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Sound Recordings

Collection Creator:
Cheatham, Doc, 1905-1997  Search this
Cheatham, Amanda  Search this
Type:
Archival materials
Date:
circa 1930s-1990s
Scope and Contents:
Subseries 5A, ca. 1930s-1990s, boxes 19-20.

Contains a collection of LPs recorded by Cheatham and others. Includes a "test" recording of Cheatham's 1973 self-titled album.
Collection Restrictions:
Collection is open for research.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Doc Cheatham Papers, 1939-1998, Archives Center, National Museum of American History
Identifier:
NMAH.AC.0814, Subseries 5.1
See more items in:
Doc Cheatham Papers
Doc Cheatham Papers / Series 5: Audiovisual Materials
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0814-ref385

Ella Fitzgerald Papers

Creator:
Fitzgerald, Ella, 1917-1996  Search this
Producer:
Decca (recording company).  Search this
Verve Records (Firm)  Search this
Granz, Norman  Search this
Performer:
Jazz at the Philharmonic (Musical group)  Search this
Musician:
Betts, Keter, 1928-  Search this
Ellington, Duke, 1899-1974  Search this
Gillespie, Dizzy, 1917-1993  Search this
Pass, Joe, 1929-1994  Search this
Peterson, Oscar, 1925-  Search this
Names:
Goodman, Benny (Benjamin David), 1909-1986  Search this
Arranger:
Riddle, Nelson  Search this
Extent:
50 Cubic feet (92 boxes)
Type:
Collection descriptions
Archival materials
Awards
Videocassettes
Audiotapes
Programs
Sound recordings
Manuscripts
Phonograph records
Photographs
Posters
16mm motion picture film
Clippings
Contracts
Greeting cards
Date:
circa 1935-1996
Summary:
Ella Fitzgerald, often called the "First Lady of Song," was one of the 20th century's most important musical performers. The collection reflects her career and personal life through photographs, audio recordings, and manuscript materials.
Scope and Contents:
The Ella Fitzgerald Papers document the performing and personal life of the "First Lady of Song." The collection contains music manuscripts, sheet music, photographs, scripts, correspondence, clippings, business records, sound recordings and video. The bulk of the materials reflect Fitzgerald's career as a singer and performer. The collection comprises materials found in Ella Fitzgerald's home at the time of her death.
Arrangement:
The collection is organized into 10 series.

Series 1: Music Manuscripts and Sheet Music, 1919-1973

Suberies 1.1: Television Shows

Series 2: Photographs, 1939-1990

Subseries 2.1: Ella Fitzgerald Performing Alone

Subseries 2.2: Ella Fitzgerald Performing With Others

Subseries 2.3: Publicity

Subseries 2.4: Ella Fitzgerald With Family, Colleagues, and Friends

Subseries 2.5: Ella Fitzgerald Candid Photographs

Subseries 2.6: Performing Venues

Subseries 2.7: Photographs From Friends and Fans

Series 3: Scripts, 1957-1981

Series 4: Correspondence, circa 1960-1996

Series 5: Business Records, 1954-1990

Series 6: Honorary Degrees and Awards, 1960-1996

Series 7: Concert Programs and Announcements, 1957-1992, undated

Series 8: Clippings, 1949-1997

Subseries 8.1: Magazine Articles, 1949-1997

Subseries 8.2: Newspapers, circa 19650-circa 1990

Series 9: Emphemera, 1950-1996

Subseries 9.1: Album Jackets

Subseries 9.2: Miscellaneous

Series 10: Audiovisual, 1939-1995

Subseries 10.1: Sound Discs: Test Pressings, Transcription Discs, and Performer Copies

Subseries 10.2: Commercial Sound Recordings

Subseries 10.3: Demonstration Sound Discs: Other Artists

Subseries 10.4: Videotapes
Biographical / Historical:
Born in Newport News, Virginia on April 25th, 1918, Ella Fitzgerald was sent to an orphanage in Yonkers, New York at the age of six. In 1934, she was discovered as a singer in New York's famed Apollo Theater Amateur Contest. This led to a stint with drummer Chick Webb's Band, with whom she recorded her first big hit, "A -tisket A-tasket" in 1938.

