Skip to main content Smithsonian Institution

Search Results

Collections Search Center
149 documents - page 1 of 8

Ralph Rinzler papers and audio recordings

Creator:
Rinzler, Ralph  Search this
Names:
Festival of American Folklife  Search this
Folkways Records  Search this
Greenbriar Boys  Search this
Jugtown Pottery (Firm)  Search this
Newport Folk Festival  Search this
Smithsonian Folklife Festival  Search this
UNESCO  Search this
Carter, Jimmy, 1924-  Search this
Hawes, Bess Lomax, 1921-2009  Search this
Lomax, Alan, 1915-2002  Search this
Monroe, Bill, 1911-1996  Search this
Rinzler, Kate, 1937-2010  Search this
Sayles, Charlie  Search this
Seeger, Anthony  Search this
Seeger, Mike, 1933-2009  Search this
Seeger, Pete, 1919-2014  Search this
Seeger, Toshi  Search this
Watson, Doc  Search this
Extent:
106.32 Cubic feet (87.5 cubic feet of papers, 18.82 cubic feet of audio)
Type:
Collection descriptions
Archival materials
Photographs
Field recordings
Correspondence
Phonograph records
Notes
Business records
Audiocassettes
Photographic prints
Black-and-white negatives
Audiotapes
Date:
1890-2011
bulk 1950-1994
Summary:
This collection, with bulk dates from 1950-1994, documents the life of Ralph Rinzler and his professional activities as Director of Field Programs for the Newport Folk Festival, Director of the Smithsonian Folklife Festival (formerly the Festival of American Folklife) and the Office of Folklife Programs (now the Center for Folklife and Cultural Heritage), and the Smithsonian Institution's Assistant Secretary for Public Service. Includes personal papers, business records, correspondence, notes, photographs, audiotapes and field recordings.
Scope and Contents:
The Ralph Rinzler Papers and Audio Recordings encompasses a wide range of materials from Rinzler's prolific personal and professional life. Predominantly consisting of clippings, collected texts, correspondence, meeting notes, photographs, and production materials, this collection charts Rinzler's role in the mid-twentieth century emergence of community-based and institutional efforts to preserve, sustain, and amplify cultural heritage. As an assemblage of materials from all aspects of his life, the Ralph Rinzler Papers also reflect the many integral relationships he developed throughout the years with his colleagues, contemporaries, family, and friends.
Arrangement note:
The collection is currently arranged in 9 archival series as follows:

1. Biographical

2. Collected Texts

3. Correspondence

4. Events

5. Fieldwork

6. Meetings and Organizations

7. Notable Figures

8. Publishing and Production

9. Audio

The papers and photographs contained in the first 8 series are processed at an intermediate level, which means that all material was rehoused in archival folders, with folder-level arrangements and descriptions. Individual items within folders may not be fully arranged or described, due to the collection's level of complexity when it was deposited in the Archives.

When possible, folders were arranged alphabetically within series and subseries.
Biographical/Historical note:
Ralph Rinzler (1934-1994) was born in Passaic, New Jersey, and was interested in music at an early age. He was given a collection of ethnographic recordings from the Archive of Folk Song of the Library of Congress by his uncle, Harvard University ballad scholar George Lyman Kittredge, and they soon became his favorites. He became actively involved in the Folk Revival while attending Swarthmore College, organizing an annual festival on campus. He received his B.A. in 1956, and did graduate work at Middlebury College and the Sorbonne in French literature and language. Upon his return to the United States, he played mandolin for four years with the Greenbriar Boys, at times touring with singer Joan Baez. During the 1960s, he also studied, recorded, and worked with performers of traditional music, such as Doc Watson and Bill Monroe, both of whom gained international recognition in part through his efforts. In 1964, Rinzler accepted the position of Director of Field Programs at the Newport Folk Foundation, which involved the planning and programming of the Newport Folk Festival.

Rinzler came to the Smithsonian in 1967 as co-founder of the Festival of American Folklife (now the Smithsonian Folklife Festival) with James Morris in what was then the Smithsonian's Division of Performing Arts. After the 1976 Bicentennial Festival, Rinzler became the founding director of the Office of Folklife Programs (now the Center for Folklife and Cultural Heritage) to establish a center for research, publication, and presentation of programs in American culture and tradition. As Director, he initiated Smithsonian Folklife Studies, a publication series, and did research for the Celebration exhibit, which opened at the Renwick Gallery in 1982. Rinzler was appointed Assistant Secretary for Public Service in 1983 and Assistant Secretary Emeritus in 1990. Ralph Rinzler died on July 2, 1994.
Shared Stewardship of Collections:
The Center for Folklife and Cultural Heritage acknowledges and respects the right of artists, performers, Folklife Festival participants, community-based scholars, and knowledge-keepers to collaboratively steward representations of themselves and their intangible cultural heritage in media produced, curated, and distributed by the Center. Making this collection accessible to the public is an ongoing process grounded in the Center's commitment to connecting living people and cultures to the materials this collection represents. To view the Center's full shared stewardship policy, which defines our protocols for addressing collections-related inquiries and concerns, please visit https://folklife.si.edu/archives#shared-stewardship.
Provenance:
The materials in this collection were deposited into the archives of the Center for Folklife and Cultural Heritage over a number of years by Ralph Rinzler, Kate Rinzler, and Jeff Place in honor of the aforementioned. From the 1980s until Ralph Rinzler's passing in 1994, the Center received the majority of the audio tapes and photographs in this collection directly from Rinzler. With Rinzler's death in 1994, Jeff Place reviewed and deposited the majority of Rinzler's papers at the Center.

