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[Berlin? Frankfurt? soldier and civilians in front of rubble and damaged buildings]

Collection Creator:
Youngman, Wilbur H. (Wilbur Hughes), 1896-1986  Search this
Extent:
1 Negatives (photographic)
Type:
Archival materials
Negatives (photographic)
Date:
1946
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Citation:
Smithsonian Institution, Archives of American Gardens, Wilbur H. Youngman collection.
Identifier:
AAG.YMN, Item YMN078
See more items in:
Wilbur H. Youngman Collection
Wilbur H. Youngman Collection / Images / Germany / Unidentified Locations in Germany
Archival Repository:
Archives of American Gardens
GUID:
https://n2t.net/ark:/65665/kb6721e3be6-99fe-4f8d-a4e8-6ee0ecbfc5ec
EDAN-URL:
ead_component:sova-aag-ymn-ref120

[jeeps near military barracks with soldiers]

Collection Creator:
Youngman, Wilbur H. (Wilbur Hughes), 1896-1986  Search this
Extent:
1 Photograph
Type:
Archival materials
Photographs
Date:
1946
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Citation:
Smithsonian Institution, Archives of American Gardens, Wilbur H. Youngman collection.
Identifier:
AAG.YMN, Item YMN082
See more items in:
Wilbur H. Youngman Collection
Wilbur H. Youngman Collection / Images / Germany / Unidentified Locations in Germany
Archival Repository:
Archives of American Gardens
GUID:
https://n2t.net/ark:/65665/kb637292881-c113-479a-a4d4-04a9e3536ce4
EDAN-URL:
ead_component:sova-aag-ymn-ref123

[Two unidentified men, one in Army uniform, standing by the Main River in Frankfurt, Germany, with the Dreikonigskirche (Church of the Three Kings) in the background]

Photographer:
Youngman, Wilbur H. (Wilbur Hughes), 1896-1986  Search this
Collection Creator:
Youngman, Wilbur H. (Wilbur Hughes), 1896-1986  Search this
Extent:
1 Photograph
Type:
Archival materials
Photographs
Place:
Frankfurt (Germany)
Main River (Germany)
Date:
1946
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Topic:
Cities and towns -- Germany  Search this
Soldiers  Search this
Men  Search this
Hand-railing -- Iron  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, Wilbur H. Youngman collection.
Identifier:
AAG.YMN, Item YMN107
See more items in:
Wilbur H. Youngman Collection
Wilbur H. Youngman Collection / Images / Germany / Unidentified Locations in Germany
Archival Repository:
Archives of American Gardens
GUID:
https://n2t.net/ark:/65665/kb602217b0c-fcec-409f-aea3-a1ee00db7d2b
EDAN-URL:
ead_component:sova-aag-ymn-ref127

Biarritz, Col. McCroskey handing out gifts at old folks home

Photographer:
Youngman, Wilbur H. (Wilbur Hughes), 1896-1986  Search this
Collection Creator:
Youngman, Wilbur H. (Wilbur Hughes), 1896-1986  Search this
Extent:
1 Negatives (photographic)
Type:
Archival materials
Negatives (photographic)
Place:
Biarritz (France)
Date:
1946
General:
Brigadier General (not Colonel) Samuel Lusker McCroskey (1893-1960), barely visible in this photograph, was Commandant of the Biarritz American University. The university opened in August 1945 and closed in March 1946 and was intended to provide a transition for soldiers from army life to college and university study back in the United States. It is possible that this photograph was taken at the home for the aged operated by the Little Sisters of the Poor.
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Topic:
Frail elderly  Search this
Nuns  Search this
Soldiers  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, Wilbur H. Youngman collection.
Identifier:
AAG.YMN, Item YMN036
See more items in:
Wilbur H. Youngman Collection
Wilbur H. Youngman Collection / Images / France / Biarritz
Archival Repository:
Archives of American Gardens
GUID:
https://n2t.net/ark:/65665/kb6f14f2e73-7fa3-4d33-81c0-2e43b7406111
EDAN-URL:
ead_component:sova-aag-ymn-ref140

[Soldiers gathered outside a small chalet-style building, probably in the vicinity of Saint-Jean-Pied-de-Port, France]

Photographer:
Youngman, Wilbur H. (Wilbur Hughes), 1896-1986  Search this
Collection Creator:
Youngman, Wilbur H. (Wilbur Hughes), 1896-1986  Search this
Extent:
1 Negatives (photographic)
Type:
Archival materials
Negatives (photographic)
Place:
Saint-Jean-Pied-de-Port (France)
Date:
1946
General:
The image was in an envelope labeled "St. Jean de Pied a Port" (sic). The sign above the doorway reads, in Spanish,"Todo Por La Patria," meaning "Everything for the Motherland." This suggests that the photograph was possibly taken in Spain, the French-Spanish border being not far from Saint-Jean-Pied-de-Port, and that the soldiers are Spanish.
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Topic:
Soldiers  Search this
Chalets  Search this
Cities and towns -- France  Search this
Military -- Spain  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, Wilbur H. Youngman collection.
Identifier:
AAG.YMN, Item YMN143
See more items in:
Wilbur H. Youngman Collection
Wilbur H. Youngman Collection / Images / France / Unidentified Locations in France
Archival Repository:
Archives of American Gardens
GUID:
https://n2t.net/ark:/65665/kb60b5927cb-2bec-4214-84fb-e09b5cd82fa8
EDAN-URL:
ead_component:sova-aag-ymn-ref179

