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Language Breathes Life: Women Directors' Roundtable

Creator:
National Museum of the American Indian  Search this
Type:
Conversations and talks
YouTube Videos
Uploaded:
2018-02-27T16:40:45.000Z
YouTube Category:
Education  Search this
Topic:
Native Americans;American Indians  Search this
See more by:
SmithsonianNMAI
Data Source:
National Museum of the American Indian
YouTube Channel:
SmithsonianNMAI
EDAN-URL:
edanmdm:yt_QDSt3NquQeU

Walter Elmer Schofield papers, 1885-1974

Creator:
Schofield, Walter Elmer, 1867-1944  Search this
Schofield, Walter Elmer, 1867-1944  Search this
Subject:
Alexander, John White  Search this
Anshutz, Thomas Pollock  Search this
Calder, Alexander Stirling  Search this
Caro-Delvaille, Henry  Search this
Chase, William Merritt  Search this
Dougherty, Paul  Search this
East, Alfred, Sir  Search this
Grafly, Charles  Search this
Henri, Robert  Search this
Lathrop, William Langson  Search this
Olsson, Julius  Search this
Redfield, Edward Willis  Search this
Shannon, Charles Hazelwood  Search this
Sloan, John  Search this
Symons, George Gardner  Search this
Taylor, Henry Fitch  Search this
Trask, John E. D.  Search this
Young, Charles Morris  Search this
Sargent, John Singer  Search this
Breckenridge, Hugh H. (Hugh Henry)  Search this
Forbes, Stanhope Alexander  Search this
Lever, Hayley  Search this
Oberteuffer, Karl A. (Karl Amiard)  Search this
Carnegie Institute  Search this
Pennsylvania Academy of the Fine Arts  Search this
Louisiana Purchase Exposition  Search this
Topic:
Impressionism (Art)  Search this
Painting  Search this
Theme:
American Art and Artists in a Global Context  Search this
Record number:
(DSI-AAA_CollID)9472
(DSI-AAA_SIRISBib)211670
AAA_collcode_schowalt
Theme:
American Art and Artists in a Global Context
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211670

Gyro 2000 Ikenga 530Z

Designer:
David Gittens  Search this
Manufacturer:
David Gittens  Search this
Materials:
Overall: Steel, aluminum, fiberglass, plexiglass.
Type:
CRAFT-Rotary Wing
Country of Origin:
United States of America
Credit Line:
Gift of David Gittens.
Inventory Number:
A19940171000
Restrictions & Rights:
Usage conditions apply
See more items in:
National Air and Space Museum Collection
Location:
Steven F. Udvar-Hazy Center in Chantilly, VA
Hangar:
Boeing Aviation Hangar
Data Source:
National Air and Space Museum
GUID:
http://n2t.net/ark:/65665/nv9d0e17fa6-1b5a-4318-b3a8-1f8d96f01906
EDAN-URL:
edanmdm:nasm_A19940171000
Online Media:

ERCO Ercoupe 415-C

Manufacturer:
Engineering & Research Corp.  Search this
Materials:
All-metal
Dimensions:
Wingspan: 9.15 m (30 ft)
Length: 6.32 m (20 ft 9 in)
Height: 1.82 m (5 ft 11 in)
Weight, Empty: 329 kg (725 lbs)
Weight, Gross: 534 kg (1,175 lbs)
Type:
CRAFT-Aircraft
Country of Origin:
United States of America
Date:
1939
Credit Line:
Gift of Robert Whipperman
Inventory Number:
A19790677000
Restrictions & Rights:
Usage conditions apply
See more items in:
National Air and Space Museum Collection
Data Source:
National Air and Space Museum
GUID:
http://n2t.net/ark:/65665/nv904fb6fe4-e5a2-42ad-8025-594e9d07fa1c
EDAN-URL:
edanmdm:nasm_A19790677000
Online Media:

Kellett XO-60

Manufacturer:
Kellett Aircraft Corporation  Search this
Dimensions:
Overall: 123in. (312.4cm)
Other (Rotor): 518 x 123 x 249in. (1315.7 x 312.4 x 632.5cm)
Type:
CRAFT-Rotary Wing
Country of Origin:
United States of America
Date:
1942-1944
Credit Line:
Transferred from the U.S. Air Force
Inventory Number:
A19600292000
Restrictions & Rights:
Usage conditions apply
See more items in:
National Air and Space Museum Collection
Location:
Steven F. Udvar-Hazy Center in Chantilly, VA
Exhibit Station:
Vertical Flight
Data Source:
National Air and Space Museum
GUID:
http://n2t.net/ark:/65665/nv95a109820-6c25-4568-8f51-c5870aa76636
EDAN-URL:
edanmdm:nasm_A19600292000