After Webb died in 1939, Fitzgerald took over leadership of the band for three years, during which time they were featured on a live radio series. She then embarked upon a solo career, which included recording for Decca Records, and in 1946, she began a pivotal association with producer Norman Granz's Jazz at the Philharmonic series, which brought her a large international following.

In 1956, Fitzgerald left Decca Records to join Granz's newly formed Verve label. Among her notable Verve recordings were a series of "songbooks" featuring the work of major American composers such as Cole Porter, George Gershwin, and Harold Arlen as well as classic collaborations with Count Basie and Duke Ellington. Fitzgerald's toured and performed extensively and her immense popularity also led to appearances on television, in movies, and in commercials and magazine ads.

Despite increasing health problems, Fitzgerald continued to tour, perform and record into her seventies with musicians such as guitarist Joe Pass, arranger-producer Quincy Jones, and pianist Oscar Peterson. Throughout her life, Fitzgerald was active in charitable work with particular emphasis on the Juvenile Diabetes Foundation and the Ella Fitzgerald and Harriette E. Shields Child Care Centers.

Ella Fitzgerald was admired and honored world-wide. In addition to receiving more than a dozen Grammy awards, she was awarded numerous honorary degrees and many states and cities had commemorative Ella Fitzgerald days. Fitzgerald was a Kennedy Center honoree in 1979 and Harvard University's Hasty Pudding Club named her "Woman of the Year" in 1982.

The "First Lady of Song" died on June 17, 1996, of complications from diabetes.
Related Materials:
Materials at the Archives Center

Benny Carter Collection, 1928-2000 (AC0757)

Charismic Productions Records of Dizzy Gillespie, 1940s-1993 (AC0979)

Smithsonian Jazz Oral History Program Collection, 1992-2012 (AC0808)

Milt Gabler Papers, 1927-2001 (AC0849)

Tad Hershorn Collection, 1956-1991 (AC0680)

Ernie Smith Jazz Film Collection, circa 1910- circa 1970 (AC0491)
Separated Materials:
"The National Museum of American History, Division of Culture and the Arts (now Division of Cultural and Community Life) holds Ella Fitzgerald artifacts including costumes and clothing.

"
Provenance:
The collection was donated by the Fitzgerald 1989 Trust, Richard Rosman, trustee on April 14, 1997. The Ella Fitzgeral Charitable Foundation is the successor to the Fitzgerald 1989 Trust.
Restrictions:
Collection is open for research. Only reference copies of audiovisual materials can be used.
Rights:
The Archives Center can provide reproductions of some materials for research and educational use. Copyright and right to publicity restrictions apply and limit reproduction for other purposes. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Jazz  Search this
Genre/Form:
Awards
Videocassettes
Audiotapes
Programs -- 1930-2000
Sound recordings
Sound recordings -- 1930-1990
Manuscripts -- Music -- 20th century
Phonograph records
Photographs -- 20th century
Posters -- 20th century
16mm motion picture film
Clippings -- 20th century
Contracts
Greeting cards
Citation:
Ella Fitzgerald Papers, Archives Center, National Museum of American History, Smithsonian Institution.
Identifier:
NMAH.AC.0584
See more items in:
Ella Fitzgerald Papers
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0584
Online Media:

Reuben Tam papers

Creator:
Tam, Reuben  Search this
Names:
Alan Gallery (Charles Alan)  Search this
Brooklyn Museum of Art  Search this
Coe Kerr Gallery  Search this
Downtown Gallery (New York, N.Y.)  Search this
John Simon Guggenheim Memorial Foundation  Search this
Skowhegan School of Painting and Sculpture  Search this
Andrews, Dorothy, 1918-2008  Search this
Kienbusch, William, 1914-1980  Search this
Nesjar, Carl, 1920-  Search this
Solomon, Hyde, 1911-  Search this
Extent:
9.2 Linear feet
Type:
Collection descriptions
Archival materials
Sketchbooks
Sound recordings
Poems
Diaries
Scrapbooks
Watercolors
Drawings
Date:
1931-2006
Summary:
The papers of landscape painter and educator Reuben Tam measure 9.2 linear feet and date from 1931 to 2006. The papers document his career as a painter in New York, Maine, and Hawaii through biographical material; correspondence with family, friends, art organizations, schools, and galleries; diaries, poetry, and other writings; exhibition catalogs, news clippings, other printed material; photographs; artwork, including seventeen sketchbooks; and eight scrapbooks.

There is a 1.1 linear foot unprocessed addition to the collection donated in 2020 that includes 34 sketchbooks, circa 1940-1974, by Tam from his time in New York, Hawaii, Connecticut, Massachusetts, Oregon, Alaska and Canada.
Scope and Contents:
The papers of landscape painter and educator Reuben Tam measure 9.2 linear feet and date from 1931 to 2006. The papers document his career as a painter in New York, Maine, and Hawaii through biographical material; correspondence with family, friends, art organizations, schools, and galleries; diaries, poetry, and other writings; exhibition catalogs, news clippings, other printed material; photographs; artwork, including seventeen sketchbooks; and eight scrapbooks. There is a 1.1 linear foot unprocessed addition to the collection donated in 2020 that includes 34 sketchbooks, circa 1940-1974, by Tam from his time in New York, Hawaii, Connecticut, Massachusetts, Oregon, Alaska and Canada.

Biographical material includes school documents, records of his tenure as an instructor at the Brooklyn Museum of Art School, artwork consignment and sales records, and slides and accompanying audio cassette recording of the "Reuben Tam Show" about his work as an artist on Monhegan Island, Maine.

Correspondence is with family, fellow artists, including William Kienbusch and Hyde Solomon, as well as art organizations, schools, and museums, such as Brooklyn Museum of Art School, Guggenheim Memorial Foundation, Maine Coast Artists group, and the Skowhegan School of Painting and Sculpture. Also found is correspondence with the three galleries which represented his work: Downtown Gallery, Alan Gallery, and Coe Kerr Gallery.

The collection includes five bound diaries as well as diary entries written by Reuben Tam on loose sheets of paper, primarily documenting the 1940s. Other writings include drafts of poetry, one notebook, miscellaneous notes, and essays by others.

Printed material consists of school publications, exhibition catalogs and announcements for solo and group shows, brochures, flyers, magazines, bulletins, and news clippings. Eight scrapbooks found in this collection also include newspaper clippings, exhibition announcements and catalogs, as well as event invitations, membership cards, and letters, documenting 40 years of Reuben Tam's career.

Photographs are of Reuben Tam, Tam with friends and family, and artwork. One photograph album contains photographs from Tam's visits to Maine from 1946 to 1948, and includes photographs of fellow artists Hyde Solomon, Carl Nesjar, Dorothy Andrews, and William Kienbusch. Artwork in the collection includes prints, drawings, and watercolors as well as seventeen large sketchbooks documenting the coastal landscape of Monhegan Island, Maine.
Arrangement:
The collection is arranged as 9 series:

Series 1: Biographical Material, 1934-1993 (Box 1; 0.4 linear feet)

Series 2: Correspondence, 1931-2006 (Box 1-4; 3.5 linear feet)

Series 3: Diaries, 1932-1974 (Box 4-5; 0.4 linear feet)

Series 4: Writings, 1939-1987 (Box 5; 7 folders)

Series 5: Printed Material, 1935-1997 (Box 5-6, 9; 1.2 linear feet)

Series 6: Photographs, circa 1930-1990 (Box 6-7, 9; 1.0 linear foot)

Series 7: Artwork, circa 1936-1975 (Box 7, 9-10, OV 11; 0.7 linear feet)

Series 8: Scrapbooks, 1938-1978 (Box 7-8; 0.9 linear feet)

