Search Results

Collection Creator:

Youngman, Wilbur H. (Wilbur Hughes), 1896-1986  Search this

Extent:

1 Negatives (photographic)

Type:

Archival materials

Negatives (photographic)

Date:

1946

Collection Restrictions:

Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Citation:

Smithsonian Institution, Archives of American Gardens, Wilbur H. Youngman collection.

Identifier:

AAG.YMN, Item YMN078

See more items in:

Wilbur H. Youngman Collection

Wilbur H. Youngman Collection / Images / Germany / Unidentified Locations in Germany

Archival Repository:

Archives of American Gardens

GUID:

https://n2t.net/ark:/65665/kb6721e3be6-99fe-4f8d-a4e8-6ee0ecbfc5ec

EDAN-URL:

ead_component:sova-aag-ymn-ref120

Collection Creator:

Youngman, Wilbur H. (Wilbur Hughes), 1896-1986  Search this

Extent:

1 Photograph

Type:

Archival materials

Photographs

Date:

1946

Collection Restrictions:

Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Citation:

Smithsonian Institution, Archives of American Gardens, Wilbur H. Youngman collection.

Identifier:

AAG.YMN, Item YMN082

See more items in:

Wilbur H. Youngman Collection

Wilbur H. Youngman Collection / Images / Germany / Unidentified Locations in Germany

Archival Repository:

Archives of American Gardens

GUID:

https://n2t.net/ark:/65665/kb637292881-c113-479a-a4d4-04a9e3536ce4

EDAN-URL:

ead_component:sova-aag-ymn-ref123

Photographer:

Youngman, Wilbur H. (Wilbur Hughes), 1896-1986  Search this

Collection Creator:

Youngman, Wilbur H. (Wilbur Hughes), 1896-1986  Search this

Extent:

1 Photograph

Type:

Archival materials

Photographs

Place:

Frankfurt (Germany)

Main River (Germany)

Date:

1946

Collection Restrictions:

Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Topic:

Cities and towns -- Germany  Search this

Soldiers  Search this

Men  Search this

Hand-railing -- Iron  Search this

Collection Citation:

Smithsonian Institution, Archives of American Gardens, Wilbur H. Youngman collection.

Identifier:

AAG.YMN, Item YMN107

See more items in:

Wilbur H. Youngman Collection

Wilbur H. Youngman Collection / Images / Germany / Unidentified Locations in Germany

Archival Repository:

Archives of American Gardens

GUID:

https://n2t.net/ark:/65665/kb602217b0c-fcec-409f-aea3-a1ee00db7d2b

EDAN-URL:

ead_component:sova-aag-ymn-ref127

Photographer:

Youngman, Wilbur H. (Wilbur Hughes), 1896-1986  Search this

Collection Creator:

Youngman, Wilbur H. (Wilbur Hughes), 1896-1986  Search this

Extent:

1 Negatives (photographic)

Type:

Archival materials

Negatives (photographic)

Place:

Biarritz (France)

Date:

1946

General:

Brigadier General (not Colonel) Samuel Lusker McCroskey (1893-1960), barely visible in this photograph, was Commandant of the Biarritz American University. The university opened in August 1945 and closed in March 1946 and was intended to provide a transition for soldiers from army life to college and university study back in the United States. It is possible that this photograph was taken at the home for the aged operated by the Little Sisters of the Poor.

Collection Restrictions:

Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Topic:

Frail elderly  Search this

Nuns  Search this

Soldiers  Search this

Collection Citation:

Smithsonian Institution, Archives of American Gardens, Wilbur H. Youngman collection.

Identifier:

AAG.YMN, Item YMN036

See more items in:

Wilbur H. Youngman Collection

Wilbur H. Youngman Collection / Images / France / Biarritz

Archival Repository:

Archives of American Gardens

GUID:

https://n2t.net/ark:/65665/kb6f14f2e73-7fa3-4d33-81c0-2e43b7406111

EDAN-URL:

ead_component:sova-aag-ymn-ref140

Photographer:

Youngman, Wilbur H. (Wilbur Hughes), 1896-1986  Search this

Collection Creator:

Youngman, Wilbur H. (Wilbur Hughes), 1896-1986  Search this

Extent:

1 Negatives (photographic)

Type:

Archival materials

Negatives (photographic)

Place:

Saint-Jean-Pied-de-Port (France)

Date:

1946

General:

The image was in an envelope labeled "St. Jean de Pied a Port" (sic). The sign above the doorway reads, in Spanish,"Todo Por La Patria," meaning "Everything for the Motherland." This suggests that the photograph was possibly taken in Spain, the French-Spanish border being not far from Saint-Jean-Pied-de-Port, and that the soldiers are Spanish.

Collection Restrictions:

Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Topic:

Soldiers  Search this

Chalets  Search this

Cities and towns -- France  Search this

Military -- Spain  Search this

Collection Citation:

Smithsonian Institution, Archives of American Gardens, Wilbur H. Youngman collection.

Identifier:

AAG.YMN, Item YMN143

See more items in:

Wilbur H. Youngman Collection

Wilbur H. Youngman Collection / Images / France / Unidentified Locations in France

Archival Repository:

Archives of American Gardens

GUID:

https://n2t.net/ark:/65665/kb60b5927cb-2bec-4214-84fb-e09b5cd82fa8

EDAN-URL:

ead_component:sova-aag-ymn-ref179

Photographer:

Youngman, Wilbur H. (Wilbur Hughes), 1896-1986  Search this

Collection Creator:

Youngman, Wilbur H. (Wilbur Hughes), 1896-1986  Search this

Extent:

1 Negatives (photographic)

Type:

Archival materials

Negatives (photographic)

Place:

Saint-Jean-Pied-de-Port (France)

Date:

1946

Collection Restrictions:

Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Topic:

Citadels -- France  Search this

Soldiers  Search this

Buildings  Search this

Collection Citation:

Smithsonian Institution, Archives of American Gardens, Wilbur H. Youngman collection.