Until her passing in 2011, Kate Rinzler donated materials to this collection, with more continuing to arrive via her estate (as of May 2021). Many of these items were rehoused in the Kate Rinzler Papers.
Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Topic:
Folk festivals  Search this
Folk music -- Southern States  Search this
Folk music -- United States  Search this
Genre/Form:
Photographs
Field recordings
Correspondence
Phonograph records
Notes
Business records
Audiocassettes
Photographic prints
Black-and-white negatives
Audiotapes
Citation:
Ralph Rinzler papers and audio recordings, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.RINZ
See more items in:
Ralph Rinzler papers and audio recordings
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk51af02b1d-29bd-42f2-a8e7-d35c9bab6da0
EDAN-URL:
ead_collection:sova-cfch-rinz
Online Media:

Frederic Ramsey audio recordings

Creator:
Ramsey, Frederic, 1915-1995  Search this
Extent:
8.83 Cubic feet
Type:
Collection descriptions
Archival materials
Place:
Southern States -- Music
Date:
1945-1959
Summary:
This collection contains open reel recordings made by noted jazz scholar Frederic Ramsey during his tour of the American South in the 1950s.
Scope and Contents:
The collection includes 400? Open reel audio tapes. They are from Ramsey's fieldwork and various projects, many for Folkways Records. The bulk of the recordings come from Ramsey's fieldwork in Alabama, Mississippi, and Louisiana in 1954-56.
Arrangement:
The tapes are organized and shelved by accession number.
Biographical / Historical:
Frederic Ramsey Jr. (1915-1995), son of painter Charles Frederic Ramsey, was a jazz scholar and author who worked with a number of musicians in the South and the New York/New Jersey area, notably Lead Belly. After receiving a Guggenheim Fellowship in 1953, Ramsey undertook a tour of the South in order to explore and document the African-American music environment. His goal was to record the speech and music of persons at least sixty years of age or older in an attempt to trace the evolution of the musical genre that would become jazz. Ramsey produced a number of recordings for the Folkways label in the 1950s-1960s.

[From Jeff: Frederic Ramsey Jr. (1915-1995) was a jazz critic, scholar, fieldworker and record producer. He was the author of a number of books on jazz, including Jazzmen (with Charles Edward Smith) and the Jazz Record Book. He became one of the main producers for Moses Asch at Asch, Disc, and Folkways Records of jazz and blues. Ramsey was one of the first to deploy an open reel tape recorder using it in New York City in 1949 to record Lead Belly in a set of sessions at his apartment, that were to be Lead Belly's last. What was noteworthy about this is that a reel to reel deck allowed one to record a longer recording than the previous 4 minutes on instantaneous discs. This allowed Led Belly to stretch out and do his extended rhymes and longer songs and to tell stories of his life. It was released by Folkways as a 2 LP 2-records each set. Each side was one track so more material could be fit in. The new LP format allowed for Folkways to create anthologies of music with multiple tracks per side. This allowed Ramsey the ability to create a 11-volume anthology of jazz in the early 1950s. It was the first of many anthologies for Folkways. He also received a Guggenheim fellowship in 1954-56 to go to Alabama, Mississippi, and Louisiana to record vernacular African American music. This included field hollers, spirituals, and brass bands. It was Ramsey's desire to find the roots of jazz in early African-American music forms. He recorded hundreds of tapes they make up the bulk of Ramsey Tape Collection. A 10 LP set Music from the South was released from these trips. Also, there was a book Been Here and Gone with his magnificent photographs from the trip. Other notable recordings released by Folkways include an interview album of Baby Dodds, a box set of shape-note singing, and recordings of a, then, teenaged Michael Hurley. In 1975, with other grant from the National Endowment for the Humanities and Ford Foundation, he researched the life of Buddy Bolden. After the death of Frederic Ramsey Jr., folklorist Kip Lornell arranged the donation of Ramsey's tape and record collection to the Smithsonian.]
Shared Stewardship of Collections:
The Center for Folklife and Cultural Heritage acknowledges and respects the right of artists, performers, Folklife Festival participants, community-based scholars, and knowledge-keepers to collaboratively steward representations of themselves and their intangible cultural heritage in media produced, curated, and distributed by the Center. Making this collection accessible to the public is an ongoing process grounded in the Center's commitment to connecting living people and cultures to the materials this collection represents. To view the Center's full shared stewardship policy, which defines our protocols for addressing collections-related inquiries and concerns, please visit https://folklife.si.edu/archives#shared-stewardship.
Related Materials:
Frederic Ramsey's personal papers are available at Rutgers University Institute of Jazz Studies.

Ramsey's photograph collection (many from the same field projects) can be found in the collections of the Hogan Jazz Archive at Tulane University.
Provenance:
This collection was donated by Frederic Ramsey's daughter Alida Porter in 1996.
Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Topic:
Blues (Music)  Search this
Music -- African-American  Search this
African American musicians  Search this
Jazz musicians  Search this
Jazz -- Louisiana -- New Orleans  Search this
Jazz  Search this
Citation:
Frederic Ramsey audio recordings, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.RAMS
See more items in:
Frederic Ramsey audio recordings
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5ebc883ed-96f3-4f1b-9e4b-1b8fde86e4f4
EDAN-URL:
ead_collection:sova-cfch-rams
Online Media:

James Henri Howard Papers

Creator:
Howard, James H., 1925-1982 (James Henri)  Search this
Correspondent:
Woolworth, Alan R.  Search this
Weslager, C.A.  Search this
Witthoft, John, 1921-1993  Search this
Swauger, James Lee  Search this
Turnbull, Colin  Search this
Horn, Frances L.  Search this
Garcia, Louis  Search this
Fogelson, Raymond D.  Search this
Hodge, William  Search this
Hayink, J.  Search this
Feder, Norman  Search this
Ervin, Sam J. Jr  Search this
Feraca, Stephen E., 1934-  Search this
Feest, Christian F.  Search this
Cree, Charlie  Search this
Davis, Edward Mott  Search this
De Busk, Charles R.  Search this
Iadarola, Angelo  Search this
Brasser, Ted J.  Search this
Bunge, Gene  Search this
Cavendish, Richard  Search this
Clifton, James A.  Search this
DeMallie, Raymond  Search this
Blake, Leonard W.  Search this
Dean, Nora Thompson  Search this
Spier, Leslie, 1893-1961  Search this
Smith, John L.  Search this
Swanton, John Robert  Search this
Sturtevant, William C.  Search this
Peterson, John H.  Search this
Paredes, J. Anthony, 1939- (James Anthony)  Search this
Schleisser, Karl H.  Search this
Reed, Nelson A.  Search this
Medford, Claude W.  Search this
Lurie, Nancy Oestreich  Search this
Opler, Morris Edward  Search this
Nettl, Bruno, 1930-  Search this
Kraft, Herbert C.  Search this
Johnson, Michael G.  Search this
Lindsey-Levine, Victoria  Search this
Kurath, Gertrude  Search this
Adams, Richard N. (Richard Newbold), 1924-  Search this
Allen, James H.  Search this
Barksdale, Mary Lee  Search this
Battise, Jack  Search this
Names:
Lone Star Steel Company  Search this
Extent:
10.25 Linear feet
Culture:
Seminole  Search this
Indians of North America -- Southern States  Search this
Sioux  Search this
Shawnee  Search this
Indians of North America -- Northeast  Search this
Muskogee (Creek)  Search this
Anishinaabe (Chippewa/Ojibwa)  Search this
Indians of North America -- Great Plains  Search this
Tsitsistas/Suhtai (Cheyenne)  Search this
Chickasaw  Search this
Choctaw  Search this
Yanktonnai Nakota (Yankton Sioux)  Search this
Seneca  Search this
Euchee (Yuchi)  Search this
Omaha  Search this
Iroquois  Search this
Cherokee  Search this
Sahnish (Arikara)  Search this
Potawatomi  Search this
Chaticks Si Chaticks (Pawnee)  Search this
Ponca  Search this
Mi'kmaq (Micmac)  Search this
Kickapoo  Search this
Sac and Fox (Sauk & Fox)  Search this
Menominee (Menomini)  Search this
Lenape (Delaware)  Search this
Oto  Search this
Tonkawa  Search this
Type:
Collection descriptions
Archival materials
Place:
Oklahoma -- Archeology
Date:
1824-1992
bulk 1950-1982
Summary:
To a considerable degree, the James H. Howard papers consist of manuscript copies of articles, book, speeches, and reviews that document his professional work in anthropology, ethnology, ethnohistory, archeology, linguistics, musicology, and folklore between 1950 and 1982. Among these are a few unpublished items. Notes are relatively scant, there being somewhat appreciable materials for the Chippewa, Choctaw, Creek, Dakota, Omaha, Ponca, Seminole, and Shawnee. The chief field materials represented in the collection are sound recordings and photographs, but many of the latter are yet to be unidentified. A series of color photographs of Indian artifacts in folders are mostly identified and represent the extensive American Indian Cultural collection of costumes and artifacts that Howard acquired and created. Other documents include copies of papers and other research materials of colleagues. There is very little original material related to archeological work in the collection and that which is present concerns contract work for the Lone State Steel Company.
Scope and Contents:
The James Henri Howard papers document his research and professional activities from 1949-1982 and primarily deal with his work as an anthropologist, archeologist, and ethnologist, studying Native American languages & cultures. The collection consists of Series 1 correspondence; Series 2 writings and research, which consists of subject files (language and culture research materials), manuscripts, research proposals, Indian claim case materials, Howard's publications, publications of others, and bibliographical materials; Series 3 sound recordings of Native American music and dance; Series 4 photographs; and Series 5 drawings and artwork.

Howard was also a linguist, musicologist, and folklorist, as well as an informed and able practitioner in the fields of dance and handicrafts. His notable books include Choctaw Music and Dance; Oklahoma Seminoles: Medicines, Magic, and Religion; and Shawnee! The Ceremonialism of a Native American Tribe and its Cultural Background.

Some materials are oversize, specifically these three Winter Count items: 1. a Dakota Winter Count made of cloth in 1953 at the request of James H. Howard, 2. a drawing of British Museum Winter Count on 4 sheets of paper, and 3. Photographs of a Winter Count.
Arrangement:
This collection is arranged in 5 series: Series 1. Correspondence, 1960-1982, undated; Series 2. Writings and Research, 1824-1992; Series 3. Sound Recordings, 1960-1979; Series 4. Photographs, 1879-1985; Series 5. Drawings and Artwork, 1928-1982.
Chronology:
1925 -- James Henri Howard was born on September 10 in Redfield, South Dakota.

1949 -- Received his Bachelor of Arts from the University of Nebraska.

1950 -- Received his Master of Arts from the University of Nebraska and began a prolific record of publishing.

1950-1953 -- Began his first professional employment as an archaeologist and preparator at the North Dakota State Historical Museum in Bismarck.

1955-1957 -- Was a museum lecturer at the Kansas City (Missouri) Museum.

1957 -- James H. Howard received his Ph.D. at the University of Michigan. Joined the staff of the Smithsonian's River Basin Surveys in the summer.

1957-1963 -- Taught anthropology at the University of North Dakota.

1962 -- Chief archeologist at the Fortress of Louisberg Archeological Project in Nova Scotia.

1963-1968 -- Taught anthropology at the University of South Dakota; State Archeologist of South Dakota; Director of the W. H. Over Dakota Museum.

1963-1966 -- Director of the Institute of Indian Studies, University of South Dakota.

1968-1982 -- Associate professor of anthropology at Oklahoma State University at Stillwater (became a full professor in 1971).

1979 -- Consulted for exhibitions at the Western Heritage Museum in Omaha, Nebraska.

1982 -- Died October 1 after a brief illness.
Biographical/Historical note:
James H. Howard was trained in anthropology at the University of Nebraska (B.A., 1949; M.A., 1950) and the University of Michigan (Ph.D., 1957). In 1950-1953, he served as archeologist and preparator at the North Dakota State Historical Museum; and, in 1955-1957, he was on the staff of the Kansas City (Missouri) Museum. During the summer of 1957, he joined the staff of the Smithsonian's River Basin Surveys. Between 1957 and 1963, he taught anthropology at the Universtity of North Dakota. Between 1963 and 1968, he served in several capacities with the University of South Dakota including assistant and associate professor, director of the Institute of Indian Studies (1963-1966), and Director of the W.H. Over Museum (1963-1968). In 1968, he joined the Department of Sociology at Oklahoma State University, where he achieved the rank of professor in 1970. In 1979, he was a consultant for exhibitions at the Western Heritage Museum in Omaha, Nebraska.

Howard's abiding interest were the people of North America, whom he studied both as an ethnologist and archeologist. Between 1949 and 1982, he worked with the Ponca, Omaha, Yankton and Yaktonai Dakota, Yamasee, Plains Ojibwa (or Bungi), Delaware, Seneca-Cayuga, Prairie Potatwatomi of Kansas, Mississipi and Oklahoma Choctaw, Oklahoma Seminole, and Pawnee. His interest in these people varied from group to group. With some he carried out general culture studies; with other, special studies of such phenomena as ceremonies, art, dance, and music. For some, he was interest in environmental adaptation and land use, the latter particularly for the Pawnee, Yankton Dakota, Plains Ojibwa, Turtle Mountain Chippewa, and Ponca, for which he served as consultant and expert witness in suits brought before the United Stated Indian Claims Commisssion. A long-time museum man, Howard was also interested in items of Indian dress, articles associated with ceremonies, and other artifacts. He was "a thoroughgoing participant-observer and was a member of the Ponca Hethuska Society, a sharer in ceremonial activities of many Plains tribes, and a first-rate 'powwow man'." (American Anthropologist 1986, 88:692).