Whitney Halstead collection of photographs of indigenous art

Creator:
Halstead, Whitney (collector and photographer)  Search this
Names:
British Museum  Search this
Field Museum of Natural History  Search this
Laboratory of Anthropology (Museum of New Mexico)  Search this
Nampeyo, ca. 1856-1942  Search this
Pushruk, Anthony Eskimo  Search this
Extent:
27 Negatives (acetate)
140 Prints (silver gelatin (including proof sheets of contact prints))
1 Print (albumen)
11 Copy prints
Culture:
Peruvians  Search this
Diné (Navajo)  Search this
Eskimos  Search this
Wichita  Search this
Seneca  Search this
Indians of North America -- Southwest, New  Search this
Indians of North America -- Northeast  Search this
Inunaina (Arapaho)  Search this
Indians of North America -- Great Plains  Search this
Tewa Pueblos  Search this
Indians of North America -- Subarctic  Search this
Pueblo Indians  Search this
Arctic peoples  Search this
Type:
Collection descriptions
Archival materials
Negatives
Prints
Copy prints
Place:
Benin (Kingdom)
Date:
undated
Scope and Contents note:
Photographs documenting pottery and pottery designs from historic Pueblo groups and archeological sites, including pottery by Hopi potter Nampeyo and an image of Maria Martinez of San Ildefonso and examples of her pottery. There are also some photographs that depict a pueblo, Southwest landscapes, cliff dwellings, rock art, craftspeople, and dwellings, mostly relating to Southwest peoples, Peruvians, and Australian aborigines. The collection includes images of artifacts in the collections of the Chicago Natural History Museum, Field Museum, British Museum, University of Illinois, Santa Fe Laboratory of Anthropology, and Paul Pearson collection. Notes and notices relating to publication are also available with the collection.
Biographical/Historical note:
Whitney Halstead (1926-1979) was an art historian and artist. He acquired his BFA and MFA from the School of the Art Institute of Chicago, where he became Chairman of the Division of Fine Arts in 1967. He also worked as an assistant in the Field Museum's anthropology department and wrote art history publications.
Local Call Number(s):
NAA Photo Lot 89-43
Location of Other Archival Materials:
The Archives of American Art holds Whitney Halstead's papers.
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
Copy prints of photographs or photographs of objects held by Chicago Natural History Museum, Field Museum of Natural History, British Museum, University of Illinois, and Santa Fe Laboratory of Anthropology cannot be copied. Copies or permission must be obtained from these repositories.
Topic:
Pottery  Search this
Kachinas  Search this
Camps  Search this
Australian Aborigines  Search this
Cliff-dwellings  Search this
Sculpture  Search this
Baskets  Search this
Masks  Search this
Spinning  Search this
Dwellings  Search this
Citation:
Photo Lot 89-43, Whitney Halstead collection of photographs of indigenous art, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.89-43
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-89-43

Donald Bush Cordry photographs of Indigenous peoples of Mexico

Creator:
Cordry, Donald Bush  Search this
Names:
Cordry, Donald Bush -- Exhibitions  Search this
Extent:
8 Color transparencies
93 Mounted photographs (silver gelatin)
Culture:
Mixe  Search this
Amuzgo (Amusgo)  Search this
Zapotec  Search this
Mestizos  Search this
Purepecha (Tarasco)  Search this
Tepehuán (Tepehuan)  Search this
Totonac  Search this
Mazatec [Huautla]  Search this
Nahua  Search this
Chinantec  Search this
Wixarika (Huichol)  Search this
Seri  Search this
Ikood (Huave)  Search this
Chiapanec  Search this
Mixtec  Search this
Mayas  Search this
Yoreme (Mayo)  Search this
Cuicatec Indians  Search this
Zoque  Search this
Tzotzil Maya  Search this
Indians of Mexico  Search this
Type:
Collection descriptions
Archival materials
Color transparencies
Mounted photographs
Place:
Mexico
Date:
1937-1972
Scope and Contents note:
Enlargements of photographs made by Donald Bush Cordry during his time in Mexico. These were mounted for a 1970s Bellas Artes-sponsored traveling exhibit based on Cordry's collection of Mexican Indian costumes. Included are images of Indigenous peoples of Mexico, fiestas and dances, pottery, boats, weaving, spinning, masks, vendors and markets, churches, and shrines. Depicted groups include the Huichol, Mestizo, Tarascan, Seri, Mayo, Tepehua, Totonac, Nahua, Mazatec, Cuicatec, Chinantec, Zapotec, Mixe, Amusgo, Huave, Mixtec, Chapanec, Zoque, Tzotzil, and Maya. Additionally, there are some self portraits of Donald Cordry and his wife Dorothy.
Biographical/Historical note:
Donald Bush Cordry (1907-1978) was an artist and photographer who studied the art of Indigenous peoples of Mexico. In 1931, Cordry made his first trip to Guerrero, Mexico, where he became interested in contemporary mask making. In 1934, Cordry moved to New York to work as a marionette designer for puppeteer Tony Sarg. While there, he contacted George G. Heye to learn more about Indigenous Mexican art. This led to a series of collecting expeditions from 1935 to 1938, during which Cordry collected Mexican masks and other artifacts for the Museum of the American Indian, Heye Foundation.
Local Call Number(s):
NAA Photo Lot 87-38, USNM ACC 361232
Location of Other Archival Materials:
Additional photographs made by Cordry can be found in the National Anthropological Archives in Photo Lot 82-14.
Donald Cordry and his wife, Dorothy Mann Cordry, also donated clothing and musical instruments from Mexico to the Department of Anthropology in accessions 361232 and 355866.
The National Museum of the American Indian Archives holds the Donald Bush Cordry collection of photographs and negatives, 1933-1940, as well as artifacts collected by Cordry.
Photographs of the Donald Cordry Mexican mask exhibit can be found in the National Anthropological Archives in Photo Lot 80-3.
The Donald Cordry Mexican mask collection can be found in the Department of Anthropology in accession 355867.
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Topic:
Pottery -- Mexico  Search this
Dances -- Mexico  Search this
Weaving -- Mexico  Search this
Markets -- Mexico  Search this
Clothing and dress  Search this
Spinning -- Mexico  Search this
Masks -- Mexico  Search this
Citation:
Photo Lot 87-38, Donald Cordry photographs of Indigenous peoples of Mexico, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.87-38
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-87-38

