Interview of Esteban Vicente conducted 1968 August 26, by Irving Sandler, for the Archives of American Art. Vicente speaks of the gallery activity of the 1940s and 1950s; The Club and the exhibition on 9th Street arranged by many of those artists; remembering Mark Rothko as a casual acquaintance and the society of artists living in the Hamptons; coming to the United States, acting as vice-consul in Philadelphia for the Loyalist camp during the Spanish Civil War; and his own work and his feelings about the work of his contemporaries. He recalls Bill de Kooning, Franz Kline, John Ferrin, Marca-Relli, Milton Resnick, Joan Mitchell, Helen Frankenthaler, Walter Pach, Elaine de Kooning, Milton Avery, Jackson Pollock, Salvador Dali, and many others.
Biographical / Historical:
Esteban Vicente (1903-2001) was a painter in New York, New York. and Bridgehampton, New York.
Provenance:
This interview is part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
The papers of Hildreth Meière measure 27.3 linear feet and 1.40 GB and date from 1901 to 2011, with the bulk of material dating from 1911 to 1960. The collection documents Meière's life and travels, and her long and prolific career as an architectural muralist through biographical material, correspondence, writings, thirteen diaries, files regarding her war relief work during the Spanish Civil War and World War II, printed and digital materials, extensive photographs and slides, eight sketchbooks, and two videocassettes and 93 reels of motion picture film documenting her travels, her volunteer efforts in Spain following the civil war, artwork, and home movies.
Scope and Contents:
The papers of Hildreth Meière measure 27.3 linear feet and 1.40 GB and date from 1901 to 2011, with the bulk of material dating from 1911 to 1960. The collection documents Meière's life and travels, and her long and prolific career as an architectural muralist through biographical material, correspondence, writings, thirteen diaries, files regarding her war relief work during the Spanish Civil War and World War II, printed and digital materials, extensive photographs and slides, eight sketchbooks, and two videocassettes and 93 reels of motion picture film documenting her travels, her volunteer efforts in Spain following the civil war, artwork, and home movies.
Biographical material includes an autobiographical narrative written by Meière, her many awards and certificates, membership information, passports, her U.S. Navy service records from World War I, documentation of her brief marriage and family genealogy, obituaries, and memorial service documentation. Also found are extensive writings and research conducted by Meière's daughter, Louise Meière Dunn, which include a complete list of Meière's commissions, detailed biographical narratives, and records of Meière's works held elsewhere.
The papers contain Meière's personal and family correspondence, travel correspondence, and business correspondence regarding professional activities. Much of the correspondence with family and friends was written during Meière's extensive travels over the world. Both family and travel correspondence have extensive indexes, summaries, and in some cases, transcripts prepared by Meière's daughter, Louise Meière Dunn. Some of the indexes, summaries and transcripts are digital. Writings include poetry and diaries kept during childhood and school years, travel diaries, essays and talks written about Meière's work, writings Meière prepared for committees of the National Mural Painters Association, and detailed travelogues of her trips to Constantinople and the Balkans in 1933, to Russia in 1936, her "Grand Tour" to Australia, Southeast Asia, India, Africa, and Europe in 1952-1953, and her "Holy Land" tour of the Middle East in 1954.
Civilian War Service Records document Meière's efforts at war relief organization during and after the Spanish Civil War and during World War II. The Spanish Civil War files include extensive photographs provided by the Spanish government as well as three motion picture films documenting refugees and damaged architecture and public artwork shot by Meière during a trip sponsored by Franco's government. World War II activities concern Meière's efforts to organize artists in the United States to design and execute murals and other works of public art at military facilities around the U.S.
Travel records include maps, ephemera, slides, and 83 motion picture films taken on trips abroad between 1933 and 1958. Trips include Eastern and Western Europe, the Mediterranean Region and the Middle East, South America, Mexico and Guatemala, India, Sub-Saharan Africa, Southeast Asia, Australia, New Zealand, Scandinavia, and the UK. The motion picture films are mostly shot in Kodachrome color and many contain intertitles prepared by Meière to identify locations for travel lectures.
Printed materials consist primarily of clippings and publications that reference Meière's work, contain profiles of her, or contain published writings by her. A single published educational film is also found, given to her by an Australian filmmaker friend. Additional photographs, digital photographs and moving images include personal photographs of Meière, with portraits by Peter A. Juley and Sons and Berenice Abbott, photographs of many of her commissioned works, and a few photographs of artwork by others. Home movies show Meière with friends in 1926 and 1940. Among the photographic documentation of artworks by Meière and others are motion picture films of the 1939 New York World's Fair, the D.C. Municipal Building Frieze, and the 1937 Paris Fair; also found are 311 lantern slides and 201 glass copy negatives of her own completed works as well as murals she documented while traveling, notably murals in Norway and Oberammergau, Bavaria, taken in the 1930s.