Series 9: Unprocessed Addition, circa 1940-1974 (Box 12, OV13; 1.1 linear feet)
Biographical / Historical:
Reuben Tam (1916-1991) was a landscape painter and educator in New York, Maine, and Hawaii. Tam was born in Kapaa, Hawaii, in 1916. He received a degree in education in 1937 from the University of Hawaii and was briefly a public school teacher before attending graduate courses at the California School of Fine Arts. In 1941 he moved to New York and took courses in art history and philosophy at the New School for Social Research and Columbia University. Tam became affiliated with the Downtown Gallery in 1945 and was a prolific exhibitor in national and regional shows, winning critical praise as an abstract landscape painter. In 1948 he was awarded a Guggenheim Fellowship and first exhibited in the National Academy's annual exhibition in 1947.

Tam was an instructor at the Brooklyn Museum of Art School from 1946 to 1974. While there he taught advanced studies in painting and was chairman of the graduate painting department. He also served as a visiting professor at Oregon State University, Haystack, and Queens College, CUNY.

Beginning in 1948, Tam and his wife, Geraldine, spent summers at their home and studio on Monhegan Island, Maine. Tam's work was deeply influenced by coastal landscapes both in Maine and in his native Hawaii. In 1981 he and his wife moved back to Kapaa, Hawaii, where he continued to paint and exhibit his new works until his death in 1991.
Related Materials:
Reuben Tam papers, 1958-1966, are also located at Syracuse University.
Provenance:
Scrapbooks were lent for microfilming in 1970 by Reuben Tam and were subsequently donated in 2009 along with additional papers by Geraldine King Tam, Reuben Tam's widow. 34 additional sketchbooks were donated in 2020 by the Geraldine King Tam Trust, via Cindy King, trustee and niece of Geraldine King Tam.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- Maine  Search this
Painters -- Hawaii  Search this
Topic:
Painters -- New York (State) -- New York  Search this
Educators -- Hawaii  Search this
Educators -- Maine  Search this
Educators -- New York (State)  Search this
Asian American artists  Search this
Genre/Form:
Sketchbooks
Sound recordings
Poems
Diaries
Scrapbooks
Watercolors
Drawings
Citation:
Reuben Tam papers, 1931-2006. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.tamreub
See more items in:
Reuben Tam papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-tamreub
Online Media:

Lucy R. Lippard papers

Creator:
Lippard, Lucy R.  Search this
Names:
Addison Gallery of American Art  Search this
Alliance for Cultural Democracy  Search this
Art Workers Coalition  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Political Art Documentation/Distribution (Organization)  Search this
Printed Matter, Inc.  Search this
Studio International (Firm)  Search this
University of Colorado -- Faculty  Search this
Women's Caucus for Art  Search this
Andre, Carl, 1935-  Search this
Chicago, Judy, 1939-  Search this
Darboven, Hanne  Search this
Edelson, Mary Beth  Search this
Hammond, Harmony  Search this
Henes, Donna  Search this
Johnson, Ray, 1927-  Search this
Judd, Donald, 1928-  Search this
LeWitt, Sol, 1928-2007  Search this
Pearson, Henry, 1914-2006  Search this
Stevens, May  Search this
Extent:
56.5 Linear feet
0.454 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Sound recordings
Interviews
Photographs
Date:
1930s-2007
bulk 1960-1990
Summary:
The papers of New York and New Mexico writer, art critic, and curator, Lucy R. Lippard, measure 56.5 linear feet and 0.454 GB and date from the 1930s to 2007, with the bulk of the material dating from the 1960s to the 1990s. Over half of the collection consists of correspondence files documenting Lippard's professional relationships with artists, writers, galleries, art institutions, and political organizations, and her interest in conceptual and minimalist art, feminism and political activism. Also found are Lippard's notes and writings including sound recordings and interviews, teaching and exhibition files, printed and digital material, several works of art, and photographs of artwork and artists. Scattered throughout the collection are a small number of records concerning Lippard's personal life. An addition of 3.0 linear feet donated 2015 includes subject files on feminist and conceptual art as well as land use, development, and local politics and history in New Mexico.
Scope and Contents:
The papers of New York and New Mexico writer, art critic, and curator, Lucy R. Lippard, measure 56.5 linear feet and 0.454 GB and date from the 1930s to 2007, with the bulk of the material dating from the 1960s to the 1990s. Over half of the collection consists of correspondence files documenting Lippard's professional relationships with artists, writers, galleries, art institutions, and political organizations, and her interest in conceptual and minimalist art, feminism and political activism. Also found are Lippard's notes and writings including sound recordings and interviews, teaching and exhibition files, printed and digital material, several works of art, and photographs of artwork and artists. Scattered throughout the collection are a small number of records concerning Lippard's personal life. An addition of 3.0 linear feet donated 2015 includes subject files on feminist and conceptual art as well as land use, development, and local politics and history in New Mexico.

