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American Art Research Council records

Creator:
American Art Research Council  Search this
Names:
Whitney Museum of American Art  Search this
Force, Juliana, 1876-1948  Search this
Extent:
3 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1935-1956
bulk 1942-1947
Summary:
The records of the American Art Research Council, a cooperative research group headquartered at the Whitney Museum of American Art in New York, measure 3 linear feet and date from 1935 to 1956. The records include Chairman Juliana Force's correspondence, administrative correspondence, advisory committee files, miscellaneous administrative files, scattered financial records, and printed materials.
Scope and Contents:
The records of the American Art Research Council, a cooperative research group headquartered at the Whitney Museum of American Art in New York, measure 3 linear feet and date from 1935 to 1956. The records include Chairman Juliana Force's correspondence, administrative correspondence, advisory committee files, miscellaneous administrative files, scattered financial records, and printed materials.

Correspondence consists of Chairman Juliana Force's correspondence with museums, curators, and others, in addition to general AARC correspondence on various subjects. The Advisory Committee series consists of correspondence, lists, reports, and meeting minutes.

Administrative records include assorted material such as reports on paintings owned by private individuals and art centers, correspondence and drafts on a special issue of Art in America, a bibliography, and surveys. Survey files consist of survey responses and indexes of results for several surveys conducted by the AARC.

Financial records consist of assorted material such as contribution records, ledgers, bank statements, and cancelled checks. Printed materials include clippings, academic journals, bulletins, and press releases.
Arrangement:
The collection is arranged as 5 series.

Series 1: Correspondence, 1942-1947 (1 linear feet; Box 1)

Series 2: Advisory Committee, 1942-1947 (0.2 linear feet; Box 2)

Series 3: Administrative Records, 1935-1950 (0.9 linear feet; Boxes 2-3)

Series 4: Financial Records, 1942-1956 (0.7 linear feet; Boxes 3-4)

Series 5: Printed Material, 1942-1947 (0.2 linear feet; Box 5)
Biographical / Historical:
The American Art Research Council (AARC) was founded in 1942 when the Whitney Museum of American Art in New York City proposed that museums across the country establish a collaborative centralized organization for American art research. In April 1942, directors and representatives of 15 prominent museums met and founded the AARC.

Headquartered in and administered by the Whitney Museum, the AARC broadened its scope to include staff from over 30 museums and universities across the country. The organization formed a Committee on Research consisting of experts and scholars of American art that authenticated art, shared research records about artists, and conducted multiple surveys on various subjects. The AARC also facilitated researchers by sharing their information in catalogs and publications.
Provenance:
The American Art Research Council records were donated by the Whitney Museum of American Art in 1978 as part of a larger donation of museum records.
Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Facility.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Art -- Study and teaching  Search this
Citation:
American Art Research Council records, 1935-1956. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.amerartr
See more items in:
American Art Research Council records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9981d5c2f-180b-457a-a4af-a468139bdb59
EDAN-URL:
ead_collection:sova-aaa-amerartr
Online Media:

Esther McCoy papers

Creator:
McCoy, Esther  Search this
Names:
Historic American Buildings Survey  Search this
Society of Architectural Historians  Search this
University of California, Los Angeles. School of Architecture and Urban Planning  Search this
Ain, Gregory, 1908-1988  Search this
Barragán, Luis, 1902-  Search this
Bradbury, Ray, 1920-2012  Search this
Davidson, Julius Ralph, b. 1889  Search this
Dreiser, Theodore, 1871-1945  Search this
Ellwood, Craig  Search this
Gill, Irving, 1870-1936  Search this
Grotz, Dorothy  Search this
Hollein, Hans, 1934-2014  Search this
Jones, A. Quincy (Archie Quincy), 1913-1979  Search this
Maybeck, Bernard R.  Search this
Neutra, Richard Joseph, 1892-1970  Search this
O'Gorman, Juan, 1905-  Search this
Rand, Marvin  Search this
Schindler, R. M. (Rudolph M.), 1887-1953  Search this
Shulman, Julius  Search this
Soriano, Rafael, 1920-  Search this
Watanabe, Makoto  Search this
Worlidge, T. (Thomas), 1700-1766  Search this
Extent:
44 Linear feet
Type:
Collection descriptions
Archival materials
Diaries
Etchings
Photographs
Sound recordings
Interviews
Video recordings
Slides (photographs)
Transcripts
Drawings
Memoirs
Date:
circa 1876-1990
bulk 1938-1989
Summary:
The papers of Southern California architectural historian, critic, and writer Esther McCoy measure 44.0 linear feet and date from 1876 to 1990 (bulk 1938-1989). McCoy was interested in both Italian and Mexican architecture as well as the folk art and crafts of Mexico and South America. The collection documents McCoy's career, as well as her family and personal life through biographical material, extensive correspondence, personal and professional writings, project files, Southern California architects' files, clippings and other printed material, a large collection of photographs and slides, and taped interviews of Southern California modern architects.
Scope and Content Note:
The papers of Southern California architectural historian, critic, and writer Esther McCoy measure 44.0 linear feet and date from 1876 to 1990 (bulk 1938-1989). McCoy was interested in both Italian and Mexican architecture as well as the folk art and crafts of Mexico and South America. The collection documents McCoy's career, as well as her family and personal life through biographical material, extensive correspondence, personal and professional writings, project files, Southern California architects' files, clippings and other printed material, a large collection of photographs and slides, and taped interviews of Southern California modern architects.