Eight sketchbooks date to her early years as an art student and artist and include many figure studies, landscapes, and theatrical sketches made at home and abroad.
Arrangement:
This collection is arranged in 8 series. Indexes, summaries, and transcripts prepared by Louise Meière Dunn that relate directly to archival materials in the collection are found throughout the collection with the material they describe. These indices are particularly rich in Series 2, Correspondence.
Missing Title
Series 1: Biographical Material, 1915-2003 (0.6 linear feet; Boxes 1, 14, OV18)
Series 2: Correspondence, 1901-2011 (3 linear feet; Boxes 1-4, RD19, 0.038 GB; ER01-ER03)
Series 3: Writings, 1904-1960 (1.3 linear feet; Boxes 4-5)
Series 4: Civilian War Service Records, 1938-2006 (1.3 linear feet; Boxes 5-6, 15, FC 28-30, 1.33 GB; ER05)
Series 5: Travel Records, 1933-1958 (12.8 linear feet; Boxes 6-10, 15, OV18, FC 31-111)
Series 6: Printed Material, 1913-1998 (2.1 linear feet; Boxes 10-12, 15, FC 112)
Series 7: Photographs and Moving Images, 1915-1966 (5.8 linear feet; Boxes 12-13, 16, 20-27, FC 17, 113-127, 0.029 GB; ER04)
Series 8: Sketchbooks, 1911-1922 (0.4 linear feet; Box 13)
Biographical / Historical:
Hildreth Meière (1892-1961) was born in Flushing, New York, and had a prolific career from 1921-1961 as an architectural muralist working primarily in an Art Deco style. Meière painted murals and designed for various mediums including mosaic, metal, and stained glass. In 1956 the American Institute of Architects awarded Meière their Fine Arts Medal.
Meière was educated at New York's Convent of the Sacred Heart, Manhattanville, the Art Students League in New York, the California School of Fine Arts (now San Francisco Art Institute), and the School of the Art Institute of Chicago, in addition to pursuing studies in Italy. Her major commissions include the Nebraska State Capitol at Lincoln, the National Academy of Sciences, the Resurrection Chapel of the National Cathedral in Washington, D.C. In New York, she designed the Art Deco plaques on the exterior wall of Radio City Music Hall; created mosaic interiors for the Irving Trust Building at 1 Wall Street; and provided ecclesiastical decorations for St. Patrick's Cathedral, St. Bartholomew's Episcopal Church, Temple Emanu-El, and elsewhere. She also created murals for the Chicago 1933 Century of Progress Fair, and the 1939 New York World's Fair.
She was also an active officer in the Art Students League and the National Society of Mural Painters. Some of her most inspired collaborations were with the architect Bertram Goodhue in the 1920s, and only his sudden death in 1924 put an end to them, although some projects were finished with the successor firm.
Meière died in 1961 at the age of 68. Her work is remembered in several major publications, including The Art Deco Murals of Hildreth Meière by Catherine Coleman Brawer and Kathleen Murphy Skolnik, with photographs by Meière's granddaughter, Hildreth Meière Dunn, published in 2014; and the catalog of the 2009 exhibition at St. Bonaventure University, curated by Brawer and photographed by Dunn, entitled Walls Speak: the Narrative Art of Hildreth Meière.
Provenance:
A majority of the collection placed on deposit 2001 by Louise Meière Dunn, daughter of Hildreth Meière. The collection was donated incrementally by Dunn through 2012. Donations occurred 2001-2007, and again in 2010-2012.
Restrictions:
Use of original papers requires and appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- New York (State) -- New York Search this
Muralists -- New York (State) -- New York Search this
Mosaicists -- New York (State) -- New York Search this
Hildreth Meière papers, 1901-2011, bulk 1911-1960. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the digitization of 84 reels of motion picture film in the collection was provided by The Regina A. Quick Center for the Arts at St. Bonaventure University through a generous grant from the Ruth Dayton Foundation. Glass plate negatives in this collection were digitized in 2019 with funding provided by the Smithsonian Women's Committee.
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Topic:
Spain -- History -- Civil War, 1936-1939 -- Songs and music. Search this
Collection Citation:
Frederic Ramsey audio recordings, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
The peat-bog soldiers -- Hans Beimler -- Song of the International Brigades -- Freedom -- Song of the united front -- The four insurgent generals -- Quinte brigada -- Cook house -- Spanish marching song -- Quartermaster song -- Quinte regimento -- Jarama Valley.