A small amount of biographical material comprises resumes and an address book.

Correspondence files document all aspects of Lippard's professional life including her relationships with artists such as Carl Andre, Judy Chicago, Hanne Darboven, Ray Johnson, Sol LeWitt, and Henry Pearson; feminist artists including Mary Beth Edelson, Harmony Hammond, Donna Henes, and May Stevens; political and art-related activist groups such as Alliance for Cultural Democracy, Art Workers Coalition, Political Art Documentation/Distribution, Printed Matter, and Women's Caucus for Art; galleries and museums including Addison Gallery of American Art and the Museum of Modern Art, and publishers including Art International and Art Forum. The series also traces the development of Lippard's involvement in activist causes including censorship and the rights of artists, Central America and the impact of U.S. policy on the region, and equality and reproductive rights for women, as well as her interest in conceptual and minimalist art. The series includes scattered artwork and photographs of artists.

Writings are primarily by Lippard and include correspondence, manuscript drafts, extensive notes, and publication records for some of her best-known books such as The Graphic Work of Philip Evergood (1966), Six Years: The Dematerialization of the Art Object (1973), Eva Hesse (1976), Ad Reinhardt (1985), and Mixed Blessings: New Art in a Multicultural America (1990), as well as essays for publications such as Art Forum and Studio International and contributions to exhibition catalogs. Also found are edited transcripts from conferences, symposia and interviews conducted by and of Lippard, some audio recordings of interviews and symposia, including an interview with Donald Judd, and notes and typescripts for lectures and speeches.

A small number of files document Lippard's teaching work during the 1970s and 1980s, primarily at the University of Colorado, Boulder where she taught several courses and seminars.

Exhibition files document Lippard's involvement with exhibitions she helped to organize or curate such as A Different War: Vietnam in Art (1989-1991) 557,087 and 955,000 (1969, 1970), 2,972, 453 (1971) c.7,500 (1973-1974) and those for which she wrote catalog contributions.

Printed material includes a collection of articles written by Lippard and a small amount of material concerning events, such as speaking engagements, in which Lippard was involved. Other printed material reflects Lippard's wide range of artistic, political and activist interests and documents exhibitions and performances and the activities of art-related and political groups. Material includes many exhibition catalogs, announcements, invitations, printed posters, news clippings, journal articles, brochures, pamphlets and other publications.

Artwork includes sixteen items by unidentified artists, including two by children. Photographs consist primarily of photographs of works of art in addition to a small number of photos of exhibition installations.
Arrangement:
The collection is arranged as eight series:

Series 1: Biographical Material, circa 1960s-circa 1980s (Box 1; 2 folders)

Series 2: Correspondence, 1950s-2006 (Boxes 1-28, 51, OVs 54-63; 28.8 linear feet)

Series 3: Writings, 1930s-1990s (Boxes 28-41, 51-52, OVs 64-66; 13.24 linear feet, ER01; 0.454 GB)

Series 4: Teaching Files, 1966-1993 (Boxes 41, 52; 0.76 linear feet)

Series 5: Exhibitions, 1960s-1990s (Boxes 42-45, 52, OVs 67-68; 4.2 linear feet)

Series 6: Printed Material, 1940s-2007 (Boxes 45-49, 52, OVs 69-77; 5.3 linear feet)

Series 7: Artwork and Ephemera, circa 1960s-circa 1990s (Boxes 50, 53; 4 folders)

Series 8: Photographs, 1950s-circa 1990s (Boxes 50, 53, OV 71; 1.0 linear foot)
Biographical / Historical:
New York and New Mexico writer and art critic, Lucy R. Lippard, is the curator of numerous exhibitions and the author of over twenty-four books and other writings that trace the emergence of minimalist and conceptual art and document Lippard's commitment to feminism and political activism.

