Writings, art work, miscellaneous items, and photographs were received from the Estate of Sally Kent Gorton in 2001. Although not physically integrated with the main portion of the collection, this addition to the Rockwell Kent papers is described with the appropriate series in the online edition of the finding aid.
Writings consist of Kent's continuation of his autobiography It's Me, O Lord! (1995). The unpublished 185 page manuscript written between 1955 and 1971 recounts the artist's travels, exhibitions, and political activities during the 1950s and 1960s. Among the art work there are many drawings and sketches in pencil and ink, of miscellaneous subjects and various projects circa 1920-1939 including figure studies, landscapes and illustrations for various books by Kent. Also included are a color lithograph study for a war poster, circa 1941, and Kent's 1968 costume and set designs for Benjamin Britten's opera Peter Grimes, along with a recording of Peter Grimes and its libretto. Photographs of people include formal and informal portraits of Rockwell Kent, Kent with others, and each of his wives; other individuals portrayed are Ted R. Lambert and Eugene Vuchatich. Other subjects include views of Asgaard Farm, the rebuilt Kent house at AuSable Forks, NY, and Kent's grave.
Kent presented the manuscripts for most of his books to the USSR, along with the Kent Collection. Included in this series are drafts, notes, and completed manuscripts for monographs, articles, speeches, book reviews, catalog texts and introductory essays, and miscellaneous writings (often unidentified) by Kent. Manuscripts are arranged chronologically, with undated items arranged alphabetically by title. Also included at the end of the series are a small number of manuscripts by other authors.
The unpublished continuation of Kent's autobiography It's Me, O Lord! was received from the estate of his widow, Sally Kent Gorton, 2001.
See Appendix for an itemized list of writings from Series 2.
Arrangement note:
The bulk of this series has been scanned. Poems and political statements written by other authors have not been scanned.
Appendix: Writings from Series 2:
Writings by Rockwell Kent"Men as Animals," 1906-1912
"The False Life," 1906-1912
"True Life," 1906-1912
"A Tragedy of Newfoundland," 1914 (with 1961 revision)
"Alaska Drawings by Rockwell Kent, With a letter from Rockwell Kent to Christian Brinton, M. Knoedler & Co.," 1919
"Greenland for the Painters," 1919
"Art," 1919
"The Tierra del Fuego Journal of Rockwell Kent," 1922
"Voyaging," 1924
"Tristan and Iseult," 1927
"George W. Bellows: His Lithography," 1927
"A Social Evolutionist's View of the War," 1928
Introduction to book about Patagonia, 1931
"Alias Kent by Hogarth, Jr.." 1933
"Rockwellkentiana," 1933
Greenland journal in the form of letters to Frances, 1934-1935
"What Is an American?," 1936
"In the Name of the Great Jehovah," 1936
Van Loon Review, 1937
"What Is an American?" (revised version), 1938
"People's Platform," 1938
"Good Old Loyalty," 1938
"Original Etchings, Lithographs and Woodcuts by American Artists published by the American Artists Group, Inc." (review), 1938
"Introduction by Rockwell Kent to 'Story of the White Collar Worker' by Giacomo Patri," 1940
Introduction to "Portinari and His Art," 1940
"Rockwell Kent: A Short Autobiography," 1940
"Rockwell Kent at Bookshop," 1940
"Statement by Rockwell Kent," 1940
"Introduction to Book on the Work of Candido Portinari," 1940
"Louis Untermeyer," 1940
Love poem to Sally (untitled, illustrated), 1940
"Outline of Address Delivered by Rockwell Kent," 1940
"To Louis and Esther" (poem), 1940
"Christmas 1940" (poem), 1940
"Review of -- Kabloona -- by Gontran de Poncins," 1941
"Portion of Address for Delivery June 5th at National Conference of Social Work, by Rockwell Kent," 1941
"Radio Address, by Rockwell Kent, to Be Delivered at Progressive Librarians Council Broadcast, Sunday, June 22nd," 1941
"Statement on Nazi-Soviet War, by Rockwell Kent," 1941
" 'The Intent of the Artist,' reviewed by Rockwell Kent," 1941
"A Northern Christmas," 1941
"Outline of Address for Fourth American Writers Congress," 1941
"Editorial for -- Junior Guide -- of International Workers Order," 1941
"Introduction to Book-Plate Catalog," 1941
"Article for Adirondack Mountain Club, Inc. Year Book," 1941
"Introduction for Catalog of American Library of Color Slides," 1941
"Statement for American Council on Soviet Relations," 1941
"To Sally" (illustrated poem), 1941
"Article for UOPWA News," 1942
"Introduction to Catalog of Rockwell Kent Exhibition at the Wildenstein Galleries," 1942
"Tierra del Fuego," 1942
Article for -- Script -- , 1942
"Introduction to Democracy," 1942
"Statement for Use of Artists League of America," 1942
"Introduction by Rockwell Kent to 'Silk Screen Stenciling as a Fine Art,'" 1942
"On Earth Peace," 1942
"Foreword by Rockwell Kent to -- American Pioneer Arts & Artists -- by Carl Drepperd," 1942
"Article for Use of American Russian Cultural Association Inc. in -- Novosselye -- ," 1942
"WQXR Broadcast 'Other Peoples's Business Program,'" 1943
"Article for Use of the Alumni of the Columbia School of Architecture," 1943
"Art and the People," 1943
"Article for AAA News," 1943
"Statement to AP, UP, -- Herald Tribune, Times, Daily Worker -- on Death of Art Young," 1943
"To Sally" (poem), 1943
"Statement by Rockwell Kent, Famous Landscape and Figure Painter and Wood Engraver, on the Presentation of His Mural-- -- Airplane View of America at Peace-- -- to the Committee on Interstate and Foreign Commerce"
"Article on Art Young, For Use of -- New Masses -- Memorial Number," 1944
"Article for Use of the American Artists Group," 1944
"Memorandum on the Proposed Organization for the Publication of Reproductions of American Art," 1944
" -- Arctic Fish Story -- by Otto Wm. Geist" (book review), 1944
"Article for Use of -- Tomorrow -- ," 1944
"Review of -- Horizon Is Calling -- by Taro Yashima," 1944
"Opening Address, Seventh General Convention, IWO," 1944
Obituary of mother, Sarah Holgate Kent, 1944
"Statement for Use of Philadelphia Council of American-Soviet Friendship," 1944
"To Voters of the Thirty-Third New York Congressional District," 1944
"Introduction ALA Fourth Annual Exhibition Catalog," 1944
"Introduction by Rockwell Kent, -- Drawings by American Artists -- ," 1944
" -- Mathematical Basis of the Arts -- , by Joseph Schillinger, Reviewed by Rockwell Kent," 1944
"We Hold These Truths," 1944
"Review for the -- New Masses -- of Steffanson's -- Greenland -- ," 1944
"Synopsis: -- This Is My Own -- by Rockwell Kent," 1944
"Story for -- Readers Digest -- 'Life in America' Series," 1944
"Greetings to the Red Army & Navy," 1944
"Introduction for -- This Is Our War -- Catalog," 1944
"Art with a Little a," 1944
"Small Town War," 1944
"How Not to Get a Seeder," 1944
"Statement for use of International Workers Order," 1945
"Introduction for Exhibition Catalog," 1945
"Shadows of Evening," 1945
"Stories for -- Readers Digest -- 'Life in America' Series," 1945
"Article for Use of Vet," 1946
"Statement for Use of Artists for Action," 1946
"The Artist in America Today," 1946
"Rockwell Kent Biographical Sketch for Use of General Electric Company," 1946
"Statement for Use of International Workers Order," 1947
"John Trumbull" and "Frederick Remington," supplementary text for -- World Famous Paintings -- , 1947
"To Thee" (history of the Rahr Malting Co.), 1947
"We Hold These Truths" (articles for use of -- Fraternal Outlook -- ), 1948
" -- The Mathematical Basis of the Arts -- , by Joseph Schillinger, Reviewed by R.K. for -- Music News -- ," 1948
"Radio Script--O. John Rogge Program, Tuesday, July 12, 1948, Introduction by Rockwell Kent," 1948
"An Artist in Politics," 1948
"Text of Address to Be Given by Rockwell Kent at Meeting of Business and Professional Women's Club, Plattsburgh, N.Y.," 1948
"Radio Script, Rockwell Kent Address at Skidmore College Forum," 1948
"Radio Address to Be Given by Rockwell Kent, American Labor Party Candidate for Congress, 33d District, New York," 1948
"Radio Script, Christmas Greetings from Rockwell Kent for Arthur Gaeth Program," 1948
"Wallace Speech," 1948
"To Voters of the Thirty-Third New York Congressional District," 1948
"Rsum of Still-Born Address to World Congress for Peace, Paris, 1949," 1949
"Statement on Conviction of the Twelve by Rockwell Kent (for Use of the International Workers Order)," 1949
"We Hold These Truths" (articles for use by -- Fraternal Outlook -- ), 1949
"Introduction by Rockwell Kent to -- Southern Cross -- , by Lawrence O. Hyde," 1950
"We Hold These Truths" (article for use of the -- Fraternal Outlook -- ), 1950
"Article for Use of VOKS," 1950
"Copy for Sabattis Ranch Booklet (Rough Draft)," 1950
"Radio Address Delivered by Rockwell Kent Sunday, April 15, 1950, Croton-on-Hudson, N.Y.," 1950
"Greetings from Rockwell Kent to the Congress of the Peoples for Peace," 1952
Article for Use of International Workers Order, 1952
"Stenographic Record of a Meeting of the VOKS Section of Fine Arts," 1953
"Statement by Rockwell Kent" (re: McCarthy hearings), 1953
"Christmas Record 1953," 1953
"Place Card Poems--New Year's Eve, 1953," 1953
"Silas Timberman -- , by Howard Fast, Reviewed by Rockwell Kent for Use of -- New World Review -- ," 1954
"Realism in Art by Sidney Finkelstein, Reviewed by Rockwell Kent for Use of -- Masses & Mainstream -- ," 1954
Unpublished continuation of autobiography, -- It's Me, O Lord! -- (1955), recounting the artist's travels, exhibitions and political activities during the 1950s and 1960s, circa 1955-1971
"Article for Publication in the USSR," 1957
"Article for Use of -- New World Review -- ," 1957
"Article for Use of -- New World Review -- ," 1958
Trip Book (diary detailing trip to USSR), 1958
"Article for Use of -- Standard Times -- (New Bedford, Mass.)," 1959
"Of Men and Mountains," 1959
"Remarks for Tolstoi Jubilee," 1960
"Gift of Peace--An Account of Rockwell Kent's Presentation of a Collection of His Works to the People of the Soviet Union," 1961
"Article for Use of -- New World Review -- ," 1962
"Statement for November 26th Meeting, NCASF, by Rockwell Kent," 1962
"To Major Gherman Titov, Greeting!" 1962
"World Conference on Disarmament and Peace--Statement by Rockwell Kent," 1962
"Message for November 28th Carnegie Hall Meeting of National Council of American-Soviet Friendship from Rockwell Kent," undated
"The Missing Lynx, New Light on Human Nature, Told by the Lynx. (`Might Is Right und Lynx Ist Rechts'.)," undated
"The Most Unforgettable Character I Have Ever Met," undated
"Notes by Rockwell Kent for Use of Miss Marie B. Ryan, Editor of the -- Sketch Book of Kappa pi -- in an Article Titled: `The Things I Wish They'd Taught Me'," undated
"Nuremberg--And After," undated
"On Being Famous," undated
"On the Writings of Rockwell Kent," undated
"Original Page of -- Salamina -- Manuscript," undated
"Preface," undated
"Preface to the Monhegan Edition," undated
"Proposal for the Solution of the Liquor Problem," undated
"Review, by Rockwell Kent, of -- The Game of Death -- ," undated
"Review of -- Eskimo -- , by Peter Freuchen," undated
"Rockwell Kent," undated
"Rockwell Kent Biographical Data," undated
" -- Salome -- , by Oscar Wilde. -- Inventions -- , by John Vassos. -- The Marriage of Heaven and Hell -- , by William Blake" (book review), undated
"A Second Preface--Eleven Years Later," undated
"Speech for Opening of Exhibition," undated
"Statement for November 26th Meeting, NCASF," undated
"Statement for Use of National Council for American-Soviet Friendship," undated
"Statement for Use of the Teachers Union," undated
"Statement on 'American Art Today,'" undated
"Statement on the Arrest of the Communist Leaders," undated
"Story for -- Reader's Digest -- 'Life in America' Series," undated
"Text for -- The Lovers -- , Wood Engraving by Rockwell Kent" undated
"Unpublished Manuscript," undated
"Vegetarianism," undated
"We Hold these Truths" (Article for Use of -- Fraternal Outlook -- , by Rockwell Kent), (2 separate articles), undated
"What Home Means to Me," undated
"When I Was a Teener," undated
"Winslow Homer at Prout's Neck" (draft of book review by Kent), undated
" -- Winslow Homer at Prout's Neck -- , by P. Beam," undated
Greenland Journal -- , undated
"A Voyager's Log, Part II," undated
Wilderness -- , undated
World Famous Paintings -- , undated
Untitled, undated
Poems, undated
Fragments and Miscellaneous Notes, undated
Writings by Sarah Holgate Kent [mother]"The Little I Know of My Ancestors. As Far Back As I Can Remember," 1941
Writings by Sally Kent (Gorton)"Monhegan Notebook," 1950
"Article for R.K. Memorial Booklet--First Rough Draft," 1971
"Article for Rockwell Kent Memorial Portfolio," 1971
" -- Bulgaria Today: The Land and the People -- , by William Cary" (review), 1971
"Greeting for World Peace Council Meeting, Budapest--First Rough," 1971
"Greeting in Memory of Rockwell Kent for World Peace Council, Meeting in Budapest--3d Best," 1971
"Greeting in Memory of Rockwell Kent for World Peace Council, Meeting in Budapest--2d Best," 1971
"The Happiest Day," 1971
Drafts of Memoir ("Introduction," "Living on and off--The Land!," "Memoirs," "Chapter I--Save, Use," "First Chapter--Passages to Add Perhaps," "Chapter 2," "1971 Later--31 Years Later," "Use," "July 3, 1972"), 1971
Memoir Notes ("Monhegan Notes," "Notes and Quotes for Use in Book--'Rockwell Kent--Some Fireside Reminiscences,' " "Possibly for Use," "Random Notes," "R.K. on Homes"), 1971
"Suggested Copy: -- New York Times -- Ad to Be Sponsored by Committee of Concerned Citizens" ("Rockwell Kent's Engagement with Life"--Draft), 1971
"Rockwell Kent's Engagement with Life for Use of -- American Dialogue -- ," 1971
"Rockwell Kent--Glimpses" (notes), 1971
"The Making of -- It's Me, O Lord -- , Draft," 1974
"The Making of -- It's Me, O Lord -- For Use in -- The Kent Collector -- ," 1974
"And Now Monhegan Again!," 1977
"The Jay Taxpayers Association in 1933: A Good Fight," 1977
"Muddling Through" (shorthand), 1978
"Dedication Words" (notes, some in shorthand), 1978
"Rockwell Kent Gallery Dedication Words," 1978
"Story" (shorthand), 1978
"Story 'In the Drawer' for Time Being," 1978
"The Happiest Day," undated
Poem, undated
Writings by Others About KentReviews of Books by Rockwell Kent, 1931-1941
Poems, undated
"The Beautiful American," undated
"Biographical Notes--Rockwell Kent," undated
" -- It's Me, O Lord -- , Introduction, On Rockwell Kent and His Autobiography," undated
"Kent--The Writer," undated
"Message by Y. A. Malik on the Occasion of the Opening of the Exhibition of Soviet and American Prints," undated
"Part One, Books Written and Illustrated by Rockwell Kent, by Dan Burne Jones," undated
Collection Restrictions:
The microfilm of this collection has been digitized and is available online via AAA's website. Use of material not microfilmed or digitized requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Rockwell Kent papers, circa 1840-1993, bulk 1935-1961. Archives of American Art, Smithsonian Institution.
