Skip to main content Smithsonian Institution

Search Results

Collections Search Center
53 documents - page 1 of 3

Gyorgy Kepes papers

Creator:
Kepes, Gyorgy, 1906-2001  Search this
Names:
Center for Advanced Visual Studies  Search this
Illinois Institute of Technology  Search this
Saidenberg Gallery  Search this
Triennale di Milano (Milan, Italy)  Search this
Arnheim, Rudolf  Search this
Bertoia, Harry  Search this
Blee, Michael  Search this
Boghosian, Varujan  Search this
Brazdys, Konslancija  Search this
Burgess, Lowry, 1940-  Search this
Burnham, Jack, 1931-  Search this
Calder, Alexander, 1898-1976  Search this
Chermayeff, Serge, 1900-  Search this
Dreyfuss, Henry, 1904-1972  Search this
Eames, Charles  Search this
Eames, Ray  Search this
Egawa, Kazuhiko  Search this
Entwhistle, Clive  Search this
Fuller, R. Buckminster (Richard Buckminster), 1895-  Search this
Gropius, Walter, 1883-1969  Search this
Hayter, Stanley William, 1901-1988  Search this
Hélion, Jean, 1904-1987  Search this
Johnson, Philip, 1906-2005  Search this
Kepes, Juliet  Search this
Kowalski, Piotry  Search this
Lynch, Kevin, 1918-1984  Search this
McLuhan, Marshall, 1911-1980  Search this
Mead, Margaret, 1901-1978  Search this
Moholy-Nagy, László, 1895-1946  Search this
Moholy-Nagy, Sibyl, 1905-  Search this
Nusberg, Lev, 1937-  Search this
Osborn, Robert Chesley, 1904-1994  Search this
Piene, Otto, 1928-  Search this
Read, Herbert Edward, Sir, 1893-1968  Search this
Richards, I. A. (Ivor Armstrong), 1893-1979  Search this
Rickey, George  Search this
Saarinen, Eero, 1910-1961  Search this
Sonfist, Alan  Search this
Steinberg, Saul  Search this
Tacha, Athena, 1936-  Search this
Takis, Vassilakis  Search this
Tange, Kenzō, 1913-  Search this
Thiel, Philip  Search this
Tovish, Harold, 1921-2008  Search this
Tsʻai, Wen-ying, 1928-  Search this
Wolff, Robert Jay, 1905-  Search this
Wurster, William Wilson  Search this
Zvilna, Jēkabs, 1913-1997  Search this
Faculty:
Massachusetts Institute of Technology  Search this
Extent:
21.2 Linear feet
Type:
Collection descriptions
Archival materials
Caricatures
Designs
Photographs
Sketchbooks
Sketches
Sound recordings
Place:
Times Square (New York, N.Y.)
Date:
1909-2003
bulk 1935-1985
Summary:
The papers of Hungarian-born artist, art theorist, and educator, Gyorgy Kepes, measure 21.2 linear feet and date from 1909-2003, with the bulk of the material dating from the 1935-1985. The papers document Kepes's career as an artist and educator, and as founder of the Center for Advanced Visual Studies (CAVS) at the Massachusetts Institute of Technology (M.I.T.), through biographical material, correspondence, writings by Kepes and others, project files, exhibition files, printed material, sketchbooks, artwork, sound recordings and motion picture films, and photographic material.
Scope and Contents:
The papers of Hungarian-born artist, art theorist, and educator, Gyorgy Kepes, measure 21.2 linear feet and date from 1909-2003, with the bulk of the material dating from the 1935-1985. The papers document Kepes's career as an artist and educator, and as founder of the Center for Advanced Visual Studies (CAVS) at the Massachusetts Institute of Technology (M.I.T.), through biographical material, correspondence, writings by Kepes and others, project files, exhibition files, printed material, sketchbooks, artwork, sound recordings and motion picture films, and photographic material.

Correspondence provides a wide range of documentation on all aspects of Kepes's career including his collaborations and friendships with artists, architects, writers, scientists, and fellow educators including Rudolf Arnheim, Alexander Calder, Henry Dreyfuss, Charles and Ray Eames, Clive Entwhistle, R. Buckminster Fuller, Walter Gropius, S. W. Hayter, Jean Hélion, Laszlo and Sibyl Moholy-Nagy, Lev Nussberg, Robert Osborn, George Rickey, Saul Steinberg, Kenzo Tange, Robert Jay Wolff, and Jekabs Zvilna. Correspondence also documents the evolution of Kepes's vision for the Center for Advanced Visual Studies, which he established in 1967, and his subsequent leadership of CAVS at M.I.T. Records document his collaborations with students and fellows including Lowry Burgess, Jack Burnham, Piotry Kowalski, Margaret Mead, Otto Piene, Alan Sonfist, Athena Tacha, Vassilakis Takis, Philip Thiel, Harold Tovish, and Wen-Ying Tsai. Correspondents also include people who contributed to Kepes's Vision + Value series, including Michael Blee, Kazuhiko Egawa, Jean Hélion, and others. Correspondence includes three motion picture films, including what appears to be an early version of Powers of Ten by Charles and Ray Eames.

Writings include notes and manuscripts for articles and essays in which Kepes explored ideas evident in his books The New Landscape and Language of Vision, and submitted to publications such as Daedalus, Design, Domus, and Leonardo. Writings also include manuscripts for lectures, and draft manuscripts documenting Kepes's collaborative work with fellow M.I.T. professor Kevin Lynch on city planning, which culminated in Lynch's research project "The Perceptual Form of the City."