Identifier:

AAG.YMN, Item YMN144

See more items in:

Wilbur H. Youngman Collection

Wilbur H. Youngman Collection / Images / France / Unidentified Locations in France

Archival Repository:

Archives of American Gardens

GUID:

https://n2t.net/ark:/65665/kb6cb536451-c850-431a-b0b0-a1fc645d6914

EDAN-URL:

ead_component:sova-aag-ymn-ref180

Photographer:

Youngman, Wilbur H. (Wilbur Hughes), 1896-1986  Search this

Collection Creator:

Youngman, Wilbur H. (Wilbur Hughes), 1896-1986  Search this

Extent:

1 Negatives (photographic)

Type:

Archival materials

Negatives (photographic)

Place:

Saint-Jean-Pied-de-Port (France)

Date:

1946

Collection Restrictions:

Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Topic:

Soldiers  Search this

Walls, stone  Search this

Arches  Search this

Cities and towns -- France  Search this

Buildings  Search this

Streets -- France  Search this

Collection Citation:

Smithsonian Institution, Archives of American Gardens, Wilbur H. Youngman collection.

Identifier:

AAG.YMN, Item YMN146

See more items in:

Wilbur H. Youngman Collection

Wilbur H. Youngman Collection / Images / France / Unidentified Locations in France

Archival Repository:

Archives of American Gardens

GUID:

https://n2t.net/ark:/65665/kb687800eff-16e3-44f6-95f9-3caca97dd028

EDAN-URL:

ead_component:sova-aag-ymn-ref182

Photographer:

Youngman, Wilbur H. (Wilbur Hughes), 1896-1986  Search this

Collection Creator:

Youngman, Wilbur H. (Wilbur Hughes), 1896-1986  Search this

Extent:

1 Negatives (photographic)

Type:

Archival materials

Negatives (photographic)

Place:

Carcassonne (France)

Date:

1946

General:

The statue above the gate opening is of the Virgin Mary.

Collection Restrictions:

Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Topic:

Forts  Search this

Cities and towns -- France  Search this

Gates -- France  Search this

Soldiers  Search this

Walls, stone  Search this

statues -- France  Search this

Collection Citation:

Smithsonian Institution, Archives of American Gardens, Wilbur H. Youngman collection.

Identifier:

AAG.YMN, Item YMN168

See more items in:

Wilbur H. Youngman Collection

Wilbur H. Youngman Collection / Images / France / Unidentified Locations in France

Archival Repository:

Archives of American Gardens

GUID:

https://n2t.net/ark:/65665/kb6b0b3d98c-7a8c-4d19-bb4d-6f20aa923dbe

EDAN-URL:

ead_component:sova-aag-ymn-ref202

Photographer:

Youngman, Wilbur H. (Wilbur Hughes), 1896-1986  Search this

Collection Creator:

Youngman, Wilbur H. (Wilbur Hughes), 1896-1986  Search this

Extent:

1 Negatives (photographic)

Type:

Archival materials

Negatives (photographic)

Place:

Regensburg (Germany)

Date:

1946

General:

The high bedding, or hilling, was probably unusual and may have indicated that the soil was brought in from another location to create these garden plots. YMN006 shows the same location.

Collection Restrictions:

Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Topic:

Cities and towns -- Germany  Search this

Vegetable gardening  Search this

Buildings  Search this

Apartments  Search this

Streets  Search this

Automobiles  Search this

Soldiers  Search this

Allotment gardens  Search this

Collection Citation:

Smithsonian Institution, Archives of American Gardens, Wilbur H. Youngman collection.

Identifier:

AAG.YMN, Item YMN005

See more items in:

Wilbur H. Youngman Collection

Wilbur H. Youngman Collection / Images / Germany / Regensburg

Archival Repository:

Archives of American Gardens

GUID:

https://n2t.net/ark:/65665/kb6eca5adf1-5f2b-4ead-89f4-ba75cd559f9f

EDAN-URL:

ead_component:sova-aag-ymn-ref52

Collection Creator:

Sturtevant, William C.  Search this

Container:

Box 516

Type:

Archival materials

Date:

1971

Scope and Contents note:

Ekholm, Gordon; Oral History; abt 6 hours, winter-spring 1971

Collection Restrictions:

Files containing Sturtevant's students' grades have been restricted, as have his students' and colleagues' grant and fellowships applications. Restricted files were separated and placed at the end of their respective series in boxes 87, 264, 322, 389-394, 435-436, 448, 468, and 483. For preservation reasons, his computer files are also restricted. Seminole sound recordings are restricted. Access to the William C. Sturtevant Papers requires an apointment.

Collection Rights:

Contact the repository for terms of use.

Collection Citation:

William C. Sturtevant papers, National Anthropological Archives, Smithsonian Institution

Sponsor:

The papers of William C. Sturtevant were processed with the assistance of a Wenner-Gren Foundation Historical Archives Program grant awarded to Dr. Ives Goddard. Digitization and preparation of these materials for online access has been funded through generous support from the Arcadia Fund.