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Betty Parsons Gallery records and personal papers, 1916-1991. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing and digitization of this collection was provided by the Terra Foundation for American Art and The Walton Family Foundation.
The records of the National Arts Club measure 32.1 linear feet and date from 1898 to 1960. The collection documents the founding of the club, and it's governance, administration, exhibitions, and social activities
Scope and Content Note:
Records of the National Arts Club, spanning the period 1898 to 1960, document the founding of the organization, and its governance, administration, finances, exhibitions, and social activities. There are large gaps in the records and many of those surviving are incomplete, which can be explained by a 1932 resolution of the Board of Governors that "old files and letters and bills in the storeroom prior to 1922 may be destroyed at the discretion of the Secretary and Treasurer."
Minutes and reports of the Board of Governors and Executive Committee are fairly complete through 1949, but sparse thereafter. Records do not exist for all standing and special committees, and those remaining tend to be concentrated in the early twentieth century.
Correspondence of the officers, for the most part, is routine and relates to administrative matters. Financial records cover the period 1917 to 1950, with a large number of gaps.
A small number of records of the Arts Realty Co. (later known as 15 Gramercy Park, Inc.) are extant. These include lists of stockholders, correspondence concerning mortgage bonds, and minutes.
Membership records, arranged alphabetically, are available for the years 1931 to 1959, and there are rosters arranged by membership category, 1940-1952; in addition, printed membership lists were issued circa 1900-1951.
More than four hundred exhibitions are known to have been held in the galleries of the National Arts Club between 1899 and 1960. Catalogs for 124 National Arts Club exhibitions are available at the Archives of American Art; 69 titles are to be found among the Club's records and an additional 55 were microfilmed previously as parts of other collections. Other exhibition documentation includes printed matter such as invitations, entry blanks, publicity, and photographs (see Appendix A). For some exhibitions, supporting documentation such as correspondence with exhibitors and collectors, sales and consignment records, and shipping receipts have survived. These files are mainly confined to Books of the Year exhibitions, Arts and Crafts/Decorative Arts exhibitions, and a smaller number of exhibitions of Living American Etchers, 1928-1957.
General social events, activities sponsored by Arts Club committees, and special commemorative occasions are documented by invitations, programs, publicity, calendars of events, and photographs. The majority of this material is contained in seventeen scrapbooks, 1898-1940. Programs of the Men's Open Table, 1915-1950, are particularly well documented by the Chairman's correspondence and three volumes containing meeting notices with signatures of members in attendance.
In addition to printed matter relating to exhibitions and events, scrapbooks, 1898-1940, contain general publicity, clippings concerning members, and samples of National Arts Club printed matter such as form letters to the general membership, brochures, ballots, house rules, published membership lists, year books, and the like. Loose printed matter augments that preserved in the scrapbooks. These sources combined provide a fairly complete set of the Bulletin, but the number of year books is small, and there are catalogs of only slightly more than a third of the exhibitions identified.
Photographs, in addition to those recording exhibitions and events, include portraits of governors, officers, distinguished visitors, speakers, and performers; views of Gramercy Park and the interior and exterior of the clubhouse; and works of art in the permanent collection.
Miscellaneous material includes information on the National Arts Club's first home on West 34th Street, and the Tilden Mansion, its current clubhouse on Gramercy Park; histories of the organization; unpublished speeches presented at Club occasions; and copies of legal documents, including the Club's charter and act of incorporation.
See Appendix A for an annotated list of National Arts Club exhibitions, 1899-1960
Arrangement:
The records are arranged into the following series:
Missing Title
Series 1: Board of Governors, 1898-1960, undated
Series 2: Administration, 1898-1960, undated
Series 3: Financial Records, 1917-1952
Series 4: Membership, circa 1900-1962
Series 5: Arts Realty Co., 1909-1913, 1945-1956, undated
Series 6: Miscellaneous, 1890-1961, undated
Series 7: Photographs, 1899-1957, undated
Series 8: Printed Matter, 1893-1960, undated
Series 9: Scrapbooks, 1898-1940
Historical Note:
The National Arts Club was founded by Charles de Kay, literary and art critic for the New York Times who believed there was a need for a club uniting all of the arts. In March of 1898, de Kay called together a number of civic leaders and men prominent in the art world who supported the idea, elected the first officers and incorporated the Club in 1899.
As stated in a circular issued by the Club, its specified purposes were: to promote the mutual acquaintance of art lovers and art workers in the United States; to stimulate and guide toward practical and artistic expression the artistic sense of the American people; to maintain in the City of New York a Club House...for social purposes in connection with the arts; to provide proper exhibition facilities for such lines of art, especially applied and industrial art, as shall not be otherwise adequately provided for in the same City; and to encourage the publication and circulation of news, suggestions and discussions relating to the fine arts.
During its initial months, the National Arts Club operated from a temporary office at 156 Fifth Avenue. In the search for a permanent site, considerable care was taken to select an auspicious location and accommodations, and in 1899 the first clubhouse was opened at 37 West 34th Street in leased quarters renovated expressly for the Club. Within a year, the gallery and restaurant required additional space, and there was a desire to provide overnight quarters for members visiting from out of town. In 1901 the Club created a corporation, Arts Realty Co., which issued shares to members and other investors for the purpose of raising funds to purchase the adjacent property (39 West 34th Street). This end was accomplished, and when it was decided to move the Club to another location, proceeds from the sale of the lease on 37 West 34th Street and the lot next door, augmented by additional funds subscribed by members, enabled Arts Realty Co. to acquire the Tilden Mansion at 15 Gramercy Park in 1905. Construction was begun immediately on a connecting studio tower to the rear (119-121 East 19th Street), designed by architect and Club President George B. Post. Upon completion, the Club bought the property from Arts Realty Co., issuing both First and Second Mortgage Bonds to individual subscribers. The Gramercy Park property has been occupied by the Club since 1906.
A show of American gold and silver work in October 1899 was the first exhibition held at the National Arts Club. Decorative arts, crafts, and industrial arts figured prominently in early exhibitions, as did designs for civic improvements. The monthly exhibition schedule emphasized contemporary American art, but also included some historical shows. Members of the public were admitted without charge to the galleries, where they could view such innovative and important exhibitions as Pictorial Photographs presented by the Photo-Secession (1902) and a group exhibition featuring the works of Robert Henri, William Glackens, George Luks, Arthur B. Davies, and Maurice Prendergast (1904). After about 1907, exhibitions grew more conservative, probably reflecting the personal tastes of Art Committee members rather than a formal opposition of the Club to nonrepresentational art. Increasingly, the exhibition schedule was filled by shows of members' work, the Club's permanent collection (mainly works by artist members, usually given in payment for life membership), the Annual Arts and Crafts exhibitions, Books of the Year exhibitions, and shows organized by various art societies.
In addition to exhibitions, the National Arts Club regularly featured a variety of cultural programs such as concerts, lectures, and dramatic presentations for members and guests. Parties, dinner, dances, and other social activities drew members to the Club, too. During its first years, some artist members expressed dissatisfaction with the high priority given social functions; by 1905, J. Carroll Beckwith, Walter Shirlaw, and Stanford White were among those who had resigned for this reason.
Within the National Arts Club there have been some smaller societies. The earliest of these were The Discus, a short lived dining and debating club, and The Vagabonds, a lunch group of writers, editors, printers and illustrators. The Men's Open Table, founded in 1910, met weekly for more than forty years for dinner followed by a talk, given by a fellow member or an outside, often professional, lecturer. A wide range of topics, not necessarily on the arts, were presented and discussed at the Men's Open Table. The American Institute of Graphic Arts is one of the organizations said to have developed from associations formed and discussions held at the Men's Open Table. A Women's Open Table, patterned after the men's, was established later.
The National Arts Club, unlike many other private clubs founded during the same era, admitted women members from its inception. Throughout its history, the Club's membership has been comprised of artists, musicians, writers, and performers, as well as collectors and supporters of the arts drawn from all parts of the country. Membership peaked at around 1,800 in 1920, declining throughout the Depression and again in the mid-1950s, and remaining at about 600 for the next two decades.
Missing Title
1898 -- Founding; occupied temporary office at 156 Fifth Ave.
1899 -- Incorporation; leased clubhouse at 37 West 34th St.; opened first exhibition, American Gold and Silver Work
1900 -- Constitution adopted
1901 -- First donations to permanent collection; Arts Realty Co. formed for the purpose of acquiring and financing the adjacent property (39 West 34th St.)
1905 -- Arts Realty Co. purchased Gramercy Park property (Tilden Mansion) on behalf of NAC; remodeling of clubhouse and construction of studio tower begun
1906 -- Plan for financing new clubhouse approved; second Mortgage Bonds issued; clubhouse and studio tower occupied; First Annual Books of the Year Exhibition
1907 -- Annual Members' Exhibition initiated; Bulletin began publication
1910 -- First meeting of Men's Open Table (established 1909)
1914 -- Essay contest, "A Critical Estimate of the Altman Collection"
1917 -- American Artists War Emergency Fund Committee issues art stamp
1923 -- Junior Artist membership category created
1930-1931 -- Essay contest, "Soul of America"
1940 -- Works by deceased artist life members deaccessioned from permanent collection; fund for refugee artists established
1962 -- Clubhouse designated New York City Landmark
1976 -- Clubhouse designated National Historic Landmark
1987 -- NAC records donated to Archives of American Art
Appendix A: Annotated List of National Arts Club Exhibitions, 1899-1960:
* = photographs included with records of NAC (See pp. 22-23 for reel and frame numbers)
+ = photograph in NAC album (See pp. 24 for reel and frame numbers)
x = catalog, checklist, or printed announcement included with NAC printed matter
s = copy of catalog in NAC scrapbook (volume number noted, see pp. 27-32 for reel and frame numbers of each volume)
Microfilm reel and frame numbers (e.g.: N134:416-419) are cited below for NAC catalogs appearing in other collections within the Archives of American Art.
DateExhibitionOct. 30 *, 1899 -- House Warming, Exhibition of American Gold and Silver Work
Nov. 13-18, 1899 -- Tenth Exhibition of the Woman's Art Club; Reception to Miss Cecilia Beaux (N134:416-419)
Nov. 27-Dec. 10, 1899 -- Art Pottery, American, Oriental, and European (N134:407-415)
Dec. 23-Jan. 8, 1899 -- Exhibition of Small Bronzes (N134:437-443)
Jan. 13, 1900 -- Exhibition of Photographs, works by members of the Society of Mural Painters
Jan. 29, 1900 -- Design for Street Refuge, shown by New York Municipal Art Society
Feb. 5-22, 1900 -- Exhibition of Embroideries and Native Rugs (N134:420-425)
Feb. 24-Mar. 10, 1900 -- John Leslie Breck Memorial Exhibition (N443:703-708; N551:719-724)
Mar. 24-Apr. 14, 1900 -- Pastel Exhibition, American Work
Apr., 1900 -- Old and Modern Japanese Prints
Apr. 14-21, 1900 -- Ernest Tarleton Memorial Exhibition
Apr. 21-May 3, 1900 -- Exhibition of Color Reproductions, American and European
May 10-21, 1900 -- American Art Leatherwork (N134:432-426)
May 24-30, 1900 -- Small Exhibition of Japanese Water Colors
May 31-June 14, 1900 -- William Hamilton Gibson Memorial Exhibition
June, 1900 -- New York Municipal Art Society Competition
Nov. 28-Dec. 19 x, 1900 -- Arts and Crafts (N134:421-431)
Jan., 1901 -- Birds and Beasts in Art
Feb., 1901 -- Art Leatherwork and Objects Relating to the Hearth
Mar., 1901 -- Works by the Society of Mural Painters
Apr., 1901 -- Books and Bookmaking
Apr., 1901 -- Howard Walter, Water Colors Taken in Europe
May, 1901 -- Glass in the Arts
May, 1901 -- Memorial to John A. Fraser, His Paintings
May-Nov., 1901 -- Arts and Crafts in the Liberal Arts Building, Pan-American Pacific Exhibition, Buffalo, N.Y.
June-Sept., 1901 -- Sculpture, Oil Paintings, Pastels, Water Colors, and Objects of Industrial Art by Members of the Club
Oct., 1901 -- Memorial Window for the Ames Family by John La Farge
Nov., 1901 -- Annual Exhibition of Paintings and Sculpture by the Woman's Art Club
Dec., 1901 -- Objects Shown at the Pan-American Pacific Exposition
Jan., 1902 -- Ecclesiastical Art
Feb., 1902 -- Art Objects Relating to Civic Art, under the auspices of the Municipal Art Society
Mar., 1902 -- American Pictorial Photographs, shown by the Photo-Secession
Mar. 26-Apr. 21, 1902 -- Fourth Annual Exhibition of the National Sculpture Society (N551:725-729; N134:446-451)
May, 1902 -- Pictures of "Womanhood"
May, 1902 -- Memorial Window for Baltimore by D. Maitland Armstrong; Memorial Window for Wells College by Mrs. Ella Condie Lamb June Window in Stained Glass, Memorial to Julia Doane, Chicago, by John La Farge
Oct., 1902 -- Collection of Objects in Metal; Artistic Bird Cages lent by A. W. Drake, Esq.