[Two soldiers inside the Mediguren Citadel in Saint-Jean-Pied-de-Port, France]

Photographer:
Youngman, Wilbur H. (Wilbur Hughes), 1896-1986  Search this
Collection Creator:
Youngman, Wilbur H. (Wilbur Hughes), 1896-1986  Search this
Extent:
1 Negatives (photographic)
Type:
Archival materials
Negatives (photographic)
Place:
Saint-Jean-Pied-de-Port (France)
Date:
1946
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Topic:
Citadels -- France  Search this
Soldiers  Search this
Buildings  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, Wilbur H. Youngman collection.
Identifier:
AAG.YMN, Item YMN144
See more items in:
Wilbur H. Youngman Collection
Wilbur H. Youngman Collection / Images / France / Unidentified Locations in France
Archival Repository:
Archives of American Gardens
GUID:
https://n2t.net/ark:/65665/kb6cb536451-c850-431a-b0b0-a1fc645d6914
EDAN-URL:
ead_component:sova-aag-ymn-ref180

[Soldiers under an arch in old city walls on the Rue de France in Saint-Jean-Pied-de-Port, France]

Photographer:
Youngman, Wilbur H. (Wilbur Hughes), 1896-1986  Search this
Collection Creator:
Youngman, Wilbur H. (Wilbur Hughes), 1896-1986  Search this
Extent:
1 Negatives (photographic)
Type:
Archival materials
Negatives (photographic)
Place:
Saint-Jean-Pied-de-Port (France)
Date:
1946
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Topic:
Soldiers  Search this
Walls, stone  Search this
Arches  Search this
Cities and towns -- France  Search this
Buildings  Search this
Streets -- France  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, Wilbur H. Youngman collection.
Identifier:
AAG.YMN, Item YMN146
See more items in:
Wilbur H. Youngman Collection
Wilbur H. Youngman Collection / Images / France / Unidentified Locations in France
Archival Repository:
Archives of American Gardens
GUID:
https://n2t.net/ark:/65665/kb687800eff-16e3-44f6-95f9-3caca97dd028
EDAN-URL:
ead_component:sova-aag-ymn-ref182

[Military personnel standing in front of the Narbonne Gate in the fortified city of Carcassonne, France]

Photographer:
Youngman, Wilbur H. (Wilbur Hughes), 1896-1986  Search this
Collection Creator:
Youngman, Wilbur H. (Wilbur Hughes), 1896-1986  Search this
Extent:
1 Negatives (photographic)
Type:
Archival materials
Negatives (photographic)
Place:
Carcassonne (France)
Date:
1946
General:
The statue above the gate opening is of the Virgin Mary.
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Topic:
Forts  Search this
Cities and towns -- France  Search this
Gates -- France  Search this
Soldiers  Search this
Walls, stone  Search this
statues -- France  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, Wilbur H. Youngman collection.
Identifier:
AAG.YMN, Item YMN168
See more items in:
Wilbur H. Youngman Collection
Wilbur H. Youngman Collection / Images / France / Unidentified Locations in France
Archival Repository:
Archives of American Gardens
GUID:
https://n2t.net/ark:/65665/kb6b0b3d98c-7a8c-4d19-bb4d-6f20aa923dbe
EDAN-URL:
ead_component:sova-aag-ymn-ref202

Regensburg, note high bedding

Photographer:
Youngman, Wilbur H. (Wilbur Hughes), 1896-1986  Search this
Collection Creator:
Youngman, Wilbur H. (Wilbur Hughes), 1896-1986  Search this
Extent:
1 Negatives (photographic)
Type:
Archival materials
Negatives (photographic)
Place:
Regensburg (Germany)
Date:
1946
General:
The high bedding, or hilling, was probably unusual and may have indicated that the soil was brought in from another location to create these garden plots. YMN006 shows the same location.
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Topic:
Cities and towns -- Germany  Search this
Vegetable gardening  Search this
Buildings  Search this
Apartments  Search this
Streets  Search this
Automobiles  Search this
Soldiers  Search this
Allotment gardens  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, Wilbur H. Youngman collection.
Identifier:
AAG.YMN, Item YMN005
See more items in:
Wilbur H. Youngman Collection
Wilbur H. Youngman Collection / Images / Germany / Regensburg
Archival Repository:
Archives of American Gardens
GUID:
https://n2t.net/ark:/65665/kb6eca5adf1-5f2b-4ead-89f4-ba75cd559f9f
EDAN-URL:
ead_component:sova-aag-ymn-ref52

[Sturtevant SR 83]

Collection Creator:
Sturtevant, William C.  Search this
Container:
Box 516
Type:
Archival materials
Date:
1971
Scope and Contents note:
Ekholm, Gordon; Oral History; abt 6 hours, winter-spring 1971
Collection Restrictions:
Files containing Sturtevant's students' grades have been restricted, as have his students' and colleagues' grant and fellowships applications. Restricted files were separated and placed at the end of their respective series in boxes 87, 264, 322, 389-394, 435-436, 448, 468, and 483. For preservation reasons, his computer files are also restricted. Seminole sound recordings are restricted. Access to the William C. Sturtevant Papers requires an apointment.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
William C. Sturtevant papers, National Anthropological Archives, Smithsonian Institution
See more items in:
William C. Sturtevant papers
William C. Sturtevant papers / Series 13: Sound Recordings
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw38d5e4b58-2de2-4d8e-b12c-3714e4c1b845
EDAN-URL:
ead_component:sova-naa-2008-24-ref15330
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Online Media:

Frank Maryl Setzler papers

Creator:
Setzler, Frank M. (Frank Maryl), 1902-1975  Search this
Names:
National Museum of Natural History (U.S.). Department of Anthropology  Search this
Extent:
17.5 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1927-1960
Scope and Contents:
The papers reflect many of the activities of Setzler, ranging from his curatorial duties, activities with several organizations, and his field work. Much of this, however, is contained in correspondence only. Among the materials relating to field work are diaries and other materials relating to the Yampa-Green reconnaissance, field material relating to the Arnhem Land Expedition, and aerial photographs and related flight logs made over Marksville, Louisiana, through arrangements with Dache McClain Reeves. Other materials relating to the Marksville site are found in the papers of James Alfred Ford. Also included among the papers are some field materials concerning W. W. Taylor's work in Mexico, a parchment deed to land in Maryland, correspondence between Neil Merton Judd and James Townsend Russell, and manuscript articles on culture sequences in Illinois by Thorne Deuel and on Wisconsin pottery by Will C. McKern.

Please note that the contents of the collection and the language and terminology used reflect the context and culture of the time of its creation. As an historical document, its contents may be at odds with contemporary views and terminology and considered offensive today. The information within this collection does not reflect the views of the Smithsonian Institution or National Anthropological Archives, but is available in its original form to facilitate research.
Arrangement:
The collection is arranged into 14 series: (1) Correspondence, 1929-1960, (2) Work Projects Administration correspondence, 1930s-1940s; (3) diaries, 1948; (4) drafts for journal articles, 1932-1954; (5) reprints of published articles, 1930-1956; (6) addresses and lectures, 1928-1951; (7) school notebooks, 1927-1928; (8) Smithsonian exhibits, reports, affairs, 1925-1960; (9) papers relating to the National Park Service Advisory Boards, 1940-1952; (10) papers relating to the National Research Council, 1934-1935; 1937-1943; (11) papers relating to professional societies, 1930-1950s; (12) miscellany, 1930-1959; (13) photographs; (14) maps.
Biographical Note:
While Frank Maryl Setzler was an undergraduate student at Ohio State University during the mid-1920s, he served as an assistant field director at the Ohio State Museum and worked under Henry C. Shetrone in excavations of the Hopewell and Seip mounds in central Ohio. He was later a graduate student of anthropology at the University of Chicago and took courses from Fay-Cooper Cole, Robert Redfield, and Edward Sapir. At the same time, he worked as an Indiana state archaeologist and carried out excavations of mounds in southeastern Indiana and a survey of the Whitewater River Valley. He also worked on the University of Chicago's pictorial survey of Mississippi Valley archeology.

In 1930, Setzler was appointed assistant curator in the Division of Archeology of the United States National Museum. In 1935, he was made acting head curator for the Department of Anthropology and two years later became head curator. A number of significant developments took place during his career at the Smithsonian. During the 1930s and early 1940s, the government was involved in many archaeological projects through its work relief programs, including the Federal Emergency Relief, Civil Works, Public Works, and Work Projects administrations.

Setzler not only took advantage of the assistance provided by these programs for his own archeological work, but he also participated in the CWA as Smithsonian Institution liaison officer responsible for the direction of eleven projects in the southeastern states and California. For the WPA, he served as a consultant, reviewing project proposals. While he was head curator, he participated in a study of visitor reactions to the United States National Museum exhibits and supervised the modernization of exhibits of the Department of Anthropology.

He also worked toward the removal of nonanthropological sections which had long been part of the department, expansion of the curatorial staff to include specialists outside North America, and establishment of a docent service. In addition, he was responsible for the department's efforts made necessary by World War II, including the protection of the collections, special tours for soldiers, special exhibits, and work for the Ethnogeographic Board.

Setzler was involved in surveys and excavations in southwestern Texas in an attempt to find links between Mexican Indian cultures and those of the Mississippi Valley. Related work was later carried out under Setzler's direction by museum collaborator Walter W. Taylor, who undertook archaeological work in the state of Coahuila in Mexico. Setzler also worked at sites in Chaco Canyon, New Mexico, and carried out reconnaissance along the Yampa and Green Rivers in Colorado and Utah. In 1948, he was deputy leader for the Australian-American Arnhem Land Expedition sponsored by the Smithsonian, National Geographic Society, and the government of Australia.

Setzler's chief interest, however, continued in the archaeology of the midewestern states and he developed a strong interest in the southeastern states. Included in his activities was work at Marksville, Louisiana; Proctorville, Ohio; Cumberland Island, Florida; the Kinaid site, Illinois; Cambridge, Maryland; New Martinsville, West Virginia; and Saltsville, Virginia. With John Reed Swanton, he also investigated sites of villages reported by the chroniclers of Hernando de Soto. Late in his career, he also joined C. Malcolm Watkins and Oscar H. Darter in excavating historical sites at Marlborough Town and near Bell Plains in Virginia.