A small group of "Times Square Project" files documents Kepes's proposal for a lightscape in Times Square that was ultimately not realized.

Teaching files include sound recordings of circa five symposia and discussions held at M.I.T., the Illinois Institute of Technology, and elsewhere, some featuring Kepes and including Philip Johnson, Eero Saarinen and others.

Exhibition files include documentation of three exhibitions, including Light as a Creative Medium (1968) and a Kepes exhibition at Saidenberg Gallery (1968). They also record Kepes's involvement in designing the 1968 Triennale di Milano.

Printed material includes a substantial collection of announcements and catalogs for Kepes exhibitions, lectures, and other events, and includes catalogs and announcements for scattered exhibitions of his wife, artist and illustrator, Juliet Kepes. Clippings from newspapers and magazines include articles about Kepes, and contain some copies of published writings and designs by him. The series also includes sound recordings and motion picture films containing original material for a CBS television series "The 21st Century," probably as part of the episode "Art for Tomorrow," which appear to feature M.I.T. fellows Jack Burnham and Vassilakis Takis. Another motion picture film of an Italian documentary "Operazione Cometa" can also be found here.

Two sketchbooks contain pen and ink and painted sketches by Kepes. Artwork by Kepes includes original poster designs, caricatures, and many pencil, and pen and ink sketches and paintings on paper and board, including designs for stained glass. Artwork by others includes ink on mylar sketches by D. Judelson and Konstancija Brazdys, and a sketch by Harold Tovish. Also found are circa seventeen motion picture films and four sound recordings, the majority of which are untitled and by unidentified artists, but include films by M.I.T. fellows Otto Piene, Vassilakis Takis, Philip Thiel, Harold Tovish, Wen-Ying Tsai, and others.

Photographs are of Kepes, Juliet Kepes, and other family members; students, colleagues, and friends, including R. Buckminster Fuller, Serge Chermayeff, Harry Bertoia, Varujan Boghosian, Alexander Calder, Marchall McLuhan, Margaret Mead, Herbert Read, I. A. Richards, Saul Steinberg, and William Wurster; and of Kepes in his studio. There are also photos of exhibition installations in which Kepes's work appeared or which he designed, and photos of his artwork and of images for publications which he wrote or edited. Photos by others include artwork by established artists and work by students, as well as photographs arranged by subjects such as cityscapes, forms found in nature, light patterns, mechanical devices, and photomicrographs. A collection of lantern slides with similar content to the photos of artwork and photos by subject is also found in this series and includes a lantern slide of Picasso creating a design with light.
Arrangement:
The collection is arranged as eleven series.

Series 1: Biographical Material, circa 1940-circa 1980 (0.25 linear feet; Boxes 1, 28)

Series 2: Correspondence, 1936-1984 (5.7 linear feet; Boxes 1-7, 28 OV 33, FCs 39-41)

Series 3: Interviews and Transcripts, 1954-1970 (4 folders; Box 7)

Series 4: Writings and Notes, 1948-circa 1980s (1.4 linear feet; Boxes 7-8, 28)

Series 5: Times Square Project Files, 1972-1974 (6 folders; Box 9)

Series 6: Teaching Files Sound Recordings, circa 1953-1972 (0.7 linear feet; Box 9)

Series 7: Exhibition Files, 1958-1973 (0.4 linear feet; Boxes 9-10)

Series 8: Printed Material, circa 1922-1989 (3.6 linear feet; Boxes 10-12, 28-29, OVs 35, 37, FCs 42-49)

Series 9: Sketchbooks, circa 1940s-circa 1970s (2 folders; Box 12)

Series 10: Artwork and Moving Images, circa 1924-2003 (2.5 linear feet; Boxes 12, 13, OVs 33-36, 38, FCs 50-62)

Series 11: Photographs, 1909-1988 (10.4 linear feet; Boxes 13-32)
Biographical / Historical:
Painter, designer, art theorist, and educator, Gyorgy Kepes (1906-2001), was born in Selyp, Hungary, and studied at the Royal Academy of Fine Arts, Budapest. He worked with Moholy-Nagy in Berlin and London before joining him at the New Bauhaus (later the Chicago Institute of Design) in 1937.

Kepes taught courses at the New Bauhaus from 1937 to 1945, and published Language of Vision in 1944, summarizing the educational ideas and methods he had developed during his time at the institute. In 1946 he accepted a teaching position at the Massachusetts Institute of Technology (M.I.T.) where he initiated a program in visual design.

In 1956 Kepes published The New Landscape in Art and Science, in which he presented images from nature that were newly accessible due to developments in science and technology, and explored his ideas for a common language between science and the visual arts.

In 1965, these ideas were apparent in Kepes's proposal of an expanded visual arts program at M.I.T., which would "build new as yet undetermined bridges between art and engineering and science," according to the minutes of an M.I.T. Art Committee meeting in March of that year. Kepes's vision dovetailed with M.I.T.'s vested interest in promoting the arts, and faculty and administrators were open to the argument that "The scientific-technical enterprise needs schooling by the artistic sensibilities." In 1967, they appointed Kepes Director of M.I.T.'s Center for Advanced Visual Studies (CAVS).

Kepes retired from the regular faculty at M.I.T. in 1967, to focus on his role as director of CAVS, where he worked to provide artists with opportunities for exploring new artistic forms on a civic scale through a working dialogue with scientists and engineers. Early fellows of the center included Maryanne Amacher, Joan Brigham, Lowry Burgess, Jack Burnham, Piotry Kowalski, Otto Piene, Vassilakis Takis, and Wen-Ying Tsai.