Nov., 1902 -- Annual Exhibition by the Woman's Art Club
Nov., 1902 -- Paintings by Four Western Artists, Messrs. Duveneck, Steele, Meakin and Sharp, through the courtesy of the Cincinnati Museum Association
Dec., 1902 -- Designs Submitted for Competition for the Emblem of the Louisiana Purchase Exposition
Jan. s, 1903 -- Portraits of Napoleon, lent by John Leonard Dudley, Jr., Esq. (volume 4)
Jan., 1903 -- "Autumn," Stained Glass Window for the country residence of William C. Whitney, by John La Farge
Feb., 1903 -- Eskimo and Arctic Objects, with Paintings from the Arctic and Antarctic Circles by Frank Wilbert Stokes
Mar., 1903 -- Objects of Municipal Art
Apr., 1903 -- Examples of Ideal Art by American Artists
May, 1903 -- Sculptures by Rodin, Roche, and Rivere, belonging to Miss Lois Fuller
May, 1903 -- Portraits and other Paintings by American Artists of the Colonial and Early Periods
June-Oct., 1903 -- Summer Exhibition of Paintings, Water Colors, and Sculpture by Members of the Club
Nov., 1903 -- Jewelry and Precious Stones, Modern, Old and Oriental
Dec. 1-14, 1903 -- Thirteenth Annual Exhibition of the Woman's Art Club (N134:452-456)
Dec., 1903 -- Stained Glass Window, designed by Miss Mary E. Tillinghast
Dec., 1903 -- Sketches for the Sculpture at the Louisiana Purchase Exposition, shown by the National Sculpture Society
Jan. 5-16 s, 1904 -- Loan Exhibition of Pictures by Eminent American Painters (N134:426-464, and volume 4)
Jan. 5-16 s, 1904 -- Loan Exhibition of Pictures by Robert Henri, William Glackens, George Luks, Arthur B. Davies, and Maurice Prendergast (volume 4)
Feb., 1904 -- Pictures by Contemporary American Artists
Mar. 2-15, 1904 -- Loan Exhibition of Pictures by American Figure Painters (N50:471-472; N134:460-461)
Mar., 1904 -- Annual Exhibition of Objects of Municipal Art
Apr. 5-15 s, 1904 -- Loan Exhibition of Pictures by Some Boston Artists (N443:713-715, and volume 4)
Apr. 19-30 s, 1904 -- Loan Exhibition of Pictures by Old Masters, lent by the Messrs. Durand-Ruel (N443:711-712; N134:462-464, and volume 4)
May 3-14 s, 1904 -- Oil Paintings, Water Colors, and Drawings by John La Farge, N.A. (volume 4)
May, 1904 -- Photographs of Paintings by Old Italian Masters, under the auspices of the Library Committee
Oct., 1904 -- Work of Holders of the Lazarus and Reinhart Scholarships executed while at the American Academy in Rome
Nov., 1904 -- "The Moral and Divine Law," painting by John La Farge
Nov., 1904 -- Exhibition by Members of the Nippon-Bijitsuin (Japanese Art Academy)
Jan., 1905 -- Exhibition by the Lyme Group of Painters
Feb., 1905 -- "Old Masters" and Aphrodite
Feb., 1905 -- Pictures by Some Boston Artists
Mar., 1905 -- Annual Exhibition of the Municipal Art Society of New York
Apr., 1905 -- Artistic and Commercial Posters, under the Auspices of the Municipal Art Society
Apr., 1905 -- Textiles and Ceramics
Oct., 1905 -- "Out of Doors" as Seen by Various Artists
Nov., 1905 -- Color Prints by S. Arlent-Edwards
Dec., 1905 -- American Indians as Seen by the Artist and the Artist Photographer
Jan., 1906 -- Birds and Beasts in Art
Feb., 1906 -- Miniatures
Mar., 1906 -- Fifth Annual Exhibition of the Municipal Art Society
Mar., 1906 -- Exhibition by the Alumni of Cooper Institute
Apr. 2-14 s, 1906 -- Municipal Art Society Exhibit of Poster Designs (volume 4)
Apr.-May, 1906 -- Exhibition by the Women's Art Club of New York
Nov. 8-18 s, 1906 -- Opening Exhibition [first exhibition in new quarters]: American Paintings from the Collection of Mr. William T. Evans (D45:29-34, and volume 4)
Dec., 1906 -- Books of the Year
Dec. 8-Jan. 1 s, 1906 -- Pictures by Some American Painters (volume 4)
Jan. 12-Feb. 1 s, 1907 -- Modern German Paintings from the Collection of Mr. Hugo Reisinger (N443:716-717, and volume 4)
Feb. s, 1907 -- Exhibition of Wood Engravings by Timothy Cole made for Century Magazine
Feb., 1907 -- Longfellow Memorial
Mar. 13-31, 1907 -- Sixth Annual Exhibition of the Municipal Art Society of New York
Apr., 1907 -- New York Society of Ceramic Artists
Apr., 1907 -- Paintings and Sculpture by Members
May s, 1907 -- Exhibition of Artists' Preliminary Sketches
May-Nov., 1907 -- Sketches by Members
Oct. 16-Nov. 16 s, 1907 -- Fall Exhibition of Sketches by Members (volume 4)
Nov. 20-Dec. 11, 1907 -- Arts and Crafts Exhibition (N29:1001-1026)
Dec., 1907 -- Second Annual Exhibition of the New Books of the Year
Jan. 4-25 s, 1908 -- Contemporary Art (N443:744-746, and volume 5)
Feb., 1908 -- First Annual Exhibition of Advertising Art
Nov. *, 1908 -- Third Annual Exhibition of Books of the Year
Dec., 1908 -- Arts and Crafts Exhibition
Jan., 1909 -- Second Annual Exhibition of Advertising Art
Jan., 1909 -- Small Exhibition of Paintings and Drawings by Contemporary Artists
Feb. 2-20 s, 1909 -- International Exhibition of Pictorial Photography (volume 1)
Feb. 23-Mar. 17 s, 1909 -- John W. Alexander Retrospective Exhibition (volume 5)
Apr., 1909 -- Exhibition of the New York Society of Keramic Arts
May, 1909 -- Spring Exhibition of Members' Work
July, 1909 -- Paintings from the Collection of Mr. and Mrs. William T. Evans
Sept.-Oct., 1909 -- Three Centuries of New York, under the auspices of the Hudson-Fulton Celebration
Nov. 3-26 s, 1909 -- Fourth Annual Exhibition of Books of the Year (volume 5)
Dec., 1909 -- Third Annual Exhibition of Arts and Crafts
Jan., 1910 -- William M. Chase Retrospective Exhibition
Feb., 1910 -- Exhibition of American Landscape Painting
Mar. 2-28 s, 1910 -- Exhibition of Paintings by Louis Mark, of Budapest (volume 5)
Apr. 6-30 s, 1910 -- Exhibition of Paintings by Alfred East, of London (N134:465-469, and volume 5)
May, 1910 -- Exhibition of Household Art, under the auspices of the Domestic Training Department of the Public Schools
May 4-Oct. s, 1910 -- Third Annual Exhibition of the Former Students of the Art Students League (volume 5)
Oct. 20-Nov. 1 s +, 1910 -- Third Annual Exhibition of Advertising Art (volume 5)
Nov.-Dec., 1910 -- Fifth Annual Exhibition of Books of the Year
Dec. * +, 1910 -- Fourth Annual Arts and Crafts Exhibition
Jan. 5-Feb. 3 s +, 1911 -- First Annual Artist Life Members' Exhibition (volume 5)
Feb. +, 1911 -- Exhibition of the New York Society of Keramic Arts
Feb. 11-Mar. 10, 1911 -- Circuit Exhibition of Contemporary Art (D12:437-439; N52:105-107)
Mar. 8-Apr. 5 * s +, 1911 -- Paintings and Drawings by Walter Shirlaw, N.A. (N52:967-973, and volume 5)
Apr., 1911 -- Exhibition of the Municipal Art Society of New York
Apr. 26-May * s +, 1911 -- Group Exhibition of Paintings: William R. Derrick, Reynolds Beal, Frederick J. Waugh (volume 5)
Oct. 25-Nov. 4 * +, 1911 -- Exhibition of Color Schemes and Model Rooms in Miniature
Nov. 8-30 * +, 1911 -- Sixth Annual Exhibition of Books of the Year
Dec. 7-28 * +, 1911 -- Fifth Annual Arts and Crafts Exhibition
Jan. 3-28 s +, 1912 -- First Prize Exhibition of Artist Life Members (N443:754-756, and volume 6)
Jan. 31-Feb. 18 * s +, 1912 -- Otto Walter Beck Exhibition (volume 6)
Feb. 21-Mar. 10 s +, 1912 -- Etchings of E. T. Hurley (volume 6)
Mar. 13-20 s +, 1912 -- National Park Pictures Collected and Exhibited by the Department of the Interior (volume 3)
Apr. 4-21 s +, 1912 -- Paintings, Embroideries, and Tapestries from the Collection of Mr. Emerson McMillan (D45:462-468; N443:757-762, and volume 6)
Apr. 4-Mar. 12 s, 1912 -- Exhibition of Original Dickens and Thackeray Drawings by Harry Furniss (volume 3)
May 8-June 1 * s +, 1912 -- Sculpture Exhibition (volume 6)
June 4-8 +, 1912 -- Exhibition of Industrial Art, under the auspices of The School Art League and the Art Departments of the City High Schools
June-Oct., 1912 -- Summer Exhibition of Painting and Sculpture
Oct. 16-Nov. 12 +, 1912 -- Third Special Exhibition of the Society of Illustrators
Nov. 13-29, 1912 -- Seventh Annual Exhibition of Books of the Year
Dec. 4-28 +, 1912 -- Sixth Annual Exhibition of the National Society of Craftsmen
Jan. 8-Feb. 9 +, 1913 -- Work of the Painter, Sculptor, and Architect Members (N443:763-767; N50:126-130)
Feb. 12-Mar. 9 * +, 1913 -- Exhibition of Works by the Late Frederick Warren Freer
Mar. 12-31 +, 1913 -- The Applied Arts of Germany
Apr. 2-27 +, 1913 -- Small Works by Six Painters: Richard E. Miller, Frederick Carl Frieseke, Charles W. Hawthorne, William Wendt, William Ritschel, and Elise Dodge Pattee
Apr. 30-June 1 +, 1913 -- Small Marbles and Bronzes (N551:732-737)
May-June, 1913 -- Summer Exhibition of Paintings and Sculpture
Oct. 15-Nov. 9, 1913 -- Society of Illustrators
Nov. 12-28, 1913 -- Eighth Annual Exhibition of Books of the Year
Dec. 3-28 * +, 1913 -- Seventh Annual Exhibition of the National Society of Craftsmen
Jan. 8-Feb. 1 +, 1914 -- Work of Painter, Sculptor, and Architect Members
Feb. 4-21, 1914 -- The Pastellists
Feb. 5-Mar. 21 x +, 1914 -- Contemporary Art
Mar. 11-29 * +, 1914 -- Hungarian Peasant Art (N134:470-479)
Apr. 1-May 2 +, 1914 -- Paintings by Eleven Western Artists
May 6-31 * +, 1914 -- Exhibition of Small Sculpture (N551:738-743)
June-Sept., 1914 -- Paintings
Nov. 4-27, 1914 -- Ninth Annual Exhibition of Books of the Year
Dec. 3-28 +, 1914 -- Eighth Annual Exhibition of National Society of Craftsmen
Jan. 7-31 +, 1915 -- Work of Painter Members (N551:744-746)
Feb. 4-25 +, 1915 -- Forty-eighth Annual Exhibition of American Water Color Society
Mar. 3-24 +, 1915 -- Portraits (N551:747-748)
Apr. 7-13 +, 1915 -- Sculpture
May 5-21, 1915 -- Exhibition of Municipal Art Society
June-Oct. *, 1915 -- Work of Painter Members
Oct. 13-30 +, 1915 -- Fifth Special Exhibition of the Society of Illustrators
Nov. 5-13 +, 1915 -- American Wood Engraving, under the auspices of the American Institute of Graphic Arts
Nov. 17-Dec. 3, 1915 -- Tenth Anniversary Exhibition of Books of the Year
Dec. 8-30 +, 1915 -- Ninth Annual Exhibition of the National Society of Craftsmen
Jan. 6-28 +, 1916 -- Work of Painter Members
Feb. 3-27 +, 1916 -- Forty-ninth Annual Exhibition of American Water Color Society
Mar. 2-25 * +, 1916 -- Loan Exhibition of Portraits of Academicians and Associates Selected from the Permanent Collection of the National Academy of Design (N551:749-752; N134:480-483)
Mar. 28-Apr. 14 +, 1916 -- One Hundred American Paintings by the American Institute of Graphic Arts (N443:768-770)
Mar. 28-Apr. 14 +, 1916 -- Exhibition of American Printing
Apr. 19-May 6, 1916 -- Exhibition of the Municipal Art Society
Nov., 1927 -- Twenty-second Annual Exhibition of Books of the Year
Dec. 7-24 +, 1927 -- Fifth Annual Exhibition of Works of Living American Etchers (N552:13-18)
Jan., 1928 -- Members' Annual Exhibition of Painting and Sculpture
Feb. 8-29 +, 1928 -- Small Paintings
Mar. 8-31 x, 1928 -- Exhibition of Decorative Arts
Apr. 4-20 +, 1928 -- Exhibition by Junior Artist Members of the Club
Nov., 1928 -- Twenty-third Annual Exhibition of Books of the Year
Dec., 1928 -- Small Paintings
Jan. 8-Feb. 8 + -- Members' Annual Exhibition of Painting and Sculpture
Feb. 13-Mar. 8 -- Sixth Annual Exhibition by Living American Etchers
Mar. + -- Richard M. Hurd Loan Exhibition of Italian Primitives
Apr. 3-26 + -- Exhibition by Junior Artist Members of the Club
May 1-Oct. 1 + -- Summer Exhibition by Painter Life Members
Nov. -- Twenty-fourth Annual Exhibition of Books of the Year
Dec. 4-26 * + -- Exhibition of the Decorative Arts
Jan. 8-Feb. 1 +, 1930 -- Members' Annual Exhibition of Painting and Sculpture
Feb. 5-28 x +, 1930 -- Seventh Annual Exhibition of Living American Etchers
Mar. 5-28 +, 1930 -- Junior Artist Members' Exhibition
Apr. 16-Sept. 30 +, 1930 -- Members' Exhibition of Small Paintings (N134:484-490)
Nov., 1930 -- Silver Anniversary Exhibition of Books of the Year
Dec. 3-26 * +, 1930 -- Eighth Annual Exhibition by Living American Etchers
Jan. 7-Feb. 6 +, 1931 -- Members' Annual Exhibition of Painting and Sculpture
Mar. 4-27 +, 1931 -- Exhibition by the Junior Artist Members
Mar. 13-Apr. 15 x, 1931 -- Auction Exhibition and Sale by Artist Members
Apr. 1-25 +, 1931 -- Members' Work of the New York Water Color Club
May 2-24 +, 1931 -- The Story of Gramercy Park in Portraits and Historical Objects of the Period, in connection with Gramercy Park Centenary Celebration
June 3-Oct. 1 +, 1931 -- Members' Exhibition of Small Paintings
Oct. 21-Nov. 20, 1931 -- Twenty-sixth Annual Exhibition of Books of the Year
Nov. 26-Dec. 26, 1931 -- Sixteenth Annual Exhibition by the Society of American Etchers (formerly The Brooklyn Society of Etchers)
Jan. 6-13 +, 1932 -- Members' Annual Exhibition of Painting and Sculpture
Feb. 3-27 +, 1932 -- Exhibition of Drawings by Artist Members
Mar. 2-26 +, 1932 -- Paintings by Junior Artist Members
Mar. 13-Apr. 15 +, 1932 -- Auction Exhibition and Sale by Artist Members
Apr. 20-30 +, 1932 -- Exhibition by a Group of New York Art Schools
May 4-Oct. 1 +, 1932 -- Members' Annual Exhibition of Small Paintings
Jan. 4-27 +, 1933 -- Members' Annual Exhibition of Painting and Sculpture
Mar. 1-31 +, 1933 -- Junior Artist Members
Apr. 5-22 +, 1933 -- Society of Illustrators
May 3-Oct. 1 +, 1933 -- Members' Exhibition of Small Paintings and Sculpture
Jan. 3-27 +, 1934 -- Members' Annual Exhibition
Jan. 31-Mar. 2 +, 1934 -- Memorial Exhibition of a Group of Former Painter and Sculptor Members: Max Bohm, Emil Carlsen, Charles Hawthorne, Robert Henri, Karl Bitter, Solon Borglum, Daniel Chester French, Edmund Quinn
