Robinson, Franklin A., Jr., 1959- (actor) Search this
Container:
Box 3, Folder 2
Type:
Archival materials
Date:
1926
Collection Restrictions:
Collection is open for research but negatives and audiovisuial materials are stored off-site and special arrangements must be made to work with it. Some papers of living persons are restricted. Access to restricted portions may be arranged by request to the donor. Gloves required for unprotected photographs. Viewing film portions of the collection and listening to LP recording requires special appointment. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
The Archives Center does not own exclusive rights to these materials. Copyright for all materials is retained by the donor, Franklin A. Robinson, Jr.; permission for commercial use and/or publication may be requested from the donor through the Archives Center. Military Records for Franklin A. Robinson (b. 1932) and correspondence from Richard I. Damalouji (1961-2014) are restricted; written permission is needed to research these files. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
The Robinson and Via Family Papers, Archives Center, National Museum of American History
Sponsor:
Preservation of the 8mm films in this collection was made possible, in part, by a grant from the National Film Preservation Fund.
Rafting Driftwood, Lower Falls of St. Croix River, Minn.
Extent:
1 Stereograph (color)
Container:
Box 2
Type:
Archival materials
Stereographs
General:
Historic Image #: 707
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for
appointment in writing. Please direct reference inquiries to the Archives of American
Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
The collection is open for research. Use requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Emilio Sanchez papers, 1922-2012. Archives of American Art, Smithsonian Institution.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Margaret Casey Gates papers, 1934-1988. Archives of American Art, Smithsonian Institution.
Use of original papers requires an appointment and is limited to the Washington D.C. Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Ellen Hulda Johnson papers, 1872-2018, bulk 1921-1992. Archives of American Art, Smithsonian Institution.
Sponsor:
The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.
Correspondence provides scattered documentation related to many of Herbert's business ventures. This series also contains some personal correspondence, including two folders of letters Herbert wrote to his parents from St. Croix in the summer of 1950, and other correspondence, primarily with Sarah Schmerer.
Three folders of appointment requests consist of letters from artists, or their representatives, seeking to interest Herbert in their work, and Herbert's replies.
Friends and colleagues represented in this series include Lloyd and Joanne Cotsen, Robert Fraser, and Irving Blum and Walter Hopps of Ferus Gallery. Ferus Gallery correspondence relates to the gallery's founding and includes installation photographs from a 1958 exhibition and a photograph of the gallery's exterior. Also found is correspondence with Richard Feigen related to the contract established between Feigen and Herbert in 1953, and their subsequent business relationship.
Correspondence with the California Palace of the Legion of Honor relates to the loan and sale of Herbert's Onchi Koshiro woodcut Among the Rocks.
Correspondence with Jaime Andrade is limited to two letters and a postcard from Andrade, but related material includes Andrade's resumes, and documentation relating to ownership of the Andrade family farm in Ecuador, and letters written by Herbert in support of Nelson Andrade and others coming to work in the United States.
Correspondence with Stanley N. Nagler relates to a lawsuit brought by Herbert against Aaron Berman regarding an Ellsworth Kelly drawing belonging to Herbert. Herbert claimed that he loaned the drawing to the Museum of Modern Art through the Aaron Berman Gallery when he was employed by Bernam, and that the drawing was never returned to him.
Arrangement:
Following letters to and from Herbert's parents, folders are arranged in rough alphabetical order.
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D. C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
David Herbert papers, circa 1909-1996. Archives of American Art, Smithsonian Institution.
Massachusetts Institute of Technology, vol. 32, no. 8, July 1930; vol. 63, no. 7, May 1961; and vol. 64, no. 1, November 1961.
Collection Restrictions:
No restrictions on access
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Arthur Raymond Brooks Collection, NASM.1989.0104, National Air and Space Museum, Smithsonian Institution.
Mr. le docteur Baekeland Mr. Bussenil Mr. Gelmas in St. Croix
Collection Creator:
Baekeland, L. H. (Leo Hendrik), 1863-1944 Search this
Container:
Box 38, Folder 44
Type:
Archival materials
Date:
undated
Collection Restrictions:
Collection is open for research.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Leo Baekeland Papers, Archives Center, National Museum of American History, Smithsonian Institution
Baekeland, L. H. (Leo Hendrik), 1863-1944 Search this
Container:
Box 37, Folder 296
Type:
Archival materials
Date:
undated
Collection Restrictions:
Collection is open for research.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Leo Baekeland Papers, Archives Center, National Museum of American History, Smithsonian Institution
International Battle of the Bands, Inc. Search this
Container:
Box 27, Folder 57
Type:
Archival materials
Date:
10/15/86 - 11/21/86
Collection Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Some materials are restricted until 2050. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
International Battle of the Bands Records, 1981-1998, Archives Center, National Museum of American History.
Researchers must handle unprotected photographs with cotton gloves. Researchers may use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis and as resources allow.
Viewing film portions of the collection requires special appointment, please inquire; listening to LP recordings is only possible by special arrangement.
Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view materials in cold storage. Using cold room materials requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Civilian Conservation Corps Collection, Archives Center, National Museum of American History
Article and group photo including Anderson, St. Croix News Current
Collection Creator:
Anderson, William "Cat", 1916-1981 ((musician)) Search this
Container:
Box 12, Folder 18
Type:
Archival materials
Date:
April 8, 1965
Collection Restrictions:
Collection is open for research. Master tapes not available to researchers.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Copyright status of items varies. Signed copies of releases on file.
Collection Citation:
William "Cat" Anderson Collection, Archives Center, National Museum of American History.
Folder 10 Travel Notes: Emerald Shillelagh Chowder and Marching Society trips, 1967-1970. Merida and Mazatlan (Mexico), Hawaii, Martinique; San Andres (Columbia), Barbados; St. Croix (Virgin Islands), Guatemala, and San Juan (Puerto Rico)
The collection is open for research use. One film is tored at an off-site facility and special arrangements must be made to work with it. Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Reproduction permission from Archives Center: fees for commercial use. All duplication requests must be reviewed and approved by Archives Center staff.
Collection Citation:
Lockwood Greene Records, Archives Center, National Museum of American History
Sponsor:
Preservation of this collection was made possible in part by a generous gift from CH2M HILL.
The collection is open for research use. One film is tored at an off-site facility and special arrangements must be made to work with it. Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Reproduction permission from Archives Center: fees for commercial use. All duplication requests must be reviewed and approved by Archives Center staff.
Collection Citation:
Lockwood Greene Records, Archives Center, National Museum of American History
Sponsor:
Preservation of this collection was made possible in part by a generous gift from CH2M HILL.
Collection is open for research but the negatives are stored off-site and special arrangements must be made to work with it. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Some glass plate negatives are broken and may require special handling care.Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Copyright status unknown, though most images are in the public domain.
Collection Citation:
Thomas Norrell Railroad Collection, Archives Center, National Museum of American History
Collection is open for research but the negatives are stored off-site and special arrangements must be made to work with it. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Some glass plate negatives are broken and may require special handling care.Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Copyright status unknown, though most images are in the public domain.
Collection Citation:
Thomas Norrell Railroad Collection, Archives Center, National Museum of American History
![view Stanley Jacobs on the Official Music of the Virgin Islands: Quelbe [Behind the Scenes Documentary] digital asset number 1](https://i.ytimg.com/vi/yq5ZkT3U78o/default.jpg)