In 1965-1966 Kepes edited a six-volume series entitled Vision + Value, published by George Braziller, Inc. Each volume featured essays that centered around a core theme: The Education of Vision; Structure in Art and Science; The Nature and Art of Motion; Module, Symmetry, Proportion, Rhythm; Sign, Image, Symbol; and Man-Made Object. Contributions came from prominent artists, designers, architects, and scientists of the time including Rudolf Arnheim, Saul Bass, Marcel Breuer, John Cage, R. Buckminster Fuller, Johannes Itten, Marshall McLuhan, and Paul Rand.

Kepes experimented widely with photography, producing abstract images through the application of fluids and objects to photographic paper. He also took commercial work throughout his career, producing designs for all kinds of objects, including books and stained glass windows for churches. He returned to painting in the 1950s, and his development as a painter continued throughout his career at M.I.T., where he remained until his retirement in 1974, and beyond. His paintings, which were abstract and often incorporated organic shapes and hints of landscapes, can be found in museums such as the Brooklyn Museum of Art, the Corcoran Gallery of Art, and the Whitney Museum of American Art.

Kepes received many awards during his lifetime, including a Guggenheim Fellowship (1958); the Gold Star Award of the Philadelphia College of Art (1958); the National Association of Art Colleges Annual Award (1968); the California College of Art Award (1968); and the Fine Arts Medal from the American Institute of Architects (1968). In 1973 he was elected into the National Academy of Design as an associate member, and became a full academician in 1978. He was a member of the National Institute of Arts and Letters and Fellow of the American Academy of Arts and Sciences.
Related Materials:
Additional papers of Gyorgy Kepes can be found at Stanford University and the Massachusetts Institute of Technology Center for Advanced Visual Studies Special Collection.
Separated Materials:
The Archives of American Art also holds microfilm of material lent for microfilming (reel 1211) including ninety-eight letters to Kepes from colleagues, 1946-1974. Lent materials were returned to the lender and are not described in the collection container inventory.
Provenance:
Gyorgy Kepes lent papers for microfilming in 1974 and donated material to the Archives of American Art in a series of gifts between 1974 and 1993.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings with no duplicate copies requires advance notice.
Rights:
Authorization to publish, quote, or reproduce requires written permission from Juliet Kepes Stone or Imre Kepes. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Art -- Philosophy  Search this
Artists' studios--Photographs  Search this
City planning  Search this
Educators--Massachusetts--Cambridge  Search this
Motion pictures (visual works)  Search this
Genre/Form:
Caricatures
Designs
Photographs
Sketchbooks
Sketches
Sound recordings
Citation:
Gyorgy Kepes papers, 1909-2003, bulk 1935-1985. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.kepegyor
See more items in:
Gyorgy Kepes papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-kepegyor

Nancy Drysdale Gallery records

Creator:
Nancy Drysdale Gallery  Search this
Names:
Brook Alexander Editions  Search this
Crown Point Press  Search this
Tyler Graphics, Ltd.  Search this
Bartlett, Jennifer, 1941-  Search this
Burton, Scott  Search this
Christenberry, William, 1936-2016  Search this
Clapsaddle, Jerry, 1941-  Search this
Drysdale, Nancy McIntosh, 1931-  Search this
Fuller, R. Buckminster (Richard Buckminster), 1895-  Search this
Gilliam, Sam, 1933-  Search this
Kainen, Jacob  Search this
Katz, Alex, 1927-  Search this
LeWitt, Sol, 1928-2007  Search this
Mangold, Robert, 1937-  Search this
Puryear, Martin, 1941-  Search this
Scully, Sean, 1945-  Search this
Sonfist, Alan  Search this
Tracy, Michael, 1943-  Search this
Truitt, Anne, 1921-2004  Search this
Wegman, William  Search this
Zakanitch, Robert, 1935-  Search this
Extent:
9 Linear feet
Type:
Collection descriptions
Archival materials
Slides (photographs)
Photographs
Drawings
Interviews
Date:
1971-1996
Summary:
The records of the Nancy Drysdale Gallery measure 9.0 linear feet and span the years 1971 to 1996. The bulk of the collection comprises artist files that document the gallery's relations with 67 artists, many of whom were represented by the gallery.
Scope and Content Note:
This collection measures 9.0 linear feet and dates from 1971 to 1996. The bulk of the collection comprises artist files that document the gallery's relationships with 67 artists, many of whom were represented, or whose work was handled by, the gallery. In addition to artist files, the collection contains exhibition files, printed material, and publishers files.
Arrangement:
The collection is arranged as four series reflecting the original arrangement imposed by the Gallery.

Series 1: Group Exhibition Files, 1978-1994 (Box 1, 0.5 linear ft.)

Series 2: Fine Art Publishers Files, 1972-1995 (Boxes 1-2, 1.5 linear ft.)

Series 3: Artist Files, 1971-1996 (Boxes 2-9, 7 linear ft.)