Ruth Leah Bunzel Papers

Extent:
13 Linear feet (26 boxes, 2 audio reels)
Type:
Collection descriptions
Archival materials
Date:
1921-1979
Summary:
The bulk of this collection documents the professional life of Ruth Leah Bunzel from the 1940s to 1970s. The collection contains correspondence, manuscripts, notes, research files, teaching materials, card files, artwork, and sound recordings.
Scope and Contents:
The bulk of this collection documents the professional life of Ruth Leah Bunzel from the 1940s to 1970s. The collection contains correspondence, manuscripts, notes, research files, teaching materials, card files, artwork, and sound recordings. A large portion of the collection is comprised of work from the Chinese project that Bunzel led as part of Columbia University Research in Contemporary Cultures [RCC]. The collection also contains her paper for the Bureau of Applied Social Research, "Interviewing in National Character Research" (in which she analyzes the methods used in RCC), as well as materials from two spin-offs of RCC--Studies in Soviet Culture and Studies in Contemporary Cultures. Bunzel's relationship with Columbia University is also represented in the collection through her notes as lecturer and adjunct professor at Columbia University, correspondence with her students, and her students' papers. Among her students was Ethel Cutler Freeman, whose letters and assignments can be found in the collection. There are also memos and other materials documenting the activities of the anthropology department and university, as well as their responses to the 1968 student uprising at Columbia. In addition, the collection contains notes from courses Bunzel took with Franz Boas and Ruth Benedict as a graduate student at Columbia.

Other items of significance are the drawings of Hopi and Zuni kachinas that Bunzel collected while in the field in the Southwest and a map of a Tewa village sketched in pencil. The collection does not contain any of her field notes from her work in the Southwest nor from her work in Guatemala or Mexico.

Although Bunzel's writings are not well represented in the collection, there are items of interest such as typescript copies of "Tentative Questionnaire for Handbook of Psychological Leads for Ethnological Field Workers: Economics," her handwritten reminiscence of Boas, and drafts of papers she presented at conferences. Also of interest are notes on her memories of the Abram Kardiner psychocultural seminars (in which she was an early participant), notes from various seminars, and two 1963 sound recordings from an Anthropology and World Affairs regional conference.

Among her notable correspondents in the collection are David F. Aberle, Franziska Boas, Steve Boggs, Paul Bohannan, Joseph Casagrande, Vincent Crapanzano, Harold Driver, Abe Edel, Raymond Fogelson,Morton H. Fried, Ethel Cutler Freeman, Alexander Lesser, Oscar Lewis, George Marcus, Catharine McClellan, Margaret Mead, Lita Fejos Osmundson, George Spindler, Leslie White, Helene Boas Yampolsky, and Mark Zborowski.
Arrangement:
Arranged into 9 series: (1) Correspondence, 1957-1977; (2) Research in Contemporary Cultures, 1947-1954; (3) Columbia University, 1925-1941 & 1956-1969; (4) Writings and Projects, 1929-1968 [Bulk 1960-1968]; (5) Associations, Conferences, & Seminars, 1940-1973; (6) Writings by Others, 1921-1979; (7) Card Files; (8) Artwork; (9) Sound Recordings, 1963
Biographical Note:
Ruth Leah Bunzel was born on April 18, 1898 in New York City. Known as "Bunny" by her friends, she attended Barnard College where she received her B.A. in European History in 1918. With no thought of continuing her education, she acquired a job in 1922 as secretary and editorial assistant to Franz Boas at Columbia University. Esther Goldfrank, who had resigned as Boas's secretary to study anthropology at Columbia, was a friend of one of Bunzel's sisters.

By 1924 Bunzel, herself, was considering a career in anthropology and wanted to observe an anthropologist at work in the field. Since Boas traveled to Europe every summer, Bunzel decided to spend her vacation that year in Zuni Pueblo, New Mexico as a secretary to Ruth Benedict, who would be collecting Zuni mythology. When she informed Boas of her plan, Boas encouraged her to work on her own research rather than spending her time on secretarial work. He suggested that she study art, specifically potters and their pottery. Elsie Clews Parsons objected to Bunzel (who lacked formal training) conducting her own research in Zuni and threatened to withdraw her financial support of Benedict's mythology project. With Boas's firm backing, Parsons eventually relented and Bunzel was allowed to go to Zuni.

That summer, Bunzel arrived in Zuni with papier maché pots she had made for her informants to paint designs on. She observed the potters at work and also made pottery alongside them. After five weeks she felt she had gathered enough information on the Zuni and moved on to study Hopi, San Ildefonso, and Acoma potters. The results of her research would later produce her dissertation, The Pueblo Potter, A Study of Creative Imagination in Primitive Art, published in 1929.

When she returned to New York, she began work on a draft of The Pueblo Potter and in 1925 resigned as Boas's secretary to become his student at Columbia University. Although she completed her doctoral work and dissertation in 1927, she was not awarded her PhD until 1929 when the The Pueblo Potter was published. (At the time, the university did not confer doctorates until a student's dissertation had been published.) The Pueblo Potter, a landmark work, was the first anthropological study of art and the individual in culture.

From 1924 to 1929 Bunzel spent several summers and winters in Zuni. Parsons, who had initially opposed her first trip, sponsored Bunzel's second trip, this time to study ceremonialism, and other trips and projects. Bunzel's papers on Zuni ceremonialism as well as creation myths, kachinas, and poetry were published in the 47th Annual Report of the Bureau of American Ethnology (1932). Flora Zuni and her family, with whom Bunzel lived when she was in the field, formally adopted her and initiated her into their clan, the Beaver clan. They gave her the Zuni name Maiatitsa, which means "blue bird," a reference to the blue smock that Bunzel often wore while making pottery. Bunzel's second Zuni name, Tsatitsa, was given to her by her primary informant and former governor of the pueblo, Nick Tumaka. After a decade long absence, Bunzel returned to Zuni for her last time in 1939 to study child development.

