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Sara de Prix Wyman Whitman papers, 1889-1893

Creator:
Whitman, Sarah de St. Prix Wyman, 1842-1904  Search this
Whitman, Sarah de St. Prix Wyman, 1842-1904  Search this
Topic:
Art, American -- Massachusetts -- Boston  Search this
Women artists  Search this
Theme:
Women  Search this
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)8686
(DSI-AAA_SIRISBib)210866
AAA_collcode_whitsara
Theme:
Women
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210866

Oral history interview with Wilbur Herbert Burnham, 1981 September 11

Interviewee:
Burnham, Jr., Wilbur Herbert, 1913-1984  Search this
Burnham, Jr., Wilbur Herbert, 1913-1984  Search this
Interviewer:
Brown, Robert F  Search this
Type:
Sound recordings
Interviews
Topic:
Glass painting and staining -- United States  Search this
Decorative arts  Search this
Theme:
Craft  Search this
Record number:
(DSI-AAA_CollID)12230
(DSI-AAA_SIRISBib)212568
AAA_collcode_burnha81
Theme:
Craft
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212568

Oral history interview with Orin Ensign Skinner, 1972 April 20

Interviewee:
Skinner, Orin Ensign, 1892-1995  Search this
Skinner, Orin Ensign, 1892-1995  Search this
Interviewer:
Brown, Robert F  Search this
Type:
Sound recordings
Interviews
Topic:
Art, American  Search this
Glass painting and staining -- United States  Search this
Designers -- Massachusetts -- Interviews  Search this
Theme:
Architecture & Design  Search this
Record number:
(DSI-AAA_CollID)12001
(DSI-AAA_SIRISBib)213095
AAA_collcode_skinne72
Theme:
Architecture & Design
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213095

Ture Bengtz papers, 1935-1978

Creator:
Bengtz, Ture, 1907-1973  Search this
Bengtz, Ture, 1907-1973  Search this
Subject:
Museum of Fine Arts, Boston  Search this
Type:
Sketchbooks
Sound recordings
Topic:
Glass painting and staining -- United States  Search this
Art -- Study and teaching -- Massachusetts -- Boston  Search this
Decorative arts  Search this
Theme:
Sketches & Sketchbooks  Search this
Lives of American Artists  Search this
Craft  Search this
Record number:
(DSI-AAA_CollID)6723
(DSI-AAA_SIRISBib)208848
AAA_collcode_bengture
Theme:
Sketches & Sketchbooks
Lives of American Artists
Craft
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_208848

Fritz Bultman papers, 1928-2010

Creator:
Bultman, Fritz, 1919-1985  Search this
Bultman, Fritz, 1919-1985  Search this
Subject:
Kees, Weldon  Search this
Krasner, Lee  Search this
Hofmann, Maria  Search this
Windham, Donald  Search this
Tworkov, Jack  Search this
Vevers, Tony  Search this
Simon, Sidney  Search this
Hofmann, Hans  Search this
Drexler, Sherman  Search this
Graham, John  Search this
Cicero, Carmen  Search this
Cornell, Joseph  Search this
Boghosian, Varujan  Search this
Bultman, Jeanne  Search this
Motherwell, Robert  Search this
Manso, Leo  Search this
Newman, Annette  Search this
Ponsold, Renate  Search this
Ossorio, Alfonso  Search this
Rothschild, Judith  Search this
Reynal, Jeanne  Search this
Smith, Tony  Search this
Fromboluti, Sideo  Search this
Sills, Thomas  Search this
Speyer, Nora  Search this
Newman, Barnett  Search this
Type:
Photographs
Interviews
Paintings
Drawings
Sketches
Sketchbooks
Diaries
Topic:
Sculptors -- New York (State) -- New York  Search this
Painting, Modern -- 20th century -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
New York school of art  Search this
Abstract expressionism  Search this
Theme:
Art Theory and Historiography  Search this
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)6839
(DSI-AAA_SIRISBib)208966
AAA_collcode_bultfrit
Theme:
Art Theory and Historiography
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_208966
Online Media:

Joseph G. Reynolds papers, 1903-1972

Creator:
Reynolds, Joseph G., 1886-1972  Search this
Reynolds, Joseph G., 1886-1972  Search this
Theme:
Sketches & Sketchbooks  Search this
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)9199
(DSI-AAA_SIRISBib)211394
AAA_collcode_reynjose
Theme:
Sketches & Sketchbooks
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211394