Series 4: Miscellaneous Printed Material, 1993-1994 (Box 9, 1 folder)
Historical Note:
When colleague Max Protetch moved to New York City in 1976, his gallery at 2151 P Street, N.W., Washington, D.C., became the Protetch-McIntosh Gallery under his successor, Cincinnati dealer, Nancy McIntosh Drysdale. Drysdale then moved the gallery to 406 7th Street, N.W., and changed the name to the McIntosh/Drysdale Gallery. Several years later, Drysdale vacated the 7th Street address and operated as a private dealer before opening the Nancy Drysdale Gallery at 2103 O Street, N.W., in 1991.
Provenance:
The records of the Nancy Drysdale Gallery were donated to the Archives of American Art by Nancy Drysdale in 1997.
Restrictions:
The collection is open for resesarch. Use requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Artists -- Washington (D.C.)  Search this
Art, Modern -- 20th century -- Washington (D.C.)  Search this
Function:
Art galleries, Commercial -- Washington (D.C.)
Genre/Form:
Slides (photographs)
Photographs
Drawings
Interviews
Citation:
Nancy Drysdale Gallery records, 1971-1996 Archives of American Art, Smithsonian Institution.
Identifier:
AAA.nancdryg
See more items in:
Nancy Drysdale Gallery records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-nancdryg
Online Media:

Sonfist, Alan

Collection Creator:
Henri Gallery (Washington, D.C.)  Search this
Container:
Box 44, Folder 3
Type:
Archival materials
Date:
1971-1987
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Henri Gallery records, circa early 1900s, 1940-1996, bulk 1957-1995. Archives of American Art, Smithsonian Institution.
See more items in:
Henri Gallery records
Henri Gallery records / Series 2: Alphabetical Files / 2.1: Name Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-henrgall-ref990

Sonfist, Alan (Jun 10-24, 1978); 420 W Broadway

Collection Creator:
Leo Castelli Gallery  Search this
Container:
Box 54, Folder 10
Type:
Archival materials
Date:
1978
Collection Restrictions:
Use of original records requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Leo Castelli Gallery records, circa 1880-2000, bulk 1957-1999. Archives of American Art, Smithsonian Institution.
See more items in:
Leo Castelli Gallery records
Leo Castelli Gallery records / Series 3: Exhibition Files / 3.5: Solo Shows
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-leocast-ref10492

Sonfist, Alan

Collection Creator:
Leo Castelli Gallery  Search this
Extent:
(Oversized material housed in Box 203, Folder 5)
Container:
Box 91, Folder 9
Type:
Archival materials
Date:
1978-1981
Collection Restrictions:
Use of original records requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Leo Castelli Gallery records, circa 1880-2000, bulk 1957-1999. Archives of American Art, Smithsonian Institution.
See more items in:
Leo Castelli Gallery records
Leo Castelli Gallery records / Series 4: Artists Files / 4.1: Artists Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-leocast-ref11746

Sonfist, Alan

Collection Creator:
Leo Castelli Gallery  Search this
Extent:
(Oversized material from Box 91, Folder 9)
Container:
Box 203, Folder 5
Type:
Archival materials
Date:
1980
Collection Restrictions:
Use of original records requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Leo Castelli Gallery records, circa 1880-2000, bulk 1957-1999. Archives of American Art, Smithsonian Institution.
See more items in:
Leo Castelli Gallery records
Leo Castelli Gallery records / Series 4: Artists Files / 4.1: Artists Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-leocast-ref11986

Sonfist, Alan

Collection Creator:
Lippard, Lucy R.  Search this
Container:
Box 18, Folder 4
Type:
Archival materials
Date:
circa 1971-1972
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Lucy R. Lippard papers, 1930s-2007, bulk 1960s-1990s. Archives of American Art, Smithsonian Institution.
See more items in:
Lucy R. Lippard papers
Lucy R. Lippard papers / Series 2: Correspondence / 2.1: Correspondence by Name
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-lipplucy-ref1977

The artist as social designer, 1985

Creator:
Tuchman, Maurice, 1936-  Search this
Tuchman, Maurice, 1936-  Search this
Subject:
Sonfist, Alan  Search this
Tomkins, Calvin  Search this
Zimmerman, Elyn  Search this
Armajani, Siah  Search this
Burton, Scott  Search this
De Herrera, Maria  Search this
Holt, Nancy  Search this
Miss, Mary  Search this
Type:
Sound recordings
Topic:
Art and society  Search this
Curators -- California -- Los Angeles  Search this
Theme:
Art Theory and Historiography  Search this
Record number:
(DSI-AAA_CollID)10231
(DSI-AAA_SIRISBib)213310
AAA_collcode_tuchmaur2
Theme:
Art Theory and Historiography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_213310

The artist as social designer

Creator:
Tuchman, Maurice  Search this
Names:
Armajani, Siah, 1939-  Search this
Burton, Scott, 1939-1989  Search this
De Herrera, Maria  Search this
Holt, Nancy, 1938-2014  Search this
Miss, Mary, 1944-  Search this
Sonfist, Alan  Search this
Tomkins, Calvin, 1925-  Search this
Zimmerman, Elyn, 1945-  Search this
Extent:
11 Items (sound cassettes (270 p. transcript) + 1 cassette edited for educational tours)
Type:
Collection descriptions
Archival materials
Sound recordings
Date:
1985
Scope and Contents:
Tape recording of a discussion on "The Artist as Social Designer" held at the Los Angeles County Museum of Art. Participants include Maurice Tuchman (moderator), Maria de Herrera, Scott Burton, Siah Armajani, Nancy Holt, Mary Miss, Elyn Zimmerman, Alan Sonfist, and Calvin Tomkins.
Biographical / Historical:
Curator; Los Angeles, Calif. Born 1936. Tuchman, Curator of Modern and Contemporary Art at the Los Angeles County Museum of Art, and his fellow curator, Maria de Herrera, arranged the closed discussion in preparation for an exhibition on public art and the contemporary artist's impulse toward functionalism.
Provenance:
Donated 1985 by Maurice Tuchman.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Environmental artists -- California -- Los Angeles  Search this
Sculptors -- California -- Los Angeles  Search this
Topic:
Art and society  Search this
Curators -- California -- Los Angeles  Search this
Genre/Form:
Sound recordings
Identifier:
AAA.tuchmaur2
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-tuchmaur2