Having studied the Southwest, Bunzel felt it was natural to also study Mexico. During her interview for a Guggenheim Fellowship, however, the chairman of the foundation persuaded her to study Guatemala, instead, as no American anthropologist had done much work in the area. As a result, from 1930 to 1932 she studied the Highland Mayan village of Santo Tomas Chichicastenango. Her work there resulted in Chichicastenango, A Guatemalan Village, published in 1952. From 1936 to 1937 she also did fieldwork in the village of Chamula in Chiapas, Mexico. Her 1940 article "The Role of Alcoholism in Two Central American Communities" was a comparative study of Chichicastenango and Chamula. During World War II, Bunzel worked in England for the U.S. Government Office of War Information from 1942 to 1945. Having spent some time in Spain during the late 1930s improving her Spanish, she translated broadcasts for Spain as well as incoming broadcasts.

When she returned to New York after the war, she became involved in the Columbia University Research in Contemporary Cultures project [RCC]. Directed by Ruth Benedict and funded by the Office of Naval Research, RCC was composed of research groups, each studying a different culture. From 1947 to 1951, Bunzel led the group studying China, which involved interviewing Chinese immigrants in New York City. The project produced several papers, including her unpublished manuscripts, Explorations in Chinese Culture and An Anthropological Approach to Chinese Communism, which she co-authored with John Hast Weakland.

Early in her career, Bunzel was a lecturer at Barnard College (1929-1930) and at Columbia University (1933-1935, 1937-1940). It was not until 1953 that she was hired as an Adjunct Professor at Columbia. Although the university's official appointment card lists Bunzel as having retired in 1966, she continued to teach at Columbia University after her retirement.

On January 14, 1990, Bunzel passed away at the age of 91.

Sources Consulted

Babcock, Barbara A. and Nancy Parezo. "Ruth Bunzel." Daughters of the Desert. University of New Mexico. 1988.

Fawcett, David M. and Teri McLuhan. "Ruth Leah Bunzel." Women Anthropologists: Selected Biographies. Ed. Ute Gacs, et al. Urbana and Chicago: University of Illinois Press, 1989.

Chronology

1898 -- Born April 18 in New York, New York

1918 -- Earns B.A. from Barnard College in European History

1922-1924 -- Secretary and editorial assistant to Franz Boas

1924 -- First trip to Zuni, New Mexico

1925 -- Enrolls in Columbia University's graduate program in anthropology

1925-1929 -- Spends summers and winters conducting fieldwork among the Zuni

1927-1928 -- Studies at University of Chicago

1928-1943 -- Executive Committee Board of AAA

1929 -- Studies at the National University of Mexico Publication of dissertation, The Pueblo Potter, A Study of Creative Imagination in Primitive Art Receives Ph.D. in Anthropology from Columbia University

1929-1930 -- Lecturer at Barnard College

1930-1932 -- Fieldwork in Chichicastenango, Guatemala

1933-1935 -- Lecturer, General Studies and Summer Session, Columbia University

1936-1937 -- Lecturer, General Studies and Summer Session, Columbia University

1939 -- Fieldwork in Zuni studying child development

1942-1945 -- Social Scientist U.S. Government Office of War Information, Propoganda Analysis

1947-1951 -- Director of Chinese Project of Columbia University Research in Contemporary Cultures

1951-1952 -- Works on Bureau of Applied Social Research project on techniques of interviewing

1953 -- Adjunct Professor of Anthropology, Columbia University

1955 -- Research Associate, Institute of Intercultural Studies

1962 -- Teaching-consultant, Columbia University School of Nursing

1969-1987 -- Senior Research Associate, Columbia University

1974-1976 -- Chair, Section H, AAAS

1990 -- Dies January 14 in New York City at the age of 91

Selected Bibliography

1929 -- The Pueblo Potter, A Study of Creative Imagination in Primitive Art. New York: Columbia University Press.

1932 -- "Zuni Ritual Poetry." Ibid. "Introduction to Zuni Ceremonialism." 47th Annual Report, Bureau of American Ethnology, Smithsonian Institution. Washington: Government Printing Office. "Zuni Creation Myths." Ibid. "Zuni Katchinas." Ibid.

1933 -- Zuni Texts. Publications of the American Ethnological Society, Vol. 15. New York: G.E. Stechert and Company.

1938 -- "Zuni Grammar." Handbook of American Indian Languages, Vol. 3. New York: Columbia University Press. "The Economic Organization of Primitive People." Ibid. "Primitive Art." General Anthropology. Boston: D.C. Heath .

1940 -- "The Role of Alcoholism in Two Central American Communities." Psychiatry, Vol 33, pp. 361-387.

1950 -- Explorations in Chinese Culture. Research in Contemporary Cultures, Columbia University. (unpublished report)

1952 -- Chichicastenango, A Guatemalan Village. Publications of the American Ethnological Society, Vol 22. Locust Valley, New York: J. J. Auigustin. with John Weakland. An Anthropological Approach to Chinese Communism. Research in Contemporary Cultures, Columbia University. (unpublished report)

1960 -- edited with Margaret Mead. The Golden Age of American Anthropology. New York: George Braziller.

1966 -- "May Mandelbaum Edel 1909-1964." American Anthropologist, Vol 68, No. 4, pp. 986-989.

1976 -- "Chamula and Chichicastenango: A Reexamination." Cross-Cultural Approaches to the Study of Alcohol. The Hague: Mouton.
Related Collections:
Other materials relating to Ruth Bunzel at the National Anthropological Archives include kachina drawings in MS 4609; correspondence with the Bureau of American Ethnology in MS 4846 and the Records of the Bureau of American Ethnology; and a photograph of Bunzel in Photographic Lot 92-35. The Human Studies Film Archive has a video oral history of Bunzel (HSFA 89.10.8) which was created as part of the "History of Anthropology Series" produced by the University of Florida's Department of Anthropology.
Provenance:
These papers were donated to the National Anthropological Archives by Columbia University's Department of Anthropology.
Restrictions:
Materials with student grades were separated and have been restricted. Most of the restricted materials are not open for access until 2030.
Rights:
Contact repository for terms of use.
Identifier:
NAA.2006-22
See more items in:
Ruth Leah Bunzel Papers
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-2006-22

Campbell, Mark M.