Mar. 7-29 +, 1934 -- Junior Artist Members
Apr. 4-27 +, 1934 -- Society of Illustrators, Thirty-second Annual Exhibition
May 2-June 28 +, 1934 -- Members' Exhibition of Small Paintings and Sculpture (N552:69-71; N134:491-494)
Nov.-Dec., 1934 -- Seventeenth Annual Exhibition of the Society of American Etchers (formerly The Brooklyn Society of Etchers) (N552:49-65)
undated -- Twenty-ninth Annual Exhibition of Fifty Books of the Year
Apr. 24-May 3 +, 1940 -- Flower and Still Life Paintings
May 8-June 1, 1940 -- Special Exhibition of Water Colors, Architectural Renderings, Type Compositions, and Color Reproductions by Edwin Hooper Denby, A.I.A., S.A.D.G. (N443:779-780; N134:509-510)
Dec. +, 1940 -- Twenty-fifth Annual Exhibition of the Society of American Etchers
Feb. 4-Mar. 1, 1942 -- Exhibition of Paintings by Artists of the United Nations (N134:512-518)
June 12-Sept. 30, 1942 -- Members' Summer Exhibition (N134:519)
Dec. 16-Jan. 22, 1942 -- Exhibition of Chinese and Indian Art (N134:520)
Mar. 31-, 1943 -- Exhibition of Junior Members (N134:521)
July 1-Sept. 30, 1943 -- Summer Exhibition of Smaller Paintings by Members (N134:522)
Feb. 17-Mar. 15, 1944 -- Exhibition of Studies by American Masters (N134:523)
Oct. 5-27, 1944 -- Exhibition of Enlarged Photographs of American Patriots as Seen in Sculpture (N134:523)
Jan. 10-Feb. 9 x, 1945 -- Members' Annual Exhibition of Painting and Sculpture
Dec. 22-Jan. 4, 1945 -- Seventh Annual Exhibition of the American Veterans Society of Artists, Inc. (N134:527-540)
May 21-30, 1946 -- The Traphagen School Exhibition of Costume Design, Illustrating the Development of American Fashion (N134:526)
Feb. 20-Mar. 7, 1947 -- Exhibition of Contemporary Chinese Paintings (N134:541)
Apr. 20-May 2, 1947 -- Junior Members' Exhibition
Dec. 10-24, 1947 -- Ninth Annual Exhibition of American Veterans Society of Artists, Inc. (N121:721-733)
Feb. 23-Mar. 6, 1948 -- Forty-seventh Annual Exhibition of the New York Society of Ceramic Arts (N134:543)
Mar. 9-21, 1948 -- Annual Exhibition of Junior Members (N134:543)
Apr. 8-May 30, 1948 -- Fiftieth Anniversary Exhibition of Painting and Sculpture by Members, Past and Present (N134:543)
June 10-Sept., 1948 -- Members' Summer Exhibition (N134:544)
Jan. 19-Feb. 9, 1949 -- Fifty-first Annual Exhibition of Painting and Sculpture by Members and Guest Artists (N134:544)
Mar. 14-31, 1949 -- Exhibition by Members of the Federation of Modern Painters and Sculptors (N134:545)
May 5-Sept. 15, 1949 -- Members' Summer Exhibition (N134:546)
Oct. 15-Nov. 4, 1949 -- Fourth Annual Exhibition of the Photo-Engravers Society
Jan. 4-Feb. 1, 1950 -- Fifty-second Annual Exhibition of Paintings and Sculpture by Members and Guest Artists (N134:546-548 and 550)
Jan. 28-Feb. 19, 1950 -- Eighty-third Annual Exhibition of the American Water Color Society (N134:549)
Feb. 8-23, 1950 -- Exhibition of Creative Art Associates (N134:549)
Mar. 16-Apr. 2, 1950 -- Exhibition of Room Interiors Especially Designed by Members of the American Institute of Decorators, in collaboration with Members of the National Society of Mural Painters (N134:551)
May 7-28, 1950 -- Active Members' Exhibition (N134:551-554)
June 28-Sept. 15, 1950 -- Members' Summer Exhibition (N134:555)
Feb. 26-Mar. 17 x, 1951 -- Paul Mommen
Mar. 24-Apr. 19, 1951 -- Exhibition of Paintings by Non-Members (N134:558-559)
May 5-31, 1951 -- Spring Water Color Exhibition (N134:560)
June 6-, 1951 -- Group Exhibition by Distinguished Artist Members: Gifford Beal, Louis Betts, Charles Clapman, Walter Farndon, Albert Groll, Eugene Higgins, Leon Kroll, Van Dearing Perrine, Keith Shaw Williams
Jan. 6-30, 1952 -- Fifty-fourth Annual Exhibition of Paintings and Sculpture by Members and Guest Artists (D176:917-919; N134:561)
Feb. 9-28, 1952 -- Annual Water Color Exhibition (N134:562)
Mar. 9-27, 1952 -- Exhibition of Oil Paintings by Distinguished American Artists (N134:572)
Jan. 4-18, 1953 -- Fifty-fifth Annual Exhibition by Painter and Sculptor Members and Guest Artists (N134:563)
Jan. 25-Feb. 8, 1953 -- Annual Water Color Exhibition (N134:564)
Feb. 15-Mar. 1, 1953 -- Open Exhibition of Oil Paintings (N134:565-568)
Mar. *, 1953 -- Art of Indonesia
May 3-24, 1953 -- Members' Exhibition of Smaller Paintings in Oil (N134:569-571)
Nov. 1-14, 1954 -- The American Artists Professional League, American Art Week (N121:258-259)
Oct. 2-19, 1955 -- Open Water Color Exhibition
Jan. 8-22 x, 1956 -- Fifty-eighth Annual Exhibition by Painter and Sculptor Members and Guest Artists (N134:573-575)
June 17-Sept. 7 x, 1956 -- Members' Summer Exhibition
Sept. 24-Oct. 8 x, 1956 -- James H. Walsh
Oct. 28-Nov. 10 x, 1956 -- Small Picture Exhibition by Members and Guests
Nov. 16-30 x, 1956 -- August Benziger
Dec. 5-22 *, 1956 -- Fiftieth Anniversary Exhibition of Books of the Year
Jan. 6-27, 1957 -- Fifty-ninth Annual Exhibition of Painting and Sculpture by Members and Guest Artists
Feb. 1-15, 1957 -- Catherine Lorillard Wolfe Art Club Sixtieth Annual Exhibition (N134:576-577)
Sept. * x, 1957 -- International Exhibition of Painting and Sculpture
Jan. 10-24 x, 1958 -- Sixtieth Annual Exhibition of Painting and Sculpture by Members and Guest Artists
May 21-31 x, 1958 -- Water Color and Graphic Arts Exhibition by Members and Non-Members
Oct. 17-31 x, 1958 -- Twelfth Annual Exhibition of the Photo-Engravers Society
Nov. 22-Dec. 3 x, 1958 -- Metropolitan Young Artists Show
Jan. 11-26 x, 1959 -- Sixty-first Annual Exhibition of Painting and Sculpture by Members and Guest Artists
Dec. 9-Jan. 7 x, 1959 -- Metropolitan Young Artists Show
Jan. 15-28 x, 1960 -- Sixty-second Annual Exhibition of Painting and Sculpture by Members and Guest Artists
Apr. 18-May 1, 1960 -- Catherine Lorillard Wolfe Art Club Flower Painting Exhibition and Sale (D176:1128-1129)
June 8-29 x, 1960 -- Summer Exhibition of Painting and Sculpture by Members
undated -- * Arts and Crafts Exhibitions
undated -- * x Annual Exhibitions of Books of the Year
undated -- * Ceramic Art Exhibition
undated -- x Water-Oils by Charles S. Chapman, N.A.
undated -- x Fine Art of the Caribbean
undated -- x Painters of the United States, 1720-1920, from the Permanent Collection of the Fine Arts Department, International Business Machines Corp.
undated -- * Pottery Exhibition
undated -- * Traveling Exhibition of Enlarged Photographs of Sculpture and Spring Exhibition of Small Sculpture by Members of the National Sculpture Society
undated -- * Exhibition of Small Sculpture
undated -- x Modern Tapestries from Vienna
undated -- x Annual Open Water Color Exhibition
undated -- x Catherine Lorillard Wolfe Art Club, Flower Paintings Exhibition and Sale
These citations were compiled from Art Index, 1929-1960; The New York Times Index, 1898-1960; Poole's Index to Periodical Literature, 1898-1906; Nineteenth Century Readers' Guide to Periodical Literature, 1898-1899; and Readers' Guide to Periodical Literature, 1900-1960, using the format employed in Art Index. Citations are presented in chronological order, as it is anticipated that most researchers consulting the National Arts Club Records will be interested in a specific event or era in the Club's history, or are apt to be researching artists whose National Arts Club affiliation or exhibition activities were confined to a particular period.
1898
National Art Club. -- Harpers Weekly -- 42:329, April 2.
1899
Club to advance art industries. -- Critic -- 34:349-51, April.
National Arts Club organized. -- New York Times -- (7-2), 29-288-2, April 26.
1909
Position as a factor in the encouragement of the fine arts. G. Teall. -- Craftsman -- 15:604-13, February.
Club officials rule a member may take a process server into club as a guest to serve papers on fellow member, case of R.S. Perrin vs. D. Whipple. -- New York Times -- 7:3, June 29.
1913
Lecture of Prof. Eucken on Art and Morality. -- New York Times -- 9:3, March 1.
Offers prize to member who writes best manuscript on "A Critical Estimate of the Altman Collection." -- New York Times -- 12:7, November 8.
Annual exhibition of Books of the Year; organization of American Institute of Graphic Arts planned. -- New -- York Times 9:3, November 13.
1914
Alexander de Yourevitch has visited Russian political exiles as agent from the Czar; arranges for Russian trade exhibit in New York; National Arts Club has agreed to cooperate. -- New York Times -- 20:2, March 27.
Dinner in honor of Shakespeare celebration, address by Henry Clews. -- New York Times -- 13:2, April 24.
Farewell dinner to Karl Vollmoeller and George Sylvester Viereck at National Arts Club by Alfred Rau. -- New York Times -- III, 7:3, May 7.
Exhibition of Books of the Year (editorial). -- New York Times -- VI, 514:2, November 22.
1915
Awards announced. -- New York Times -- 10:1, January 7.
Paintings exhibition. -- New York Times -- V, 11:13, January 10.
Poster exhibition. -- New York Times -- III, 2:5, March 28.
Thanksgiving dinner to east side waifs. -- New York Times -- 11:1, November 26.
1917
Annual exhibition; Gold Medal and $1000 prize awarded to Ben Foster. -- New York Times -- 10:6, January 4.
Memorial services for W.B. Howland. -- New York Times -- 7:3, March 3.
Offers prizes for best patriotic medal, poem, and song. -- New York Times -- 9:14, April 6.
Offers prizes to promote expression of American patriotism in art. -- New York Times -- IV, 13:2, April 15.
H.A.W. Wood speaks at distribution of prizes. -- New York Times -- 11:3, May 31.
"Road to France," $500 prize offered for appropriate music. -- New York Times -- 13:2, June 9.
American Artists' War Emergency Fund Committee announces that art stamp will be sold to aid artists reduced in circumstances through the war. -- New York Times -- 13:6, July 10.
Offers prize of $500 for best musical setting for D.M. Henderson's "The Road to France." -- New York Times -- VIII, 9:3, August 12.
Prize for music for war song by D.M. Henderson is awarded to Signe Lund. -- New York Times -- 13:3, November 1.
1919
Annual books exhibition. -- New York Times -- VIII, 686:1, November 23.
1921
Comment on suggestion by G. Bellows that proposed members should possess some work by living American artist. -- New York Times -- III, 20:3, February 6.
Elects governors. -- New York Times -- 9:2, April 13.
1922
Awards Agar prize to Christine Herter. -- New York Times -- 16:7, April 7.
Address by Ann Martin. -- New York Times -- 4:3, August 3.
1923
Annual exhibition of books; I. Zangwill speaks; protest by member. -- New York Times -- 6:1, November 8.
1924
Prize winners of annual exhibition. -- New York Times -- 4:15, January 10.
Honors J.G. Agar at dinner. -- New York Times -- 6:2, February 26.
1925
Mural panels of Old NY used for New Year's fete to be put on exhibition. -- New York Times -- 29:1, January 4.
Announces prize winners at Members' Annual Exhibition. -- New York Times -- VIII, 11:2, January 18.
Murals depicting history of NYC, painted for New Years' ball, to be given to Museum of the City of New York. -- New York Times -- 25:4, February 3.
Exhibition of lithographs, woodcuts, and linoleum prints. -- New York Times -- VIII, 11:13, April 12.
1926
Exhibition. -- New York Times -- 4:5, January 14.
Exhibition. -- New York Times -- 17:3, April 8.
Exhibition of photographs of recent buildings. -- New York Times -- VIII, 12:6, April 18.
15th century books brought from Germany by Dr. Otto H.F. Vollbehr on exhibition at the National Arts Club. -- New York Times -- 6:6, August 24.
15th century Book of Hours, worth $15,000, stolen from exhibition at National Arts Club. -- New York Times -- 1:2, August 26.
Feature article on exhibition. -- New York Times -- IV, 15:1, August 29.
Book of Hours mysteriously returned to Vollbehr by E.M. Garlock, attorney, acting for unnamed client who claims to have bought book from stranger. -- New York Times -- 19:1, September 12.
Editorial on return of book. -- New York Times -- 20:4, September 13.
21st annual book exhibit; addresses. -- New York Times -- 28:3, November 4.
History in connection with 20th anniversary celebration. -- New York Times -- VIII,18:6, November 7.
1927
New Year's Eve costume ball. -- New York Times -- 15:3, January 1.
Exhibition of American paintings. -- New York Times -- 25:5, March 3.
Exhibition of etchings. -- New York Times -- IX, 10:4, December 11.
1928
Exhibits. -- New York Times -- 30:2, January 12; -- New York Times -- IX, 13:2, January 29.
Awards in small painting exhibition. -- New York Times -- 27:2, February 10.
Exhibit. -- New York Times -- VIII, 15:3, February 12.
First exhibition of decorative arts. -- New York Times -- 28:4, March 15; -- New York Times -- IX, 15:4, March 18.
Exhibition. -- New York Times -- IX, 15:2, April 15.
1929
J. Lie, P. Manship, and C. Beach win prizes. -- New York Times -- 25:3, January 11.
Annual members' exhibition. -- New York Times -- X, 18:4, January 27.
Exhibition of crafts. -- New York Times -- X, 15:6, December 8.
Prize awarded to D.C. Nisbet. -- New York Times -- 23:5, December 29.
1930
Arts Club prizes announced. -- Art News -- 28:21, January 4.
Annual exhibition of painting and sculpture. -- New York Times -- VIII, 13:3, January 19.
Seventh annual exhibition. -- New York Times -- VIII, 13:1, February 16.