Sonfist, Alan

Collection Creator:
Fendrick Gallery  Search this
Container:
Box 37, Folder 11
Type:
Archival materials
Date:
1978-1985, undated
Collection Restrictions:
The collection is open for research. Use of unmicrofilmed material requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Fendrick Gallery records, 1952-2001. Archives of American Art, Smithsonian Institution.
See more items in:
Fendrick Gallery records
Fendrick Gallery records / Series 1: Artists Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-fendgall-ref390

Roy R. Neuberger papers, 1940-1979

Creator:
Neuberger, Roy R. (Roy Rothschild), 1903-2010  Search this
Neuberger, Roy R. (Roy Rothschild), 1903-2010  Search this
Subject:
Rockefeller, Nelson A. (Nelson Aldrich)  Search this
Africano, Nicholas  Search this
Ajay, Abe  Search this
Austin, Darrel  Search this
Avery, Milton  Search this
Baldessari, John  Search this
Baziotes, William  Search this
Bearden, Romare  Search this
Brooks, James  Search this
Browne, Byron  Search this
Calder, Alexander  Search this
Constant, George  Search this
Davis, Stuart  Search this
Evergood, Philip  Search this
Feininger, Lyonel  Search this
Gatch, Lee  Search this
Gottlieb, Adolph  Search this
Hurd, Peter  Search this
Kinigstein, Jonah  Search this
Knaths, Karl  Search this
Kopman, Benjamin  Search this
Lamis, Leroy  Search this
Laufman, Sidney  Search this
Lawrence, Jacob  Search this
Levine, Jack  Search this
Levine, Les  Search this
Maccoy, Guy C.  Search this
Magriel, Paul David  Search this
Marin, John  Search this
Moller, Hans  Search this
Morris, George L. K.  Search this
Orr, Elliot  Search this
Pereira, I. Rice (Irene Rice)  Search this
Quirt, Walter  Search this
Rivers, Larry  Search this
Roth, Frank  Search this
Rothschild, Judith  Search this
Schueler, Jon  Search this
Shahn, Ben  Search this
Sheeler, Charles  Search this
Snyder, Joan  Search this
Sonfist, Alan  Search this
Steinberg, Saul  Search this
Walker, Hudson D. (Hudson Dean)  Search this
Weber, Max  Search this
Wight, Frederick Stallknecht  Search this
Topic:
Art patronage -- New York (State) -- New York  Search this
Artists and patrons -- New York (State) -- New York  Search this
Artists' books  Search this
Art -- Collectors and collecting -- New York (State) -- New York  Search this
Theme:
Art Market  Search this
Record number:
(DSI-AAA_CollID)9085
(DSI-AAA_SIRISBib)211278
AAA_collcode_neubroy
Theme:
Art Market
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211278

Nancy Drysdale Gallery records, 1971-1996

Creator:
Nancy Drysdale Gallery  Search this
Nancy Drysdale Gallery  Search this
Subject:
Wegman, William  Search this
Zakanitch, Robert  Search this
Sonfist, Alan  Search this
Tracy, Michael  Search this
Truitt, Anne  Search this
Gilliam, Sam  Search this
LeWitt, Sol  Search this
Fuller, R. Buckminster (Richard Buckminster)  Search this
Drysdale, Nancy McIntosh  Search this
Clapsaddle, Jerry  Search this
Christenberry, William  Search this
Burton, Scott  Search this
Bartlett, Jennifer  Search this
Scully, Sean  Search this
Puryear, Martin  Search this
Mangold, Robert  Search this
Katz, Alex  Search this
Kainen, Jacob  Search this
Tyler Graphics, Ltd.  Search this
Crown Point Press  Search this
Brook Alexander Editions  Search this
Type:
Slides (photographs)
Photographs
Drawings
Interviews
Topic:
Artists -- Washington (D.C.)  Search this
Art, Modern -- 20th century -- Washington (D.C.)  Search this
Theme:
Art Market  Search this
Art Gallery Records  Search this
Record number:
(DSI-AAA_CollID)6108
(DSI-AAA_SIRISBib)216309
AAA_collcode_nancdryg
Theme:
Art Market
Art Gallery Records
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_216309
Online Media:

Interview with Alan Sonfist

Creator:
Sonfist, Alan  Search this
Varian, Elayne H. (Elayne Hanley), 1913-1987  Search this
Sonfist, Alan  Search this
Subject:
Sonfist, Alan  Search this
Type:
Sound Recording
Date:
circa 1974
Topic:
Earthworks (Art)  Search this
Record number:
(DSI-AAA)15292
See more items in:
Exhibition records of the Contemporary Study Wing of the Finch College Museum of Art, 1943-1975, bulk 1964-1975
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_15292