Setzler was also active with a number of scientific and government organizations. He was a member of the Advisory Board for National Parks, Historic Sites, Buildings, and Monuments of the National Park Service and its secretary in 1940-1942. He represented anthropology on the National Research Council in 1940-1942 and was vice chairman of the Division of Anthropology and Psychology of the National Academy of Science in 1942-1943. In 1937-1940, he was secretary of the American Anthropological Association; and, between 1939 and 1953, he held offices with the Washington Academy of Sciences, including the presidency in 1953. He was secretary of the Anthropological Society of Washington in 1932-1937 and president in 1940-1942. In 1930-1941, he was on the council of the Society for American Archaeology.
Related Materials:
The National Anthropological Archives holds the Frank Maryl Setzler photographs (NAA.PhotoLot.36), Harris and Ewing Photographic News Service photograph of Smithsonian officials unpacking boxes from American-Australian Scientific Expedition to Arnhem Land (NAA.PhotoLot.80-36), MS 2180 Report of a visit to the Grave Creek Mound, at Moundsville, West Virginia, MS 7298 Memorandum to Frank Maryl Setzler, and MS 7437 Letter to A. E. Henning.
Restrictions:
The Frank Maryl Setzler papers are open for research.

Access to the Frank Maryl Setzler papers requires an appointment.
Rights:
Contact the repository for terms of use.
Topic:
Archaeology  Search this
American Australian Scientific Expedition to Arnhem Land, 1948  Search this
United States. -- Work Projects Administration  Search this
Citation:
Frank Maryl Setzler papers, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.XXXX.0329
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw39b894f7b-4a99-4b7e-9567-be100cff15fa
EDAN-URL:
ead_collection:sova-naa-xxxx-0329

Maharana Amar Singh II in Udaipur during a monsoon downpour

Sitter:
Rana Amar Singh II  Search this
Medium:
Opaque watercolor and gold on cloth
Dimensions:
H x W (Unframed measurement): 108 × 175.7 cm (42 1/2 × 69 3/16 in)
Type:
Painting
Origin:
Udaipur, Rajasthan state, Mewar, India
Date:
ca. 1700
Period:
Sisodia dynasty, Reign of Amar Singh II
Topic:
horse  Search this
elephant  Search this
rain  Search this
Sisodia dynasty (861 - 1947)  Search this
courtier  Search this
palace  Search this
India  Search this
ruler  Search this
South Asian and Himalayan Art  Search this
city  Search this
soldier  Search this
Catherine and Ralph Benkaim Collection  Search this
Credit Line:
Purchase and partial gift made in 2012 from the Catherine and Ralph Benkaim Collection — Charles Lang Freer Endowment
Accession Number:
F2012.4.2
Restrictions & Rights:
Usage conditions apply
Related Online Resources:
Google Cultural Institute
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye34f9dc33c-aba6-4319-98d2-62ced806df5b
EDAN-URL:
edanmdm:fsg_F2012.4.2

Equestrian portrait of Rana Amar Singh II

Artist:
Attributed to the Stipple Master (Active 1692-1715)  Search this
Sitter:
Rana Amar Singh II  Search this
Medium:
Opaque watercolor on paper
Dimensions:
H x W (sheet & image): 37 x 23.5 cm (14 9/16 x 9 1/4 in)
Type:
Painting
Origin:
Udaipur, Rajasthan state, Mewar, India
Date:
ca. 1705
Period:
Sisodia dynasty, Reign of Amar Singh II
Topic:
landscape  Search this
horse  Search this
fan  Search this
Sisodia dynasty (861 - 1947)  Search this
courtier  Search this
India  Search this
ruler  Search this
hookah  Search this
South Asian and Himalayan Art  Search this
city  Search this
soldier  Search this
Catherine and Ralph Benkaim Collection  Search this
Credit Line:
Purchase and partial gift made in 2012 from the Catherine and Ralph Benkaim Collection — Charles Lang Freer Endowment
Accession Number:
F2012.4.5
Restrictions & Rights:
Usage conditions apply
Related Online Resources:
Google Cultural Institute
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye37612354e-6724-4bd8-b0ab-f00ede87a3ba
EDAN-URL:
edanmdm:fsg_F2012.4.5

Maharana Jagat Singh II hunting bear

Artist:
Jugarsi (active mid-18th century)  Search this
Sitter:
Maharana Jagat Singh II (1734-1751)  Search this
Medium:
Opaque watercolor and gold on paper
Dimensions:
H x W (image-inside border): 26.6 × 44.7 cm (10 1/2 × 17 5/8 in)
H x W x D (exhibition frame): 48.3 × 63.5 × 4.4 cm (19 × 25 × 1 3/4 in)
Type:
Painting
Origin:
Udaipur, Rajasthan state, Mewar, India
Date:
ca. 1730-1745
Period:
Sisodia dynasty, Reign of Jagat Singh II
Topic:
landscape  Search this
bear  Search this
hunting  Search this
horse  Search this
Sisodia dynasty (861 - 1947)  Search this
India  Search this
South Asian and Himalayan Art  Search this
soldier  Search this
rifle  Search this
Catherine and Ralph Benkaim Collection  Search this
Credit Line:
Purchase and partial gift made in 2012 from the Catherine and Ralph Benkaim Collection — Charles Lang Freer Endowment
Accession Number:
F2012.4.7
Restrictions & Rights:
Usage conditions apply
Related Online Resources:
Google Cultural Institute
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye3b2dab5b5-1637-4d63-ab44-77ee21ee6a2b
EDAN-URL:
edanmdm:fsg_F2012.4.7
Online Media:

A Banquet in a Tent Encampment

Artist:
Attributed to Miskin (active late 1570s–ca. 1604)  Search this
Medium:
Opaque watercolor and gold on paper
Dimensions:
H x W: 27 x 17.4 cm (10 5/8 x 6 7/8 in)
Type:
Drawing
Origin:
India
Date:
ca. 1600
Period:
Mughal dynasty
Topic:
camel  Search this
goat  Search this
horse  Search this
man  Search this
cooking  Search this
Mughal dynasty (1526 - 1858)  Search this
India  Search this
tent  Search this
South Asian and Himalayan Art  Search this
soldier  Search this
Credit Line:
Purchase — Smithsonian Unrestricted Trust Funds
Accession Number:
S1987.1103
Restrictions & Rights:
Usage conditions apply
Related Online Resources:
Google Cultural Institute
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye331875405-b705-4241-9acc-2a55917628fa
EDAN-URL:
edanmdm:fsg_S1987.1103

The Horse Soldiers

Depicted (sitter):
Wayne, John  Search this
Holden, William  Search this
Publisher:
Dell Publishing Company, Inc.  Search this
Physical Description:
paper (overall material)
ink (overall material)
Measurements:
overall: 10 1/4 in x 7 1/4 in; 26.035 cm x 18.415 cm
Object Name:
comic book
Place made:
United States: New York, New York
Publishing date:
ca 1959
Subject:
Motion Pictures  Search this
Comics  Search this
Credit Line:
Gift of Robert White
ID Number:
1980.0202.08
Accession number:
1980.0202
Catalog number:
1980.0202.08
See more items in:
Culture and the Arts: Entertainment
Movies
Comic Books
Movie Collection
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746b3-76e1-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_662404
Online Media:

Esther McCoy papers

Creator:
McCoy, Esther  Search this
Names:
Historic American Buildings Survey  Search this
Society of Architectural Historians  Search this
University of California, Los Angeles. School of Architecture and Urban Planning  Search this
Ain, Gregory, 1908-1988  Search this
Barragán, Luis, 1902-  Search this
Bradbury, Ray, 1920-2012  Search this
Davidson, Julius Ralph, b. 1889  Search this
Dreiser, Theodore, 1871-1945  Search this
Ellwood, Craig  Search this
Gill, Irving, 1870-1936  Search this
Grotz, Dorothy  Search this
Hollein, Hans, 1934-2014  Search this
Jones, A. Quincy (Archie Quincy), 1913-1979  Search this
Maybeck, Bernard R.  Search this
Neutra, Richard Joseph, 1892-1970  Search this
O'Gorman, Juan, 1905-  Search this
Rand, Marvin  Search this
Schindler, R. M. (Rudolph M.), 1887-1953  Search this
Shulman, Julius  Search this
Soriano, Rafael, 1920-  Search this
Watanabe, Makoto  Search this
Worlidge, T. (Thomas), 1700-1766  Search this
Extent:
44 Linear feet
Type:
Collection descriptions
Archival materials
Diaries
Etchings
Photographs
Sound recordings
Interviews
Video recordings
Slides (photographs)
Transcripts
Drawings
Memoirs
Date:
circa 1876-1990
bulk 1938-1989
Summary:
The papers of Southern California architectural historian, critic, and writer Esther McCoy measure 44.0 linear feet and date from 1876 to 1990 (bulk 1938-1989). McCoy was interested in both Italian and Mexican architecture as well as the folk art and crafts of Mexico and South America. The collection documents McCoy's career, as well as her family and personal life through biographical material, extensive correspondence, personal and professional writings, project files, Southern California architects' files, clippings and other printed material, a large collection of photographs and slides, and taped interviews of Southern California modern architects.
Scope and Content Note:
The papers of Southern California architectural historian, critic, and writer Esther McCoy measure 44.0 linear feet and date from 1876 to 1990 (bulk 1938-1989). McCoy was interested in both Italian and Mexican architecture as well as the folk art and crafts of Mexico and South America. The collection documents McCoy's career, as well as her family and personal life through biographical material, extensive correspondence, personal and professional writings, project files, Southern California architects' files, clippings and other printed material, a large collection of photographs and slides, and taped interviews of Southern California modern architects.

Biographical and family material consists of awards, resumes, identification documents, and other documentation of McCoy's personal life. Included are a transcript of a 1984 interview of McCoy by Makoto Watanabe and material relating to her friend, Theodore Dreiser.

Correspondence focuses on her personal relationships with family, friends, and lovers, and general correspondence relating primarily to her work as a writer. McCoy's personal correspondence is valuable to researchers who are interested in her personal life, her struggles as a young writer, and the way in which her family, friends, lovers, mentors, and colleagues helped to shape her work and career. As documented in this correspondence, her life offers a glimpse into twentieth-century American social and political history, especially the radical leftist movements of the 1920s and 1930s. Researchers interested in the roots of feminism in the United States should also find these papers useful in documenting the life of a creative and productive woman who was successful in a field then almost entirely dominated by men. Correspondents of note include her husband Berkeley Tobey, lovers Geoffrey Eaton and Albert Robert, writers Ray Bradbury and Theodore Dreiser, and artists and architects, such as Dorothy Grotz, Craig Ellwood, A. Quincy Jones, Hans Hollein, and J. R. Davidson. General correspondence is primarily with researchers, professors, architects, publishers, and professional organizations.

Personal writings include McCoy's diaries, notebooks, and memoirs, and writings by others including friends, lovers, and colleagues. Also included are drafts of McCoy's fictional works, both published and unpublished, including short stories, teleplays, and novels.