As an archeologist, Howard worked at Like-a-Fishhook Village in North Dakota, Spawn Mound and other sites in South Dakota, Gavin Point in Nebraska and South Dakota, Weston and Hogshooter sites in Oklahoma, and the Fortess of Louisbourg in Nova Scotia. He also conducted surveys for the Lone Star Steel Company in Haskall, Latimer, Le Flore and Pittsburg counties in Oklahoma.
Related Materials:
Howard's American Indian Cultural Collection of Costumes and Artifacts, that he acquired and created during his lifetime, is currently located at the Milwaukee Public Museum. In Boxes 19-21 of the James Henri Howard Papers, there are photographs with accompanying captions and descriptions in binders of his American Indian Cultural Collection of Costumes and Artifacts that his widow, Elfriede Heinze Howard, created in order to sell the collection to a museum.
Provenance:
These papers were donated to the National Anthropological Archives by James Henri Howard's wife, Elfriede Heinz Howard, in 1988-1990, 1992, & 1994.
Restrictions:
The James Henri Howard papers are open for research. Access to the James Henri Howard papers requires an appointment.
Rights:
Contact repository for terms of use.
Topic:
Ethnology -- United States  Search this
Ethnomusicology  Search this
Folklore -- American Indian  Search this
Powwows  Search this
Citation:
James Henri Howard Papers, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.1994-30
See more items in:
James Henri Howard Papers
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw30379c657-37d6-4c9e-99c4-eb8f7be76c10
EDAN-URL:
ead_collection:sova-naa-1994-30
Online Media:

Joseph C. Farber photographs of Native American life

Creator:
Farber, Joseph C., 1903-  Search this
Names:
National Museum of Natural History (U.S.) -- Exhibitions.  Search this
National Museum of Natural History (U.S.). Department of Anthropology  Search this
Gorman, R. C. (Rudolph Carl), 1932-2005  Search this
Extent:
6,000 Contact prints (circa 6000 contact prints (proof sheets))
6,000 Acetate negatives (circa)
8 Color transparencies
1,000 Items (circa 1000 enlarged prints: silver gelatin (some mounted for exhibition))
Culture:
Arctic peoples  Search this
Pikuni Blackfeet (Piegan)  Search this
Onondaga  Search this
Taos Indians  Search this
Quinault  Search this
Tlingit  Search this
Akimel O'odham (Pima)  Search this
Tewa Pueblos  Search this
Indians of North America -- Great Plains  Search this
Indians of North America -- Southwest, New  Search this
Anishinaabe (Chippewa/Ojibwa)  Search this
Diné (Navajo)  Search this
Eskimos  Search this
Sioux  Search this
Lummi  Search this
Haida  Search this
Indians of North America -- Plateau  Search this
Kootenai (Kutenai)  Search this
Kiowa  Search this
Mojave (Mohave)  Search this
Miccosukee Seminole (Mikasuki)  Search this
Indians of North America -- Northwest Coast of North America  Search this
Indians of North America -- Northeast  Search this
Niitsitapii (Blackfoot/Blackfeet)  Search this
Chehalis  Search this
Apache  Search this
Athapascan Indians  Search this
Cocopa  Search this
Niuam (Comanche)  Search this
Cherokee  Search this
Indians of North America -- Southern States  Search this
Tsitsistas/Suhtai (Cheyenne)  Search this
Pueblo  Search this
Acoma Pueblo  Search this
Type:
Collection descriptions
Archival materials
Contact prints
Acetate negatives
Color transparencies
Photographs
Place:
North Carolina
New York
New Mexico
Montana
South Dakota
Oklahoma
Arizona
California
Florida
Minnesota
Alaska
Alberta
Washington (State)
Barrow, Point (Alaska)
Yuma County (Ariz.)
Taos (N.M.)
Date:
circa 1970-1975
Scope and Contents note:
Photographs made as part of Joseph C. Farber's project to document modern NAtive American everyday life. Represented tribes include the Acoma, Apache, Blackfoot, Chehalis, Cherokee, Cheyenne, Chippewa, Cocopa, Dakota, Eskimo, Haida, Kiowa, Kutenai, Lummi, Mohave, Mohawk, Navaho, Northern Athabascan, Onandaga, Pima, Pueblo, Quinalt, Seminole, Taos, Tlingit, and Zuni. Subject coverage is broad and varies from tribe to tribe. Included are portraits, as well as totem poles, carving, weaving, pottery, painitng, landscapes, boats and canoes, ceremonial regalia, camps, classes and vocational training, homes and traditional dwellings, construction projects, rodeos and powwows, dances, industries (including lumber), herding and ranching, agriculture, stores and storefronts, cliff dwellings, parades, crab cleaning, fishing, games, health care, legal processes, music, office work, sewing, vending, and a funeral. There are also photographs of R. C. Gorman (and a letter from Gorman to Farber) and Fritz Shoulder (some in color).

Farber's travels included Alaska (Point Barrow, Dead Horse, Glacier Bay, Haines, Hoona, Hydaberg, Ketchikan, Mount McKinley, Prudhoe Bay, Saxman, and Sitka); Alberta (Blackfeet Reservation); Arizona (Canyon de Chelly, Cocopa Reservation, Flagstaff, Kayenta, Monument Valley, Pima Reservation, Quechan Reservation, Mojave Reservation, and Yuma); California (Alcatraz, Oakland, and San Francisco); Florida (Big Cypress Reservation; Miccosukee Reservation); Minnesota (Minneapolis and Nett Lake); Montana (Northern Cheyenne Reservation); New Mexico (Acoma, Gallup, Navajo Forest, Picuris, Puye, San Ildefonso, Santa Clara, Santa Fe, Taos, San Ildefonso, Santa Clara, and Tesuque); New York (New York City and Onandaga Reservation); North Carolina (Cherokee Reservation); Oklahoma (Anadarko, Apache, Lawton, Stilwell, and Tahlequah); South Dakota (Rosebud and Wounded Knee); and Washington (Lummi Reservation, Nisqually River, Puyallup River, and Quinalt Reservation).
Biographical/Historical note:
Joseph C. Farber (1903-1994) was a successful New York businessman and professional photographer. He studied with Edward Steichen at the New York Camera Club in the 1920s. The prints in this collection resulted from a five-year project that involved travelling to Native communities throughout the United States to document modern Native American life. The project resulted in a book, Native Americans: 500 Years After (1975), as well as exhibits, including one in the National Museum of Natural History in 1976-1977.
Local Call Number(s):
NAA Photo Lot 78-1, NAA ACC 95-3
Location of Other Archival Materials:
Farber's photographs, previously located in Photo Lot 95-3 have been relocated and merged with Photo Lot 78-1. These photographs were also made by Joseph C. Farber and form part of this collection.
The National Museum of American History Archives Center holds the Joseph Farber Papers and Photographs, circa 1962-1990.
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
Photographs published in Farber's books still under copyright. Reproduction permission from artist's estate.
Topic:
Dwellings  Search this
Vocational education  Search this
Canoes and canoeing  Search this
Boats and boating  Search this
Dance  Search this
Powwows  Search this
Rodeos  Search this
Building  Search this
handicrafts  Search this
Totem poles  Search this
Agriculture  Search this
Livestock  Search this
Genre/Form:
Photographs
Citation:
Photo Lot 78-1, Joseph C. Farber photographs of Native American life, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.78-1
See more items in:
Joseph C. Farber photographs of Native American life
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw381bc3276-6acf-4c9a-ac8c-9b59ad173f56
EDAN-URL:
ead_collection:sova-naa-photolot-78-1