Annual junior art show. -- New York Times -- 3:5, March 15; -- New York Times -- X, 19:3, March 16.
Exhibition of prints by living American etchers. -- New York Times -- X, 18:1, December 14.
1931
New York season; Living American Etchers. -- Art Digest -- 5:14, January 1.
M. Gregg Memorial Prize awarded to I.G. Olinsky; medal to H.W. Watrous. -- New York Times -- 34:6, January 10.
Exhibitions. -- New York Times -- VIII, 12:7, February 22.
Exhibition of Junior Artist Members. -- New York Times -- IX, 13:4, March 15.
Hold exhibition of portraits and other objects relating to history of Gramercy Park. -- New York Times -- II, 1:7 and 18:4, May 3.
Annual exhibition of paintings by members. -- New York Times -- 30:6, June 4.
Awards to R.D. Bowden $3000 prize, offered by J.G. Agar for best book on "The Soul of America." -- New York Times -- 20:6, June 8.
1932
Annual exhibition of work by painter and sculptor members; prizes announced. -- New York Times -- 27:7, January 7.
Art Club prizes. -- Art Digest -- 6:10, January 15.
Forum on development of art talent in young artists. -- New York Times -- 13:8, January 18.
Arts Club prizes. -- Art News -- 30:20, January 23.
Opening. -- New York Times -- 16:7, February 4.
Prizes awarded to junior artists. -- New York Times -- 19:2, March 8.
Art auction totals $600. -- New York Times -- 19:5, April 14.
Members' exhibition of small paintings. -- New York Times -- 16:6, May 5.
National Arts Club book exhibition. E. Yost. -- Publishers Weekly -- 122:2382-3, December 31.
1933
R. Nickerson, new member, wins medal at annual painting and sculpture show; other awards. -- New York Times -- 18:2, January 5.
Annual members' exhibition. -- New York Times -- 13:2, January 13; -- New York Times -- IX, 12:6, January 15.
National Arts club prizes. -- Art Digest -- 7:15, January 15; -- Art News -- 31:7, January 28 Celebrates 119th birthday of S.J. Tilden. -- New York Times -- 17:6, February 8.
Exhibition by junior artist members. -- New York Times -- 15:2, March 2.
1934
Prizes for annual members' show announced. -- New York Times -- IX, 12:3, January 14.
Annual dinner. -- New York Times -- 17:4, January 18.
Prizes. -- Art Digest -- February 1, 8:19; -- Art Digest -- 8:13, May 15.
Memorial exhibition of eight of its deceased painter and sculptor members. -- New York Times -- IX, 12:6, February 4.
Junior members exhibit. -- New York Times -- 17:1, March 8; -- New York Times -- IX, 9:7, March 18; Prizes awarded. -- New York Times -- 22:8, March 22.
Annual members' show. -- New York Times -- 17:2, May 3; Awards, -- New York Times -- 21:1, May 8; -- New York Times -- IX, 7:7, May 13.
Awards given by Arts Club. -- Art News -- 32:4, June 2.
Rare book exhibition planned. -- New York Times -- 19:4, September 18; Exhibition. -- New York Times -- 17:1, September 19.
1935
Annual exhibition of members' work opened. -- New York Times -- 17:5, January 10; -- New York Times -- 9:3, January 14.
Annual dinner; awards. -- New York Times -- 20:7, January 17.
Stag dinner; portrait of Victoria replaces painting of nude. -- New York Times -- 23:4, February 1.
Prizes, annual exhibition of painting and sculpture. -- Art Digest -- 9:21, February 1.
Members' annual exhibition. -- New York Times -- 18:2, February 8; -- New York Times -- VIII, 9:6, February 17.
Annual exhibition by junior artists. -- New York Times -- 18:5, March 9.
Arts Club plans a large bazaar. -- Art News -- 33:10, August 17.
Series of articles on traditions of club being written. -- New York Times -- II, 7:1, October 6.
Plans for annual book week. -- New York Times -- II and III, 8:5, October 13; exhibitors to be entertained by J.R. Gregg, president. -- New York Times -- 19:2, October 30.
To award two trips to Europe for mural decoration. New -- York Times -- 26:7, November 1; -- New York Times -- 19:5, November 14.
To hold "At Home" tea. -- New York Times -- II, 8:2, December 8.
Dinner. -- New York Times -- 14:8, December 11.
1936
Annual members' exhibition. -- New York Times -- 19:6, January 9; -- New York Times -- 13:8, January 11; -- New York Times -- IX, 10:1, January 19.
Exhibition of modern textbooks. -- New York Times -- 17:7, February 6.
Announces winners of trips to Europe. -- New York Times -- 21:2, February 11.
Exhibition by neighboring organizations. -- New York Times -- IX, 8:1, April 12.
Summer exhibit from permanent collection. -- New York Times -- IX, 7:4, June 21.
Exhibition of contemporary books; authors' night. -- New York Times -- VI, 9:2, November 8.
Plans for children's matinee at annual book exhibition. -- New York Times -- VI, 7:2, November 8.
Women's open table plans dinner. -- New York Times -- 16:4, November 23.
Exhibition of Society of American Etchers. -- New York Times -- XII, 9:2, November 29.
1937
Awards at members' exhibit. -- New York Times -- 24:3, January 27.
Exhibitions sponsored by Society of American Etchers. -- New York Times -- 21:3, February 3; -- New York Times -- X, 9:7, February 7.
Women's committee holds drama dinner. -- New York Times -- 13:1, February 15.
R.D. Kohn speaks, -- New York Times -- 25:7, March 11.
Jr. artists group exhibit. -- New York Times -- IX, 10:1, March 14; Awards. -- New York Times -- 23:6, March 25.
Photographic exhibition. -- New York Times -- X, 10:2, May 16.
Officers elected. -- New York Times -- 19:1, May 20.
H. Hamilton exhibit. -- New York Times -- IX, 6:7, September 26.
Book of the year exhibit. -- New York Times -- 23:6, November 4; -- New York Times -- VI, 4:3, November 28.
Mr. H.P. Crine elected life member. -- New York Times -- 9:1, November 28.
Members' exhibit. -- New York Times -- 28:3, December 9.
1938
Women's Open Table plans. -- New York Times -- 11:2, January 17.
Members' annual exhibit. -- New York Times -- , January 18 26:2; -- New York Times -- IX,9:3, January 23; Awards. -- New York Times -- 22:2, January 27.
Members studio receptions planned. -- New York Times -- VI, 2:7, January 30.
Dinner honoring Dr. W. Damrosch. -- New York Times -- 12:5, March 7.
Exhibit by art groups near NYC. -- New York Times -- 20:8, March 28.
Group show. -- New York Times -- X, 8:2, April 17.
Viennese ball. -- New York Times -- 22:6, April 21.
J.F. Talcott elected president; D.E. Waid executive committee chairman. -- New York Times -- 21:6, November 19.
Victorian ball. -- New York Times -- 18:1, December 17.
1939
Members' memorial exhibit. -- New York Times -- 15:1, January 13; -- New York Times -- IX, 9:2, January 22.
Members' painting and sculpture exhibit. -- New York Times -- IX, 9:2, February 5.
Jr. Members' lecture. -- New York Times -- 10:2, February 6.
Painting exhibit. -- New York Times -- 18:1, March 1; -- New York Times -- X, 10:2, March 5.
Jr. Members party planned. -- New York Times -- 50:3, March 5.
Exhibit of neighboring art organizations. -- New York Times -- 13:2, April 17.
Wild West party planned to benefit Jr. Members Scholarship Fund; to close 40th anniversary celebration. -- New York Times -- II, 2:8, April 23; -- New York Times -- II, 3:1, April 30.
Jr. Members plan New Year's Eve Olympian Ball. -- New York Times -- 30:2, December 19; -- New York Times -- II, 1:2, December 31.
1940
Art by deceased life members to be sold. -- New York Times -- 17:2, January 5.
Group show; awards. -- New York Times -- 21:2, January 11.
Group show. -- New York Times -- 24:2, January 24; -- New York Times -- IX, 9:2, January 28.
Non-members exhibition. -- Art News -- 38:15, February 3.
Exhibits: ceramics. -- New York Times -- 17:4, February 16; Ceramics and flowers. -- New York Times -- 15:5, February 19; Ceramics. -- New York Times -- II, 5:2, February 25; Exhibits: Jr. members. -- New York Times -- IX, 10:2, April 14; Group show awards. -- New York Times -- 21: 5, April 25.
Pan-American Ball held. -- New York Times -- 21:5, April 20.
Fund campaign for refugee artists started. -- New York Times -- 8:2, July 31.
Establishes artist refugee fund. -- New York Times -- 19:1, August 1.
Benefit exhibit plans. -- New York Times -- 20:8, October 2; Exhibit. -- New York Times -- IX, 5:4, October 6.
County fair planned. -- New York Times -- II, 3:3, October 6.
Refugee artists show their work. -- Art News -- 39:10, October 12.
Annual book exhibit opens. -- New York Times -- 3:5, November 3.
Testimonial luncheon for foreign authors in U.S. -- New York Times -- 45:2, November 10.
National Arts Club dramatizes books at the 35th annual new books of the year exhibition. -- Publishers Weekly -- 138:2046, November 30.
1941
Annual members' exhibit. -- New York Times -- 24:8, January 10; Comment. -- New York Times -- IX, 9:2, January 12; Awards. -- New York Times -- 24:6, January 23.
Annual prizes. -- Art Digest -- 15:13, February 1.
Benefits concerts planned. -- New York Times -- 39:1, February 23; -- New York Times -- 20:7, March 28.
Annual exhibit awards. -- New York Times -- 28:3, March 11; Comment. -- New York Times -- I, 10:3, March 16.
Group shows. -- New York Times -- IX, 10:1, March 30; -- New York Times -- IX, 8:2, May 25; -- New York Times -- X, 13:5, May 25; -- New York Times -- IX, 7:5, June 15.
Book exhibit. -- New York Times -- 1:6,November 9.
1942
Group show. -- New York Times -- X, 10:1, January 18.
Group show. -- New York Times -- 14:4, February 4; Private preview. -- New York Times -- 15:4, February 5; Comment. -- New York Times -- IX, 9:6, February 8.
Jr. members to honor servicemen at Hallowe'en party. -- New York Times -- 16:3, October 30.
37th annual show of new books. -- Publishers Weekly -- 142:2044, November 14.
To sponsor Chinese and Indian art exhibit in NYC. -- New York Times -- VIII, 9:1, December 13; Exhibit. -- New York Times -- 42:5, December 17.
1945
Holds Xmas fair. -- New York Times -- 13:3, November 16.
1946
Contemporary American painting exhibit planned. -- New York Times -- 23:6, February 20.
Jr. members and young non-members exhibition. -- Art News -- 45:67, May.
Annual book show plans. -- New York Times -- 21:2, November 1; Show, W.L. Laurence speaks. -- New York Times -- 13:1, November 12.
Annual book show. -- Publishers Weekly -- 150:2731, 2718, November 9.
Packaging the book. P. Boswell. -- Art Digest -- 21:3, November 15.
Choosing best book jackets, 41st annual book show. -- Art News -- 45:8, December.
1947
Preview exhibit. -- New York Times -- 21:5, January 9.
Forming symphony orchestra. -- New York Times -- 27:1, September 19.
1948
Ninth annual exhibition of American Veterans Society of Artists. -- Art Digest -- 22:19, January 1.
Conservatives score at the 50th annual exhibition of painting and sculpture. -- Art Digest -- 22:17, February 1.
Fiftieth annual exhibition. -- Art News -- 47:49, March.
Book fair opens in NYC. -- New York Times -- 30:7, December 9.
1949
Summer annual. -- Art Digest -- 23:14, August.
Dinner honors Mrs. F.D. Roosevelt. -- New York Times -- 39:5, October 11.
1950
Fifty-second annual exhibition of oils and sculptures. -- Art Digest -- 24:12, January 15.
Members' summer exhibition. -- Art Digest -- 24:18, August.
Fair plans. -- New York Times -- 44:8, November 1.
1951
Members-guests annual. -- New York Times -- II, 19:1, January 14.
53rd Annual Exhibition. -- Art Digest -- 25:18, January 15; -- Art News -- 49:47, February.
Non-members annual. -- New York Times -- 21:5, March 30.
Open competition for non-members. -- Art Digest -- 25:18, April 15.
Summer painting exhibition series opens. -- New York Times -- 42:8, June 7.
Members work. -- New York Times -- II, 6:4, June 17.
Summer exhibition. -- Art Digest -- 25:19, July.
1952
Fifty-fourth annual exhibition. -- Art Digest -- 26:19, January 15; -- Art News -- 49:47, February.
Members and guests annual. -- New York Times -- 59:2, January 6; Awards. -- New York Times -- 16:2, January 17.
Watercolor annual; awards. -- New York Times -- 14:4, February 8; -- Art News -- 51:56, March.
Non-members painting annual; awards. -- New York Times -- 16:5, March 10; -- New York Times -- 27:3, March 13.
Small pictures by members; awards. -- New York Times -- 25:5, April 9.
Exhibition of small oils. -- Art Digest -- 26:18-19, April 15; -- Art News -- 49:47, February.
1953
Theatre in an art gallery. A. Scheff. -- Theatre Arts -- 37:92, January.
Members-guests annual; awards. -- New York Times -- II, 11:2, January 11.
Non-members painting annual; awards. -- New York Times -- 21:5., February 19.
Members work; awards. -- New York Times -- II, 13:2, May 10; -- New York Times -- II, 8:5, June 21.
1954
Painting and sculpture annual by members and guests. -- New York Times -- 25:5, January 26.
Fifty-sixth annual exhibition. -- Arts Digest -- 28:17, February 1.
Members and non-members annual; contemporary watercolors; awards. -- New York Times -- 27:5, February 11; Review. -- New York Times -- II, 14:2, February 14.
Grand national annual members' competition. -- Art News -- 53:63, May.
1955
Painting and sculpture annual; awards. -- New York Times -- 23:1, January 12.
Fifty-sixth annual exhibition. -- Arts Digest -- 28:17, February 1.
Paintings annual; awards. -- New York Times -- 18:4, March 1.
Annual exhibition of American oil paintings. -- Art Digest -- 29:26, March 15.
Poet P. MacKaye honored on 80th birthday. -- New York Times -- 28:2, March 16.
1957
Arts Club honors Neuman; WNYC. C. Durgin. -- Musical America -- 77:12, April.
Art Clubs of America. -- Artist -- 53:67, June.
1958
At founding [sixtieth anniversary]. -- New York Times -- 49:2, November 27.
First annual metropolitan young artists show; awards. -- New York Times -- 49:2, November 27
1959
Stadium Concerts founder Mrs. C.S. Guggenheimer gets scroll from Mayor Wagner and National Arts Club medal. -- New York Times -- 9:2, March 12.
1960
Tenor competition awards. -- New York Times -- 47:8, November 15.
Provenance:
The National Arts Club donated its records to the Archives of American Art in 1987. Although a limited amount of printed matter was available at various libraries and on microfilm through the Archives of American Art, scholars have not had access to unpublished records of the Club until this time.
In November 2017 an addition to the Officers' Correspondence was donated by Elizabeth G. Knudsen, granddaughter of Edmund Greacen, former Arts Committee Chair.