Biographical and family material consists of awards, resumes, identification documents, and other documentation of McCoy's personal life. Included are a transcript of a 1984 interview of McCoy by Makoto Watanabe and material relating to her friend, Theodore Dreiser.

Correspondence focuses on her personal relationships with family, friends, and lovers, and general correspondence relating primarily to her work as a writer. McCoy's personal correspondence is valuable to researchers who are interested in her personal life, her struggles as a young writer, and the way in which her family, friends, lovers, mentors, and colleagues helped to shape her work and career. As documented in this correspondence, her life offers a glimpse into twentieth-century American social and political history, especially the radical leftist movements of the 1920s and 1930s. Researchers interested in the roots of feminism in the United States should also find these papers useful in documenting the life of a creative and productive woman who was successful in a field then almost entirely dominated by men. Correspondents of note include her husband Berkeley Tobey, lovers Geoffrey Eaton and Albert Robert, writers Ray Bradbury and Theodore Dreiser, and artists and architects, such as Dorothy Grotz, Craig Ellwood, A. Quincy Jones, Hans Hollein, and J. R. Davidson. General correspondence is primarily with researchers, professors, architects, publishers, and professional organizations.

Personal writings include McCoy's diaries, notebooks, and memoirs, and writings by others including friends, lovers, and colleagues. Also included are drafts of McCoy's fictional works, both published and unpublished, including short stories, teleplays, and novels.

The collection contains in-depth documentation of McCoy's pioneering study of the modernist work of twentieth-century architects in Southern California. The bulk of her papers consist of her writing files for books, exhibition catalogs, articles, and lectures on architecture. Because many of the architects about whom McCoy wrote were her contemporaries, she developed personal relationships with several of them through her research and writing. Her writing files include drafts, notes, research material, photographs, and correspondence. McCoy also traveled extensively, particularly in Italy and Mexico, and wrote about architecture, craft, and culture in those countries. Project files document McCoy's other activities related to architectural history, such preservation projects, juries, grants, the Dodge House Preservation Campaign and related film project, her work for the Society of Architectural Historians and the Historic American Buildings Survey (HABS), and her work at the UCLA School of Architecture and Urban Planning, compiling a slide library and cataloging the Richard Neutra's papers. McCoy also maintained architect files which may contain correspondence, notes, photographs, research material, interview transcripts, about architects and their works. Among these extensive records, the files documenting the careers of R. M. Schindler, Irving Gill, Richard Neutra, and Juan O'Gorman are particularly rich.

Printed material in this collection documents McCoy's career as well as her personal interests. Included are books, clippings, magazines, newsletters, press releases, as well as publications arranged by subject such as architecture, art, Italy, and Mexico. McCoy also collected literary and leftist publications. The small amount of artwork in this collection consists of artwork sent to her by friends, including a drawing of her by Esther Rollo and etchings by various artists including Thomas Worlidge.

There are personal photographs of family and friends and of McCoy at different times in her life, as well as photographs gathered during the course of her research on architecture. Found here are photographs of architects and their works, including a large number depicting the work of Gregory Ain, Luis Barragan, J. R. Davidson, Irving Gill, Bernard Maybeck, Juan O'Gorman, R. M. Schindler, and Raphael Soriano. Many of these photographs were taken by notable architectural photographers Julius Shulman and Marvin Rand. Also found are photographs of architecture designed for the Case Study House program of Arts & Architecture magazine; exhibition photographs, primarily for the exhibition "Ten Italian Architects" in 1967; and other research photographs primarily documenting architecture and craft in other countries and the history of architecture in California. This series also includes approximately 3,600 slides of architecture.

Audio and video recordings include a videocassette of McCoy's 80th birthday party and 55 taped interviews with architects, people associated with architectural projects, and artists.
Arrangement:
The collection is arranged into 10 series:

Missing Title

Series 1: Biographical and Family Material, 1881-1989 (boxes 1, 48; 0.6 linear feet)

Series 2: Correspondence, 1896-1989 (boxes 1-6, 4.9 linear feet)

Series 3: Personal Writings, 1919-1989 (boxes 6-14; 8.1 linear feet)

Series 4: Architectural Writings, 1908-1990 (boxes 14-24, 42, 49, 50; 10.2 linear feet)

Series 5: Projects, circa 1953-1988 (boxes 24-26, 47, FC 53-56; 2.5 linear feet)

Series 6: Architect Files, 1912-1990 (boxes 26-28, 42; 2.2 linear feet)

Series 7: Printed Material, circa 1885-1990 (boxes 28-31, 42; 2.9 linear feet)

Series 8: Artwork, 1924-1967, undated (box 31; 0.4 linear feet)

Series 9: Photographs and Slides, circa 1876-1989 (boxes 31-38, 41-46, 51; 8.3 linear feet)

Series 10: Audio and Video Recordings, 1930-1984 (boxes 38-40, 47; 2.5 linear feet)
Biographical Note:
Esther McCoy (1904-1989) is remembered best for her pioneering work as an architectural historian, critic, and proponent of Southern California modern architecture of the early to mid-twentieth century. McCoy was interested in both Italian and Mexican architecture as well as the folk art and crafts of Mexico and South America. Although her professional interests ranged from writing fiction to studying the folk architecture and crafts of Mexico, McCoy achieved her most notable success for her numerous articles, books, and exhibitions about Southern California architecture and the architects associated with the modernist movement.