Religious folk-songs of the Southern negroes by Howard W. Odum, Fellow in Psychology, Clark University

Author:
Odum, Howard Washington 1884-1954  Search this
Physical description:
1 leaf, 101 pages 24 cm
Type:
Music
Musique
Academic Dissertation
Academic theses
Criticism, interpretation, etc
Thèses et écrits académiques
Place:
Southern States
Date:
1909
1910
Topic:
African Americans  Search this
African Americans--Music--History and criticism  Search this
Noirs américains  Search this
African Americans--Music  Search this
Call number:
ML3556 .O32r 1909
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_357411

The dirty south contemporary art, material culture, and the sonic impulse Valerie Cassel Oliver ; with contributions by Regina N. Bradley, Charlie R. Braxton, Andrea Barnwell Brownlee, Kirsten Pai Buick, Jennifer Burris, Rhea L. Combs, Park McArthur, Paul D. Miller aka DJ Spooky aka That Subliminal Kid, Fred Moten, Anthony B. Pinn, Guthrie P. Ramsey, Jr., and Roger Reeves

Title:
Contemporary art, material culture, and the sonic impulse
Author:
Cassel Oliver, Valerie  Search this
Contributor:
Bradley, Regina N. 1984-  Search this
Braxton, Charlie R  Search this
Brownlee, Andrea Barnwell  Search this
Buick, Kirsten Pai  Search this
Burris, Jennifer 1982-  Search this
Combs, Rhea L.,  Search this
McArthur, Park  Search this
DJ Spooky That Subliminal Kid  Search this
Moten, Fred  Search this
Pinn, Anthony B  Search this
Ramsey, Guthrie P  Search this
Reeves, Roger  Search this
Issuing body:
Virginia Museum of Fine Arts  Search this
Host institution:
Contemporary Arts Museum (Houston, Tex.)  Search this
Crystal Bridges Museum of American Art  Search this
Museum of Contemporary Art/Denver  Search this
Physical description:
xiii, 282 pages illustrations (chiefly color), portraits 28 x 29 cm
Type:
Exhibitions
Music
Expositions
Musique
In art
Exhibition catalogs
Place:
Southern States
États-Unis (Sud)
Date:
2021
20th century
21st century
20e siècle
21e siècle
Topic:
African American art--History  Search this
Material culture  Search this
African Americans  Search this
African Americans--Religion  Search this
African American art--Political aspects  Search this
Art noir américain--Histoire  Search this
Culture matérielle  Search this
Noirs américains  Search this
Noirs américains--Religion  Search this
Art noir américain--Aspect politique  Search this
African American art  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1157055

What the Graduates of Lincoln Institute are Doing

Created by:
James S. Moten A.M., LL.B.  Search this
Subject of:
Lincoln University, American, founded 1866  Search this
Medium:
cardboard , ink on paper
Dimensions:
H x W: 8 x 5 1/2 in. (20.3 x 14 cm)
Type:
hardcover books
Place depicted:
Jefferson City, Cole County, Missouri, United States, North and Central America
Date:
1906
Topic:
African American  Search this
Education  Search this
HBCUs (Historically Black Colleges and Universities)  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture
Object number:
2010.54.5
Restrictions & Rights:
Collection of the Smithsonian National Museum of African American History and Culture
Proper usage is the responsibility of the user.
See more items in:
National Museum of African American History and Culture Collection
Classification:
Documents and Published Materials-Published Works
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd59954a925-ecd9-4730-9473-ba99502908e8
EDAN-URL:
edanmdm:nmaahc_2010.54.5
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View <I>What the Graduates of Lincoln Institute are Doing</I> digital asset number 1

The Crisis Vol. 11 No. 1

Published by:
National Association for the Advancement of Colored People, American, founded 1909  Search this
Edited by:
W.E.B. Du Bois, American, 1868 - 1963  Search this
Photograph by:
C. M. Battey, American, 1873 - 1927  Search this
Medium:
ink on paper
Dimensions:
9 3/4 x 6 3/4 x 1/8 in. (24.8 x 17.1 x 0.3 cm)
Type:
magazines (periodicals)
Place printed:
New York City, New York, United States, North and Central America
Date:
November 1915
Topic:
African American  Search this
Advertising  Search this
Associations and institutions  Search this
Black Press  Search this
Business  Search this
Civil Rights  Search this
Education  Search this
Literature  Search this
Mass media  Search this
Poetry  Search this
Politics  Search this
Race relations  Search this
Social life and customs  Search this
Social reform  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Bobbie Ross in memory of Elizabeth Dillard
Object number:
2012.84.15
Restrictions & Rights:
Public Domain
Proper usage is the responsibility of the user.
See more items in:
National Museum of African American History and Culture Collection
Classification:
Documents and Published Materials-Published Works
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd51b789f0a-1022-44c9-8129-d6a535e29962
EDAN-URL:
edanmdm:nmaahc_2012.84.15