The collection contains in-depth documentation of McCoy's pioneering study of the modernist work of twentieth-century architects in Southern California. The bulk of her papers consist of her writing files for books, exhibition catalogs, articles, and lectures on architecture. Because many of the architects about whom McCoy wrote were her contemporaries, she developed personal relationships with several of them through her research and writing. Her writing files include drafts, notes, research material, photographs, and correspondence. McCoy also traveled extensively, particularly in Italy and Mexico, and wrote about architecture, craft, and culture in those countries. Project files document McCoy's other activities related to architectural history, such preservation projects, juries, grants, the Dodge House Preservation Campaign and related film project, her work for the Society of Architectural Historians and the Historic American Buildings Survey (HABS), and her work at the UCLA School of Architecture and Urban Planning, compiling a slide library and cataloging the Richard Neutra's papers. McCoy also maintained architect files which may contain correspondence, notes, photographs, research material, interview transcripts, about architects and their works. Among these extensive records, the files documenting the careers of R. M. Schindler, Irving Gill, Richard Neutra, and Juan O'Gorman are particularly rich.

Printed material in this collection documents McCoy's career as well as her personal interests. Included are books, clippings, magazines, newsletters, press releases, as well as publications arranged by subject such as architecture, art, Italy, and Mexico. McCoy also collected literary and leftist publications. The small amount of artwork in this collection consists of artwork sent to her by friends, including a drawing of her by Esther Rollo and etchings by various artists including Thomas Worlidge.

There are personal photographs of family and friends and of McCoy at different times in her life, as well as photographs gathered during the course of her research on architecture. Found here are photographs of architects and their works, including a large number depicting the work of Gregory Ain, Luis Barragan, J. R. Davidson, Irving Gill, Bernard Maybeck, Juan O'Gorman, R. M. Schindler, and Raphael Soriano. Many of these photographs were taken by notable architectural photographers Julius Shulman and Marvin Rand. Also found are photographs of architecture designed for the Case Study House program of Arts & Architecture magazine; exhibition photographs, primarily for the exhibition "Ten Italian Architects" in 1967; and other research photographs primarily documenting architecture and craft in other countries and the history of architecture in California. This series also includes approximately 3,600 slides of architecture.

Audio and video recordings include a videocassette of McCoy's 80th birthday party and 55 taped interviews with architects, people associated with architectural projects, and artists.
Arrangement:
The collection is arranged into 10 series:

Missing Title

Series 1: Biographical and Family Material, 1881-1989 (boxes 1, 48; 0.6 linear feet)

Series 2: Correspondence, 1896-1989 (boxes 1-6, 4.9 linear feet)

Series 3: Personal Writings, 1919-1989 (boxes 6-14; 8.1 linear feet)

Series 4: Architectural Writings, 1908-1990 (boxes 14-24, 42, 49, 50; 10.2 linear feet)

Series 5: Projects, circa 1953-1988 (boxes 24-26, 47, FC 53-56; 2.5 linear feet)

Series 6: Architect Files, 1912-1990 (boxes 26-28, 42; 2.2 linear feet)

Series 7: Printed Material, circa 1885-1990 (boxes 28-31, 42; 2.9 linear feet)

Series 8: Artwork, 1924-1967, undated (box 31; 0.4 linear feet)

Series 9: Photographs and Slides, circa 1876-1989 (boxes 31-38, 41-46, 51; 8.3 linear feet)

Series 10: Audio and Video Recordings, 1930-1984 (boxes 38-40, 47; 2.5 linear feet)
Biographical Note:
Esther McCoy (1904-1989) is remembered best for her pioneering work as an architectural historian, critic, and proponent of Southern California modern architecture of the early to mid-twentieth century. McCoy was interested in both Italian and Mexican architecture as well as the folk art and crafts of Mexico and South America. Although her professional interests ranged from writing fiction to studying the folk architecture and crafts of Mexico, McCoy achieved her most notable success for her numerous articles, books, and exhibitions about Southern California architecture and the architects associated with the modernist movement.

Born in Arkansas in 1904, Esther McCoy grew up in Kansas and attended various schools in the Midwest. In 1926 she left the University of Michigan to launch a writing career in New York, where she moved in avant-garde literary circles and conducted research for Theodore Dreiser. She began writing fiction in New York and continued to write after moving to Los Angeles in 1932, working on short stories, novels, and screenplays. She published numerous short stories between 1929 and 1962, with works appearing in the New Yorker, Harper's Bazaar, and university quarterlies. Her short story, "The Cape," was reprinted in Best Short Stories of 1950. Many of the novels that she wrote from the mid-1960s through the 1980s were related thematically to architects and architecture.

During the late 1920s and throughout the 1930s, McCoy participated in the politically radical movements of the period and wrote for leftist publications. Her interest in the lowcost housing projects of modern architects was prompted by one of her articles about slums for Epic News. During World War II she entered a training program for engineering draftsmen at Douglas Aircraft and in 1944 was hired as an architectural draftsman for the architect R.M. Schindler. As she became increasingly interested in modern architecture and design, she combined her two major career interests and began to focus her energies on architectural research, writing, and criticism. Her first article on architecture, "Schindler: Space Architect," was published in 1945 in the journal Direction.