Born in Arkansas in 1904, Esther McCoy grew up in Kansas and attended various schools in the Midwest. In 1926 she left the University of Michigan to launch a writing career in New York, where she moved in avant-garde literary circles and conducted research for Theodore Dreiser. She began writing fiction in New York and continued to write after moving to Los Angeles in 1932, working on short stories, novels, and screenplays. She published numerous short stories between 1929 and 1962, with works appearing in the New Yorker, Harper's Bazaar, and university quarterlies. Her short story, "The Cape," was reprinted in Best Short Stories of 1950. Many of the novels that she wrote from the mid-1960s through the 1980s were related thematically to architects and architecture.

During the late 1920s and throughout the 1930s, McCoy participated in the politically radical movements of the period and wrote for leftist publications. Her interest in the lowcost housing projects of modern architects was prompted by one of her articles about slums for Epic News. During World War II she entered a training program for engineering draftsmen at Douglas Aircraft and in 1944 was hired as an architectural draftsman for the architect R.M. Schindler. As she became increasingly interested in modern architecture and design, she combined her two major career interests and began to focus her energies on architectural research, writing, and criticism. Her first article on architecture, "Schindler: Space Architect," was published in 1945 in the journal Direction.

McCoy began writing about architecture in earnest in 1950 as a free-lance contributor to the Los Angeles Times. From then until her death in 1989, she wrote prolifically for Arts & Architecture magazine, Los Angeles Times, Los Angeles Herald Examiner, Architectural Record, L'Architectura, Zodiac (Italy), Progressive Architecture, Lotus (Italy), and Architectural Forum. In addition to her numerous articles, McCoy wrote several books on Southern California modern architecture and architects. Her first major work, Five California Architects, published in 1960, is now recognized as a classic work in modern architectural history. It promoted a serious study of modern architecture in Southern California and introduced to the world several leading California architects and their work: Bernard Maybeck, Irving Gill, Charles and Henry Greene, and R.M. Schindler. That same year, she published another important book focusing on the work of the California architect Richard Neutra. Other books by McCoy include Modern California Houses: Case Study Houses (1962), Craig Ellwood (1968), Vienna to Los Angeles: Two Journeys (1979), and The Second Generation (1984).

In addition to these books, McCoy organized and wrote catalogs for several significant exhibitions focusing on contemporary architects. Her first was the R.M. Schindler Retrospective, a 1954 exhibition at the Landau Art Gallery in Los Angeles. Her other exhibitions and accompanying catalogs include Roots of California Contemporary Architecture, 1956, Los Angeles Municipal Art Department; Felix Candela, 1957, University of Southern California, Los Angeles; Irving Gill, 1958, Los Angeles County Museum of Art; Juan O'Gorman, 1964, San Fernando Valley State College; and Ten Italian Architects, 1967, Los Angeles County Museum of Art. Moreover, McCoy contributed numerous essays to other exhibition catalogs and publications, lectured at the University of Southern California, participated in preservation projects, organized tours for the Society of Architectural Historians, and contributed to a number of documentary films. Her energy and interests also led her to catalog and transcribe Richard Neutra's papers at the University of California Los Angeles Archives.

McCoy received national recognition from the American Institute of Architects for her seminal and prolific work in the field of Southern California modern architectural history and criticism. Her interests, however, were not exclusively bound to California. She traveled the world and was interested in both Italian and Mexican architecture as well as the folk art and crafts of Mexico and South America. She made five extended trips to Italy during the 1950s and 1960s, publishing regularly about the architecture there and curating the exhibition Ten Italian Architects. She was a contributing editor to two Italian journals, Zodiac and Lotus, and was awarded the Star of Order of Solidarity in 1960 by the Republic of Italy for her research and writing.

Esther McCoy died of emphysema on December 30, 1989, at the age of eighty-five. Her last contribution was an essay for the exhibition catalog Blueprints for Modern Living: History and Legacy of the Case Study House. The show opened at the Museum of Contemporary Art in Los Angeles one month before her death.

Missing Title

1904 -- Born November 18 in Horatio, Arkansas. Raised in Kansas.

1920 -- Attended preparatory school at Central College for Women, Lexington, Missouri.

1922-1925 -- College education: Baker University, Baldwin City, Kansas; University of Arkansas, Fayetteville; Washington University, St. Louis, Missouri; University of Michigan.

1924 -- Visited Theodore Dreiser in Michigan.

1926-1938 -- Began writing in New York City.

1926-1938 -- Researched and read for Theodore Dreiser.

1926-1938 -- Worked for editorial offices and publishers.

1926-1938 -- Traveled to write in Paris (1928), Key West, Florida (1930), and Los Angeles, California (1932-1935).

1938 -- Moved to Santa Monica, California.

1941 -- Married Berkeley Greene Tobey.

1942-1944 -- Employed as engineering draftsman at Douglas Aircraft.

1944-1947 -- Worked as architectural draftsman for R.M. Schindler.

1945 -- Began architectural writing career.

1950 -- Wrote script for film Architecture West.

1950 -- Joined editorial board of Arts & Architecture.

1950-1968 -- Worked as free-lance writer for the Los Angeles Times.

1951-1955 -- Traveled to, researched, and wrote about Mexico and Mexican art and architecture.

1954 -- R.M. Schindler Retrospective exhibition at the Landau Art Gallery, Los Angeles.

1956 -- Roots of California Contemporary Architecture exhibition, Los Angeles Municipal Art Department.

1957 -- Felix Candela exhibition, University of Southern California, Los Angeles.

1958 -- Irving Gill exhibition, Los Angeles County Museum of Art. Traveled to Italy.