Collection Creator:
Morehouse, Harold E., 1894-1973  Search this
Container:
Box 3, Folder 2
Type:
Archival materials
Text
Collection Restrictions:
No restrictions on access
Collection Rights:
Permissions Requests
Collection Citation:
Harold E. Morehouse Flying Pioneers Biographies Collection, Acc. XXXX-0450, National Air and Space Museum, Smithsonian Institution.
See more items in:
Harold E. Morehouse Flying Pioneers Biographies collection
Harold E. Morehouse Flying Pioneers Biographies collection / Series 1.1: Biographies of Flying Pioneers 1.1
Archival Repository:
National Air and Space Museum Archives
EDAN-URL:
ead_component:sova-nasm-xxxx-0450-ref78
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[Scrap Book - "Capt. Mary Charles"]

Collection Creator:
Charles, Mary  Search this
Container:
Box 3, Folder 1
Type:
Archival materials
Date:
1934-1966
Collection Restrictions:
No restrictions on access.
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Mary Charles Collection, Accession XXXX-0011, National Air and Space Museum, Smithsonian Institution.
See more items in:
Mary Charles Collection
Archival Repository:
National Air and Space Museum Archives
EDAN-URL:
ead_component:sova-nasm-xxxx-0011-ref25
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Publications, articles by E.S. Gorrell

Collection Creator:
Gorrell, Edgar S. (Edgar Staley), 1891-1945  Search this
Container:
Box 4, Folder 11
Type:
Archival materials
Text
Date:
1932-1939
Collection Restrictions:
No restrictions on access
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Edgar S. Gorrell Collection, Acc. XXXX-0057, National Air and Space Museum, Smithsonian Institution.
See more items in:
Edgar S. Gorrell Collection
Edgar S. Gorrell Collection / Series 1: GENERAL
Archival Repository:
National Air and Space Museum Archives
EDAN-URL:
ead_component:sova-nasm-xxxx-0057-ref54
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Walter Elmer Schofield papers

Creator:
Schofield, Walter Elmer, 1867-1944  Search this
Names:
Carnegie Institute  Search this
Louisiana Purchase Exposition (1904: Saint Louis, Mo.)  Search this
Pennsylvania Academy of the Fine Arts  Search this
Alexander, John White, 1856-1915  Search this
Anshutz, Thomas Pollock, 1851-1912  Search this
Breckenridge, Hugh H. (Hugh Henry), 1870-1937  Search this
Calder, Alexander Stirling, 1870-1945  Search this
Caro-Delvaille, Henry, 1876-1928  Search this
Chase, William Merritt, 1849-1916  Search this
Dougherty, Paul, 1877-1947  Search this
East, Alfred, Sir, 1849-1913  Search this
Forbes, Stanhope Alexander, 1857-1947  Search this
Grafly, Charles, 1862-1929  Search this
Henri, Robert, 1865-1929  Search this
Lathrop, William Langson, 1859-1938  Search this
Lever, Hayley, 1876-1958  Search this
Oberteuffer, Karl A. (Karl Amiard), 1908-1958  Search this
Olsson, Julius, 1864-1942  Search this
Redfield, Edward Willis, 1869-1965  Search this
Sargent, John Singer, 1856-1925  Search this
Shannon, Charles Hazelwood, 1863-1937  Search this
Sloan, John, 1871-1951  Search this
Symons, George Gardner, 1861-1930  Search this
Taylor, Henry Fitch, 1853-1925  Search this
Trask, John E. D., 1871-1926  Search this
Young, Charles Morris, 1869-1964  Search this
Extent:
0.8 Linear feet ((on 2 microfilm reels))
Type:
Collection descriptions
Archival materials
Date:
1885-1974
Scope and Contents:
Biographical material, correspondence, business records, notes, printed material and photographs document the career of landscape painter Walter Elmer Schofield.
REEL D71: Letters, 1923-1961, are from museums concerning the exhibition or collection of Schofield's work, from his son to the Archives of American Art concerning the acquisition of Schofield's papers, and a letter and biographical sketch from British sculptor Helen Stuart Weir. Photographs, ca. 1890-1937, are of Schofield, including one at a silvermine in Mexico, and 4 with the Royal Artillery and Royal Fusiliers. One shows Schofield with fellow artists John White Alexander, William Merritt Chase, and Sir Alfred East. There are also photographs of Schofield's residence in Suffolk, England, gallery installations, and art works. Business records, 1888-1921, include discharge papers from the San Antonio Rifles, and 3 leases. Printed material, 1902-1945, includes clippings, an exhibition catalog, a membership list for the National Academy of Design, 1902, and a program for a memorial service for Schofield.
REEL 5043: Biographical material, 1904-1945, includes a biographical sketch, an award certificate from the Carnegie Institute, and a death certificate. Correspondence, 1892-1974, consists primarily of letters between Schofield and his wife during his sojourns in America. Schofield's letters describe his activities including participation in the Louisiana Purchase Exposition and on Carnegie Institute juries, and mention his colleagues including Thomas Anshutz, Alexander Stirling Calder, Henry Caro-Delvaille, Paul Dougherty, Charles Grafly, Robert Henri, William Lathrop, Julius Olsson, Edward Redfield, John Singer Sargent, Charles Shannon, John Sloan, Gardner Symons, Henry Fitch Taylor, John Trask, and Charles Morris Young. There are also one to three letters each from Hugh Henry Breckenridge, Stanhope Forbes, Hayley Lever, and Karl Oberteuffer.
Business records, 1903-1937, include receipts for art supplies, the shipment of household goods, financial records for the sale of Reen Cottage,and for an exhibition at Stendahl Art Galleries, and a contract of ownership for the Delph Spinning Company. Notes consist of lecture notes "Art Noon Club Objectives" and a stanza from "Dover Beach" by Matthew Arnold. Printed material, 1901-1945, consists of clippings, 2 exhibition catalogs, and a reproduction of a wood-engraving of Otley Church. Photographs, 1887-1940, are of Schofield, his wife and sons, members of Schofield's class at the Pennsylvania Academy of the Fine Arts, classes taught by Schofield, members of his military units, his residences in Suffolk and Cornwall, England, gallery installations, and works of art.
Biographical / Historical:
Painter. Born Philadelphia, Pa., Schofield studied at the Pennsylvania Academy of the Fine Arts and, in 1890, at the Academie Julian. After marrying Murielle Redmayne in 1897, he established his residence in England, making frequent trips to the United States to conduct his art-related business. He was primarily known as a landscape and marine painter.
Provenance:
Material on reel D71 donated 1961 by Sydney Schofield, Walter Schofield's son. Material on reel 5043 donated by Mrs. S.E. Schofield through the Brandywine River Museum, 1986.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Painters  Search this
Topic:
Impressionism (Art)  Search this
Painting  Search this
Identifier:
AAA.schowalt
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-schowalt