Born in New York City in 1937, Lippard earned a B.A. from Smith College in 1958 and an M.A. in 1962 from New York University's Institute of Fine Arts. In the 1960s she began writing art criticism for the journals Art International and Artforum. In 1966 she curated the landmark exhibition Eccentric Abstraction at the Fischbach Gallery in New York City. Lippard then curated the first of four defining conceptual art exhibitions that became known as her "numbers" shows, each titled after the populations of the cities in which they took place, with catalogs in the form of a set of 10 x 15 cm index cards. Opening at the Seattle Art Museum in 1969, 557,087 was followed by 955,000 in Vancouver, Canada, a few months later. 2,972,453 was held at the Centro de Arte y Comunicacíon in Buenos Aires in 1971 and c.7500 opened in Valencia, California, in 1973-1974 before traveling to several other venues in the United States and Europe.

Lippard's first book, The Graphic Work of Philip Evergood was published in 1966, followed by Pop Art the same year, and a collection of her early essays, Changing, in 1971. Six Years: The Dematerialization of the Art Object (1973) and From the Center: Feminist Essays on Women's Art (1976) documented the emergence of conceptual art and the early years of feminist art respectively. In 1976 Lippard published her seminal book on the life and work of Eva Hesse.

Between 1977 and 1978 Lippard lived on a farm in Devon, England, and worked on a novel, The First Stone, about the role of politics in the lives of three generations of women. During her walks across the English countryside she became interested in landscape art and conceived of her book Overlay: Contemporary Art and the Art of Prehistory which was subsequently published in 1983. Other books include Get the Message?: A Decade Of Art For Social Change (1984), Ad Reinhardt (1985), and Mixed Blessings: New Art in a Multicultural America (1990). Lippard has also written regular columns on art and politics for the Village Voice, In These Times and Z Magazine, and has been a contributing editor of Art in America.

Lippard was radicalized during a trip to Argentina in 1968 when she was invited to be a juror at the Museo Nacional de Bellas Artes in Buenos Aires. On her return to the United States she became heavily involved in anti-war activities and the Art Workers Coalition. She is a co-founder of several feminist and artist organizations including the feminist collective Heresies, which produced Heresies: A Feminist Journal on Art and Politics from 1977-1992, Ad Hoc Women Artists, Alliance for Cultural Democracy, Artists Call Against U.S. Intervention in Central America, Women's Action Coalition, and Women's Art Registry. In 1976 she was a founder of Printed Matter, a New York nonprofit dedicated to producing artists' publications. She also worked closely with Franklin Furnace, an artist-run space devoted to the promotion of artists' books, installation art, and video and performance art, and served on the organization's International Committee.

Lippard has been a visiting professor at the School of Visual Arts, the University of Colorado, Boulder, and the University of Queensland, Australia, and was Eminent Artist in Residence at the University of Wyoming Department of Art in 2015. She has received honorary doctorates in fine arts from Maine College of Art, the Massachusetts College of Art, Moore College of Art, San Francisco Art Institute, and others, and awards including a Guggenheim Fellowship, two National Endowment for the Arts grants in criticism, the Smith College Medal, the ArtTable Award for Distinguished Service to the Visual Arts, and the Bard College Center for Curatorial Studies Award for Excellence.