1959-1968 -- Contributing editor to Italian periodicals Zodiac and Lotus.

1960 -- Five California Architects (New York: Reinhold).

1960 -- Richard Neutra (New York: G. Braziller).

1960 -- Awarded Star of Order of Solidarity by the Republic of Italy for reporting on arts and crafts in Italy.

1962 -- Death of Berkeley Greene Tobey.

1962 -- Modern California Houses: Case Study Houses (New York: Reinhold) (reprinted as Case Study Houses, Los Angeles: Hennessey and Ingalls, 1978).

1963 -- Resident Fellow at Huntington Hartford Foundation.

1964 -- Juan O'Gorman exhibition, San Fernando Valley State College, Northridge, Calif.

1965 -- Consultant for the California Arts Commission.

1965-1966 -- Wrote and produced the film Dodge House.

1965-1968 -- Lecturer at University of California at Los Angeles, School of Architecture and Urban Planning.

1966 -- Resident Fellow at MacDowell Colony, New Hampshire.

1967 -- Ten Italian Architects exhibition, Los Angeles County Museum of Art.

1967 -- Honorary Associate of the Southern California Chapter of the American Institute of Architects.

1967 -- Regents' Lecturer at University of California, Santa Barbara.

1968 -- Craig Ellwood (New York: Walker).

1968 -- Distinguished Service Citation from the California Council of AIA.

1969-1970 -- Lecturer at the University of California, Santa Barbara.

1969-1989 -- Contributing editor of Progressive Architecture.

1971-1978 -- Graham Foundation Grants.

1974 -- Regents' Lecturer at the University of California,Santa Cruz.

1979 -- Vienna to Los Angeles: Two Journeys (Santa Monica, Calif.: Arts & Architecture Press).

1979 -- Guggenheim Foundation Fellowship.

1981 -- Los Angeles Chapter Women's Architectural League Honorary Member.

1982 -- Los Angeles County Museum of Art's Modern and Contemporary Art Council Award for Distinguished Achievement.

1983 -- Home Sweet Home: The California Ranch House exhibition at California State University.

1984 -- The Second Generation (Salt Lake City: Peregrine Smith Books).

1985 -- American Institute of Architects, Institute Honor.

1986 -- High Styles exhibition at the Whitney Museum of American Art.

1987 -- Vesta Award for outstanding scholarship.

1989 -- Award from the Historical Society of Southern California.

1989 -- Award from the City of Los Angeles Department of Cultural Affairs.

1989 -- Blueprints for Modern Living: History and Legacy of the Case Study House exhibition at the Museum of Contemporary Art, Los Angeles. Died in Santa Monica, California, December 30.
Related Material:
Also in the Archives of American Art are eight sound cassettes of a transcribed interview with Esther McCoy conducted by Joseph Giovannini, June 8-November 14, 1987.
Provenance:
The collection was given to the Archives of American Art by Esther McCoy in 1986. Before her death in 1989, McCoy assisted in the organization and identification of the papers. Original pre-print film elements for Dodge House 1916 were donated to the Archives of American Art by the Academy Film Archive in 2018.
Restrictions:
Use of original papers requires an appointment. Use of audiovisual recordings without access copies requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Architectural historians -- California  Search this
Art critics -- California  Search this
Topic:
Architecture, Modern -- 20th century -- Mexico  Search this
Architects -- Italy  Search this
Architecture, Domestic -- California  Search this
Authors -- California  Search this
Architecture, Modern -- 20th century -- California  Search this
Architecture, Modern -- 20th century -- Europe  Search this
Architects -- California  Search this
Feminism and art  Search this
Latino and Latin American artists  Search this
Genre/Form:
Diaries
Etchings
Photographs
Sound recordings
Interviews
Video recordings
Slides (photographs)
Transcripts
Drawings
Memoirs
Citation:
Esther McCoy papers, circa 1876-1990, bulk 1938-1989. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.mccoesth
See more items in:
Esther McCoy papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw93ee58e3b-f2fc-4d98-acf9-de6f76bfed63
EDAN-URL:
ead_collection:sova-aaa-mccoesth
Online Media:

Esther McCoy papers, circa 1876-1990, bulk 1938-1989

Creator:
McCoy, Esther, 1904-1989  Search this
Subject:
Rand, Marvin  Search this
Grotz, Dorothy  Search this
Gill, Irving  Search this
Jones, A. Quincy (Archie Quincy)  Search this
Barragán, Luis  Search this
Dreiser, Theodore  Search this
Bradbury, Ray  Search this
Hollein, Hans  Search this
Ain, Gregory  Search this
Ellwood, Craig  Search this
Davidson, Julius Ralph  Search this
Watanabe, Makoto  Search this
Maybeck, Bernard R.  Search this
Neutra, Richard Joseph  Search this
Worlidge, T. (Thomas)  Search this
Schindler, R. M. (Rudolph M.)  Search this
Shulman, Julius  Search this
Soriano, Rafael  Search this
O'Gorman, Juan  Search this
Historic American Buildings Survey  Search this
University of California, Los Angeles. School of Architecture and Urban Planning  Search this
Society of Architectural Historians  Search this
Type:
Diaries
Etchings
Photographs
Sound recordings
Interviews
Video recordings
Slides (photographs)
Transcripts
Drawings
Memoirs
Citation:
Esther McCoy papers, circa 1876-1990, bulk 1938-1989. Archives of American Art, Smithsonian Institution.
Topic:
Architecture, Modern -- 20th century -- Mexico  Search this
Architects -- Italy  Search this
Architecture, Domestic -- California  Search this
Authors -- California  Search this
Architecture, Modern -- 20th century -- California  Search this
Architecture, Modern -- 20th century -- Europe  Search this
Architects -- California  Search this
Feminism and art  Search this
Latino and Latin American artists  Search this
Theme:
Latino and Latin American  Search this
Architecture & Design  Search this
Research and writing about art  Search this
Record number:
(DSI-AAA_CollID)5502
(DSI-AAA_SIRISBib)210977
AAA_collcode_mccoesth
Theme:
Latino and Latin American
Architecture & Design
Research and writing about art
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210977
Online Media:

Clay Lancaster papers, 1958

Creator:
Lancaster, Clay, 1917-2000  Search this
Subject:
Lesley, Miriam L.  Search this
Citation:
Clay Lancaster papers, 1958. Archives of American Art, Smithsonian Institution.
Topic:
Architectural writing  Search this
Theme:
Research and writing about art  Search this
Record number:
(DSI-AAA_CollID)9732
(DSI-AAA_SIRISBib)212031
AAA_collcode_lancclay
Theme:
Research and writing about art
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_212031

Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974

Creator:
Jacques Seligmann & Co.  Search this
Subject:
Hauke, Cesar M. de (Cesar Mange)  Search this
Glaenzer, Eugene  Search this
Haardt, Georges  Search this
Seligman, Germain  Search this
Seligmann, Arnold  Search this
Parker, Theresa D.  Search this
Waegen, Rolf Hans  Search this
Trevor, Clyfford  Search this
Seligmann, René  Search this
Seligmann, Jacques  Search this
De Hauke & Co., Inc.  Search this
Jacques Seligmann & Co  Search this
Eugene Glaenzer & Co.  Search this
Germain Seligmann & Co.  Search this
Gersel  Search this
Type:
Gallery records
Citation:
Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974. Archives of American Art, Smithsonian Institution.
Topic:
Mackay, Clarence Hungerford, 1874-1938 -- Art collections  Search this
Schiff, Mortimer L. -- Art collections  Search this
Arenberg, duc d' -- Art collections  Search this
Liechtenstein, House of -- Art collections  Search this
Art -- Collectors and collecting -- France -- Paris  Search this
Art -- Collectors and collecting  Search this
World War, 1939-1945 -- Art and the war  Search this
La Fresnaye, Roger de, 1885-1925  Search this
Art, Renaissance  Search this
Decorative arts  Search this
Art treasures in war  Search this
Art, European  Search this
Theme:
Art Gallery Records  Search this
Art Market  Search this
Record number:
(DSI-AAA_CollID)9936
(DSI-AAA_SIRISBib)212486
AAA_collcode_jacqself
Theme:
Art Gallery Records
Art Market
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_212486
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Online Media:

Porter A. McCray papers, 1936-1989

Creator:
McCray, Porter A., 1908-2000  Search this
Subject:
Paik, Nam June  Search this
Richie, Donald  Search this
Sherfield, Roger Mellor Makins, Baron  Search this
Morley, Grace  Search this
Cutting, Brock  Search this
Thetong, Tenzin  Search this
Rockefeller, John D.  Search this
Kazuko Oshima  Search this
Humphrey, Hubert H. (Hubert Horatio)  Search this
Byrd Hoffman Foundation  Search this
Cunningham Dance Foundation  Search this
United States. Foreign Service  Search this
Cathedral of St. John the Divine (New York, N.Y.)  Search this
International Council of the Museum of Modern Art (New York, N.Y.)  Search this
Society of Architectural Historians  Search this
Japan Society (New York, N.Y.)  Search this
Asia Society  Search this
Museum of Modern Art (New York, N.Y.)  Search this
UNESCO  Search this
Type:
Photographs
Lectures
Interviews
Paintings
Transcripts
Citation:
Porter A. McCray papers, 1936-1989. Archives of American Art, Smithsonian Institution.
Topic:
Arts boards  Search this
Cultural relations  Search this
Theme:
Research and writing about art  Search this
Record number:
(DSI-AAA_CollID)6445
(DSI-AAA_SIRISBib)215589
AAA_collcode_mccrport
Theme:
Research and writing about art
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_215589
Online Media:

Robert Venturi letter to Naomi Miller, 1967 Jan. 3

Creator:
Venturi, Robert, 1925-  Search this
Subject:
Miller, Naomi  Search this
Venturi and Rauch  Search this
Citation:
Robert Venturi letter to Naomi Miller, 1967 Jan. 3. Archives of American Art, Smithsonian Institution.
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)6189
(DSI-AAA_SIRISBib)216430
AAA_collcode_ventrobe
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_216430