Ralf E. Nickelsen papers, 1929-1993

Creator:
Nickelsen, Ralf E. (Ralf Edgar), 1903-1990  Search this
Nickelsen, Ralf E. (Ralf Edgar), 1903-1990  Search this
Subject:
Montminy, Tracy  Search this
Newhall, Beaumont  Search this
Federal art project (Mass.)  Search this
United States  Search this
Type:
Sketchbooks
Topic:
Artists' preparatory studies  Search this
Mural painting and decoration, American  Search this
Mural painting and decoration -- 20th century -- Massachusetts  Search this
Glass painting and staining -- United States  Search this
Theme:
Government Sponsorship of the Arts  Search this
Record number:
(DSI-AAA_CollID)10586
(DSI-AAA_SIRISBib)214062
AAA_collcode_nickralf
Theme:
Government Sponsorship of the Arts
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_214062

Ralf E. Nickelsen papers

Creator:
Nickelsen, Ralf E. (Ralf Edgar), 1903-1990  Search this
Names:
Federal art project (Mass.)  Search this
United States. Works Progress Administration  Search this
Montminy, Tracy, 1911-1992  Search this
Newhall, Beaumont, 1908-1993  Search this
Extent:
1.3 Linear feet
4 Items (rolled docs)
Type:
Collection descriptions
Archival materials
Sketchbooks
Date:
1929-1993
Scope and Contents:
Biographical materials, correspondence, business records, writings, art works, photographs, and printed material.
Biographical material includes ID cards and an autobiographical statement. Correspondence, 1935-1964, includes letters sent to Nickelsen as Supervisor for the WPA Massachusetts Federal Art Project; correspondents include Beaumont Newhall and muralist Elizabeth Tracy. Project files regard mural and stained glass commissions, among them the East Boston murals; Nebraska capitol murals; Springfield, Mass. Museum of Fine Arts library murals; Worcester, Mass. Parcel Post Building murals; and stained glass commissions, ca.1938-1942. Files contain correspondence, art work, including large mural cartoons, reference photographs, photographs of works of art, and printed material. Also included are a list of mural ingredients and notes; business records, 1927-1937; photocopies of articles and writings, 1930-1967; art work by Nickelsen including stained glass rendering and mural drawings by Elizabeth Tracy Montminy; exhibition catalogs, clippings, photographs of Nickelsen and his art work, including one of him painting a window for St. Patricks Church, N.Y. in the Charles Connick Studio, Boston, 1950; and of Montminy and her murals.
Biographical / Historical:
Stained glass artist; mural painter; Boston, Mass. Born in Hamburg, Germany. Initially studied at the stained-glass studio of his father, John R. Nickelsen, and later went to the State Art School, Hamburg. He came to the United States in 1922 and attended the Art Students' League, N.Y. and the School of the Museum of Fine Arts, Boston. Participated as an artist and as a supervisor on the WPA Art Project in Boston, and was associated with the stained-glass design firm of Charles J. Connick Associates for many years.
Provenance:
Donated 1991-1999 by Nickelsen's widow, Ingeborg R. Nickelsen.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Muralists -- Massachusetts  Search this
Artisans  Search this
Stained glass artists -- Massachusetts  Search this
Topic:
Artists' preparatory studies  Search this
Mural painting and decoration, American  Search this
Mural painting and decoration -- 20th century -- Massachusetts  Search this
Glass painting and staining -- United States  Search this
Genre/Form:
Sketchbooks
Identifier:
AAA.nickralf
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-nickralf

Fritz Bultman papers

Creator:
Bultman, Fritz, 1919-1985  Search this
Names:
Boghosian, Varujan  Search this
Bultman, Jeanne  Search this
Cicero, Carmen, 1926-  Search this
Cornell, Joseph  Search this
Drexler, Sherman  Search this
Fromboluti, Sideo, 1921-  Search this
Graham, John, 1887-1961  Search this
Hofmann, Hans, 1880-1966  Search this
Hofmann, Maria, 1885-1963  Search this
Kees, Weldon, 1914-1955  Search this
Krasner, Lee, 1908-1984  Search this
Manso, Leo  Search this
Motherwell, Robert  Search this
Newman, Annette  Search this
Newman, Barnett, 1905-1970  Search this
Ossorio, Alfonso, 1916-1990  Search this
Ponsold, Renate  Search this
Reynal, Jeanne, 1903-  Search this
Rothschild, Judith  Search this
Sills, Thomas, 1914-  Search this
Simon, Sidney, 1917-1997  Search this
Smith, Tony, 1912-1980  Search this
Speyer, Nora  Search this
Tworkov, Jack  Search this
Vevers, Tony  Search this
Windham, Donald  Search this
Extent:
11.9 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Interviews
Paintings
Drawings
Sketches
Sketchbooks
Diaries
Date:
1928-2010, bulk 1940s-1990s
Summary:
The papers of New York School painter and sculptor Fritz Bultman, 1928-2010, bulk 1940s-1990s, measure 11.9 linear feet. They document Bultman's professional activities, ties to the Abstract Expressionist movement, and his personal life. Letters from friends and family include many from Hans and Maria Hofmann. Letters by Bultman are mostly to family; also found are a few drafts and copies of business and personal letters. Writings and notes are by and about Bultman. Notebooks/sketchbooks (39 volumes) include autobiographical writings, notes on dreams and thoughts while in psychoanalysis, many sketches and some completed drawings. Subject files reflect Bultman's professional activities, interests, and relationships; Hans Hofmann is the most thoroughly documented subject. Extensive printed material concerns Bultman's activities and exhibitions; also included are his published writings. Most photographs are of artwork, Bultman, his family and friends. Also found are biographical materials, 4 diaries, 6 interviews with Fritz Bultman and Jeanne Bultman, and a small amount of artwork.
Scope and Contents:
The papers of New York School painter and sculptor Fritz Bultlman, 1928-2010, bulk 1940s-1990s, measure 11.9 linear feet. They document Bultman's professional activities, ties to the Abstract Expressionist movement, and his personal life. Letters from friends and family include many from Hans and Maria Hofmann. Letters by Bultman are mostly to family; also found are a few drafts and copies of business and personal letters. Writings and notes are by and about Bultman. Notebooks/sketchbooks (39 volumes) include autobiographical writings, notes on dreams and thoughts while in psychoanalysis, many sketches and some completed drawings. Subject files reflect Bultman's professional activities, interests, and relationships. Extensive printed material concerns Bultman's activities and exhibitions; also included are his published writings. Most photographs are of artwork, Bultman, his family and friends. Also found are biographical materials, 4 diaries, 6 interviews with Fritz Bultman and Jeanne Bultman, and a small amount of artwork.