Track Information:
101 Moorsoldaten (Peat Bog Soldiers) / Ernst Busch.
102 Hans Beimler / Ernst Busch.
103 Song of the International Brigade (Lied auf der Internationalen Briagden) / Ernst Busch.
104 Freedom (Freiheit) / Ernst Busch.
105 Song of the United Front (Lied von der Einheitsfront) / Ernst Busch.
106 Four Insurgent Generals, The (Los Quatro Generales) / Ernst Busch.
201 Viva le Quinte Brigada / Bess Lomax Hawes, Pete Seeger, Tom Glazer, Butch Hawes. Guitar,Banjo. English language.
202 Cook House / Bess Lomax Hawes, Pete Seeger, Tom Glazer, Butch Hawes. Guitar,Banjo. English language.
203 Spanish Marching Song / Bess Lomax Hawes, Pete Seeger, Tom Glazer, Butch Hawes. Guitar,Banjo. English language.
204 Quartermaster's Store / Bess Lomax Hawes, Pete Seeger, Tom Glazer, Butch Hawes. Guitar,Banjo. English language.
205 Quinte Regimento / Bess Lomax Hawes, Pete Seeger, Tom Glazer, Butch Hawes. Guitar,Banjo. English language.
206 Jarama Valley / Bess Lomax Hawes, Pete Seeger, Tom Glazer, Butch Hawes. Guitar,Banjo. English language.
Local Numbers:
FW-ASCH-LP-1941
Stinson.52
Publication, Distribution, Etc. (Imprint):
Granada Hills, CA Stinson 1962
Date/Time and Place of an Event Note:
Recorded in: New York, United States.
General:
Program notes on container and texts (8 p.) inserted. Container front illustration varies on at least two separate issues.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
106 Hobo Bill's Last Ride / Cisco Houston. Guitar.
Local Numbers:
FW-ASCH-10RR-0239
General:
CDR copy
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
FW-ASCH-7RR-1444 contains a short dramatic reading, about an American volunteer in the Spanish Civil War. Probably, it is a reading from the novel, "For Whom the Bell Tolls" by Ernest Hemingway. Told in the first person, the speaker is rather bitter and sad about the loss of Spain to the fascist generals, but he is ultimately confident that fascism will eventually be defeated. During the Spanish Civil War, Hemingway was a reporter in Spain. The back of the tape box says, "Hemingway" and "transfer from 13" 78 rpm. Apparently, the recording was not used by Folkways. The reader is not identified and further information isn't provided.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Los quatro generals—Kisses sweeter than wine—Hymn to nations—Stravinnsky Russian folk themes𠅏lute solo𠅌oal creek march—Shucking of the corn—There'll come a time
Track Information:
102 Los Quatro Generales / Banjo. English language,Spanish language.
103 Kisses Sweeter Than Wine / Banjo. English language.
104 Hymn to Nations (Beethoven, Ludwig v.: 9th Symphony) / Banjo. English language.
105 Stravinsky, Igor: Russian Folk Theme / Banjo. English language.
101 Flute Solo / Flute. English language.
106 Coal Creek March / Banjo. English language.
107 Shucking the Corn / Banjo. English language.
108 There'll Come a Time / Banjo. English language.
Local Numbers:
FW-ASCH-7RR-1911
Date/Time and Place of an Event Note:
Recorded in: New York, United States.
General:
CDR copy- Disc 330
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
The four generals -- Song of the United Front -- Song of the international brigades -- The Thaelmann Column -- The peat-bog soldiers -- Hand Beimler.
Local Numbers:
FW-ASCH-78-0407
Keynote.101
Publication, Distribution, Etc. (Imprint):
New York Keynote
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Topic:
Spain -- History -- Civil War, 1936-1939 -- Songs and music. Search this
Collection Citation:
Moses and Frances Asch Collection, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Die Thaelmann-Kolonne--La Joven Guardia--Au Devant de la Vie--Els Segadors--Wir Hinterm Draht--La Guardi Rossa
Local Numbers:
FW-ASCH-78-0409
Leauge of American Writers
Publication, Distribution, Etc. (Imprint):
New York League of American Writers
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Viva le Qunita Brigada--Jarama Valley--Spanish marching song--Cookhouse--Quinte Regimento--Quartermaster's store
Track Information:
101 Viva Le Quinte Brigada / Bess Lomax Hawes, Pete Seeger, Tom Glazer, Butch Hawes. Guitar,Banjo.
102 Jarama Valley / Bess Lomax Hawes, Pete Seeger, Tom Glazer, Butch Hawes. Guitar.
202 Cook House / Bess Lomax Hawes, Pete Seeger, Tom Glazer, Butch Hawes. Guitar,Banjo.
201 Spanish Marching Song / Bess Lomax Hawes, Pete Seeger, Tom Glazer, Butch Hawes. Guitar,Banjo.
302 Quartermaster's Store / Bess Lomax Hawes, Pete Seeger, Tom Glazer, Butch Hawes. Guitar,Banjo.
301 Quinte Regimento / Bess Lomax Hawes, Pete Seeger, Tom Glazer, Butch Hawes. Guitar,Banjo.
Local Numbers:
FW-ASCH-78-1758
Asch.330
Publication, Distribution, Etc. (Imprint):
New York Asch 1945
Date/Time and Place of an Event Note:
Recorded in: New York, United States.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
116 Jarama Valley / Abraham Lincoln Battalion, Pete Seeger, Tom Glazer.
119 John Hardy / Lead Belly. Accordion.
121 Libra / Mary Lou Williams. Piano.
122 Scorpio / Mary Lou Williams. Piano.
106 Happy Land of Canaan / Lord Invader.
105 Te We / Lord Invader.
101 Where Jonah Gone / Lord Invader.
102 10,000 to Bar Me None / Lord Invader.
104 Me One Alone / Lord Invader.
Local Numbers:
FW-ASCH-10RR-0273
Date/Time and Place of an Event Note:
Recorded in: New York, United States.
General:
CDR copy- Disc 393
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
America, the Beautiful--Erie Canal--There's Many a Man Who Catches Fish--The Battle of Maxton Field--The Bigler--Tangent, Co-Tangent--Leatherwing bat--Jay Gould's daughter--Foolish frog--Come all ye fair and tender maidens--Burgundian carol--Un Canadien errant--Mi Se Escribir
Track Information:
106 Come All You Fair and Tender Maidens / Banjo. English language.
107 Burgundian carol Banjo. English language.
101 The Bigler / English language.
102 Tangent, Co-Tangent / Banjo. English language.
103 Leatherwing Bat / Banjo. English language.
104 Jay Gould's Daughter / Banjo. English language.
105 The Foolish Frog / Banjo. English language.
108 Un Canadien Errant / Banjo. French language.
109 Mi Se Escribir / Banjo. Spanish language.
Local Numbers:
FW-ASCH-7RR-3887
Date/Time and Place of an Event Note:
Recorded in: New York, United States
General:
CDR copy- Disc 356/7
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Moses and Frances Asch Collection, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Michael, row the boat ashore--Deep blue sea--Suliram--Viva le Quince Brigada--Wasn't that a time--Letter to R.K. Shepherd--Father, Father--Popular wobbly--Poor boy--Bans of the Ohio--Let us break bread together on our knees--Arkansas traveler--Goofing off suite
Track Information:
101 Michael, Row the Boat Ashore / Children of Camp Woodland, Pete Seeger.
102 Deep Blue Sea / Children of Camp Woodland, Pete Seeger.
103 Suliram (Indonesian Lullaby) / Children of Camp Woodland, Pete Seeger.
104 Viva La Quince Brigada / Pete Seeger.
105 Wasn't That a Time / Children of Camp Woodland, Pete Seeger.
107 Father, Father Children of Camp Woodland, Pete Seeger.
106 Letter to R.K. Shepherd / Pete Seeger.
109 The Popular Wobbly / Pete Seeger.
110 Poor Boy / Children of Camp Woodland, Pete Seeger.
111 Banks of the Ohio / Children of Camp Woodland, Pete Seeger.
112 Let Us Break Bread Together On Our Knees / Pete Seeger.
113 Arkansas Traveler / Pete Seeger.
114 Goofing-Off Suite- Theme / Pete Seeger.
Local Numbers:
FW-ASCH-7RR-4913
Date/Time and Place of an Event Note:
Recorded in: New York, United States, 1962.
General:
CDR copy- disc 241/2
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
122 Two Good Men (Sacco and Vanzetti)(ACT-0045) / Woody Guthrie. Guitar.
124 Tell Me What's the Matter (ACT-0048) / Brownie McGhee, Sonny Terry. Guitar.
125 Don't You Push Me Down (ACT-0051) / Woody Guthrie. Guitar.
127 Merry Go Round (ACT-0052) / Woody Guthrie. Guitar.
129 Alabama Bound (ACT-0053).
130 Hooterville Trolley (ACT-0053).
131 Jesus Christ (ACT-0054) / Woody Guthrie. Guitar.
Local Numbers:
FP-CDR-0074
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only; No Duplication.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