McCoy began writing about architecture in earnest in 1950 as a free-lance contributor to the Los Angeles Times. From then until her death in 1989, she wrote prolifically for Arts & Architecture magazine, Los Angeles Times, Los Angeles Herald Examiner, Architectural Record, L'Architectura, Zodiac (Italy), Progressive Architecture, Lotus (Italy), and Architectural Forum. In addition to her numerous articles, McCoy wrote several books on Southern California modern architecture and architects. Her first major work, Five California Architects, published in 1960, is now recognized as a classic work in modern architectural history. It promoted a serious study of modern architecture in Southern California and introduced to the world several leading California architects and their work: Bernard Maybeck, Irving Gill, Charles and Henry Greene, and R.M. Schindler. That same year, she published another important book focusing on the work of the California architect Richard Neutra. Other books by McCoy include Modern California Houses: Case Study Houses (1962), Craig Ellwood (1968), Vienna to Los Angeles: Two Journeys (1979), and The Second Generation (1984).

In addition to these books, McCoy organized and wrote catalogs for several significant exhibitions focusing on contemporary architects. Her first was the R.M. Schindler Retrospective, a 1954 exhibition at the Landau Art Gallery in Los Angeles. Her other exhibitions and accompanying catalogs include Roots of California Contemporary Architecture, 1956, Los Angeles Municipal Art Department; Felix Candela, 1957, University of Southern California, Los Angeles; Irving Gill, 1958, Los Angeles County Museum of Art; Juan O'Gorman, 1964, San Fernando Valley State College; and Ten Italian Architects, 1967, Los Angeles County Museum of Art. Moreover, McCoy contributed numerous essays to other exhibition catalogs and publications, lectured at the University of Southern California, participated in preservation projects, organized tours for the Society of Architectural Historians, and contributed to a number of documentary films. Her energy and interests also led her to catalog and transcribe Richard Neutra's papers at the University of California Los Angeles Archives.

McCoy received national recognition from the American Institute of Architects for her seminal and prolific work in the field of Southern California modern architectural history and criticism. Her interests, however, were not exclusively bound to California. She traveled the world and was interested in both Italian and Mexican architecture as well as the folk art and crafts of Mexico and South America. She made five extended trips to Italy during the 1950s and 1960s, publishing regularly about the architecture there and curating the exhibition Ten Italian Architects. She was a contributing editor to two Italian journals, Zodiac and Lotus, and was awarded the Star of Order of Solidarity in 1960 by the Republic of Italy for her research and writing.

Esther McCoy died of emphysema on December 30, 1989, at the age of eighty-five. Her last contribution was an essay for the exhibition catalog Blueprints for Modern Living: History and Legacy of the Case Study House. The show opened at the Museum of Contemporary Art in Los Angeles one month before her death.

Missing Title

1904 -- Born November 18 in Horatio, Arkansas. Raised in Kansas.

1920 -- Attended preparatory school at Central College for Women, Lexington, Missouri.

1922-1925 -- College education: Baker University, Baldwin City, Kansas; University of Arkansas, Fayetteville; Washington University, St. Louis, Missouri; University of Michigan.

1924 -- Visited Theodore Dreiser in Michigan.

1926-1938 -- Began writing in New York City.

1926-1938 -- Researched and read for Theodore Dreiser.

1926-1938 -- Worked for editorial offices and publishers.

1926-1938 -- Traveled to write in Paris (1928), Key West, Florida (1930), and Los Angeles, California (1932-1935).

1938 -- Moved to Santa Monica, California.

1941 -- Married Berkeley Greene Tobey.

1942-1944 -- Employed as engineering draftsman at Douglas Aircraft.

1944-1947 -- Worked as architectural draftsman for R.M. Schindler.

1945 -- Began architectural writing career.

1950 -- Wrote script for film Architecture West.

1950 -- Joined editorial board of Arts & Architecture.

1950-1968 -- Worked as free-lance writer for the Los Angeles Times.

1951-1955 -- Traveled to, researched, and wrote about Mexico and Mexican art and architecture.

1954 -- R.M. Schindler Retrospective exhibition at the Landau Art Gallery, Los Angeles.

1956 -- Roots of California Contemporary Architecture exhibition, Los Angeles Municipal Art Department.

1957 -- Felix Candela exhibition, University of Southern California, Los Angeles.

1958 -- Irving Gill exhibition, Los Angeles County Museum of Art. Traveled to Italy.

1959-1968 -- Contributing editor to Italian periodicals Zodiac and Lotus.

1960 -- Five California Architects (New York: Reinhold).

1960 -- Richard Neutra (New York: G. Braziller).

1960 -- Awarded Star of Order of Solidarity by the Republic of Italy for reporting on arts and crafts in Italy.

1962 -- Death of Berkeley Greene Tobey.

1962 -- Modern California Houses: Case Study Houses (New York: Reinhold) (reprinted as Case Study Houses, Los Angeles: Hennessey and Ingalls, 1978).

1963 -- Resident Fellow at Huntington Hartford Foundation.

1964 -- Juan O'Gorman exhibition, San Fernando Valley State College, Northridge, Calif.

1965 -- Consultant for the California Arts Commission.

1965-1966 -- Wrote and produced the film Dodge House.

1965-1968 -- Lecturer at University of California at Los Angeles, School of Architecture and Urban Planning.

1966 -- Resident Fellow at MacDowell Colony, New Hampshire.

1967 -- Ten Italian Architects exhibition, Los Angeles County Museum of Art.

