskin, James Brooks, Fritz Bultman, Lawrence Calcagno, Christo Capralos, Vardea Chryssa, Christopher Colt, Richard Diebenkorn, Jim Dine, Hisao Domoto, Seymour Drumlevitch, Frank Duncan, Claire Falkenstein, David Gilhooly, Ives Goucher, Clement Greenberg, Grace Hartigan, Gottfried Honegger, John Hultberg,
Harry Jackson, Paul Jenkins, Alfred Jenson, Lester Johnson, Alex Katz, Lillian Kiesler, Kenneth Koch, Lee Krasner, Elaine Kurtz, Bruce Lowney, Alexandra Luke, Ed McGowin, Carlos Merida, Sadamasa Motonaga,Louise Nevelson, Tom Parish, Jackson Pollock (Betty Parsons Gallery concerning Pollock),Israel Rosen, John Salt, Peter Spinelli, Julian Stanczak, Francisco Toledo, June Wayne, and Edward Weiss. Several of the correspondents wrote brief memoirs of their relationships with Jackson.
Biographical / Historical:
Art historian, curator; National Museum of American Art, Washington, D.C. Jackson (1907-1969) was an art collector, dealer, and painter. She operated the Martha Jackson Gallery, New York City. Her collection was given to the National Museum of American Art in 1981 by her estate.
Provenance:
Lent for microfilming 1988 by Harry Rand. The Martha Jackson memorial collection was donated to the National Museum of American Art in 1981 by Jackson's estate.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
An interview of Julian Stanczak conducted 1974 September 17, by Dennis Barrie, for the Archives of American Art.
Biographical / Historical:
Julian Stanczak (1928-) is a painter, printmaker, and educator from Seven Hills, Ohio.
General:
Originally recorded 2 sound tape reels. Reformatted in 2010 as 2 digital wav files. Duration is 1 hr., 41 min.
The transcript is of the second reel. The first reel is untranscribed due to poor sound quality.
Provenance:
This interview is part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