Restrictions:
The collection is open for research. Patrons must use microfilm copy.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
101 Social Dance Songs: Northern Plains, Navajo, Maliseet / Crying Woman Singers, Sweethearts of Navajoland, Wabunoag Singers. Drum,Water-drum.
102 Ceremonial and Social Songs: Yupik, Pomo, Kiowa / Bernice Torres, Dorothy Whitehorse DeLaune, Elena Charles. Hand drums,Rattle (Musical instrument).
Local Numbers:
FP-1995-CT-0513
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 23, 1995.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
101 Ceremonial and Social Songs: Yupik, Pomo, Kiowa / Bernice Torres, Dorothy Whitehorse DeLaune, Mary Stachelrodt. Hand drums,Rattle (Musical instrument).
102 Mohawk Singer-Songwriter: ElizaBeth Hill / Elizabeth Hill. Guitar.
Local Numbers:
FP-1995-CT-0514
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 23, 1995.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
101 Ceremonial and Social Songs: Yupik, Pomo, Maliseet, Plains Big Drum / Little River Singers, Pomo & Yupik Singers, Wabunoag Singers. Drum,Hand drums,Water-drum,Rattle (Musical instrument).
102 Mohawk Singer-Songwriter: ElizaBeth Hill / Elizabeth Hill. Guitar.
Local Numbers:
FP-1995-CT-0518
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 24, 1995.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
101 Ceremonial and Social Songs: Pomo, Kiowa, Yupik / Bernice Torres, Dorothy Whitehorse DeLaune, Elena Charles. Hand drums,Rattle (Musical instrument).
102 Navajo Singers / Sweethearts of Navajoland, Geraldine Barney. Water-drum,Guitar.
Local Numbers:
FP-1995-CT-0522
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 26, 1995.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
101 Storysongs: Seminole and Makah / Betty Mae Jumper, Melissa Peterson, Samantha Della. Hand drums,Rattle (Musical instrument).
102 Social Dance Songs: Navajo, Northern Plains, Maliseet / Crying Woman Singers, Sweethearts of Navajoland, Wabunoag Singers. Hand drums,Drum,Water-drum.
103 California to Alaska: Pomo, Makah, Yupik / Melissa Peterson, Bernice Torres, Mary Stachelrodt. Hand drums,Rattle (Musical instrument).
Local Numbers:
FP-1995-CT-0524
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 26, 1995.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Smithsonian Institution. Center for Folklife and Cultural Heritage Search this
Type:
Archival materials
Introduction:
The 1984 Alaska program offered an opportunity to reflect upon the Smithsonian's involvement with that State. For more than a century, the Institution had devoted a large part of its scholarly effort to the documentation and preservation of the deep and varied cultures of the indigenous peoples of the Americas, including Alaska Natives. The Alaska program also included representatives of occupations whose labor and cultural expression shaped that State in a profound way.
Among Alaska Natives, the old ways, the indigenous arts, reflect long experience in a place. Alaska's traditional Native arts are tremendously varied and rich with meaning, and they are inseparable from Native values - especially a sense of the relatedness of all things - closely tied to the use of local materials, and dependent upon the seasonal rounds of subsistence activities. While traditional materials, processes, and designs are evident in much of the material culture of Alaska's Native people, change is also evident. Power tools and sewing machines shorten and ease tasks. New materials replace old, sometimes by choice, sometimes by economic necessity (beadwork is now often done on felt because a single tanned moosehide may cost four or five hundred dollars), and sometimes because new and complex regulations make access to some materials, such as birchbark, difficult. In addition, side by side with the traditional artists, a generation of contemporary artists are creating new idioms for Native art. Among Eskimos, Indians and Aleuts, art has not been seen as a separate category of life or as an inventory of certain objects, but rather as a part of life. It expresses the relatedness of everything in the natural world, the social world, and the spiritual world.
The Native people of Alaska refer to themselves as "the people." "Yupik" means "real person" and "Tlingit" means "human". The oral traditions of all Alaska Natives teach the individual how to be human - to know who one is and how one fits into society and the cosmos. The categories of sacred and profane are perceived in a very different way than in the secular mainstream American world view. Stories and songs allude to each other; both record history, and are often reflected in visual arts, such as Chilkat robes, masks, carved dance headdresses and helmets. Yupik dancing, to take one example, is as vital today as ever in the delta region. Men and women continue to dance to the steady rhythm of the hooped drum, traditionally said to represent the beating heart of the spirits as well as the lively movements of the spirits of men and game over the thin surface of the earth.
Alaskan occupational traditions give meaning to the world of work. Through these traditions, workers know the history and development of their occupation, share similar feelings about remembered events and people, and learn from the skills and knowledge of experienced hands. Occupational cultures, especially the selected Alaskan traditions presented at the 1984 Festival, also have a second side to them - an outside, in the sense that they have symbolic or heroic meaning for outsiders. The romantic image of the gold miner, the logger, the fisherman and the bush pilot have peopled the popular and literary imagination as symbols of the epic confrontation between society and nature. For Alaskan workers themselves, however, occupational life has more to do with productivity, safety and cameraderie, even though the Alaskan land and sea they earn their living from is, for them and us, among the most dramatically beautiful and valuable on earth.
The 1984 Festival offered visitors the opportunity to encounter the varied traditions of Alaska, with a sizable contingent of Alaska Natives, a glacier transported to the National Mall, and the chance to see its natural bounty - especially fish - transformed into delicious meals.
The Alaska program was made possible by the State of Alaska Department of Commerce and Economic Development through its Division of Tourism and the Alaska Seafood Marketing Institute. Additional funding was made available through private and corporate donations.
Larry Deemer served as Alaska Program Coordinator and Suzi Jones, as Consultant.
Fieldworkers:
Suzi Jones, Jens Lund, Bob McCarl, Peter Seitel, Chuck Smythe
Presenters:
George Charles, Julie Folta, Suzi Jones, Anna Katzeek, Jens Lund, Sue Manos, Bob McCarl, Barry Lee Pearson, Jack Santino, Velma Wallis
Collection Restrictions:
Access by appointment only. Where a listening copy or viewing copy has been created, this is indicated in the respective inventory; additional materials may be accessible with sufficient advance notice and, in some cases, payment of a processing fee. Older papers are housed at a remote location and may require a minimum of three weeks' advance notice and payment of a retrieval fee. Certain formats such as multi-track audio recordings and EIAJ-1 videoreels (1/2 inch) may not be accessible. Contact the Ralph Rinzler Folklife Archives and Collections at 202-633-7322 or rinzlerarchives@si.edu for additional information.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Collection Citation:
Smithsonian Folklife Festival records: 1984 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Most of Ruth Landes's papers relate directly or indirectly to Landes's American Indian research, her work in Brazil, and her study of bilingualism. There is also a considerable amount of material that relates to her experiences (sometimes fictionalized) at Fisk University. There is only small amount of material related to her other interests. Her collection also has material of and relating to the Brazilian folklorist and journalist Edison Carneiro. There is also noteworthy material concerning Herbert Baldus, Ruth Benedict, Elmer C. Imes, Charles S. Johnson, and Robert E. Park. There is a large amount of printed and processed materials in the collection, mainly in the form of newspaper clippings and a collection of scholarly papers.
Scope and Contents:
This collection is mainly comprised of the professional papers of Ruth Schlossberg Landes. Included are correspondence, journals, published and unpublished manuscripts of writings, research materials including field notes and reading notes, photographs, drawings, scholarly papers and publications by other scholars, and clippings from newspapers and periodicals.
Reflections of other facets of Landes's professional activities are also included. Some materials concern her teaching activities, and there is also documentation of her work with the Fair Employment Practices Commission (a federal government agency during the administration of Franklin D. Roosevelt) and a similar private organization which immediately succeeded the FEPA; Gunnar Myrdal's research into the plight of African Americans ("The Negro in America"); the Research in Contemporary Cultures project at Columbia University; and the American Jewish Congress.
Among Landes's correspondents are Ruth Benedict, Franz Boas, Margaret Mead, Ralph Bunche, Herbert Baldus, Edison Carneiro, Sally Chilver, Frances Densmore, Sol Tax, Elmer S. Imes, Charles S. Johnson, Robert E. Park, and Hendrik W. van der Merwe.
Arrangement:
The collection is organized into 6 series: (1) Correspondence, 1931-1991; (2) Research Materials, circa 1930s-1990; (3) Writings, circa 1930s-1990; (4) Teaching Materials, 1935-1975, undated; (5) Biographical and Personal Files, 1928-1988; (6) Graphic Materials, 1933-1978, undated
Biographical Note:
Ruth Schlossberg Landes was born on October 8, 1908 in New York City. Her father was Joseph Schlossberg, an activist in the Yiddish labor socialist community and one of the founders of the Amalgamated Clothing Workers of America. She studied sociology at New York University (B.A. 1928) and social work at the New York School of Social Work, Columbia University (M.S.W. 1929). While in graduate school, Landes studied Black Jews in Harlem for her master's thesis, a topic that developed her interests in anthropology.
After graduating in 1929, she worked as a social worker in Harlem and married Victor Landes, a medical student and son of family friends. Their marriage ended after two years when she enrolled in the doctoral program in anthropology at Columbia against her husband's wishes. She kept his surname due to the stigma of being a divorced woman.
At Columbia, Landes studied under Franz Boas and Ruth Benedict, her main advisor. Under the guidance of Benedict, Landes moved away from further study of African Americans to focus on Native American communities. Upon Benedict's suggestion, Landes studied the social organization of the Ojibwa in Manitou Rapids in Ontario from 1932 to 1936 for her Ph.D. fieldwork. Her dissertation, Ojibwa Sociology, was published in 1937. Landes also contributed "The Ojibwa of Canada" in Cooperation and Competition among Primitive Peoples (1937), a volume edited by Margaret Mead. In 1938, Landes published Ojibwa Women (1938), a book written in collaboration with Maggie Wilson, an Ojibwa interpreter and informant.
Landes's plan to continue her studies with the Potawatomi in 1937 changed when Benedict invited her to join a team of researchers from Columbia University in Brazil. Landes was to conduct research on Afro-Brazilians in Bahia, Brazil, while Walter Lipkind, Buell Quain, and Charles Wagley studied indigenous people in the Amazons. To prepare for her research, Landes was at Fisk University in Nashville, Tennessee in 1937 and 1938 to consult with Robert Park and Donald Pierson and to use the university's library collections of African and African American materials. During that time, Landes also held a teaching position at Fisk and lived in the non-segregated women's residence on campus. Landes later wrote "Now, at Athens," an unpublished memoir containing fictional and true accounts of her experiences at Fisk.
Landes returned to New York in 1939, working briefly as a researcher for Gunnar Myrdal's study of African Americans. Unable to obtain a permanent position at a university, she worked in several other short term positions throughout most of her career. During World War II, Landes was a research director for the Office of the Coordinator for Inter-American Affairs (1941) and consultant for President Franklin D. Roosevelt's Fair Employment Practices Committee on African American and Mexican American cases (1941-44). In 1945, Landes directed a program created by Pearl S. Buck and a group of interdenominational clergy to analyze pending New York anti-discrimination legislation. She moved to California the following year to work for the Los Angeles Metropolitan Welfare Council on a study of race and youth gangs. After her contract ended, she moved back to New York and was hired as a contract researcher for the American Jewish Congress (1948-50). She also participated in Columbia University's Research in Contemporary Cultures (1949-51), studying Jewish families. She coauthored with Mark Zborowski, "Hypothesis concerning the Eastern European Jewish Family." From 1951 to 1952, Landes spent a year in London, funded by a Fulbright fellowship to study colored colonial immigrants and race relations in Great Britain.
After her fellowship ended, Landes returned to the United States and held short term appointments at several universities. She taught at the William Alanson White Psychiatric Institution in New York (1953-54), the New School for Social Research in New York (1953-55), University of Kansas (1957, 1964), University of Southern California (1957-62), Columbia University (1963), Los Angeles State College (1963), and Tulane University (1964). At Claremont Graduate School, Landes helped to develop and direct the Claremont Anthropology and Education Program (1959-62).
It was not until 1965 that Landes obtained a permanent faculty position at McMaster University in Hamilton, Ontario; she was recruited for the position by Richard Slobodin. Due to Ontario's age retirement law, Landes was forced to retire in 1973 at the age of 65. She continued to teach part-time until 1977, when she became professor emerita.
Landes passed away at the age of 82 on February 11, 1991.
Sources Consulted
Cole, Sally. 2003. Ruth Landes: A Life in Anthropology. Lincoln, Nebraska: University of Nebraska Press.
Chronology
1908 October 8 -- Born Ruth Schlossberg in New York City
1928 -- B.A. in sociology, New York University
1929 -- M.S.W., New York School of Social Work, Columbia University
1929-1931 -- Social worker in Harlem Married to Victor Landes
1929-1934 -- Studied Black Jews in Harlem
1931 -- Began graduate work in anthropology at Columbia University
1932-1936 -- Studied the Ojibwa in Ontario and Minnesota (in field periodically)
1933-1940 -- Research Fellow, Columbia University
1935 Summer-Fall -- Studied the Santee Sioux (Dakota) in Minnesota
1939 -- Researcher on Gunnar Myrdal's study, "The Negro in America"
1941 -- Research Director, Office of Inter American Affairs, Washington, D.C.
1941-1945 -- Representative for Negro and Mexican American Affairs, Fair Employment Practices Committee (FEPC), President Franklin D. Roosevelt Administration
1944 -- Interim Director, Committee Against Racial Discrimination, New York
1946-1947 -- Researcher, study of Mexican American youth, gangs, and families, Los Angeles Metropolitan Council
1948-1951 -- Researcher, American Jewish Congress, New York
1949-1951 -- Research consultant, study on Jewish families in New York for Research in Contemporary Cultures Project, Columbia University
1951-1952 -- Fulbright Scholar, to study colored colonial immigration into Great Britain
1953-1954 -- Lecturer, William Alanson White Psychiatric Institution, New York
1953-1955 -- Lecturer, New School for Social Research, New York
1956-1957 -- Married to Ignacio Lutero Lopez
1957 Summer -- Visiting Professor, University of Kansas
1957-1958 -- Visiting Professor, University of Southern California
1957-1965 -- Consultant, California agencies (Department of Social Work, Bureau of Mental Hygiene, Department of Education, Public Health Department) and San Francisco Police Department
1958-1959 -- Director, Geriatrics Program, Los Angeles City Health Department
1959-1962 -- Visiting Professor and Director of Anthropology and Education Program, Claremont Graduate School
1962 -- Extension Lecturer, University of California, Los Angeles and University of California, Berkeley
1963 -- Extension Lecturer, Columbia University Extension Lecturer, Los Angeles State College
1963-1965 -- Consultant, International Business Machines (IBM)
1964 January-June -- Visiting Professor, Tulane University
1964 Summer -- Field work with Potawatomi in Kansas Professor, University of Kansas
1965-1975 -- Professor at McMaster University
1966 -- Studied urban development in Rio de Janeiro
1968-1975 -- Studied bilingualism and biculturalism in Spain, Switzerland, South Africa, United States, and Canada (in Spain and the United States concentrated on Basques)
1975 -- Became part-time faculty member at McMaster University
1977 -- Professor Emerita, McMaster University
1978 -- Award of Merit from the University of Wisconsin, Green Bay
1991 February 11 -- Died in Hamilton, Ontario
1991 -- Establishment of the Ruth Landes Memorial Research Fund at Research Institute for the Study of Man (RISM)
Related Materials:
Correspondence from Ruth Landes can be found in the William Duncan Strong Papers, the Leonard Bloomfield Papers, and MS 7369. The Ruth Bunzel Papers contains a copy of a grant application by Landes.