Biographical materials include school records and notice of Bultman's army classification.

Most letters are addressed to Fritz Bultman and his parents. Fritz's education in Munich and studying with Hans Hofmann is well-documented. Many letters are from Miz Hofmann and Hans Hofmann. Also found are a smaller number of letters from museums, galleries, universities, and arts organizations. The surviving letters by Bultman are mainly to his family. Most were written when he was a student in Munich or traveling in Europe. There are some drafts and copies of letters concerning professional activities, arrangements for lectures, exhibitions, and Cynthia Goodman's editing "Form and Color in the Creative Process: The Painter's Primer" by Hans Hofmann.

Most interviews focus on Bultman's career. An interview with Jeanne and Fritz Bultman is about John Graham, and one of the interviews with Jeanne Bultman concerns Hans Hofmann.

Bultman's writings and notes include articles, lectures and talks about Hans Hofman, lectures about his own work, and a book review. Among the writings about Bultman are articles, a catalog essay and exhibition review.

Notebooks/sketchbooks (39 volumes) contain a variety of writings and notes, including some that are autobiographical, along with sketches and several finished drawings. Some volumes consist of writings and notes with a few sketches and doodles while others are mainly sketchbooks containing a few stray notes and brief writings; many contain approximately the same amount of text and drawings.

Diaries (4 volumes) contain entries about his work, professional and personal activities. One volume is a record of his October 1978 trip to Istanbul.

Subject files contain varying combinations of correspondence, photographs, printed material, and manuscripts. The most extensive file relates to Hans Hofmann and includes copies of writings by him. Other files of note concern Joseph Cornell, the exhibitions "Forum '49" and "Forum '49 Revisited," Weldon Kees, Tony Smith, and Donald Windham.

The largest series, printed material, consists of exhibition catalogs, announcements, reviews, articles and clippings about or mentioning Bultman.

Noteworthy among the small amount of artwork by Bultman is an early print; also found are loose drawings and paintings on paper.

Photographs of artwork document the full range of Bultman's production --paintings, sculpture, drawings, collage, stained glass, interior design and decoration. Also found are a few photographs of works by other artists. Photographs of Fritz Bultman include many by Renate Ponsold. Other indentified individuals include parents Fred and Pauline Bultman, sister Muriel Bultman, childhood nurse Katie Belle, son Johann Bultman, Sherman Drexler, Hans Hofmann, Miz Hofmann, Miss Katsura, Lee Krasner, Annalee Newman, Barnett Newman, Alfonso Ossorio, Jeanne Reynal, Thomas Sills, Jack Tworkov, and Wally Tworkov. A group portrait of the artists of Long Point Gallery includes: Varujan Boghosian, Fritz Bultman, Carmen Cicero, Sideo Fromboluti, Budd Hopkins, Rick Klauber, Lee Manso, Sidney Simon, Robert Motherwell, Judith Rothschild, Nora Speyer, and Tony Vevers. Also found in this series are photographs of Bultman exhibition installations and views of miscellaneous places.
Arrangement:
The collection is arranged in 10 series:

Series 1: Biographical Materials,1928-2003 (Box 1; 0.1 linear feet)

Series 2: Letters, 1930-1995 (Box 1; 0.4 linear feet)

Series 3: Interviews, 1968-1998 (Box 1; 0.4 linear feet)

Series 4: Writings and Notes, 1935-circa 1980s (Boxes 1-2; 0.8 linear feet)