Gyorgy Kepes papers, 1909-2003, bulk 1935-1985

Creator:
Kepes, Gyorgy, 1906-2001  Search this
Kepes, Gyorgy, 1906-2001  Search this
Subject:
Arnheim, Rudolf  Search this
Bertoia, Harry  Search this
Blee, Michael  Search this
Boghosian, Varujan  Search this
Brazdys, Konslancija  Search this
Burgess, Lowry  Search this
Burnham, Jack  Search this
Calder, Alexander  Search this
Chermayeff, Serge  Search this
Dreyfuss, Henry  Search this
Eames, Charles  Search this
Eames, Ray  Search this
Egawa, Kazuhiko  Search this
Entwhistle, Clive  Search this
Fuller, R. Buckminster (Richard Buckminster)  Search this
Gropius, Walter  Search this
Hayter, Stanley William  Search this
Hélion, Jean  Search this
Johnson, Philip  Search this
Kepes, Juliet  Search this
Kowalski, Piotry  Search this
Lynch, Kevin  Search this
McLuhan, Marshall  Search this
Mead, Margaret  Search this
Moholy-Nagy, Sibyl  Search this
Moholy-Nagy, László  Search this
Nusberg, Lev  Search this
Osborn, Robert Chesley  Search this
Piene, Otto  Search this
Read, Herbert Edward, Sir  Search this
Richards, I. A. (Ivor Armstrong)  Search this
Rickey, George  Search this
Saarinen, Eero  Search this
Sonfist, Alan  Search this
Tacha, Athena  Search this
Takis, Vassilakis  Search this
Tange, Kenzō  Search this
Thiel, Philip  Search this
Steinberg, Saul  Search this
Tovish, Harold  Search this
Tsʻai, Wen-ying  Search this
Wolff, Robert Jay  Search this
Wurster, William Wilson  Search this
Zvilna, Jēkabs  Search this
Center for Advanced Visual Studies  Search this
Illinois Institute of Technology  Search this
Massachusetts Institute of Technology  Search this
Saidenberg Gallery  Search this
Triennale di Milano (Milan, Italy)  Search this
Type:
Caricatures
Designs
Photographs
Sketchbooks
Sketches
Sound recordings
Place:
Times Square (New York, N.Y.)
Topic:
Art -- Philosophy  Search this
Artists' studios--Photographs  Search this
City planning  Search this
Educators--Massachusetts--Cambridge  Search this
Motion pictures (visual works)  Search this
Theme:
Sketches & Sketchbooks  Search this
Art Movements and Schools  Search this
Architecture & Design  Search this
Chicago's Art-Related Archival Materials: A Terra Foundation Resource  Search this
Record number:
(DSI-AAA_CollID)7252
(DSI-AAA_SIRISBib)209402
AAA_collcode_kepegyor
Theme:
Sketches & Sketchbooks
Art Movements and Schools
Architecture & Design
Chicago's Art-Related Archival Materials: A Terra Foundation Resource
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209402
Online Media:

Exhibition records of the Contemporary Study Wing of the Finch College Museum of Art, 1943-1975, bulk 1964-1975

Creator:
Finch College. Museum of Art  Search this
Varian, Elayne H. (Elayne Hanley), 1913-1987  Search this
Finch College. Museum of Art  Search this
Subject:
Acconci, Vito  Search this
Glimcher, Arnold B.  Search this
Benglis, Lynda  Search this
Anderson, David K.  Search this
Bochner, Mel  Search this
Benyon, Margaret  Search this
Janis, Sidney  Search this
Castelli, Leo  Search this
Brooks, James  Search this
Jackson, Martha Kellogg  Search this
Hollander, Irwin  Search this
Insley, Will  Search this
Gottlieb, Adolph  Search this
Graham, Dan  Search this
Smith, Tony  Search this
Siegelaub, Seth  Search this
Richter, Hans  Search this
Parsons, Betty  Search this
O'Doherty, Brian  Search this
Nauman, Bruce  Search this
Kirby, Michael  Search this
Chase, Doris  Search this
Cross, Lloyd G.  Search this
Davis, Douglas  Search this
Dwan, Virginia  Search this
Feigen, Richard L.  Search this
Wise, Howard  Search this
Weiner, Sam  Search this
Sonfist, Alan  Search this
Mazur, Michael  Search this
Meyer, Ursula  Search this
Lichtenstein, Roy  Search this
Levine, Les  Search this
Type:
Transcripts
Interviews
Photographs
Sound recordings
Video recordings
Museum records
Topic:
Sculptors -- New York (State) -- New York  Search this
Art dealers -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Gallery directors  Search this
Gallery owners  Search this
Theme:
Communities, Organizations, Museums  Search this
Art Gallery Records  Search this
Record number:
(DSI-AAA_CollID)8114
(DSI-AAA_SIRISBib)210285
AAA_collcode_finccoll
Theme:
Communities, Organizations, Museums
Art Gallery Records
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210285
Online Media:

Landscape of Talking Earth

Artist:
Alan Sonfist, American, b. New York City, 1946  Search this
Medium:
Pastel, bark, twigs, leaves, feathers and rocks on canvas and silk
Dimensions:
3 PANELS, EACH: 72 X 36 IN. (182.9 X 91.4 CM.) OVERALL: 72 X 108 IN. (182.9 X 274.3 CM.)
Type:
Collage
Date:
1971
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Allan Frumkin, 1987
Accession Number:
87.37
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py2ca67be46-5269-4c6d-9c29-f0e750938203
EDAN-URL:
edanmdm:hmsg_87.37