See more items in:

William C. Sturtevant papers

William C. Sturtevant papers / Series 13: Sound Recordings

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw38d5e4b58-2de2-4d8e-b12c-3714e4c1b845

EDAN-URL:

ead_component:sova-naa-2008-24-ref15330

Creator:

Setzler, Frank M. (Frank Maryl), 1902-1975  Search this

Names:

National Museum of Natural History (U.S.). Department of Anthropology  Search this

Extent:

17.5 Linear feet

Type:

Collection descriptions

Archival materials

Date:

1927-1960

Scope and Contents:

The papers reflect many of the activities of Setzler, ranging from his curatorial duties, activities with several organizations, and his field work. Much of this, however, is contained in correspondence only. Among the materials relating to field work are diaries and other materials relating to the Yampa-Green reconnaissance, field material relating to the Arnhem Land Expedition, and aerial photographs and related flight logs made over Marksville, Louisiana, through arrangements with Dache McClain Reeves. Other materials relating to the Marksville site are found in the papers of James Alfred Ford. Also included among the papers are some field materials concerning W. W. Taylor's work in Mexico, a parchment deed to land in Maryland, correspondence between Neil Merton Judd and James Townsend Russell, and manuscript articles on culture sequences in Illinois by Thorne Deuel and on Wisconsin pottery by Will C. McKern.

Please note that the contents of the collection and the language and terminology used reflect the context and culture of the time of its creation. As an historical document, its contents may be at odds with contemporary views and terminology and considered offensive today. The information within this collection does not reflect the views of the Smithsonian Institution or National Anthropological Archives, but is available in its original form to facilitate research.

Arrangement:

The collection is arranged into 14 series: (1) Correspondence, 1929-1960, (2) Work Projects Administration correspondence, 1930s-1940s; (3) diaries, 1948; (4) drafts for journal articles, 1932-1954; (5) reprints of published articles, 1930-1956; (6) addresses and lectures, 1928-1951; (7) school notebooks, 1927-1928; (8) Smithsonian exhibits, reports, affairs, 1925-1960; (9) papers relating to the National Park Service Advisory Boards, 1940-1952; (10) papers relating to the National Research Council, 1934-1935; 1937-1943; (11) papers relating to professional societies, 1930-1950s; (12) miscellany, 1930-1959; (13) photographs; (14) maps.

Biographical Note:

While Frank Maryl Setzler was an undergraduate student at Ohio State University during the mid-1920s, he served as an assistant field director at the Ohio State Museum and worked under Henry C. Shetrone in excavations of the Hopewell and Seip mounds in central Ohio. He was later a graduate student of anthropology at the University of Chicago and took courses from Fay-Cooper Cole, Robert Redfield, and Edward Sapir. At the same time, he worked as an Indiana state archaeologist and carried out excavations of mounds in southeastern Indiana and a survey of the Whitewater River Valley. He also worked on the University of Chicago's pictorial survey of Mississippi Valley archeology.

In 1930, Setzler was appointed assistant curator in the Division of Archeology of the United States National Museum. In 1935, he was made acting head curator for the Department of Anthropology and two years later became head curator. A number of significant developments took place during his career at the Smithsonian. During the 1930s and early 1940s, the government was involved in many archaeological projects through its work relief programs, including the Federal Emergency Relief, Civil Works, Public Works, and Work Projects administrations.

Setzler not only took advantage of the assistance provided by these programs for his own archeological work, but he also participated in the CWA as Smithsonian Institution liaison officer responsible for the direction of eleven projects in the southeastern states and California. For the WPA, he served as a consultant, reviewing project proposals. While he was head curator, he participated in a study of visitor reactions to the United States National Museum exhibits and supervised the modernization of exhibits of the Department of Anthropology.

He also worked toward the removal of nonanthropological sections which had long been part of the department, expansion of the curatorial staff to include specialists outside North America, and establishment of a docent service. In addition, he was responsible for the department's efforts made necessary by World War II, including the protection of the collections, special tours for soldiers, special exhibits, and work for the Ethnogeographic Board.

Setzler was involved in surveys and excavations in southwestern Texas in an attempt to find links between Mexican Indian cultures and those of the Mississippi Valley. Related work was later carried out under Setzler's direction by museum collaborator Walter W. Taylor, who undertook archaeological work in the state of Coahuila in Mexico. Setzler also worked at sites in Chaco Canyon, New Mexico, and carried out reconnaissance along the Yampa and Green Rivers in Colorado and Utah. In 1948, he was deputy leader for the Australian-American Arnhem Land Expedition sponsored by the Smithsonian, National Geographic Society, and the government of Australia.

Setzler's chief interest, however, continued in the archaeology of the midewestern states and he developed a strong interest in the southeastern states. Included in his activities was work at Marksville, Louisiana; Proctorville, Ohio; Cumberland Island, Florida; the Kinaid site, Illinois; Cambridge, Maryland; New Martinsville, West Virginia; and Saltsville, Virginia. With John Reed Swanton, he also investigated sites of villages reported by the chroniclers of Hernando de Soto. Late in his career, he also joined C. Malcolm Watkins and Oscar H. Darter in excavating historical sites at Marlborough Town and near Bell Plains in Virginia.

Setzler was also active with a number of scientific and government organizations. He was a member of the Advisory Board for National Parks, Historic Sites, Buildings, and Monuments of the National Park Service and its secretary in 1940-1942. He represented anthropology on the National Research Council in 1940-1942 and was vice chairman of the Division of Anthropology and Psychology of the National Academy of Science in 1942-1943. In 1937-1940, he was secretary of the American Anthropological Association; and, between 1939 and 1953, he held offices with the Washington Academy of Sciences, including the presidency in 1953. He was secretary of the Anthropological Society of Washington in 1932-1937 and president in 1940-1942. In 1930-1941, he was on the council of the Society for American Archaeology.