Series 5: Notebooks/Sketchbooks, 1937-circa 1979 (Boxes 2-3, 11; 0.7 linear feet)

Series 6: Diaries, 1977-1979 (Box 3; 0.3 linear feet)

Series 7: Subject Files, 1942-2010 (Boxes 3-5, 11; 2.3 linear feet)

Series 8: Printed Material, 1941-2006 (Boxes 5-9, OV 12; 3.5 linear feet)

Series 9: Artwork, circa 1930s-1956 (Boxes 9, 11; 0.1 linear feet)

Series 10: Photographs, 1935-1997 (Boxes 9-10; 0.6 linear feet)
Biographical / Historical:
Fritz Bultman (1919-1985), a New York School painter and sculptor who lived and worked in Provincetown, Massachusetts and New York City, was also a collagist, stained glass artist, and educator.

Anthony Fred Bultman, III --always known as Fritz --was from a prominent and cultured New Orleans family. He began studying art as a boy and one of his teachers was Morris Graves, a family friend. His last 2 years of high school were spent at the Munich Preparatory School, boarding with Mrs. Hans Hofmann whose husband was working in New York for an extended period. Bultman attended the New Bauhaus in Chicago before studying for three years with Hans Hofmann in New York City and Provincetown, Massachusetts. As well as being a major influence on Bultman's development as a painter, Hofmann became a life-long friend.

Fritz Bultman met dancer and model Jeanne Lawson (1918-2008), when she was posing in Hofmann's studio during the summer of 1941. They married in 1943 and the following year bought a house in Provincetown. In 1945, Bultman built a studio designed by a friend from the New Bauhaus, sculptor and architectural designer Tony Smith, who also helped with its construction.

His first solo exhibition was held in 1947 at the Hugo Gallery, New York; others followed in 1950, again at Hugo Gallery and at Kootz Gallery, New York. After receiving an Italian Government Grant for Exchange Fellowship, Bultman spent 1950-1951 in Florence, Italy, where he learned the process of casting and began making metal sculpture. In 1952 the Bultmans moved to New York City. Depressed and beset by anxiety, Bultman began Freudian psychoanalysis, and between 1952 and 1956 produced very little artwork.

In 1958 Bultman resumed exhibiting and continued to show regularly for the remainder of his life. He enjoyed solo exhibitions in New York City, Paris, New Orleans, North Carolina, Provincetown, and other venues. Between 1958 and 1963 Bultman taught painting at Hunter College and was an instructor in design and painting at Pratt Institute. Bultman spent 1964-1965 in Paris on a Fulbright Grant painting and sculpting, studying European methods of bronze casting, and meeting French artists. Bultman maintained his reputation as a highly regarded art instructor and in later years was a sought after guest lecturer at a various colleges. While artist-in-residence at Kalamazoo College, Michigan in 1981, he designed and produced a stained glass mural with technical assistance from his wife, Jeanne Bultman, a skilled artisan.

Fritz Bultman died of cancer in Provincetown, Massachusetts, in 1985.
Related Materials:
An oral history interview with Fritz Bultman, 1986 January 6, was conducted by Irving Sandler for the Archives of American Art (available on microfilm reel 3196).
Provenance:
Gift of Fritz Bultman in 1984, which included material lent for microfilming in 1970 and 1971. Additions donated by Jeanne Bultman, his widow, in 1988 and 2000, and by his sons, Anthony F. Bultman, IV and Ellis Johann Bultman, in 2013.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Sculptors -- New York (State) -- New York  Search this
Painting, Modern -- 20th century -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
New York school of art  Search this
Abstract expressionism  Search this
Genre/Form:
Photographs
Interviews
Paintings
Drawings
Sketches
Sketchbooks
Diaries
Citation:
Fritz Bultman papers, 1928-2010, bulk 1940s-1990s. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.bultfrit
See more items in:
Fritz Bultman papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-bultfrit

Oral history interview with Wilbur Herbert Burnham

Interviewee:
Burnham, Wilbur Herbert, Jr., 1913-1984  Search this
Interviewer:
Brown, Robert F.  Search this
Extent:
46 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1981 September 11
Scope and Contents:
An interview of Wilbur Herbert Burnham conducted 1981 September 11, by Robert Brown, for the Archives of American Art.
Burnham speaks of training under his father; education at Yale Art School in drawing and painting; principal jobs; and characterizations of clients, architects, teachers, and fellow stained glass designers.
Biographical / Historical:
Wilbur Herbert Burnham (1913-1984) was a stained glass artist from Wakefield, Massachusetts.
General:
Originally recorded on 1 sound tape reel. Reformatted in 2010 as 2 digital wav files. Duration is 2 hr., 2 min.
Provenance:
This interview is part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
This transcript is open for research. Access to the entire recording is restricted. Contact Reference Services for more information.
Occupation:
Stained glass artists -- Massachusetts -- Wakefield -- Interviews  Search this
Topic:
Glass painting and staining -- United States  Search this
Decorative arts  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.burnha81
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-burnha81