The Crisis Vol. 8 No. 6

Published by:
National Association for the Advancement of Colored People, American, founded 1909  Search this
Edited by:
W.E.B. Du Bois, American, 1868 - 1963  Search this
Photograph by:
C. M. Battey, American, 1873 - 1927  Search this
Medium:
ink on paper
Dimensions:
9 3/4 x 6 3/4 x 1/8 in. (24.8 x 17.1 x 0.3 cm)
Type:
magazines (periodicals)
Place printed:
New York City, New York, United States, North and Central America
Date:
October 1914
Topic:
African American  Search this
Advertising  Search this
Associations and institutions  Search this
Black Press  Search this
Business  Search this
Children  Search this
Civil Rights  Search this
Education  Search this
Literature  Search this
Mass media  Search this
Poetry  Search this
Politics  Search this
Race relations  Search this
Social life and customs  Search this
Social reform  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Bobbie Ross in memory of Elizabeth Dillard
Object number:
2012.84.17
Restrictions & Rights:
Public Domain
Proper usage is the responsibility of the user.
See more items in:
National Museum of African American History and Culture Collection
Classification:
Documents and Published Materials-Published Works
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd59a8ee871-9615-412e-9c6f-9d1e1a593091
EDAN-URL:
edanmdm:nmaahc_2012.84.17
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View <I>The Crisis Vol. 8 No. 6</I> digital asset number 1

The Crisis Vol. 19 No. 1

Published by:
National Association for the Advancement of Colored People, American, founded 1909  Search this
Edited by:
W.E.B. Du Bois, American, 1868 - 1963  Search this
Photograph by:
C. M. Battey, American, 1873 - 1927  Search this
Medium:
ink on paper
Dimensions:
9 5/8 x 6 3/4 x 1/16 in. (24.4 x 17.1 x 0.2 cm)
Type:
magazines (periodicals)
Place printed:
New York City, New York, United States, North and Central America
Date:
November 1919
Topic:
African American  Search this
Advertising  Search this
Associations and institutions  Search this
Black Press  Search this
Business  Search this
Civil Rights  Search this
Education  Search this
Literature  Search this
Mass media  Search this
Poetry  Search this
Politics  Search this
Race relations  Search this
Social life and customs  Search this
Social reform  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Bobbie Ross in memory of Elizabeth Dillard
Object number:
2012.84.4
Restrictions & Rights:
Public Domain
Proper usage is the responsibility of the user.
See more items in:
National Museum of African American History and Culture Collection
Classification:
Documents and Published Materials-Published Works
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd5b4d3ca34-20ac-4e16-8d1a-130f9b2abdfb
EDAN-URL:
edanmdm:nmaahc_2012.84.4
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View <I>The Crisis Vol. 19 No. 1</I> digital asset number 1

Loose pages from a Cotton Club program

Distributed by:
Cotton Club, American, 1923 - 1940  Search this
Photograph by:
James J. Kriegsmann, 1909 - 1994  Search this
Subject of:
Herman Stark, American, 1895 - 1981  Search this
Bill "Bojangles" Robinson, American, 1878 - 1949  Search this
Cab Calloway, American, 1907 - 1994  Search this
Unidentified Woman or Women  Search this
Unidentified Man or Men  Search this
Louis Sobol  Search this
New York Journal, American, 1895 - 1966  Search this
Medium:
ink on paper with metal
Dimensions:
H x W x D (2013.46.25.270a: Closed): 12 × 9 × 1/16 in. (30.5 × 22.8 × 0.1 cm)
H x W x D (2013.46.25.270a: Open): 12 × 17 15/16 × 1/16 in. (30.5 × 45.6 × 0.1 cm)
H x W x D (2013.46.25.270b): 11 15/16 × 9 × 1/16 in. (30.4 × 22.8 × 0.1 cm)
H x W x D (2013.46.25.270c): 12 × 8 15/16 × 1/16 in. (30.5 × 22.7 × 0.1 cm)
H x W x D (2013.46.25.270d): 12 × 8 15/16 × 1/16 in. (30.5 × 22.7 × 0.1 cm)
H x W x D (2013.46.25.270e: Closed): 12 × 9 × 1/16 in. (30.5 × 22.8 × 0.1 cm)
H x W x D (2013.46.25.270e: Open): 12 × 18 × 1/16 in. (30.5 × 45.7 × 0.1 cm)
Type:
magazines (periodicals)
Place captured:
New York City, New York, United States, North and Central America
Date:
1937
Topic:
African American  Search this
Actors  Search this
Dance  Search this
Entertainers  Search this
Mass media  Search this
Nightlife  Search this
Photography  Search this
Popular music  Search this
Segregation  Search this
Stereotypes  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture
Object number:
2013.46.25.270a-e
Restrictions & Rights:
Unknown - Restrictions Possible
Rights assessment and proper usage is the responsibility of the user.
See more items in:
National Museum of African American History and Culture Collection
Collection title:
The Laura Cathrell Show-Down Magazine Collection
Classification:
Documents and Published Materials
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd547503f59-7525-4099-85f1-684b206fee1d
EDAN-URL:
edanmdm:nmaahc_2013.46.25.270a-e
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Loose pages from a Cotton Club program digital asset number 1

The Show-Down vol. 1 no. 5

Published by:
Show-Down Publishing Company, American, founded 1935  Search this
Edited by:
Sally J. Cathrell Jr., American, 1913 - 1981  Search this
Written by:
Theodore C. Jenkins  Search this
Subject of:
Lucretia Williams, American  Search this
Medium:
ink on paper with metal
Dimensions:
H x W x D (Closed): 11 5/16 × 8 3/4 × 1/16 in. (28.7 × 22.3 × 0.2 cm)
H x W x D (Open): 11 5/16 × 17 1/2 × 3/8 in. (28.7 × 44.5 × 0.9 cm)
Type:
magazines (periodicals)
Place printed:
Saint Louis, Missouri, United States, North and Central America
Date:
April 1936
Topic:
African American  Search this
Black Press  Search this
Dance  Search this
Entertainers  Search this
Jazz (Music)  Search this
Mass media  Search this
Musicians  Search this
Nightlife  Search this
Photography  Search this
Theatre  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture
Object number:
2013.46.25.74
Restrictions & Rights:
Unknown - Restrictions Possible
Rights assessment and proper usage is the responsibility of the user.
See more items in:
National Museum of African American History and Culture Collection
Collection title:
The Laura Cathrell Show-Down Magazine Collection
Classification:
Documents and Published Materials
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd51851e799-66f8-4a29-850a-7ecff464cb25
EDAN-URL:
edanmdm:nmaahc_2013.46.25.74
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View <I>The Show-Down vol. 1 no. 5</I> digital asset number 1