Provenance:
These papers were donated to the National Anthropological Archives by Ruth Landes in 1991.
Restrictions:
The Ruth Landes papers are open for research. The nitrate negatives in this collection have been separated from the collection and stored offsite. Access to nitrate negatives is restricted due to preservation concerns.
Access to the Ruth Landes papers requires an appointment.
Rights:
Contact the repository for terms of use.
Topic:
Language and languages -- Documentation Search this
Ruth Landes papers, National Anthropological Archives, Smithsonian Institution
Sponsor:
The revision of this finding aid and digitization of portions of the collection were made possible through the financial support of the Ruth Landes Memorial Research Fund.
The Phillip Walker papers document his research and professional activities from 1969-2008 and primarily deal with his bioarchaeological research in California and his studies of primate feeding behavior and dentition. His involvement in issues surrounding the repatriation of Native American human remains, forensic work for public agencies dealing with human remains, and writings are also represented. The collection consists of research and project files, raw data and analysis, graphs and illustrations, photographs, and dental impressions.
Scope and Contents:
The Phillip Walker papers document his research and professional activities from 1969-2008 and undated and primarily deal with with his bioarchaeological research in California and his studies of primate feeding behavior and dentition. The collection consists of research and project files, raw data and analysis, graphs and illustrations, photographs, x-rays, and dental impressions.
Material documenting his involvement in issues surrounding the repatriation of human skeletal remains, forensic work for public agencies, and writings are also represented. There is limited material regarding the courses he taught at the University of California, Santa Barbara and his other research on pinniped butchering methods, an archaeological project in Mosfell, Iceland, and a project in the Aral Sea region.
Arrangement:
This collection is arranged in 7 series: Series 1. California projects and research, 1969-2003, undated; Series 2. Primate research, 1970-1988, 1997, undated; Series 3. Forensic work, 1980-2003, undated; Series 4. Repatriation work, 1987-1999; Series 5. Writings and academic material, 1974-2008, undated; Series 6. Other research, 1976-circa 2008, undated; Series 7. Slides, 1969-1998, undated.
Biographical Note:
Phillip L. Walker was a leading physical anthropologist and bioarchaeologist and a professor of anthropology at the University of California, Santa Barbara (UCSB). Born in 1947 in Elkhart, Indiana, Walker graduated from the University of Chicago in 1973 with a Ph.D. in Anthropology. His doctoral work focused on the feeding behavior of great apes and included field work at the Yerkes Regional Primate Center in Atlanta, Georgia. In 1975, he completed field work in Guatemala studying the behavior of free-ranging New World monkeys.
Walker began teaching at UCSB in 1974 and became fascinated with the "enormous archaeological heritage of the Santa Barbara Channel Islands region, and the native peoples who occupied it." He started a research program on the bioarchaeology of the region and collaborated with other scholars as well as the Chumash community in the region. He "struck up a positive dialog with the Chumash tribe, developed friendships, and pioneered the notion that the living descendant community is a crucial player in research and learning about the past."
In the late 1980s and early 1990s Walker was active in the development and implementation of the Native American Graves Protection and Repatriation Act (NAGPRA). He was a founding member of the U.S. Department of the Interior's NAGPRA review committee and the Smithsonian Institution's Native American Repatriation Review Committee.
In the late 1990s Walker was instrumental in launching the Global History of Health Project which focused on the investigation of regional and continental patterns of health and lifestyle through the study of human remains. In addition, he was the co-director of an archaeological project excavating a Viking settlement in Mosfell, Iceland and volunteered his forensic services to public agencies in California and Nevada.
Over the course of his career Walker authored more than 200 scholarly articles and reports. He died in 2009 at his home in Goleta, CA.
Source consulted: Larsen, Clark Spencer and Patricia M. Lambert. 2009. "Obituary: Phillip Lee Walker, 22 July 1947- 6 February 2009." American Journal of Physical Anthropology. 141:1-2
Chronology
1947 -- Born on July 22 in Elkhart, Indiana
Summer 1966 -- Archaeological fieldwork, Atlas, Illinois (Director, field laboratories in Human Osteology)
September 1969 -- Archaeological fieldwork, Northwestern Hudson Bay Tule Expedition, Northwest Territories, Canada
1970 -- B.A. Indiana University (Anthropology, minor in Zoology)
Summer 1970 -- Dental anthropological fieldwork, International Biological Program (Eskimo villages in Northern Alaska)
March 1971 -- Dental anthropological fieldwork, Gila River Indian Reservation (Pima), Arizona
1971 -- M.A. University of Chicago (Anthropology)
Summer 1971, Spring 1973 -- Primate Behavioral Research, Yerkes Regional Primate Center, Atlanta, Georgia
1973 -- Ph.D. University of Chicago (Anthropology)
1974 -- Lecturer, University of California, Davis
1974-2009 -- Professor, University of California, Santa Barbara
Summer 1975 -- Field study of the behavior of free-ranging New World monkeys in Guatemala
Summer 1982 -- Archaeological fieldwork, San Miguel Island
1991-1992 -- Chairman, Society for American Archaeology Task Force on Repatriation
1992-1997 -- Member, Department of the Interior Native American Graves Protection and Repatriation Act Review Committee
2003-2005 -- President, American Association of Physical Anthropologists
2003-2009 -- Fellow, American Association for the Advancement of Science
Summer 2006 -- Archaeological excavations, San Miguel Island
2009 -- Died on February 6 in Goleta, CA
Separated Materials:
Seven rolls of 16mm film (100' each), 3 rolls of Super 8mm film (50' each), and one small roll of Super 8mm film of primate behavior were transferred to the Human Studies Film Archive (accession number 2014-013).
Provenance:
These papers were donated to the National Anthropological Archives by Phillip Walker's wife, Cynthia Brock, in 2014.
Restrictions:
The Phillip Walker papers are open for research.
Requests to view forensic files are subject to review by the NAA. Forensic files can only be viewed in the National Anthropological Archives reading room. No copies are permitted unless permission is granted by the agency the report was written for.
Access to the Phillip Walker papers requires an appointment.
National Film and Sound Archive (Australia) Search this
Extent:
Film reels (10 minutes 15 seconds, black-and-white silent)
Type:
Archival materials
Film reels
Date:
1918
Scope and Contents:
Edited film documents a typical day in the life of Skaguay, Alaska. Scenes include the Public Gardens, Huandusky Village, native Alaskans, children racing, an artist drawing a scene of Skaguay from memory, Pitchfork Falls, the grave of the man who shot "Soapy" Smith, and environmental images of flowers and fruit.
Legacy Keywords: Animals dogs Alaska ; Exhibitions parades Alaska ; Social organizations Elks Club Alaska ; Games racing Alaska ; Plants flowers dahlias Alaska ; Transportation automobiles Alaska ; Transportation sleds dog teams Alaska ; Alaska ; Skaguay, Skagway ; North America; Americans ; Eskimos ; Arctic peoples ; Indians of North America Subarctic
Local Number:
HSFA 1994.14.5
Collection Restrictions:
The collection is open for research. Please contact the archives for information on availability of access copies of audiovisual recordings. Original audiovisual material in the Human Studies Film Archives may not be played.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
National Film and Sound Archive of Australia films, Human Studies Film Archives, Smithsonian Institution
MS 3941 Materials assembled by Hewitt for preparation of articles in Bureau of American Ethnology Bulletin 30 and for replies to inquires from the public
Collector:
Hewitt, J. N. B. (John Napoleon Brinton), 1859-1937 Search this
Indians of North America -- Southern States Search this
Type:
Collection descriptions
Archival materials
Calendars
Date:
undated
Scope and Contents:
Contents: Adirondack tribe (St Lawrence River) Old Manuscript Number 3553. Adoption Old Manuscript Number 4007. Refers to Algonquian method of counting -only; see Haas note 2/18/72; Old Manuscript Number 3864. "Alligewi"; Animism Old Manuscript Number 3867 and 2842-c, box 6. Blood Indians, origin of name; Brant, Joseph Old Manuscript Number 3874. Chippewa, origin of name Old Manuscript Number 3646. Chiefs, function and significance of Old Manuscript Number 2842-c, box 6. Delaware tribe, New Jersey area claimed by Old Manuscript Number 3866. Detroit River, tribes near; Ekaentoton Island-- see Ste. Marie Island Environment (Bulletin 30 draft by O. T. Mason) Old Manuscript Number 4007. Erie, origin of name Old Manuscript Number 3646. Erie and Black Mincqua tribes Old Manuscript Number 3586. [Eskimo] Arctic tribes, leaving elderly and sick people to die Old Manuscript Number 3668. Family, Bulletin 30 draft and notes Old Manuscript Number 4011 and 2842-c, box 6. Grand River (Tinaatoua), name of; Hebrew calendar; Hewitt, list of Bulletin 30 articles by Old Manuscript Number 4066. Hoboken, origin of name; Iroquois, "On the Northern and Eastern Territorial Limits of the Iroquoian people, in the 16th Century," and Algonquian tribes, at Chaleur Bay. Iroquois at Gulf of St Lawrence and Bay of Gaspe Old Manuscript Number 3625.
Iroquois, location of Six Nations tribes reservations Old Manuscript Number 3763. Iroquois false face; Iroquois preparation of corn ("as food") Old Manuscript Number 4009. Iroquoian early dress Old Manuscript Number 3660. Iroquoian "Gachoi" tribe, identity of (Correspondence with F. Bogaskie.) Old Manuscript Number 3816. Iroquoian moon names and concept of time; Iroquoian social organization, and place name-name origins; "Man," Iroquoian term for Old Manuscript Number 3781. Iroquoian towns Old Manuscript Number 4006. Kentucky, meaning of the word; Kentucky, origin of name Old Manuscript Number 3840. Lenni Lenape, meaning of the word; Logstown-- see Shenango Old Manuscript Number 3773. Lost Ten Tribes as American Indians Old Manuscript Number 3670. Mayan linguistic family and other Mayan linguistic notes including Quiche and Tepehuanan notes Old Manuscript Number 3473. Mexico: idols, sacrifices, etc. Old Manuscript Number 3807. Mexico: Indian languages. Letter from Captain W.E.W. MacKinley Old Manuscript Number 3778. Missouri, Indian village, location of Old Manuscript Number 3944. Mohawk land near Lake Champlain; Mohawk grammar; Montour family, notes for Bulletin 30 Old Manuscript Number 3812. Muskhogean social organization. Letter from J. J. Harrison. Old Manuscript Number 3891. New England tribes Old Manuscript Number 3513.
Niagara, origin of name; "Old Smoke"-- see Sayenqueraghta Old Manuscript Number 3949. Onondaga tribe, text of memorial inscription to, and correspondence Old Manuscript 4391 and 4271- box 1 (part.) Ontwaganha or Toaganha, origin and meaning of name Old Manuscript Number 3864. Owego, meaning of town's name; Pekwanoket tribe (Cape Cod); Pemaquid, Abnaki word and its origin Old Manuscript Number 89. Piasa bird- pictograph formerly near present Alton, Illinois. Article is similar to that by Cyrus Thomas, Bureau of American Ethnology Bulletin 30. Old Manuscript Number 3981. Potawatomi, notes on the name Old Manuscript Number 4034. Potawatomi Green Corn Dance; Roanoke, origin of name Old Manuscript Number 3998. Sacagawea, spelling of; St Ignace, 3 settlements (Michigan); St Marie Island or Ekaentoton Island; Sauk, Bulletin 30 article and galley proof, notes Old Manuscript Number 3764. Sayenqueraghta or "Old Smoke" (correspondence with Alanson Skinner) Old Manuscript Number 3949. Scalping Old Manuscript Number 4025. Shenango and Logstown Old Manuscript Number 3773. Sioux, origin of name Old Manuscript Number 3624. Society of American Indians, resolutions by thanking General Hugh L. Scott, Fr. Anselm Webber and others Old Manuscript Number 3868. Susquehanna, origin of name Old Manuscript Number 3707. Tacoma, origin of name Old Manuscript Number 3470.
Thunderbird, notes on Old Manuscript Number 3552. Tinaatoa-- see Grand River; Toronto, origin of name; Tuscarora villages Old Manuscript Number 3998. Wampum Old Manuscript Number 3998. War club with inscription; West Virginia panhandle tribes Old Manuscript Number 3945. Williams, Eleazer Old Manuscript Number 3998. Women, status of Old Manuscript Number 3566. Wyandots (Huron) List of tribes of which Wyandots of today are constituted. Old Manuscript Number 3774.
The material reflects Curry's legal work in representing the large number of Indian tribes that were his clients, his work as general counsel for N.C.A.I. and some of his early work as an attorney with the Bureau of Indian Affairs. Other papers reflect Curry's long feud with the government concerning his contracts with a representation of the Indian tribes, political involvement, and other causes in which he was interested. The bulk of the documents consist of letters, but it also includes copies of telegrams, statements of services rendered, tribal resolutions, contract and lease copies, affidavits, vouchers, expense statements, press releases, minutes of tribal meetings, newspaper clippings, copies of testimony before government committees, copies of legislative bills, petitions and motions filed in cases, mailing lists, tribal reports, N.C.A.I. bulletins, and documents generated from Indian land claim cases. Other materials reflect Curry's efforts in the areas of Indian self-government, voting rights, civil rights, and social security.
Arrangement note:
Arranged alphabetically by subject and chronologically within each subject.
Directional Note:
For more information on subjects regarding Alaska, please see the specific names of Alaskan towns and Indian communities/tribes.
Alaska Communities
Akutan Alaskan Community
Angoon Alaskan Community
Craig Alaskan Community
Eskimo claims
Haida- see -- Tlingit and Haida
Haines, Alaska
Juneau Indians
Kake, Alaska
Kasaan, Alaska
Ketchikan, Alaska
Kiana, Alaska
Klawock, Alaska
Kluckwan, Alaska
Taku Indians of Douglas, Alaska
Tlingit
Unalakleet, Alaska
Wrangell, Alaska
Collection Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Single photocopies may be made for research purposes. Permission to publish or broadbast materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiarchives@si.edu.
Collection Citation:
Identification of specific item; Date (if known); James E. Curry papers, Box and Folder Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
Photographs documenting a reception following the opening of the "Inua" exhibit at the National Museum of Natural History. They include images of performers, Smithsonian staff and visitors viewing the new exhibit and socializing. There are also images of Eskimo dancers from Gambell on St. Lawrence Island, who formed a part of the exhibit. Color prints were made by Moreau Browne Congleton Chambers, while the black and white prints were made by Smithsonian photographers.
Biographical/Historical note:
The "Inua: Spirit World of the Bering Sea Eskimo" exhibit, which opened in June 1982 at the National Museum of Natural History, was organized by William W. Fitzhugh and Susan Kaplan and made use of the Edward William Nelson collection of arctic materials. Moreau Chambers, a visitor to the exhibit opening, was a former field crew member of Henry Bascom Collins's 1931 expedition to Saint Lawrence Island, Alaska.