Ture Bengtz papers

Creator:
Bengtz, Ture, 1907-1973  Search this
Names:
Museum of Fine Arts, Boston. School  Search this
Extent:
0.4 Linear feet ((partially microfilmed on 2 microfilm reels))
Type:
Collection descriptions
Archival materials
Sketchbooks
Sound recordings
Date:
1935-1978
Scope and Contents:
Sketchbooks, cassette recording, biographical information, photographs, writings and notes, correspondence, sketches, and printed material.
REELS 2541-2542: 37 sketchbooks, 1935-1973, containing ink and pencil sketches. Some of the sketchbooks are annotated.
UNMICROFILMED: A resume; letters; 2 photographs, one of Bengtz at work in his studio and one of a stained glass he designed; writings and notes, including annual reports of curriculum at the Museum of Fine Arts, Boston School; watercolor studies for stained glass windows and drawings for a television program; business records concerning the Museum of Fine Arts School and the airing of the television program "The Art School of the Air in New England, Bengtz on Drawing" on WGBH Channel 2, 1956 and concerning the Jomala (Finland) Church stained glass window project; 2 catalogs; a book, THE LITHOGRAPHS OF TURE BENGTZ; a cassette of a lecture given by Bengtz at a school in Needham, Mass.; and miscellaneous printed material.
Biographical / Historical:
Museum director, stained glass artist, lecturer; Boston, Mass. Born in Finland; studied at the Boston Museum of Fine Arts School where he subsequently taught.
Provenance:
The unmicrofilmed material was donated 1980 by Lillian E. Bengtz, Ture Bengtz's widow. She lent the sketchbooks on reels 2541-2542 for microfilming in 1982 and subsequently donated them to the Boston Public Libary, print department.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Stained glass artists -- Massachusetts -- Boston  Search this
Topic:
Glass painting and staining -- United States  Search this
Art -- Study and teaching -- Massachusetts -- Boston  Search this
Decorative arts  Search this
Genre/Form:
Sketchbooks
Sound recordings
Identifier:
AAA.bengture
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-bengture

Charles J. Connick papers

Creator:
Connick, Charles J., 1875-1945  Search this
Names:
Connick, Charles J., 1875-1945  Search this
Connick, Mabel Coombs, 1881-1957  Search this
Extent:
9.3 Linear feet ((partially microfilmed on 4 reels))
Type:
Collection descriptions
Archival materials
Date:
1901-1949
Scope and Contents:
Biographical materials, correspondence, notebooks, diaries, writings, sketches and drawings, photographs, and printed material.
REEL 983: Four notebooks, 1910-1935, containing descriptions of stained glass windows in Europe; biographical information; a typescript of an article on Connick, "The Education of an Artist in Brother Sun's Workshop"; and three photographs, one of Connick's Boston studio, one of his home in Newtonville, Mass, and one of a Christmas card design, 1930.
REEL 2802: Biographical sketch; photographs, including five of Connick at work, four of others at work at his studio, and one of a bust of Connick sculpted by Frederick Allen in front of one of his windows; and a reprint of Connick's article "Stained Glass Windows: The Craft."
REELS 3947-3948: Correspondence, undated and 1918-1946; a transcript of an interview with Connick by V. S. Bright, May 10, 1945; writings by Connick on foreign stained glass, undated; 2 sets of lecture notes; an "In Memorium Booklet" for Connick; writings by others, three sketchbooks and loose sketches by Connick; clippings, 1916- 1949; programs and brochures relating to Connick, 1923-1940; printed material, 1901-1945; photographs of Connick, undated and 1902; and photographs of works of art.
UNMICROFILMED: Biographical material containing notes about the Connick family written by the Coombs relatives; address books; a daily diary with notes by Connick, passports and visas; correspondence, 1908-1945, primarily between Charles and his wife Mabel while Connick traveled throughout the United States working on stained glass projects in churches, and in which he discusses his book "Adventures in Light and Color," correspondence with his publisher about his book; letters of condolence, 1945-1946, to Mabel; 11 sketchbooks with sketches done in watercolor, colored pencil, and pencil (the sketchbooks are called "Telephone sketchbooks," done while on the telephone); Christmas cards designed by Connick; photographs of Connick, Connick with Mabel, and family, and friends, travel photos from trips to Europe; and printed material.
Correspondents include: Robert Peters Aldrich, Frank Buxton, Paul Child, Ralph Adams Cram, Peter Dyer, Malvina Hoffman, Paul Kimball, Bill and Vaugh Redfern Mason (Connick's nephews), Joseph Reynolds, Jr., Elizabeth Madox Roberts, Winfield Scott, Harlow Shapley, Orin Skinner, Gilbert Symons, John Weber, and Stark Young.
Biographical / Historical:
Stained glass artist; Boston, Mass. Opened Charles J. Connick Studios, Boston, Mass. in 1913. Revived techniques and designs of English and French designers of the Middle Ages. He worked primarily in ecclesiastical designs. He married Mabel Robinson Coombs in 1920. After his death in 1945, the firm was headed by Orin Skinner, and renamed Charles J. Connick Associates.
Related Materials:
Charles J. Connick Studios (later Associates) records located at: Boston Public Library.
Provenance:
Material on reel 983 was lent for microfilming August 1975 by Evelyn Coombs Pennegar, sister of Mabel Coombs Connick, wife of Charles Connick. In February 1977 she donated additional papers which were filmed on reels 3947-3948. The 12 items on reel 2802 were donated by Connick's successor at Charles J. Connick Associates, Orin E. Skinner. The unmicrofilmed material was donated by Richard B. Coombs, nephew of Mabel, August - December 1985.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Stained glass artists -- Massachusetts -- Boston  Search this
Topic:
Glass painting and staining -- United States  Search this
Church architecture -- United States  Search this
Identifier:
AAA.connchar
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-connchar