Related Materials:

The National Anthropological Archives holds the Frank Maryl Setzler photographs (NAA.PhotoLot.36), Harris and Ewing Photographic News Service photograph of Smithsonian officials unpacking boxes from American-Australian Scientific Expedition to Arnhem Land (NAA.PhotoLot.80-36), MS 2180 Report of a visit to the Grave Creek Mound, at Moundsville, West Virginia, MS 7298 Memorandum to Frank Maryl Setzler, and MS 7437 Letter to A. E. Henning.

Restrictions:

The Frank Maryl Setzler papers are open for research.

Access to the Frank Maryl Setzler papers requires an appointment.

Rights:

Contact the repository for terms of use.

Topic:

Archaeology  Search this

American Australian Scientific Expedition to Arnhem Land, 1948  Search this

United States. -- Work Projects Administration  Search this

Citation:

Frank Maryl Setzler papers, National Anthropological Archives, Smithsonian Institution

Identifier:

NAA.XXXX.0329

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw39b894f7b-4a99-4b7e-9567-be100cff15fa

EDAN-URL:

ead_collection:sova-naa-xxxx-0329

Sitter:

Rana Amar Singh II  Search this

Medium:

Opaque watercolor and gold on cloth

Dimensions:

H x W (Unframed measurement): 108 × 175.7 cm (42 1/2 × 69 3/16 in)

Type:

Painting

Origin:

Udaipur, Rajasthan state, Mewar, India

Date:

ca. 1700

Period:

Sisodia dynasty, Reign of Amar Singh II

Topic:

horse  Search this

elephant  Search this

rain  Search this

Sisodia dynasty (861 - 1947)  Search this

courtier  Search this

palace  Search this

India  Search this

ruler  Search this

South Asian and Himalayan Art  Search this

city  Search this

soldier  Search this

Catherine and Ralph Benkaim Collection  Search this

Credit Line:

Purchase and partial gift made in 2012 from the Catherine and Ralph Benkaim Collection — Charles Lang Freer Endowment

Accession Number:

F2012.4.2

Restrictions & Rights:

Usage conditions apply

Related Online Resources:

Google Cultural Institute

See more items in:

Freer Gallery of Art and Arthur M. Sackler Gallery Collection

Data Source:

Freer Gallery of Art and Arthur M. Sackler Gallery

GUID:

http://n2t.net/ark:/65665/ye34f9dc33c-aba6-4319-98d2-62ced806df5b

EDAN-URL:

edanmdm:fsg_F2012.4.2

Artist:

Attributed to the Stipple Master (Active 1692-1715)  Search this

Sitter:

Rana Amar Singh II  Search this

Medium:

Opaque watercolor on paper

Dimensions:

H x W (sheet & image): 37 x 23.5 cm (14 9/16 x 9 1/4 in)

Type:

Painting

Origin:

Udaipur, Rajasthan state, Mewar, India

Date:

ca. 1705

Period:

Sisodia dynasty, Reign of Amar Singh II

Topic:

landscape  Search this

horse  Search this

fan  Search this

Sisodia dynasty (861 - 1947)  Search this

courtier  Search this

India  Search this

ruler  Search this

hookah  Search this

South Asian and Himalayan Art  Search this

city  Search this

soldier  Search this

Catherine and Ralph Benkaim Collection  Search this

Credit Line:

Purchase and partial gift made in 2012 from the Catherine and Ralph Benkaim Collection — Charles Lang Freer Endowment

Accession Number:

F2012.4.5

Restrictions & Rights:

Usage conditions apply

Related Online Resources:

Google Cultural Institute

See more items in:

Freer Gallery of Art and Arthur M. Sackler Gallery Collection

Data Source:

Freer Gallery of Art and Arthur M. Sackler Gallery

GUID:

http://n2t.net/ark:/65665/ye37612354e-6724-4bd8-b0ab-f00ede87a3ba

EDAN-URL:

edanmdm:fsg_F2012.4.5

Artist:

Jugarsi (active mid-18th century)  Search this

Sitter:

Maharana Jagat Singh II (1734-1751)  Search this

Medium:

Opaque watercolor and gold on paper

Dimensions:

H x W (image-inside border): 26.6 × 44.7 cm (10 1/2 × 17 5/8 in)

H x W x D (exhibition frame): 48.3 × 63.5 × 4.4 cm (19 × 25 × 1 3/4 in)

Type:

Painting

Origin:

Udaipur, Rajasthan state, Mewar, India

Date:

ca. 1730-1745

Period:

Sisodia dynasty, Reign of Jagat Singh II

Topic:

landscape  Search this

bear  Search this

hunting  Search this

horse  Search this

Sisodia dynasty (861 - 1947)  Search this

India  Search this

South Asian and Himalayan Art  Search this

soldier  Search this

rifle  Search this

Catherine and Ralph Benkaim Collection  Search this

Credit Line:

Purchase and partial gift made in 2012 from the Catherine and Ralph Benkaim Collection — Charles Lang Freer Endowment

Accession Number:

F2012.4.7

Restrictions & Rights:

Usage conditions apply

Related Online Resources:

Google Cultural Institute

See more items in:

Freer Gallery of Art and Arthur M. Sackler Gallery Collection

Data Source:

Freer Gallery of Art and Arthur M. Sackler Gallery

GUID:

http://n2t.net/ark:/65665/ye3b2dab5b5-1637-4d63-ab44-77ee21ee6a2b

EDAN-URL:

edanmdm:fsg_F2012.4.7

Artist:

Attributed to Miskin (active late 1570s–ca. 1604)  Search this

Medium:

Opaque watercolor and gold on paper

Dimensions:

H x W: 27 x 17.4 cm (10 5/8 x 6 7/8 in)

Type:

Drawing

Origin:

India

Date:

ca. 1600

Period:

Mughal dynasty

Topic:

camel  Search this

goat  Search this

horse  Search this

man  Search this

cooking  Search this

Mughal dynasty (1526 - 1858)  Search this

India  Search this

tent  Search this

South Asian and Himalayan Art  Search this

soldier  Search this

Credit Line:

Purchase — Smithsonian Unrestricted Trust Funds

Accession Number:

S1987.1103

Restrictions & Rights:

Usage conditions apply

Related Online Resources:

Google Cultural Institute

See more items in:

Freer Gallery of Art and Arthur M. Sackler Gallery Collection

Data Source:

Freer Gallery of Art and Arthur M. Sackler Gallery

GUID:

http://n2t.net/ark:/65665/ye331875405-b705-4241-9acc-2a55917628fa

EDAN-URL:

edanmdm:fsg_S1987.1103

Depicted (sitter):

Wayne, John  Search this

Holden, William  Search this

Publisher:

Dell Publishing Company, Inc.  Search this

Physical Description:

paper (overall material)

ink (overall material)

Measurements:

overall: 10 1/4 in x 7 1/4 in; 26.035 cm x 18.415 cm

Object Name:

comic book

Place made:

United States: New York, New York

Publishing date:

ca 1959

Subject:

Motion Pictures  Search this

Comics  Search this

Credit Line:

Gift of Robert White

ID Number:

1980.0202.08

Accession number:

1980.0202

Catalog number:

1980.0202.08

See more items in:

Culture and the Arts: Entertainment

Movies

Comic Books

Movie Collection

Data Source:

National Museum of American History

GUID:

http://n2t.net/ark:/65665/ng49ca746b3-76e1-704b-e053-15f76fa0b4fa

EDAN-URL:

edanmdm:nmah_662404

Creator:

McCoy, Esther  Search this

Names:

Historic American Buildings Survey  Search this

Society of Architectural Historians  Search this

University of California, Los Angeles. School of Architecture and Urban Planning  Search this

Ain, Gregory, 1908-1988  Search this

Barragán, Luis, 1902-  Search this

Bradbury, Ray, 1920-2012  Search this

Davidson, Julius Ralph, b. 1889  Search this

Dreiser, Theodore, 1871-1945  Search this

Ellwood, Craig  Search this

Gill, Irving, 1870-1936  Search this

Grotz, Dorothy  Search this

Hollein, Hans, 1934-2014  Search this

Jones, A. Quincy (Archie Quincy), 1913-1979  Search this

Maybeck, Bernard R.  Search this

Neutra, Richard Joseph, 1892-1970  Search this

O'Gorman, Juan, 1905-  Search this

Rand, Marvin  Search this

Schindler, R. M. (Rudolph M.), 1887-1953  Search this

Shulman, Julius  Search this

Soriano, Rafael, 1920-  Search this

Watanabe, Makoto  Search this

Worlidge, T. (Thomas), 1700-1766  Search this

Extent:

44 Linear feet

Type:

Collection descriptions

Archival materials

Diaries

Etchings

Photographs

Sound recordings

Interviews

Video recordings

Slides (photographs)

Transcripts

Drawings

Memoirs

Date:

circa 1876-1990

bulk 1938-1989

Summary:

The papers of Southern California architectural historian, critic, and writer Esther McCoy measure 44.0 linear feet and date from 1876 to 1990 (bulk 1938-1989). McCoy was interested in both Italian and Mexican architecture as well as the folk art and crafts of Mexico and South America. The collection documents McCoy's career, as well as her family and personal life through biographical material, extensive correspondence, personal and professional writings, project files, Southern California architects' files, clippings and other printed material, a large collection of photographs and slides, and taped interviews of Southern California modern architects.

Scope and Content Note:

The papers of Southern California architectural historian, critic, and writer Esther McCoy measure 44.0 linear feet and date from 1876 to 1990 (bulk 1938-1989). McCoy was interested in both Italian and Mexican architecture as well as the folk art and crafts of Mexico and South America. The collection documents McCoy's career, as well as her family and personal life through biographical material, extensive correspondence, personal and professional writings, project files, Southern California architects' files, clippings and other printed material, a large collection of photographs and slides, and taped interviews of Southern California modern architects.

Biographical and family material consists of awards, resumes, identification documents, and other documentation of McCoy's personal life. Included are a transcript of a 1984 interview of McCoy by Makoto Watanabe and material relating to her friend, Theodore Dreiser.

Correspondence focuses on her personal relationships with family, friends, and lovers, and general correspondence relating primarily to her work as a writer. McCoy's personal correspondence is valuable to researchers who are interested in her personal life, her struggles as a young writer, and the way in which her family, friends, lovers, mentors, and colleagues helped to shape her work and career. As documented in this correspondence, her life offers a glimpse into twentieth-century American social and political history, especially the radical leftist movements of the 1920s and 1930s. Researchers interested in the roots of feminism in the United States should also find these papers useful in documenting the life of a creative and productive woman who was successful in a field then almost entirely dominated by men. Correspondents of note include her husband Berkeley Tobey, lovers Geoffrey Eaton and Albert Robert, writers Ray Bradbury and Theodore Dreiser, and artists and architects, such as Dorothy Grotz, Craig Ellwood, A. Quincy Jones, Hans Hollein, and J. R. Davidson. General correspondence is primarily with researchers, professors, architects, publishers, and professional organizations.