Silver, Judy-Sonfist, Alan

Collection Creator:
Tucker, Marcia  Search this
Container:
Box 2, Folder 3
Type:
Archival materials
Date:
1976-1994
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Marcia Tucker papers, 1973-1994. Archives of American Art, Smithsonian Institution.
See more items in:
Marcia Tucker papers
Marcia Tucker papers / Series 1: Artists' File
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-tuckmarc-ref56

Sonfist, Alan

Collection Creator:
Johnson, Ellen H.  Search this
Container:
Box 53, Folder 17
Type:
Archival materials
Date:
1960-1992
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Washington D.C. Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Ellen Hulda Johnson papers, 1872-2018, bulk 1921-1992. Archives of American Art, Smithsonian Institution.
See more items in:
Ellen Hulda Johnson papers
Ellen Hulda Johnson papers / Series 7: Artist Files / Individual Artists Alphabetical
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-johnelle-ref1183

Exhibition Files

Collection Creator:
Finch College. Museum of Art  Search this
Varian, Elayne H.  Search this
Extent:
14.9 Linear feet (Boxes 6-22, OV 24-25, FC 26)
Type:
Archival materials
Date:
1943-1975
Scope and Contents:
Series contains records documenting the creation and public exhibition of shows at the Contemporary Wing galleries from its inception in 1964 to its close in 1975, as well as records for several exhibitions that were in development but not yet realized when the college closed. Documentation includes artist files, checklists, correspondence, writings, exhibition catalogs, photographs, interviews, films and videos documenting exhibitions or created for exhibition, artist statements, loan documentation, insurance documentation, and publicity in the form of press releases, exhibition announcements, clippings, and posters. A run of exhibition catalogs filed at the beginning of the series represent about half of the exhibitions held in the Contemporary Wing. Catalogs are also found filed under each exhibition's title for most of the exhibitions in the series, often annotated with insurance values or in various drafts.

Unlike the artist files in series 2, artist files specific to exhibitions tend to contain richer documentation, including writings and original correspondence with the artist, artist statements, photographs, or information about particular artworks.

Interviews are found on 9 sound cassettes and 14 sound tape reels scattered in the exhibition files, all conducted by Elayne Varian and relating to the exhibition at hand. They include Alan Sonfist ("Alan Sonfist: Time Landscape"), Mel Bochner ("Art in Process IV), Hans Richter ("Hans Richter Retrospective"), Ruth Richards on Hugo Weber ("Hugo Weber Retrospective), James Brooks and Janet Katz ("James Brooks Retrospective," transcript only), Physicists Lloyd G. Cross, Allyn Z. Lite, and Gerald Thomas Bern Pethick ("N-Dimensional Space), Margaret Benyon ("N-Dimensional Space"), Irwin Hollander (transcript only, "Prints from Hollander's Workshop"), David Anderson ("The Private Collection of Martha Jackson"), Doris Chase ("Projected Art: Artists at Work"), and Will Insley, Michael Kirby, Les Levine, Ursula Meyer, Brian O'Doherty, Charles Ross, and Tony Smith ("Schemata 7"); Douglas Davis, Jane Davis, and Russ Connor ("Talk-Out!"); Les Levine ("The Troubles"); Michael Mazur and Paul Gedeohn ("Two Aspects of An Illusion"). An additional sound recording describing the installation and content of the exhibition "Towers" is found on one sound tape reel.

In addition to the recorded interviews, a number of moving image recordings are found. The video in Artists' Videotape Performances (1971) is a complex mix of recordings, ranging from simple, single-channel video works that were played in the gallery, to components of multi-channel installations, artifacts of interactive sound and video installations, and recordings of performances put on in the gallery. Other motion pictures found in the series include videos of artists Sam Weiner, Lynda Benglis, and Michael Singer working in Projected Art: Artists at Work (1971), and film of the installed exhibition Art in Process: The Visual Development of a Structure (1966). In total, motion pictures in this series are on 19 videoreels (1/2 inch), 2 film reels (16 mm, with VHS and Digital Betacam videocassette access copies).

Other artworks or components of artworks found include original writings by Dan Graham in Art in Series (1967-1968) and mail art by Richard Merkin and Ray Johnson in Art in Process: The Visual Development of a Collage (1967). Artists books found in the series include Statements by Lawrence Weiner and Identikit by Jim Brodey, found in Lynda Benglis' artist file; both of these publications are with records for Art in Process IV (1969-1970). Schematic drawings, floor plans, and installation instructions are found for Robert Morris for Art in Process V (1972) Douglas Davis and several other artists for Artists' Videotape Performances (1971), Michael Kirby for Schemata 7 (1967), Stan Vanderbeek for Projected Art (1966-1967), and various works for N-Dimensional Space (1970).
Arrangement:
Series is arranged alphabetically by exhibition title, with materials for each exhibition arranged by type. Selected exhibition catalogs are also arranged alphabetically at the beginning of the series. The records of each exhibition are arranged slightly differently, and what arrangement was found is retained, with folder headings sometimes changed for clarity. Additional exhibition files for shows curated by Elayne Varian outside of Finch College are found in series 3, Elayne Varian personal papers.
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Exhibition records of the Contemporary Study Wing of the Finch College Museum of Art, 1943-1975. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.finccoll, Series 4
See more items in:
Exhibition records of the Contemporary Study Wing of the Finch College Museum of Art
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-finccoll-ref4