Aimée Lamb papers

Creator:
Lamb, Aimée, 1893-1989  Search this
Names:
James, William, 1882-1961  Search this
Lamb, Horace  Search this
Thaxter, Celia Laighton, 1835-1894  Search this
Extent:
1.6 Linear feet
Type:
Collection descriptions
Archival materials
Drawings
Scrapbooks
Sketchbooks
Date:
1888-1991
Scope and Contents:
Sketchbooks and sketches, photographs, letters, price lists, a scrapbook, and printed material relating primarily to Lamb's exhibitions.
The ca. 25 letters to Lamb, 1921-1976, are mainly from friends regarding her exhibitions. Also included are letters from Celia Thaxter to Lamb's brother, Horace, 1888-1892. The scrapbook (photocopy) contains newspaper clippings and exhibition announcements, 1931-1981. Printed material, 1931-1991, consists of exhibition catalogs and announcements, and source material for paintings. Artwork, 1914-1938, includes sketchbooks (12 v.), 1914-55, including one from anatomy class at the Museum of Fine Arts, Boston School, ca. 100 sketches, designs for stained glass, and designs and templates for stencils. Ca. 40 photographs are mainly of artwork by Lamb, but also include 2 of Lamb and a portrait of Henry James done by William James.
Biographical / Historical:
Painter; Milton, Mass. Died 1989.
Provenance:
Donated 1993 by Edward Stone, executor of the Aimée Lamb estate. Stone' wife, Cassandra, is Lamb's cousin. Additons are expected.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Stained glass artists  Search this
Painters -- Massachusetts  Search this
Topic:
Women painters -- Massachusetts  Search this
Genre/Form:
Drawings
Scrapbooks
Sketchbooks
Identifier:
AAA.lambaime
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-lambaime

Oral history interview with Orin Ensign Skinner

Interviewee:
Skinner, Orin Ensign, b. 1892  Search this
Interviewer:
Brown, Robert F.  Search this
Extent:
24 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1972 April 20
Scope and Contents:
An interview of Orin Ensign Skinner conducted 1972 April 20, by Robert Brown, for the Archives of American Art.
Biographical / Historical:
Orin Ensign Skinner (1982-1995) was a designer and stained glass artist from Newtonville, Massachusetts.
General:
Originally recorded 1 sound tape reel. Reformatted in 2010 as 2 digital wav files. Duration is 1 hr., 40 min.
Provenance:
This interview is part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Topic:
Art, American  Search this
Glass painting and staining -- United States  Search this
Designers -- Massachusetts -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.skinne72
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-skinne72

Sara de Prix Wyman Whitman papers

Creator:
Whitman, Sarah  Search this
Extent:
6 Items ((on partial microfilm reel))
Type:
Collection descriptions
Archival materials
Date:
1889-1893
Scope and Contents:
Two letters of sympathy, from H.L. Higgman and J. Bryce, and one letter from Agnes Repplier; an invitation to the opening of the Farnsworth Art School, Wellesley, Mass.; and two Harvard University commencement tickets.
Biographical / Historical:
Painter, stained glass artist, writer; Boston, Mass Full name Sarah de St. Prix Wyman Whitman.
Provenance:
Donated 1973 by Barbara Neville Parker.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Painters -- Massachusetts -- Boston  Search this
Stained glass artists -- Massachusetts -- Boston  Search this
Topic:
Art, American -- Massachusetts -- Boston  Search this
Women artists  Search this
Identifier:
AAA.whitsara
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-whitsara