Lippard has lived in New Mexico since 1992 and works as a freelance writer and speaker.
Related Materials:
Also found in the Archives of American Art is an oral history interview with Lucy Lippard conducted in 2011 March 15, by Sue Heinemann, for the Archives of American Art's Elizabeth Murray Oral History of Women in the Visual Arts project, funded by a grant from the A G Foundation.
Provenance:
Lucy R. Lippard donated her papers in several increments between 1972-1995, and 2006.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art critics  Search this
Topic:
Curators -- New York (State) -- New York  Search this
Art -- Study and teaching  Search this
Art, Modern -- 20th century  Search this
Artists -- Political activity  Search this
Authors -- New York (State) -- New York  Search this
Conceptual art  Search this
Art criticism -- New York (State) -- New York  Search this
Feminism and art  Search this
Minimal art  Search this
Genre/Form:
Sound recordings
Interviews
Photographs
Citation:
Lucy R. Lippard papers, 1930s-2007, bulk 1960s-1990s. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.lipplucy
See more items in:
Lucy R. Lippard papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-lipplucy
Online Media:

Conversation with Dan Rice about Franz Kline

Creator:
Zogbaum, Elisabeth Ross, 1912-2005  Search this
Zogbaum, Elisabeth Ross, 1912-2005  Search this
Type:
Sound Recording
Date:
1975 November
Record number:
(DSI-AAA)20355
See more items in:
Elisabeth Zogbaum papers regarding Franz Kline, 1892-circa 2005, bulk 1930-1990
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_20355

Conversation with Harry Gaugh

Creator:
Zogbaum, Elisabeth Ross, 1912-2005  Search this
Zogbaum, Elisabeth Ross, 1912-2005  Search this
Type:
Sound Recording
Date:
1970
Record number:
(DSI-AAA)20356
See more items in:
Elisabeth Zogbaum papers regarding Franz Kline, 1892-circa 2005, bulk 1930-1990
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_20356

Conversation between Jose and Roxie Guerrero, John Little and Elisabeth Zogbaum

Creator:
Zogbaum, Elisabeth Ross, 1912-2005  Search this
Zogbaum, Elisabeth Ross, 1912-2005  Search this
Type:
Sound Recording
Date:
1968
Record number:
(DSI-AAA)20360
See more items in:
Elisabeth Zogbaum papers regarding Franz Kline, 1892-circa 2005, bulk 1930-1990
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_20360

Conversation with John Gruen about Franz Kline

Creator:
Zogbaum, Elisabeth Ross, 1912-2005  Search this
Zogbaum, Elisabeth Ross, 1912-2005  Search this
Type:
Sound Recording
Date:
1969
Record number:
(DSI-AAA)20362
See more items in:
Elisabeth Zogbaum papers regarding Franz Kline, 1892-circa 2005, bulk 1930-1990
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_20362

Conversation with Nick Delaney about Franz Kline

Creator:
Zogbaum, Elisabeth Ross, 1912-2005  Search this
Zogbaum, Elisabeth Ross, 1912-2005  Search this
Type:
Sound Recording
Date:
1969
Record number:
(DSI-AAA)20363
See more items in:
Elisabeth Zogbaum papers regarding Franz Kline, 1892-circa 2005, bulk 1930-1990
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_20363

Conversation with Hugo Weber about Franz Kline

Creator:
Zogbaum, Elisabeth Ross, 1912-2005  Search this
Zogbaum, Elisabeth Ross, 1912-2005  Search this
Type:
Sound Recording
Date:
1970 September 6
Record number:
(DSI-AAA)20367
See more items in:
Elisabeth Zogbaum papers regarding Franz Kline, 1892-circa 2005, bulk 1930-1990
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_20367

Conversation with Noah Goldowsky and Harry Gaugh about Franz Kline

Creator:
Zogbaum, Elisabeth Ross, 1912-2005  Search this
Zogbaum, Elisabeth Ross, 1912-2005  Search this
Type:
Sound Recording
Date:
1970 March 10
Record number:
(DSI-AAA)20368
See more items in:
Elisabeth Zogbaum papers regarding Franz Kline, 1892-circa 2005, bulk 1930-1990
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_20368