Festival Recordings: Plaza Area: Chiapas Weaving; Family Farm,Threshing Area: Threshing Demonstration

Creator:
Smithsonian Institution. Festival of American Folklife. Quincentenary Program 1991 Washington, D.C.  Search this
Performer:
Guzmán, Catalina Meza  Search this
Pérez Peso, Maria  Search this
Intzin, Petrona  Search this
Wessel, Herb, 1928-  Search this
Miller, Ron  Search this
Smith, Wayne  Search this
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
1 Sound cassette (analog.)
Culture:
Mexicans  Search this
Americans  Search this
Mayan Indians  Search this
Anglo-American  Search this
Type:
Archival materials
Sound cassettes
Place:
United States
Washington (D.C.)
Mexico
Maryland
Illinois
Track Information:
101 Chiapas Weaving / Catalina Meza Guzmán, Maria Pérez Peso, Petrona Intzin.

102 Threshing Demonstration / Herb Wessel, Ron Miller, Wayne Smith.
Local Numbers:
FP-1991-CT-0222
General:
tape /
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 1, 1991.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Topic:
Oral history  Search this
American Indian  Search this
Costumes  Search this
Weaving  Search this
Agriculture  Search this
Carding  Search this
Spinning  Search this
Clothing and dress  Search this
History  Search this
Crafts & decorating  Search this
Farms  Search this
Threshing  Search this
Collection Citation:
Smithsonian Folklife Festival records: 1991 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1991, Item FP-1991-CT-0222
See more items in:
Smithsonian Folklife Festival records: 1991 Festival of American Folklife
Smithsonian Folklife Festival records: 1991 Festival of American Folklife / Series 4: Land in Native American Cultures / 4.3: Audio
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
EDAN-URL:
ead_component:sova-cfch-sff-1991-ref1128

Gregory Mason negatives

Creator:
Mason, Gregory, b. 1889  Search this
Museum of the American Indian, Heye Foundation  Search this
Extent:
86 Acetate negatives (black and white, 4 x 6 inches.)
Culture:
Maya  Search this
Maya (archaeological culture)  Search this
Ika (Ica/Arhuaco)  Search this
Kogi (Kagaba)  Search this
Wayuu (Guajira/Goajiro)  Search this
Type:
Collection descriptions
Archival materials
Acetate negatives
Black-and-white negatives
Place:
Chichén Itzá Site (Mexico)
Guatemala
Quintana Roo (Mexico : State)
Belize
Colombia
Mexico
Date:
1916-1931
Summary:
This collection contains 86 black-and-white negatives taken by Gregory Mason from 1916-1931. The images depict scenes of Belize, Guatemala, Colombia and Mexico, including Mexico City, Cozumel, Chichén Itzá and other sites in Quintana Roo.
Scope and Contents:
The Gregory Mason collection contains negatives made from 1916 to 1931 by Mason. The 1916 negatives depict the streets in and suburbs of Mérida, Mexico, and of people bundling fibers on a nearby plantation. The negatives dating from 1922 were made in Chichén Itzá. In 1928, Mason made negatives in Belize, Guatemala, and Mexico. The Belize negatives depict Mayan antiquities, various street scenes, and native peoples gathering leaves and chicle, spinning fiber, and canoeing; the Quintana Roo, Mexico, negatives depict Isla Cozumel and other Mayan sites; and the Guatemala negatives Quiriguá. The 1931 negatives made in Colombia primarily depict individuals from the Kogi, Ika, and Wayuu culture groups. Mason made some of these negatives on behalf of the Museum of the American Indian, Heye Foundation.
Arrangement:
Arranged by negative number (N20447-N20532)
Biographical/Historical note:
Born in 1889, Gregory Mason was an American journalist with a keen interest in anthropology. Early in his career, he traveled widely as a reporter for the newspaper New York Evening Sun and the news magazine The Outlook. In 1926, he and Herbert Spinden led the Mason-Spinden expedition to explore Mayan ruins in Mexico. Funded in part by Museum of the American Indian, Heye Foundation, Mason led four additional expeditions to Central and South America. He wrote several books, including "Silver Cities of Yucatan" (1927), "Columbus Came Late" (1931), and "Remember the Maine" (1939). From 1941 to 1954, he was chairman of the Department of Journalism at New York University. Mason died in Greenwich, Connecticut, in 1968.
Provenance:
Historically, the Museum of the American Indian, Heye Foundation managed all photographic and related manuscript collections separately. This collection description represents current management practices of organizing and contextualizing related archival materials.
Restrictions:
Access is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment.
Rights:
Copyright: National Museum of the American Indian.
Genre/Form:
Black-and-white negatives
Citation:
Gregory Mason negatives, National Museum of the American Indian Archives, Smithsonian Institution (negative, slide or catalog number).
Identifier:
NMAI.AC.001.029
Archival Repository:
National Museum of the American Indian
EDAN-URL:
ead_collection:sova-nmai-ac-001-029