Wilbur H. Burnham Studios records

Creator:
Wilbur H. Burnham Studios  Search this
Names:
American Art Expositions (Firm)  Search this
Joseph G. Reynolds Associates  Search this
Reynolds, Francis, and Rohnstock  Search this
Stained Glass Association of America  Search this
Burnham, Wilbur Herbert, 1887-1974  Search this
Burnham, Wilbur Herbert, Jr., 1913-1984  Search this
Connick, Charles J., 1875-1945  Search this
Portanova, Joseph Domenico, 1909-1979  Search this
Reynolds, Joseph G., 1886-1972  Search this
Extent:
38.5 Linear feet
Type:
Collection descriptions
Archival materials
Sketches
Photographs
Watercolors
Diaries
Sketchbooks
Scrapbooks
Date:
circa 1901-1991
Summary:
The records of nationally renowned Boston, Massachussetts, stained glass design company, Wilbur H. Burnham Studios, measure 38.5 linear feet and date from circa 1904-1991. The majority of the collection consists of project files for the studio's stained glass window contracts throughout the United States from the 1920s-1980s. In addition to project files, records include biographical material for the owners, correspondence relating to personal and studio business, general business and financial records, writings such as published articles by Wilbur H. Burnham, scrapbooks and other printed material documenting the history of the company, artwork including extensive watercolor design studies for stained glass, and photographic material. There is a 2.6 linear foot unprocessed addition to this collection donated in 2021 that includes includes awards, printed material, passports, biographical material, Christmas cards, photographs, slides and postcards of stained lass windows, posthumous material, a bound ledger, legal papers, invoices and receipts, project files and glass plate negatives. Materials date from circa 1901-1991.
Scope and Content Note:
The records of nationally renowned Boston, Massachussetts, stained glass design company, Wilbur H. Burnham Studios, measure 38.5 linear feet and date from circa 1904-1991. The majority of the collection consists of project files for the studio's stained glass window contracts throughout the United States from the 1920s-1980s. In addition to project files, records include biographical material for the owners, correspondence relating to personal and studio business, general business and financial records, writings such as published articles by Wilbur H. Burnham, scrapbooks and other printed material documenting the history of the company, artwork including extensive watercolor design studies for stained glass, and photographic material. There is a 2.6 linear foot unprocessed addition to this collection donated in 2021 that includes includes awards, printed material, passports, biographical material, Christmas cards, photographs, slides and postcards of stained lass windows, posthumous material, a bound ledger, legal papers, invoices and receipts, project files and glass plate negatives. Materials date from circa 1901-1991.

Biographical material includes resume details and autobiographical notes for Burnham and Burnham, Jr., in addition to membership and fellow certificates.

Correspondence documents general studio business and includes correspondence with current and prospective clients, correspondence related to exhibitions, Burnham, Jr.'s activities on the Executive Committee of the America Arts Exposition, Inc., and the 1940 annual meeting of the Stained Glass Association of America and related business. Also found is some personal correpondence with friends and colleagues. Of note are 4 letters from stained glass artist Charles J. Connick giving his opinions on other stained glass artists, including Burnham, and a letter written by sculptor and designer, Joseph D. Portanova.

General business files include personnel records, records relating to a studio apprenticeship in stained glass design, a 1932 inventory of the studios, and leases and other legal documentation.

Writings include published articles by Burnham, in addition to draft typescripts for a book on stained glass which was never published, and research notes used as background material for stained glass studies. These notes include a number of pencil sketches.

19 diaries and journals consist of travel diaries and date books containing notes on daily appointments, financial notes, and addresses.

Project files form the bulk of the collection and document projects in circa 250 locations throughout the United States and Bellau, France, from the 1920s-1980s through correspondence with clients, architects and builders, contracts, purchase orders, building plans, sketches, scattered photographs and some printed material. Of particular note are extensive files on stained glass for New York's Cathedral of Saint John the Divine, Saint Mary's Cathedral in Peoria, Illinois, Saint Martin's Church in Providence, Rhode Island, and the National Cathedral in Washington D. C. The series also includes a group of contract files for the company Reynolds, Francis & Rohnstock (later Joseph G. Reynolds), a contemporary of Wilbur H. Burnham Studios.

Financial records include payment and receipt journals, expense reports, bills, account books and general ledgers which provide finanical documentation from the 1930s to the 1980s.

Printed material includes news clippings about Burnham studios and stained glass in general, in addition to source material used in subject research.

Additional newsclippings about Burnham Studios can be found in three scrapbooks which also house announcements and invitations, and scattered photographs. One scrapbook contains photographs of windows designed by the studios for the Church of Saint Vincent De Paul in Los Angeles, California.

Artwork and sketchbooks include some artwork by Burnham, Jr., such as pencil and ink sketches, life drawings, and some watercolors. The bulk of the series consists of watercolor design studies on board for many of the studio's projects documented in the project files. Also found are some stained glass design sketches and cartoons, primarily in pencil and charcoal with scattered watercolors, as well as seven folders of material used in creating stained glass patterns and templates.