Porter A. McCray papers

Creator:
McCray, Porter A., 1908-2000  Search this
Names:
Asia Society  Search this
Byrd Hoffman Foundation  Search this
Cathedral of St. John the Divine (New York, N.Y.)  Search this
Cunningham Dance Foundation  Search this
International Council of the Museum of Modern Art (New York, N.Y.)  Search this
Japan Society (New York, N.Y.)  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Society of Architectural Historians  Search this
UNESCO  Search this
United States. Foreign Service  Search this
Cutting, Brock  Search this
Humphrey, Hubert H. (Hubert Horatio), 1911-1978  Search this
Kazuko Oshima  Search this
Morley, Grace, 1900-1985  Search this
Paik, Nam June, 1932-2006  Search this
Richie, Donald, 1924-2013  Search this
Rockefeller, John D., 1906-  Search this
Sherfield, Roger Mellor Makins, Baron, 1904-1996  Search this
Thetong, Tenzin  Search this
Extent:
12.3 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Lectures
Interviews
Paintings
Transcripts
Date:
1936-1989
Summary:
The papers of New York City arts administrator Porter A. McCray measure 12.3 linear feet and date from 1936 to 1989. The papers include scattered biographical materials, correspondence, and writings and notes. The bulk of the collection consists of professional files documenting his advisory and consulting work for museums, institutions, organizations, and foundations. Also found within the collection are printed materials and photographs of McCray and artwork.
Scope and Contents:
The papers of New York City arts administrator Porter A. McCray measure 12.3 linear feet and date from 1936 to 1989. The papers include scattered biographical materials, correspondence, and writings and notes. The bulk of the collection consists of professional files documenting his advisory and consulting work for museums, institutions, organizations, and foundations. Also found within the collection are printed materials and photographs of McCray and artwork.

Scattered biographical materials include appointment books, curricula vitae, a transcript of an interview conducted by McCray with Dr. Grace Morley, and an unsigned painting.

Found within the general correspondence are letters that relate to his work as an arts advisor and consultant, but which appear to be more personal in nature. The bulk of correspondence related to specific projects is found within the professional files. Correspondents include Hubert Humphrey, Mrs. John Lockwood, Grace Morely, Kazuko Oshima, Donald Richie, John D. Rockefeller III, and Tenzin Thetong among others.

Writings and notes include lectures by McCray and writings by others including Brock Cutting, Lord Sherfield, and Nam June Paik. Also found are travel notes for McCray's travels throughout Asia, Europe, and the Middle East.

Professional files document McCray's work as an arts advisor and consultant for numerous museums, foundations, organizations, foundations, and special committees, as well as his membership in various arts committees and boards. Files document McCray's work for and/or membership in the Asia Society, Asian Cultural Program of Cultural Exchange, Byrd Hoffman Foundation, Cathedral Church of St. John the Divine, Cunningham Dance Foundation, Indo-United States committees, International Council of Museums, Japan Society, John D. Rockefeller 3rd Fund, Museum of Modern Art, Society of Architectural Historians, UNESCO, and the United States Foreign Service.

Printed materials include clippings and articles, a Drawing and Architecture exhibition catalog, and a book by Robert Wilson. Photographs include personal photographs and oversized photographs of sculptures by an unknown artist.
Arrangement:
This collection is arranged as 6 series.

Missing Title

Series 1: Biographical Materials, 1959-1982 (0.5 linear feet; Box 1)

Series 2: Correspondence, 1959-1986 (0.5 linear feet; Box 1)

Series 3: Writings and Notes, 1960-1983 (1.5 linear feet; Box 2-3)

Series 4: Professional Files, 1936-1987 (8.2 linear feet; Box 3-11, OVS 12-13)

Series 5: Printed Materials, 1965-1989 (0.5 linear feet; Box 11, OV 14)

Series 6: Photographs, 1945-1980s (0.2 linear feet; Box 11, OV 15)
Biographical / Historical:
Porter A. McCray (1908-2000) was an arts administrator working in New York City, New York.

Born in Clarksburg, West Virginia in 1908, McCray recieved a degree in English literature from the Virginia Military Institute in 1930, and a degree in architecture from Yale University in 1941. McCray traveled extensively throughout Europe, Asia, and the Middle East, developing relationships with individuals and organizations across the world.

In 1941, McCray worked as an exhibition specialist in the Office of the Coordinator of Inter-American Affairs and collaborated with the Museum of Modern Art on an American exhibition at the Guatemala National Fair. After serving as an ambulance driver in World War II, he was employed by the architectural firm of Harrison and Abramovitz where he worked on some preliminary designs of the present site of the United Nations.

While working for Harrison, McCray met Nelson Rockefeller, who was chairman of the board of the Museum of Modern Art (MOMA). In 1947, Rockefeller asked McCray to serve as the director of circulating exhibitions at MOMA and be responsible for the Museum's national and international traveling exhibition program. McCray accepted and remained at MOMA until 1961. The following year, he orchestrated the preparation of a MOMA exhibition of Mark Rothko's work in Paris in 1962. In 1963, McCray became the executive director of the JDR 3rd Fund, a non-profit started by John D. Rockefeller III to promote artistic and cultural exchanges between the United States and Asia. McCray also worked as a consultant for the Japan Society's visual arts programs, the Asian Cultural Council, for the dean of the Cathedral Church of St. John the Divine's visual and performing arts program, and for MOMA's International Program after retiring.

McCray died in 2000 in Hightstown, New Jersey.
Related Materials:
Also found at the Archives of American Art is an oral history interview of Porter A. McCray conducted by Paul Cummings from September 17 to October 4, 1977.
Provenance:
The collection was donated in 1994 by Porter McCray.
Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Arts administrators -- New York (State) -- New York  Search this
Topic:
Arts boards  Search this
Cultural relations  Search this
Genre/Form:
Photographs
Lectures
Interviews
Paintings
Transcripts
Citation:
Porter A. McCray Papers, 1936-1989. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.mccrport
See more items in:
Porter A. McCray papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw908b878b0-26c0-42f5-8de4-defe9950f12e
EDAN-URL:
ead_collection:sova-aaa-mccrport
Online Media:

Professional Files

Collection Creator:
McCray, Porter A., 1908-2000  Search this
Extent:
8.2 Linear feet (Box 3-11, OV 12-13)
Type:
Archival materials
Date:
1936-1987
Scope and Contents:
Professional files documenting McCray's work as an arts advisor, consultant, director, committee member, board member, and lecturer are located in this series. There are files for his work with the Asian Cultural Council, Asia Society, Byrd Hoffman Foundation, Cunningham Dance Foundation, Cathedral Church of St. John the Divine, Indo-United States committees, International Council of Museums, Japan Society, Society of Architectural Historians, the JDR 3rd Fund, the Museum of Modern, UNESCO, and as an attaché at the United States Foreign Service.