Personal writings include McCoy's diaries, notebooks, and memoirs, and writings by others including friends, lovers, and colleagues. Also included are drafts of McCoy's fictional works, both published and unpublished, including short stories, teleplays, and novels.

The collection contains in-depth documentation of McCoy's pioneering study of the modernist work of twentieth-century architects in Southern California. The bulk of her papers consist of her writing files for books, exhibition catalogs, articles, and lectures on architecture. Because many of the architects about whom McCoy wrote were her contemporaries, she developed personal relationships with several of them through her research and writing. Her writing files include drafts, notes, research material, photographs, and correspondence. McCoy also traveled extensively, particularly in Italy and Mexico, and wrote about architecture, craft, and culture in those countries. Project files document McCoy's other activities related to architectural history, such preservation projects, juries, grants, the Dodge House Preservation Campaign and related film project, her work for the Society of Architectural Historians and the Historic American Buildings Survey (HABS), and her work at the UCLA School of Architecture and Urban Planning, compiling a slide library and cataloging the Richard Neutra's papers. McCoy also maintained architect files which may contain correspondence, notes, photographs, research material, interview transcripts, about architects and their works. Among these extensive records, the files documenting the careers of R. M. Schindler, Irving Gill, Richard Neutra, and Juan O'Gorman are particularly rich.

Printed material in this collection documents McCoy's career as well as her personal interests. Included are books, clippings, magazines, newsletters, press releases, as well as publications arranged by subject such as architecture, art, Italy, and Mexico. McCoy also collected literary and leftist publications. The small amount of artwork in this collection consists of artwork sent to her by friends, including a drawing of her by Esther Rollo and etchings by various artists including Thomas Worlidge.

There are personal photographs of family and friends and of McCoy at different times in her life, as well as photographs gathered during the course of her research on architecture. Found here are photographs of architects and their works, including a large number depicting the work of Gregory Ain, Luis Barragan, J. R. Davidson, Irving Gill, Bernard Maybeck, Juan O'Gorman, R. M. Schindler, and Raphael Soriano. Many of these photographs were taken by notable architectural photographers Julius Shulman and Marvin Rand. Also found are photographs of architecture designed for the Case Study House program of Arts & Architecture magazine; exhibition photographs, primarily for the exhibition "Ten Italian Architects" in 1967; and other research photographs primarily documenting architecture and craft in other countries and the history of architecture in California. This series also includes approximately 3,600 slides of architecture.

Audio and video recordings include a videocassette of McCoy's 80th birthday party and 55 taped interviews with architects, people associated with architectural projects, and artists.

Arrangement:

The collection is arranged into 10 series:

Missing Title

Series 1: Biographical and Family Material, 1881-1989 (boxes 1, 48; 0.6 linear feet)

Series 2: Correspondence, 1896-1989 (boxes 1-6, 4.9 linear feet)

Series 3: Personal Writings, 1919-1989 (boxes 6-14; 8.1 linear feet)

Series 4: Architectural Writings, 1908-1990 (boxes 14-24, 42, 49, 50; 10.2 linear feet)

Series 5: Projects, circa 1953-1988 (boxes 24-26, 47, FC 53-56; 2.5 linear feet)

Series 6: Architect Files, 1912-1990 (boxes 26-28, 42; 2.2 linear feet)

Series 7: Printed Material, circa 1885-1990 (boxes 28-31, 42; 2.9 linear feet)

Series 8: Artwork, 1924-1967, undated (box 31; 0.4 linear feet)

Series 9: Photographs and Slides, circa 1876-1989 (boxes 31-38, 41-46, 51; 8.3 linear feet)

Series 10: Audio and Video Recordings, 1930-1984 (boxes 38-40, 47; 2.5 linear feet)

Biographical Note:

Esther McCoy (1904-1989) is remembered best for her pioneering work as an architectural historian, critic, and proponent of Southern California modern architecture of the early to mid-twentieth century. McCoy was interested in both Italian and Mexican architecture as well as the folk art and crafts of Mexico and South America. Although her professional interests ranged from writing fiction to studying the folk architecture and crafts of Mexico, McCoy achieved her most notable success for her numerous articles, books, and exhibitions about Southern California architecture and the architects associated with the modernist movement.

Born in Arkansas in 1904, Esther McCoy grew up in Kansas and attended various schools in the Midwest. In 1926 she left the University of Michigan to launch a writing career in New York, where she moved in avant-garde literary circles and conducted research for Theodore Dreiser. She began writing fiction in New York and continued to write after moving to Los Angeles in 1932, working on short stories, novels, and screenplays. She published numerous short stories between 1929 and 1962, with works appearing in the New Yorker, Harper's Bazaar, and university quarterlies. Her short story, "The Cape," was reprinted in Best Short Stories of 1950. Many of the novels that she wrote from the mid-1960s through the 1980s were related thematically to architects and architecture.

During the late 1920s and throughout the 1930s, McCoy participated in the politically radical movements of the period and wrote for leftist publications. Her interest in the lowcost housing projects of modern architects was prompted by one of her articles about slums for Epic News. During World War II she entered a training program for engineering draftsmen at Douglas Aircraft and in 1944 was hired as an architectural draftsman for the architect R.M. Schindler. As she became increasingly interested in modern architecture and design, she combined her two major career interests and began to focus her energies on architectural research, writing, and criticism. Her first article on architecture, "Schindler: Space Architect," was published in 1945 in the journal Direction.