The Daily Picayune

Published by:
The Daily Picayune, American, 1837 - 1914  Search this
Medium:
ink on paper
Dimensions:
H x W: 21 1/8 × 32 1/4 in. (53.7 × 81.9 cm)
Type:
newspapers
Place printed:
New Orleans, Orleans Parish, Louisiana, United States, North and Central America
Date:
July 10, 1856
Topic:
African American  Search this
Advertising  Search this
American South  Search this
Business  Search this
Clothing and dress  Search this
Fugitive enslaved  Search this
Labor  Search this
Resistance  Search this
Self-liberation  Search this
Slavery  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture
Object number:
2014.174.5
Restrictions & Rights:
No Known Copyright Restrictions
Proper usage is the responsibility of the user.
See more items in:
National Museum of African American History and Culture Collection
Classification:
Slavery and Freedom Objects
Documents and Published Materials-Published Works
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd5c50d4aca-83e8-4024-a9b7-cb441641792f
EDAN-URL:
edanmdm:nmaahc_2014.174.5
Online Media:

The Crisis, Vol. 2, No. 4

Edited by:
W.E.B. Du Bois, American, 1868 - 1963  Search this
Subject of:
The Crisis, American, founded 1910  Search this
National Association for the Advancement of Colored People, American, founded 1909  Search this
Illustrated by:
John Henry Adams Jr., American, 1880 - 1944  Search this
Medium:
ink on paper with metal
Dimensions:
H x W: 9 3/4 × 6 7/8 in. (24.8 × 17.5 cm)
H x W (Open): 9 3/4 × 13 5/8 in. (24.8 × 34.6 cm)
Type:
magazines (periodicals)
Place printed:
New York City, New York, United States, North and Central America
Place depicted:
Mali, West Africa, Africa
Ethiopia, East Africa, Africa
Europe
Okema, Okfuskee County, Oklahoma, United States, North and Central America
Date:
August 1911
Topic:
African American  Search this
Advertising  Search this
Africa  Search this
Associations and institutions  Search this
Black Press  Search this
Business  Search this
Civil Rights  Search this
Colonialism  Search this
Education  Search this
French colonialism  Search this
Literature  Search this
Lynching  Search this
Mass media  Search this
Poetry  Search this
Race relations  Search this
Social life and customs  Search this
Social reform  Search this
Travel  Search this
U.S. History, 1865-1921  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture
Object number:
2015.97.14.1
Restrictions & Rights:
Public domain
Proper usage is the responsibility of the user.
See more items in:
National Museum of African American History and Culture Collection
Classification:
Documents and Published Materials-Published Works
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd5d1a31b3f-4025-4ffb-8eda-5497427ffefa
EDAN-URL:
edanmdm:nmaahc_2015.97.14.1
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View <I>The Crisis, Vol. 2, No. 4</I> digital asset number 1

The Crisis, Vol. 4, No. 3

Edited by:
W.E.B. Du Bois, American, 1868 - 1963  Search this
Subject of:
The Crisis, American, founded 1910  Search this
National Association for the Advancement of Colored People, American, founded 1909  Search this
Evaristo Estenoz Corominas, Cuban, 1872 - 1912  Search this
Written by:
Jessie Redmon Fauset, American, 1882 - 1961  Search this
Arturo Alfonso Schomburg, Puerto Rican, 1874 - 1938  Search this
Lafayette M. Hershaw, American, 1863 - 1945  Search this
Bertha Johnston, American, 1864 - 1953  Search this
Medium:
ink on paper with metal
Dimensions:
H x W: 9 7/8 × 6 7/8 in. (25.1 × 17.5 cm)
H x W (Open): 9 7/8 × 13 5/8 in. (25.1 × 34.6 cm)
Type:
magazines (periodicals)
Place printed:
New York City, New York, United States, North and Central America
Place depicted:
Cuba, Caribbean, Latin America, North and Central America
Missouri, United States, North and Central America
Hampton, Virginia, United States, North and Central America
Date:
July 1912
Topic:
African American  Search this
Advertising  Search this
Associations and institutions  Search this
Black Press  Search this
Business  Search this
Civil Rights  Search this
Education  Search this
HBCUs (Historically Black Colleges and Universities)  Search this
Literature  Search this
Lynching  Search this
Mass media  Search this
Poetry  Search this
Prisons  Search this
Race relations  Search this
Social life and customs  Search this
Social reform  Search this
U.S. History, 1865-1921  Search this
Women  Search this
Women's organizations  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture
Object number:
2015.97.14.4
Restrictions & Rights:
Public domain
Proper usage is the responsibility of the user.
See more items in:
National Museum of African American History and Culture Collection
Classification:
Documents and Published Materials-Published Works
Movement:
Anti-Lynching Movement
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd534363254-d746-4ad6-adcb-896037954478
EDAN-URL:
edanmdm:nmaahc_2015.97.14.4
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View <I>The Crisis, Vol. 4, No. 3</I> digital asset number 1

The Crisis, Vol. 6, No. 4

Edited by:
W.E.B. Du Bois, American, 1868 - 1963  Search this
Subject of:
The Crisis, American, founded 1910  Search this
National Association for the Advancement of Colored People, American, founded 1909  Search this
Medium:
ink on paper with metal
Dimensions:
H x W: 9 3/4 × 6 3/4 in. (24.8 × 17.1 cm)
H x W (Open): 9 3/4 × 13 1/2 in. (24.8 × 34.3 cm)
Type:
magazines (periodicals)
Place printed:
New York City, New York, United States, North and Central America
Place depicted:
Los Angeles, Los Angeles County, California, United States, North and Central America
South Africa, Southern Africa, Africa
Date:
August 1913
Topic:
African American  Search this
Advertising  Search this
American West  Search this
Associations and institutions  Search this
Black Press  Search this
Business  Search this
Civil Rights  Search this
Communities  Search this
Domestic life  Search this
Education  Search this
Families  Search this
Government  Search this
Labor  Search this
Literature  Search this
Mass media  Search this
Poetry  Search this
Race relations  Search this
Social life and customs  Search this
Social reform  Search this
U.S. History, 1865-1921  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture
Object number:
2015.97.14.8
Restrictions & Rights:
Public domain
Proper usage is the responsibility of the user.
See more items in:
National Museum of African American History and Culture Collection
Classification:
Documents and Published Materials-Published Works
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd594cfb8b3-2a67-4391-b3d7-701548ae3456
EDAN-URL:
edanmdm:nmaahc_2015.97.14.8
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View <I>The Crisis, Vol. 6, No. 4</I> digital asset number 1