File contents vary and may include administrative documents, annual reports, correspondence, meeting minutes, printed material, and project records. Of note in the Museum of Modern Art files is a letter of appreciation from Mark Rothko to McCray for his work organizing Rothko's exhibit in Paris.
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Porter A. McCray Papers, 1936-1989. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.mccrport, Series 4
See more items in:
Porter A. McCray papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw94df58dcf-3b19-4503-a1c6-d47fa816141b
EDAN-URL:
ead_component:sova-aaa-mccrport-ref12

Society of Architectural Historians

Collection Creator:
McCray, Porter A., 1908-2000  Search this
Container:
Box 11, Folder 10-11
Type:
Archival materials
Date:
1980-1984
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Porter A. McCray Papers, 1936-1989. Archives of American Art, Smithsonian Institution.
See more items in:
Porter A. McCray papers
Porter A. McCray papers / Series 4: Professional Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9c9d1ce5e-de4d-43e7-b054-dc47caa54014
EDAN-URL:
ead_component:sova-aaa-mccrport-ref265

Society of Architectural Historians, Dublin Tour June 19-27, 1959

Collection Creator:
McCray, Porter A., 1908-2000  Search this
Container:
Box 11, Folder 12
Type:
Archival materials
Date:
1959
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Porter A. McCray Papers, 1936-1989. Archives of American Art, Smithsonian Institution.
See more items in:
Porter A. McCray papers
Porter A. McCray papers / Series 4: Professional Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw923ba6ada-a11c-4f16-a238-1c7947104e00
EDAN-URL:
ead_component:sova-aaa-mccrport-ref266

Projects

Collection Creator:
McCoy, Esther  Search this
Extent:
(Boxes 24-26, 47, FC 53-56; 2.5 linear feet)
Type:
Archival materials
Date:
circa 1953-1988
Scope and Contents note:
This series contains McCoy's files on architecture-related projects. Included are records of her participation on juries; applications for grants; work for the Society of Architectural Historians and the Historic American Buildings Survey; and her various projects at the UCLA, School of Architecture and Urban Planning. Also found are files documenting her work on preservation projects, most notably the Dodge House Preservation Campaign.
Arrangement note:
The series is arranged as 8 subseries:

5.1: Dodge House Preservation Campaign, circa 1953-1983

5.2: Grants, 1956-1985

5.3: Historic American Buildings Survey (HABS), 1960-1980

5.4: Juries, 1957-1982

5.5: L. A. Art Index, circa 1980

5.6: Preservation Projects, 1965-1980

5.7: Society of Architectural Historians (SAH), 1959-1982

5.8: UCLA, School of Architecture and Urban Planning, 1961-1988
Collection Restrictions:
Use of original papers requires an appointment. Use of audiovisual recordings without access copies requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Esther McCoy papers, circa 1876-1990, bulk 1938-1989. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.mccoesth, Series 5
See more items in:
Esther McCoy papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw979d6fe94-2212-41be-a7bb-2eb9311cf83b
EDAN-URL:
ead_component:sova-aaa-mccoesth-ref805

Society of Architectural Historians (SAH)

Collection Creator:
McCoy, Esther  Search this
Type:
Archival materials
Date:
1959-1982
Scope and Contents note:
This subseries documents McCoy's membership in the Society of Architectural Historians. Included are drafts of three presentations that McCoy gave at annual meetings, her correspondence with the organization, and documentation for two meetings in England, including program schedules, tour notes, and printed material. Also found are general organizational records for the society including reports, newsletters, minutes, and member lists. McCoy was a member of the SAH Tour Committee, and found here are several tour itineraries for the Southern California region.
Arrangement note:
Files are arranged alphabetically.
Collection Restrictions:
Use of original papers requires an appointment. Use of audiovisual recordings without access copies requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Esther McCoy papers, circa 1876-1990, bulk 1938-1989. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.mccoesth, Subseries 5.7
See more items in:
Esther McCoy papers
Esther McCoy papers / Series 5: Projects
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9eb41e664-2c8b-42d4-ac5a-ec0d75c0afed
EDAN-URL:
ead_component:sova-aaa-mccoesth-ref890

Article entitled "Houses are Human: Architectural Self-images of Africa's Tamberma", in Journal of the Society of Architectural Historians.