McCoy began writing about architecture in earnest in 1950 as a free-lance contributor to the Los Angeles Times. From then until her death in 1989, she wrote prolifically for Arts & Architecture magazine, Los Angeles Times, Los Angeles Herald Examiner, Architectural Record, L'Architectura, Zodiac (Italy), Progressive Architecture, Lotus (Italy), and Architectural Forum. In addition to her numerous articles, McCoy wrote several books on Southern California modern architecture and architects. Her first major work, Five California Architects, published in 1960, is now recognized as a classic work in modern architectural history. It promoted a serious study of modern architecture in Southern California and introduced to the world several leading California architects and their work: Bernard Maybeck, Irving Gill, Charles and Henry Greene, and R.M. Schindler. That same year, she published another important book focusing on the work of the California architect Richard Neutra. Other books by McCoy include Modern California Houses: Case Study Houses (1962), Craig Ellwood (1968), Vienna to Los Angeles: Two Journeys (1979), and The Second Generation (1984).

In addition to these books, McCoy organized and wrote catalogs for several significant exhibitions focusing on contemporary architects. Her first was the R.M. Schindler Retrospective, a 1954 exhibition at the Landau Art Gallery in Los Angeles. Her other exhibitions and accompanying catalogs include Roots of California Contemporary Architecture, 1956, Los Angeles Municipal Art Department; Felix Candela, 1957, University of Southern California, Los Angeles; Irving Gill, 1958, Los Angeles County Museum of Art; Juan O'Gorman, 1964, San Fernando Valley State College; and Ten Italian Architects, 1967, Los Angeles County Museum of Art. Moreover, McCoy contributed numerous essays to other exhibition catalogs and publications, lectured at the University of Southern California, participated in preservation projects, organized tours for the Society of Architectural Historians, and contributed to a number of documentary films. Her energy and interests also led her to catalog and transcribe Richard Neutra's papers at the University of California Los Angeles Archives.

McCoy received national recognition from the American Institute of Architects for her seminal and prolific work in the field of Southern California modern architectural history and criticism. Her interests, however, were not exclusively bound to California. She traveled the world and was interested in both Italian and Mexican architecture as well as the folk art and crafts of Mexico and South America. She made five extended trips to Italy during the 1950s and 1960s, publishing regularly about the architecture there and curating the exhibition Ten Italian Architects. She was a contributing editor to two Italian journals, Zodiac and Lotus, and was awarded the Star of Order of Solidarity in 1960 by the Republic of Italy for her research and writing.

Esther McCoy died of emphysema on December 30, 1989, at the age of eighty-five. Her last contribution was an essay for the exhibition catalog Blueprints for Modern Living: History and Legacy of the Case Study House. The show opened at the Museum of Contemporary Art in Los Angeles one month before her death.

Missing Title

1904 -- Born November 18 in Horatio, Arkansas. Raised in Kansas.

1920 -- Attended preparatory school at Central College for Women, Lexington, Missouri.

1922-1925 -- College education: Baker University, Baldwin City, Kansas; University of Arkansas, Fayetteville; Washington University, St. Louis, Missouri; University of Michigan.

1924 -- Visited Theodore Dreiser in Michigan.

1926-1938 -- Began writing in New York City.

1926-1938 -- Researched and read for Theodore Dreiser.

1926-1938 -- Worked for editorial offices and publishers.

1926-1938 -- Traveled to write in Paris (1928), Key West, Florida (1930), and Los Angeles, California (1932-1935).

1938 -- Moved to Santa Monica, California.

1941 -- Married Berkeley Greene Tobey.

1942-1944 -- Employed as engineering draftsman at Douglas Aircraft.

1944-1947 -- Worked as architectural draftsman for R.M. Schindler.

1945 -- Began architectural writing career.

1950 -- Wrote script for film Architecture West.

1950 -- Joined editorial board of Arts & Architecture.

1950-1968 -- Worked as free-lance writer for the Los Angeles Times.

1951-1955 -- Traveled to, researched, and wrote about Mexico and Mexican art and architecture.

1954 -- R.M. Schindler Retrospective exhibition at the Landau Art Gallery, Los Angeles.

1956 -- Roots of California Contemporary Architecture exhibition, Los Angeles Municipal Art Department.

1957 -- Felix Candela exhibition, University of Southern California, Los Angeles.

1958 -- Irving Gill exhibition, Los Angeles County Museum of Art. Traveled to Italy.

1959-1968 -- Contributing editor to Italian periodicals Zodiac and Lotus.

1960 -- Five California Architects (New York: Reinhold).

1960 -- Richard Neutra (New York: G. Braziller).

1960 -- Awarded Star of Order of Solidarity by the Republic of Italy for reporting on arts and crafts in Italy.

1962 -- Death of Berkeley Greene Tobey.

1962 -- Modern California Houses: Case Study Houses (New York: Reinhold) (reprinted as Case Study Houses, Los Angeles: Hennessey and Ingalls, 1978).

1963 -- Resident Fellow at Huntington Hartford Foundation.

1964 -- Juan O'Gorman exhibition, San Fernando Valley State College, Northridge, Calif.

1965 -- Consultant for the California Arts Commission.

1965-1966 -- Wrote and produced the film Dodge House.

1965-1968 -- Lecturer at University of California at Los Angeles, School of Architecture and Urban Planning.

1966 -- Resident Fellow at MacDowell Colony, New Hampshire.

1967 -- Ten Italian Architects exhibition, Los Angeles County Museum of Art.

1967 -- Honorary Associate of the Southern California Chapter of the American Institute of Architects.

1967 -- Regents' Lecturer at University of California, Santa Barbara.

1968 -- Craig Ellwood (New York: Walker).

1968 -- Distinguished Service Citation from the California Council of AIA.