Local Call Number(s):
NAA Photo Lot 83-29
Location of Other Archival Materials:
The Smithsonian Institution Archives holds a picture of William Fitzhugh and Susan Kaplan with parts of the Edward William Nelson Collection (SIA 2003-19575).
Correspondence and writings from Moreau Chambers can be found in the National Anthropological Archives in MS 4173, MS 7406, MS 7525, the Cooperative Ethnological Investigations file, Frank Maryl Setzler's papers, and Henry Bascom Collins's papers.
Photographs of arctic Natives by Edward William Nelson can be found in the National Anthropological Archives in Photo Lot 24 and the BAE historical negatives.
Nelson's collection of Arctic Native material culture can be found in the Department of Anthropology.
Indians of North America -- California Search this
Type:
Collection descriptions
Archival materials
Place:
North Dakota -- Archeology
South Dakota -- Archeology
Great Plains
Honduras -- Archeology
Labrador (N.L.)
Nebraska -- Archeology
Columbia River Valley
Date:
1902-1965
bulk 1927-1955
Summary:
William Duncan Strong's early interest was in zoology, but, while an undergraduate at the University of California, he was brought into anthropology under the influence of Alfred Louis Kroeber. He conducted archaeological and ethnological field research in several areas of the New World and was the first professionally trained archaeologist to focus on the Great Plains, where he applied the so-called direct historical method, working from known history in interpreting archaeological sites. Strong's papers include correspondence, field notes, diaries, newspaper clippings, teaching notes and student papers, manuscripts of his writings, writings by other authors, papers from the various organizations in which he served, maps, and a considerable number of photographs from his field work. The materials date from 1902 to 1965, with most of the materials being from 1927 to 1955.
Scope and Contents:
Strong's papers include correspondence, field notes, diaries, newspaper clippings, teaching notes and student papers, manuscripts of his writings, writings by other authors, papers from the various organizations in which he served, maps, and a considerable number of photographs from his field work. The materials date from 1902 to 1965, with most of the materials being from 1927 to 1955.
Strong's papers reflect his professional life, but there is little personal material. Except for the Rawson-MacMillan Labrador Expedition, there is little information from Strong's years at the Field Museum of Natural History in Chicago. Other than information on field work expenses, there is little light shed on Strong's personal financial situation. There is no personal correspondence with either of his wives and little correspondence with family members, except for his brother, Ronald. Some correspondence from the late 1930s to the early 1940s is not present and its whereabouts is not known. Of special interest is a collection of drawings by Naskapi Indian children collected while Strong was on the Labrador expedition in 1928. Strong collected obituaries, vitae, news articles, and writings on and by other anthropologists. He was an inveterate doodler, and his fascinating creations appear throughout the papers.
Strong also collected materials from other researchers, including Loren Eiseley's 1931 field notes from the Morrill Expedition, Maurice Kirby's 1932 notes on the Signal Butte excavations, notes and drawings from the 1936 Honduras expedition by Alfred V. Kidder II, and the field notebooks kept by Clifford Evans for the 1946 Virú Valley expedition in Peru. Contributed photographs from field expeditions are from A.T. Hill, Waldo Wedel, and John Champe.
Please note that the contents of the collection and the language and terminology used reflect the context and culture of the time of its creation. As an historical document, its contents may be at odds with contemporary views and terminology and considered offensive today. The information within this collection does not reflect the views of the Smithsonian Institution or National Anthropological Archives, but is available in its original form to facilitate research.
Arrangement:
The collection is arranged in 12 series: (1) Miscellaneous personal papers, 1914-1963; (2) Correspondence, 1922-1965; (3) Materials relating to field work, 1921-1963; (4) Miscellaneous research notes, 1917-1960, most undated; (5) Maps and charts, 1902-1949; (6) Drawings by Naskapi Indians and Eskimos, 1910, 1928; (7) Manuscripts of writings, 1922-1962, undated; (8) Writings by other authors, 1902-1961; (9) Papers relating to organizations, 1926-1961; (10) Teaching materials and course work, 1909, 1928-1961; (11) Miscellany, 1902-1961, most undated; (12) Photographs, 1913-1950.
Biographical Note:
William Duncan Strong (1899-1962) was a major figure in American anthropology. His accomplishments were as a field worker in archaeology and ethnology, archaeological theorist, writer, and teacher. He was, furthermore, a leader in anthropological organizations. In 1954, his position in the field was recognized by the award of the Viking Fund Medal for his contributions to archaeology.
William Duncan Strong's early interest was in zoology, but, while an undergraduate at the University of California, he was brought into anthropology under the influence of Alfred Louis Kroeber. He conducted archaeological and ethnological field research in several areas of the New World, including Labrador, southern California, Honduras, and Peru. Strong was the first professionally trained archaeologist to focus on the Great Plains, and it was there that he applied the so-called direct historical method, working from known history in interpreting archaeological sites. His work in all these areas are represented by notebooks, diaries, specimen catalogues, maps, and photographs.
Strong spent the majority of his professional life affiliated with various universities and taught many anthropologists who became influential in their own right. His students included Loren Eiseley, Waldo R. Wedel, Joseph Jablow, Oscar Lewis, John Landgraf, Dorothy Keur, David Stout, Charles Wagley, Eleanor Leacock, John Champe, Albert C. Spaulding, Victor Barnouw, John M. Corbett, Walter Fairservis, and Richard B. Woodbury. Strong preserved the student papers by some of these anthropologists as well as their correspondence with him.
Strong influenced American anthropology by his service in professional societies. He served as president of the American Ethnological Society, the Institute of Andean Research, and the Society for American Archaeology. He was the director of the Ethnogeographic Board (his journal from his tenure as director is in the papers) and chairman of the Committee on Basic Needs of American Archaeology. In this latter capacity, Strong was involved in establishing a program to salvage archaeological sites before they were destroyed by public works. Strong served as the anthropological consultant to the Bureau of Indian Affairs during Franklin Roosevelt's administration and advised on new directions to be taken in Indian Service policy.
Strong died suddenly on January 29, 1962.
Chronology
1899 -- Born January 30 in Portland, Oregon
1917 April-1919 January -- In the United States Navy aboard the U.S.S. South Dakota on convoy duty in the Atlantic Ocean
1922 -- Collected faunal specimens in the Canadian Rockies, Skeena River district, for the University of California Museum of Vertebrate Zoology
1923 -- A.B., University of California Studied Max Uhle's Peruvian archaeological collection Collected faunal specimens, Columbia River, Washington
Winter, 1923-1924 -- Archaeological investigations in the southern San Joaquin Valley, California under the direction of Edwin Winslow Gifford
1924-1925 -- Expedition to study Shoshonean tribes (the Serrano, Cahuilla, Cupeño, and Luiseño) of Southern California (Riverside and San Diego counties) under Alfred Louis Kroeber Archaeological surveys and excavations of three months each in the middle Columbia River Valley in Oregon and Washington
1925 -- Archaeological expedition and collection of faunal specimens in the San Pedro Martir Mountains, Baja California under W. Egbert Schenk
1925-1926 -- Research Assistant, Department of Anthropology, University of California
1926 -- PhD, Anthropology, University of California
1926 July-1929 August -- Assistant Curator of North American Ethnology and Archaeology, Field Museum of Natural History, Chicago
1927 -- An Analysis of Southwestern Society (doctoral dissertation)
1927 June-1928 September -- Anthropologist on the Rawson-MacMillan September, 1928 Subarctic Expedition of the Field Museum Studied Naskapi and Eskimos in Labrador and on Baffin Island
1929 -- Married Jean Stevens
1929 August-1931 July -- Professor of Anthropology, University of Nebraska
1929 -- Published The Aboriginal Society of Southern California
1929-1931 -- Director, Archaeological Survey of Nebraska, University of Nebraska
1930 June 11-September 6 -- Excavated at Rock Bluff cemetery site
1931 -- Helped organize the First Plains Conference (held August 31-September 2)
1931-1932 -- Morrill Expedition, central and western Nebraska and North and South Dakota: ethnological investigations of Arikaras at Nishu, North Dakota; excavation at Signal Butte, Nebraska; and excavation at Leavenworth and Rygh village sites in South Dakota
1931 July-1937 August -- Senior Anthropologist, Bureau of American Ethnology, Smithsonian Institution
1932 -- Archaeological survey of northeastern Honduras along the Mosquito Coast and the Patuca River, archaeological work on the Bay Islands, and ethnological investigation of Sumu Indians
1933-1934 -- Two Civilian Works Administration archaeological expeditions (five months each) in California in southern San Joaquin Valley, Kern County, at Tulamniu (a Yokuts village) and eastern Chumash area
1934-1937 -- Trustee, Laboratory of Anthropology, Sante Fe
1935 -- Anthropological consultant to the Bureau of Indian Affairs Assistant editor, American Antiquity Published Archeological Investigations in the Bay islands, Spanish Honduras and An Introduction to Nebraska Archeology
1935-1937 -- Member, Committee on State Archeological Surveys, National Research Council
1936 -- Smithsonian Institution-Harvard expedition to northwestern Honduras to the valleys of the Chamelecon and the Ulua Rivers, Naco and other sites
1937-1962 -- Professor, later Chairman, Department of Anthropology, Columbia University
1937-1938 -- Vice-President, American Anthropological Association
1938 -- Fort Abraham Lincoln (Slant Mandan village) site and Sheyenne-Cheyenne village site excavations in North Dakota
1939 -- Chairman, National Research Council's Committee on Basic Needs in American Archaeology Excavated at Arzberger site in South Dakota and the area between the Chamberlain and Cheyenne Rivers
1940 -- Member, National Research Council's Committee on War Services of Anthropology Expeditions to western Florida and southwestern United States, especially New Mexico Peruvian archaeological survey
1941 -- Chairman, Section H, American Association for the Advancement of Science
1941-1942 -- President, American Ethnological Society Peruvian excavations at Pachacamac in the Chancay Valley and the Ancon-Supe excavations
1942? -- Peruvian excavations in the Naxca and Ica Valleys
1942-1944 -- Director, Ethnogeographic Board
1943 -- Published Cross Sections of New World Prehistory Appointed to Loubat Professorship at Columbia University
1945 -- Married Helen Richardson
1946 -- Peruvian excavations, Virú Valley Project National Research Council liaison member of the Committee for the Recovery of Archaeological Remains President, Institute of Andean Research
1948-1949 -- Chairman, Anthropology Section of New York Academy of Sciences
1949 July-August -- Peru-Mexico trip
1950 -- Talking Crow site expedition Excavated at Signal Butte
1952-1953 -- Peruvian expeditions, Nazca and Ica Valleys
1954 -- Awarded the Viking Fund Medal Trip to western United States
1955-1956 -- President, Society for American Archaeology
1962 -- Died January 29
Selected Bibliography
1929 -- Strong, William Duncan. Aboriginal Society of Southern California. Vol. 26, University of California Publications in American Archaeology and Ethnology. Berkeley: University of California Press, 1929.
1935 -- Strong, William Duncan. Archeological Investigations in the Bay islands, Spanish Honduras. Washington: The Smithsonian Institution, 1935. Strong, William Duncan. An Introduction to Nebraska Archeology. Vol. 93, no. 10, Smithsonian Miscellaneous Collections. Washington: The Smithsonian Institution, 1935.
1938 -- Strong, William Duncan, Alfred Kidder, II, and A.J. Drexel Pail, Jr. Preliminary Report on the Smithsonian Institution-Harvard University Archeological Expedition to Northwestern Honduras, 1936. Vol. 97, no. 1, Smithsonian Miscellaneous Collections. Washington: The Smithsonian Institution, 1938.
1943 -- Strong, William Duncan. Cross Sections of New World Prehistory: a Brief Report on the Work of the Institute of Andean Research, 1941-1942. Vol. 104, no. 2, Smithsonian Miscellaneous Collections. Washington: The Smithsonian Institution, 1943. Strong, William Duncan. Archeological Studies in Peru, 1941-1942. New York: Columbia University Press, 1943.
1948 -- "The Archeology of Honduras." In The Circum-Caribbean Tribes Vol. 4, Handbook of South American Indians, edited by Julian H. Steward, 71-120. Bureau of American Ethnology, Bulletin No. 143. Washington: U.S. Government Print Office, 1948.
1952 -- Strong, William Duncan, and Clifford Evans. Cultural Stratigraphy in the Virú Valley, Northern Peru. New York: Columbia University Press, 1952.
For a complete bibliography of Strong's works, see Solecki, Ralph, and Charles Wagley. "William Duncan Strong, 1899-1962," American Anthropologist 65, no. 5 (October 1963): 1102-1111. https://anthrosource.onlinelibrary.wiley.com/doi/pdf/10.1525/aa.1963.65.5.02a00080
Related Materials:
Additional materials in the National Anthropological Archives relating to William Duncan Strong can be found in the records of the American Anthropological Association, Bureau of American Ethnology, Handbook of South American Indians, Institute of Social Anthropology, River Basin Surveys, the Society for American Archaeology, and Tulamniu Project (1933-1934); the papers of Ralph Leon Beals, John Peabody Harrington, Frederick Johnson, Frank Maryl Setzler, Ruth Schlossberg Landes, Albert Clanton Spaulding (including information on the Arzberger site), and Waldo Rudolph and Mildred Mott Wedel; Photographic Lot 14, Bureau of American Ethnology Subject and Geographic File; Photographic Lot 24, Bureau of American Ethnology-United States National Museum Photographs of American Indians; Photographic Lot 77-80, Portraits of Smithsonian Anthropologists; Photographic Lot 92-35, Ralph S. Solecki Photographs of Anthropologists; Numbered Collections, MS 4821 (records of the Anthropological Society of Washington), MS 4261 (photographs made on a site survey in the Santa Barbara Mountains, California, 1934), MS 4302 (journal covering the 1936 expedition to Honduras), MS 4846 (correspondence between BAE authors and the BAE editor's office), and MS 7200 (original field catalog of Honduran artifacts, 1936); and in the non-archival reference file. There are also materials in the Smithsonian Institution Archives in record units 87 (Ethnogeographic Board), 9528 (Henry Bascom Collins interviews), and 1050102 (papers of T. Wayland Vaughan). In the Human Studies Film Archives there is material on Strong in the video dialogues of Charles Wagley, 1983.
Provenance:
The Strong papers were donated to the archives by Strong's widow, Mrs. Helen Richardson Strong. Most of the arrangements were handled by Ralph S. Solecki, then of Columbia University. He sent the papers to the archives between 1974 and 1979, and there have been small accretions since that time. These accretions came through Richard G. Forbis, Department of Anthropology, University of Calgary; Mildred Mott Wedel and Waldo R. Wedel, Department of Anthropology; and Nan A. Rothschild, Department of Anthropology, Barnard College. Mrs. Strong donated the rights in the unpublished material in the collection to the Department of Anthropology, Smithsonian Institution.
Restrictions:
The William Duncan Strong papers are open for research.
Access to the William Duncan Strong papers requires and appointment.
Rights:
Contact the repository for terms of use.
Topic:
Excavations (Archaeology) -- California Search this