J. B. Moore copper printing plates

Creator:
Moore, J. B. (John Bradford), 1855-  Search this
Extent:
15 Printing plates
Container:
Box 1
Culture:
Diné (Navajo)  Search this
Type:
Collection descriptions
Archival materials
Printing plates
Copper plates
Date:
1911
Scope and Contents:
The J.B. Moore copper printing plates include 15 copper plates used in illustrating J.B. Moore's catalog, The Navajo (Crystal, Navajo Reservation, New Mexico: J.B. Moore, 1911). The plates depict rugs created by Navajo weavers that J.B. Moore had for sale at his trading post in 1911.
Arrangement:
The copper plates are arranged in one box by plate number used in J.B. Moore's publication The Navajo.
Biographical / Historical:
J. B. (John Bradford) Moore was a trader of Irish origin born in 1855 in Texas. Moore married Marion A.E. Cooney in 1887 and they had one child, Eunice Moore, who was born in Wyoming in 1894. In 1896 Moore traveled to the Narbona Pass, a pass through the Chuska Mountains within the Navajo Nation in New Mexico, and purchased a trading site. He named his establishment the Crystal Trading Post and employed Navajo weavers to make rugs. Moore's rug business flourished and in 1903 and 1911 he published mail-order catalogs to gain business from all across the United States. The 1911 catalog included illustrations of rug designs as well as photographs of Navajo weavers carding wool, spinning wool, and weaving on looms. In 1911 Moore left the trading post due to scandal and sold the post to his manager Jesse Molohon. Though J.B. Moore's rugs were woven by Navajo artisans many of the patterns were influenced by the popularity of Oriental rug designs at the time.
Provenance:
The J.B. Moore collection of copper printing plates were donated to the Museum of the American Indian, Heye Foundation by Mr. and Mrs. Paul Taylor in 1960.
Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Rights:
Copies are unavailible at this time. Copyright is unknown.
Topic:
Navajo rugs  Search this
Genre/Form:
Copper plates
Citation:
J.B. Moore copper printing plates, 1911. National Museum of the American Indian Archive Center, Smithsonian Institution.
Identifier:
NMAI.AC.073
Archival Repository:
National Museum of the American Indian
EDAN-URL:
ead_collection:sova-nmai-ac-073

Grace Nicholson: Inventories and Clippings

Collection Creator:
Museum of the American Indian, Heye Foundation  Search this
Collection Collector:
Johnson, Frederick, 1904-1994  Search this
Churchill, Frank C. (Frank Carroll), 1850-1912  Search this
Davis, Edward H., b. 1862  Search this
Churchill, Clara G.  Search this
Harrington, M. R. (Mark Raymond), 1882-1971  Search this
Harvey, Byron  Search this
Emmons, George Thornton  Search this
Gridley, Marion E. (Marion Eleanor), 1906-1974  Search this
Wildschut, William  Search this
Stiles, William F., 1912-1980  Search this
Verrill, A. Hyatt (Alpheus Hyatt), 1871-1954  Search this
Skinner, Alanson, 1886-1925  Search this
Waterman, T. T. (Thomas Talbot), 1885-1936  Search this
Harvey, Fred  Search this
Keppler, Udo J., 1872-1956  Search this
Lothrop, S. K. (Samuel Kirkland), 1892-1965  Search this
Barrett, S. A. (Samuel Alfred), 1879-1965  Search this
Pepper, George H. (George Hubbard), 1873-1924  Search this
Speck, Frank G. (Frank Gouldsmith), 1881-1950  Search this
Hodge, Frederick Webb, 1864-1956  Search this
Collection Director:
Dockstader, Frederick J.  Search this
Heye, George G. (George Gustav), 1874-1957  Search this
Collection Source:
Force, Roland W.  Search this
Burnett, Edwin K.  Search this
Container:
Box 262A, Folder 3
Type:
Archival materials
Date:
1928 - 1968
Restrictions:
Image number 011 "Holiday Handcraft" has been removed from the slideshow due to culutral sensitivity.
Collection Rights:
Single photocopies may be made for research purposes. Permission to publish or broadcast materials from the collection must be requested from the National Museum of the American Indian Archive Center. Please submit a written request to nmaiarchives@si.edu.
Collection Citation:
Identification of specific item; Date (if known); Museum of the American Indian/Heye Foundation Records, Box and Folder Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
See more items in:
Museum of the American Indian/Heye Foundation records
Museum of the American Indian/Heye Foundation records / Series 6: Collectors
Archival Repository:
National Museum of the American Indian
EDAN-URL:
ead_component:sova-nmai-ac-001-ref14859
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Crafts

Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Type:
Archival materials
Introduction:
The craft presentations at the 1968 Festival featured more than 60 persons demonstrating basket-making, woodworking, wood carving, pottery, blacksmithing and tinsmithing, doll-making, and foodways. A special focus was on textile traditions, with large contingents demonstrating diverse approaches to processing cotton and wool, needlework, and quilt-making.
Participants:
Maurice Alexander, Lummi, totem poles, Washington

Elizabeth Bass, 1906-1991, wool carder, Missouri

Kay Bates, cotton weaver, spinner (treadle wheel) and carder, Louisiana

Herman Benton, 1914-1994, grain scoop maker, New York

Freddy Bump, 1894-1977, chair maker, Arkansas

Dallas Bump, 1918-2016, chair maker, Arkansas

Charlene Cartee, 1908-1985, butter churning, sassafras candy making, Kentucky

Russell Cartee, 1901-1986, rived shingle maker, Kentucky

Gladys LeBlanc Clark, 1918-2011, cotton weaver, spinner (treadle wheel) and carder, Louisiana