Conversation with Aaron Siskind about Franz Kline

Creator:
Zogbaum, Elisabeth Ross, 1912-2005  Search this
Zogbaum, Elisabeth Ross, 1912-2005  Search this
Type:
Sound Recording
Date:
1970 September 6
Record number:
(DSI-AAA)20371
See more items in:
Elisabeth Zogbaum papers regarding Franz Kline, 1892-circa 2005, bulk 1930-1990
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_20371

Conversation with Louise Bourgeois and Robert Goldwater about Franz Kline

Creator:
Zogbaum, Elisabeth Ross, 1912-2005  Search this
Zogbaum, Elisabeth Ross, 1912-2005  Search this
Type:
Sound Recording
Date:
1971
Record number:
(DSI-AAA)20372
See more items in:
Elisabeth Zogbaum papers regarding Franz Kline, 1892-circa 2005, bulk 1930-1990
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_20372

Conversation with Jimmy Poust about Franz Kline

Creator:
Zogbaum, Elisabeth Ross, 1912-2005  Search this
Zogbaum, Elisabeth Ross, 1912-2005  Search this
Type:
Sound Recording
Date:
1971 June 9
Record number:
(DSI-AAA)20378
See more items in:
Elisabeth Zogbaum papers regarding Franz Kline, 1892-circa 2005, bulk 1930-1990
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_20378

Conversation with Mr. and Mrs. Bernard Reis

Creator:
Zogbaum, Elisabeth Ross, 1912-2005  Search this
Zogbaum, Elisabeth Ross, 1912-2005  Search this
Type:
Sound Recording
Date:
1971 July 3
Record number:
(DSI-AAA)20380
See more items in:
Elisabeth Zogbaum papers regarding Franz Kline, 1892-circa 2005, bulk 1930-1990
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_20380

Conversation with J.P. Riopelle and Joan Mitchell about Franz Kline

Creator:
Zogbaum, Elisabeth Ross, 1912-2005  Search this
Zogbaum, Elisabeth Ross, 1912-2005  Search this
Type:
Sound Recording
Date:
1971 September 23
Record number:
(DSI-AAA)20382
See more items in:
Elisabeth Zogbaum papers regarding Franz Kline, 1892-circa 2005, bulk 1930-1990
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_20382

Conversation with Richard Brown Baker about Franz Kline

Creator:
Zogbaum, Elisabeth Ross, 1912-2005  Search this
Zogbaum, Elisabeth Ross, 1912-2005  Search this
Type:
Sound Recording
Date:
1972 May 5
Record number:
(DSI-AAA)20384
See more items in:
Elisabeth Zogbaum papers regarding Franz Kline, 1892-circa 2005, bulk 1930-1990
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_20384

Conversation with Robert Bollt about Franz Kline

Creator:
Zogbaum, Elisabeth Ross, 1912-2005  Search this
Zogbaum, Elisabeth Ross, 1912-2005  Search this
Type:
Sound Recording
Date:
1972 June 10
Record number:
(DSI-AAA)20386
See more items in:
Elisabeth Zogbaum papers regarding Franz Kline, 1892-circa 2005, bulk 1930-1990
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_20386

Conversation with James Brooks about Franz Kline

Creator:
Zogbaum, Elisabeth Ross, 1912-2005  Search this
Zogbaum, Elisabeth Ross, 1912-2005  Search this
Type:
Sound Recording
Date:
1972 February 1
Record number:
(DSI-AAA)20388
See more items in:
Elisabeth Zogbaum papers regarding Franz Kline, 1892-circa 2005, bulk 1930-1990
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_20388

Conversation with Piero Dorazio about Franz Kline

Creator:
Zogbaum, Elisabeth Ross, 1912-2005  Search this
Zogbaum, Elisabeth Ross, 1912-2005  Search this
Type:
Sound Recording
Date:
circa 1972
Record number:
(DSI-AAA)20390
See more items in:
Elisabeth Zogbaum papers regarding Franz Kline, 1892-circa 2005, bulk 1930-1990
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_20390

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