1969-1970 -- Lecturer at the University of California, Santa Barbara.

1969-1989 -- Contributing editor of Progressive Architecture.

1971-1978 -- Graham Foundation Grants.

1974 -- Regents' Lecturer at the University of California,Santa Cruz.

1979 -- Vienna to Los Angeles: Two Journeys (Santa Monica, Calif.: Arts & Architecture Press).

1979 -- Guggenheim Foundation Fellowship.

1981 -- Los Angeles Chapter Women's Architectural League Honorary Member.

1982 -- Los Angeles County Museum of Art's Modern and Contemporary Art Council Award for Distinguished Achievement.

1983 -- Home Sweet Home: The California Ranch House exhibition at California State University.

1984 -- The Second Generation (Salt Lake City: Peregrine Smith Books).

1985 -- American Institute of Architects, Institute Honor.

1986 -- High Styles exhibition at the Whitney Museum of American Art.

1987 -- Vesta Award for outstanding scholarship.

1989 -- Award from the Historical Society of Southern California.

1989 -- Award from the City of Los Angeles Department of Cultural Affairs.

1989 -- Blueprints for Modern Living: History and Legacy of the Case Study House exhibition at the Museum of Contemporary Art, Los Angeles. Died in Santa Monica, California, December 30.

Related Material:

Also in the Archives of American Art are eight sound cassettes of a transcribed interview with Esther McCoy conducted by Joseph Giovannini, June 8-November 14, 1987.

Provenance:

The collection was given to the Archives of American Art by Esther McCoy in 1986. Before her death in 1989, McCoy assisted in the organization and identification of the papers. Original pre-print film elements for Dodge House 1916 were donated to the Archives of American Art by the Academy Film Archive in 2018.

Restrictions:

Use of original papers requires an appointment. Use of audiovisual recordings without access copies requires advance notice.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Architectural historians -- California  Search this

Art critics -- California  Search this

Topic:

Architecture, Modern -- 20th century -- Mexico  Search this

Architects -- Italy  Search this

Architecture, Domestic -- California  Search this

Authors -- California  Search this

Architecture, Modern -- 20th century -- California  Search this

Architecture, Modern -- 20th century -- Europe  Search this

Architects -- California  Search this

Feminism and art  Search this

Latino and Latin American artists  Search this

Genre/Form:

Diaries

Etchings

Photographs

Sound recordings

Interviews

Video recordings

Slides (photographs)

Transcripts

Drawings

Memoirs

Citation:

Esther McCoy papers, circa 1876-1990, bulk 1938-1989. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing and digitization of this collection was provided by the John Randolph Haynes and Dora Haynes Foundation and the Terra Foundation for American Art.

Identifier:

AAA.mccoesth

See more items in:

Esther McCoy papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw93ee58e3b-f2fc-4d98-acf9-de6f76bfed63

EDAN-URL:

ead_collection:sova-aaa-mccoesth

Item Creator:

Church Missionary Society. Uganda Mission  Search this

Extent:

1 Photographic print (B/W)

Type:

Archival materials

Photographic prints

Place:

Uganda

Date:

ca. 1897

General:

Original caption reads "Lt. Hobart of the Grenadier Guards firing a Maxim gun supported by some of his Soudanese troops called the Uganda Rifles. The men sitting behind are the Lenda Swahili porters who carry the Maxim."

Item Restrictions:

Use of original records requires an appointment. Contact Archives staff for more details.

Item Rights:

Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.

Topic:

Soldiers  Search this

Identifier:

EEPA.1998-002, Item EEPA.1998-002-0054

See more items in:

Uganda photographs

Archival Repository:

Eliot Elisofon Photographic Archives, National Museum of African Art

GUID:

https://n2t.net/ark:/65665/xo77e600e78-f82e-4fed-a947-3ea5707d8aea

EDAN-URL:

ead_component:sova-eepa-1998-002-ref562

Item Creator:

Church Missionary Society. Uganda Mission  Search this

Extent:

1 Photographic print (B/W)

Type:

Archival materials

Photographic prints

Place:

Mbarara (Uganda)

Date:

ca. 1907

General:

Soudanese soldiers belonging to the Uganda Rifles stationed at Mbarara

Item Restrictions:

Use of original records requires an appointment. Contact Archives staff for more details.

Item Rights:

Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.

Topic:

Soldiers  Search this

Identifier:

EEPA.1998-002, Item EEPA.1998-002-0137

See more items in:

Uganda photographs

Archival Repository:

Eliot Elisofon Photographic Archives, National Museum of African Art

GUID:

https://n2t.net/ark:/65665/xo7e1e0a75a-dd6c-4c03-99a7-9e9545bc382f

EDAN-URL:

ead_component:sova-eepa-1998-002-ref645

Item Creator:

Church Missionary Society. Uganda Mission  Search this

Extent:

1 Photographic print (B/W)

Type:

Archival materials

Photographic prints

Place:

Mbarara (Uganda)

Date:

ca. 1907

General:

Soudanese soldiers belonging to the Uganda Rifles stationed at Mbarara

Item Restrictions:

Use of original records requires an appointment. Contact Archives staff for more details.

Item Rights:

Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.

Topic:

Soldiers  Search this

Identifier:

EEPA.1998-002, Item EEPA.1998-002-0138

See more items in:

Uganda photographs

Archival Repository:

Eliot Elisofon Photographic Archives, National Museum of African Art

GUID:

https://n2t.net/ark:/65665/xo75796c7a2-9d3c-42d1-aae9-8b7335f79b8f

EDAN-URL:

ead_component:sova-eepa-1998-002-ref646