Roy R. Neuberger papers

Creator:
Neuberger, Roy R.  Search this
Names:
Africano, Nicholas, 1948-  Search this
Ajay, Abe  Search this
Austin, Darrel, 1907-  Search this
Avery, Milton, 1885-1965  Search this
Baldessari, John, 1931-  Search this
Baziotes, William, 1912-1963  Search this
Bearden, Romare, 1911-1988  Search this
Brooks, James, 1906-1992  Search this
Browne, Byron, 1907-1961  Search this
Calder, Alexander, 1898-1976  Search this
Constant, George  Search this
Davis, Stuart, 1892-1964  Search this
Evergood, Philip, 1901-1973  Search this
Feininger, Lyonel, 1871-1956  Search this
Gatch, Lee, 1902-1968  Search this
Gottlieb, Adolph, 1903-1974  Search this
Hurd, Peter, 1904-1984  Search this
Kinigstein, Jonah, 1923-  Search this
Knaths, Karl, 1891-1971  Search this
Kopman, Benjamin, b. 1887  Search this
Lamis, Leroy, 1925-  Search this
Laufman, Sidney, 1891-  Search this
Lawrence, Jacob, 1917-2000  Search this
Levine, Jack, 1915-2010  Search this
Levine, Les, 1935-  Search this
Maccoy, Guy C., 1904-1981  Search this
Magriel, Paul David, 1906-  Search this
Marin, John, 1870-1953  Search this
Moller, Hans, 1905-  Search this
Morris, George L. K., 1905-1975  Search this
Orr, Elliot, 1904-1997  Search this
Pereira, I. Rice (Irene Rice), 1902-1971  Search this
Quirt, Walter, 1902-  Search this
Rivers, Larry, 1925-2002  Search this
Rockefeller, Nelson A. (Nelson Aldrich), 1908-1979  Search this
Roth, Frank, 1936-  Search this
Rothschild, Judith  Search this
Schueler, Jon, 1916-  Search this
Shahn, Ben, 1898-1969  Search this
Sheeler, Charles, 1883-1965  Search this
Snyder, Joan, 1940-  Search this
Sonfist, Alan  Search this
Steinberg, Saul  Search this
Walker, Hudson D. (Hudson Dean), 1907-1976  Search this
Weber, Max, 1881-1961  Search this
Wight, Frederick Stallknecht, 1902-  Search this
Extent:
5.4 Linear feet ((partially microfilmed on 2 reels))
0.2 Linear feet (Addition)
Type:
Collection descriptions
Archival materials
Date:
1940-1979
Scope and Contents:
Correspondence, printed material, photographs; and "birthday books" containing drawings and writings by artists sent to Neuberger on his 50th and 75th birthdays.
REEL NSM 1: A "Birthday Book," 1953, for Neuberger containing drawings, sketches and written birthday greetings from 38 artists, compiled by Mrs. Neuberger. Contributors include Alexander Calder, Byron Browne, George Constant, Adolph Gottlieb, Jack Levine, Lyonel Feininger, Lee Gatch, Benjamin Kopman, Jonah Kinigstein, Karl Knaths, William Baziotes, Peter Hurd, Walter Quirt, Milton Avery, Ben Shahn, George L. K. Morris, Hans Moller, Guy Maccoy, Irene Rice Pereira, Max Weber, Stuart Davis, Charles Sheeler, Jacob Lawrence, Romare Bearden, Darrel Austin, Philip Evergood, Saul Steinberg, Elliot Orr, and John Marin.
REEL 4588: A scrapbook containing illustrated birthday cards from artists sent to Neuberger on the occasion of his 75th birthday (1978). Included are cards from Nicolas Africano, Abe Ajay, John Baldessari, Romare Bearden, James Brooks, Les Levine, Judith Rothschild, Joan Snyder, and Alan Sonfist, and others.
UNMICROFILMED: Material relating to Neuberger's activities as an art collector, patron, and trustee consisting of: clippings, exhibiton catalogs and announcements; photographs; and correspondence with Leroy Lamis, Sidney Laufman, Paul David Magriel, Larry Rivers, Frank Roth, Jon Rudolf Schueler, Hudson Walker and Frederick Stallknecht Wight.
ADDITION: Correspondence with artists and other prominent people including: Edward Albee, Alexander Calder, Merce Cunningham, Lyonel Feininger, Henry Geldzahler, Henry Moore, Gerald Ford, Robert F. Kennedy, John V. Lindsay, George McGovern and Nelson Rockefeller. Also included are a letter from Mr. and Mrs. John Walker relating to their trip to Europe to return the "Mona Lisa" to the Louvre in 1963; printed material relating to Nelson Rockefeller; and four lists of art related papers remaining with Neuberger.
Biographical / Historical:
Art collector, patron; New York, N.Y. Born 1903. A collector of primarily American art. President of the American Federation of the Arts, 1958-1968; a trustee and member of Friends of the Whitney Museum of American Art; honorary trustee of the Metropolitan Museum of Art; member of the executive committee of the Council of Friends, Institute of Fine Arts, New York University; and many other positions and memberships. A large part of his private art collection was donated to the Roy R. Neuberger Museum of the State University of New York College at Purchase.
Provenance:
"Birthday books" on reels NSM 1 and 4588 lent for microfilming 1963 and 1992 by Neuberger. He donated the unmicrofilmed material in 1975 and 1993.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Art patrons -- New York (State) -- New York  Search this
Topic:
Art patronage -- New York (State) -- New York  Search this
Artists and patrons -- New York (State) -- New York  Search this
Artists' books  Search this
Art -- Collectors and collecting -- New York (State) -- New York  Search this
Identifier:
AAA.neubroy
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-neubroy

Modify Your Search







or


Narrow By