Photographic material includes photos of Burnham and Burnham, Jr., and of studio work in progress, as well as photographs of artwork, primarily of stained glass created for a significant number of the studio's contracts.
Arrangement:
The collection is arranged as 12 series:

Series 1: Biographical Materials, circa 1930s-circa 1970s (Boxes 1, 27; 4 folders)

Series 2: Correspondence, 1920s-1991 (Box 1; 0.9 linear feet)

Series 3: General Business Files, 1930s-1970 (Box 2; 0.38 linear feet)

Series 4: Writings and Notes, 1920s-1950s (Box 2; 6 folders)

Series 5: Diaries and Journals, circa 1920s-circa 1960s (Box 2; 4 folders)

Series 6: Project Files, 1916-1980s (Boxes 2-12, 42; 10.6 linear feet)

Series 7: Financial Records, 1928-1982 (Boxes 13-14; 1.14 linear feet)

Series 8: Printed Material, circa 1920s-1980s (Boxes 14-15, 27-28; 1.89 linear feet)

Series 9: Scrapbooks, circa 1920s-circa 1970s (Boxes 15-16, 28, OVs 48-49, BV 84; 1.05 linear feet)

Series 10: Artwork and Sketchbooks, circa 1920s-circa 1980s (Boxes 16-23, 29-39, OVs 50-73, 85, RD 83; 13.15 linear feet)

Series 11: Photographic Materials, circa 1904-circa 1980s (Boxes 23-26, 29, 40-41, 43-47, OVs 74-82; 5.8 linear feet)

Series 12: Unprocessed Addition, circa 1901-1991 (Boxes 86-88, 91, OVs 89-90; 2.6 linear feet)
Historical Note:
Boston, Massachussets stained glass design firm, Wilbur H. Burnham Studios, was founded by master stained glass craftsman Wilbur H. Burnham, in 1922. Together with Charles J. Connick and Joseph G. Reynolds, Burnham studios became recognized as one of the most prominent stained glass design companies in the United States. Burnham took early commissions from influential American architect Ralph Adams Cram, and believed strongly in the medieval stained glass tradition. In the late 1930s his son, Wilbur H. Burnham, Jr., who had received an informal education on tours of Europe with his family, and a BFA from Yale University, joined the firm.

Some of the studio's most notable commissions included seventeen windows for the Washington National Cathedral in Washington, D. C., all the windows and murals for Saint Mary's Cathedral, Peoria, Illinois, ten windows for the Cathedral of Saint John the Divine in New York City, and five for the Riverside Church, also in New York City.

Both Burnham and Burnham, Jr., served as presidents of the Stained Glass Association of American from 1938-1941 and 1956-1957 respectively. Burnham, Jr., took over the studio in 1968 when his father retired, and sold the studios in 1982.
Provenance:
The Wilbur H. Burnham Studios records were donated in 8 accessions by Wilbur H. Burnham, Jr., from 1977-1981 and by Wilbur C. Burnham, grandson of the founder, in 1990-1991 and 2021. Scott McDaniel, co-owner of the firm, contributed to the 1990 donation.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Stained glass artists -- Massachusetts  Search this
Topic:
Church architecture -- United States  Search this
Church decoration and ornament -- United States  Search this
Decorative arts  Search this
Glass painting and staining -- United States  Search this
Genre/Form:
Sketches
Photographs
Watercolors
Diaries
Sketchbooks
Scrapbooks
Citation:
Wilbur H. Burnham Studios records, circa 1901-1991. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.wilbhbur
See more items in:
Wilbur H. Burnham Studios records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-wilbhbur
Online Media:

Joseph G. Reynolds papers

Creator:
Reynolds, Joseph G., 1886-1972  Search this
Extent:
5.7 Linear feet ((partially microfilmed on 4 reels))
47 Items (rolled docs)
Type:
Collection descriptions
Archival materials
Date:
1903-1972
Scope and Contents:
Correspondence, sketchbooks, photographs, sketches, designs, and printed material.
REELS 1468-1471: Biographical material; correspondence; 2 sketchbooks; photographs of stained glass windows by Reynolds; lists of commissions with the names of architects and descriptions of windows; files of correspondence and sketches of windows; contracts; hand-made Christmas cards; writings, lectures, and notes; yearbooks from the Rhode Island School of Design; and exhibition catalogs, articles, and other printed material on stained glass.
UNMICROFILMED: 352 Cartoons, blueprints, photographs, and studies for stained glass windows in Massachusetts, Illinois, Michigan, New York and elsewhere; and miscellaneous sketches and designs.
Biographical / Historical:
Stained glass artist, designer; Boston, Massachusetts. Partner in the stained glass studio of Reynolds, Francis & Rohnstock, Boston, Massachusetts.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Identifier:
AAA.reynjose
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-reynjose

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