The Crisis, Vol. 7, No. 2

Edited by:
W.E.B. Du Bois, American, 1868 - 1963  Search this
Subject of:
The Crisis, American, founded 1910  Search this
National Association for the Advancement of Colored People, American, founded 1909  Search this
Written by:
James D. Corrothers, American, 1869 - 1917  Search this
Fenton Johnson, American, 1888 - 1958  Search this
Photograph by:
W. L. Brockman  Search this
Grace Moseley  Search this
Medium:
ink on paper with metal
Dimensions:
H x W: 9 3/4 × 6 3/4 in. (24.8 × 17.1 cm)
H x W (Open): 9 3/4 × 13 1/2 in. (24.8 × 34.3 cm)
Type:
magazines (periodicals)
Place printed:
New York City, New York, United States, North and Central America
Date:
December 1913
Topic:
African American  Search this
Advertising  Search this
Associations and institutions  Search this
Black Press  Search this
Business  Search this
Civil Rights  Search this
Education  Search this
Holidays and festivals  Search this
Literature  Search this
Mass media  Search this
Poetry  Search this
Race relations  Search this
Religion  Search this
Social life and customs  Search this
Social reform  Search this
U.S. History, 1865-1921  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture
Object number:
2015.97.14.9
Restrictions & Rights:
Public domain
Proper usage is the responsibility of the user.
See more items in:
National Museum of African American History and Culture Collection
Classification:
Documents and Published Materials-Published Works
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd5f9626c39-165e-461e-b0ba-85bd6f6c2261
EDAN-URL:
edanmdm:nmaahc_2015.97.14.9
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View <I>The Crisis, Vol. 7, No. 2</I> digital asset number 1

The Crisis, Vol. 14, No. 2

Edited by:
W.E.B. Du Bois, American, 1868 - 1963  Search this
Subject of:
The Crisis, American, founded 1910  Search this
National Association for the Advancement of Colored People, American, founded 1909  Search this
Photograph by:
C. M. Battey, American, 1873 - 1927  Search this
Written by:
Leila Amos Pendleton, American  Search this
Otto Leland Bohanan, American, 1895 - 1932  Search this
Illustrated by:
Lorenzo W. Harris, American, born 1888  Search this
Medium:
ink on paper with metal
Dimensions:
H x W: 9 3/4 × 6 3/4 in. (24.8 × 17.1 cm)
H x W (Open): 9 3/4 × 13 1/2 in. (24.8 × 34.3 cm)
Type:
magazines (periodicals)
Place printed:
New York City, New York, United States, North and Central America
Place depicted:
Louisville, Kentucky, United States, North and Central America
Date:
June 1917
Topic:
African American  Search this
Advertising  Search this
Associations and institutions  Search this
Black Press  Search this
Business  Search this
Civil Rights  Search this
Education  Search this
Great Migration  Search this
Law  Search this
Literature  Search this
Mass media  Search this
Poetry  Search this
Race relations  Search this
Segregation  Search this
Social life and customs  Search this
Social reform  Search this
U.S. History, 1865-1921  Search this
World War I  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture
Object number:
2015.97.15.3
Restrictions & Rights:
Public domain
Proper usage is the responsibility of the user.
See more items in:
National Museum of African American History and Culture Collection
Classification:
Documents and Published Materials-Published Works
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd5e88ef16e-08ce-4ebd-a56d-d5c39e2d622f
EDAN-URL:
edanmdm:nmaahc_2015.97.15.3
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View <I>The Crisis, Vol. 14, No. 2</I> digital asset number 1

The Liberator, Vol. XXIII, No. 7

Created by:
The Liberator, American, 1831 - 1865  Search this
Edited by:
William Lloyd Garrison, American, 1805 - 1879  Search this
Published by:
Isaac Knapp, American, 1808 - 1858  Search this
Printed by:
J.B. Yerrington & Son, American  Search this
Medium:
ink on paper
Dimensions:
H x W (closed): 24 3/4 × 17 7/8 in. (62.9 × 45.4 cm)
Type:
newspapers
Place printed:
Boston, Suffolk County, Massachusetts, United States, North and Central America
Date:
February 18, 1853
Topic:
African American  Search this
Activism  Search this
Antislavery  Search this
Associations and institutions  Search this
Journalism  Search this
Mass media  Search this
Resistance  Search this
Slavery  Search this
Social reform  Search this
Societies  Search this
U.S. History, 1815-1861  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift from the Liljenquist Family Collection
Object number:
2016.166.41.1
Restrictions & Rights:
No Known Copyright Restrictions
Proper usage is the responsibility of the user.
See more items in:
National Museum of African American History and Culture Collection
Collection title:
Liljenquist Family Collection
Classification:
Slavery and Freedom Objects
Documents and Published Materials-Published Works
Movement:
Abolitionist movement
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd510e39fba-e97d-4109-b93d-6ea8cd0593e3
EDAN-URL:
edanmdm:nmaahc_2016.166.41.1
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View <I>The Liberator, Vol. XXIII, No. 7</I> digital asset number 1
Online Media:

The Liberator, Vol. XXVII, No. 25

Created by:
The Liberator, American, 1831 - 1865  Search this
Edited by:
William Lloyd Garrison, American, 1805 - 1879  Search this
Published by:
Isaac Knapp, American, 1808 - 1858  Search this
Printed by:
J.B. Yerrington & Son, American  Search this
Medium:
ink on paper
Dimensions:
H x W (closed): 24 13/16 × 18 3/8 in. (63 × 46.7 cm)
Type:
newspapers
Place printed:
Boston, Suffolk County, Massachusetts, United States, North and Central America
Date:
June 19, 1857
Topic:
African American  Search this
Activism  Search this
Antislavery  Search this
Associations and institutions  Search this
Journalism  Search this
Mass media  Search this
Resistance  Search this
Slavery  Search this
Social reform  Search this
Societies  Search this
U.S. History, 1815-1861  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift from the Liljenquist Family Collection
Object number:
2016.166.41.14
Restrictions & Rights:
No Known Copyright Restrictions
Proper usage is the responsibility of the user.
See more items in:
National Museum of African American History and Culture Collection
Collection title:
Liljenquist Family Collection
Classification:
Slavery and Freedom Objects
Documents and Published Materials-Published Works
Movement:
Abolitionist movement
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd5cf260cd7-c506-48f7-9d4e-8afb139714fb
EDAN-URL:
edanmdm:nmaahc_2016.166.41.14
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View <I>The Liberator, Vol. XXVII, No. 25</I> digital asset number 1
Online Media:

Modify Your Search







or


Narrow By