Names:
Larrabee, Constance Stuart  Search this
Collection Photographer:
Larrabee, Constance Stuart  Search this
Container:
Box 2, Folder 14
Type:
Archival materials
Date:
1983 December
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Collection Citation:
Constance Stuart Larrabee Collection, EEPA 1998-006, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.
Identifier:
EEPA.1998-006, Item 258
See more items in:
Constance Stuart Larrabee Collection
Constance Stuart Larrabee Collection / Series 2: Manuscript Materials / Ndebele
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
GUID:
https://n2t.net/ark:/65665/xo7b0c020ed-e8bb-4664-aafc-4d7c61c7da7e
EDAN-URL:
ead_component:sova-eepa-1998-006-ref15495

Creating a Model for the National Mall: The Design of the National Museum of Natural History

Author:
Field, Cynthia R  Search this
Tilman, Jeffrey T  Search this
Subject:
McKim, Charles Follen  Search this
Burnham, Daniel Hudson 1846-1912  Search this
Langley, S. P (Samuel Pierpont) 1834-1906  Search this
Rathbun, Richard 1852-1918  Search this
Hornblower & Marshall  Search this
National Museum of Natural History (U.S.)  Search this
Park Improvement Commission of the District of Columbia  Search this
Physical description:
Number of pages: 22; Page numbers: 52-73
Place:
National Mall
Mall, The (Washington, D.C.)
Date:
March 2004
Topic:
Architecture, Roman  Search this
Museum architecture  Search this
Architecture--Design and plans  Search this
Architecture--Washington (D.C.)  Search this
Architectural firms  Search this
Architects  Search this
Architectural design  Search this
Development of  Search this
Data Source:
Smithsonian Archives - History Div
EDAN-URL:
edanmdm:siris_sic_13668
Online Media:

Henry-Russell Hitchcock at a Society of Architectural Historians event

Subject:
Hitchcock, Henry-Russell  Search this
Type:
Photographs
Place:
Newport, R.I.
Date:
1953 Aug.
Citation:
Henry-Russell Hitchcock at a Society of Architectural Historians event, 1953 Aug.. Henry-Russell Hitchcock papers, 1919-1987. Archives of American Art, Smithsonian Institution.
Record number:
(DSI-AAA)9994
See more items in:
Henry-Russell Hitchcock papers, 1919-1987
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_9994
Online Media:

Society of Architectural Historians

Collection Creator:
Architectural League of New York  Search this
Container:
Box 66, Folder 14
Type:
Archival materials
Date:
1951
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Architectural League of New York records, 1880s-1974, bulk 1927-1968. Archives of American Art, Smithsonian Institution.
See more items in:
Architectural League of New York records
Architectural League of New York records / Series 5: Exhibitions / 5.2: Exhibitions (Chronological) / 1951 Exhibitions
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw97a2b348e-dfaf-4143-8012-b238a2bc5f25
EDAN-URL:
ead_component:sova-aaa-archleag-ref1656

Biographical Material, Eero Saarinen

Collection Creator:
Saarinen, Aline B. (Aline Bernstein), 1914-1972  Search this
Container:
Box 1, Folder 9
Type:
Archival materials
Date:
1961-1963
Collection Restrictions:
The collection has been digitized and is available online via AAA's website. Use of material not digitized requires an appointment.
Collection Rights:
NBC TV scripts or film prepared for television: Authorization to publish, quote or reproduce requires written permission from NBC Studios. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Aline and Eero Saarinen Papers, 1906-1977. Archives of American Art, Smithsonian Institution.
See more items in:
Aline and Eero Saarinen papers
Aline and Eero Saarinen papers / Series 1: Aline and Eero Saarinen Personal Papers / 1.1: Miscellaneous Personal Papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9e0452013-214e-4537-813a-7be3fac2032a
EDAN-URL:
ead_component:sova-aaa-saaralin-ref22
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Biographical Material, Eero Saarinen digital asset number 1

Biographical Statements, Publication List, and Resumes

Collection Creator:
McCoy, Esther  Search this
Container:
Box 1, Folder 7
Type:
Archival materials
Date:
circa 1948-1989
Collection Restrictions:
Use of original papers requires an appointment. Use of audiovisual recordings without access copies requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Esther McCoy papers, circa 1876-1990, bulk 1938-1989. Archives of American Art, Smithsonian Institution.
See more items in:
Esther McCoy papers
Esther McCoy papers / Series 1: Biographical and Family Material
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9e43b3615-82f2-4f74-a974-12ea206e8501
EDAN-URL:
ead_component:sova-aaa-mccoesth-ref21
10 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Biographical Statements, Publication List, and Resumes digital asset number 1
  • View Biographical Statements, Publication List, and Resumes digital asset number 2
  • View Biographical Statements, Publication List, and Resumes digital asset number 3
  • View Biographical Statements, Publication List, and Resumes digital asset number 4
  • View Biographical Statements, Publication List, and Resumes digital asset number 5
  • View Biographical Statements, Publication List, and Resumes digital asset number 6
  • View Biographical Statements, Publication List, and Resumes digital asset number 7
  • View Biographical Statements, Publication List, and Resumes digital asset number 8
  • View Biographical Statements, Publication List, and Resumes digital asset number 9
  • View Biographical Statements, Publication List, and Resumes digital asset number 10

Journal of the Society of Architectural Historians, "Letters from Louis H. Sullivan to R. M. Schindler" (December 1961)

Collection Creator:
McCoy, Esther  Search this
Container:
Box 21, Folder 1-2
Type:
Archival materials
Date:
1961
Collection Restrictions:
Use of original papers requires an appointment. Use of audiovisual recordings without access copies requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Esther McCoy papers, circa 1876-1990, bulk 1938-1989. Archives of American Art, Smithsonian Institution.
See more items in:
Esther McCoy papers
Esther McCoy papers / Series 4: Architectural Writings / 4.3: Journals, Magazines, and Newspapers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9dd8393ac-9f54-4dfb-a00e-2a7bb0e4cd8a
EDAN-URL:
ead_component:sova-aaa-mccoesth-ref598
Online Media:

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