Cornelison family, Appalachian potters, Kentucky

Dinkie Daspit, cotton weaver, spinner (treadle wheel) and carder, Lafayette, Louisiana

Susan Denson, Choctaw, split-cane basket maker, Mississippi

Abe Dewey, corn shuck seat maker, Missouri

Letha Dickerson, gourd-head doll maker, Kentucky

Isaac Doss, blacksmith, Arkansas

Freedom Quilting Bee, quilters, Alabama

Tillie Galbadon, 1912-1979, Spanish-American needlework, New Mexico

Dolly Greer, quilter, North Carolina

Taft Greer, 1908-1986, wool weaver, Tennessee

Lucille Guitroz, cotton weaver, spinner (treadle wheel) and carder, Louisiana

Thelma Hall, 1908-1996, nut head and woodenhead doll maker, Arkansas

Alma Harris, 1919-1993, poppets (dolls) maker, Hindsville, Arkansas

Roy Harris, 1920-, wooden figures, Arkansas

Johnie Head, corncob, corn shuck doll maker, Springdale, Arkansas

Ethel Hogsed, 1920-1991, Brasstown carvers, wooden animals, North Carolina

Francis James, 1909-1973, Lummi, wool spinner (electric wheel), Marietta, Washington

Doris John, Navajo, wool weaver, spinner, carder, New Mexico

Edith Jones, Lummi, cedar-bark basket maker, Washington

Edwin L. Kaye, Hopi kachina dolls, New Mexico

Norman Kennedy, 1934-, wool milling, spinning and weaving, Virginia

Wally Kiser, sorghum production, Kentucky

Mrs. Wally Kiser, sorghum production, Kentucky

George Lopez, 1900-1993, -- santos -- carver, New Mexico

Edsel Martin, 1927-1999, dulcimers, North Carolina

Jack Matthews, sheep shearer, Maryland

Angus McLeod and group, wool milling, Massachusetts

Sue McClure, Brasstown carvers, wooden animals, North Carolina

Mrs. Charles Morlan, apple face doll maker, Arkansas

Teresita Naranjo, 1919-1999, Santa Clara Pueblo potter, New Mexico

Elizabeth Notah, 1928-2003, Navajo, wool weaver, spinner, carder, New Mexico

Conchita Quintana, 1941-1994, tinsmith, New Mexico

Mallie Ritchie, corn shuck doll maker, Kentucky

Donald Robinson, split-oak basket maker, Louisiana

Thonius Robinson, split-oak basket maker, Louisiana

Grace Owle Shelton, 1905-1970, Cherokee, cloth doll maker, North Carolina

Kitty Singleton, 1904-1989, corn shuck doll maker, Kentucky

Edgar Tolson, 1904-1984, wooden figures, Kentucky

Elisa Trivett, wool spinner (treadle wheel) North Carolina

Margie Waldron, wool spinner (walking wheel), Missouri

Joe Washington and family, Lummi, net making and setting, Washington

Florence Watson, Navajo, wool weaver, spinner, carder, New Mexico

Ora Watson, 1909-2004, quilter, North Carolina

Rosa Lee Watson, quilter, Deep Gap, North Carolina

Willard Watson, 1905-1994, toys, Deep Gap, North Carolina

Mrs. Hobart Whitson, quilter, Burnsville, North Carolina

Connard Wolfe, 1933-, stone and wood carvings, West Virginia
Collection Restrictions:
Access by appointment only. Where a listening copy or viewing copy has been created, this is indicated in the respective inventory; additional materials may be accessible with sufficient advance notice and, in some cases, payment of a processing fee. Older papers are housed at a remote location and may require a minimum of three weeks' advance notice and payment of a retrieval fee. Certain formats such as multi-track audio recordings and EIAJ-1 videoreels (1/2 inch) may not be accessible. Contact the Ralph Rinzler Folklife Archives and Collections at 202-633-7322 or rinzlerarchives@si.edu for additional information.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Collection Citation:
Smithsonian Folklife Festival records: 1968 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections , Smithsonian Institution.
Identifier:
CFCH.SFF.1968, Series 2
See more items in:
Smithsonian Folklife Festival records: 1968 Festival of American Folklife
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
EDAN-URL:
ead_component:sova-cfch-sff-1968-ref18

Journal articles about Hattie

Collection Creator:
Junkin, Hattie Meyers, 1896-1985  Search this
Container:
Box 3, Folder 32
Type:
Archival materials
Text
Collection Restrictions:
No restrictions on access
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
See more items in:
Hattie Meyers Junkin Papers
Hattie Meyers Junkin Papers / Series 2: Soaring and Gliding
Archival Repository:
National Air and Space Museum Archives
EDAN-URL:
ead_component:sova-nasm-xxxx-0171-ref109
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Newspaper and Journal Articles: General

Collection Creator:
Junkin, Hattie Meyers, 1896-1985  Search this
Container:
Box 5, Folder 5
Type:
Archival materials
Text
Collection Restrictions:
No restrictions on access
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
See more items in:
Hattie Meyers Junkin Papers
Hattie Meyers Junkin Papers / Series 3: General materials of Hattie Meyers Junkin
Archival Repository:
National Air and Space Museum Archives
EDAN-URL:
ead_component:sova-nasm-xxxx-0171-ref141
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Periodical articles

Collection Creator:
Junkin, Hattie Meyers, 1896-1985  Search this
Container:
Box 7, Folder 8
Type:
Archival materials
Text
Collection Restrictions:
No restrictions on access
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
See more items in:
Hattie Meyers Junkin Papers
Hattie Meyers Junkin Papers / Series 5: George "Buck" Weaver materials
Archival Repository:
National Air and Space Museum Archives
EDAN-URL:
ead_component:sova-nasm-xxxx-0171-ref175
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