1967 -- Honorary Associate of the Southern California Chapter of the American Institute of Architects.

1967 -- Regents' Lecturer at University of California, Santa Barbara.

1968 -- Craig Ellwood (New York: Walker).

1968 -- Distinguished Service Citation from the California Council of AIA.

1969-1970 -- Lecturer at the University of California, Santa Barbara.

1969-1989 -- Contributing editor of Progressive Architecture.

1971-1978 -- Graham Foundation Grants.

1974 -- Regents' Lecturer at the University of California,Santa Cruz.

1979 -- Vienna to Los Angeles: Two Journeys (Santa Monica, Calif.: Arts & Architecture Press).

1979 -- Guggenheim Foundation Fellowship.

1981 -- Los Angeles Chapter Women's Architectural League Honorary Member.

1982 -- Los Angeles County Museum of Art's Modern and Contemporary Art Council Award for Distinguished Achievement.

1983 -- Home Sweet Home: The California Ranch House exhibition at California State University.

1984 -- The Second Generation (Salt Lake City: Peregrine Smith Books).

1985 -- American Institute of Architects, Institute Honor.

1986 -- High Styles exhibition at the Whitney Museum of American Art.

1987 -- Vesta Award for outstanding scholarship.

1989 -- Award from the Historical Society of Southern California.

1989 -- Award from the City of Los Angeles Department of Cultural Affairs.

1989 -- Blueprints for Modern Living: History and Legacy of the Case Study House exhibition at the Museum of Contemporary Art, Los Angeles. Died in Santa Monica, California, December 30.
Related Material:
Also in the Archives of American Art are eight sound cassettes of a transcribed interview with Esther McCoy conducted by Joseph Giovannini, June 8-November 14, 1987.
Provenance:
The collection was given to the Archives of American Art by Esther McCoy in 1986. Before her death in 1989, McCoy assisted in the organization and identification of the papers. Original pre-print film elements for Dodge House 1916 were donated to the Archives of American Art by the Academy Film Archive in 2018.
Restrictions:
Use of original papers requires an appointment. Use of audiovisual recordings without access copies requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Architectural historians -- California  Search this
Art critics -- California  Search this
Topic:
Architecture, Modern -- 20th century -- Mexico  Search this
Architects -- Italy  Search this
Architecture, Domestic -- California  Search this
Authors -- California  Search this
Architecture, Modern -- 20th century -- California  Search this
Architecture, Modern -- 20th century -- Europe  Search this
Architects -- California  Search this
Feminism and art  Search this
Latino and Latin American artists  Search this
Genre/Form:
Diaries
Etchings
Photographs
Sound recordings
Interviews
Video recordings
Slides (photographs)
Transcripts
Drawings
Memoirs
Citation:
Esther McCoy papers, circa 1876-1990, bulk 1938-1989. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.mccoesth
See more items in:
Esther McCoy papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw93ee58e3b-f2fc-4d98-acf9-de6f76bfed63
EDAN-URL:
ead_collection:sova-aaa-mccoesth
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Online Media:

Lieutenant Claud Vere Cavendish Hobart and Sudanese troops firing a Maxim gun

Item Creator:
Church Missionary Society. Uganda Mission  Search this
Extent:
1 Photographic print (B/W)
Type:
Archival materials
Photographic prints
Place:
Uganda
Date:
ca. 1897
General:
Original caption reads "Lt. Hobart of the Grenadier Guards firing a Maxim gun supported by some of his Soudanese troops called the Uganda Rifles. The men sitting behind are the Lenda Swahili porters who carry the Maxim."
Item Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Item Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Soldiers  Search this
Identifier:
EEPA.1998-002, Item EEPA.1998-002-0054
See more items in:
Uganda photographs
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
GUID:
https://n2t.net/ark:/65665/xo77e600e78-f82e-4fed-a947-3ea5707d8aea
EDAN-URL:
ead_component:sova-eepa-1998-002-ref562

Sudanese soldiers belonging to the Uganda Rifles stationed at Mbarara, Ankole

Item Creator:
Church Missionary Society. Uganda Mission  Search this
Extent:
1 Photographic print (B/W)
Type:
Archival materials
Photographic prints
Place:
Mbarara (Uganda)
Date:
ca. 1907
General:
Soudanese soldiers belonging to the Uganda Rifles stationed at Mbarara
Item Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Item Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Soldiers  Search this
Identifier:
EEPA.1998-002, Item EEPA.1998-002-0137
See more items in:
Uganda photographs
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
GUID:
https://n2t.net/ark:/65665/xo7e1e0a75a-dd6c-4c03-99a7-9e9545bc382f
EDAN-URL:
ead_component:sova-eepa-1998-002-ref645

Sudanese soldiers belonging to the Uganda Rifles stationed at Mbarara, Ankole

Item Creator:
Church Missionary Society. Uganda Mission  Search this
Extent:
1 Photographic print (B/W)
Type:
Archival materials
Photographic prints
Place:
Mbarara (Uganda)
Date:
ca. 1907
General:
Soudanese soldiers belonging to the Uganda Rifles stationed at Mbarara
Item Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Item Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Soldiers  Search this
Identifier:
EEPA.1998-002, Item EEPA.1998-002-0138
See more items in:
Uganda photographs
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
GUID:
https://n2t.net/ark:/65665/xo75796c7a2-9d3c-42d1-aae9-8b7335f79b8f
EDAN-URL:
ead_component:sova-eepa-1998-002-ref646

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